2829:
the light bulb as a clear demonstration of this. A light bulb does not have content in the way that a newspaper has articles, or a television has programs, but it is a medium that has a social effect; that is, a light bulb enables people to create spaces at night that would otherwise be enveloped by darkness. He describes the light bulb as a medium without any content. McLuhan writes, "a light bulb creates an environment by its mere presence." More controversially, he postulates that content has little effect on societyâfor example, whether television broadcasts children's shows or violent programming, its effect on society is identical. He notes that all media have characteristics that engage the viewer in different ways; for instance, a passage in a book can be reread at will, but a movie must be screened again in its entirety to study any part of it.
634:
2021:
4535:, he is declaring in effect that he is more interested in what Lonergan refers to as the empirical level of consciousness than in what Lonergan refers to as the intelligent level of consciousness in which concepts are formed, which Lonergan distinguishes from the rational level of consciousness in which the adequacy of concepts and of predications is adjudicated. This inward turn to attending to percepts and to the cultural conditioning of the empirical level of consciousness through the effect of communication media sets him apart from more outward-oriented studies of sociological influences and the outward presentation of self carried out by
3562:. McLuhan had begun development on the Tetrad as early as 1974. The tetrad is an analogical, simultaneous, fourfold pattern of transformation. "At full maturity the tetrad reveals the metaphoric structure of the artifact as having two figures and two grounds in dynamic and analogical relationship to each other." Like the camera focused on the Earth by the Apollo 8 astronauts, the tetrad reveals figure (Moon) and ground (Earth) simultaneously. The right-brain hemisphere thinking is the capability of being in many places at the same time. Electricity is acoustic. It is simultaneously everywhere. The Tetrad, with its fourfold
3480:
learned to my cost how wrong they were. From my own experience I knew very well that it was enough to take from a man a memory here, an association there, to deprive him of hearing or sight, for the world to undergo immediate transformation, and for another world, entirely different, but entirely coherent, to be born. Another world? Not really. The same world, rather, but seen from a different angle, and counted in entirely new measures. When this happened all the hierarchies they called objective were turned upside down, scattered to the four winds, not even theories but like whims.
2900:âspecifically, television , which he claims requires more effort from the viewer to determine meaning; and comics, which, due to their minimal presentation of visual detail, require a high degree of effort to fill in details the cartoonist may have intended to portray. Cool media are usually, but not always, those that provide little involvement with substantial stimulus. They require more active participation on the part of the user, including the perception of abstract patterning and simultaneous comprehension of all parts. Therefore, in addition to television, cool media include
1930:
8098:
588:
10816:
3516:. Robotism-androidism emerges from the further development of the right brain, creativity and a new relationship to spacetime (most humans are still living in 17th-century classical Newtonian physics spacetime). Robots-androids will have much greater flexibility than humans have had until now, in both mind and body. Robots-androids will teach humanity this new flexibility. And this flexibility of androids (what McLuhan calls robotism) has a strong affinity with Japanese culture and life. McLuhan quotes from
3117:, discordant sounds and 1960s incidental music in what could be considered a deliberate attempt to translate the disconnected images seen on TV into an audio format, resulting in the prevention of a connected stream of conscious thought. Various audio recording techniques and statements are used to illustrate the relationship between spoken, literary speech and the characteristics of electronic audio media. McLuhan biographer Philip Marchand called the recording "the 1967 equivalent of a McLuhan video."
10840:
9215:
601:
626:
9560:
642:
2306:
1634:
40:
10828:
3651:
10852:
1646:
2275:, arguably with a more complex historical and psychological analysis. The idea of the retribalization of Western society by the far-reaching techniques of communication, the view on the function of the artist in society, and the characterization of means of transportation, like the railroad and the airplane, as means of communication, are prefigured in Sapir's 1933 article on
10804:
3905:, Leary said the slogan was "given to him" by McLuhan during a lunch in New York City. Leary said McLuhan "was very much interested in ideas and marketing, and he started singing something like, 'Psychedelics hit the spot / Five hundred micrograms, thatâs a lot,' to the tune of a Pepsi commercial. Then he started going, 'Tune in, turn on, and drop out.
3352:
available is so vast as to create cultural anarchy. When all the cultures of the world are simultaneously present, the work of the artist in the elucidation of form takes on new scope and new urgency. Most men are pushed into the artist's role. The artist cannot dispense with the principle of 'doubleness' or 'interplay' because this type of
3780:
3551:âlinear, sequential, and logical as a reflection of the late medieval emphasis on the Greek notion of efficient causality." McLuhan and Powers criticize the Shannon-Weaver model of communication as emblematic of left-hemisphere bias and linearity, descended from a print-era perversion of Aristotle's notion of efficient causality.
1913:. After consulting a minister, his father accepted the decision to convert. His mother, however, felt that his conversion would hurt his career and was inconsolable. McLuhan was devout throughout his life, but his religion remained a private matter. He had a lifelong interest in the number three (e.g., the trivium, the
3725:. The message which the medium conveys can only be understood if the medium and the environment in which the medium is usedâand which, simultaneously, it effectively createsâare analysed together. He believed that an examination of the figure-ground relationship can offer a critical commentary on culture and society.
2825:(1964), is a seminal study in media theory. Dismayed by the way in which people approach and use new media such as television, McLuhan famously argues that in the modern world "we live mythically and integrallyâŠbut continue to think in the old, fragmented space and time patterns of the pre-electric age."
3079:
Finally, McLuhan described key points of change in how man has viewed the world and how these views were changed by the adoption of new media. "The technique of invention was the discovery of the nineteenth ", brought on by the adoption of fixed points of view and perspective by typography, while "he
3014:
While some critics have taken issue with McLuhan's writing style and mode of argument, McLuhan himself urged readers to think of his work as "probes" or "mosaics" offering a toolkit approach to thinking about media. His eclectic writing style has also been praised for its postmodern sensibilities and
2828:
McLuhan proposes that media themselves, not the content they carry, should be the focus of studyâpopularly quoted as "the medium is the message". His insight is that a medium affects the society in which it plays a role not by the content it delivers, but by its own characteristics. McLuhan points to
2711:
by an electric technology, individualism would also be modified. To raise a moral complaint about this is like cussing a buzz-saw for lopping off fingers. "But", someone says, "we didn't know it would happen." Yet even witlessness is not a moral issue. It is a problem, but not a moral problem; and it
2140:
In
September 1979, McLuhan suffered a stroke which affected his ability to speak. The University of Toronto's School of Graduate Studies tried to close his research center shortly thereafter, but was deterred by substantial protests. McLuhan never fully recovered from the stroke and died in his sleep
1904:
Had I not encountered
Chesterton I would have remained agnostic for many years at least. Chesterton did not convince me of religious faith, but he prevented my despair from becoming a habit or hardening into misanthropy. He opened my eyes to European culture and encouraged me to know it more closely.
3601:
in a concise tetrad of media effects. The tetrad is a means of examining the effects on society of any technology (i.e., any medium) by dividing its effects into four categories and displaying them simultaneously. McLuhan designed the tetrad as a pedagogical tool, phrasing his laws as questions with
3459:
Acoustic Space, yet we are held back by habits of adhering to a fixed point of view. There are no boundaries to sound. We hear from all directions at once. Yet
Acoustic and Visual Space are inseparable. The resonant interval is the invisible borderline between Visual and Acoustic Space. This is like
3376:
According to McLuhan, the satellite medium encloses the Earth in a man-made environment, which "ends 'Nature' and turns the globe into a repertory theater to be programmed." All previous environments (book, newspaper, radio, etc.) and their artifacts are retrieved under these conditions ("past times
3368:
Pascal, in the seventeenth century, tells us that the heart has many reasons of which the head knows nothing. The
Theater of the Absurd is essentially a communicating to the head of some of the silent languages of the heart which in two or three hundred years it has tried to forget all about. In the
3005:
The work of McLuhan was a particular culmination of an aesthetic theory which became, negatively, a social theory ... It is an apparently sophisticated technological determinism which has the significant effect of indicating a social and cultural determinism.⊠For if the mediumâwhether print or
2853:
is the opposite, decreasing involvement and increasing description. In other words, a society that appears to be actively participating in streaming content but does not consider the tool's effects is not allowing an "extension of ourselves". A movie is thus said to be "high definition", demanding a
2736:
The next medium, whatever it isâit may be the extension of consciousnessâwill include television as its content, not as its environment, and will transform television into an art form. A computer as a research and communication instrument could enhance retrieval, obsolesce mass library organization,
1974:
had erupted in Europe. For this reason, he obtained permission to complete and submit his dissertation from the United States, without having to return to
Cambridge for an oral defence. In 1940, the McLuhans returned to Saint Louis University, where they started a family as he continued teaching. He
4603:
by the time it appeared in 1967, McLuhan no doubt recognized that his original saying had become a cliché and welcomed the opportunity to throw it back on the compost heap of language to recycle and revitalize it. But the new title is more than McLuhan indulging his insatiable taste for puns, more
4447:
Associates speculated about his intellectual connection to the Virgin Mary, one saying, "He had a direct connection with the
Blessed Virgin Mary. ... He alluded to it very briefly once, almost fearfully, in a please-don't-laugh-at-me tone. He didn't say, 'I know this because the Blessed Virgin Mary
3170:
of other words to create a statement McLuhan likens to an effect that each technology has on the society into which it is introduced. In order to glean the most understanding out of each, the reader must break the portmanteau into separate words (many of these themselves portmanteaus of words taken
2674:
goes inside. So, unless aware of this dynamic, we shall at once move into a phase of panic terrors, exactly befitting a small world of tribal drums, total interdependence, and superimposed co-existence.⊠Terror is the normal state of any oral society, for in it everything affects everything all the
2589:
The technology and social effects of typography incline us to abstain from noting interplay and, as it were, "formal" causality, both in our inner and external lives. Print exists by virtue of the static separation of functions and fosters a mentality that gradually resists any but a separative and
2258:
This externalization of our senses creates what de
Chardin calls the "noosphere" or a technological brain for the world. Instead of tending towards a vast Alexandrian library the world has become a computer, an electronic brain, exactly as in an infantile piece of science fiction. And as our senses
3717:
McLuhan believed that in order to grasp fully the effect of a new technology, one must examine figure (medium) and ground (context) together, since neither is completely intelligible without the other. McLuhan argued that we must study media in their historical context, particularly in relation to
2953:
The list of objections could be and has been lengthened indefinitely: confusing technology itself with its use of the media makes of the media an abstract, undifferentiated force and produces its image in an imaginary "public" for mass consumption; the magical naivete of supposed causalities turns
2782:
as "a racy survey, indifferent to some scholarly detail, but uniquely valuable in suggesting the sweep and depth of the cultural and psychological changes entailed in the passage from illiteracy to print and beyond." McLuhan himself said of the book, "I'm not concerned to get any kudos out of . It
2720:
of technology's effects on cognition is, for McLuhan, a matter of perspective. For instance, McLuhan contrasts the considerable alarm and revulsion that the growing quantity of books aroused in the latter 17th century with the modern concern for the "end of the book." If there can be no universal
2527:
f a new technology extends one or more of our senses outside us into the social world, then new ratios among all of our senses will occur in that particular culture. It is comparable to what happens when a new note is added to a melody. And when the sense ratios alter in any culture then what had
2263:
In his private life, McLuhan wrote to friends saying: "I am not a fan of Pierre
Teilhard de Chardin. The idea that anything is better because it comes later is surely borrowed from pre-electronic technologies." Further, McLuhan noted to a Catholic collaborator: "The idea of a Cosmic thrust in one
3619:
The laws of the tetrad exist simultaneously, not successively or chronologically, and allow the questioner to explore the "grammar and syntax" of the "language" of media. McLuhan departs from his mentor Harold Innis in suggesting that a medium "overheats," or reverses into an opposing form, when
2706:
or decollectivizes man in the first instance. Print raises the visual features of alphabet to highest intensity of definition. Thus, print carries the individuating power of the phonetic alphabet much further than manuscript culture could ever do. Print is the technology of individualism. If men
1782:
almost 30 years before it was invented. He was a fixture in media discourse in the late 1960s, though his influence began to wane in the early 1970s. In the years following his death, he continued to be a controversial figure in academic circles. However, with the arrival of the
Internet and the
3479:
When I came upon the myth of objectivity in certain modern thinkers, it made me angry. So, there was only one world for these people, the same for everyone. And all the other worlds were to be counted as illusions left over from the past. Or why not call them by their nameâhallucinations? I had
1835:
After studying for one year as an engineering student, he changed majors and earned a
Bachelor of Arts degree (1933), winning a University Gold Medal in Arts and Sciences. He went on to receive a Master of Arts degree (1934) in English from the university as well. He had long desired to pursue
3534:
Occidentals cannot easily credit the ability of the Japanese to swing from one behavior to another without psychic cost. Such extreme possibilities are not included in our experience. Yet in Japanese life the contradictions, as they seem to us, are as deeply based in their view of life as our
3351:
Another theme of the Wake that helps in the understanding of the paradoxical shift from cliché to archetype is 'past time are pastimes.' The dominant technologies of one age become the games and pastimes of a later age. In the 20th century, the number of 'past times' that are simultaneously
2968:
magazine interviewed him in 1995, Debray said he saw McLuhan "more as a poet than a historian, a master of intellectual collage rather than a systematic analyst.⊠McLuhan overemphasizes the technology behind cultural change at the expense of the usage that the messages and codes make of that
2608:
of experience"âwhich in turn affects social interactionsâ"fosters a mentality that gradually resists all but aâŠspecialist outlook". According to McLuhan, this advance of print technology contributed to and made possible most of the salient trends in the modern period in the Western world:
2854:
viewer's attention, and a comic book "low definition", requiring much more conscious participation by the reader to extract value: "Any hot medium allows of less participation than a cool one, as a lecture makes for less participation than a seminar, and a book for less than a dialogue."
6708:, July 01 2007 2:00 am. Quote: "McLuhan era uno che al premier canadese che si interrogava su un modo per sedare dei disordini in Angola, McLuhan disse, negli anni 70, 'riempite la nazione di apparecchi televisivi'; ed Ăš quello che venne fatto; e la rivoluzione in Angola cessĂČ."
4478:
in March 2006. Gingko Press also plans to publish the complete manuscript of items and essays that McLuhan prepared, only a selection of which were published in his book. With the publication of these two books a more complete picture of McLuhan's arguments and aims is likely to
3010:
David Carr wrote that there has been a long line of "academics who have made a career out of deconstructing McLuhanâs effort to define the modern media ecosystem", whether it be due to what they see as McLuhan's ignorance of sociohistorical context or the style of his argument.
3848:. According to Feigen and Gossage, their work had only a moderate effect on McLuhan's eventual celebrity: they claimed that their work only "probably speeded up the recognition of his genius by about six months." In any case, McLuhan soon became a fixture of media discourse.
3092:
The past went that-a-way. When faced with a totally new situation we tend always to attach ourselves to the objects, to the flavor of the most recent past. We look at the present through a rear-view mirror. We march backward into the future. Suburbia lives imaginatively in
2364:(1951), is a pioneering study in the field now known as popular culture. In the book, McLuhan turns his attention to analysing and commenting on numerous examples of persuasion in contemporary popular culture. This followed naturally from his earlier work as both
3818:
In August 1965, Feigen and Gossage held what they called a "McLuhan festival" in the offices of Gossage's advertising agency in San Francisco. During this "festival", McLuhan met with advertising executives, members of the mayor's office, and editors from the
3770:
observed how, in perceptions of modern Western culture, from about the 19th century a shift began from the optic toward the haptic. This shift is one of the main recurring topics in McLuhan's work, which McLuhan attributes to the advent of the electronic era.
4526:
is an extended guide to "making the inward turn": attending ever more carefully to one's own consciousness, reflecting on it ever more carefully, and monitoring one's articulations ever more carefully. When McLuhan declares that he is more interested in
3505:
and how it can offer us new ways of thinking about technology. The Western way of thinking about technology is too related to the left brain, which has a rational and linear focus. What he called robotism might better be called androidism in the wake of
3052:
and communications consultant, set about composing the visual illustration of these effects which were compiled by Jerome Agel. Near the beginning of the book, Fiore adopted a pattern in which an image demonstrating a media effect was presented with a
2678:
In our long striving to recover for the Western world a unity of sensibility and of thought and feeling we have no more been prepared to accept the tribal consequences of such unity than we were ready for the fragmentation of the human psyche by print
2861:âthat is, they enhance a single sense, in this case vision, in such a manner that a person does not need to exert much effort to perceive a detailed moving image. Hot media usually, but not always, provide complete involvement with considerable
3569:
of enhancement, reversal, retrieval and obsolescence, is mobilized by McLuhan and Powers to illuminate the media or technological inventions of cash money, the compass, the computer, the database, the satellite, and the global media network.
3800:
and Gerald Feigen, who used personal funds to fund their practice of "genius scouting". Much enamoured of McLuhan's work, Feigen and Gossage arranged for McLuhan to meet with editors of several major New York magazines in May 1965 at the
2585:
In this passage not only notes the ingraining of lineal, sequential habits, but, even more important, points out the visual homogenizing of experience of print culture, and the relegation of auditory and other sensuous complexity to the
3796:, McLuhan received an astonishing amount of publicity, making him perhaps the most-publicized 20th-century English teacher and arguably the most controversial. This publicity began with the work of two California advertising executives,
2259:
have gone outside us, Big Brother goes inside. So, unless aware of this dynamic, we shall at once move into a phase of panic terrors, exactly befitting a small world of tribal drums, total interdependence, and super-imposed co-existence.
3488:
and visual space, as are the linear concept of time and phonetic literacy. The left brain is the locus of analysis, classification, and rationality. The right brain and acoustic space are the locus of the spatial, tactile, and musical.
4513:
to clarify the meaning of McLuhan's statement that "the medium is the message"; McLuhan read this when it was first published in 1957 and found "much sense" in itâin his letter of September 21, 1957, to his former student and friend,
2124:, twins Mary and Teresa, Stephanie, Elizabeth, and Michael. The associated costs of a large family eventually drove him to advertising work and accepting frequent consulting and speaking engagements for large corporations, including
1887:
At the University of Manitoba, McLuhan explored his conflicted relationship with religion and turned to literature to "gratify his soul's hunger for truth and beauty," later referring to this stage as agnosticism. While studying the
4590:
scholar and a close friend to Lewis, likely discussed the concept with Lewis during their association, but there is no evidence that he got the idea or the phrasing from either; generally, McLuhan is credited as having coined the
1875:. Years afterward, upon reflection, he credited the faculty there with influencing the direction of his later work because of their emphasis on the "training of perception", as well as such concepts as Richards' notion of "
4624:, but the typesetter had made an error. When McLuhan saw the typo he exclaimed, "Leave it alone! It's great, and right on target!" Now there are possible four readings for the last word of the title, all of them accurate:
5853:
Giessen, H W (2015). "Media-Based Learning Methodology: Stories, Games, and Emotions". In Ally, Mohamed; Khan, Badrul H. (eds.). International Handbook of E-Learning Volume 2: Implementation and Case Studies. Routledge,
3718:
the technologies that preceded them. The present environment, itself made up of the effects of previous technologies, gives rise to new technologies, which, in their turn, further affect society and individuals.
3497:, the intuitive three dimensions useful for the architecture of buildings and the surveying of land. It is linearly rational and has no grasp of the acoustic. Acoustic Space is multisensory. McLuhan writes about
2264:
direction ... is surely one of the lamest semantic fallacies ever bred by the word 'evolution'.⊠That development should have any direction at all is inconceivable except to the highly literate community."
1795:, Alberta, and was named "Marshall" from his maternal grandmother's surname. His brother, Maurice, was born two years later. His parents were both also born in Canada: his mother, Elsie Naomi (née Hall), was a
3400:
5131:
2549:
greatly accelerated, intensified, and ultimately enabled cultural and cognitive changes that had already been taking place since the invention and implementation of the alphabet, by which McLuhan means
5033:
10545:
4115:. In 2011, at the time of his centenary, the centre established a "Marshall McLuhan Centenary Fellowship" program in his honour, and each year appoints up to four fellows for a maximum of two years.
7042:
1966:, Texas, whom he married on August 4, 1939. They spent 1939â40 in Cambridge, where he completed his master's degree (awarded in January 1940) and began to work on his doctoral dissertation on
1879:". These studies formed an important precursor to his later ideas on technological forms. He received the required bachelor's degree from Cambridge in 1936 and entered their graduate program.
2231:
of $ 43,000 from the Ford Foundation to carry out a communication project at the University of Toronto involving faculty from different disciplines, which led to the creation of the journal.
2841:, McLuhan writes that different media invite different degrees of participation on the part of a person who chooses to consume a medium. Using terminology derived from French anthropologist
4855:
9596:
4112:
10967:
6725:
10987:
4608:
However, the FAQ section on the website maintained by McLuhan's estate says that this interpretation is incomplete and makes its own leap of logic as to why McLuhan left it as is:
3741:
and hearing perception, while mechanical media have an affinity with visual perception. This opposition between optic and haptic had previously been formulated by art historians
3455:
was not automatic with the advent of the global network, but would have to be a conscious project. The "universal environment of simultaneous electronic flow" inherently favors
6900:
5609:
1851:
Though having already earned his BA and MA in Manitoba, Cambridge required him to enroll as an undergraduate "affiliated" student, with one year's credit towards a three-year
3288:. One major facet in McLuhan's overall framework introduced in this book that is seldom noticed is the provision of a new term that actually succeeds the global village: the
9606:
4001:
as himself. In the film, a pompous academic is arguing with Allen in a cinema queue when McLuhan suddenly appears and silences him, saying, "You know nothing of my work."
2795:
1959:, who would write his doctoral dissertation on a topic that McLuhan had called to his attention, as well as become a well-known authority on communication and technology.
4107:, formed soon after his death in 1980, was the successor to McLuhan's Centre for Culture and Technology at the University of Toronto. Since 1994, it has been part of the
11037:
10927:
4509:, the medium is the message, whereas at the intelligent and rational levels of consciousness, the content is the message. This sentence uses Lonergan's terminology from
4620:? Actually, the title was a mistake. When the book came back from the typesetter's, it had on the cover "Massage" as it still does. The title was supposed to have read
5097:
2573:
was invented, brought about the cultural predominance of the visual over the aural/oral. Quoting (with approval) an observation on the nature of the printed word from
2427:
approach" to writing a book. Each essay begins with a newspaper or magazine article, or an advertisement, followed by McLuhan's analysis thereof. The analyses bear on
5445:
4448:
told me,' but it was clear from what he said that one of the reasons he was so sure about certain things was that the Virgin had certified his understanding of them."
5122:
3171:
from multiple languages other than English) and speak them aloud for the spoken effect of each word. There is much dispute over what each portmanteau truly denotes.
7927:
6010:
3373:
The "languages of the heart", or what McLuhan otherwise defined as oral culture, were thus made archetype by means of the printing press, and turned into cliché.
2949:
also takes issue with McLuhan's envisioning of the medium. Like Eco, he is ill at ease with this reductionist approach, summarizing its ramifications as follows:
2439:
who created and disseminated them, but also to mull over what such advertising implies about the wider society at which it is aimed. Roland Barthes's essays 1957
9589:
8139:
3317:
language book: "Ionesco originally put all these idiomatic English clichés into literary French which presented the English in the most absurd aspect possible."
6254:
5064:
4826:
6930:
5356:
5025:
3381:. This updates his concept of the global village, which, in its own definitions, can be said to be subsumed into the overall condition of the global theater.
4426:
McLuhan later commented "One advantage we Westerners have is that we're under no illusion we've had an education. That's why I started at the bottom again."
3762:
4604:
than a clever fusion of self-mockery and self-rescueâthe subtitle is 'An Inventory of Effects,' underscoring the lesson compressed into the original saying.
