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Marie Bracquemond

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the reclusive Marie Bracquemond is considered to have been closer to the ideals of Impressionism. According to their son Pierre, FĂ©lix Bracquemond was often resentful of his wife, brusquely rejecting her critique of his work, and refusing to show her paintings to visitors. In an unpublished manuscript written by Pierre about his parents' life, he shares that his father "seldom showed her work to their friends. When he did compliment her, it was in private. Therefore, none of their artists friends paid attention to her works or spoke of her efforts, and when she revealed hopes for success, FĂ©lix put her ambition down to 'incurable vanity.'" In 1890, Marie Bracquemond, worn out by the continual household friction and discouraged by lack of interest in her work, abandoned her painting except for a few private works.
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She remained a staunch defender of Impressionism throughout her life, even when she was not actively painting. In defense of the style to one of her husband's many attacks on her art, she said, "Impressionism has produced ... not only a new, but a very useful way of looking at things. It is as though
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She began lessons in painting in her teens under the instruction of M. Auguste Vassor, "an old painter who now restored paintings and gave lessons to the young women of the town". She progressed to such an extent that in 1857 she submitted a painting of her mother, sister and old teacher posed in the
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Marie participated in three out of the eight major Impressionist exhibitions, submitting her work to the fourth (1879), fifth (1880), and eighth (1889) group showings. During her lifetime as an artist, Bracquemond produced at least 157 original works, of which only 31 have been located and catalogued
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Unlike many of her Impressionist contemporaries, Bracquemond spent a great deal of effort planning her pieces. Even though many of her works have a spontaneous feel, she prepared in a traditional way through sketches and drawings. Although she was overshadowed by her well-known husband, the work of
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referred to her as "one of the most intelligent pupils in Ingres' studio". As a student in Ingres' private Parisian studio, she wrote that, "The severity of Monsieur Ingres frightened me ... because he doubted the courage and perseverance of a woman in the field of painting ... He would assign to
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Modified citation from Pfeiffer (2008) p. 30, which is either a typo of the 1919 catalog numbers (90 paintings instead of 81), a typo attributable to Kane 1983, which they cite, or a pointer to an additional nine paintings not accounted for in the literature. The 1919 catalog only cites 81
342:, arranged an introduction and, from then, she and FĂ©lix were inseparable. They were engaged for two years before marrying on 5 August 1869, despite her mother's opposition. In 1870, they had their only child, Pierre. Because of the scarcity of good medical care during the 404:
on a regular basis from 1864. As she found the medium constraining, her husband's efforts to teach her etching were only a qualified success. She nevertheless produced nine etchings that were shown at the second exhibition of the
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art gallery. Bracquemond produced at least 81 paintings and oil sketches, 34 watercolors, 23 drawings, and nine etchings. This list does not include her ceramic works. At least two of her works, the ceramic faience panel
1536: 176:(1847–1883). Bracquemond studied drawing as a child and began showing her work at the Paris Salon when she was still an adolescent. She never underwent formal art training, but she received limited instruction from 2252: 255:. She was the child of an unhappy arranged marriage. Her mother, Aline Hyacinthe Marie Pasquiou, pursued her life with Émile Langlois, and thereafter they led an unsettled existence, moving from Brittany to the 474:
and brought the impoverished artist home. Gauguin had a decisive influence on Marie Bracquemond and, in particular, he taught her how to prepare her canvas in order to achieve the intense tones she now desired.
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in existing collections today, with the rest having disappeared into various private collections without record. Her only two solo exhibitions were held after her death. Some of her most famous works include
1892: 350:, Bracquemond's already delicate health deteriorated after her son's birth. Much of what is known of Bracquemond's personal life comes from an unpublished short biography authored by her son, entitled 545:
for Marie Bracquemond. This is an incomplete and unsorted list of public and privately owned paintings, watercolors, and etchings by Marie Bracquemond according to the 1919 exhibition catalog of the
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in the 1970s brought increasing attention to women in the Impressionist art movement, and renewed interest in the forgotten work of Marie Bracquemond. In the 1980s, art historian
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Bouillon, Jean-Paul (2010). "Félix et Marie Bracquemond à l’atelier d’Auteuil". In Antoine d'Albis, Laurens d'Albis, Audray Gay-Mazuel & Florence Stitine (ed.)
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in prison. This evidently pleased, because she was then asked by the Count de Nieuwerkerke, the director-general of French museums, to make important copies in the
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where her husband had become artistic director. She designed plates for dinner services and executed large tile panels (once known as
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Many of her best-known works were painted outdoors, especially in her garden at Sèvres. One of her last paintings was
2861: 2425: 2411: 2406:: the University of Michigan Museum of Art, 2 November 1979 – 6 January 1980. University of Michigan Museum of Art. 2221: 2133: 2011: 3695: 1464: 1430: 2497: 2450: 1897: 1480: 569: 413:
in 1890. Her husband introduced her to new media and to the artists he admired, as well as older masters such as
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Haviland & Co. Limoges CĂ©ramique Impressioniste Barbotine French pottery vase. c. 1880. Private collection.
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Included works by Marie and FĂ©lix Bracquemond, Cassatt, and Morisot, among many other Impressionist artists.
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Henri Focillon described Bracquemond in 1928 as one of "les trois grandes dames" of Impressionism alongside
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She later left Ingres' studio and began receiving commissions for her work, including one from the court of
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FĂ©lix Bracquemond, 1833-1914: gravures, dessins, ceramiques. Marie Bracquemond, 1841-1916. tableaux.
191:(1833–1914), who helped popularize Japanese art in France. Together, they produced ceramic art for 3337: 3108: 3103: 3098: 2824: 418: 1659: 243:. She did not enjoy the same upbringing or career as the other well-known female Impressionists – 3342: 3332: 3128: 3093: 2913: 2769: 2695: 2382:
Japonisme and beyond in the art of Marie Bracquemond, Mary Cassatt, and Berthe Morisot, 1867–1895
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Public Exhibitions of Drawing in Paris, France (1860–1890): A Study in Data-Driven Art History"
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Marie Bracquemond's On the Terrace at Sevres: An Impressionist Painter's Point of Departure
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them only the painting of flowers, of fruits, of still lives, portraits and genre scenes."
