Stereolab - Knowledge

44: 799: 5203: 774:, was released on 27 January 2004 with generally positive reviews, and peaked at number 174 on the US Billboard 200. The track "Feel and Triple" was written in tribute to Hansen; Sadier said, "I was reflecting on my years with her ... reflecting on how we sometimes found it hard to express the love we had for one another." Sadier continued, "Our dedication to her on the album says, 'We will love you till the end', meaning of our lives. I'm not religious, but I feel Mary's energy is still around somewhere. It didn't just disappear." The 875: 1044:", while some critics have commented that her vocals were unintelligible. Sadier would often trade vocals with Mary Hansen back-and-forth in a sing-song manner that has been described as "eerie" and "hypnotic", as well as "sweet slightly alien". After Hansen's death in 2002, critic Jim Harrington commented that her absence is noticeable on live performances of Stereolab's older tracks, and that their newer songs could have benefited from Hansen's backing vocals. 532: 5632: 395:, England, known for their left-wing politics. Gane met Lætitia Sadier, born in France, at a 1988 McCarthy concert in Paris and the two quickly fell in love. The musically-inclined Sadier was disillusioned with the rock scene in France and soon moved to London to be with Gane and pursue her career. In 1990, after three albums, McCarthy broke up and Gane immediately formed Stereolab with Sadier (who had also contributed vocals to McCarthy's final album), ex- 380: 1414: 816:, and contained material which Mark Jenkins thought continued the brisker sound of the band's post-Hansen work. By June 2007, Stereolab's line-up comprised Tim Gane, Lætitia Sadier, Andy Ramsay, Simon Johns, Dominic Jeffrey, Joseph Watson, and Joseph Walters. In 2008, the band issued their next album under the label 1240:

lyrics." Regarding being onstage, Gane has said that "I don't like to be the center of attention ... I just get into the music and am not really aware of the people there. That's my way of getting through it." Remarking of the band's 2019 reunion tour, he added that " never were really a festival band

1601:. Through Duophonic, the band both licenses their music and releases it directly (depending on geographic market). Gane said, "... we license our recordings and just give them to people, then we don't have to ask for permission if we want to use it. We just want to be in control of our own music." 1592:

in 2004, Stereolab was dropped along with many other artists, reportedly because of poor sales. Tim Gane said in retrospect that the group "signed to Elektra because we thought we would be on there for an album or two and then we'd get ejected. We were surprised when we got to our first album!" Since

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A variety of artists, musical and otherwise, have collaborated with Stereolab. In 1995 the group teamed up with sculptor Charles Long for an interactive art show in New York City, for which Long provided the exhibits and Stereolab the music. They have released tracks by and toured with post-rock band

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that the group's earlier records form "an endlessly seductive body of work that sounds always the same, always different." In a review for the 1992 single "John Cage Bubblegum", Jason Ankeny said that "No other artist of its generation fused the high-minded daring of the avant-garde and the lowbrow

710:. Critic Joshua Klein said that "the emphasis this time sounds less on unfocused experimentation and more on melody ... a breezy and welcome return to form for the British band." Erlewine of Allmusic stated that the album " deliberately recharging their creative juices" but he argued that 527:

that with the album, Stereolab "continues the glorious drones of indie work, giving celestial sweep to garage-rock organ pumping and rhythm-guitar strumming". In the UK, the album was released on Duophonic Ultra High Frequency Disks, which is responsible for domestic releases of Stereolab's major

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argued that "Sadier often sounded like a third percussion instrument more than a lead vocalist", further stating in regard to her switching between singing in English and French that "a Stereolab show is one of the few concerts where it's hard to find even the biggest fans mouthing along with the

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lyrics. The band focused more on pop and less on rock, resulting in what AllMusic described as "what may be the group's most accessible, tightly-written album". It was the last album to feature O'Hagan as a full-time member. He would continue to make guest appearances on later releases. The group

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Stereolab have been called one of the most "influential" and "fiercely independent and original groups of the Nineties" by writers Stephen Thomas Erlewine and Pierre Perrone respectively; as well as one of "the decade's most innovative British bands." by Mark Jenkins. Simon Reynolds commented in