3623:
Visually, a tetrad can be depicted as four diamonds forming an X, with the name of a medium in the centre. The two diamonds on the left of a tetrad are the
2641:" wherein electronic media replaces visual culture with aural/oral culture. In this new age, humankind would move from individualism and fragmentation to a
11132:
3805:
in New York. Philip Marchand reports that, as a direct consequence of these meetings, McLuhan was offered the use of an office in the headquarters of both
3475:
Lusseyran lost his eyesight in a violent accident as a child, and the autobiography describes how a reordering of his sensory life and perception followed:
3444:: "Acoustic Space has the basic character of a sphere whose focus or center is simultaneously everywhere and whose margin is nowhere." The transition from
7023:
5002:
4187:
2911:
This appears to force media into binary categories, but McLuhan's hot and cool exist on a continuum: they are more correctly measured on a scale than as
2476:
10887:
9582:
3953:
3121:"I wouldn't be seen dead with a living work of art."â'Old man' speaking "Drop this jiggery-pokery and talk straight turkey."â"Middle-aged man" speaking
3033:
2783:
seems to me a book that somebody should have written a century ago. I wish somebody else had written it. It will be a useful prelude to the rewrite of
3706:, which underpins the meaning of "the medium is the message." He used this concept to explain how a form of communications technology, the medium, or
3065:âreinforcing McLuhan's overarching argument in this book: namely, that each medium produces a different "massage" or "effect" on the human sensorium.
2798:, in 1962. The chairman of the selection committee was McLuhan's colleague at the University of Toronto and oftentime intellectual sparring partner,
11137:
5844:
Giessen, H W (1995), âRemarks to Marshall McLuhanâ. In: Communications. The European Journal of Communication. Vol. 20, No. 1, (April) 1995, 129â135.
2983:
filled with "contradictions, non-sequiturs, facts that are distorted and facts that are not facts, exaggerations, and chronic rhetorical vagueness."
5959:
2600:) is that new technologies (such as alphabets, printing presses, and even speech) exert a gravitational effect on cognition, which in turn, affects
2431:
considerations as well as on the implications behind the imagery and text. McLuhan chose these ads and articles not only to draw attention to their
4161:
2360:
2250:." In fact, McLuhan warns against outright dismissing or whole-heartedly accepting de Chardin's observations early on in his second published book
2034:
9017:
6668:
4765:
4080:
writer that "if the poster was not McLuhan himself, it was a bot programmed with an eerie command of McLuhan's life and inimitable perspective."
2032:. As his reputation grew, he received a growing number of offers from other universities. During this period, he published his first major work,
346:
2938:, and messages under the overarching term of the medium, confusing the vehicle, internal code, and content of a given message in his framework.
2670:
the world has become a computer, an electronic brain, exactly as an infantile piece of science fiction. And as our senses have gone outside us,
2625:. For McLuhan, these trends all reverberate with print technology's principle of "segmentation of actions and functions and principle of visual
6836:
4475:
2637:
In the early 1960s, McLuhan wrote that the visual, individualistic print culture would soon be brought to an end by what he called "electronic
2885:, and logical. They emphasize one sense (for example, of sight or sound) over the others. For this reason, hot media include film (especially
2747:
to refer to rapid, irregular, and multidirectional movement through a heterogeneous body of documents or knowledge, e.g., statements such as "
4260:
1677:
928:
5786:
5252:
2097:, which was treated successfully. He returned to Toronto where he taught at the University of Toronto for the rest of his life and lived in
6815:
6700:
6123:
4108:
6721:
5572:
10892:
6747:
11122:
10962:
10942:
10907:
10630:
8180:
7481:
4582:
are credited as the source of the phrase, but neither used the words "global village" specifically as such. According to McLuhan's son
4217:
4119:
2821:
2386:
2012:
as a footnote to the observations of Innis on the subject of the psychic and social consequences, first of writing then of printing."
1752:. He began his teaching career as a professor of English at several universities in the United States and Canada before moving to the
11072:
10902:
10745:
8315:
8309:
7009:
6960:
6892:
4104:
2076:
9574:
7273:
McLuhan, Marshall (1944). "Poetic and Rhetorical Exegesis: The Case for Leavis Against Richards and Empson" in the Sewanee Review".
5595:
11032:
7799:
Daniel, Jeff (August 10, 1997). "McLuhan's Two Messengers: Maurice McNamee and Walter Ong; World-Class Interpreters of His Ideas".
5521:
4088:
2449:, as a series of exhibits of popular mass culture (like advertisements, newspaper articles and photographs) that are analyzed in a
11112:
11077:
11007:
8412:
1909:
At the end of March 1937, McLuhan completed what was a slow but total conversion process, when he was formally received into the
3249:
Back to tribal involvement in tribal mood-mud. The last thunder is a turbulent, muddy wake, and murk of non-visual, tactile man.
2006:
was a university colleague who had a strong influence on his work. McLuhan wrote in 1964: "I am pleased to think of my own book
1815:
and remained in Canada, away from the front lines. After Herbert's discharge from the army in 1915, the McLuhan family moved to
11127:
11087:
10302:
7651:
2049:
1991:
333:
323:
6191:
7921:
7877:
7849:
7780:
7670:
7637:
7615:
7470:
7445:
7359:
7317:
7263:
7244:
7222:
7191:
7142:
7097:
7036:
6846:
6020:
5453:
5094:
4925:
4876:
4370:
4347:
4328:
4301:
4275:
4241:
4207:
4177:
5269:
2283:, while the distinction between "hot" and "cool" media draws from LĂ©vi-Strauss' distinction between hot and cold societies.
1921:
provided intellectual guidance for him. For the rest of his career, he taught in Catholic institutions of higher education.
11142:
11012:
8021:; Bishop, John (2007). "Edmund Carpenter: A Trickster's Explorations of Culture & Media". In Engelbrecht, Beate (ed.).
7752:
5724:
4141:, and hosts a permanent exhibition dedicated to McLuhan, based on its collection of film and audio items by and about him.
2280:
2198:, for instance, were characterized by the heavy emphasis on the formal study of logic. The key development that led to the
2737:
retrieve the individual's encyclopedic function and flip into a private line to speedily tailored data of a saleable kind.
2699:
Is it not obvious that there are always enough moral problems without also taking a moral stand on technological grounds?âŠ
2202:
was not the rediscovery of ancient texts, but a shift in emphasis from the formal study of logic to rhetoric and grammar.
11082:
11062:
10982:
9304:
9010:
8913:
8241:
7908:
7868:
Havers, Grant N. (2014). "Marshall McLuhan and the Machiavellian Use of Religious Violence". In Ricci, Gabriel R. (ed.).
7068:
4285:
4066:
3493:
results when the two sides of the brain are in true balance. Visual Space is associated with the simplified worldview of
3155:, an inspiration for this study of war throughout history, as an indicator as to how war may be conducted in the future.
3141:
3134:
1944:
1310:
5536:
3369:
seventeenth century world the languages of the heart were pushed down into the unconscious by the dominant print cliché.
2206:
is characterized by the re-emergence of grammar as its most salient featureâa trend McLuhan felt was exemplified by the
11052:
10937:
2721:
moral sentence passed on technology, McLuhan believes that "there can only be disaster arising from unawareness of the
8143:
6245:
10947:
10557:
8943:
8119:
8068:
5056:
4958:
4823:
4384:
3037:, published in 1967, was McLuhan's best seller, "eventually selling nearly a million copies worldwide." Initiated by
2345:
2323:
2028:
In the early 1950s, McLuhan began the Communication and Culture seminars at the University of Toronto, funded by the
1740:; July 21, 1911 â December 31, 1980) was a Canadian philosopher whose work is among the cornerstones of the study of
1731:
1670:
814:
2120:
hosted him from April to May, appointing him to the McDermott Chair. Marshall and Corinne McLuhan had six children:
11097:
11057:
11047:
10957:
9122:
9037:
8908:
5353:
5026:"Marshall McLuhan Is Back from the Dustbin of History; With the Internet, His Ideas Again Seem Ahead of Their Time"
3502:
3409:
1943:
Unable to find a suitable job in Canada, he went to the United States to take a job as a teaching assistant at the
6922:
3408:
for understanding the cultural implications of the technological advances associated with the rise of a worldwide
3166:
that reveals a cyclic pattern for human history through its Ten Thunders. Each "thunder" below is a 100-character
3006:
televisionâis the cause, all other causes, all that men ordinarily see as history, are at once reduced to effects.
2153:
During his years at Saint Louis University (1937â1944), McLuhan worked concurrently on two projects: his doctoral
11107:
10992:
10932:
10897:
9077:
5827:
3880:
3522:
2763:
explores the ways that McLuhan's work may be understood better through using the lens of the digital revolution.
2712:
would be nice to clear away some of the moral fogs that surround our technologies. It would be good for morality.
1979:
1040:
3980:
argued that McLuhan "was conservative, socially, but he never let politics enter his writing or his teaching".
11152:
11147:
10952:
10912:
9563:
9003:
8173:
7872:. Religion and Public Life. Vol. 39. New Brunswick, New Jersey: Transaction Publishers. pp. 179â203.
4052:
2327:
609:
11067:
11022:
10997:
9279:
8569:
8198:
6144:
4998:
4150:
3057:
synopsis on the facing page. The reader experiences a repeated shifting of analytic registersâfrom "reading"
2605:
854:
2528:
appeared lucid before may suddenly become opaque, and what had been vague or opaque will become translucent.
2186:
down to the time of Thomas Nashe. In his later publications, McLuhan at times uses the Latin concept of the
2038:(1951), in which he examines the effect of advertising on society and culture. Throughout the 1950s, he and
1505:
701:
11117:
11042:
10652:
10437:
9309:
9259:
9199:
6870:
1663:
1610:
5955:
5719:
4805:
4787:
1530:
11102:
11092:
11017:
10972:
10922:
9289:
9274:
9107:
9102:
9097:
8984:
8405:
4835:
4192:
2471:
1350:
9214:
8248:
7460:
4311:
3276:
3262:
10794:
10407:
10183:
9062:
8378:
4756:
3893:
2243:
1540:
686:
202:
6660:
1290:
11027:
10872:
9866:
9604:
9395:
9264:
9229:
8655:
8286:
8265:
8234:
8166:
7422:
7374:
5496:
4251:
4199:
4032:
3693:
3467:
McLuhan illustrates how it feels to exist within acoustic space by quoting from the autobiography of
3027:
2994:
2954:
the media into a catch-all and contagious "mana"; apocalyptic millenarianism invents the figure of a
2596:
2381:
1764:
1435:
1240:
414:
404:
3412:. This is a major work of McLuhan's as it contains the most extensive elaboration of his concept of
3045:, taking inventory of the "effects" of numerous media in terms of how they "massage" the sensorium.
2569:
Print culture, ushered in by the advance in printing during the middle of the 15th century when the
2163:, which included only a representative selection of the materials that McLuhan had prepared for it.
2020:
10977:
10699:
9795:
9157:
9087:
9042:
5904:
3548:
3419:
2732:, and 10 years after his death, McLuhan prophesied the web technology seen today as early as 1962:
2626:
2504:
1951:(with an interruption from 1939 to 1940 when he returned to Cambridge). There he taught courses on
955:
711:
681:
2166:
McLuhan's 1942 Cambridge University doctoral dissertation surveys the history of the verbal arts (
10261:
9845:
9805:
9775:
9755:
9620:
9329:
9314:
9152:
9142:
8865:
8814:
8675:
8670:
8292:
6568:
5636:
4860:
4023:
magazine and a quote of his appeared on the masthead for the first ten years of its publication.
3821:
3584:
3559:
3081:
2316:
2246:, whose ideas anticipated those of McLuhan, especially the evolution of the human mind into the "
1860:
1837:
1749:
1545:
1175:
802:
664:
419:
151:
9405:
6697:
5564:
4868:
4111:. In 2008, the centre incorporated in the Coach House Institute, which was subsequently renamed
2227:. In a letter to Walter Ong, dated 31 May 1953, McLuhan reports that he had received a two-year
1275:
10372:
9500:
8526:
8398:
8080:
7910:
The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology
6784:
5090:
4362:
4134:
3957:
3933:
3878:
magazine published a lengthy interview with him. In a running gag on the popular sketch comedy
2432:
2068:
2044:
1948:
1824:
1745:
1465:
1100:
837:
555:
351:
146:
10599:
Fifteen Days: Stories of Bravery, Friendship, Life and Death from Inside the New Canadian Army
6755:
5759:
5688:
Wyatt, David (December 1971). "Hot and Cool in Anthropology: McLuhan and the Structuralists".
5494:. v. 8, p. 8. This is a reprint of McLuhan's introduction to the 1964 edition of Innis's book
2842:
2687:
moral bentâit is a tool that profoundly shapes an individual's and, by extension, a society's
2272:
10362:
10166:
9324:
9254:
9127:
9026:
8875:
7768:
5810:
4222:
3566:
3361:
2927:
2878:
2862:
2224:
2075:. Hoping to keep him from moving to another institute, the University of Toronto created the
2039:
1995:
1753:
1330:
1035:
975:
950:
758:
227:
222:
212:
7529:
7393:
6244:
5121:
1340:
1315:
871:
10882:
10877:
10584:
10477:
9765:
9725:
9535:
9334:
9284:
9249:
9239:
9234:
8824:
8351:
8220:
8213:
7307:
6788:
5889:
5262:
4840:
4126:
3722:
3405:
2717:
2559:
2551:
2465:
2295:
2159:
2117:
2065:
2008:
1929:
1876:
1856:
1852:
1430:
1220:
1185:
1155:
1125:
1095:
990:
886:
706:
696:
617:
6952:
2372:. At this point, his focus shifted dramatically, turning inward to study the influence of
1799:
school teacher who later became an actress; and his father, Herbert Ernest McLuhan, was a
1525:
8:
10669:
10594:
9973:
9903:
9815:
9480:
9455:
8959:
8645:
8559:
8227:
7332:
7232:
7165:
4536:
3844:
3836:
3827:
2874:
2814:
2667:
2642:
2601:
1918:
1495:
1365:
1245:
1180:
985:
913:
792:
781:
716:
8771:
5701:
3835:, who wrote about McLuhan in a subsequent article, "What If He Is Right?", published in
1420:
1380:
1335:
11002:
10917:
10647:
10574:
10540:
10518:
10094:
9953:
9785:
9640:
9319:
9294:
9269:
9194:
9137:
8938:
8880:
8804:
8716:
8706:
8629:
8543:
8521:
8435:
8275:
8097:
8002:
7970:
7709:
7591:
7521:
7513:
7290:
7180:
7121:
5257:
4462:
4403:
3969:
3913:
3699:
3494:
3041:, McLuhan adopted the term "massage" to denote the effect each medium has on the human
2508:
2142:
2087:
1841:
1820:
1638:
1565:
1190:
1170:
1140:
1090:
965:
960:
908:
723:
587:
500:
424:
252:
247:
9420:
4892:
4712:
4438:, p. 74, gives the date as March 25; Marchand (1990), p.44, gives it as March 30.
3563:
3356:
dialogue is essential to the very structure of consciousness, awareness, and autonomy.
2393:
His interest in the critical study of popular culture was influenced by the 1933 book
1270:
10856:
10844:
10523:
10457:
10447:
10352:
10000:
9923:
9350:
8918:
8736:
8711:
8624:
8531:
8511:
8475:
8455:
8440:
8107:
8006:
7962:
7917:
7883:
7873:
7845:
7838:
7776:
7713:
7701:
7666:
7633:
7611:
7603:
7572:
7525:
7505:
7466:
7441:
7355:
7348:
7313:
7282:
7259:
7240:
7218:
7187:
7138:
7093:
7086:
7032:
6842:
6138:
6016:
4964:
4954:
4931:
4921:
4872:
4366:
4343:
4324:
4297:
4271:
4237:
4203:
4173:
3738:
3468:
2708:
2083:
1963:
1845:
1650:
1550:
1475:
1460:
1455:
1425:
1395:
1360:
1355:
1280:
1210:
1120:
891:
654:
10552:
7775:. By Theall, Donald F. Montreal: McGill-Queen's University Press. pp. 236â261.
3418:, and provides a critique of standard 20th-century communication models such as the
3304:
3072:, McLuhan also rehashed the argumentâwhich first appeared in the Prologue to 1962's
2873:, but require focus and comprehension to immerse readers. Hot media creation favour
1515:
1320:
257:
10832:
10808:
10757:
10752:
10709:
10530:
10487:
10397:
10393:
10312:
10250:
10134:
9893:
9167:
8964:
8933:
8886:
8829:
8794:
8741:
8685:
8619:
8465:
8450:
7998:
7818:
7693:
7564:
7497:
7394:
7128:
7005:
6991:
6688:
6661:"It's cool not to shave â Marshall McLuhan, the Man and his Message â CBC Archives"
6183:
5697:
5105:
4864:
4502:
4408:
4289:(1st ed.), with design/layout by Quentin Fiore, produced by Jerome Agel. New York:
4019:
4005:
3998:
3977:
3941:
3921:
3527:
3309:
3240:
3102:
3049:
2998:
2972:
2964:
2908:
as emerging from jazz and popular music used, in this context, to mean "detached".
2692:
2671:
2516:
2489:
2267:
Some of McLuhan's main ideas were influenced or prefigured by anthropologists like
2214:
2195:
2102:
2057:
1983:
1897:
1756:
in 1946, where he remained for the rest of his life. He is known as the "father of
1701:
1590:
1580:
1555:
1485:
1410:
1235:
1145:
1050:
1025:
995:
763:
671:
561:
540:
470:
465:
450:
262:
232:
10422:
Revenge of the Land: A Century of Greed, Tragedy and Murder on a Saskatchewan Farm
9400:
8579:
7628:(2012). "Educational Reform and the Formalization of the Field of Media Ecology".
2645:, with a "tribal base." McLuhan's coinage for this new social organization is the
2190:
to outline an orderly and systematic picture of certain periods in the history of
1803:
with a real-estate business in Edmonton. When the business failed at the start of
10679:
10579:
The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism
10282:
10246:
10197:
10114:
10084:
10054:
10010:
9913:
9695:
9673:
9652:
9645:
9630:
9510:
9470:
9460:
9450:
9385:
9375:
9365:
9360:
9187:
8974:
8839:
8809:
8761:
8538:
8356:
7895:
7201:
7161:
6704:
5831:
5741:
5540:
5360:
5273:
5266:
5101:
4830:
4548:
4544:
4398:
4358:
4233:
3929:
3767:
3329:
3268:
2703:
2638:
2570:
2423:
is composed of 59 short essays that may be read in any orderâwhat he styled the "
2191:
2154:
2113:
2106:
2029:
1910:
1893:
1808:
1694:
1575:
1535:
1480:
1415:
1405:
1375:
1370:
1345:
1300:
1285:
1265:
1205:
1150:
1080:
1015:
515:
475:
217:
164:
29:
10674:
The End of Absence: Reclaiming What Weâve Lost in a World of Constant Connection
7740:
7019:
2946:
2523:
organization, which in turn has profound ramifications for social organization:
10604:
10427:
10417:
9943:
9835:
9735:
9545:
9540:
9530:
9525:
9520:
9515:
9465:
9440:
9425:
9415:
9410:
9355:
8799:
8781:
8746:
8701:
8680:
8564:
8270:
7549:
7456:
7064:
St Marshall, Mass and the Media: Catholicism, Media Theory and Marshall McLuhan
5491:
4578:
4540:
4316:
4166:
4044:
4027:
3802:
3797:
3779:
3750:
3513:
3414:
3401:
The Global Village: Transformations in World Life and Media in the 21st Century
3393:
3271:
3151:
2659:
2647:
2512:
2497:
2414:
2402:
2221:
1864:
1779:
1773:
1570:
1560:
1385:
1305:
1295:
1165:
1105:
859:
832:
797:
733:
646:
409:
292:
237:
197:
182:
7568:
7062:
6562:
5632:
4935:
4488:
For a nuanced account of McLuhan's thought regarding Richards and Leavis, see
1905:
He taught me the reasons for all that in me was simply blind anger and misery.
1520:
10866:
10820:
10637:
10564:
10508:
10467:
10342:
10236:
10193:
10161:
10020:
9983:
9963:
9933:
9745:
9705:
9495:
9490:
9430:
9390:
9370:
9299:
9244:
9132:
9072:
8870:
8849:
8445:
8421:
8346:
8341:
8336:
8280:
8010:
7982:
7966:
7946:
7887:
7705:
7576:
7509:
7418:
7389:
7370:
7286:
7175:
7116:
6722:"Douglas Coupland on Marshall McLuhan's prescience in modern political times"
5560:
5533:
5446:"She Was Marshall McLuhan's Great Love Ardent Defender, Supporter and Critic"
5193:
4968:
4565:
4552:
4515:
4506:
4256:
4048:
4040:
3937:
3925:
3898:
3734:
3598:
3517:
3038:
2986:
2926:
Some theorists have attacked McLuhan's definition and treatment of the word "
2870:
2799:
2756:
2614:
2610:
2574:
2493:
2485:
2238:
suggested that a major under-acknowledged influence on McLuhan's work is the
2228:
2207:
2098:
2072:
2061:
1956:
1872:
1757:
1741:
1470:
1400:
1215:
1200:
1160:
1075:
1030:
1020:
881:
807:
753:
728:
525:
510:
505:
490:
429:
388:
364:
282:
242:
192:
8142:. University of St. Michael's College, John M. Kelly Library. Archived from
8122:. University of St. Michael's College, John M. Kelly Library. Archived from
7951:
The Interior Landscape: The Literary Criticism of Marshall McLuhan 1943â1962
4501:
The phrase "the medium is the message" may be better understood in light of
3299:
is a "normal" action, phrase, etc. which becomes so often used that we are "
2741:
Furthermore, McLuhan coined and certainly popularized the usage of the term
2002:
would be one of his students. Canadian economist and communications scholar
1962:
McLuhan met Corinne Lewis in St. Louis, a teacher and aspiring actress from
10769:
10740:
10292:
10287:
Discipline of Power: The Conservative Interlude and the Liberal Restoration
10064:
10030:
9876:
9825:
9505:
9445:
9435:
9380:
9082:
9067:
8979:
8969:
8751:
8660:
8650:
8516:
8490:
8331:
8018:
7732:
Forward Through the Rearview Mirror: Reflections on and by Marshall McLuhan
7647:
7625:
7545:
7501:
7433:
6893:"Marshall McLuhan Catholic Secondary School - School History and Tradition"
5714:
4583:
4458:
4339:
4320:
4290:
4264:
4061:
3945:
3917:
3902:
3885:
3594:
3508:
2866:
2688:
2546:
2398:
2268:
2157:
and the manuscript that was eventually published in 1951 as a book, titled
2121:
2091:
2053:
2003:
1971:
1967:
1868:
1595:
1135:
1010:
849:
550:
530:
485:
455:
287:
277:
267:
122:
10327:
The Private Capital: Ambition and Love in the Age of Macdonald and Laurier
8123:
6564:
Marshall Mcluhan Full lecture: The medium is the message - 1977 part 1 v 3
3783:
A portion of Toronto's St. Joseph Street is co-named Marshall McLuhan Way.
2390:, 1964) calls attention to this intrinsic effect of communications media.
600:
10776:
10719:
10689:
10659:
10625:
10332:
10322:
10224:
10214:
10124:
10104:
9715:
9485:
9092:
8844:
8665:
8602:
8574:
8495:
7697:
4573:
4092:
4076:
mailing list in 1996. The information this person provided convinced one
3988:
3965:
3961:
3949:
3742:
3456:
3167:
3146:
2931:
2886:
2622:
2555:
2542:
2441:
2436:
2199:
2094:
1999:
1952:
1804:
1605:
1600:
1510:
1500:
1490:
1390:
1230:
1225:
1195:
1130:
1110:
746:
650:
520:
495:
480:
272:
207:
8995:
8112:
7974:
7684: (2002). "McLuhan's Canadian Sense of Space, Time and Tactility".