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artist. She was one of four notable women in the Impressionist movement, along with
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Focillon, Henri (1928), "quoted by Ingrid Pfeiffer in "Impressionism is Feminine"",
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Catalogue des peintures, aquarelles, dessins et eaux-fortes de Marie Bracquemond
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Catalogue des peintres, aquarelles, dessins et eaux-fortes de Marie Bracquemond.
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all at once a window opens and the sun and air enter your house in torrents."
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popularized women artists like Marie Bracquemond with the publication of
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Clement, Russell T.; Houze, Annick; Erbolato-Ramsey, Christiane (2000).
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Clement, Russell T. Houzé, Annick. Erbolato-Ramsey, Christiane. (2000).
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List of women artists exhibited at the 1893 World's Columbian Exposition
3428: 2893: 2091: 522: 275:. She had one sister, Louise, born in 1849 while her family lived near 377:
FĂ©lix and Marie Bracquemond worked together at the Haviland studio at
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It was while she was copying Old Masters in the Louvre that she saw
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Bouillon, Jean-Paul; Kane, Elizabeth (1984), "Marie Bracquemond",
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She died in Paris on January 17, 1916. On January 23, art critic
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Burty, Philippe (1878), "Le Peinture-graveur FĂ©lix Bracquemond",
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Encyclopedia of Impressionists: From the Precursors to the Heirs
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She was born Marie Anne Caroline Quivoron on 1 December 1840 in
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who advised her and introduced her to two of his students,
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which was accepted. She was then introduced to the painter
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in Limousin) in the ancient abbey Notre-Dame de Bonnaigue.
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Quivoron; 1 December 1840 – 17 January 1916) was a French
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Vase. Undated. Musée des Beaux-arts de la Ville de Paris.
184:(1848–1903) which contributed to her stylistic approach. 1719:. Undated. Musée des Beaux-arts de la Ville de Paris. 1977:"The Female Impressionists: A Study in a Gendered Art" 417:. She was especially attracted to the Belgian painter 338:, who fell in love with her. His friend, the critic 449:
The Artist's Son and Sister in the Garden at Sèvres
2367:Émaux AtmosphĂ©riques: La CĂ©ramique Impressionistes 1854:Ann Arbor, University of Michigan, Museum of Art. 389:(The muses of the arts), which were shown at the 3677: 2197:Marie Bracquemond, la "dame" de l'impressionisme 1925: 671:Esquisse du tableau: "Sur la terrasse Ă  Sèvres" 1806:Selected Marie Bracquemond Exhibitions - Solo 367:Marie Bracquemond, Woman Painting at the Easel 3199: 2564: 2451: 2171:"Women Artists in Nineteenth-Century France" 2069: 1616:Terraced garden, overlooking the countryside 495:paid tribute to her memory in the newspaper 400:She began having paintings accepted for the 1077:Portrait de la Comtesse de Bony de Lavergne 659:Esquisse d’après une aquarelle de G. Moreau 455:. In 1881, she exhibited five works at the 3206: 3192: 2571: 2557: 2458: 2444: 2124:. Westport, CT: Greenwood Press. pp.  2006:. Greenwood Press. pp. xiii-xiv, 155-164. 29: 1734:. Undated. Metropolitan Museum of Art. 1008:Bertrand et Raton, d’après Gustave Moreau 2402:Isaacson, & Bouillon, J. P. (1980). 2312: 2306: 2296: 2272:Alexandre, Arsène. (January 23, 1916). " 435: 361: 2404:The Crisis of Impressionism, 1878-1882 2233: 2065: 2063: 2061: 2059: 2057: 2055: 2053: 2051: 1926:Pfeiffer, Ingrid; Hollein, Max (2008). 1921: 1919: 1917: 1915: 1913: 1903: 1798: 142: 1869; died 1914) 3678: 2242: 2120:The Women Impressionists: A Sourcebook 2037: 2035: 2033: 2031: 2029: 2023:Oxford Art Online: "Marie Bracquemond" 2004:The Women Impressionists: A Sourcebook 1998: 1996: 1930:. Hatje Cantz. pp. 240–241, 304. 