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In interviews, Gane and Sadier have discussed their musical philosophy. Gane said that "to be unique was more important than to be good." On the subject of being too obscure, he said in a 1996 interview that "maybe the area where we're on dodgy ground, is this idea that you need great knowledge

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On 9 December 2002, Hansen was killed when hit by a truck while riding her bicycle in London. She was 36. Writer Pierre Perrone said that her "playful nature and mischievous sense of humour came through in the way she approached the backing vocals she contributed to Stereolab and the distinctive

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which, along with later offshoot Duophonic Ultra High Frequency Disks, would become commonly known as "Duophonic". Gane said that their "original plan" was to distribute multiple 7 and 10-inch records "–to just do one a month and keep doing them in small editions". The 10 inch vinyl

595:. A record that "captivated alternative rock", it represented the group's "high-water mark" said music journalists Tom Moon and Joshua Klein, respectively. The album incorporated their early krautrock sound with funk, hip-hop influences and experimental instrumental arrangements. 599:

of Tortoise also assisted with production and played on the album. Katharine Gifford was replaced by Morgane Lhote before recording, and bassist Duncan Brown by Richard Harrison after. Lhote was required to both learn the keyboards and 30 of the group's songs before joining.

485:, drummer Andy Ramsay, bassist Duncan Brown, and keyboardist Katharine Gifford. Hansen, born in Australia, had been in touch with Gane since his McCarthy days. After joining, she and Sadier developed a style of vocal counterpoint that distinguished Stereolab's sound. 1477:

Dave Simpson stated: "With their borrowings from early, obscure Kraftwerk and hip obtuse sources, sound like a band of rock critics rather than musicians." Lætitia Sadier's vocals were cited by author Stuart Shea as often being "indecipherable".

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s Molloy Woodcraft gave the album four out of five stars, and commented that Sadier's vocal performance as "life- and love-affirming", and the record as a whole as "Complex and catchy, bold and beatific." Kelefa Sanneh commented in

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or not." The duo were up-front about their desire to grow their sound: for Gane, "otherwise it just sounds like what other people are doing", and for Sadier, "you trust that there is more and that it can be done more interesting."

863:. Stereolab were part of the lineup for 2019's Primavera Sound festival, taking part on the weekend of 30 May in Barcelona, Spain, and the following weekend in Porto, Portugal. It was the group's first live performance since 2009. 794:

was Stereolab's last record to be released on American label Elektra Records, which shut down that same year. Future material would be released on Too Pure, the same label which had released some of the band's earliest material.

920: 689:, Mark Jenkins asked Gane about the album's apparent lack of guitars; Gane responded, "There's a lot less upfront, distorted guitar ... But it's still quite guitar-based music. Every single track has a guitar on it." 752:

harmonies she created with Sadier." For the next few months, Stereolab lay dormant as the members grieved. They eventually decided to continue. Future album and concert reviews would mention the effects of Hansen's absence.

2738: 652:, Stereolab transformed the harder Velvet Underground-like riffs of previous releases into "softer sounds and noisy playfulness". Contributors to the album included John McEntire and Jan St. Werner of German electropop duo 2979: 1016:. Gane has praised the instruments for their versatility: "We use the older effects because they're more direct, more extreme, and they're more like plasticine: you can shape them into loads of things." The 1994 album 893: 826:, which " their arsenal of analog synths in favor of live instrumentation". The release was followed by an autumn tour in Europe, the United States and Canada. In February 2009, they toured Australia as part of the 1323:'s cruel cycles of slump and recovery" with lyrics that constitute "a plainspoken explanation of one of the central tenets of Marxian economic analysis" (said critics Reynolds and Stewart Mason, respectively). 1029:

Lætitia Sadier's English and French vocals have been a part of Stereolab's music since the beginning, and she would occasionally sing wordlessly along with the music. In reference to her laid-back delivery,

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Losing Mary is still incredibly painful ... But it's also an opportunity to transform and move on. It's a new version. We've always had new versions, people coming in and out. That's life.