7517:
7346: (1987). Molinaro, Matie; McLuhan, Corinne; Toye, William (eds.).
7294:
7154:
Marshall McLuhan's Mosaic: Probing the Literary Origins of Media Studies
3674:
Retrieval (figure): What the medium recovers which was previously lost.
3332:
brought upon people by it, not totally unlike the psychological context
3076:âthat all media are "extensions" of our human senses, bodies and minds.
1892:
at Cambridge, he took the first steps toward his eventual conversion to
10764:
9683:
9162:
9117:
9112:
8923:
8756:
8607:
8480:
8460:
8361:
8103:
6692:
5604:
4465:
about the different effects of "light-on" versus "light-through" media.
4138:
4010:
3993:
3721:
All technologies have embedded within them their own assumptions about
3485:
3404:(1989), McLuhan, collaborating with Bruce R. Powers, provides a strong
3300:
3197:
3163:
3058:
3054:
2975:, in turn, reproached McLuhan for his focus on television and for his "
2618:
2428:
2373:
2369:
2330: in this section. Unsourced material may be challenged and removed.
1947:
for the 1936â37 academic year. From 1937 to 1944, he taught English at
1055:
768:
676:
545:
535:
297:
138:
10589:
I've Got a Home in Glory Land: A Lost Tale of the Underground Railroad
5824:
4732:
4072:
Despite his death in 1980, someone claiming to be McLuhan posted on a
3212:
Distortion and translation of human patterns and postures and pastors.
9688:
9147:
8903:
8612:
8485:
8470:
7596:
Where the Suckers Moon: The Life and Death of an Advertising Campaign
7133:
7109:
The Method Is the Message: Rethinking McLuhan Through Critical Theory
7025:
Media Manifestos: On the Technological Transmission of Cultural Forms
6996:
6820:
4229:
3832:
3353:
3333:
3313:, whose dialogue consists entirely of phrases Ionesco pulled from an
3285:
3110:
3105:. The recording consists of a pastiche of statements made by McLuhan
3062:
3042:
2912:
2882:
2849:
requires increased involvement due to decreased description, while a
2845:'s distinction between hot and cold societies, McLuhan argues that a
2752:
2748:
2722:
2563:
2520:
2450:
2365:
2247:
2235:
2203:
1812:
1800:
787:
691:
460:
383:
187:
7653:
Everybody Loves You When You're Dead: Journeys into Fame and Madness
6126:. CBC Archives. 2001-09-11. Archived from the original on 2006-06-14
4505:'s further articulation of related ideas: at the empirical level of
4095:. The play was revived by SITI Company for a farewell tour in 2022.
3484:
Reading, writing, and hierarchical ordering are associated with the
3339:
McLuhan also posits that there is a factor of interplay between the
3281:
2305:
10337:
The Regenerators: Social Criticism in Late Victorian English Canada
8819:
8158:
6510:
3811:
3680:
Reversal (ground): What the medium does when pushed to its limits.
3498:
3461:
3441:
3114:
2976:
2934:, for instance, contends that McLuhan's medium conflates channels,
2654:
The term is sometimes described as having negative connotations in
2377:
2175:
1816:
1792:
1783:
World Wide Web, interest was renewed in his work and perspectives.
1633:
1000:
970:
876:
866:
844:
773:
67:
39:
10307:
Louisbourg Portraits: Life in an Eighteenth- Century Garrison Town
5956:"The Medium Is the Massage: Celebrating Marshall McLuhan's Legacy"
5787:"TWENTIETH-CENTURY VOX: MARSHALL MCLUHAN AND THE MECHANICAL BRIDE"
5565:"Marshall McLuhan, Author, Dies; Declared 'Medium Is the Message'"
5158:
3280:(1970), McLuhan approaches the various implications of the verbal
2778:. However, Ong later tempered his praise, by describing McLuhan's
10412:
Occupied Canada: A Young White Man Discovers His Unsuspected Past
10229:
9204:
9172:
8928:
8834:
8789:
7989:(1981). "McLuhan as Teacher: The Future Is a Thing of the Past".
6838:
The Sopranos on the Couch: Analyzing Television's Greatest Series
6362:
4532:
4528:
4355:
The Future of the Library: From Electronic Media to Digital Media
4026:
McLuhan's perspective on the cycle of cultural identity inspired
3972:" quote. When asked in the 1970s for a way to sedate violence in
3874:
3728:
3668:
Obsolescence (ground): What the medium drives out of prominence.
3464:
astronauts focused on the Earth after they had orbited the Moon.
3438:
3429:âa linear, quantitative, classically geometric modelâand that of
3314:
3230:
3094:
2901:
2743:
2594:
The main concept of McLuhan's argument (later elaborated upon in
2537:
McLuhan's episodic history takes the reader from pre-alphabetic,
2481:
2179:
2167:
2129:
1987:
1914:
1889:
1819:, Manitoba, where Marshall grew up and went to school, attending
1796:
1325:
980:
945:
903:
898:
777:
86:
8390:
7482:"Coming to Terms with the Future He Foresaw: Marshall McLuhan's
6990:(PhD thesis). Palmerston North, New Zealand: Massey University.
6862:
6338:
5294:
3662:
Enhancement (figure): What the medium amplifies or intensifies.
3101:
An audio recording version of McLuhan's famous work was made by
2554:. (McLuhan is careful to distinguish the phonetic alphabet from
10827:
9182:
9177:
6398:
4130:
4056:: "Marshall McLuhan, casual viewin', head buried in the sand."
3973:
3831:
magazine. More significant was the presence at the festival of
3612:
What does the medium retrieve that had been obsolesced earlier?
3434:
3185:
Speech. Split of East/West. From herding to harnessing animals.
2424:
2239:
2183:
1085:
1045:
1005:
8091:
6422:
6410:
6386:
3912:
During his lifetime and afterward, McLuhan heavily influenced
3650:
3224:
All characters end up separate, private man. Return of choric.
3084:
is the discovery of the twentieth century," brought on by the
2658:, but McLuhan was interested in exploring effects, not making
2064:. During this time, McLuhan supervised the doctoral thesis of
1722:
580:
10558:
Shake Hands With the Devil: The Failure of Humanity in Rwanda
6269:
5923:
5869:
3635:
qualities. The two diamonds on the right of a tetrad are the
3547:"All Western scientific models of communication areâlike the
3324:"is a quoted extension, medium, technology, or environment."
3125:
2832:
2728:
Though the World Wide Web was invented almost 30 years after
2683:
Key to McLuhan's argument is the idea that technology has no
2538:
2171:
2141:
on December 31, 1980. He is buried at Holy Cross Cemetery in
1719:
7863:(8th ed.). Don Mills, Ontario: Oxford University Press.
7550:"Edmund Carpenter: Explorations in Media & Anthropology"
7170:. By McLuhan, Marshall. Cambridge, Massachusetts: MIT Press.
6762:
6065:
3888:
would randomly say, "Marshall McLuhan, what are you doin'?"
2993:, published in 1986, chides McLuhan for what he sees as his
2751:
surf-boards along on the electronic wave as triumphantly as
1975:
was awarded a Doctor of Philosophy degree in December 1943.
10704:
The Way of the Strangers: Encounters with the Islamic State
6641:
6302:
5659:
5657:
4474:
McLuhan's doctoral dissertation from 1942 was published by
3539:
The ability to live in the present and instantly readjust.
3085:
2935:
2410:
1707:
1115:
16:
Canadian philosopher and communications scholar (1911â1980)
10569:
The Golden Spruce: A True Story of Myth, Madness and Greed
6593:
5760:
Red Britain: The Russian Revolution in Mid-Century Culture
5253:
Old Messengers, New Media: The Legacy of Innis and McLuhan
3377:
are pastimes"). McLuhan thereby meshes this into the term
2774:. Ong wrote a highly favorable review of this new book in
10968:
Converts to Roman Catholicism from atheism or agnosticism
9607:
Governor General's Award for English-language non-fiction
7840:
Always Someone to Kill the Doves: A Life of Sheila Watson
6534:
6084:
McLuhan, Marshall (March 1969). "The Playboy Interview".
5766:
3233:, pop Kulch via tribal radio. Wedding of sight and sound.
2958:
without ties to historical and social context, and so on.
2881:
and sequential ordering, as they are usually sequential,
2604:: print technology changes our perceptual habitsâ"visual
2503:
Throughout the book, McLuhan makes efforts to reveal how
2125:
1970:
and the verbal arts. While the McLuhans were in England,
7088:
Marshall McLuhan: Escape into Understanding: A Biography
6350:
6326:
6104:
6092:
5857:
5669:
5654:
5146:
4043:âpenned lyric in the song "Broadway Melody of 1974", on
3852:
magazine did a cover story on him; articles appeared in
3425:
McLuhan distinguishes between the existing worldview of
3109:
by other speakers, including people speaking in various
2090:
in the Bronx. While at Fordham, he was diagnosed with a
1924:
10482:
Lines on the Water: A Fisherman's Life on the Miramichi
10129:
The Oxford Companion to Canadian History and Literature
7859:
Gasher, Mike; Skinner, David; Lorimer, Rowland (2016).
6163:
6053:
6041:
5983:. Vol. 107. September 15, 1962. pp. 743, 747.
5503:
5416:
5322:
5284:
5282:
4980:
4978:
4853:
Walker, John A. (2003). "McLuhan, (Herbert) Marshall".
4678:
4676:
4674:
4672:
4670:
4668:
4666:
4664:
4662:
4155:
This is a partial list of works cited in this article.
3615:
What does the medium flip into when pushed to extremes?
3542:
3360:
McLuhan relates the cliché-to-archetype process to the
3218:
Extreme development of print process and individualism.
2048:. McLuhan and Carpenter have been characterized as the
7217:(rev. ed.). Cambridge, Massachusetts: MIT Press.
7182:
Digital McLuhan: A Guide to the Information Millennium
6629:
6374:
6281:
5404:
5334:
2770:(1958), which evidently had prompted McLuhan to write
10792:
7610:. Evanston, Illinois: Northwestern University Press.
7123:
Technology and the Canadian Mind: Innis/McLuhan/Grant
6314:
6211:
6209:
6029:
5468:
4518:, McLuhan says, "Find much sense in Bern. Lonergan's
4137:. It includes a multimedia information centre and an
3763:
The Work of Art in the Age of Mechanical Reproduction
3670:
Radio reduces the importance of print and the visual.
2024:
McLuhan with a television showing his own image, 1967
1732:
1713:
10988:
Governor General's Award-winning non-fiction writers
10442:
Rogue Primate: An Exploration of Human Domestication
7858:
7431:
6516:
5633:"Tom Wolfe on Media, Advertising, Technology (1999)"
5392:
5279:
5209:
4975:
4659:
4600:
According to McLuhan biographer W. Terrence Gordon,
3191:
Enclosure of private parts. First social aggression.
2702:
Print is the extreme phase of alphabet culture that
1716:
7900:
Understanding New Media: Extending Marshall McLuhan
7309:
The Gutenberg Galaxy: The Making of Typographic Man
4688:
4188:
The Gutenberg Galaxy: The Making of Typographic Man
3018:
2918:
2477:
The Gutenberg Galaxy: The Making of Typographic Man
2042:also produced an important academic journal called
1710:
1704:
11038:Persons of National Historic Significance (Canada)
10928:Canadian expatriate academics in the United States
7837:
7424:The Medium Is the Massage: An Inventory of Effects
7376:The Medium Is the Massage: An Inventory of Effects
7347:
7206:McLuhan Misunderstood: Setting the Record Straight
7179:
7120:
7085:
6923:"Presentation units in the Marshall McLuhan Salon"
6206:
6151:
5753:
5751:
5310:
5196:(March 10, 1962). "What Did You Say, Professor?".
4806:"Television: Dann v. Klein: The Best Game in Town"
4755:
4252:The Medium Is the Massage: An Inventory of Effects
3303:" to its effects. McLuhan provides the example of
3253:
3178:represent different stages in the history of man:
3034:The Medium Is the Massage: An Inventory of Effects
6779:
6777:
4700:
4059:McLuhan is jokingly referred to in an episode of
4017:In 1991, McLuhan was named the "patron saint" of
3243:at once create cities in crisis. Speed and death.
10864:
7902:(2nd ed.). New York: Peter Lang Publishing.
7810:McLuhan for Managers: New Tools for New Thinking
7454:
6988:The New American Vortex: Explorations of McLuhan
6625:. March 1969. pp. 26â27, 45, 55â56, 61, 63.
6428:
6416:
6404:
6392:
4918:Understanding media : the extensions of man
4385:The Medium Is The Massage: With Marshall McLuhan
4162:The Mechanical Bride: Folklore of Industrial Man
3328:would also include the kinds of "awareness" and
3206:Patterns of nature submitted to greed and power.
2361:The Mechanical Bride: Folklore of Industrial Man
2160:The Mechanical Bride: Folklore of Industrial Man
1836:graduate studies in England and was accepted by
7729:
7412:
7383:
7368:
6368:
6344:
6308:
5748:
5553:
4999:"Historicist: Marshall McLuhan, Urban Activist"
4951:Understanding media : the extension of man
4457:During the time at Fordham University, his son
3976:, he suggested a massive spread of TV devices.
3737:'s) work, electric media have an affinity with
3710:, necessarily operates through its context, or
3676:Radio returns the spoken word to the forefront.
2368:and rhetoric in the classical trivium aimed at
10758:alfabet/alphabet: a memoir of a first language
10694:A World We Have Lost: Saskatchewan Before 1905
7215:Marshall McLuhan: The Medium and the Messenger
6816:""Duke Ellington: Highlights Of His Twilight""
6774:
5086:
5084:
5082:
4144:
3968:was paraphrasing McLuhan with his now famous "
3729:Opposition between optic and haptic perception
2480:(1962) is a pioneering study in the fields of
2456:
2286:
2101:, a bucolic enclave on a hill overlooking the
2015:
10770:Aki-wayn-zih: A Person as Worthy as the Earth
10546:Paris 1919: Six Months That Changed the World
10535:Saboteurs: Wiebo Ludwig's War Against Big Oil
9590:
9011:
8406:
8174:
7665:. Montreal: McGill-Queen's University Press.
7067:(MA thesis). Montreal: Concordia University.
6552:Pinotti, Somaini (2016) Cultura visuale, p.86
6232:. New York: Schocken Books. pp. 126â127.
5811:McLuhan and Baudrillard: Masters of Implosion
4113:The McLuhan Centre for Culture and Technology
3891:McLuhan was credited with coining the phrase
3868:, and others. Cartoons about him appeared in
3558:that McLuhan and Powers develop at length is
3001:furthers this point of contention, claiming:
2805:
1671:
10119:The Crystal Spirit: A Study of George Orwell
8023:Memories of the Origins of Ethnographic Film
7256:Electric Language: Understanding the Present
7231:
7031:. Translated by Rauth, Eric. London: Verso.
4738:
4718:
4109:University of Toronto Faculty of Information
3384:
2865:. In contrast, "cool" print may also occupy
1986:, Ontario, from 1944 to 1946, then moved to
1882:
11133:Academic staff of the University of Toronto
10472:Drumblair: Memories of a Jamaican Childhood
10452:Shadow Maker: The Life of Gwendolyn MacEwen
8017:
7816:
7544:
5509:
5095:The Wisdom of Saint Marshall, the Holy Fool
5079:
2725:and effects inherent in our technologies".
10631:Lakeland: Journeys into the Soul of Canada
10317:Byng of Vimy: General and Governor General
9597:
9583:
9018:
9004:
8413:
8399:
8181:
8167:
8096:
8025:. Frankfurt: Peter Lang. pp. 207â245.
7906:
7590:
7341:
7334:Understanding Media: The Extensions of Man
7326:
7301:
7272:
7253:
7167:Understanding Media: The Extensions of Man
7106:
6599:
6540:
6332:
6275:
6110:
6098:
6071:
6059:
6047:
5929:
5875:
5863:
5772:
5663:
5600:at the Vanguard of Communications Studies"
5368:
4489:
4218:Understanding Media: The Extensions of Man
4120:Marshall McLuhan Catholic Secondary School
3682:Acoustic radio flips into audio-visual TV.
3593:(1988), published posthumously by his son
3578:
3088:abilities of radio, movies and television.
2822:Understanding Media: The Extensions of Man
2387:Understanding Media: The Extensions of Man
1830:
1769:Understanding Media: The Extensions of Man
1678:
1664:
586:
38:
10888:20th-century Canadian non-fiction writers
10746:This Red Line Goes Straight to Your Heart
10664:Journey with No Maps: A Life of P.K. Page
9025:
8316:McLuhan Program in Culture and Technology
8310:Extraordinary Canadians: Marshall McLuhan
7767:
7602:
7132:
7011:Extraordinary Canadians: Marshall McLuhan
6995:
6985:
5905:"The Source of the Term 'Global Village'"
5825:Marshall McLuhan and French Structuralism
5735:
5733:
5681:
5675:
5443:
4869:10.1093/gao/9781884446054.article.T052928
4798:
4780:
4722:
4105:McLuhan Program in Culture and Technology
3901:, in the 1960s. In a 1988 interview with
3664:Radio amplifies news and music via sound.
3200:via wheel, transport, cities: civil life.
2904:and cartoons. McLuhan describes the term
2794:won Canada's highest literary award, the
2590:compartmentalizing or specialist outlook.
2545:. According to McLuhan, the invention of
2376:independent of their content. His famous
2346:Learn how and when to remove this message
2082:From 1967 to 1968, McLuhan was named the
1811:. After a year of service, he contracted
11138:Writers about activism and social change
7807:
7630:International Journal of McLuhan Studies
7440:. Toronto: University of Toronto Press.
7312:. Toronto: University of Toronto Press.
7212:
7174:
7151:
7004:
6768:
6635:
6586:
6584:
6356:
6287:
6230:Television: Technology and Cultural Form
6227:
6015:. Oxford University Press. p. 285.
5410:
5367:. Retrieved 24 June 2020; also cited in
5304:
5203:
5168:
4984:
4342:. Toronto: University of Toronto Press.
4089:Saratoga International Theater Institute
4083:McLuhan is the subject of the 1993 play
3916:, thinkers, and media theorists such as
3778:
3649:
3174:McLuhan claims that the ten thunders in
2979:" prose style, which he believes leaves
2889:), radio, the lecture, and photography.
2796:Governor-General's Award for Non-Fiction
2768:Ramus, Method, and the Decay of Dialogue
2435:, as well as their implications for the
2112:In 1970, he was made a Companion of the
2019:
1928:
10377:Willie: The Life of W. Somerset Maugham
9908:John A. Macdonald, The Young Politician
7933:from the original on September 21, 2018
7835:
7794:. Toronto: University of Toronto Press.
7738:
7730:Benedetti, Paul; DeHart, Nancy (1997).
7646:
7156:. Toronto: University of Toronto Press.
6834:
6813:
6647:
6621:"Playboy Interview: Marshall McLuhan".
6083:
6008:
5902:
5593:
5559:
5048:
4996:
4948:
4915:
4511:Insight: A Study of Human Understanding
4461:conducted what came to be known as the
3956:, as well as political leaders such as
3437:, qualitative order with an intricate,
2766:McLuhan frequently quoted Walter Ong's
2558:or logogramic writing systems, such as
2470:Written in 1961 and first published by
1990:in 1946 where he joined the faculty of
10865:
10230:Go-Boy! Memories of a Life Behind Bars
9657:Confessions of an Immigrant's Daughter
7867:
7798:
7792:McLuhan in Space: A Cultural Geography
7789:
7755:from the original on November 24, 2019
7679:
7660:
7624:
7479:
7160:
7115:
7083:
7018:
6963:from the original on 23 September 2022
6897:Toronto Catholic District School Board
6873:from the original on 25 September 2022
6380:
6320:
6215:
6169:
6157:
6035:
5784:
5730:
5624:
5474:
5422:
5398:
5340:
5328:
5288:
5247:
5245:
5243:
5241:
5239:
5237:
5235:
5233:
5215:
5164:
5152:
5023:
5017:
4852:
4742:
4726:
4706:
4694:
4682:
4435:
4014:is a "media oracle" based on McLuhan.
2050:Toronto School of communication theory
1955:, eventually tutoring and befriending
1791:McLuhan was born on July 21, 1911, in
324:Toronto school of communication theory
9578:
8999:
8394:
8162:
7894:
7608:Begin Again: A Biography of John Cage
7337:. London: Routledge & Kegan Paul.
7200:
6581:
6181:
5953:
5727:( Johnson, Alvin Ed.) Vol. 4 pp.78-80
5687:
5630:
5192:
5179:
5177:
5134:from the original on January 31, 2023
5123:"McLuhan's Messages, Echoing on Iraq"
5119:
5113:
5067:from the original on January 31, 2023
5057:"Living in Marshall McLuhan's Galaxy"
5054:
5024:Stille, Alexander (14 October 2000).
3597:, McLuhan summarized his ideas about
3204:Thunder 4: Markets and truck gardens.
1925:Early career, marriage, and doctorate
1863:in the autumn of 1934, studied under
9978:John A. Macdonald, The Old Chieftain
8188:
7823:. New York: International Publishers
7354:. Toronto: Oxford University Press.
7127:. Montreal: New World Perspectives.
7060:
6783:
6745:
6257:from the original on 12 January 2015
6242:
6194:from the original on 19 January 2012
5725:Encyclopaedia of the Social Sciences
5316:
5300:
5036:from the original on 31 January 2023
5005:from the original on 31 January 2023
3687:
3543:Beyond existing communication models
3183:Thunder 1: Paleolithic to Neolithic.
2328:adding citations to reliable sources
2299:
2281:Encyclopaedia of the Social Sciences
10609:A Place Within: Rediscovering India
8242:War and Peace in the Global Village
7981:
7945:
7844:. Edmonton, Alberta: NeWest Press.
7396:War and Peace in the Global Village
6933:from the original on 23 August 2022
6903:from the original on 25 August 2019
5962:from the original on April 14, 2015
5702:10.1111/j.0022-3840.1971.0503_551.x
5230:
4286:War and Peace in the Global Village
4004:The character "Brian O'Blivion" in
3609:What does the medium make obsolete?
3142:War and Peace in the Global Village
3135:War and Peace in the Global Village
3127:War and Peace in the Global Village
1896:in 1937, founded on his reading of
1807:, McLuhan's father enlisted in the
13:
10893:20th-century Canadian philosophers
8003:10.1111/j.1460-2466.1981.tb00436.x
7771:(2001). "That Not-So-Silent Sea".
7722:
7071:from the original on June 14, 2020
7048:from the original on June 13, 2020
5612:from the original on June 30, 2017
5444:Fitterman, Lisa (April 19, 2008).
5174:
5055:Beale, Nigel (February 28, 2008).
4788:"Programming: Getting the Message"
4236:; reissued by Gingko Press, 2003.
3983:
2666:Instead of tending towards a vast
1900:. In 1935, he wrote to his mother:
1786:
14:
11164:
11123:Theorists on Western civilization
10963:Companions of the Order of Canada
10943:Canadian male non-fiction writers
10908:Alumni of Trinity Hall, Cambridge
10714:Mamaskatch: A Cree Coming of Age'
8420:
8140:"The Marshall McLuhan Collection"
8031:
7741:"Teaching McLuhan: Understanding
5354:Letter to Elsie September 5, 1931
3216:Thunder 6: Industrial Revolution.