1856:The Crisis of Impressionism, 1878-1882 981:Esquisse de "Sur la terrasse Ă  Sèvres" 3187: 2552: 2465: 2439: 2168: 2148: 1551:, Ishibashi Foundation, Tokyo, Japan. 1087:Le Jardin de l’Ecole Normale Ă  Sèvres 155: 2236:La Vie de FĂ©lix et Marie Bracquemond 2206: 2111: 2109: 2107: 2105: 2103: 2101: 2048: 1990:. University of Florida. 1(2): p. 5. 1910: 1749:. Undated. Art Institute of Chicago. 1355:Les Beaux Arts, projet de dĂ©coration 1055:Paul et Virginie (plaque de faĂŻence) 352:La Vie de FĂ©lix et Marie Bracquemond 2043:Concise Dictionary of Women Artists 2026: 1993: 1880:2019-20, September 11 - January 20 1764:(1888). Philadelphia Museum of Art. 13: 3215:New Woman of the late 19th century 2359: 2342:. Bernheim-Jeune. 1919. pp. 11-19. 14: 3747: 3726:19th-century French women artists 3721:20th-century French women artists 2578: 2315:Women artists in Paris, 1850-1900 2098: 1988:Journal of Undergraduate Research 882:Projet de tableau: "Le Jet d’eau" 831:Etude pour "La Partie de jacquet" 425:), and to her husband's disgust, 2669: 2177:. The Metropolitan Museum of Art 2169:Myers, Nicole (September 2008). 1975:Peterson, Ashley (Spring 2017). 1864:1979-80, November 2 - January 6 1786: 1774: 1754: 1739: 1724: 1709: 1694: 1673: 1658: 1643: 1623: 1608: 1593: 1578: 1556: 1535: 1518: 1489: 1472: 1453: 1438: 1419: 590:Avenue de Bellevue sous la neige 2345: 2331: 2290: 2266: 2227: 2189: 2162: 2078:(2), Woman's Art, Inc.: 21–27, 1898:Society of Modern Women Artists 1651:Portrait of the Artist's Sister 745:Etude pour "Près de la fenĂŞtre" 466:In 1886, FĂ©lix Bracquemond met 139: 2743:First Impressionist Exhibition 2263:. Artizon Museum. 2: 119-123. 2175:The Metropolitan Museum of Art 2142: 2017: 1969: 1944: 1618:. Unknown date. MusĂ©e d'Orsay. 1603:. Unknown date. MusĂ©e d’Orsay. 1097:Quatre petites Ă©tudes de femme 962:Sur la terrasse de La Chabanne 649:Portrait de Pierre Bracquemond 595:Portrait de Pierre Bracquemond 393:. The work is now considered 1: 3706:French Impressionist painters 3462:(Mary Chavelita Dunne Bright) 2909:Marc-Aurèle de Foy Suzor-CotĂ© 2397:University of Texas at Dallas 2369:. N.Chaudun. pp. 51–59. 2261:Ishibashi Foundation Bulletin 1842:Mortagne, MusĂ©e de Mortagne. 1762:Portrait de Marie Bracquemond 1465:MusĂ©e des Beaux-Arts de Rouen 1461:Pierre Bracquemond as a Child 1431:MusĂ©e des Beaux-Arts de Rouen 1392:Portrait de Marie Bracquemond 1290:Portrait de Marie Bracquemond 1285:Portrait de Marie Bracquemond 998:Esquisse de "L’Arbre de NoĂ«l" 781:Etude pour "La Tasse de cafĂ©" 635:Portrait de FĂ©lix Bracquemond 630:Portrait de Marie Bracquemond 226: 187:She married noted printmaker 178:Jean-Auguste-Dominique Ingres 3716:20th-century French painters 3711:19th-century French painters 3601:The Case of Rebellious Susan 2380:Criss, Jennifer T. (2007). " 1633:(1880). Private collection. 1092:Une AllĂ©e de l’Ecole Normale 947:Etude pour le portrait blanc 887:Projet de tableau: "Le Bain" 391:Universal Exhibition of 1878 180:(1780–1867) and advice from 45:Marie Anne Caroline Quivoron 7: 3736:19th-century women painters 3731:20th-century women painters 3567:The Story of a Modern Woman 3078:French impressionist cinema 2391:DeWitte, Debra J. (2017). " 2313:Madeline, Laurence (2017). 2299:Women Impressionists (2008) 1886: 1747:Portrait de Gustave Geffroy 1568:(1887). Private collection. 1448:(1877). Private collection. 1382:Portrait de Gustave Geffroy 1295:Portrait de M Chaudesaigues 642:On vient d’allumer la lampe 10: 3752: 3424:Elizabeth Barrett Browning 3293:Jennie Augusta Brownscombe 3119:Pennsylvania Impressionism 2667: 2386:University of Pennsylvania 2203:, no.458, June 2010, p.62. 2201:L'Estampille/L'Objet d'Art 1046:Portrait de M Th. Haviland 692:Bouquet près de la fenĂŞtre 407:Society of Painter-Etchers 3503: 3485: 3416: 3268:Sophie Gengembre Anderson 3245: 3222: 3173:Pays des Impressionnistes 3142: 3086: 3060: 2967:Giovanni Battista Ciolina 2942: 2880: 2823: 2751: 2735: 2709: 2678: 2588: 2524: 2506:Three Women with Parasols 2473: 2317:. Yale University Press. 1704:. Undated. MusĂ©e d'Orsay. 