Knowledge

Marion Fairfax

Source 📝

169: 157: 309:
popular writer who at the time was specializing in original stories and adaptions of popular plays. After two years of writing for First National Editorial, Fairfax resigned from her post to enter the production field again. At the time Fairfax was one of the most accomplished playwrights in New York Theater and an author scenarist, editorial and production supervisor of film plays. Her previous experience and success as the head of Marion Fairfax Production made this transition effortless.
33: 149: 281:
I have studied and worked out for over a year. I believe there is a place for the combination of literary effort and motion picture presentation just as there is a place for the combination of literary achievement and stage presentation." With a new production company at her disposal Fairfax began working on a highly anticipated film called
322:
designated "shooting staff." This dual production plan allows these two independent producers to have access to a permanent technical organization. Without a dual partnership these two producers would have a very hard time trying to afford such an imperative function of film production. In 1926 Fairfax co-produced
280:
and Fairfax proving that women can survive in the film industry. Exhibitors Herald asked Fairfax about the start of her own company and she had this to say: "The formation of Marion Fairfax Productions is not the result of a sudden decision or and overnight idea. It is the realization of a plan that
194:
Fairfax first started her career as a stage actress, just like many other women did in that era. By 1901 she was appearing on Broadway and soon after that her own plays started appearing on Broadway. Before she went into pictures she was known for being one of the most distinguished stage authors
321:
that would cut the production cost for two producers working together. Ideally the plan would allow both producers to have shared access to technical staff by way of production scheduling. While one producer is cutting a picture and preparing for their next project the other would be utilizing the
275:
After spending her early career with Neilan, Fairfax soon developed her own production company in 1921. At this point in her career Fairfax was known for being a famous playwright and a very successful screenwriter. Many other women have attempted to pursue careers in film at this point but it was
308:
Fairfax's success with her own production company provided her with enough experience and credibility in the film industry to progress even further. In September 1923 she was signed to the writing staff of Associated First National Pictures, Inc. Acquiring Fairfax gave First National Picture a
215:
who is known as the author for many successful plays such as "The Warrens of Virginia" and "The Woman." The success of Fairfax comes through wide knowledge of dramatic values, not only from an author's perspective but also from that of the artist.
328:(1926), but this was her final film with Rork. Following an illness, she disappeared from film making but continued to write for periodicals. Fairfax died October 2, 1970. 931: 921: 219:
Fairfax's production career began with the Paramount Company. During her time there she wrote the scripts to multiple successful photoplays such as