2632:
2077:Centre for Culture and Technology
11073:Canadian philosophers of science
10903:20th-century Canadian historians
10850:
10838:
10826:
10814:
10802:
10059:In Search of Canadian Liberalism
9559:
9558:
9213:
8909:Concentration of media ownership
7208:. Toronto: Key Publishing House.
6986:Chrystall, Andrew Brian (2007).
6945:
6915:
6885:
6855:
6828:
6807:
6748:"Marshall McLuhan: Media Savant"
6739:
6714:
6682:
6653:
6614:
6605:
6555:
6546:
6522:
6517:M. McLuhan & E. McLuhan 1988
6498:
6486:
6472:
6458:
6446:
6434:
6246:"Marshall McLuhan: Media Savant"
5575:from the original on May 5, 2013
4296:reissued by Gingko Press, 2001.
4270:reissued by Gingko Press, 2001.
4172:reissued by Gingko Press, 2002.
4151:Bibliography of Marshall McLuhan
3189:Thunder 2: Clothing as weaponry.
2857:Some media, such as movies, are
2304:
1700:
1644:
1632:
640:
632:
624:
599:
11033:North American cultural studies
10724:To the River: Losing My Brother
10684:Bee Time: Lessons from the Hive
10209:The Writing of Canadian History
9888:The Progressive Party in Canada
9881:The Progressive Party in Canada
9850:Democratic Government in Canada
9078:Computer-mediated communication
6835:Yacowar, Maurice (2003-01-01).
6728:from the original on 2020-06-14
6671:from the original on 2008-02-23
6571:from the original on 2021-11-07
6293:
6243:Carr, David (January 6, 2011).
6236:
6221:
6175:
6116:
6077:
6002:
5986:
5974:
5947:
5935:
5896:
5881:
5847:
5838:
5816:
5803:
5778:
5708:
5639:from the original on 2021-11-07
5587:
5526:
5515:
5480:
5437:
5428:
5383:
5374:
5346:
5221:
5186:
4990:
4942:
4909:
4885:
4846:
4768:from the original on 2022-01-12
4594:
4558:
4495:
4482:
4468:
4451:
4441:
4429:
4420:
3573:
3523:The Chrysanthemum and the Sword
3460:the television camera that the
3048:Fiore, at the time a prominent
3015:suitability for virtual space.
2579:Prints and Visual Communication
2532:
2409:is derived from a piece by the
2315:needs additional citations for
1945:University of WisconsinâMadison
1763:McLuhan coined the expression "
107:
11113:Saint Louis University faculty
11078:Philosophers of social science
11008:Literacy and society theorists
7953:, Edited by Eugene McNamara".
7632:. Vol. 2. Editorial UOC.
7237:Marshall McLuhan: Cosmic Media
6978:
6841:. A&C Black. p. 113.
6746:Carr, David (6 January 2011).
5954:Getto, Erica (July 14, 2011).
5690:The Journal of Popular Culture
5594:Plummer, Kevin (May 3, 2014).
5532:Gordon, Terrence. July 2002. "
5120:Boxer, Sarah (April 3, 2003).
4997:Plummer, Kevin (4 June 2011).
4953:. Routledge & Kegan Paul.
4816:
4748:
4377:
4098:
4087:, the first major work by the
4053:The Lamb Lies Down on Broadway
3631:qualities of the medium, both
3602:which to consider any medium:
2234:At a Fordham lecture in 1999,
2148:
1917:) and sometimes said that the
1767:" in the first chapter in his
334:St. Michael's College, Toronto
1:
11128:University of Manitoba alumni
11088:Canadian philosophy academics
8113:Marshall McLuhan bibliography
7820:Sense and Nonsense of McLuhan
7239:. London: SAGE Publications.
6953:"Marshall McLuhan Collection"
6814:Johnson, David Brent (2013).
5110:4(1). Retrieved 24 June 2020.
4764:. London. November 28, 2003.
4648:
4612:Why is the title of the book
4232:, 1994, with introduction by
4039:He is mentioned by name in a
3997:(1977) featured McLuhan in a
3881:Rowan & Martin's Laugh-In
3606:What does the medium enhance?
2995:technologically deterministic
1934:
10653:Leonardo and the Last Supper
10642:Mordecai: The Life and Times
10513:Notes from the Hyena's Belly
10462:The Unconscious Civilization
10347:Northrop Frye on Shakespeare
9938:Sex and the Nature of Things
9928:Canada, A Story of Challenge
9830:The Canadian Army, 1939-1945
9820:Halifax, Warden of the North
9200:Text and conversation theory
8081:How to use archival material
7907:McCutcheon, Mark A. (2018).
7861:Mass Communication in Canada
7836:Flahiff, F. T. (2005).
7817:Finkelstein, Sidney (1968).
7773:The Virtual Marshall McLuhan
7663:The Virtual Marshall McLuhan
7084:Gordon, W. Terrence (1997).
6429:M. McLuhan & Watson 1970
6417:M. McLuhan & Watson 1970
6405:M. McLuhan & Watson 1970
6393:M. McLuhan & Watson 1970
5785:Marcus, Greil (2012-09-01).
5631:Wolfe, Tom (December 2015).
4653:
3787:
3755:Perspective as Symbolic Form
3658:Using the example of radio:
3526:an anthropological study of
3222:Thunder 7: Tribal man again.
3162:is claimed to be a gigantic
2930:" for being too simplistic.
2194:. McLuhan suggests that the
1994:, a Catholic college of the
1840:, having failed to secure a
7:
11143:Writers about globalization
11013:Literary critics of English
10297:Caribou and the Barren-Land
10035:The History of Fanny Burney
8069:Marshall McLuhan Collection
7686:Journal of Canadian Studies
7350:Letters of Marshall McLuhan
6369:M. McLuhan & Fiore 1968
6345:M. McLuhan & Fiore 2008
6309:M. McLuhan & Fiore 1967
6012:Letters of Marshall McLuhan
5739:Claude LĂ©vi-Strauss (1962)
5380:Marchand (1990), pp. 44â45.
5352:McLuhan, Marshall. 2011. "
5265:. 2008. Archived from the
4836:Library and Archives Canada
4392:
4193:University of Toronto Press
4145:Bibliography of major works
3061:to "scanning" photographic
2819:McLuhan's best-known work,
2755:rode the mechanical wave."
2472:University of Toronto Press
2178:âcollectively known as the
2016:Later career and reputation
10:
11169:
11083:Philosophers of technology
11063:Philosophers of literature
10983:Fordham University faculty
10219:Essays on the Constitution
10139:Hunting Tigers Under Glass
8379:Turn on, tune in, drop out
7661:Theall, Donald F. (2001).
7656:. New York: HarperCollins.
7598:. New York: Vintage Books.
7557:Visual Anthropology Review
6927:The Marshall McLuhan Salon
6228:Williams, Raymond (1975).
6009:McLuhan, Marshall (1987).
5486:McLuhan, Marshall. 2005.
4949:McLuhan, Marshall (1975).
4916:McLuhan, Marshall (2015).
4555:, Hugh Duncan, and others.
4200:Routledge & Kegan Paul
4148:
4103:A new centre known as the
3894:Turn on, tune in, drop out
3691:
3582:
3391:
3260:
3132:
3025:
2812:
2463:
2293:
2244:Pierre Teilhard de Chardin
687:Principle of Double Effect
203:Pierre Teilhard de Chardin
11053:Philosophers of education
10938:Canadian literary critics
10733:
10618:
10501:
10386:
10275:
10151:
10047:
9867:Marjorie Wilkins Campbell
9859:
9666:
9613:
9554:
9343:
9222:
9211:
9051:
9033:
8952:
8896:
8858:
8780:
8729:
8694:
8638:
8595:
8588:
8552:
8504:
8428:
8370:
8324:
8301:
8287:The medium is the message
8258:
8235:The Medium Is the Massage
8205:
8196:
8063:
8055:
8047:
7569:10.1525/var.2001.17.2.110
7213:Marchand, Philip (1998).
7107:Grosswiler, Paul (1998).
6867:Brooklyn Academy of Music
6795:. Vol. 4, no. 1
6143:: CS1 maint: unfit URL (
5993:New Catholic Encyclopedia
5887:McLuhan, Marshall. 1962.
5550:. Retrieved 24 June 2020.
5497:The Bias of Communication
5488:Marshall McLuhan Unbound.
5452:. Toronto. Archived from
4622:The Medium is the Message
4618:The Medium is the Message
4614:The Medium Is the Massage
4388:(1967) Columbia â CS 9501
4033:The Afro-Eurasian Eclipse
3792:After the publication of
3774:
3694:Figure and ground (media)
3535:uniformities are in ours.
3491:"Comprehensive awareness"
3237:Thunder 9: Car and Plane.
3070:The Medium Is the Massage
3028:The Medium Is the Massage
3020:The Medium Is the Massage
2597:The Medium Is the Massage
2382:the medium is the message
1883:Conversion to Catholicism
1765:the medium is the message
575:
571:
438:
405:The medium is the message
397:
370:
360:
339:
329:
319:
311:
306:
170:
160:
137:
132:
128:
117:
94:
75:
49:
37:
23:
10948:Canadian Roman Catholics
10015:Canada: Tomorrow's Giant
9993:Joseph Lister Rutledge,
9810:The Government of Canada
9635:My Discovery of the West
9158:Nonviolent communication
9088:History of communication
8985:Society of the Spectacle
8249:From Cliché to Archetype
8019:Prins, Harald E. L.
7991:Journal of Communication
7870:Faith, War, and Violence
7790:Cavell, Richard (2002).
7546:Prins, Harald E. L.
7462:From Cliché to Archetype
7400:. New York: Bantam Books
7152:Lamberti, Elena (2012).
5757:Taunton, Matthew (2019)
5522:Order of Canada citation
5500:first published in 1951.
5490:Corte Madera, CA :
4414:
4312:From Cliché to Archetype
3398:In his posthumous book,
3277:From Cliché to Archetype
3263:From Cliché to Archetype
3255:From Cliché to Archetype
2505:communication technology
2210:of Richards and Leavis.
2135:
1871:, and was influenced by
1823:before enrolling in the
1691:Herbert Marshall McLuhan
54:Herbert Marshall McLuhan
11098:Popular culture studies
11058:Philosophers of history
11048:Philosophers of culture
10958:Communication theorists
9958:This Most Famous Stream
9918:The Incredible Canadian
9846:Robert MacGregor Dawson
9806:Robert MacGregor Dawson
9776:Frederick Phillip Grove
9740:Partner in Three Worlds
9621:Thomas Beattie Roberton
9153:Nonverbal communication
9143:Models of communication
8866:Influence of mass media
8671:Narcotizing dysfunction
8293:Tetrad of media effects
7808:Federman, Mark (2003).
7801:St. Louis Post-Dispatch
7739:Bobbitt, David (2011).
7548:; Bishop, John (2002).
7111:. Montreal: Black Rose.
6863:"BAMbill: 'The Medium'"
5510:Prins & Bishop 2002
5389:Marchand (1990), p. 45.
4861:Oxford University Press
3822:San Francisco Chronicle
3747:Late Roman Art Industry
3585:Tetrad of media effects
3579:Tetrad of media effects
3247:Thunder 10: Television.
2707:decided to modify this
2395:Culture and Environment
2213:McLuhan also began the
2086:Chair in Humanities at
1838:Trinity Hall, Cambridge
1831:Undergraduate education
1821:Kelvin Technical School
1750:University of Cambridge
803:Theological determinism
420:tetrad of media effects
152:Trinity Hall, Cambridge
11108:Roman Catholic writers
10993:Historians of printing
10933:Canadian futurologists
10898:20th-century essayists
10178:Painters in a New Land
10099:John Addington Symonds
9730:The Incomplete Anglers
9710:The Unguarded Frontier
8527:Freedom of information
7502:10.1353/tech.2006.0143
7490:Technology and Culture
7480:Mullen, Megan (2006).
7254:McLuhan, Eric (1998).
7164:(1994). Introduction.
6957:Marshall McLuhan Salon
6611:Marchand, pp. 182â184.
6184:"Debray on Technology"
5903:McLuhan, Eric (1996).
5835:. Boundary 2, 134-146.
5822:Curtis, J. M. (1972).
5359:June 27, 2020, at the
5001:. www.torontoist.com.
4642:
4606:
4570:America and Cosmic Man
4191:. (1st ed.). Toronto:
4135:Marshall McLuhan Salon
3958:Pierre Elliott Trudeau
3934:William Irwin Thompson
3815:anytime he wanted it.
3784:
3655:
3654:A blank tetrad diagram
3620:taken to its extreme.
3537:
3482:
3371:
3358:
3295:In McLuhan's terms, a
3239:Both centralizing and
3195:Thunder 3: Specialism.
3123:
3099:
3008:
2991:Misunderstanding Media
2960:
2833:"Hot" and "cool" media
2739:
2714:
2681:
2592:
2530:
2358:McLuhan's first book,
2261:
2225:Edmund "Ted" Carpenter
2025:
1949:Saint Louis University
1940:
1933:McLuhan at Cambridge,
1907:
1855:, before entering any
1825:University of Manitoba
1746:University of Manitoba
1639:Catholicism portal
991:Gregory (of Nazianzus)
855:Christian Neoplatonism
556:William Irwin Thompson
147:University of Manitoba
11153:Writers from Winnipeg
11148:Writers from Edmonton
10953:Catholic philosophers
10913:Analytic philosophers
10402:Trudeau and Our Times
9625:TBR: Newspaper Pieces
9305:Mediated cross-border
9027:Communication studies
8914:Exploitation of women
8051:John M. Kelly Library
7186:. London: Routledge.
5126:. Critic's Notebook.
4610:
4601:
4221:(1st ed.). New York:
4165:(1st ed.). New York:
3782:
3653:
3567:topological structure
3532:
3503:Japanese Zen Buddhism
3477:
3366:
3362:Theater of the Absurd
3349:
3347:, or a "doubleness":
3119:
3090:
3003:
2951:
2879:quantitative analysis
2837:In the first part of
2787:that I'm doing now."
2734:
2697:
2664:
2583:
2525:
2384:" (elaborated in his
2256:
2023:
1996:University of Toronto
1992:St. Michael's College
1932:
1902:
1754:University of Toronto
1651:Philosophy portal
233:G. K. Chesterton
228:Edmund Snow Carpenter
223:Richard Maurice Bucke
11068:Philosophers of mind
11023:Mass media theorists
10998:James Joyce scholars
10585:Karolyn Smardz Frost
10478:David Adams Richards
10410:and Robert Calihoo,
10109:In Defence of Canada
10079:The Gutenberg Galaxy
9988:The Mysterious North
9766:Evelyn M. Richardson
9760:Gauntlet to Overlord
9750:The War: Fourth Year
9240:Communication theory
9235:Communication design
8352:Derrick de Kerckhove
8221:The Gutenberg Galaxy
8214:The Mechanical Bride
8120:"James Feeley fonds"
7734:. Boston: MIT Press.
7698:10.3138/jcs.37.3.251
7465:. New York: Viking.
7233:Marchessault, Janine
6789:"Channeling McLuhan"
5999:. 1967. p. 838.
5890:The Gutenberg Galaxy
5809:Gary Genosko (2002)
5263:Government of Canada
5227:Marchand, pp. 37â47.
4841:Government of Canada
4122:is named after him.
3897:by its popularizer,
3698:McLuhan adapted the
3549:ShannonâWeaver model
3473:And There Was Light.
3420:ShannonâWeaver model
3406:conceptual framework
3210:Thunder 5: Printing.
3074:The Gutenberg Galaxy
2956:homo mass-mediaticus
2792:The Gutenberg Galaxy
2780:The Gutenberg Galaxy
2772:The Gutenberg Galaxy
2730:The Gutenberg Galaxy
2656:The Gutenberg Galaxy
2560:Egyptian hieroglyphs
2552:phonemic orthography
2466:The Gutenberg Galaxy
2458:The Gutenberg Galaxy
2421:The Mechanical Bride
2407:The Mechanical Bride
2324:improve this article
2296:The Mechanical Bride
2288:The Mechanical Bride
2252:The Gutenberg Galaxy
2118:University of Dallas
2035:The Mechanical Bride
2009:The Gutenberg Galaxy
1744:. He studied at the
887:Second scholasticism
165:M. C. Bradbrook
11118:Social philosophers
11043:Philosophers of art
10670:Michael John Harris
10595:Christie Blatchford
10005:The Path of Destiny
9995:Century of Conflict
9974:Donald G. Creighton
9968:Man's Emerging Mind
9904:Donald G. Creighton
9816:Thomas Head Raddall
9780:In Search of Myself
9700:The Unknown Country
8960:Advanced capitalism
8646:Cult of personality
8560:Advanced capitalism
8228:Understanding Media
7949:(1970). "Review of
7743:Understanding Media
7592:Rothenberg, Randall
7532:on November 5, 2011
7484:Understanding Media
7455:McLuhan, Marshall;
7432:McLuhan, Marshall;
7369:McLuhan, Marshall;
7061:Edan, Tina (2003).
6771:, pp. 241â243.
6650:, pp. 337â338.
6480:And There Was Light
6278:, pp. 155â181.
6182:Joscelyne, Andrew.
6124:"A pop philosopher"
5932:, pp. 157â158.
5878:, pp. 124â126.
5563:(January 1, 1981).
5456:on December 5, 2008
5276:on 1 December 2019.
5183:Marchand, pp. 33â34
5093:. 1 January 1996. "
4537:George Herbert Mead
3845:The Pump House Gang
3794:Understanding Media
3704:figure and a ground
3267:Collaborating with
2981:Understanding Media
2921:Understanding Media
2843:Claude LĂ©vi-Strauss
2839:Understanding Media
2815:Understanding Media
2807:Understanding Media
2785:Understanding Media
2668:Alexandrian library
2643:collective identity
2602:social organization
2581:, McLuhan remarks:
2445:, echoes McLuhan's
2374:communication media
2273:Claude LĂ©vi-Strauss
2182:) from the time of
2145:, Ontario, Canada.
2109:was his neighbour.
717:Liberation Theology
618:Catholic philosophy
320:School or tradition
293:I. A. Richards
133:Academic background
11103:Rhetoric theorists
11093:Philosophy writers
11018:Literary theorists
10973:Critical theorists
10923:Canadian essayists
10541:Margaret MacMillan
10519:Thomas Homer-Dixon
10266:Prairie Capitalism
10095:Phyllis Grosskurth
10089:Brown of the Globe
10069:The Ascent of Life
9954:Arthur R. M. Lower
9786:Arthur R. M. Lower
9720:On Canadian Poetry
9641:John Murray Gibbon
9270:Discourse analysis
9195:Telecommunications
9138:Meta-communication
8881:Semiotic democracy
8805:Civil disobedience
8717:Media manipulation
8707:Crowd manipulation
8630:Tabloid journalism
8544:Media transparency
8522:Media independence
8436:24-hour news cycle
8332:Eric McLuhan (son)
8276:Hot and cool media
7604:Silverman, Kenneth
7427:. London: Penguin.
7275:The Sewanee Review
6752:The New York Times
6703:2007-06-29 at the
6590:Marchand, pp. 183.
6529:The Global Village
6505:The Global Village
6493:The Global Village
6466:The Global Village
6453:The Global Village
6441:The Global Village
6251:The New York Times
6074:, pp. 18, 20.
5958:. New York: WNYC.
5830:2021-04-25 at the
5569:The New York Times
5539:2018-05-14 at the
5450:The Globe and Mail
5272:2017-10-19 at the
5258:Collections Canada
5155:, pp. 99â100.
5128:The New York Times
5100:2012-11-03 at the
5030:The New York Times
4893:"MARSHALL MCLUHAN"
4856:Grove Music Online
4829:2020-06-27 at the
4794:. 13 October 1967.
4463:Fordham Experiment
4404:Cortical remapping
4125:The media room at
3970:15 minutes of fame
3785:
3733:In McLuhan's (and
3700:Gestalt psychology
3656:
3556:The Global Village
3530:published in 1946:
3512:and the novels of
3501:in the context of
3495:Euclidean geometry
3410:electronic network
3386:The Global Village
3228:Thunder 8: Movies.
3082:suspended judgment
2962:Furthermore, when
2892:McLuhan contrasts
2509:alphabetic writing
2437:corporate entities
2088:Fordham University
2071:on the subject of
2026:
1980:Assumption College
1978:He next taught at
1941:
1842:Rhodes Scholarship
996:Gregory (of Nyssa)
724:Christian Humanism
501:Jacques Languirand
425:hot and cool media
253:John Murray Gibbon
248:Reginald Fessenden
10790:
10789:
10524:The Ingenuity Gap
10458:John Ralston Saul
10448:Rosemary Sullivan
10367:In the Sleep Room
10357:The Russian Album
10353:Michael Ignatieff
10303:Christopher Moore
10001:Thomas H. Raddall
9924:J. M. S. Careless
9886:Frank MacKinnon,
9572:
9571:
8993:
8992:
8919:Freedom of speech
8737:Theodor W. Adorno
8725:
8724:
8712:Managing the news
8532:Freedom of speech
8512:Media development
8476:News broadcasting
8456:Independent media
8441:Alternative media
8388:
8387:
8266:Figure and ground
8086:
8085:
8075:
8074:
7923:978-1-771-99224-4
7879:978-1-4128-5499-3
7851:978-1-896300-83-2
7782:978-0-7735-6882-2
7769:Carpenter, Edmund
7672:978-0-7735-6882-2
7639:978-84-939995-9-9
7617:978-0-8101-2830-9
7472:978-0-670-33093-5
7447:978-0-8020-5782-2
7361:978-0-19-540594-1
7319:978-0-8020-6041-9
7265:978-0-7737-5972-5
7246:978-0-7619-5265-7
7224:978-0-262-63186-0
7193:978-0-415-19251-4
7144:978-0-920393-14-7
7099:978-0-465-00549-9
7038:978-1-85984-972-9
7014:. Penguin Canada.
7006:Coupland, Douglas
6848:978-0-8264-1542-4
6567:, 9 August 2011,
6468:. pp. 27â28.
6371:, pp. 46â48.
6347:, pp. 74â75.
6188:Generation Online
6172:, pp. 70â71.
6022:978-0-19-540594-1
5425:, pp. 69â70.
5331:, pp. 54â56.
4927:978-1-58423-073-1
4878:978-1-884446-05-4
4739:Marchessault 2005
4719:Marchessault 2005
4371:978-1-4331-3264-3
4348:978-0-8020-5782-2
4329:978-0-670-33093-5
4302:978-1-58423-074-8
4276:978-1-58423-070-0
4242:978-1-58423-073-1
4208:978-0-7100-1818-2
4178:978-1-58423-050-2
3991:'s Oscar-winning
3688:Figure and ground
3469:Jacques Lusseyran
3080:technique of the
3059:typographic print
2709:visual technology
2541:humankind to the
2356:
2355:
2348:
2084:Albert Schweitzer
1853:bachelor's degree
1778:He predicted the
1688:
1687:
1621:
1620:
1506:Garrigou-Lagrange
815:Divine Attributes
594:
593:
415:figure and ground
340:Doctoral students
278:F. R. Leavis
89:, Ontario, Canada
79:December 31, 1980
70:, Alberta, Canada
11160:
11028:Media historians
10873:Marshall McLuhan
10855:
10854:
10853:
10843:
10842:
10841:
10831:
10830:
10819:
10818:
10817:
10807:
10806:
10805:
10798:
10753:Sadiqa de Meijer
10710:Darrel J. McLeod
10531:Andrew Nikiforuk
10488:Marq de Villiers
10432:Touch the Dragon
10398:Christina McCall
10394:Stephen Clarkson
10313:Jeffery Williams
10260:Larry Pratt and
10251:William Kilbourn
10135:Mordecai Richler
10075:Marshall McLuhan
9948:Thirty and Three
9898:The Ardent Exile
9894:Josephine Phelan
9871:The Saskatchewan
9790:Colony to Nation
9599:
9592:
9585:
9576:
9575:
9562:
9561:
9217:
9168:Public relations
9063:Biocommunication
9020:
9013:
9006:
8997:
8996:
8965:Culture industry
8934:Social influence
8887:The Lonely Crowd
8830:Political satire
8795:Call-out culture
8772:Jacques RanciĂšre
8767:Marshall McLuhan
8742:Jean Baudrillard
8686:Viral phenomenon
8620:Public relations
8593:
8592:
8466:Mainstream media
8451:Electronic media
8415:
8408:
8401:
8392:
8391:
8190:Marshall McLuhan
8183:
8176:
8169:
8160:
8159:
8155:
8153:
8151:
8135:
8133:
8131:
8104:Marshall McLuhan
8100:
8095:
8094:
8092:Official website
8071:
8045:
8044:
8036:
8035:
8026:
8014:
7986:
7978:
7942:
7940:
7938:
7932:
7915:
7903:
7896:Logan, Robert K.