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As of August 1999, US album sales stood at 300,000 copies sold. Despite receiving critical acclaim and a sizeable fanbase, commercial success eluded the group. Early in their career, their 1993 EP

1211:", but eventually reverted to a "messier, more urgent sound" characteristic of their earlier performances. In another review Jenkins said that the band's live songs "frequently veer into more 576:

in April 1995. The EP was their musical contribution to an interactive art exhibit put on in collaboration with New York City artist Charles Long. Their second compilation of rarities, titled

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In April 2009, Stereolab manager Martin Pike announced a pause in their activities for the time being. He said that it was an opportune time for the members to move on to other projects.

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esoteric music to understand what we're doing." Sadier responded to Gane, saying that she "think we have achieved a music that will make sense to a lot of people whether they know about

1330:." Gane said that although Sadier's lyrics touch on political topics, they do not cross the line into "sloganeering". Sadier also said that she had read very little Marx. In contrast, 4727: 891: 765:

said that the EP marked a return to their earlier, harder sound—"free from the pseudo-funk moves and avant-garde tinkering that had been inspired by Chicago producer Jim O'Rourke".

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in September 1991, and a single, titled "Stunning Debut Album" (which was neither debut nor album), followed in November 1991. The early material was rock and guitar-oriented; of

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said that the group " lyrics to convey ideas while using them for the pleasurable way the words sound." Lætitia Sadier, who writes the group's lyrics, was influenced by both the

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Band members have resisted attempts to link the group and its music to Marxism. In a 1999 interview, Gane stated that "none of us are Marxists ... I've never even read

892: 2491: 3823: 1449:—in a 1996 article, journalist Angela Lewis applied the "new term" to Stereolab and three other bands who have connections to the group. Stylistically, music journalist 4276: 3077: 4488: 1527:

Stereolab alumni have also founded bands of their own. Guitarist Tim Gane founded the side project Cavern of Anti-Matter and also formed Turn on alongside band member

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credits the band for anticipating and driving the late 1990s revival of vintage analogue instruments among indie rock bands. Stephen Christian, a creative director of

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beat with the use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the

445:, Gane calls the "do-it-yourself" aesthetic behind Duophonic "empowering", and said that by releasing one's own music "you learn; it creates more music, more ideas". 3548: 1445:, and defended their music against the charge that it is "nothing but the sum total of its arcane reference points." They were one of the first groups to be termed 859:

In February 2019, the group announced a tour of Europe and the United States to coincide with expanded, remastered reissues of several of the albums released under

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that "Droning guitars, skeletal rhythms, and pop hooks—not vintage synths and pointillist melodies—were their calling cards ..." Under the independent label

4434: 2160: 1771: 5365: 3725: 1832: 1355: 1152: 667: 3763: 1572:, but financial issues prevented the band from printing enough records to satisfy demand. According to Sadier, however, the band " going overground" like 4650: 4549: 3879: 1584:, all of whom quickly rose from obscurity to fame, adding: "This kind of notoriety is not a particularly good thing, you don't enjoy it anymore." When 685:

review said that "this record has far more in common with bad jazz and progressive rock than any experimental art-rock tradition." In a 1999 article of

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Critics have seen Marxist allusions in the band's lyrics, and have gone so far as to call the band members themselves Marxist. Music journalist

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art movements. While performing, they play in a more feedback-driven and guitar-oriented style. From the mid-1990s, the band began to draw from

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Pattison, Louis (October 2019). "Stereolab: Emperor Tomato Ketchup / Dots and Loops / Cobra and Phases Group Play Voltage in the Milky Night".

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joined as a quick replacement for their touring keyboardist, but was invited for their next record and "was allowed to make suggestions".

