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company for fourteen years, travelling with them to the Lyceum. The presence of Mrs. Jordan was for some time an obstacle. Miss Duncan, however, was loved by audiences everywhere, not only in the characters named, but in parts essentially in Mrs. Jordan's line, such as Nell in the
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Davison was taller than average, with dark hair, and strongly formed with very expressive features. She had a fine voice and a good knowledge of music, sang with much expression, and was in her day unequalled in such Scotch ballads as
265:. At Margate in 1804, she was engaged by Wroughton for Drury Lane, where she appeared 8 October 1804 as Miss Duncan from Edinburgh, playing Lady Teazle to the Sir Peter of Mathews, and the Charles Surface of
152:, which took place at Drury Lane 13 May 1823, proved she was an opera singer. It was said that there was no better exponent of Lady Teazle, Lady Townly, Beatrice, and other similar parts. As Juliana in the
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13 June 1829, she is once more mentioned in connection with Drury Lane. This is thought to be her last appearance there. Her subsequent performances, if any, were presumably at other theatres.
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and advocates her ability to capture the audience and transform herself into a masculine figure. She is mentioned with implied commendation by
Hazlitt, and Talfourd says in the
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In 1825, Mrs. Davison was at the
Haymarket, taking leading business. Afterwards, in the same year she returned to Drury Lane, acting Villetta in
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Mrs. Candour, &c. In the season of 1827–8 she was still at Drury Lane, assuming elderly characters, Lucretia McTab, Mrs. Dangleton in the
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Miss Farren, by whom she was noticed in the last-named character, is said to have recognized in her, a talent kindred to her own.
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She lived for many years in retirement, greatly respected, and died at
Brompton on 30 May 1858, ten weeks after her husband.
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that she acts it "in high style," that it is "by far her best character," and that he wishes for nothing better of the kind.
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for one night only. On 15 June 1821 she played Lady Teazle for her benefit at Covent Garden, and Marian Ramsay in
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in the early years of her career before her marriage. She appeared as a leading performer at the
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and many other leading characters were taken in the course of her first season.
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followed on the 18th, and Lady Townly on the 27th. Miss
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near the end of last century, playing as her first role, Sophia in
Holcroft's
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the character she is most well known for playing. She was with the
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On 31 January 1805, she "created" the role of
Juliana in the
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534:. Vol. 1 (online ed.). Oxford University Press.
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Maria
Rebecca Duncan was born to actors who had worked in
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Critical Essays on the
Performers of the London Theatres,
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On 8 September 1819, she made her first appearance at
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215:. She also played Rosella at an early age in
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253:As she became more popular, she acted in
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160:gave her large amounts of credit in his
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331:On 31 October 1812, she married
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653:19th-century English actresses
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582:Knight, John Joseph (1888). "
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58:1858 (aged 77–78)
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363:She Would and She Would Not
105:(1780?–1858) was a British
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435:Where to Find a Friend
278:The Recruiting Officer
213:George Frederick Cooke
615:at Wikimedia Commons
613:Maria Rebecca Davison
540:10.1093/ref:odnb/7304
295:The Belle's Stratagem
103:Maria Rebecca Davison
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16:British stage actress
175:The Beaux' Stratagem
170:New Monthly Magazine
127:and particularly at
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285:The Way to Keep Him
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467:Lady Ratcliffe in
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135:Description
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63:Nationality
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557:required.)
545:29 October
482:References
462:John Tobin
427:John Tobin
422:The Curfew
401:John Tobin
348:Drury Lane
311:Drury Lane
290:Busy Body,
193:hobgoblins
183:Early life
158:Leigh Hunt
129:Drury Lane
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406:Maria in
356:Turn out.
305:Honeymoon
282:Maria in
263:Liverpool
255:Edinburgh
225:'s opera
209:Newcastle
189:Liverpool
154:Honeymoon
84:Honeymoon
377:Paul Pry
325:The Romp
267:Elliston
590:(ed.).
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352:Rivals,
259:Glasgow
197:fairies
74:Actress
66:British
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