7891:
7864:
7855:
7843:
7832:
7830:
7828:
7813:
7812:. Viking Canada.
7804:
7795:
7786:
7764:
7762:
7760:
7735:
7717:
7683:
7676:
7657:
7643:
7621:
7599:
7587:
7585:
7583:
7554:
7541:
7539:
7537:
7528:. Archived from
7476:
7451:
7428:
7416:
7409:
7407:
7405:
7399:
7387:
7380:
7365:
7353:
7345:
7338:
7330:
7323:
7305:
7298:
7269:
7250:
7228:
7209:
7202:Logan, Robert K.
7197:
7185:
7171:
7162:Lapham, Lewis H.
7157:
7148:
7136:
7126:
7112:
7103:
7091:
7080:
7078:
7076:
7057:
7055:
7053:
7047:
7030:
7015:
7001:
6999:
6973:
6972:
6970:
6968:
6949:
6943:
6942:
6940:
6938:
6919:
6913:
6912:
6910:
6908:
6889:
6883:
6882:
6880:
6878:
6859:
6853:
6852:
6832:
6826:
6825:
6811:
6805:
6804:
6802:
6800:
6787:(January 1996).
6781:
6772:
6766:
6760:
6759:
6758:on 29 July 2023.
6754:. Archived from
6743:
6737:
6736:
6734:
6733:
6718:
6712:
6711:
6689:Daniele Luttazzi
6686:
6680:
6679:
6677:
6676:
6657:
6651:
6645:
6639:
6633:
6627:
6626:
6618:
6612:
6609:
6603:
6597:
6591:
6588:
6579:
6578:
6577:
6576:
6559:
6553:
6550:
6544:
6538:
6532:
6526:
6520:
6514:
6508:
6502:
6496:
6490:
6484:
6483:
6476:
6470:
6469:
6462:
6456:
6450:
6444:
6438:
6432:
6426:
6420:
6414:
6408:
6402:
6396:
6390:
6384:
6378:
6372:
6366:
6360:
6354:
6348:
6342:
6336:
6330:
6324:
6318:
6312:
6306:
6300:
6299:Marchand, p. 203
6297:
6291:
6285:
6279:
6273:
6267:
6266:
6264:
6262:
6248:
6240:
6234:
6233:
6225:
6219:
6213:
6204:
6203:
6201:
6199:
6179:
6173:
6167:
6161:
6155:
6149:
6148:
6142:
6134:
6132:
6131:
6120:
6114:
6108:
6102:
6096:
6090:
6089:
6081:
6075:
6069:
6063:
6057:
6051:
6045:
6039:
6033:
6027:
6026:
6006:
6000:
5990:
5984:
5978:
5972:
5971:
5969:
5967:
5951:
5945:
5942:Gutenberg Galaxy
5939:
5933:
5927:
5921:
5920:
5918:
5916:
5900:
5894:
5885:
5879:
5873:
5867:
5861:
5855:
5851:
5845:
5842:
5836:
5820:
5814:
5807:
5801:
5800:
5798:
5797:
5782:
5776:
5770:
5764:
5755:
5746:
5737:
5728:
5712:
5706:
5705:
5685:
5679:
5673:
5667:
5661:
5652:
5651:
5646:
5644:
5628:
5622:
5621:
5619:
5617:
5591:
5585:
5584:
5582:
5580:
5557:
5551:
5548:Marshall McLuhan
5530:
5524:
5519:
5513:
5507:
5501:
5484:
5478:
5472:
5466:
5465:
5463:
5461:
5441:
5435:
5432:
5426:
5420:
5414:
5408:
5402:
5396:
5390:
5387:
5381:
5378:
5372:
5350:
5344:
5338:
5332:
5326:
5320:
5314:
5308:
5298:
5292:
5286:
5277:
5249:
5228:
5225:
5219:
5213:
5207:
5201:
5190:
5184:
5181:
5172:
5162:
5156:
5150:
5144:
5143:
5141:
5139:
5125:
5117:
5111:
5088:
5077:
5076:
5074:
5072:
5052:
5046:
5045:
5043:
5041:
5021:
5015:
5014:
5012:
5010:
4994:
4988:
4982:
4973:
4972:
4946:
4940:
4939:
4920:. Gingko Press.
4913:
4907:
4906:
4904:
4903:
4889:
4883:
4882:
4859:(8th ed.).
4850:
4844:
4824:Marshall McLuhan
4820:
4814:
4813:
4802:
4796:
4795:
4784:
4778:
4777:
4775:
4773:
4759:
4752:
4746:
4736:
4730:
4716:
4710:
4704:
4698:
4692:
4686:
4680:
4643:
4598:
4592:
4586:, his father, a
4562:
4556:
4503:Bernard Lonergan
4499:
4493:
4486:
4480:
4472:
4466:
4455:
4449:
4445:
4439:
4433:
4427:
4424:
4409:Social interface
4255:(1st ed.), with
4006:David Cronenberg
3978:Douglas Coupland
3954:John David Ebert
3942:Douglas Rushkoff
3922:Jean Baudrillard
3914:cultural critics
3908:
3842:and Wolfe's own
3643:qualities, both
3554:A third term of
3528:Japanese culture
3330:cognitive shifts
3310:The Bald Soprano
3103:Columbia Records
3050:graphic designer
2999:Raymond Williams
2973:Dwight Macdonald
2943:Media Manifestos
2517:electronic media
2490:cultural studies
2447:Mechanical Bride
2405:, and the title
2351:
2344:
2340:
2337:
2331:
2308:
2300:
2215:academic journal
2196:Late Middle Ages
2066:modernist writer
2058:Eric A. Havelock
2052:, together with
2040:Edmund Carpenter
1939:
1936:
1898:G. K. Chesterton
1859:. He went up to
1857:doctoral studies
1736:
1729:
1728:
1725:
1724:
1721:
1718:
1715:
1712:
1709:
1706:
1697:
1680:
1673:
1666:
1649:
1648:
1647:
1637:
1636:
1026:John of Damascus
934:
933:
764:Moderate realism
672:Cardinal virtues
644:
643:
639:
636:
635:
631:
628:
627:
603:
596:
595:
590:
585:
582:
541:Douglas Rushkoff
471:Merce Cunningham
466:Douglas Coupland
451:Jean Baudrillard
361:Notable students
263:Eric A. Havelock
161:Doctoral advisor
111:
109:
82:
63:
61:
42:
32:
25:Marshall McLuhan
21:
20:
11168:
11167:
11163:
11162:
11161:
11159:
11158:
11157:
10978:Epistemologists
10863:
10862:
10861:
10851:
10849:
10839:
10837:
10825:
10815:
10813:
10803:
10801:
10793:
10791:
10786:
10729:
10680:Mark L. Winston
10614:
10497:
10438:John Livingston
10382:
10283:Jeffrey Simpson
10271:
10247:Robert Bothwell
10198:Anthony Adamson
10188:The Siren Years
10184:Charles Ritchie
10147:
10115:George Woodcock
10085:J.M.S. Careless
10055:Frank Underhill
10043:
10011:Bruce Hutchison
9914:Bruce Hutchison
9855:
9796:William Sclater
9770:We Keep a Light
9696:Bruce Hutchison
9674:J. F. C. Wright
9662:
9653:Laura Salverson
9646:Canadian Mosaic
9631:Stephen Leacock
9609:
9605:Winners of the
9603:
9573:
9568:
9550:
9339:
9218:
9209:
9056:
9054:
9047:
9029:
9024:
8994:
8989:
8975:Media franchise
8948:
8892:
8854:
8810:Culture jamming
8776:
8762:Walter Lippmann
8721:
8690:
8634:
8584:
8548:
8539:Media pluralism
8500:
8424:
8419:
8389:
8384:
8366:
8357:Robert K. Logan
8325:Related figures
8320:
8297:
8254:
8201:
8192:
8187:
8149:
8147:
8138:
8129:
8127:
8118:
8090:
8089:
8067:
8034:
8029:
7984:
7936:
7934:
7930:
7924:
7913:
7880:
7852:
7826:
7824:
7783:
7758:
7756:
7725:
7723:Further reading
7720:
7681:
7673:
7640:
7618:
7581:
7579:
7552:
7535:
7533:
7473:
7457:Watson, Wilfred
7448:
7414:
7403:
7401:
7385:
7362:
7343:
7331: (1964).
7328:
7320:
7306: (1962).
7303:
7266:
7247:
7225:
7194:
7145:
7100:
7092:. Basic Books.
7074:
7072:
7051:
7049:
7045:
7039:
7028:
6981:
6976:
6966:
6964:
6951:
6950:
6946:
6936:
6934:
6921:
6920:
6916:
6906:
6904:
6891:
6890:
6886:
6876:
6874:
6861:
6860:
6856:
6849:
6833:
6829:
6812:
6808:
6798:
6796:
6782:
6775:
6767:
6763:
6744:
6740:
6731:
6729:
6720:
6719:
6715:
6709:
6705:Wayback Machine
6691:, interview at
6687:
6683:
6674:
6672:
6659:
6658:
6654:
6646:
6642:
6634:
6630:
6620:
6619:
6615:
6610:
6606:
6600:Rothenberg 1994
6598:
6594:
6589:
6582:
6574:
6572:
6561:
6560:
6556:
6551:
6547:
6541:E. McLuhan 1998
6539:
6535:
6527:
6523:
6515:
6511:
6503:
6499:
6491:
6487:
6478:
6477:
6473:
6464:
6463:
6459:
6451:
6447:
6439:
6435:
6427:
6423:
6415:
6411:
6403:
6399:
6391:
6387:
6379:
6375:
6367:
6363:
6355:
6351:
6343:
6339:
6333:M. McLuhan 1964
6331:
6327:
6319:
6315:
6307:
6303:
6298:
6294:
6286:
6282:
6276:Grosswiler 1998
6274:
6270:
6260:
6258:
6241:
6237:
6226:
6222:
6214:
6207:
6197:
6195:
6180:
6176:
6168:
6164:
6156:
6152:
6136:
6135:
6129:
6127:
6122:
6121:
6117:
6111:M. McLuhan 1964
6109:
6105:
6099:M. McLuhan 1964
6097:
6093:
6082:
6078:
6072:M. McLuhan 1964
6070:
6066:
6060:M. McLuhan 1964
6058:
6054:
6048:M. McLuhan 1964
6046:
6042:
6034:
6030:
6023:
6007:
6003:
5991:
5987:
5979:
5975:
5965:
5963:
5952:
5948:
5940:
5936:
5930:M. McLuhan 1962
5928:
5924:
5914:
5912:
5909:McLuhan Studies
5901:
5897:
5886:
5882:
5876:M. McLuhan 1962
5874:
5870:
5864:M. McLuhan 1962
5862:
5858:
5852:
5848:
5843:
5839:
5832:Wayback Machine
5821:
5817:
5808:
5804:
5795:
5793:
5783:
5779:
5773:M. McLuhan 1987
5771:
5767:
5756:
5749:
5742:The Savage Mind
5738:
5731:
5713:
5709:
5686:
5682:
5674:
5670:
5664:M. McLuhan 1962
5662:
5655:
5642:
5640:
5629:
5625:
5615:
5613:
5592:
5588:
5578:
5576:
5558:
5554:
5541:Wayback Machine
5531:
5527:
5520:
5516:
5508:
5504:
5485:
5481:
5473:
5469:
5459:
5457:
5442:
5438:
5434:Marchand, p. 48
5433:
5429:
5421:
5417:
5409:
5405:
5397:
5393:
5388:
5384:
5379:
5375:
5369:M. McLuhan 1987
5365:McLuhan on Maui
5361:Wayback Machine
5351:
5347:
5343:, p. xvii.
5339:
5335:
5327:
5323:
5315:
5311:
5299:
5295:
5287:
5280:
5274:Wayback Machine
5250:
5231:
5226:
5222:
5214:
5210:
5191:
5187:
5182:
5175:
5163:
5159:
5151:
5147:
5137:
5135:
5118:
5114:
5102:Wayback Machine
5089:
5080:
5070:
5068:
5053:
5049:
5039:
5037:
5022:
5018:
5008:
5006:
4995:
4991:
4983:
4976:
4961:
4947:
4943:
4928:
4914:
4910:
4901:
4899:
4891:
4890:
4886:
4879:
4851:
4847:
4831:Wayback Machine
4821:
4817:
4804:
4803:
4799:
4786:
4785:
4781:
4771:
4769:
4754:
4753:
4749:
4737:
4733:
4725:, p. 214;
4717:
4713:
4705:
4701:
4693:
4689:
4681:
4660:
4656:
4651:
4646:
4599:
4595:
4563:
4559:
4500:
4496:
4490:M. McLuhan 1944
4487:
4483:
4473:
4469:
4456:
4452:
4446:
4442:
4434:
4430:
4425:
4421:
4417:
4399:Neuroplasticity
4395:
4380:
4359:Robert K. Logan
4234:Lewis H. Lapham
4153:
4147:
4101:
3986:
3984:Popular culture
3930:Terence McKenna
3906:
3790:
3777:
3768:Walter Benjamin
3731:
3696:
3690:
3587:
3581:
3576:
3545:
3396:
3390:
3265:
3259:
3145:, McLuhan used
3137:
3131:
3030:
3024:
2924:
2835:
2817:
2811:
2761:Digital McLuhan
2689:self-conception
2660:value judgments
2639:interdependence
2635:
2571:Gutenberg press
2535:
2468:
2462:
2352:
2341:
2335:
2332:
2321:
2309:
2298:
2292:
2192:Western culture
2151:
2138:
2116:. In 1975, the
2114:Order of Canada
2107:Anatol Rapoport
2079:(CCT) in 1963.
2030:Ford Foundation
2018:
1937:
1927:
1911:Catholic Church
1885:
1833:
1789:
1787:Life and career
1734:
1703:
1699:
1693:
1684:
1655:
1645:
1643:
1631:
1623:
1622:
1617:
1616:
1615:
1450:
1442:
1441:
1440:
1260:
1252:
1251:
1250:
1070:
1062:
1061:
1060:
940:
931:
921:
920:
828:
820:
819:
749:
739:
738:
712:Social teaching
667:
657:
641:
637:
633:
629:
625:
581:marshallmcluhan
579:
567:
536:B. W. Powe
516:Terence McKenna
476:Jacques Derrida
447:
446:
434:
393:
356:
302:
218:Bertram Brooker
213:E. A. Bott
179:
178:
156:
113:
110: 1939)
105:
101:
90:
84:
80:
71:
65:
59:
57:
56:
55:
45:
44:McLuhan in 1945
33:
28:
26:
17:
12:
11:
5:
11166:
11156:
11155:
11150:
11145:
11140:
11135:
11130:
11125:
11120:
11115:
11110:
11105:
11100:
11095:
11090:
11085:
11080:
11075:
11070:
11065:
11060:
11055:
11050:
11045:
11040:
11035:
11030:
11025:
11020:
11015:
11010:
11005:
11000:
10995:
10990:
10985:
10980:
10975:
10970:
10965:
10960:
10955:
10950:
10945:
10940:
10935:
10930:
10925:
10920:
10915:
10910:
10905:
10900:
10895:
10890:
10885:
10880:
10875:
10860:
10859:
10847:
10835:
10823:
10811:
10788:
10787:
10785:
10784:
10774:
10762:
10750:
10737:
10735:
10731:
10730:
10728:
10727:
10717:
10707:
10697:
10687:
10677:
10667:
10657:
10645:
10635:
10622:
10620:
10616:
10615:
10613:
10612:
10605:M. G. Vassanji
10602:
10592:
10582:
10572:
10562:
10553:Roméo Dallaire
10550:
10538:
10528:
10516:
10505:
10503:
10499:
10498:
10496:
10495:
10485:
10475:
10465:
10455:
10445:
10435:
10428:Karen Connelly
10425:
10418:Maggie Siggins
10415:
10405:
10390:
10388:
10384:
10383:
10381:
10380:
10370:
10360:
10350:
10340:
10330:
10320:
10310:
10300:
10290:
10279:
10277:
10273:
10272:
10270:
10269:
10258:
10244:
10234:
10222:
10212:
10205:
10202:Hallowed Walls
10191:
10181:
10176:Michael Bell,
10174:
10171:
10167:The Last Spike
10159:
10155:
10153:
10149:
10148:
10146:
10145:
10142:
10132:
10122:
10112:
10102:
10092:
10082:
10072:
10062:
10051:
10049:
10045:
10044:
10042:
10041:
10038:
10028:
10018:
10008:
9998:
9991:
9981:
9971:
9961:
9951:
9944:Hugh MacLennan
9941:
9931:
9921:
9911:
9901:
9891:
9884:
9874:
9863:
9861:
9857:
9856:
9854:
9853:
9843:
9836:Hugh MacLennan
9833:
9823:
9813:
9803:
9793:
9783:
9773:
9763:
9753:
9743:
9736:Dorothy Duncan
9733:
9723:
9713:
9703:
9693:
9681:
9670:
9668:
9664:
9663:
9661:
9660:
9650:
9638:
9628:
9617:
9615:
9611:
9610:
9602:
9601:
9594:
9587:
9579:
9570:
9569:
9567:
9566:
9555:
9552:
9551:
9549:
9548:
9543:
9538:
9533:
9528:
9523:
9518:
9513:
9508:
9503:
9498:
9493:
9488:
9483:
9478:
9473:
9468:
9463:
9458:
9453:
9448:
9443:
9438:
9433:
9428:
9423:
9418:
9413:
9408:
9403:
9398:
9393:
9388:
9383:
9378:
9373:
9368:
9363:
9358:
9353:
9347:
9345:
9341:
9340:
9338:
9337:
9332:
9327:
9322:
9317:
9312:
9310:Organizational
9307:
9302:
9297:
9292:
9287:
9282:
9277:
9272:
9267:
9262:
9260:Cross-cultural
9257:
9252:
9247:
9242:
9237:
9232:
9226:
9224:
9220:
9219:
9212:
9210:
9208:
9207:
9202:
9197:
9192:
9191:
9190:
9180:
9175:
9170:
9165:
9160:
9155:
9150:
9145:
9140:
9135:
9130:
9125:
9120:
9115:
9110:
9108:Intrapersonal
9105:
9100:
9095:
9090:
9085:
9080:
9075:
9070:
9065:
9059:
9057:
9052:
9049:
9048:
9046:
9045:
9040:
9034:
9031:
9030:
9023:
9022:
9015:
9008:
9000:
8991:
8990:
8988:
8987:
8982:
8977:
8972:
8967:
8962:
8956:
8954:
8950:
8949:
8947:
8946:
8941:
8936:
8931:
8926:
8921:
8916:
8911:
8906:
8900:
8898:
8894:
8893:
8891:
8890:
8883:
8878:
8873:
8868:
8862:
8860:
8856:
8855:
8853:
8852:
8847:
8842:
8837:
8832:
8827:
8822:
8817:
8812:
8807:
8802:
8800:Cancel culture
8797:
8792:
8786:
8784:
8782:Counterculture
8778:
8777:
8775:
8774:
8769:
8764:
8759:
8754:
8749:
8747:Edward Bernays
8744:
8739:
8733:
8731:
8727:
8726:
8723:
8722:
8720:
8719:
8714:
8709:
8704:
8702:Catch and kill
8698:
8696:
8692:
8691:
8689:
8688:
8683:
8681:Sensationalism
8678:
8673:
8668:
8663:
8658:
8653:
8648:
8642:
8640:
8636:
8635:
8633:
8632:
8627:
8622:
8617:
8616:
8615:
8605:
8599:
8597:
8590:
8586:
8585:
8583:
8582:
8577:
8572:
8570:Bipartisanship
8567:
8565:American Dream
8562:
8556:
8554:
8550:
8549:
8547:
8546:
8541:
8536:
8535:
8534:
8529:
8519:
8514:
8508:
8506:
8502:
8501:
8499:
8498:
8493:
8488:
8483:
8478:
8473:
8468:
8463:
8458:
8453:
8448:
8443:
8438:
8432:
8430:
8426:
8425:
8418:
8417:
8410:
8403:
8395:
8386:
8385:
8383:
8382:
8374:
8372:
8368:
8367:
8365:
8364:
8359:
8354:
8349:
8344:
8339:
8334:
8328:
8326:
8322:
8321:
8319:
8318:
8313:
8305:
8303:
8302:Related topics
8299:
8298:
8296:
8295:
8290:
8283:
8278:
8273:
8271:Global village
8268:
8262:
8260:
8256:
8255:
8253:
8252:
8245:
8238:
8231:
8224:
8217:
8209:
8207:
8203:
8202:
8197:
8194:
8193:
8186:
8185:
8178:
8171:
8163:
8157:
8156:
8136:
8116:
8110:
8101:
8084:
8083:
8077:
8076:
8073:
8072:
8065:
8061:
8060:
8057:
8053:
8052:
8049:
8041:
8040:
8033:
8032:External links
8030:
8028:
8027:
8015:
7997:(3): 129â135.
7979:
7961:(3): 244â251.
7947:Ong, Walter J.
7943:
7922:
7904:
7892:
7878:
7865:
7856:
7850:
7833:
7814:
7805:
7796:
7787:
7781:
7765:
7736:
7726:
7724:
7721:
7719:
7718:
7692:(3): 251â257.
7677:
7671:
7658:
7644:
7638:
7622:
7616:
7600:
7588:
7563:(2): 110â140.
7542:
7496:(2): 373â380.
7477:
7471:
7452:
7446:
7429:
7410:
7381:
7371:Fiore, Quentin
7366:
7360:
7339:
7324:
7318:
7299:
7281:(2): 266â276.
7270:
7264:
7251:
7245:
7229:
7223:
7210:
7198:
7192:
7176:Levinson, Paul
7172:
7158:
7149:
7143:
7117:Kroker, Arthur
7113:
7104:
7098:
7081:
7058:
7037:
7016:
7002:
6982:
6980:
6977:
6975:
6974:
6944:
6914:
6884:
6854:
6847:
6827:
6806:
6773:
6761:
6738:
6713:
6681:
6652:
6640:
6628:
6613:
6604:
6602:, p. 188.
6592:
6580:
6554:
6545:
6533:
6521:
6509:
6497:
6485:
6482:. p. 144.
6471:
6457:
6445:
6433:
6421:
6409:
6397:
6385:
6383:, p. 147.
6373:
6361:
6359:, p. 187.
6349:
6337:
6325:
6323:, p. 175.
6313:
6301:
6292:
6280:
6268:
6235:
6220:
6205:
6174:
6162:
6150:
6115:
6103:
6091:
6076:
6064:
6052:
6040:
6038:, p. 109.
6028:
6021:
6001:
5985:
5973:
5946:
5934:
5922:
5895:
5880:
5868:
5856:
5846:
5837:
5815:
5802:
5777:
5775:, p. 251.