1527:Three Women with Parasols 1403:Portrait de M Guy Pellion 504: 357: 329: 121: 111: 101: 93: 70: 40: 28: 21: 3639:Mrs. Warren's Profession 3338:Wilhelmina Weber Furlong 3109:Decorative Impressionism 3104:California Impressionism 2490:On the Terrace at Sèvres 1544:On the Terrace at Sèvres 1029:Les Trois Grâces de 1880 760:L’AllĂ©e de rhododendrons 578:Sur la terrasse Ă  Sèvres 554:(1878) and the painting 536: 531:Women in Paris 1850-1900 486: 441:On the terrace at Sèvres 208:On the Terrace at Sèvres 3343:Elizabeth Shippen Green 3333:Susan Stuart Frackelton 3129:Synthetic impressionism 3094:Amsterdam Impressionism 2919:Helen Galloway McNicoll 2770:Frederick Carl Frieseke 2248:Kagawa, Kyoko (2021). " 1825:Paris, Bernheim-Jeune. 1814:Paris, Bernheim-Jeune. 1082:Etude pour le Mont-Dore 856:Portrait de jeune femme 846:Une Ailee a La Chabanne 765:La PĂŞche aux Ă©crevisses 707:Etude: Coteau de Sèvres 687:Etude d’arbres en fleur 3519:The Portrait of a Lady 3318:Alice Brown Chittenden 3298:Julia Margaret Cameron 2800:Walter Elmer Schofield 1875:Femmes, art et pouvoir 1869:Paris, MusĂ©e d’Orsay. 1732:Portrait de M Quivoron 1631:Woman with an Umbrella 1530:(1880). MusĂ©e d'Orsay. 1484:(1880). MusĂ©e d'Orsay. 1387:Portrait de M Quivoron 1305:Portrait de M Quivoron 1300:Portrait de M Quivoron 1265:Etude pour "Les Gants" 811:Terrasse Ă  La Chabanne 519:Feminist art criticism 444: 374: 3701:French women painters 3696:People from Finistère 3627:The Romance of a Shop 3378:Elizabeth Okie Paxton 3227:19th-century feminism 3027:WĹ‚adysĹ‚aw PodkowiĹ„ski 2765:William Merritt Chase 2656:Pierre-Auguste Renoir 2274:Mme Marie Bracquemond 2234:Bracquemond, Pierre. 2216:. Rizzoli. p. 9, 30. 1846:Also shown Chartres. 1398:Portrait de M BĂ©raldi 1232:Cueillette des pommes 1050:´´ Paysage d´ hiver`` 1013:Etude de tĂŞte, pastel 993:Narcisses et anĂ©mones 968:Etude pour "Le GoĂ»ter 738:Etude pour "Le GoĂ»ter 439: 365: 267:, before settling in 233:Argenton-en-Landunvez 59:Argenton-en-Landunvez 3522:(serialized 1880–81) 3495:Alice Freeman Palmer 3393:Jessie Willcox Smith 2934:Robert Wakeham Pilot 2924:James Wilson Morrice 2805:John Henry Twachtman 2214:Women Impressionists 2212:Garb, Tamar (1987). 2195:Jean-Paul Bouillon, 1928:Women Impressionists 1904:Notes and references 1871:Women, art and power 1849:1972, May–September 1799:Selected exhibitions 1574:Selected watercolors 1280:Etude de jeune homme 1260:La Foire de St-Cloud 806:Verger Ă  La Chabanne 770:Etude: Femme cousant 712:La Route des Jardies 618:La Partie de jacquet 527:Women Impressionists 433:became her mentors. 411:Galeries Durand-Ruel 3646:George Bernard Shaw 3634:George Bernard Shaw 3562:Ella Hepworth Dixon 3449:Ella Hepworth Dixon 3388:Pamela Colman Smith 3328:Emma Lampert Cooper 3232:First-wave feminism 3047:Philip Wilson Steer 2899:William Blair Bruce 2686:Gustave Caillebotte 2606:Gustave Caillebotte 2416:Speiss, Dominique. 2072:Woman's Art Journal 1467:, Normandy, France. 1446:Woman in the Garden 1433:, Normandy, France. 1340:Projet pour un plat 1227:Au bord du ruisseau 1102:Au bord du ruisseau 826:Au bord de la Seine 796:Au bord du ruisseau 697:Fleurs dans un vase 3597:Henry Arthur Jones 3308:Minerva J. Chapman 3217:(born before 1880) 3156:The Impressionists 3124:Post-Impressionism 3002:Konstantin Korovin 2852:Frederick McCubbin 2696:Henry O. Havemeyer 2279:2022-11-04 at the 2255:2022-10-18 at the 2045:, Routledge, 2013. 1982:2022-10-17 at the 1415:Selected paintings 1367:Germinie Lacerteux 1350:Près de la fenĂŞtre 1107:L’Echarpe violette 1036:Reines-marguerites 957:Première communion 677:Vue du haut Sèvres 585:Près de la fenĂŞtre 543:catalogue raisonnĂ© 445: 387:Les Muses des arts 375: 318:for a painting of 193:Haviland & Co. 3673: 3672: 3618:(serialized 1878) 3526:Elizabeth Barrett 3512:Isabel Archer in 3439:Annie Sophie Cory 3181: 3180: 3114:Neo-Impressionism 2982:Antoine Guillemet 2962:Marie Bracquemond 2929:Laura Muntz Lyall 2795:Theodore Robinson 2790:Lilla Cabot Perry 2626:Armand Guillaumin 2546: 2545: 2532:FĂ©lix Bracquemond 2498:The Lady in White 2467:Marie Bracquemond 2431:Webmuseum, Paris. 2375:978-2-35039-092-5 1884: 1883: 1834:Group exhibitions 1770:Selected ceramics 1690:Selected etchings 1682:The Lady in White 1639:Selected Drawings 1481:The Lady in White 1137:Etude de fillette 1003:Projet de tableau 952:Petite femme rose 922:Projet de tableau 917:Projet de tableau 912:Projet de tableau 907:Projet de tableau 902:Projet de tableau 897:Projet de tableau 892:Projet de tableau 702:Panier de fraises 373:, 31.5 x 24.8 cm. 340:Eugène Montrosier 336:FĂ©lix Bracquemond 202:The Lady in White 189:FĂ©lix Bracquemond 172:(1841–1895), and 152:Marie Bracquemond 149: 148: 128:FĂ©lix Bracquemond 23:Marie Bracquemond 3743: 3573:Gustave Flaubert 3504:Literature about 