186:, was radical for its avant-garde display of every day "poor" materials as art. Her work continued to reflect many of the fundamental issues with which Arte Povera artists are preoccupied, such as organic forms, subjectivity, the use of lower forms of art, including crafts, and the relationship between art and life. In 1969 she had a solo exhibition at the Attico Gallery in Rome. Her works took on an openly environmental character in a series of "rooms." Her husband Mario was supportive of her art and her career and would help her with her installations. In 1975 she also had a solo exhibition in Rome. This exhibition featured installations made by using knitted copper, under the title of
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constructing her aluminum sculptures and how her daughter taught her so much in that time. In 1977, Merz had a solo exhibition at
Galleria Salvatore Ala in Milan, Italy. After her husband's death in 2003, Merz left his studio untouched and continued to work into her 90s. In 2015, Beatrice Merz later opened a contemporary art center, the Fondazione Merz, in Turin.
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In June 1967, Merz had her first solo exhibition at the Gian Enzo
Sperone Gallery in Turin, for which she made a folded aluminum foil installation. In December 1967, she had another show at the Piper Pluri Cub, a Turin disco that had opened the year before to host radical artistic events. In October
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In her 1975 artist statement she talked about the absent divide between her life and her work that she created. By this time she had extracted herself from the art scene and practically locked herself in her studio to work. Therein she reflected about life with her daughter, Bea, while she was
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in 2009. Her practice integrated aspects of craft and practices traditionally associated with women (e.g. knitting) and often employed mundane materials, such as copper, aluminum, waxed paper, and paraffin wax, which reflected her home environment. In this way, her art exemplifies that of the
131:, who would later become her husband, who was studying in Turin. In 1960, they married and had a daughter, named Beatrice (Bea) Merz. The couple lived in Frutigen in the Alps for three years. Very little about Merz's early life, including her maiden name, is known publicly.
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group, which collectively sought to "call into question—if not subvert—the high-gloss finish of fine art and its deadness as an institutional commodity." As an artist, Merz refused to formally name or date her works and claimed that art making operated "beyond time."
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brought her greater consideration. Marisa Merz's art has been described as lyrical, subtle, visionary, and private. Her installations feature the idea of the home as an intimate place, private, and feminine. An example is her 1966 installation
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She took part in documenta 7 in 1982 and documenta 9 in Kassel in 1992. She was also included in the Venice
Binnale in 1988. In 1994, she had her first US show at Barbara Gladstone.
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99:(23 May 1926 – 20 July 2019) was an Italian artist and sculptor. In the 1960s, Merz was the only female protagonist associated with the radical
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movement. In 2013 she was awarded the Golden Lion for
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581:[With closed eyes the eyes are extraordinarily open] (in Italian). Capti.
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Marisa Merz: la dimensione ancestrale del costruire, sul portale RAI Arte
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Palazzo Grassi, Francoi Pinault Foundation, Venice Italy / 2009–2010
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Marisa Merz was born in Turin, Italy, in 1926. Her father worked for
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754:"Woven Histories: Textiles and Modern Abstraction - 5415-list.pdf"
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Bernier Ellades, Athens, Greece / November 2011 – January 2012
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Italics, Italian Art between
Tradition and Revolution, 1968–2008
676:. Milan: compiled by Anne-Marie Sauzeau Boetti. pp. 50–55.
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Marisa Merz: Draw draw draw redraw the image thought that walks
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Gladstone Gallery, Brussels, Belgium / January – March 2011
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Venice
Biennale Golden Lions to Maria Lassnig and Marisa Merz
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at Gladstone Gallery, New York City / October – November 2010
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579:"Ad occhi chiusi gli occhi sono straordinariamente aperti"
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Marisa Merz. It does not correspond however it flourishes
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Ad occhi chiusi gli occhi sono straordinariamente aperti
190:('To closed eyes, the eyes are extraordinarily open').
354:, Athens, Greece / 13 December 2018 - 14 February 2019
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90:Biennale di Venezia Award for Lifetime Achievement
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411:, Serpentine Gallery. Retrieved 18 October 2018.
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248:Woven Histories: Textiles and Modern Abstraction
123:. She studied classical ballet and modelled for
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592:Schwarz, Dieter; Claire Gilman (Spring 2008).
127:for a period. In the 1950s she met the artist
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373:Merz died on 19 July 2019 at the age of 93.
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465:. Retrieved 18 October 2018.
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568:. London (2004): 37. Print.
526:. London (2004): 34. Print.
200:Untitled (Living Sculpture)
156:Arte Povera + Azione Povera
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254:, Washington, DC / 2024
252:National Gallery of Art
172:Michelangelo Pistoletto
488:"Marisa Merz obituary"
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1060:Untitled (12 Horses)
931:Pier Paolo Calzolari
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674:Artist's Statements
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328:Serpentine Gallery
239:Recent exhibitions
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890:Arte Povera
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659:Marisa Merz
604:: 157–168.
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358:Marisa Merz
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209:Arte Povera
204:Tate Modern
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148:Tate Modern
136:Arte Povera
101:Arte povera
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81:Arte Povera
41:23 May 1926
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1188:Categories
1168:Spatialism
1163:Dau al Set
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377:References
338:Met Breuer
306:Group Show
184:Mario Merz
138:and Career
129:Mario Merz
115:Early life
37:1926-05-23
500:0261-3077
111:, Italy.
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1000:Artworks
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623:24 March
618:57567688
243:Source:
195:feminism
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1123:Book(s)
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223:Awards
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1032:Mappa
757:(PDF)
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