5765:
5747:
5729:
5707:
5696:(3): 551â561.
5680:
5678:, p. 468.
5676:Chrystall 2007
5668:
5653:
5623:
5596:"Historicist:
5586:
5561:Whitman, Alden
5552:
5525:
5514:
5502:
5479:
5477:, p. 115.
5467:
5436:
5427:
5415:
5403:
5391:
5382:
5373:
5345:
5333:
5321:
5309:
5303:, p. 10;
5293:
5278:
5229:
5220:
5208:
5194:Dobbs, Kildare
5185:
5173:
5167:, p. 34;
5157:
5145:
5112:
5078:
5047:
5016:
4989:
4974:
4959:
4941:
4926:
4908:
4884:
4877:
4845:
4815:
4812:. 25 May 1970.
4797:
4779:
4747:
4745:, p. 252.
4741:, p. 85;
4731:
4729:, p. 252.
4723:Silverman 2012
4721:, p. 85;
4711:
4699:
4687:
4685:, p. 252.
4657:
4655:
4652:
4650:
4647:
4645:
4644:
4593:
4579:Finnegans Wake
4557:
4541:Erving Goffman
4522:". Lonergan's
4494:
4481:
4467:
4450:
4440:
4428:
4418:
4416:
4413:
4412:
4411:
4406:
4401:
4394:
4391:
4390:
4389:
4379:
4376:
4375:
4374:
4351:
4332:
4317:Wilfred Watson
4307:
4306:
4305:
4281:
4280:
4279:
4259:, produced by
4247:
4246:
4245:
4213:
4212:
4211:
4183:
4182:
4181:
4167:Vanguard Press
4149:Main article:
4146:
4143:
4133:is called the
4100:
4097:
4028:Duke Ellington
3985:
3982:
3870:The New Yorker
3803:Lombardy Hotel
3798:Howard Gossage
3789:
3786:
3776:
3773:
3753:, in his 1927
3751:Erwin Panofsky
3730:
3727:
3723:time and space
3692:Main article:
3689:
3686:
3685:
3684:
3678:
3672:
3666:
3617:
3616:
3613:
3610:
3607:
3583:Main article:
3580:
3577:
3575:
3572:
3544:
3541:
3514:Philip K. Dick
3431:acoustic space
3415:acoustic space
3394:Global village
3392:Main article:
3389:
3383:
3379:global theater
3305:EugĂšne Ionesco
3290:global theater
3272:Wilfred Watson
3261:Main article:
3258:
3252:
3251:
3250:
3244:
3241:decentralizing
3234:
3225:
3219:
3213:
3207:
3201:
3192:
3186:
3152:Finnegans Wake
3133:Main article:
3130:
3124:
3026:Main article:
3023:
3017:
2923:
2917:
2834:
2831:
2813:Main article:
2810:
2804:
2648:global village
2634:
2633:Global village
2631:
2627:quantification
2543:electronic age
2534:
2531:
2513:printing press
2498:media-adequacy
2464:Main article:
2461:
2455:
2415:Marcel Duchamp
2403:Denys Thompson
2354:
2353:
2312:
2310:
2303:
2294:Main article:
2291:
2285:
2222:anthropologist
2150:
2147:
2137:
2134:
2017:
2014:
1926:
1923:
1884:
1881:
1865:I. A. Richards
1832:
1829:
1788:
1785:
1780:World Wide Web
1774:global village
1686:
1685:
1683:
1682:
1675:
1668:
1660:
1657:
1656:
1654:
1653:
1641:
1628:
1625:
1624:
1619:
1618:
1614:
1613:
1608:
1603:
1598:
1593:
1588:
1583:
1578:
1573:
1568:
1563:
1558:
1553:
1548:
1543:
1538:
1533:
1528:
1523:
1518:
1513:
1508:
1503:
1498:
1493:
1488:
1483:
1478:
1473:
1468:
1463:
1458:
1452:
1451:
1448:
1447:
1444:
1443:
1439:
1438:
1433:
1428:
1423:
1418:
1413:
1408:
1403:
1398:
1393:
1388:
1383:
1378:
1373:
1368:
1363:
1358:
1353:
1348:
1343:
1338:
1333:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1293:
1288:
1283:
1278:
1273:
1268:
1262:
1261:
1258:
1257:
1254:
1253:
1249:
1248:
1243:
1238:
1233:
1228:
1223:
1218:
1213:
1208:
1203:
1198:
1193:
1188:
1183:
1178:
1173:
1168:
1163:
1158:
1153:
1148:
1143:
1138:
1133:
1128:
1123:
1118:
1113:
1108:
1103:
1098:
1093:
1088:
1083:
1078:
1072:
1071:
1068:
1067:
1064:
1063:
1059:
1058:
1053:
1048:
1043:
1038:
1033:
1028:
1023:
1018:
1013:
1008:
1003:
998:
993:
988:
983:
978:
973:
968:
963:
958:
953:
948:
942:
941:
938:
937:
932:
927:
926:
923:
922:
919:
918:
917:
916:
911:
901:
896:
895:
894:
889:
879:
874:
869:
864:
863:
862:
860:Friends of God
852:
847:
842:
841:
840:
833:Augustinianism
829:
826:
825:
822:
821:
818:
817:
812:
811:
810:
805:
798:Predestination
795:
790:
785:
771:
766:
761:
756:
750:
745:
744:
741:
740:
737:
736:
734:Works of mercy
731:
726:
721:
720:
719:
709:
704:
699:
694:
689:
684:
679:
674:
668:
663:
662:
659:
658:
645:
621:
620:
614:
613:
605:
604:
592:
591:
577:
573:
572:
569:
568:
566:
565:
558:
553:
548:
543:
538:
533:
528:
523:
518:
513:
508:
503:
498:
493:
488:
483:
478:
473:
468:
463:
458:
453:
444:
443:
442:
440:
436:
435:
433:
432:
427:
422:
417:
412:
410:global village
407:
401:
399:
395:
394:
392:
391:
386:
381:
378:
374:
372:
371:Main interests
368:
367:
362:
358:
357:
355:
354:
349:
343:
341:
337:
336:
331:
327:
326:
321:
317:
316:
313:
309:
308:
304:
303:
301:
300:
295:
290:
285:
280:
275:
270:
265:
260:
258:Ătienne Gilson
255:
250:
245:
240:
238:Marcel Duchamp
235:
230:
225:
220:
215:
210:
205:
200:
198:Hilaire Belloc
195:
190:
185:
183:Thomas Aquinas
176:
175:
174:
172:
168:
167:
162:
158:
157:
155:
154:
149:
143:
141:
135:
134:
130:
129:
126:
125:
119:
115:
114:
103:
99:
98:
96:
92:
91:
85:
83:(aged 69)
77:
73:
72:
66:
53:
51:
47:
46:
43:
35:
34:
27:
24:
15:
9:
6:
4:
3:
2:
11165:
11154:
11151:
11149:
11146:
11144:
11141:
11139:
11136:
11134:
11131:
11129:
11126:
11124:
11121:
11119:
11116:
11114:
11111:
11109:
11106:
11104:
11101:
11099:
11096:
11094:
11091:
11089:
11086:
11084:
11081:
11079:
11076:
11074:
11071:
11069:
11066:
11064:
11061:
11059:
11056:
11054:
11051:
11049:
11046:
11044:
11041:
11039:
11036:
11034:
11031:
11029:
11026:
11024:
11021:
11019:
11016:
11014:
11011:
11009:
11006:
11004:
11001:
10999:
10996:
10994:
10991:
10989:
10986:
10984:
10981:
10979:
10976:
10974:
10971:
10969:
10966:
10964:
10961:
10959:
10956:
10954:
10951:
10949:
10946:
10944:
10941:
10939:
10936:
10934:
10931:
10929:
10926:
10924:
10921:
10919:
10916:
10914:
10911:
10909:
10906:
10904:
10901:
10899:
10896:
10894:
10891:
10889:
10886:
10884:
10881:
10879:
10876:
10874:
10871:
10870:
10868:
10858:
10848:
10846:
10836:
10834:
10829:
10824:
10822:
10812:
10810:
10800:
10799:
10796:
10782:
10778:
10775:
10772:
10771:
10766:
10763:
10760:
10759:
10754:
10751:
10748:
10747:
10742:
10739:
10738:
10736:
10732:
10725:
10721:
10718:
10715:
10711:
10708:
10705:
10701:
10698:
10695:
10691:
10688:
10685:
10681:
10678:
10675:
10671:
10668:
10665:
10661:
10658:
10655:
10654:
10649:
10646:
10643:
10639:
10638:Charles Foran
10636:
10633:
10632:
10627:
10624:
10623:
10621:
10617:
10610:
10606:
10603:
10600:
10596:
10593:
10590:
10586:
10583:
10580:
10576:
10573:
10570:
10566:
10565:John Vaillant
10563:
10560:
10559:
10554:
10551:
10548:
10547:
10542:
10539:
10536:
10532:
10529:
10526:
10525:
10520:
10517:
10514:
10510:
10509:Nega Mezlekia
10507:
10506:
10504:
10500:
10493:
10489:
10486:
10483:
10479:
10476:
10473:
10469:
10468:Rachel Manley
10466:
10463:
10459:
10456:
10453:
10449:
10446:
10443:
10439:
10436:
10433:
10429:
10426:
10423:
10419:
10416:
10413:
10409:
10408:Robert Hunter
10406:
10403:
10399:
10395:
10392:
10391:
10389:
10385:
10378:
10374:
10373:Robert Calder
10371:
10368:
10364:
10361:
10358:
10354:
10351:
10348:
10344:
10343:Northrop Frye
10341:
10338:
10334:
10331:
10328:
10324:
10321:
10318:
10314:
10311:
10308:
10304:
10301:
10298:
10294:
10291:
10288:
10284:
10281:
10280:
10278:
10274:
10267:
10263:
10262:John Richards
10259:
10256:
10252:
10248:
10245:
10242:
10238:
10237:Maria Tippett
10235:
10232:
10231:
10226:
10223:
10220:
10216:
10213:
10210:
10207:Carl Berger,
10206:
10203:
10199:
10195:
10194:Marion MacRae
10192:
10189:
10185:
10182:
10179:
10175:
10172:
10169:
10168:
10163:
10162:Pierre Berton
10160:
10157:
10156:
10154:
10150:
10143:
10140:
10136:
10133:
10130:
10126:
10123:
10120:
10116:
10113:
10110:
10106:
10103:
10100:
10096:
10093:
10090:
10086:
10083:
10080:
10076:
10073:
10070:
10066:
10063:
10060:
10056:
10053:
10052:
10050:
10046:
10039:
10036:
10032:
10029:
10026:
10022:
10021:Pierre Berton
10019:
10016:
10012:
10009:
10006:
10002:
9999:
9996:
9992:
9989:
9985:
9984:Pierre Berton
9982:
9979:
9975:
9972:
9969:
9965:
9964:N. J. Berrill
9962:
9959:
9955:
9952:
9949:
9945:
9942:
9939:
9935:
9934:N. J. Berrill
9932:
9929:
9925:
9922:
9919:
9915:
9912:
9909:
9905:
9902:
9899:
9895:
9892:
9889:
9885:
9882:
9878:
9875:
9872:
9868:
9865:
9864:
9862:
9858:
9851:
9847:
9844:
9841:
9840:Cross-country
9837:
9834:
9831:
9827:
9824:
9821:
9817:
9814:
9811:
9807:
9804:
9801:
9797:
9794:
9791:
9787:
9784:
9781:
9777:
9774:
9771:
9767:
9764:
9761:
9757:
9754:
9751:
9747:
9746:Edgar McInnis
9744:
9741:
9737:
9734:
9731:
9727:
9724:
9721:
9717:
9714:
9711:
9707:
9706:Edgar McInnis
9704:
9701:
9697:
9694:
9691:
9690:
9685:
9682:
9679:
9675:
9672:
9671:
9669:
9665:
9658:
9654:
9651:
9648:
9647:
9642:
9639:
9636:
9632:
9629:
9626:
9622:
9619:
9618:
9616:
9612:
9608:
9600:
9595:
9593:
9588:
9586:
9581:
9580:
9577:
9565:
9557:
9556:
9553:
9547:
9544:
9542:
9539:
9537:
9534:
9532:
9529:
9527:
9524:
9522:
9519:
9517:
9514:
9512:
9509:
9507:
9504:
9502:
9499:
9497:
9494:
9492:
9489:
9487:
9484:
9482:
9479:
9477:
9474:
9472:
9469:
9467:
9464:
9462:
9459:
9457:
9454:
9452:
9449:
9447:
9444:
9442:
9439:
9437:
9434:
9432:
9429:
9427:
9424:
9422:
9419:
9417:
9414:
9412:
9409:
9407:
9404:
9402:
9399:
9397:
9394:
9392:
9389:
9387:
9384:
9382:
9379:
9377:
9374:
9372:
9369:
9367:
9364:
9362:
9359:
9357:
9354:
9352:
9349:
9348:
9346:
9342:
9336:
9333:
9331:
9328:
9326:
9323:
9321:
9318:
9316:
9313:
9311:
9308:
9306:
9303:
9301:
9300:Media studies
9298:
9296:
9293:
9291:
9290:International
9288:
9286:
9283:
9281:
9278:
9276:
9275:Environmental
9273:
9271:
9268:
9266:
9265:Developmental
9263:
9261:
9258:
9256:
9253:
9251:
9248:
9246:
9245:Communicology
9243:
9241:
9238:
9236:
9233:
9231:
9228:
9227:
9225:
9221:
9216:
9206:
9203:
9201:
9198:
9196:
9193:
9189:
9186:
9185:
9184:
9181:
9179:
9176:
9174:
9171:
9169:
9166:
9164:
9161:
9159:
9156:
9154:
9151:
9149:
9146:
9144:
9141:
9139:
9136:
9134:
9133:Media ecology
9131:
9129:
9126:
9124:
9121:
9119:
9116:
9114:
9111:
9109:
9106:
9104:
9103:Interpersonal
9101:
9099:
9098:Intercultural
9096:
9094:
9091:
9089:
9086:
9084:
9081:
9079:
9076:
9074:
9073:Communication
9071:
9069:
9066:
9064:
9061:
9060:
9058:
9050:
9044:
9041:
9039:
9036:
9035:
9032:
9028:
9021:
9016:
9014:
9009:
9007:
9002:
9001:
8998:
8986:
8983:
8981:
8978:
8976:
8973:
8971:
8968:
8966:
8963:
8961:
8958:
8957:
8955:
8951:
8945:
8942:
8940:
8937:
8935:
8932:
8930:
8927:
8925:
8922:
8920:
8917:
8915:
8912:
8910:
8907:
8905:
8902:
8901:
8899:
8895:
8889:
8888:
8884:
8882:
8879:
8877:
8876:Mediatization
8874:
8872:
8871:Media studies
8869:
8867:
8864:
8863:
8861:
8857:
8851:
8850:Strike action
8848:
8846:
8843:
8841:
8838:
8836:
8833:
8831:
8828:
8826:
8823:
8821:
8818:
8816:
8815:Demonstration
8813:
8811:
8808:
8806:
8803:
8801:
8798:
8796:
8793:
8791:
8788:
8787:
8785:
8783:
8779:
8773:
8770:
8768:
8765:
8763:
8760:
8758:
8755:
8753:
8750:
8748:
8745:
8743:
8740:
8738:
8735:
8734:
8732:
8728:
8718:
8715:
8713:
8710:
8708:
8705:
8703:
8700:
8699:
8697:
8693:
8687:
8684:
8682:
8679:
8677:
8674:
8672:
8669:
8667:
8664:
8662:
8659:
8657:
8654:
8652:
8649:
8647:
8644:
8643:
8641:
8637:
8631:
8628:
8626:
8623:
8621:
8618:
8614:
8611:
8610:
8609:
8606:
8604:
8601:
8600:
8598:
8594:
8591:
8587:
8581:
8580:Pensée unique
8578:
8576:
8573:
8571:
8568:
8566:
8563:
8561:
8558:
8557:
8555:
8551:
8545:
8542:
8540:
8537:
8533:
8530:
8528:
8525:
8524:
8523:
8520:
8518:
8515:
8513:
8510:
8509:
8507:
8503:
8497:
8494:
8492:
8489:
8487:
8484:
8482:
8479:
8477:
8474:
8472:
8469:
8467:
8464:
8462:
8459:
8457:
8454:
8452:
8449:
8447:
8446:Digital media
8444:
8442:
8439:
8437:
8434:
8433:
8431:
8427:
8423:
8422:Media culture
8416:
8411:
8409:
8404:
8402:
8397:
8396:
8393:
8380:
8376:
8375:
8373:
8369:
8363:
8360:
8358:
8355:
8353:
8350:
8348:
8347:Quentin Fiore
8345:
8343:
8342:Harley Parker
8340:
8338:
8337:Northrop Frye
8335:
8333:
8330:
8329:
8327:
8323:
8317:
8314:
8312:
8311:
8307:
8306:
8304:
8300:
8294:
8291:
8288:
8284:
8282:
8281:Media ecology
8279:
8277:
8274:
8272:
8269:
8267:
8264:
8263:
8261:
8257:
8251:
8250:
8246:
8244:
8243:
8239:
8237:
8236:
8232:
8230:
8229:
8225:
8223:
8222:
8218:
8216:
8215:
8211:
8210:
8208:
8204:
8200:
8195:
8191:
8184:
8179:
8177:
8172:
8170:
8165:
8164:
8161:
8146:on 2016-03-04
8145:
8141:
8137:
8126:on 2016-03-04
8125:
8121:
8117:
8114:
8111:
8109:
8105:
8102:
8099:
8093:
8088:
8087:
8082:
8079:
8078:
8070:
8066:
8062:
8058:
8054:
8050:
8046:
8043:
8042:
8038:
8037:
8024:
8020:
8016:
8012:
8008:
8004:
8000:
7996:
7992:
7988:
7980:
7976:
7972:
7968:
7964:
7960:
7956:
7952:
7948:
7944:
7929:
7925:
7919:
7912:
7911:
7905:
7901:
7897:
7893:
7889:
7885:
7881:
7875:
7871:
7866:
7862:
7857:
7853:
7847:
7842:
7841:
7834:
7822:
7821:
7815:
7811:
7806:
7803:. p. 4C.
7802:
7797:
7793:
7788:
7784:
7778:
7774:
7770:
7766:
7754:
7750:
7749:Enculturation
7746:
7744:
7737:
7733:
7728:
7727:
7715:
7711:
7707:
7703:
7699:
7695:
7691:
7687:
7678:
7674:
7668:
7664:
7659:
7655:
7654:
7649:
7648:Strauss, Neil
7645:
7641:
7635:
7631:
7627:
7626:Strate, Lance
7623:
7619:
7613:
7609:
7605:
7601:
7597:
7593:
7589:
7578:
7574:
7570:
7566:
7562:
7558:
7551:
7547:
7543:
7531:
7527:
7523:
7519:
7515:
7511:
7507:
7503:
7499:
7495:
7491:
7487:
7485:
7478:
7474:
7468:
7464:
7463:
7458:
7453:
7449:
7443:
7439:
7438:Laws of Media
7435:
7434:McLuhan, Eric
7430:
7426:
7425:
7420:
7411:
7398:
7397:
7391:
7382:
7378:
7377:
7372:
7367:
7363:
7357:
7352:
7351:
7340:
7336:
7335:
7325:
7321:
7315:
7311:
7310:
7300:
7296:
7292:
7288:
7284:
7280:
7276:
7271:
7267:
7261:
7257:
7252:
7248:
7242:
7238:
7234:
7230:
7226:
7220:
7216:
7211:
7207:
7203:
7199:
7195:
7189:
7184:
7183:
7177:
7173:
7169:
7168:
7163:
7159:
7155:
7150:
7146:
7140:
7135:
7130:
7125:
7124:
7118:
7114:
7110:
7105:
7101:
7095:
7090:
7089:
7082:
7070:
7066:
7065:
7059:
7044:
7040:
7034:
7027:
7026:
7021:
7020:Debray, RĂ©gis
7017:
7013:
7012:
7007:
7003:
6998:
6993:
6989:
6984:
6983:
6962:
6958:
6954:
6948:
6932:
6928:
6924:
6918:
6902:
6898:
6894:
6888:
6872:
6868:
6864:
6858:
6850:
6844:
6840:
6839:
6831:
6823:
6822:
6817:
6810:
6794:
6790:
6786:
6780:
6778:
6770:
6769:Lamberti 2012
6765:
6757:
6753:
6749:
6742:
6727:
6723:
6717:
6707:
6706:
6702:
6699:
6694:
6690:
6685:
6670:
6666:
6662:
6656:
6649:
6644:
6637:
6636:Marchand 1998
6632:
6624:
6617:
6608:
6601:
6596:
6587:
6585:
6570:
6566:
6565:
6558:
6549:
6543:, p. 28.
6542:
6537:
6530:
6525:
6519:, p. 74.
6518:
6513:
6506:
6501:
6494:
6489:
6481:
6475:
6467:
6461:
6454:
6449:
6442:
6437:
6430:
6425:
6418:
6413:
6407:, p. 99.
6406:
6401:
6394:
6389:
6382:
6377:
6370:
6365:
6358:
6357:Marchand 1998
6353:
6346:
6341:
6335:, p. 68.
6334:
6329:
6322:
6317:
6310:
6305:
6296:
6290:, p. 30.
6289:
6288:Levinson 1999
6284:
6277:
6272:
6256:
6252:
6247:
6239:
6231:
6224:
6217:
6212:
6210:
6193:
6189:
6185:
6178:
6171:
6166:
6159:
6154:
6146:
6140:
6125:
6119:
6113:, p. 25.
6112:
6107:
6101:, p. 22.
6100:
6095:
6087:
6080:
6073:
6068:
6061:
6056:
6049:
6044:
6037:
6032:
6024:
6018:
6014:
6013:
6005:
5998:
5994:
5989:
5982:
5977:
5961:
5957:
5950:
5943:
5938:
5931:
5926:
5910:
5906:
5899:
5892:
5891:
5884:
5877:
5872:
5866:, p. 41.
5865:
5860:
5850:
5841:
5834:
5833:
5829:
5826:
5819:
5812:
5806:
5792:
5788:
5781:
5774:
5769:
5762:
5761:
5754:
5752:
5744:
5743:
5736:
5734:
5726:
5722:
5721:
5720:Communication
5716:
5711:
5703:
5699:
5695:
5691:
5684:
5677:
5672:
5666:, p. 32.
5665:
5660:
5658:
5650:
5638:
5634:
5627:
5611:
5607:
5606:
5601:
5599:
5590:
5574:
5570:
5566:
5562:
5556:
5549:
5546:
5545:The Estate of
5542:
5538:
5535:
5534:Marshall Who?
5529:
5523:
5518:
5511:
5506:
5499:
5498:
5493:
5489:
5483:
5476:
5471:
5455:
5451:
5447:
5440:
5431:
5424:
5419:
5413:, p. 51.
5412:
5411:Marchand 1998
5407:
5401:, p. 75.
5400:
5395:
5386:
5377:
5371:, p. 73.
5370:
5366:
5362:
5358:
5355:
5349:
5342:
5337:
5330:
5325:
5319:, p. 11.
5318:
5313:
5307:, p. 20.
5306:
5305:Marchand 1998
5302:
5297:
5291:, p. 94.
5290:
5285:
5283:
5275:
5271:
5268:
5264:
5260:
5259:
5254:
5248:
5246:
5244:
5242:
5240:
5238:
5236:
5234:
5224:
5218:, p. 40.
5217:
5212:
5206:, p. 35.
5205:
5204:Marchand 1998
5199:
5195:
5189:
5180:
5178:
5171:, p. 32.
5170:
5169:Marchand 1998
5166:
5161:
5154:
5149:
5133:
5130:. p. 1.