916: 411: 211:(1914), In 1915 The Lasky Feature Play Company entered into a contract with Fairfax. This opportunity gave Fairfax the chance to work under 961: 936: 926: 906: 901: 763:
Pierce, David, ed. "Marion Fairfax Completes Plans For Initial Independent Features." Exhibitors Herald 23 Apr. 1921: 58. Print.
951: 911: 828: 781:"Holman Day and Marion Fairfax Added to Writing Staff." Exhibitor's Trade Review 8 Sept. 1923, 14th ed., sec. 2: 694. Print. 263:, Fairfax was in charge of Neilan's next four films. Her first project is based on a Ben Ames Williams magazine story called 956: 772:
Chicago, Photoplay Magazine Publishing Company. "The Screens Newest Woman Producer." Photoplay 1 July 1921: n. pag. Print.
555: 847: 896: 247:. After building a successful resume with Neilan, which included the production and script writing of films such as 467: 941: 675: 817:
Phillips, Sarah (2018). "Silent Screenwriter, Producer and Director: Marion Fairfax". In Welch, Rosanne (ed.).
659: 946: 595: 523: 745:
Exhibitors' Times, Inc. "Marion Fairfax, Dramaist, With Lasky." Motion Picture News Apr. 1915: 64. Print.
627: 856: 691: 186:; October 24, 1875 – October 2, 1970) was an American screenwriter, playwright, actress, and producer. 563: 515: 395: 355: 451: 707: 347: 79: 619: 539: 483: 475: 363: 317:
Not long after her separation from First National Picture Inc. Fairfax formed an alliance with
286: 870: 611: 603: 387: 891: 886: 427: 371: 8: 754:"Marshall Neilan Again Signs Marion Fairfax." Exhibitor's Herald 16 Oct. 1920: 41. Print. 667: 571: 651: 403: 290: 212: 60: 865: 824: 820:
When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry
715: 507: 435: 419: 723: 499: 324: 818: 635: 531: 459: 339: 294: 244: 852: 683: 547: 443: 298: 124: 880: 579: 491: 168: 156: 587: 643: 318: 861: 699: 379: 277: 823:. Jefferson, North Carolina: McFarland & Company. pp. 76–77. 148: 32: 243:
and many more. In October 1920 Fairfax renewed a contract with
848:
Academy of Motion Picture Arts and Sciences profile of Fairfax
195:
in the United States, writing Broadway hits such as
16:
American actress, playwright and producer (1875–1970)
932:20th-century American dramatists and playwrights 878: 803:McElwee, John. "Rork-Fairfax Have New Plan." 757: 270: 748: 797: 479:(scenario) / (screenplay) / (story) (1918) 463:(scenario) / (screenplay) / (story) (1917) 922:American women dramatists and playwrights 775: 739: 305:was quickly recognized as a masterpiece. 816: 766: 167: 155: 147: 139: 1899; died 1943) 879: 784: 917:Burials at Hollywood Forever Cemetery 152:Marion Fairfax on 1922 magazine cover 962:20th-century American screenwriters 937:20th-century American women writers 13: 711:(adaptation) / (screenplay) (1925) 14: 973: 841: 31: 927:20th-century American actresses 907:People from Greater Los Angeles 902:Writers from Richmond, Virginia 790:"Marion Fairfax Resigns Post." 312: 189: 136: 873:at Women Film Pioneers Project 810: 331: 1: 952:Screenwriters from California 794:19 Sept. 1925: n. pag. Print. 732: 639:(screenplay) / (story) (1922) 471:(screenplay) / (story) (1917) 912:American women screenwriters 703:(play) / (adaptation) (1925) 297:, and her husband the actor 7: 957:Screenwriters from Virginia 487:(scenario) / (story) (1918) 10: 978: 857:Internet Broadway Database 271:Marion Fairfax Productions 807:7 Nov. 1925: 1247. Print. 