5800: 5026: 4518: 4299: 3972: 3515: 1457:, said that the group "exists in the gap between the experimentation of the underground and the appeal of the wider world of pop music". 848:, was released in 2010. In 2013, Gane and Sadier, who both focused on Cavern of Anti-Matter and solo work respectively, performed at the 675:, and was recorded with their new bassist, Simon Johns. The album received middling reviews from critics and peaked at number 154 on the 383:

The band's "Cliff" logo appeared in early releases. It was taken from the 1970 comic strip "Der Tödliche Finger" by Anton Holtz Portmann.

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s band-designed album art and packaging was the first of many customised and limited-edition Duophonic records. In a 1996 interview in

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Throughout their career, Stereolab has achieved moderate commercial success. The band were released from their recording contract with

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commented that Sadier's lyrics tend to lean towards Marxist social commentary rather than "affairs of the heart". The 1994 single "

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that with it the group moved "ever further away from the one-chord Velvets drone-mesh of its early days" toward easy-listening and

4007: 656:. Stereolab toured for seven months and took a break when Gane and Sadier had a child. The group's third compilation of rarities, 5875: 3856: 347:(guitar and keyboards) was a member from 1993 to 1994 and continued appearing on later records for occasional guest appearances. 4991: 3538: 2499: 2492:"Painters Paint: The Definitive Career-Spanning Interview (to date) With The High Llamas' Sean O'Hagan (Snowbug and Buzzle Bee)" 428:, released in May 1991, was the first release for both Stereolab and the label, and was sold through mail order and through the 5815: 3815: 2272: 3085: 1302:, as well as other Situationist cultural and political movements were also influences, as stated by Sadier and Gane in a 1999 478:

was released in October 1992 and would be part of a series of compilations that anthologise the band's more obscure material.

5125: 4266: 2268: 4496: 3272: 3190: 2761: 993:. Sadier remarked in 2015 that " records were written and recorded very quickly… we would write 35 tracks, sometimes more". 5870: 5078: 4401: 884: 4673: 3446: 3218: 2542: 2466: 1490:

of Tortoise has in turn worked on several Stereolab albums. In the 1990s, the group collaborated with the industrial band

43: 5860: 5830: 5825: 5248: 4783: 4619: 4378: 4355: 3415: 2514: 4961: 2812: 4128: 5690: 4424: 1254:"Basically, I want to change the world. I want to make people think about how they live every day, shake them a bit." 5845: 5820: 3755: 511:, released in March 1993. The work raised the band's profile and landed them a major-label American record deal with 331:

Stereolab were formed by Gane (guitar and keyboards) and Sadier (vocals, keyboards and guitar) after the break-up of

4243: 761:(October 2003) was recorded in France, and was Stereolab's first release following Hansen's death. Music journalist 5583: 4176:

Hoskyns, Barney (September 1999). "Stereolab: Cobra and Phases Group Play Voltage in the Milky Night (Duophonic)".

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The group released six limited-edition singles in 2005 and 2006, which were anthologised in the 2006 compilation

5659: 5351: 1816: 1134: 928: 587: 4642: 4541: 4063: 3476: 2912: 905:(1993). Critic Heather Phares called it "the most ambitious—and definitive—moment of Stereolab's early years". 4071: 2315: 549:. (Over the next three years, four more releases by the band would appear on this chart, ending with the EP 5865: 5506: 1470:

review, saying that their records "sound more like arid experiments than music born of emotional need." In

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melodies, and has also made use of unorthodox time signatures. It has been generally described as

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sessions was released in October. In the same year, Gane and Sadier's romantic relationship ended.

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Rock & Roll's Most Wanted: The Top 10 Book of Lame Lyrics, Egregious Egos, and Other Oddities

4030: 2232: 1930: 1009: 339:(backing vocals, keyboards and guitar), who died in 2002, and 1993 addition Andy Ramsay (drums). 5142: 1180: 1175:

said that, "Years before everyone else caught on, Stereolab referencing the 1970s German bands

5460: 4094: 3964: 1938: 521:(August 1993), was an underground success in both the US and the UK. Mark Jenkins commented in 5014: 4510: 3507: 1551:, whose sound Mark Jenkins called a "little more Parisian" than Stereolab's. Backing vocalist 1506:(1998), and Stereolab also released "Calimero" (1998) with French avant-garde singer and poet 722:

In 2002, as they were planning their next album, Stereolab started building a studio north of

5614: 5569: 4750: 4457: 3020:"Stereolab: Cobra and Phases Group Play Voltage in the Milky Night (Expanded and Remastered)" 2843: 2766: 2396: 1780: 1676: 1502: 1331: 4719: 1338:, has been cited as a marking influence in Sadier's thinking. The name of her side project, 5840: 5576: 5150: 4429: 3916: 3601: 3539:"Stereolab Chew John Cage Bubblegum, Play First Set in Over Two Years, Take It on the Road" 1589: 1521: 1335: 4840: 4209: 1875:

Stereolab released many non-LP tracks that they later anthologised as compilation albums.

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Gane and Sadier, along with future band manager Martin Pike, set up a record label called

8: 5714: 5548: 5344: 3606: 2519: 2391: 2309: 2237: 1808: 1235: 1171: 1036: 1018: 997: 932:(1996). This clip illustrates the vocal interplay between Lætitia Sadier and Mary Hansen. 557: 523: 441: 415: 146: 5165: 3997: 3694: 3633: 5795: 5635: 5234: 5202: 4813: 2022: 1989: 1207:

gig review, Mark Jenkins wrote that Stereolab started out favouring an "easy-listening

1111: 803: 671:, was released in September 1999. It was co-produced by McEntire and American producer 481:

Around this time, the line-up consisted of Gane and Sadier plus vocalist and guitarist

49: 3846: 2813:"Stereolab's Morgane Lhote Talks Video Games, Daft Punk and New Project Hologram Teen" 1195:(2004), critics have compared the releases to the band's earlier guitar-driven style. 1143: 5619: 5590: 5432: 5418: 5379: 5121: 5114: 4983: 4204: 4124: 2471: 2331: 1888: 1848: 1594: 1556: 1507: 1370: 1191: 986: 798: 770: 578: 355: 121: 5675: 5276: 1624: 293: 180: 5722: 5706: 5698: 4035: 3003: 2165: 1569: 1491: 1389: 1023: 990: 974: 546: 429: 404: 90: 3933:"Stereolab Reveal Vinyl Reissues of 'Emperor Tomato Ketchup' and 'Dots and Loops'" 2276: 5768: 5534: 5520: 5446: 5386: 5307: 5173: 4178: 3276: 3198: 2771: 2207: 1922: 1856: 1697: 1585: 1581: 1564: 1532: 1528: 1483: 1466: 1450: 1394: 1304: 1123: 1095: 822: 812: 541: 512: 490: 486: 403:

and Gina Morris on backing vocals. Stereolab's name was taken from a division of

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Stereolab were credited for reviving the use of vintage analogue instruments.

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Stereolab's music is politically and philosophically charged. Dave Heaton of

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were additional inspirations for the band. Stephan Davet of French newspaper

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In January 1994, Stereolab achieved their first chart entry when the 1993 EP

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and the decidedly unhip Burt Bacharach." Regarding their later work such as

366:. After a ten-year hiatus, the band reunited for live performances in 2019. 5562: 4755: 4327: 3884: 3326: 1544: 1472: 1454: 1438: 1384: 1261: 1147: 1077: 954: 860: 853: 776: 551: 363: 156: 4935: 4572: 2048: 5411: 5302: 3789: 3273:"Music Reviews: A little old, a little new from Stereolab. (Daily Break)" 3126: 3100: 2936:"Hold the front page ... Stereolab have learned a second chord" 2786: 2620: 2568: 2440: 2411: 1880: 1685: 1577: 1552: 1511: 1442: 1379: 1350: 1226: 1208: 1049: 1001: 733: 482: 474: 400: 336: 218: 1514:

on the song "One Note Samba/Surfboard" for the 1998 AIDS-Benefit album,

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Stereolab toured regularly to support their album releases. In a 1996

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infectiousness of pop with as much invention, skill, and appeal." In

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groups and artists. Gane said that the title of their 1999 album

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has inked a worldwide distribution deal with independent label

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We’re not like, 'Hey, how you all doing?' and all that stuff.”