3463: 3398:Annie Swynnerton 3363:Elizabeth Nourse 3358:Anna Lea Merritt 3323:Elizabeth Coffin 3263:Nina E. Allender 3208: 3201: 3194: 3185: 3184: 3158:(2006 TV series) 3150:Wilfrid de Glehn 3022:NadeĹľda Petrović 2987:Nazmi Ziya GĂĽran 2886: 2829: 2780:Alphonse Maureau 2757: 2727:Ambroise Vollard 2717:Paul Durand-Ruel 2673: 2651:Camille Pissarro 2596:FrĂ©dĂ©ric Bazille 2582: 2573: 2566: 2559: 2550: 2549: 2460: 2453: 2446: 2437: 2436: 2353: 2349: 2343: 2335: 2329: 2328: 2310: 2304: 2302: 2294: 2288: 2270: 2264: 2246: 2240: 2239: 2231: 2225: 2210: 2204: 2193: 2187: 2186: 2184: 2182: 2166: 2160: 2158: 2146: 2140: 2139: 2123: 2113: 2096: 2094: 2067: 2046: 2039: 2024: 2021: 2015: 2000: 1991: 1973: 1967: 1966: 1964: 1963: 1948: 1942: 1941: 1923: 1803: 1802: 1790: 1778: 1758: 1743: 1728: 1713: 1698: 1677: 1662: 1647: 1627: 1612: 1597: 1582: 1560: 1539: 1522: 1493: 1476: 1457: 1442: 1423: 975:La Tasse de cafĂ© 570:La Dame en blanc 493:Arsène Alexandre 159: 143: 141: 77: 63:Brest, Finistère 54: 52: 33: 19: 18: 3751: 3750: 3746: 3745: 3744: 3742: 3741: 3740: 3676: 3675: 3674: 3669: 3505: 3499: 3481: 3477:Olive Schreiner 3458: 3454:Maria Edgeworth 3412: 3403:Candace Wheeler 3283:Enella Benedict 3241: 3237:Women's history 3218: 3212: 3182: 3177: 3138: 3082: 3056: 3052:Eliseu Visconti 3042:JoaquĂ­n Sorolla 3017:Francisco Oller 3007:MartĂ­n Malharro 2952:Eugène Baudouin 2944: 2938: 2904:William Brymner 2884: 2882: 2876: 2867:Arthur Streeton 2842:E. Phillips Fox 2827: 2825: 2819: 2785:Willard Metcalf 2755: 2753: 2747: 2731: 2705: 2701:Ernest HoschedĂ© 2691:Victor Chocquet 2674: 2665: 2584: 2580: 2577: 2547: 2542: 2520: 2469: 2464: 2420:, Edita, 1992. 2362: 2360:Further reading 2357: 2356: 2350: 2346: 2336: 2332: 2325: 2311: 2307: 2295: 2291: 2281:Wayback Machine 2271: 2267: 2257:Wayback Machine 2247: 2243: 2232: 2228: 2211: 2207: 2194: 2190: 2180: 2178: 2167: 2163: 2147: 2143: 2136: 2114: 2099: 2084:10.2307/1357962 2068: 2049: 2040: 2027: 2022: 2018: 2001: 1994: 1984:Wayback Machine 1974: 1970: 1961: 1959: 1950: 1949: 1945: 1938: 1924: 1911: 1906: 1889: 1801: 1794: 1791: 1782: 1779: 1765: 1759: 1750: 1744: 1735: 1729: 1720: 1717:Le Petit malade 1714: 1705: 1699: 1685: 1678: 1669: 1663: 1654: 1648: 1634: 1628: 1619: 1613: 1604: 1598: 1589: 1583: 1569: 1561: 1552: 1540: 1531: 1523: 1514: 1494: 1485: 1477: 1468: 1458: 1449: 1443: 1434: 1424: 1412: 1372:Le Petit malade 1315:Etude de visage 1222:Vues de Divonne 1217:Vues de Divonne 1212:Vues de Divonne 1207:Vues de Divonne 1202:Vues de Divonne 1197:Vues de Divonne 1192:Vues de Divonne 1187:Vues de Divonne 1182:Vues de Divonne 1177:Vues de Divonne 1172:Vues de Divonne 1167:Vues de Divonne 1162:Vues de Divonne 1157:Vues de Divonne 1152:Vues de Divonne 1147:Vues de Divonne 1117:L’AllĂ©e fleurie 942:Femme et fleurs 927:Etude de fleurs 539: 507: 489: 360: 332: 316:Empress Eugenie 229: 145: 137: 133: 130: 89: 79: 75: 74:17 January 1916 66: 56: 55:1 December 1840 50: 48: 47: 46: 36: 24: 17: 12: 11: 5: 3749: 3739: 3738: 3733: 3728: 3723: 3718: 3713: 3708: 3703: 3698: 3693: 3688: 3671: 3670: 3668: 3667: 3655: 3643: 3631: 3619: 3604: 3594: 3590:A Doll's House 3582: 3570: 3559: 3550:Victoria Cross 3547: 3535: 3523: 3509: 3507: 3501: 3500: 3498: 3497: 3491: 3489: 3483: 3482: 3480: 3479: 3474: 3469: 3464: 3460:George Egerton 3456: 3451: 3446: 3441: 3436: 3431: 3426: 3420: 3418: 3414: 3413: 3411: 3410: 3405: 3400: 3395: 3390: 3385: 3380: 3375: 3370: 3365: 3360: 3355: 3350: 3348:Ellen Day Hale 3345: 3340: 3335: 3330: 3325: 3320: 3315: 3310: 3305: 3300: 3295: 3290: 3285: 3280: 3275: 3273:Cornelia Barns 3270: 3265: 3260: 3258:Elenore Abbott 3255: 3249: 3247: 3243: 3242: 3240: 3239: 3234: 3229: 3223: 3220: 3219: 3211: 3210: 3203: 3196: 3188: 3179: 3178: 3176: 3175: 3170: 3165: 3160: 3152: 3146: 3144: 3140: 3139: 3137: 3136: 3131: 3126: 3121: 3116: 3111: 3106: 3101: 3096: 3090: 3088: 3084: 3083: 3081: 3080: 3075: 3070: 3064: 3062: 3058: 3057: 3055: 3054: 3049: 3044: 3039: 3034: 3032:Valentin Serov 3029: 3024: 3019: 3014: 3009: 3004: 2999: 2997:Max Liebermann 2994: 2992:Dominique Lang 2989: 2984: 2979: 2974: 2969: 2964: 2959: 2957:Olga BoznaĹ„ska 2954: 2948: 2946: 2940: 2939: 2937: 2936: 2931: 2926: 2921: 2916: 2914:Maurice Cullen 2911: 2906: 2901: 2896: 2890: 2888: 2878: 2877: 2875: 2874: 2872:Walter Withers 2869: 2864: 2859: 2854: 2849: 2844: 2839: 2837:Charles Conder 2833: 2831: 2821: 2820: 2818: 2817: 2812: 2807: 2802: 2797: 2792: 2787: 2782: 2777: 2772: 