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149:. His production as a landscapist can be divided into four categories: alpine views or pastorals, violent country storms, ruins, and scenes of villages or courtyards. While the medium of many of his works was oil on canvas, about half of his output, smaller in dimension, was tempera applied to goatskin.
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Marco Ricci returned to Venice in 1716, living with his uncle there until his death. Ricci's output in the 1720s was prodigious, and his production encompassed landscapes, capriccios, gouaches on vellum, drawings of stage designs and caricatures. He collaborated with
Sebastiano on monumental
137:. Ricci returned to Venice in 1711, but came back to England with his uncle Sebastiano the following year, with whom he collaborated on several commissions. During his time in England, Marco Ricci also painted several landscapes,
93:, and British ambassador to Venice, in late 1708 Ricci traveled to England, and on his way there he stopped in the Netherlands to study Dutch landscape painting. In England, he frequently collaborated with the artist
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figurative paintings. From 1723, Marco Ricci etched several plates from his own designs, consisting of views and landscapes, with ruins and figures, including a notable set of twenty-three prints which anticipate
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Varia Marci Ricci
Pictoris priestantissimi experimenta ab ipsomet auctore inventa, delineata atque incisa, et a me Carolo Orsolini Véneto incisore in unum collecta, c. Anno 1730, Venetiis
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61:, located in Florence. Ricci's propensity for collaboration with other artists makes his early style difficult to trace, but it is generally agreed that his influences included
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Bryan, Michael; and George
Stanley. A biographical and critical dictionary of painters and engravers: with a list of ciphers, monograms, and marks. G. Bell, 1878.
57:, where he was for some time occupied in painting perspective views. In 1706–7, he worked with his uncle on the decoration of the Sala d'Ercole in the
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170:. Marco Ricci can be regarded as the initiator of a new Venetian landscape style, which became an immediate international success. He died in
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Wittkower, Rudolf (1999). Art and
Architecture in Italy, 1600–1750: The Late Baroque, 1675–1750. New Haven: Yale University Press.
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A biographical and critical dictionary of painters and engravers: with a list of ciphers, monograms, and marks.
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A biographical and critical dictionary of painters and engravers: with a list of ciphers, monograms, and marks.
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in the 17th and early 18th centuries. Closer in time, and known personally by Ricci, was the
Genoese painter
53:, likely in Milan in 1694–6. He left for Venice with his uncle in 1696, but had to flee the city. He visited
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Martineau, Jane; and Andrew
Robinson, eds. Yale University Press: New Haven and London, 1994.
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Martineau, Jane; and Andrew
Robinson, eds. Yale University Press: New Haven and London, 1994.
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Martineau, Jane; and Andrew
Robinson, eds. Yale University Press: New Haven and London.
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Martineau, Jane; and Andrew
Robinson, eds. Yale University Press: New Haven and London.
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Martineau, Jane; and Andrew
Robinson, eds. Yale University Press: New Haven and London.
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Levey, Michael (1994). "An Introduction to 18th-Century Venetian Art." In:
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Bryan, Michael; and George Stanley. 1878. The full title of the set is
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Art and Architecture in Italy, 1600–1750: The Late Baroque, 1675–1750.
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Levey, Michael. "Introduction to 18th-Century Venetian Art." In:
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A new chronology of Venetian opera and related genres, 1660–1760.
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Barcham, William (1994). "Townscapes & Landscapes". In:
33:(6 June 1676 – 21 January 1730) was an Italian painter of the
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105:. The pair painted stage scenery for two Italian operas,
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and received his first instruction in art from his uncle,
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Barcham, William. "Townscapes & Landscapes". In:
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The glory of Venice: Art in the Eighteenth Century.
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The glory of Venice: Art in the Eighteenth Century.
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The glory of Venice: Art in the Eighteenth Century.
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The glory of Venice: Art in the Eighteenth Century.
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The Glory of Venice: Art in the Eighteenth Century.
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The Glory of Venice: Art in the Eighteenth Century.
457:Visions of Venice: Paintings of the 18th Century.
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