5129:
5124:
5116:
5109:
5108:
5103:
5099:
5096:
5092:
5087:
5085:
5083:
5066:
5062:
5058:
5051:
5035:
5032:. p. 9.
5031:
5027:
5020:
5009:September 20,
5004:
5000:
4993:
4986:
4985:Levinson 1999
4981:
4979:
4970:
4966:
4962:
4960:0-7100-1819-3
4956:
4952:
4945:
4937:
4933:
4929:
4923:
4919:
4912:
4898:
4894:
4888:
4880:
4874:
4870:
4866:
4862:
4858:
4857:
4849:
4842:
4838:
4837:
4832:
4828:
4825:
4819:
4811:
4807:
4801:
4793:
4789:
4783:
4767:
4763:
4762:The Telegraph
4758:
4757:"Hugh Kenner"
4751:
4744:
4740:
4735:
4728:
4724:
4720:
4715:
4708:
4703:
4697:, p. 73.
4696:
4691:
4684:
4679:
4677:
4675:
4673:
4671:
4669:
4667:
4665:
4663:
4658:
4641:
4639:
4635:
4631:
4627:
4623:
4619:
4615:
4609:
4605:
4597:
4589:
4585:
4581:
4580:
4575:
4571:
4567:
4566:Wyndham Lewis
4561:
4554:
4553:Kenneth Burke
4550:
4546:
4542:
4538:
4534:
4530:
4525:
4521:
4517:
4516:Walter J. Ong
4512:
4508:
4507:consciousness
4504:
4498:
4491:
4485:
4477:
4471:
4464:
4460:
4454:
4444:
4437:
4432:
4423:
4419:
4410:
4407:
4405:
4402:
4400:
4397:
4396:
4387:
4386:
4382:
4381:
4372:
4368:
4364:
4360:
4356:
4352:
4349:
4345:
4341:
4337:
4336:Laws of Media
4333:
4330:
4326:
4322:
4318:
4314:
4313:
4308:
4303:
4299:
4295:
4294:
4292:
4288:
4287:
4282:
4277:
4273:
4269:
4268:
4266:
4262:
4258:
4257:Quentin Fiore
4254:
4253:
4248:
4243:
4239:
4235:
4231:
4227:
4226:
4224:
4220:
4219:
4214:
4209:
4205:
4201:
4197:
4196:
4194:
4190:
4189:
4184:
4179:
4175:
4171:
4170:
4168:
4164:
4163:
4158:
4157:
4156:
4152:
4142:
4140:
4136:
4132:
4128:
4123:
4121:
4116:
4114:
4110:
4106:
4096:
4094:
4091:and director
4090:
4086:
4081:
4079:
4075:
4070:
4068:
4064:
4063:
4057:
4055:
4054:
4050:
4049:concept album
4046:
4042:
4041:Peter Gabriel
4037:
4035:
4034:
4029:
4024:
4022:
4021:
4015:
4013:
4012:
4008:'s 1983 film
4007:
4002:
4000:
3996:
3995:
3990:
3981:
3979:
3975:
3971:
3967:
3963:
3959:
3955:
3951:
3947:
3943:
3939:
3938:Paul Levinson
3935:
3931:
3927:
3926:Timothy Leary
3923:
3919:
3915:
3910:
3904:
3900:
3899:Timothy Leary
3896:
3895:
3889:
3887:
3884:, the "poet"
3883:
3882:
3877:
3876:
3871:
3867:
3863:
3859:
3855:
3851:
3847:
3846:
3841:
3839:
3834:
3830:
3829:
3824:
3823:
3816:
3814:
3813:
3808:
3804:
3799:
3795:
3781:
3772:
3769:
3765:
3764:
3758:
3756:
3752:
3748:
3744:
3740:
3736:
3735:Harley Parker
3726:
3724:
3719:
3715:
3713:
3709:
3705:
3701:
3695:
3683:
3679:
3677:
3673:
3671:
3667:
3665:
3661:
3660:
3659:
3652:
3648:
3646:
3642:
3638:
3634:
3630:
3626:
3621:
3614:
3611:
3608:
3605:
3604:
3603:
3600:
3596:
3592:
3591:Laws of Media
3586:
3571:
3568:
3565:
3561:
3557:
3552:
3550:
3540:
3536:
3531:
3529:
3525:
3524:
3519:
3518:Ruth Benedict
3515:
3511:
3510:
3504:
3500:
3496:
3492:
3487:
3481:
3476:
3474:
3470:
3465:
3463:
3458:
3454:
3451:
3447:
3443:
3440:
3436:
3432:
3428:
3423:
3421:
3417:
3416:
3411:
3407:
3403:
3402:
3395:
3387:
3382:
3380:
3374:
3370:
3365:
3363:
3357:
3355:
3348:
3346:
3342:
3337:
3335:
3331:
3327:
3323:
3318:
3316:
3312:
3311:
3306:
3302:
3298:
3293:
3291:
3287:
3283:
3279:
3278:
3273:
3270:
3269:Canadian poet
3264:
3256:
3248:
3245:
3242:
3238:
3235:
3232:
3229:
3226:
3223:
3220:
3217:
3214:
3211:
3208:
3205:
3202:
3199:
3196:
3193:
3190:
3187:
3184:
3181:
3180:
3179:
3177:
3172:
3169:
3165:
3161:
3156:
3154:
3153:
3148:
3144:
3143:
3136:
3128:
3122:
3118:
3116:
3112:
3108:
3104:
3098:
3096:
3089:
3087:
3083:
3077:
3075:
3071:
3066:
3064:
3060:
3056:
3051:
3046:
3044:
3040:
3039:Quentin Fiore
3036:
3035:
3029:
3021:
3016:
3012:
3007:
3002:
3000:
2996:
2992:
2988:
2987:Brian Winston
2984:
2982:
2978:
2974:
2970:
2969:technology."
2967:
2966:
2959:
2957:
2950:
2948:
2944:
2939:
2937:
2933:
2929:
2922:
2919:Critiques of
2916:
2914:
2909:
2907:
2903:
2899:
2895:
2890:
2888:
2884:
2880:
2876:
2872:
2871:visual senses
2868:
2864:
2860:
2855:
2852:
2848:
2844:
2840:
2830:
2826:
2824:
2823:
2816:
2808:
2803:
2801:
2800:Northrop Frye
2797:
2793:
2788:
2786:
2781:
2777:
2773:
2769:
2764:
2762:
2759:'s 1999 book
2758:
2757:Paul Levinson
2754:
2750:
2746:
2745:
2738:
2733:
2731:
2726:
2724:
2719:
2713:
2710:
2705:
2700:
2696:
2694:
2690:
2686:
2680:
2676:
2673:
2669:
2663:
2661:
2657:
2652:
2650:
2649:
2644:
2640:
2630:
2628:
2624:
2620:
2616:
2615:Protestantism
2613:, democracy,
2612:
2611:individualism
2607:
2603:
2599:
2598:
2591:
2587:
2582:
2580:
2576:
2575:William Ivins
2572:
2567:
2565:
2561:
2557:
2553:
2548:
2544:
2540:
2529:
2524:
2522:
2518:
2514:
2510:
2506:
2501:
2499:
2495:
2494:media ecology
2491:
2487:
2486:print culture
2483:
2479:
2478:
2473:
2467:
2459:
2454:
2452:
2448:
2444:
2443:
2438:
2434:
2430:
2426:
2422:
2418:
2416:
2412:
2408:
2404:
2400:
2396:
2391:
2389:
2388:
2383:
2379:
2375:
2371:
2367:
2363:
2362:
2350:
2347:
2339:
2329:
2325:
2319:
2318:
2313:This section
2311:
2307:
2302:
2301:
2297:
2289:
2284:
2282:
2278:
2277:Communication
2274:
2270:
2265:
2260:
2255:
2253:
2249:
2245:
2241:
2237:
2232:
2230:
2226:
2223:
2219:
2216:
2211:
2209:
2208:New Criticism
2205:
2201:
2197:
2193:
2189:
2185:
2181:
2177:
2173:
2169:
2164:
2162:
2161:
2156:
2146:
2144:
2133:
2131:
2127:
2123:
2119:
2115:
2110:
2108:
2104:
2100:
2099:Wychwood Park
2096:
2093:
2089:
2085:
2080:
2078:
2074:
2073:Wyndham Lewis
2070:
2069:Sheila Watson
2067:
2063:
2062:Northrop Frye
2059:
2055:
2051:
2047:
2046:
2041:
2037:
2036:
2031:
2022:
2013:
2011:
2010:
2005:
2001:
1997:
1993:
1989:
1985:
1981:
1976:
1973:
1969:
1965:
1960:
1958:
1957:Walter J. Ong
1954:
1950:
1946:
1931:
1922:
1920:
1916:
1912:
1906:
1901:
1899:
1895:
1891:
1880:
1878:
1874:
1873:New Criticism
1870:
1866:
1862:
1858:
1854:
1849:
1847:
1843:
1839:
1828:
1826:
1822:
1818:
1814:
1810:
1809:Canadian Army
1806:
1802:
1798:
1794:
1784:
1781:
1777:
1775:
1771:and the term
1770:
1766:
1761:
1759:
1758:media studies
1755:
1751:
1747:
1743:
1739:
1738:
1727:
1696:
1692:
1681:
1676:
1674:
1669:
1667:
1662:
1661:
1659:
1658:
1652:
1642:
1640:
1635:
1630:
1629:
1627:
1626:
1612:
1609:
1607:
1604:
1602:
1599:
1597:
1594:
1592:
1589:
1587:
1584:
1582:
1579:
1577:
1574:
1572:
1569:
1567:
1564:
1562:
1559:
1557:
1554:
1552:
1549:
1547:
1544:
1542:
1539:
1537:
1534:
1532:
1529:
1527:
1524:
1522:
1519:
1517:
1514:
1512:
1509:
1507:
1504:
1502:
1499:
1497:
1494:
1492:
1489:
1487:
1484:
1482:
1479:
1477:
1474:
1472:
1469:
1467:
1464:
1462:
1459:
1457:
1454:
1453:
1446:
1445:
1437:
1434:
1432:
1429:
1427:
1424:
1422:
1419:
1417:
1414:
1412:
1409:
1407:
1404:
1402:
1399:
1397:
1394:
1392:
1389:
1387:
1384:
1382:
1379:
1377:
1374:
1372:
1369:
1367:
1364:
1362:
1359:
1357:
1354:
1352:
1349:
1347:
1344:
1342:
1339:
1337:
1334:
1332:
1329:
1327:
1324:
1322:
1319:
1317:
1314:
1312:
1311:Chateaubriand
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1263:
1256:
1255:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1229:
1227:
1224:
1222:
1219:
1217:
1214:
1212:
1209:
1207:
1204:
1202:
1199:
1197:
1194:
1192:
1189:
1187:
1184:
1182:
1179:
1177:
1176:Gundissalinus
1174:
1172:
1169:
1167:
1164:
1162:
1159:
1157:
1154:
1152:
1149:
1147:
1144:
1142:
1139:
1137:
1134:
1132:
1129:
1127:
1124:
1122:
1119:
1117:
1114:
1112:
1109:
1107:
1104:
1102:
1099:
1097:
1094:
1092:
1089:
1087:
1084:
1082:
1079:
1077:
1074:
1073:
1066:
1065:
1057:
1054:
1052:
1049:
1047:
1044:
1042:
1039:
1037:
1034:
1032:
1029:
1027:
1024:
1022:
1019:
1017:
1014:
1012:
1009:
1007:
1004:
1002:
999:
997:
994:
992:
989:
987:
984:
982:
979:
977:
974:
972:
969:
967:
964:
962:
959:
957:
954:
952:
949:
947:
944:
943:
936:
935:
930:
925:
924:
915:
912:
910:
907:
906:
905:
902:
900:
897:
893:
890:
888:
885:
884:
883:
882:Scholasticism
880:
878:
875:
873:
872:Ressourcement
870:
868:
865:
861:
858:
857:
856:
853:
851:
848:
846:
843:
839:
836:
835:
834:
831:
830:
824:
823:
816:
813:
809:
808:Compatibilism
806:
804:
801:
800:
799:
796:
794:
791:
789:
786:
783:
779:
775:
772:
770:
767:
765:
762:
760:
757:
755:
754:Conceptualism
752:
751:
748:
743:
742:
735:
732:
730:
729:Virtue ethics
727:
725:
722:
718:
715:
714:
713:
710:
708:
705:
703:
700:
698:
695:
693:
690:
688:
685:
683:
680:
678:
675:
673:
670:
669:
666:
661:
660:
656:
652:
648:
623:
622:
619:
616:
615:
611:
607:
606:
602:
598:
597:
589:
584:
578:
574:
570:
564:
563:
559:
557:
554:
552:
549:
547:
544:
542:
539:
537:
534:
532:
529:
527:
526:Walter J. Ong
524:
522:
519:
517:
514:
512:
511:Paul Levinson
509:
507:
506:Timothy Leary
504:
502:
499:
497:
494:
492:
491:Abbie Hoffman
489:
487:
484:
482:
479:
477:
474:
472:
469:
467:
464:
462:
459:
457:
454:
452:
449:
448:
441:
437:
431:
430:media ecology
428:
426:
423:
421:
418:
416:
413:
411:
408:
406:
403:
402:
400:
398:Notable ideas
396:
390:
389:New Criticism
387:
385:
382:
379:
376:
375:
373:
369:
366:
365:Walter J. Ong
363:
359:
353:
352:Sheila Watson
350:
348:
347:Donald Theall
345:
344:
342:
338:
335:
332:
328:
325:
322:
318:
314:
310:
307:Academic work
305:
299:
296:
294:
291:
289:
286:
284:
283:Wyndham Lewis
281:
279:
276:
274:
271:
269:
266:
264:
261:
259:
256:
254:
251:
249:
246:
244:
243:Jacques Ellul
241:
239:
236:
234:
231:
229:
226:
224:
221:
219:
216:
214:
211:
209:
206:
204:
201:
199:
196:
194:
193:Francis Bacon
191:
189:
186:
184:
181:
180:
173:
169:
166:
163:
159:
153:
150:
148:
145:
144:
142:
140:
136:
131:
127:
124:
121:6, including
120:
116:
100:Corinne Lewis
97:
93:
88:
78:
74:
69:
64:July 21, 1911
52:
48:
41:
36:
31:
22:
19:
10780:
10768:
10756:
10744:
10741:Madhur Anand
10723:
10713:
10703:
10693:
10683:
10673:
10663:
10651:
10641:
10629:
10608:
10598:
10588:
10578:
10568:
10556:
10544:
10534:
10522:
10512:
10491:
10481:
10471:
10461:
10451:
10441:
10431:
10421:
10411:
10401:
10376:
10366:
10363:Anne Collins
10356:
10346:
10336:
10326:
10316:
10306:
10296:
10293:George Calef
10286:
10265:
10254:
10240:
10228:
10218:
10208:
10201:
10187:
10177:
10165:
10138:
10128:
10118:
10108:
10098:
10088:
10078:
10074:
10068:
10065:T. A. Goudge
10058:
10034:
10031:Joyce Hemlow
10024:
10014:
10004:
9994:
9987:
9977:
9967:
9957:
9947:
9937:
9927:
9917:
9907:
9897:
9887:
9880:
9877:W. L. Morton
9870:
9849:
9839:
9829:
9826:C. P. Stacey
9819:
9809:
9799:
9789:
9779:
9769:
9759:
9749:
9739:
9729:
9719:
9709:
9699:
9687:
9677:
9656:
9644:
9634:
9624:
9475:
9083:Conversation
9068:Broadcasting
8980:Post-Fordism
8970:Mass society
8939:Transparency
8885:
8766:
8752:Noam Chomsky
8730:Philosophers
8676:Recuperation
8661:Media circus
8651:Dumbing down
8517:Media policy
8491:Social media
8308:
8247:
8240:
8233:
8226:
8219:
8212:
8199:Bibliography
8189:
8148:. Retrieved
8144:the original
8128:. Retrieved
8124:the original
8022:
7994:
7990:
7958:
7954:
7950:
7937:November 14,
7935:. Retrieved
7916:. AU Press.
7909:
7899:
7869:
7860:
7839:
7827:November 14,
7825:. Retrieved
7819:
7809:
7800:
7791:
7772:
7759:November 14,
7757:. Retrieved
7748:
7742:
7731:
7689:
7685:
7662:
7652:
7629:
7607:
7595:
7582:November 13,
7580:. Retrieved
7560:
7556:
7534:. Retrieved
7530:the original
7493:
7489:
7483:
7461:
7437:
7423:
7404:November 14,
7402:. Retrieved
7395:
7375:
7349:
7333:
7308:
7278:
7274:
7258:. Stoddart.
7255:
7236:
7214:
7205:
7181:
7166:
7153:
7122:
7108:
7087:
7075:November 13,
7073:. Retrieved
7063:
7052:November 14,
7050:. Retrieved
7024:
7010:
6987:
6967:23 September
6965:. Retrieved
6956:
6947:
6937:23 September
6935:. Retrieved
6926:
6917:
6905:. Retrieved
6896:
6887:
6875:. Retrieved
6866:
6857:
6837:
6830:
6819:
6809:
6797:. Retrieved
6792:
6764:
6756:the original
6751:
6741:
6730:. Retrieved
6716:
6710:(in Italian)
6696:
6684:
6673:. Retrieved
6664:
6655:
6648:Strauss 2011
6643:
6638:, p. 1.
6631:
6622:
6616:
6607:
6595:
6573:, retrieved
6563:
6557:
6548:
6536:
6528:
6524:
6512:
6504:
6500:
6492:
6488:
6479:
6474:
6465:
6460:
6452:
6448:
6440:
6436:
6431:, p. 9.
6424:
6419:, p. 5.
6412:
6400:
6395:, p. 4.
6388:
6376:
6364:
6352:
6340:
6328:
6316:
6304:
6295:
6283:
6271:
6259:. Retrieved
6250:
6238:
6229:
6223:
6196:. Retrieved
6187:
6177:
6165:
6153:
6128:. Retrieved
6118:
6106:
6094:
6085:
6079:
6067:
6062:, p. 8.
6055:
6050:, p. 4.
6043:
6031:
6011:
6004:
5996:
5992:
5988:
5980:
5976:
5964:. Retrieved
5949:
5941:
5937:
5925:
5915:December 30,
5913:. Retrieved
5911:. No. 2
5908:
5898:
5888:
5883:
5871:
5859:
5849:
5840:
5823:
5818:
5805:
5794:. Retrieved
5790:
5780:
5768:
5758:
5740:
5718:
5715:Edward Sapir
5710:
5693:
5689:
5683:
5671:
5648:
5641:. Retrieved
5626:
5614:. Retrieved
5603:
5598:Explorations
5597:
5589:
5577:. Retrieved
5568:
5555:
5547:
5544:
5528:
5517:
5505:
5495:
5487:
5482:
5470:
5458:. Retrieved
5454:the original
5449:
5439:
5430:
5418:
5406:
5394:
5385:
5376:
5364:
5348:
5336:
5324:
5312:
5296:
5256:
5223:
5211:
5197:
5188:
5160:
5148:
5136:. Retrieved
5127:
5115:
5106:
5069:. Retrieved
5061:The Guardian
5060:
5050:
5038:. Retrieved
5029:
5019:
5007:. Retrieved
4992:
4950:
4944:
4917:
4911:
4900:. Retrieved
4896:
4887:
4854:
4848:
4834:
4818:
4809:
4800:
4791:
4782:
4772:November 13,
4770:. Retrieved
4761:
4750:
4734:
4714:
4702:
4690:
4637:
4633:
4629:
4625:
4621:
4617:
4613:
4611:
4607:
4602:
4596:
4587:
4584:Eric McLuhan
4577:
4569:
4560:
4523:
4519:
4510:
4497:
4484:
4476:Gingko Press
4470:
4459:Eric McLuhan
4453:
4443:
4431:
4422:
4383:
4357:, edited by
4354:
4340:Eric McLuhan
4338:, edited by
4335:
4319:. New York:
4310:
4284:
4265:Random House
4250:
4228:reissued by
4216:
4198:reissued by
4186:
4160:
4154:
4127:Canada House
4124:
4118:In Toronto,
4117:
4102:
4084:
4082:
4077:
4073:
4071:
4067:House Arrest
4062:The Sopranos
4060:
4058:
4051:
4038:
4031:
4025:
4018:
4016:
4009:
4003:
3992:
3987:
3946:Jaron Lanier
3918:Neil Postman
3911:
3903:Neil Strauss
3892:
3890:
3886:Henry Gibson
3879:
3873:
3869:
3865:
3861:
3857:
3853:
3849:
3843:
3837:
3826:
3820:
3817:
3810:
3806:
3793:
3791:
3761:
3759:
3754:
3746:
3745:in his 1901
3732:
3720:
3716:
3711:
3707:
3703:
3697:
3681:
3675:
3669:
3663:
3657:
3644:
3640:
3637:Obsolescence
3636:
3632:
3628:
3624:
3622:
3618:
3590:
3588:
3574:Key concepts
3555:
3553:
3546:
3538:
3533:
3521:
3509:Blade Runner
3507:
3490:
3483:
3478:
3472:
3466:
3452:
3449:
3445:
3430:
3427:visual space
3426:
3424:
3413:
3399:
3397:
3385:
3378:
3375:
3372:
3367:
3359:
3350:
3344:
3340:
3338:
3325:
3321:
3319:
3308:
3301:anesthetized
3296:
3294:
3289:
3275:
3266:
3254:
3246:
3236:
3227:
3221:
3215:
3209:
3203:
3194:
3188:
3182:
3175:
3173:
3159:
3157:
3150:
3140:
3138:
3126:
3120:
3106:
3100:
3091:
3078:
3073:
3069:
3067:
3047:
3032:
3031:
3019:
3013:
3009:
3004:
2990:
2985:
2980:
2971:
2963:
2961:
2955:
2952:
2947:RĂ©gis Debray
2942:
2940:
2925:
2920:
2910:
2905:
2897:
2893:
2891:
2887:silent films
2867:visual space
2858:
2856:
2850:
2846:
2838:
2836:
2827:
2820:
2818:
2806:
2791:
2789:
2784:
2779:
2775:
2771:
2767:
2765:
2760:
2742:
2740:
2735:
2729:
2727:
2715:
2704:detribalizes
2701:
2698:
2684:
2682:
2677:
2665:
2655:
2653:
2646:
2636:
2606:homogenizing
2595:
2593:
2588:
2586:background.âŠ
2584:
2578:
2568:
2547:movable type
2536:
2533:Movable type
2526:
2502:
2482:oral culture
2475:
2469:
2457:
2451:semiological
2446:
2440:
2420:
2419:
2406:
2399:F. R. Leavis
2394:
2392:
2385:
2359:
2357:
2342:
2336:January 2018
2333:
2322:Please help
2317:verification
2314:
2287:
2276:
2269:Edward Sapir
2266:
2262:
2257:
2251:
2242:philosopher
2233:
2218:Explorations
2217:
2212:
2187:
2165:
2158:
2155:dissertation
2152:
2139:
2111:
2081:
2054:Harold Innis
2045:Explorations
2043:
2033:
2027:
2007:
2004:Harold Innis
1977:
1972:World War II
1968:Thomas Nashe
1961:
1942:
1908:
1903:
1886:
1869:F. R. Leavis
1850:
1844:to study at
1834:
1790:
1772:
1768:
1762:
1742:media theory
1690:
1689:
1585:
1551:John Paul II
1476:Benedict XVI
1449:Contemporary
929:Philosophers
850:Cartesianism
793:Quinque Viae
560:
551:Nelson Thall
531:Neil Postman
486:Dick Higgins
456:Norbert Bolz
330:Institutions
288:Thomas Nashe
268:Harold Innis
81:(1980-12-31)
18:
10883:1980 deaths
10878:1911 births
10777:Kyo Maclear
10720:Don Gillmor
10700:Graeme Wood
10690:Bill Waiser
10660:Sandra Djwa
10626:Allan Casey
10333:Ramsay Cook
10323:Sandra Gwyn
10225:Roger Caron
10215:F. R. Scott
10125:Norah Story
10105:James Eayrs
9726:John Robins
9716:E. K. Brown
9230:Closed-loop
9093:Information
9055:terminology
8859:In academia
8845:Review bomb
8666:Media event
8603:Advertising
8575:Consumerism
8496:State media
8115:at Monoskop
8056:Identifiers
8039:Archives at
7536:November 2,
6979:Works cited
6698:Stereonotte
6381:Theall 2001
6321:Gordon 1997
6216:Mullen 2006
6170:Debray 1996
6158:Debray 1996
6036:Gordon 1997
5475:Gordon 1997
5423:Gordon 1997
5399:Gordon 1997
5341:Lapham 1994
5329:Gordon 1997
5289:Gordon 1997
5216:Gordon 1997
5198:Star Weekly
5165:Gordon 1997
5153:Gordon 1997
4897:AMA Toronto
4743:Theall 2002
4727:Theall 2002
4707:Strate 2012
4695:Kroker 1984
4683:Theall 2002
4574:James Joyce
4572:(1948) and
4436:Gordon 1997
4378:Discography
4261:Jerome Agel
4223:McGraw Hill
4099:Recognition
4093:Anne Bogart
3989:Woody Allen
3966:Andy Warhol
3962:Jerry Brown
3950:Hugh Kenner
3872:. In 1969,
3743:Alois Riegl
3647:qualities.
