167:
preparation of the book). Magdalena
Saryusz-Wolska remarks that the book is obviously not directed to Polish readers, because most of the covered issues may be found in Polish literature. Probably for this reason the author packed the book with a large number of films sacrificing the amount of individual coverage.
166:
The book provides a comprehensive survey of Polish
Holocaust films, which uses, in part, archival materials that clarify production and reception contexts. It covers 46 feature films and 68 documentaries, shorts and TV films, although misses some important ones (which were released during the
97:
Haltof established himself as one of the leading voices on Polish cinema. Film critic Michał Oleszczyk writes that Haltof is one of the two Polish-born scholars leading the field of Polish films studies outside Poland (with the other one being
106:(2019) is a "comprehensive, reliable" and "groundbreaking work," which "delivers rich, basic information in ways that are both enjoyable and intelligible for foreign readers." The same critic describes Haltof's
521:
110:(2018) as "one of the finest single film monographs on the subject of Polish film - and perhaps one of the finest monographs on any significant work of cinema."
141:
A revised, updated, and expanded version of the 2002 book, which, as film critic Michał Oleszczyk wrote, "has become a staple in
English-language teaching of
474:
687:
435:
557:
118:
740:
301:
735:
35:
730:
209:, Berghahn Books, 2002. ISBN 978-1571812759. The book was translated into Chinese (2011), Japanese (2006), and Polish (2004).
548:
Magdalena
Saryusz-Wolska, Recenzja publikacji: Marek Haltof, Polish Film and the Holocaust. Politics and Memory, 2015,
404:
138:
197:, Wallflower Press/Columbia University Press, 2004. ISBN 978-1903364925. Translated into Czech, Japanese, and Chinese.
436:"Pytka on Haltof, 'Screening Auschwitz: Wanda Jakubowska's The Last Stage and the Politics of Commemoration'"
755:
750:
79:
74:
For several years he has taught at universities in Canada, including the
University of Alberta and the
285:
510:
745:
497:
Matilda Mroz, "Review: Marek Haltof (2012), Polish Film and the
Holocaust: Politics and Memory",
393:
64:
31:
725:
479:
344:
75:
43:
720:
692:
8:
488:, Jewish Film & New Media: An International Journal, vol. 8 no. 1, 2020, p. 104-107.
83:
59:
149:
Screening
Auschwitz: Wanda Jakubowska's The Last Stage and the Politics of Commemoration
698:
649:
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52:
24:
203:, Flicks Books, 2003. Co-editor with Janina Falkowska. ISBN 978-1862360020
463:
319:
142:
27:. specializing in the cultural histories of Polish and Australian film.
702:
653:
369:
629:
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86:. He is the recipient of several grants and awards, including the 2012
485:
113:
642:
The Cinema of
Krzysztof Kieślowski. Variations on Destiny and Chance
605:
195:
The Cinema of
Krzysztof Kieślowski: Variations on Destiny and Chance
94:(2012. In 2018 he was honored for Excellence in Scholarship at NMU.
68:
39:
697:, "Reviewed Work: Polish National Cinema by Marek Haltof", 2003,
20:
189:
The Cinema of
Australia: On the Screen Construction of Australia
229:). PWSFTviT (Lodz Film School Press), 1996. ISBN 83-900788-8-0.
251:), Szumacher, 1992. ISBN 83-900332-7-5, a collection of essays
360:
Michał Oleszczyk, "Reviewed Work: Polish Cinema: A History",
117:
received the 2019 Waclaw Lednicki Humanities Award from the
90:
Award for Outstanding Academic Book in Film Studies for his
665:"The cinema that is. Marek Haltof's Polish National Cinema"
151:. Northwestern University Press, 2018. ISBN 978-0810136106.
302:"Dwudniowy cykl nt. Holocaustu w Książnicy Cieszyńskiej"
227:
Australian Cinema: The Screen Construction of Australia
63:(Author and Art Cinema: The Case of Paul Cox) from the
380:
Michal Oleszczyk, "On Haltof's Screening Auschwitz",
155:
Historical Dictionary of Polish Cinema: Second Edition
382:
Jewish Film & New Media: An International Journal
185:
Kino australijskie. O ekranowej konstrukcji Antypodów
332:"Polish Film and the Holocaust: Politics and Memory"
191:). słowo/obraz terytoria, 2005. ISBN 83-7453-670-5.