516:You Never Saw Such a Girl 301:. Released in July 1922 118: 110: 87: 68: 42: 30: 23: 897:American stage actresses 556:The Valley of the Giants 229:The Valley of the Giants 708:Clothes Make the Pirate 348:Mr. Grex of Monte Carlo 80:Los Angeles, California 942:Emerson College alumni 540:A Daughter of the Wolf 476:The Honor of His House 225:The Honor of His House 176: 165: 153: 612:Through the Back Door 604:Bob Hampton of Placer 171: 159: 151: 265:Not a Drum Was Heard 947:Women film pioneers 805:Motion Picture News 792:Motion Picture News 719:(adaptation) (1926) 695:(screenplay) (1925) 676:Lilies of the Field 484:The White Man's Law 364:Tennessee's Pardner 652:The Snowshoe Trail 404:Anton the Terrible 213:William C. deMille 177: 166: 154: 61:Richmond, Virginia 830:978-1-4766-3277-3 716:Old Loves and New 687:(scenario) (1924) 660:A Lady of Quality 567:(scenario) (1920) 551:(scenario) (1919) 527:(scenario) (1919) 519:(scenario) (1919) 511:(scenario) (1918) 508:The Secret Garden 503:(scenario) (1918) 468:The Widow's Might 455:(scenario) (1917) 447:(scenario) (1917) 439:(scenario) (1917) 436:The Crystal Gazer 431:(scenario) (1917) 423:(scenario) (1916) 420:The Primrose Ring 407:(scenario) (1916) 383:(scenario) (1916) 367:(scenario) (1915) 359:(scenario) (1915) 351:(scenario) (1915) 184:Marion Neiswanger 146: 145: 111:Years active 47:Marion Neiswanger 969: 835: 834: 814: 808: 801: 795: 788: 782: 779: 773: 770: 764: 761: 755: 752: 746: 743: 724:The Blonde Saint 596:The Mad Marriage 572:Don't Ever Marry 524:The Roaring Road 500:The Mystery Girl 325:The Blonde Saint 249:Don't ever marry 175:(1922) publicity 140: 138: 75: 57:October 24, 1875 56: 54: 35: 21: 20: 977: 976: 972: 971: 970: 968: 967: 966: 877: 876: 844: 839: 838: 831: 815: 811: 802: 798: 789: 785: 780: 776: 771: 767: 762: 758: 753: 749: 744: 740: 735: 730: 671:(titles) (1924) 636:The Lying Truth 628:Sherlock Holmes 620:The Lotus Eater 564:The River's End 559:(writer) (1919) 543:(writer) (1919) 535:(writer) (1919) 532:Putting It Over 495:(writer) (1918) 460:The Secret Game 340:The Chorus Lady 334: 315: 303:The Lying Truth 295:Noah Beery, Sr. 291:J. Pat O'Malley 283:The Lying Truth 273: 245:Marshall Neilan 192: 173:The Lying Truth 162:The Lying Truth 142: 134: 130: 127: 106: 83: 77: 73: 72:October 2, 1970 64: 58: 52: 50: 49: 48: 38: 37:Fairfax in 1923 26: 17: 12: 11: 5: 975: 965: 964: 959: 954: 949: 944: 939: 934: 929: 924: 919: 914: 909: 904: 899: 894: 889: 875: 874: 871:Marion Fairfax 868: 862:Marion Fairfax 859: 853:Marion Fairfax 850: 843: 842:External links 840: 837: 836: 829: 809: 796: 783: 774: 765: 756: 747: 737: 736: 734: 731: 729: 728: 720: 712: 704: 696: 692:The Lost World 688: 684:As Man Desires 680: 672: 664: 656: 648: 640: 632: 624: 616: 608: 600: 592: 584: 576: 568: 560: 552: 548:Love Insurance 544: 536: 528: 520: 512: 504: 496: 488: 480: 472: 464: 456: 448: 444:Hashimura Togo 440: 432: 424: 416: 408: 400: 392: 384: 376: 368: 360: 352: 344: 335: 333: 330: 314: 311: 299:Tully Marshall 285:which starred 272: 269: 253:The Rivers End 191: 188: 180:Marion Fairfax 160:Publicity for 144: 143: 132: 128: 125:Tully Marshall 123: 122: 120: 116: 115: 112: 108: 107: 105: 104: 101: 98: 95: 91: 89: 85: 84: 78: 76:(aged 94) 70: 66: 65: 59: 46: 44: 40: 39: 36: 28: 27: 25:Marion Fairfax 24: 15: 9: 6: 4: 3: 2: 974: 963: 960: 958: 955: 953: 950: 948: 