2767: 2761: 2759: 2749: 2748: 2746: 2745: 2739: 2737: 2733: 2732: 2730: 2729: 2724: 2719: 2713: 2711: 2707: 2706: 2704: 2703: 2698: 2693: 2688: 2682: 2680: 2676: 2675: 2668: 2666: 2664: 2663: 2658: 2653: 2648: 2646:Berthe Morisot 2643: 2638: 2633: 2631:Johan Jongkind 2628: 2623: 2618: 2613: 2608: 2603: 2598: 2592: 2590: 2586: 2585: 2576: 2575: 2568: 2561: 2553: 2544: 2543: 2541: 2540: 2535: 2528: 2526: 2522: 2521: 2519: 2518: 2514:Under the Lamp 2510: 2502: 2494: 2486: 2477: 2475: 2471: 2470: 2463: 2462: 2455: 2448: 2440: 2434: 2433: 2428: 2414: 2400: 2389: 2378: 2361: 2358: 2355: 2354: 2344: 2330: 2324:978-0300223934 2323: 2305: 2289: 2265: 2241: 2226: 2205: 2188: 2161: 2141: 2134: 2097: 2047: 2025: 2016: 1992: 1968: 1943: 1937:978-3775720793 1936: 1908: 1907: 1905: 1902: 1901: 1900: 1895: 1888: 1885: 1882: 1881: 1878: 1866: 1865: 1862: 1851: 1850: 1847: 1839: 1838: 1836: 1830: 1829: 1826: 1822: 1821: 1818: 1811: 1810: 1807: 1800: 1797: 1796: 1795: 1792: 1785: 1783: 1780: 1773: 1771: 1767: 1766: 1760: 1753: 1751: 1745: 1738: 1736: 1730: 1723: 1721: 1715: 1708: 1706: 1702:Les parapluies 1700: 1693: 1691: 1687: 1686: 1679: 1672: 1670: 1666:Head of a Muse 1664: 1657: 1655: 1649: 1642: 1640: 1636: 1635: 1629: 1622: 1620: 1614: 1607: 1605: 1599: 1592: 1590: 1584: 1577: 1575: 1571: 1570: 1565:Under the Lamp 1562: 1555: 1553: 1549:Artizon Museum 1541: 1534: 1532: 1524: 1517: 1515: 1495: 1488: 1486: 1478: 1471: 1469: 1459: 1452: 1450: 1444: 1437: 1435: 1425: 1418: 1416: 1411: 1410: 1405: 1400: 1395: 1389: 1384: 1379: 1374: 1369: 1363: 1362: 1358: 1357: 1352: 1347: 1342: 1337: 1332: 1327: 1322: 1317: 1312: 1310:Sur la branche 1307: 1302: 1297: 1292: 1287: 1282: 1277: 1272: 1267: 1262: 1257: 1252: 1247: 1245:Le Mur du parc 1241: 1240: 1236: 1235: 1229: 1224: 1219: 1214: 1209: 1204: 1199: 1194: 1189: 1184: 1179: 1174: 1169: 1164: 1159: 1154: 1149: 1144: 1142:Etude de femme 1139: 1134: 1129: 1124: 1122:Femme en deuil 1119: 1114: 1109: 1104: 1099: 1094: 1089: 1084: 1079: 1074: 1069: 1063: 1062: 1058: 1057: 1051: 1048: 1043: 1038: 1033: 1025: 1020: 1015: 1010: 1005: 1000: 995: 990: 984: 977: 972: 964: 959: 954: 949: 944: 939: 934: 929: 924: 919: 914: 909: 904: 899: 894: 889: 884: 879: 874: 869: 863: 858: 853: 848: 843: 838: 833: 828: 823: 818: 813: 808: 803: 801:Dans un jardin 798: 793: 788: 783: 778: 775:Etude de femme 772: 767: 762: 757: 752: 750:Etude de matin 747: 742: 734: 732:Etude d’arbres 729: 724: 719: 717:Etude Ă  Sèvres 714: 709: 704: 699: 694: 689: 684: 679: 674: 667: 664:Dans le jardin 661: 656: 651: 646: 638: 632: 626: 625: 623:L’Aquarelliste 620: 615: 607: 602: 597: 592: 587: 582: 574: 565: 564: 560: 547:Bernheim-Jeune 538: 535: 511:Berthe Morisot 506: 503: 488: 485: 457:Dudley Gallery 453:La Vie Moderne 419:Alfred Stevens 359: 356: 331: 328: 308:Philippe Burty 287:studio to the 228: 225: 220:Under the Lamp 170:Berthe Morisot 147: 146: 135: 131: 126: 125: 123: 119: 118: 113: 109: 108: 103: 102:Known for 99: 98: 95: 91: 90: 80: 78:(aged 75) 72: 68: 67: 57: 44: 42: 38: 37: 34: 26: 25: 22: 16:French painter 15: 9: 6: 4: 3: 2: 3748: 3737: 3734: 3732: 3729: 3727: 3724: 3722: 3719: 3717: 3714: 3712: 3709: 3707: 3704: 3702: 3699: 3697: 3694: 3692: 3689: 3687: 3684: 3683: 3681: 3665: 3664: 3659: 3656: 3653: 3652: 3647: 3644: 3641: 3640: 3635: 3632: 3629: 3628: 3623: 3620: 3617: 3616: 3612: 3608: 3605: 3602: 3598: 3595: 3592: 3591: 3586: 3583: 3580: 3579: 3578:Madame Bovary 3574: 3571: 3569: 3568: 3563: 3560: 3557: 3556: 3551: 3548: 3545: 3544: 3543:The Awakening 3539: 3536: 3533: 3532: 3527: 3524: 3521: 3520: 3515: 3511: 3510: 3508: 3506:the New Woman 3502: 3496: 3493: 3492: 3490: 3488: 3484: 3478: 3475: 3473: 3470: 3468: 3465: 3461: 3457: 3455: 3452: 3450: 3447: 3445: 3442: 3440: 3437: 3435: 3432: 3430: 3427: 3425: 3422: 3421: 3419: 3415: 3409: 3406: 3404: 3401: 3399: 3396: 3394: 3391: 3389: 3386: 3384: 3383:Emily Sartain 3381: 3379: 3376: 3374: 3371: 3369: 3368:Violet Oakley 3366: 3364: 3361: 3359: 3356: 3354: 3351: 3349: 3346: 3344: 3341: 3339: 3336: 3334: 3331: 3329: 3326: 3324: 3321: 3319: 3316: 3314: 3313:Émilie Charmy 3311: 3309: 3306: 3304: 3301: 3299: 3296: 3294: 3291: 3289: 3286: 3284: 3281: 3279: 3278:Cecilia Beaux 3276: 3274: 3271: 3269: 3266: 3264: 3261: 3259: 3256: 3254: 3253:Louise AbbĂ©ma 3251: 3250: 3248: 3244: 3238: 3235: 3233: 3230: 3228: 3225: 3224: 3221: 3216: 3209: 3204: 3202: 3197: 3195: 3190: 3189: 3186: 3174: 3171: 3169: 3166: 3164: 3161: 3159: 