600:, Volume 64 , Issue 3 , Fall 2005 , pp. 642 - 644
161:Polish Film and the Holocaust: Politics and Memory
92:Polish Film and the Holocaust: Politics and Memory
223:Kino Australii: o ekranowej konstrukcji Australii
712:
157:, Rowman and Littlefield, 2014. ASIN: B00T9911N8
119:Polish Institute of Arts and Sciences of America
42:. He received his Ph.D. degree in 1995 from the
181:, Scarecrow Press, 2007. ISBN 978-0-8108-5566-3
48:When Cultures Collide: The Cinema of Peter Weir
261:), 1988, a novel in Polish. ISBN 83-216-0654-7
235:. Twayne Publishers, 1996. ISBN 0-8057-7843-8.
213:Autor i kino artystyczne. Przypadek Paula Coxa
241:, 1996, a novel in Polish. ISBN 83-7164-013-7
175:. Scarecrow Press, 2010. ISBN 978-0810876170.
163:, Berghahn Books, 2012. ISBN 978-0857453563.
458:, Volume 78, Issue 2, 2019 , pp. 567 - 568
394:"Haltof's Book About Holocaust Film Honored"
624:, Vol. 84, No. 1 (Jan., 2006), pp. 129-131
217:Author and Art Cinema: The Case of Paul Cox
30:He studied at the University of Silesia (
356:
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352:
219:). Rabid, 2001. ISBN 978-83-88668-11-1.
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297:
295:
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279:
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179:Historical Dictionary of Polish Cinema
78:, and since 2001 he is a professor at
36:Flinders University of South Australia
622:The Slavonic and East European Review
315:
313:
311:
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741:Northern Michigan University faculty
648:, Vol. 50, No. 4 (2005), pp. 492-495
349:
102:). According to Oleszczyk, Haltof's
58:Autor i kino artystyczne. Przypadek
290:
272:
13:
618:The Cinema of Krzysztof Kieslowski
594:The Cinema of Krzysztof Kieslowski
574:Quarterly Review of Film and Video
570:The Cinema of Krzysztof Kieslowski
530:Studies in Eastern European Cinema
364:, vol. 44, no. 4, 2019, pp.73-75,
306:
19:(Józef Marek Haltof, born 1957 in
14:
767:
486:"On Haltof's Screening Auschwitz"
384:, vol. 8 no. 1, 2020, p. 104-107.
233:Peter Weir: When Cultures Collide
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405:"PIASA 2019 Award Recipients"
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23:, Poland,) is a professor of
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345:"NMU Faculty Receive Awards"
320:"J. Marek Haltof, Professor"
286:"dr hab. Józef Marek Haltof"
80:Northern Michigan University
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173:The A to Z of Polish Cinema
10:
772:
677:10.1177/147041290300200109
46:with a Ph.D. dissertation
669:Journal of Visual Culture
582:10.1080/10509200690902296
417:Polish Cinema: A History
133:. Berghahn Books, 2019.
131:Polish Cinema: A History
124:
104:Polish Cinema: A History
667:(book review), also in
532:, vol. 4, no, 1, 2013,
524:, "Into That Darkness:
65:Jagiellonian University
538:10.1386/seec.4.1.101_5
507:10.3366/film.2015.0028
207:Polish National Cinema
592:Daniel J. Goulding, "
76:University of Calgary
44:University of Alberta
616:Philip Cavendish, "
464:10.1017/slr.2019.137
756:People from Cieszyn
751:Polish film critics
249:The Cinema of Fears
108:Screening Auschwitz
84:Marquette, Michigan
34:) in Poland and at
568:Steven Woodward, "
554:10.11584/opus4-835
452:Screening Aushwitz
50:. He received his
32:Uniwersytet Śląski
688:Maria Kornatowska
671:, April 1, 2003,
646:The Polish Review
576:, 23:5, 466-472,
201:New Polish Cinema
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425:j.ctvw04fdg
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