945: 943: 940: 938: 935: 933: 930: 928: 925: 923: 920: 918: 915: 913: 910: 908: 905: 903: 900: 898: 895: 893: 890: 888: 885: 884: 882: 872: 869: 867: 863: 860: 858: 854: 851: 849: 846: 845: 832: 826: 822: 821: 813: 806: 800: 793: 787: 778: 769: 760: 751: 742: 738: 726: 725: 721: 718: 717: 713: 710: 709: 705: 702: 701: 697: 694: 693: 689: 686: 685: 681: 678: 677: 673: 670: 669: 665: 662: 661: 657: 654: 653: 649: 646: 645: 641: 638: 637: 633: 630: 629: 625: 622: 621: 617: 614: 613: 609: 606: 605: 601: 598: 597: 593: 590: 589: 585: 582: 581: 580:Go and Get It 577: 574: 573: 569: 566: 565: 561: 558: 557: 553: 550: 549: 545: 542: 541: 537: 534: 533: 529: 526: 525: 521: 518: 517: 513: 510: 509: 505: 502: 501: 497: 494: 493: 492:Less Than Kin 489: 486: 485: 481: 478: 477: 473: 470: 469: 465: 462: 461: 457: 454: 453: 449: 446: 445: 441: 438: 437: 433: 430: 429: 425: 422: 421: 417: 415:(play) (1916) 414: 413: 409: 406: 405: 401: 398: 397: 396:Common Ground 393: 390: 389: 385: 382: 381: 377: 374: 373: 372:The Blacklist 369: 366: 365: 361: 358: 357: 356:The Immigrant 353: 350: 349: 345: 342: 341: 337: 336: 329: 327: 326: 320: 310: 306: 304: 300: 296: 292: 288: 284: 279: 268: 266: 262: 261:Go and Get it 258: 254: 250: 246: 242: 241:The Immigrant 238: 234: 233:The Westerner 230: 226: 222: 217: 214: 210: 209:A Modern Girl 206: 202: 198: 187: 185: 181: 174: 170: 163: 158: 150: 126: 121: 117: 113: 109: 102: 99: 96: 93: 92: 90: 86: 81: 71: 67: 62: 45: 41: 34: 29: 22: 19: 819: 812: 804: 799: 791: 786: 777: 768: 759: 750: 741: 722: 714: 706: 698: 690: 682: 674: 666: 658: 650: 642: 634: 626: 618: 610: 602: 594: 586: 578: 570: 562: 554: 546: 538: 530: 522: 514: 506: 498: 490: 482: 474: 466: 458: 452:On the Level 450: 442: 434: 426: 418: 412:The Chaperon 410: 402: 394: 386: 378: 370: 362: 354: 346: 338: 323: 316: 313:Later career 307: 302: 287:Marjorie Daw 282: 274: 264: 260: 256: 252: 248: 240: 236: 232: 228: 224: 220: 218: 208: 204: 201:The Chaperon 200: 197:The Builders 196: 193: 190:Early career 183: 179: 178: 172: 161: 94:Screenwriter 74:(1970-10-02) 18: 892:1970 deaths 887:1875 births 644:Fools First 332:Filmography 319:Sam E. Rork 88:Occupations 881:Categories 733:References 700:The Talker 380:The Sowers 278:Lois Weber 237:The Sowers 205:The Talker 97:playwright 53:1875-10-24 388:The Clown 221:The Clown 114:1901–1926 428:Freckles 207:(1912), 203:(1908), 199:(1907), 103:producer 855:at the 668:Torment 141:​ 133:​ 129:​ 100:actress 827:  727:(1926) 679:(1924) 663:(1924) 655:(1922) 647:(1922) 631:(1922) 623:(1921) 615:(1921) 607:(1921) 599:(1921) 591:(1920) 583:(1920) 575:(1920) 399:(1916) 391:(1916) 375:(1916) 343:(1915) 182:(born 164:(1922) 119:Spouse 82:, U.S. 63:, U.S. 588:Dinty 257:Dinty 135:( 131: 866:IMDb 825:ISBN 259:and 69:Died 43:Born 864:at 883:: 293:, 289:, 267:. 255:, 251:, 239:, 235:, 231:, 227:, 223:, 137:m. 833:. 55:) 51:(

Index


Richmond, Virginia
Los Angeles, California
Tully Marshall



William C. deMille
Marshall Neilan
Lois Weber
Marjorie Daw
J. Pat O'Malley
Noah Beery, Sr.
Tully Marshall
Sam E. Rork
The Blonde Saint
The Chorus Lady
Mr. Grex of Monte Carlo
The Immigrant
Tennessee's Pardner
The Blacklist
The Sowers
The Clown
Common Ground
Anton the Terrible
The Chaperon
The Primrose Ring
Freckles
The Crystal Gazer
Hashimura Togo

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.