3157: 3153: 3151: 3148: 3147: 3145: 3141: 3135: 3132: 3130: 3127: 3125: 3122: 3120: 3117: 3115: 3112: 3110: 3107: 3105: 3102: 3100: 3099:Boston School 3097: 3095: 3092: 3091: 3089: 3085: 3079: 3076: 3074: 3071: 3069: 3066: 3065: 3063: 3059: 3053: 3050: 3048: 3045: 3043: 3040: 3038: 3035: 3033: 3030: 3028: 3025: 3023: 3020: 3018: 3015: 3013: 3010: 3008: 3005: 3003: 3000: 2998: 2995: 2993: 2990: 2988: 2985: 2983: 2980: 2978: 2975: 2973: 2972:Lovis Corinth 2970: 2968: 2965: 2963: 2960: 2958: 2955: 2953: 2950: 2949: 2947: 2941: 2935: 2932: 2930: 2927: 2925: 2922: 2920: 2917: 2915: 2912: 2910: 2907: 2905: 2902: 2900: 2897: 2895: 2892: 2891: 2889: 2887: 2879: 2873: 2870: 2868: 2865: 2863: 2860: 2858: 2855: 2853: 2850: 2848: 2847:Elioth Gruner 2845: 2843: 2840: 2838: 2835: 2834: 2832: 2830: 2822: 2816: 2815:J. Alden Weir 2813: 2811: 2810:Robert Vonnoh 2808: 2806: 2803: 2801: 2798: 2796: 2793: 2791: 2788: 2786: 2783: 2781: 2778: 2776: 2775:Childe Hassam 2773: 2771: 2768: 2766: 2763: 2762: 2760: 2758: 2750: 2744: 2741: 2740: 2738: 2734: 2728: 2725: 2723: 2722:Georges Petit 2720: 2718: 2715: 2714: 2712: 2708: 2702: 2699: 2697: 2694: 2692: 2689: 2687: 2684: 2683: 2681: 2677: 2672: 2662: 2661:Alfred Sisley 2659: 2657: 2654: 2652: 2649: 2647: 2644: 2642: 2639: 2637: 2636:Édouard Manet 2634: 2632: 2629: 2627: 2624: 2622: 2619: 2617: 2614: 2612: 2609: 2607: 2604: 2602: 2601:Eugène Boudin 2599: 2597: 2594: 2593: 2591: 2587: 2583: 2581:Impressionism 2574: 2569: 2567: 2562: 2560: 2555: 2554: 2551: 2539: 2538:Impressionism 2536: 2533: 2530: 2529: 2527: 2523: 2516: 2515: 2511: 2508: 2507: 2503: 2500: 2499: 2495: 2492: 2491: 2487: 2484: 2483: 2482:Afternoon Tea 2479: 2478: 2476: 2472: 2468: 2461: 2456: 2454: 2449: 2447: 2442: 2441: 2438: 2432: 2429: 2427: 2426:2-88001-289-9 2423: 2419: 2415: 2413: 2412:9780912303215 2409: 2405: 2401: 2398: 2394: 2390: 2387: 2383: 2379: 2376: 2372: 2368: 2364: 2363: 2348: 2341: 2340: 2334: 2326: 2320: 2316: 2309: 2300: 2293: 2286: 2282: 2278: 2275: 2269: 2262: 2258: 2254: 2251: 2245: 2237: 2230: 2223: 2222:0-8478-0757-6 2219: 2215: 2209: 2202: 2198: 2192: 2176: 2172: 2165: 2156: 2152: 2145: 2137: 2135:0-313-30848-9 2131: 2127: 2122: 2121: 2112: 2110: 2108: 2106: 2104: 2102: 2093: 2089: 2085: 2081: 2077: 2073: 2066: 2064: 2062: 2060: 2058: 2056: 2054: 2052: 2044: 2038: 2036: 2034: 2032: 2030: 2020: 2013: 2012:0-313-30848-9 2009: 2005: 1999: 1997: 1989: 1985: 1981: 1978: 1972: 1957: 1953: 1947: 1939: 1933: 1929: 1922: 1920: 1918: 1916: 1914: 1909: 1899: 1896: 1894: 1891: 1890: 1879: 1876: 1872: 1868: 1867: 1863: 1861: 1857: 1853: 1852: 1848: 1845: 1841: 1840: 1837: 1835: 1832: 1831: 1827: 1824: 1823: 1819: 1817: 1813: 1812: 1808: 1805: 1804: 1789: 1784: 1777: 1772: 1769: 1768: 1763: 1757: 1752: 1748: 1742: 1737: 1733: 1727: 1722: 1718: 1712: 1707: 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1183: 1180: 1178: 1175: 1173: 1170: 1168: 1165: 1163: 1160: 1158: 1155: 1153: 1150: 1148: 1145: 1143: 1140: 1138: 1135: 1133: 1130: 1128: 1125: 1123: 1120: 1118: 1115: 1113: 1110: 1108: 1105: 1103: 1100: 1098: 1095: 1093: 1090: 1088: 1085: 1083: 1080: 1078: 1075: 1073: 1070: 1068: 1065: 1064: 1060: 1059: 1056: 1052: 1049: 1047: 1044: 1042: 1041:Chrysanthèmes 1039: 1037: 1034: 1031: 1030: 1026: 1024: 1021: 1019: 1016: 1014: 1011: 1009: 1006: 1004: 1001: 999: 996: 994: 991: 988: 985: 983: 982: 978: 976: 973: 971: 969: 965: 963: 960: 958: 955: 953: 950: 948: 945: 943: 940: 938: 935: 933: 930: 928: 925: 923: 920: 918: 915: 913: 910: 908: 905: 903: 900: 898: 895: 893: 890: 888: 885: 883: 880: 878: 875: 873: 870: 867: 864: 862: 859: 857: 854: 852: 849: 847: 844: 842: 841:Femme en rose 839: 837: 836:La Tricoteuse 834: 832: 829: 827: 824: 822: 821:Etude d’homme 819: 817: 814: 812: 809: 807: 804: 802: 799: 797: 794: 792: 791:Etude d’homme 789: 787: 784: 782: 779: 776: 773: 771: 768: 766: 763: 761: 758: 756: 753: 751: 748: 746: 743: 741: 739: 735: 733: 730: 728: 725: 723: 720: 718: 715: 713: 710: 708: 705: 703: 700: 698: 695: 693: 690: 688: 685: 683: 680: 678: 675: 673: 672: 668: 665: 662: 660: 657: 655: 652: 650: 647: 644: 643: 639: 636: 633: 631: 628: 627: 624: 621: 619: 616: 613: 612: 608: 606: 603: 601: 600:Chrysanthèmes 598: 596: 593: 591: 588: 586: 583: 580: 579: 575: 572: 571: 567: 566: 562: 561: 559: 557: 553: 548: 544: 534: 532: 528: 524: 520: 516: 512: 502: 500: 499: 494: 484: 480: 476: 473: 469: 464: 462: 458: 454: 450: 442: 438: 434: 432: 428: 424: 420: 416: 412: 408: 403: 398: 396: 392: 388: 384: 380: 372: 368: 364: 355: 353: 349: 348:Paris Commune 345: 341: 337: 327: 325: 321: 317: 312: 309: 304: 302: 298: 294: 290: 284: 282: 278: 274: 270: 266: 262: 258: 254: 250: 246: 242: 238: 234: 224: 222: 221: 216: 215: 214:Afternoon Tea 210: 209: 204: 203: 196: 194: 190: 185: 183: 179: 175: 171: 168:(1844–1926), 167: 163: 162:Impressionist 158: 153: 129: 124: 120: 117: 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Retrieved 2174: 2164: 2154: 2150: 2144: 2119: 2075: 2071: 2041:Delia Gaze, 2019: 2003: 1987: 1971: 1960:. 