3625:Enhancement
3457:right-brain
3439:paradoxical
3336:described.
3326:Environment
3284:and of the
3168:portmanteau
3147:James Joyce
3107:interrupted
2932:Umberto Eco
2913:dichotomous
2896:media with
2877:precision,
2847:cool medium
2723:causalities
2693:realization
2672:Big Brother
2623:nationalism
2556:logographic
2442:Mythologies
2204:Modern life
2200:Renaissance
2149:Major works
2095:brain tumor
2000:Hugh Kenner
1953:Shakespeare
1938: 1940
1919:Virgin Mary
1894:Catholicism
1877:feedforward
1805:World War I
1366:Malebranche
1226:Roscellinus
1171:Grosseteste
1131:Bonaventure
951:Athenagoras
747:Metaphysics
707:Personalism
702:Natural law
697:Probabilism
521:Ann Nocenti
496:Hugh Kenner
481:Mark Fisher
273:James Joyce
208:Bonaventure
10867:Categories
10857:Philosophy
10845:Literature
10781:Unearthing
10765:Eli Baxter
10241:Emily Carr
9756:Ross Munro
9684:Emily Carr
9678:Slava Bohu
9546:Wertheimer
9426:Horkheimer
9163:Propaganda
9118:Mass media
9113:Journalism
9053:Topics and
8924:Media bias
8825:Occupation
8757:Guy Debord
8639:Techniques
8608:Propaganda
8505:Principles
8481:News media
8461:Mass media
8362:B. W. Powe
8150:15 October
8130:15 October
6907:18 January
6785:Wolf, Gary
6732:2019-12-09
6693:RAI Radio1
6675:2007-07-02
6575:2021-10-28
6261:2 November
6198:2 November
6130:2015-04-23
5796:2024-04-11
5635:. C-SPAN.
5605:Torontoist
5579:August 19,
5091:Wolf, Gary
5063:. London.
4936:1031984262
4902:2023-10-03
4649:References
4564:Sometimes
4363:Peter Lang
4139:auditorium
4085:The Medium
4011:Videodrome
3994:Annie Hall
3702:idea of a
3560:The Tetrad
3486:left brain
3320:McLuhan's
3198:Centralism
3164:cryptogram
3111:phonations
3063:facsimiles
2977:aphoristic
2906:cool media
2875:analytical
2851:hot medium
2790:McLuhan's
2716:The moral
2619:capitalism
2519:) affects
2515:, and the
2370:persuasion
1964:Fort Worth
1827:in 1928.
1546:Hildebrand
1486:Chesterton
1351:La Mennais
1281:Bellarmine
1276:Azpilcueta
1221:Paschasius
1101:Autrecourt
1056:Tertullian
1016:Chrysostom
956:Athanasius
838:Victorines
769:Nominalism
677:Just price
546:Gerd Stern
439:Influenced
380:mass media
315:Philosophy
312:Discipline
298:Hans Selye
171:Influences
139:Alma mater
60:1911-07-21
11003:Lecturers
10918:Aphorists
10833:Education
10809:Biography
10648:Ross King
10575:Ross King
10255:C.D. Howe
9689:Klee Wyck
9330:Technical
9315:Political
9223:Subfields
9148:New media
8904:Anonymity
8613:Fake news
8589:Deception
8486:Old media
8471:New media
8011:1460-2466
7967:1536-0342
7955:Criticism
7888:1083-2270
7714:151709885
7706:1911-0251
7606:(2012) .
7577:1548-7458
7526:110819701
7510:1097-3729
7421:(2008) .
7287:1934-421X
7134:1828/7129
6997:10179/778
6821:NPR Music
5966:April 23,
5893:. p. 154.
5616:August 3,
5317:Edan 2003
5301:Edan 2003
5202:Cited in
5138:March 10,
5071:March 21,
4969:466356265
4654:Footnotes
4230:MIT Press
4030:'s album
3833:Tom Wolfe
3788:Influence
3749:, and by
3629:Retrieval
3354:hendiadys
3345:archetype
3334:Carl Jung
3322:archetype
3286:archetype
3115:falsettos
3043:sensorium
2997:stances.
2753:Descartes
2749:Heidegger
2564:ideograms
2521:cognitive
2433:symbolism
2429:aesthetic
2366:dialectic
2248:noosphere
2236:Tom Wolfe
2143:Thornhill
1861:Cambridge
1813:influenza
1801:Methodist
1566:MacIntyre
1526:Gutiérrez
1496:Copleston
1466:Balthasar
1321:Descartes
1181:Hildegard
1166:Gregory I
1141:Catherine
1091:Alexander
1041:Dionysius
961:Augustine
914:Salamanca
788:Haecceity
692:Casuistry
461:John Cage
384:sensorium
188:Aristotle
10025:Klondike
9564:Category
9516:Richards
9441:Jakobson
9421:Habermas
9376:Castells
9366:Benjamin
9344:Scholars
8953:Synonyms
8944:Violence
8820:Graffiti
8553:Ideology
8259:Concepts
8048:Location
7975:23098558
7928:Archived
7898:(2016).
7753:Archived
7650:(2011).
7594:(1994).
7518:40061070
7459:(1970).
7436:(1988).
7419:
7392:(1968).
7390:
7373:(1967).
7295:27537508
7235:(2005).
7204:(2013).
7178:(1999).
7119:(1984).
7069:Archived
7043:Archived
7022:(1996).
7008:(2009).
6961:Archived
6931:Archived
6901:Archived
6877:25 March
6871:Archived
6726:Archived
6701:Archived
6669:Archived
6665:CBC News
6569:archived
6531:, p. 78.
6507:, p. 77.
6495:, p. 76.
6455:, p. 75.
6443:, p. 74.
6255:Archived
6192:Archived
6139:cite web
5960:Archived
5828:Archived
5791:Artforum
5643:23 April
5637:Archived
5610:Archived
5573:Archived
5537:Archived
5460:June 29,
5357:Archived
5270:Archived
5267:original
5132:Archived
5098:Archived
5065:Archived
5040:10 March
5034:Archived
5003:Archived
4827:Archived
4766:Archived
4638:Mass Age
4630:Mess Age
4616:and not
4549:Luckmann
4533:concepts
4529:percepts
4393:See also
4065:titled "
3858:Harper's
3850:Newsweek
3840:magazine
3838:New York
3828:Ramparts
3812:Newsweek
3766:(1935),
3641:Reversal
3499:robotism
3462:Apollo 8
3450:acoustic
3442:topology
3435:holistic
3343:and the
3307:'s play
3158:Joyce's
2902:seminars
2869:, using
2863:stimulus
2679:culture.
2378:aphorism
2176:rhetoric
2130:AT&T
2103:downtown
1998:, where
1817:Winnipeg
1793:Edmonton
1748:and the
1581:Maritain
1556:Lonergan
1536:Guardini
1461:Anscombe
1436:Caramuel
1346:Krasicki
1341:KoĆĆÄ
taj
1296:Brentano
1156:Eriugena
1121:Berengar
1069:Medieval
1021:Climacus
1001:Irenaeus
971:Boethius
966:Benedict
909:Analytic
877:Occamism
867:Molinism
845:Llullism
774:Quiddity
682:Just war
610:a series
608:Part of
445:
177:
118:Children
68:Edmonton
10795:Portals
9536:Tankard
9531:Shannon
9526:Schramm
9511:Quebral
9506:Postman
9496:Packard
9476:McLuhan
9471:Marcuse
9466:Luhmann
9461:Lippman
9456:Kincaid
9451:Johnson
9416:Goffman
9411:Gerbner
9401:Flusser
9381:Chomsky
9361:Bateson
9356:Barthes
9325:Science
9255:Climate
9205:Writing
9173:Reading
9123:Meaning
9043:Outline
9038:History
8929:Privacy
8835:Protest
8790:Boycott
8656:Framing
7417:
7388:
6799:May 10,
6623:Playboy
6086:Playboy
5981:America
5944:p. 254.
5763:, p.223
5717:(1933)
4843:. 2016.
4634:Massage
4626:Message
4524:Insight
4520:Insight
4479:emerge.
4315:, with
4045:Genesis
3875:Playboy
3866:Esquire
3862:Fortune
3760:In his
3315:Assimil
3231:Pop art
3095:Bonanza
3055:textual
2915:terms.
2776:America
2744:surfing
2718:valence
2507:(i.e.,
2413:artist
2411:Dadaist
2279:in the
2188:trivium
2180:trivium
2168:grammar
1988:Toronto
1984:Windsor
1915:Trinity
1890:trivium
1797:Baptist
1591:Mounier
1586:McLuhan
1541:Haldane
1481:Blondel
1431:Vitoria
1406:Rosmini
1381:Mercado
1376:Meinong
1371:Mariana
1361:Maistre
1356:Liguori
1336:GraciĂĄn
1331:FĂ©nelon
1326:Erasmus
1306:Cajetan
1291:Bossuet
1266:Arnauld
1246:Thierry
1201:Lombard
1191:Isidore
1151:Eckhart
1136:Buridan
1126:Bernard
1106:Aquinas
1076:Abelard
1036:Maximus
1011:Cassian
981:Cyprian
976:Clement
946:Ambrose
939:Ancient
904:Thomism
899:Scotism
827:Schools
778:essence
759:Realism
647:Aquinas
576:Website
112:
104:
87:Toronto
10821:Canada
10783:(2023)
10773:(2022)
10761:(2021)
10749:(2020)
10726:(2019)
10716:(2018)
10706:(2017)
10696:(2016)
10686:(2015)
10676:(2014)
10666:(2013)
10656:(2012)
10644:(2011)
10634:(2010)
10611:(2009)
10601:(2008)
10591:(2007)
10581:(2006)
10571:(2005)
10561:(2004)
10549:(2003)
10537:(2002)
10527:(2001)
10515:(2000)
10494:(1999)
10484:(1998)
10474:(1997)
10464:(1996)
10454:(1995)
10444:(1994)
10434:(1993)
10424:(1992)
10414:(1991)
10404:(1990)
10379:(1989)
10369:(1988)
10359:(1987)
10349:(1986)
10339:(1985)
10329:(1984)
10319:(1983)
10309:(1982)
10299:(1981)
10289:(1980)
10268:(1979)
10257:(1979)
10243:(1979)
10233:(1978)
10221:(1977)
10211:(1976)
10204:(1975)
10190:(1974)
10180:(1973)
10173:(1972)
10170:(1971)
10158:(1970)
10144:(1969)
10141:(1968)
10131:(1967)
10121:(1966)
10111:(1965)
10101:(1964)
10091:(1963)
10081:(1962)
10071:(1961)
10061:(1960)
10040:(1959)
10037:(1958)
10027:(1958)
10017:(1957)
10007:(1957)
9997:(1956)
9990:(1956)
9980:(1955)
9970:(1955)
9960:(1954)
9950:(1954)
9940:(1953)
9930:(1953)
9920:(1952)
9910:(1952)
9900:(1951)
9890:(1951)
9883:(1950)
9873:(1950)
9852:(1949)
9842:(1949)
9832:(1948)
9822:(1948)
9812:(1947)
9802:(1947)
9792:(1946)
9782:(1946)
9772:(1945)
9762:(1945)
9752:(1944)
9742:(1944)
9732:(1943)
9722:(1943)
9712:(1942)
9702:(1942)
9692:(1941)
9680:(1940)
9659:(1939)
9649:(1938)
9637:(1937)
9627:(1936)
9541:Tannen
9521:Rogers
9501:Peirce
9486:Morgan
9431:Huxley
9406:Gasset
9396:Fisher
9351:Adorno
9335:Visual
9285:Health
9280:Global
9250:Crisis
9183:Symbol
9178:Speech
8897:Issues
8695:Others
8064:Source
8009:
7987:
7983:
7973:
7965:
7920:
7886:
7876:
7848:
7779:
7712:
7704:
7680:
7669:
7636:
7614:
7575:
7524:
7516:
7508:
7469:
7444:
7413:
7384:
7358:
7342:
7327:
7316:
7302:
7293:
7285:
7262:
7243:
7221:
7190:
7141:
7096:
7035:
6845:
6019:
5854:43-54.
5813:, p.24
5745:, ch.8
5492:Gingko
4967:
4957:
4934:
4924:
4875:
4545:Berger
4369:
4353:2016
4346:
4334:1988.
4327:
4321:Viking
4309:1970.
4300:
4291:Bantam
4283:1968.
4274:
4249:1967.
4240:
4215:1964.
4206:
4185:1962.
4176:
4159:1951.
4131:Berlin
3974:Angola
3952:, and
3775:Legacy
3739:haptic
3712:ground
3708:figure
3645:Ground
3633:Figure
3564:Möbius
3446:visual
3388:(1989)
3341:cliché
3297:cliché
3282:cliché
3257:(1970)
3129:(1968)
3097:-land.
3022:(1967)
2928:medium
2883:linear
2809:(1964)
2685:per se
2675:time.âŠ
2621:, and
2539:tribal
2511:, the
2460:(1962)
2425:mosaic
2290:(1951)
2240:Jesuit
2184:Cicero
2174:, and
2105:where
2092:benign
2060:, and
1846:Oxford
1611:Taylor
1601:Rahner
1596:Pieper
1576:Marion
1571:Marcel
1531:DĂĄvila
1521:Girard
1516:Gilson
1501:Finnis
1491:Congar
1471:Barron
1421:SuĂĄrez
1401:Pascal
1396:Newman
1386:Molina
1316:Cortés
1301:Botero
1286:Bonald
1259:Modern
1241:Symeon
1231:Scotus
1216:Oresme
1211:Ockham
1206:Martin
1096:Anselm
1086:Alcuin
1081:Albert
1046:Origen
1031:Justin
1006:Jerome
782:nature
665:Ethics
655:Ockham
653:, and
651:Scotus
638:
630:
95:Spouse
10734:2020s
10619:2010s
10502:2000s
10492:Water
10387:1990s
10276:1980s
10152:1970s
10048:1960s
9860:1950s
9800:Haida
9667:1940s
9614:1930s
9446:Janis
9436:Innis
9391:Ellul
9386:Craig
9371:Burke
9128:Media
8596:Forms
8429:Media
8371:Other
8206:Works
7971:JSTOR
7931:(PDF)
7914:(PDF)
7710:S2CID
7553:(PDF)
7522:S2CID
7514:JSTOR
7291:JSTOR
7046:(PDF)
7029:(PDF)
6793:Wired
6695:show
5723:, in
5107:Wired
4591:term.
4531:than
4415:Notes
4078:Wired
4074:Wired
4020:Wired
3999:cameo
3599:media
3453:space
2965:Wired
2936:codes
2453:way.
2229:grant
2220:with
2172:logic
2136:Death
1606:Stein
1561:Lubac
1511:Geach
1456:Adler
1411:Sales
1271:Ăvila
1236:Siger
1196:Llull
1161:Giles
1111:Bacon
986:Cyril
562:Wired
377:Media
106:(
102:
10396:and
10249:and
10196:and
9481:Mead
9320:Risk
9295:Mass
9188:list
8840:Punk
8625:Spin
8152:2015
8132:2015
8108:IMDb
8007:ISSN
7963:ISSN
7939:2019
7918:ISBN
7884:ISSN
7874:ISBN
7846:ISBN
7829:2019
7777:ISBN
7761:2019
7702:ISSN
7667:ISBN
7634:ISBN
7612:ISBN
7584:2019
7573:ISSN
7538:2011
7506:ISSN
7467:ISBN
7442:ISBN
7406:2019
7356:ISBN
7314:ISBN
7283:ISSN
7260:ISBN
7241:ISBN
7219:ISBN
7188:ISBN
7139:ISBN
7094:ISBN
7077:2019
7054:2019
7033:ISBN
6969:2022
6939:2022
6909:2020
6879:2022
6843:ISBN
6801:2009
6263:2011
6200:2011
6145:link
6017:ISBN
5968:2015
5917:2008
5645:2017
5618:2017
5581:2012
5462:2008
5140:2011
5073:2011
5042:2011
5011:2011
4965:OCLC
4955:ISBN
4932:OCLC
4922:ISBN
4873:ISBN
4810:Time
4792:Time
4774:2019
4636:and
4628:and
4588:Wake
4547:and
4367:ISBN
4344:ISBN
4325:ISBN
4298:ISBN
4272:ISBN
4238:ISBN
4204:ISBN
4174:ISBN
3960:and
3854:Life
3825:and
3809:and
3807:Time
3639:and
3627:and
3595:Eric
3176:Wake
3160:Wake
3113:and
3086:bard
2898:cool
2691:and
2401:and
2271:and
2128:and
2122:Eric
1867:and
1735:KLOO
1426:Vico
1416:Soto
1391:More
1186:Hugh
1146:Cusa
1116:Bede
1051:Paul
583:.com
123:Eric
76:Died
50:Born
9491:Ong
8106:at
7999:doi
7985:âââ
7694:doi
7682:âââ
7565:doi
7498:doi
7415:âââ
7386:âââ
7344:âââ
7329:âââ
7304:âââ
7129:hdl
6992:hdl
5698:doi
5649:45m
5543:."
5363:."
5255:."
5104:."
4865:doi
4833:."
4576:'s
4568:'s
4129:in
4069:".
4047:'s
3589:In
3520:'s
3448:to
3433:âa
3274:in
3149:'s
3139:In
3068:In
2989:'s
2941:In
2894:hot
2859:hot
2629:."
2566:.)
2562:or
2496:or
2397:by
2326:by
2126:IBM
1982:in
1760:".
1737:-Én
1733:mÉ-
892:Neo
10869::
10779:,
10767:,
10755:,
10743:,
10722:,
10712:,
10702:,
10692:,
10682:,
10672:,
10662:,
10650:,
10640:,
10628:,
10607:,
10597:,
10587:,
10577:,
10567:,
10555:,
10543:,
10533:,
10521:,
10511:,
10490:,
10480:,
10470:,
10460:,
10450:,
10440:,
10430:,
10420:,
10400:,
10375:,
10365:,
10355:,
10345:,
10335:,
10325:,
10315:,
10305:,
10295:,
10285:,
10264:,
10253:,
10239:,
10227:,
10217:,
10200:,
10186:,
10164:,
10137:,
10127:,
10117:,
10107:,
10097:,
10087:,
10077:,
10067:,
10057:,
10033:,
10023:,
10013:,
10003:,
9986:,
9976:,
9966:,
9956:,
9946:,
9936:,
9926:,
9916:,
9906:,
9896:,
9879:,
9869:,
9848:,
9838:,
9828:,
9818:,
9808:,
9798:,
9788:,
9778:,
9768:,
9758:,
9748:,
9738:,
9728:,
9718:,
9708:,
9698:,
9686:,
9676:,
9655:,
9643:,
9633:,
9623:,
8059:C6
8005:.
7995:31
7993:.
7969:.
7959:12
7957:.
7926:.
7882:.
7751:.
7747:.
7708:.
7700:.
7690:37
7688:.
7571:.
7561:17
7559:.
7555:.
7520:.
7512:.
7504:.
7494:47
7492:.
7488:.
7289:.
7279:52
7277:.
7137:.
7041:.
6959:.
6955:.
6929:.
6925:.
6899:.
6895:.
6869:.
6865:.
6818:.
6791:.
6776:^
6750:.
6724:.
6667:.
6663:.
6583:^
6253:.
6249:.
6208:^
6190:.
6186:.
6141:}}
6137:{{
5995:.
5907:.
5789:.
5750:^
5732:^
5692:.
5656:^
5647:.
5608:.
5602:.
5571:.
5567:.
5448:.
5281:^
5261:.
5232:^
5176:^
5081:^
5059:.
5028:.
4977:^
4963:.
4930:.
4895:.
4871:.
4863:.
4839:.
4808:.
4790:.
4760:.
4661:^
4632:,
4551:,
4543:,
4539:,
4365:.
4361:.
4323:.
4293:.
4267:.
4263:.
4225:.
4202:.
4195:.
4169:.
4036:.
3964:.
3948:,
3944:,
3940:,
3936:,
3932:,
3928:,
3924:,
3920:,
3909:"
3864:,
3860:,
3856:,
3757:.
3714:.
3471:,
3422:.
3364::
3292:.
2945:,
2802:.
2695::
2662::
2651:.
2617:,
2577:'
2500:.
2492:,
2488:,
2484:,
2474:,
2417:.
2254::
2170:,
2132:.
2056:,
1935:c.
1848:.
1730:,
1723:Én
1720:uË
1695:CC
780:/
649:,
612:on
108:m.
30:CC
10797::
9598:e
9591:t
9584:v
9019:e
9012:t
9005:v
8414:e
8407:t
8400:v
8381:"
8377:"
8289:"
8285:"
8182:e
8175:t
8168:v
8154:.
8134:.
8013:.
8001::
7977:.
7941:.
7890:.
7854:.
7831:.
7785:.
7763:.
7745:"
7716:.
7696::
7675:.
7642:.
7620:.
7586:.
7567::
7540:.
7500::
7486:"
7475:.
7450:.
7408:.
7379:.
7364:.
7322:.
7297:.
7268:.
7249:.
7227:.
7196:.
7147:.
7131::
7102:.
7079:.
7056:.
7000:.
6994::
6971:.
6941:.
6911:.
6881:.
6851:.
6824:.
6803:.
6735:.
6678:.
6311:.
6265:.
6218:.
6202:.
6160:.
6147:)
6133:.
6088:.
6025:.
5997:8
5970:.
5919:.
5799:.
5704:.
5700::
5694:5
5620:.
5583:.
5512:.
5464:.
5251:"
5200:.
5142:.
5075:.
5044:.
5013:.
4987:.
4971:.
4938:.
4905:.
4881:.
4867::
4822:"
4776:.
4709:.
4640:.
4492:.
4373:.
4350:.
4331:.
4304:.
4278:.
4244:.
4210:.
4180:.
3907:'
2380:"
2349:)
2343:(
2338:)
2334:(
2320:.
1776:.
1726:/
1717:l
1714:k
1711:Ë
1708:É
1705:m
1702:/
1698:(
1679:e
1672:t
1665:v
784:)
776:(
62:)
58:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