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G. Wells 3607:Henry James 3538:Kate Chopin 3514:Henry James 3467:Sarah Grand 3444:Ella D'Arcy 3434:Kate Chopin 3163:Louis Leroy 3061:Other media 3037:Max Slevogt 3012:Henry Moret 2857:Tom Roberts 2736:Exhibitions 2621:Edgar Degas 2589:Originators 1408:Les Ballons 1061:Watercolors 851:Sur l’étang 556:The Swallow 369:, undated. 344:War of 1870 306:The critic 271:, south of 261:Switzerland 94:Nationality 3680:Categories 3429:Mona Caird 3073:Literature 2894:Henri Beau 2826:Australian 2384:". (PhD). 2352:paintings. 1962:2021-10-07 1684:. Undated. 1680:Study for 1377:Le Tableau 786:Le Peintre 523:Tamar Garb 227:Early life 51:1840-12-01 3487:Educators 2534:(husband) 2474:Paintings 2285:Le Figaro 1668:(c. 1860) 1653:(c. 1860) 1601:Landscape 1255:La PoĂ©sie 1250:La Crèche 1023:Au soleil 987:Crevettes 816:Le Pilote 722:Au soleil 611:Le GoĂ»ter 563:Paintings 552:The Muses 498:Le Figaro 423:plein air 320:Cervantes 263:, and to 3622:Amy Levy 3472:Amy Levy 3087:See also 2883:Canadian 2754:American 2277:Archived 2253:Archived 2181:13 March 1980:Archived 1887:See also 1501:(1880). 1463:(1878). 1429:(1870). 1361:Etchings 1320:La Danse 1239:Drawings 1072:Solitude 937:Pivoines 861:AnĂ©mones 470:through 346:and the 297:Flandrin 265:Limousin 253:Gonzalès 241:Brittany 223:(1887). 211:(1880), 205:(1880), 112:Movement 106:Painting 88:, France 65:, France 3651:Candida 3611:novella 3417:Writers 3246:Artists 3143:Related 3134:The Ten 2945:artists 2885:artists 2828:artists 2756:artists 2710:Dealers 2679:Patrons 2525:Related 2395:(PhD). 2287:. p. 3. 2092:1357962 1345:Croquis 654:Bouquet 468:Gauguin 415:Chardin 409:at the 383:faience 379:Auteuil 371:etching 281:Corrèze 269:Étampes 249:Morisot 245:Cassatt 235:, near 144:​ 136:​ 132:​ 61:, near 35:c. 1886 3666:(1909) 3654:(1898) 3642:(1893) 3630:(1888) 3603:(1894) 3593:(1879) 3581:(1856) 3558:(1901) 3546:(1899) 3534:(1856) 2517:(1887) 2509:(1880) 2501:(1880) 2493:(1880) 2485:(1880) 2424:  2410:  2373:  2321:  2220:  2132:  2128:–163. 2090:  2010:  1934:  1511:France 1394:(1888) 1234:(1886) 1032:(1880) 989:(1887) 868:(1880) 777:(1880) 727:PĂŞches 666:(1886) 645:(1887) 637:(1886) 614:(1880) 581:(1880) 573:(1880) 505:Legacy 472:Sisley 461:London 443:(1880) 358:Career 330:Family 324:Louvre 301:Signol 293:Ingres 122:Spouse 97:French 82:Sèvres 3168:Nadar 3068:Music 2943:Other 2199:, in 2157:: 296 2151:L'Art 2088:JSTOR 1956:FAMSF 1828:1962 1820:1919 1809:Date 1507:Paris 1275:Etude 1270:Etude 1132:Etude 1127:Etude 1112:Etude 1053:bis. 932:Roses 877:Etude 872:Etude 866:Etude 605:Roses 537:Works 487:Death 431:Degas 427:Monet 402:Salon 289:Salon 277:Ussel 273:Paris 259:, to 237:Brest 138:( 134: 86:Paris 2422:ISBN 2408:ISBN 2371:ISBN 2319:ISBN 2301:: 13 2218:ISBN 2183:2016 2130:ISBN 2008:ISBN 1932:ISBN 513:and 429:and 395:lost 299:and 257:Jura 71:Died 41:Born 3648:'s 3636:'s 3624:'s 3599:'s 3587:'s 3575:'s 3564:'s 3540:'s 3528:'s 3516:'s 2283:". 2259:". 2126:155 2080:doi 459:in 157:nĂ©e 3682:: 3660:' 3609:' 3552:' 2173:. 2155:12 2153:, 2100:^ 2086:, 2074:, 2050:^ 2028:^ 1995:^ 1986:. 1954:. 1912:^ 1877:) 1858:. 1509:, 1505:, 533:. 517:. 463:. 397:. 354:. 326:. 303:. 251:, 247:, 239:, 140:m. 84:, 3207:e 3200:t 3193:v 2572:e 2565:t 2558:v 2459:e 2452:t 2445:v 2399:. 2388:. 2377:. 2327:. 2303:. 2238:. 2224:. 2185:. 2159:. 2138:. 2095:. 2082:: 2076:5 2014:. 1965:. 1940:. 1873:( 1513:. 970:" 740:" 154:( 53:) 49:(

Index


Argenton-en-Landunvez
Brest, Finistère
Sèvres
Paris
Painting
Impressionism
FĂ©lix Bracquemond
née
Impressionist
Mary Cassatt
Berthe Morisot
Eva Gonzalès
Jean-Auguste-Dominique Ingres
Paul Gauguin
FĂ©lix Bracquemond
Haviland & Co.
The Lady in White
On the Terrace at Sèvres
Afternoon Tea
Under the Lamp
Argenton-en-Landunvez
Brest
Brittany
Cassatt
Morisot
Gonzalès
Jura
Switzerland
Limousin

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