591:(March 1996), was a critical success and was played heavily on 66: 2467:"Great Chemistry // Stereolab Concocts a Unique Mix of Sounds" 2354:

McGonical, Mike (August 2006). "Stereolab / Serene Velocity".

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200. The album also featured producers McEntire and O'Rourke.

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band formed in London in 1990. Led by the songwriting team of

5330: 3816:"Stereolab: Switched On / Refried Ectoplasm / Aluminum Tunes" 3499: 2429: 1792: 468: 408: 392: 5226: 4720:"The High Llamas: Hawaii; Stereolab: Emperor Tomato Ketchup" 2965: 2963: 2961: 2959: 2957: 2955: 2953: 1363:" and "Phases Group", The title of the song "Brakhage" from 4841:"Red Hot + Rio – Various Artists – Songs, Reviews, Credits" 3920:. Vol. 114, no. 51. 21 December 2002. p. 54. 3790:"Review (Transient Random-Noise Bursts With Announcements)" 2762:"Latest album from Stereolab continues high-tech tradition" 2298: 2296: 2294: 2123: 2121: 2119: 2117: 2115: 2113: 2111: 2109: 2107: 1153:

Cobra and Phases Group Play Voltage in the Milky Night

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Stereolab's album and song titles occasionally reference

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instrumentals, overlaid with sing-song female vocals and

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Cobra and Phases Group Play Voltage in the Milky Night

4542:"High Five with Laetitia Sadier (Stereolab) – Reviler" 2557: 1833:

Cobra and Phases Group Play Voltage in the Milky Night

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Joseph Watson - keyboards, vibraphone, backing vocals

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that Sadier "display all the emotional histrionics of

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Cobra and Phases Group Play Voltage in the Milky Night

4874:"Cavern of Anti-Matter: Void Beats / Invocation Trex" 3909: 3907: 1359:

contains the names of two Surrealist organisations, "

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was "full of familiar noises and aimless melodies".

4267:"Stereolab: Serene Velocity: A Stereolab Anthology" 3664:"All Tomorrow's Parties curated by Deerhunter 2013" 3212: 3210: 3208: 2536: 2534: 1645:Xavier Muñoz Guimera - bass guitar, backing vocals 1080:. Tim Gane has supported the comparison: "Neu! did 1061:

Their records have been heavily influenced by the "

833: 5113: 5046: 5044: 4229: 4227: 4225: 4223: 4221: 4219: 3904: 3783: 3781: 3219:"Stereolab, "Instant O in the Universe" (Elektra)" 2731:"What the Bleep? Stereolab Does Some Actual Tunes" 2676: 2674: 2262: 2260: 1464:questioned the longevity of their music in a 1996 1346:, are also references to the work of Castoriadis. 616:, peaking at number 111. The album leaned towards 565:", which gained press coverage for its explicitly 4613: 4611: 3319: 3233: 2377: 2375: 2373: 2371: 2369: 2367: 2365: 472:, was released in May 1992. A compilation titled 5787: 5338:Transient Random-Noise Bursts with Announcements 4694: 4320: 4258: 4193: 4191: 4189: 3384: 3382: 3380: 3266: 3264: 3205: 3153: 3151: 3149: 3147: 2531: 2075: 2073: 2071: 1801:Transient Random-Noise Bursts with Announcements 1751:Joseph Walters - french horn, guitar, keyboards 1146:. The sounds influenced by minimalist composers 902:Transient Random-Noise Bursts with Announcements 518:Transient Random-Noise Bursts with Announcements 5111: 5050: 5041: 4933: 4297: 4233: 4216: 4197: 4148: 4146: 4144: 4142: 4140: 4055: 3778: 3244: 2724: 2722: 2720: 2718: 2716: 2714: 2712: 2710: 2680: 2671: 2592: 2257: 2226: 2224: 2222: 2200: 1978: 1976: 1974: 1972: 1970: 1968: 1966: 1150:and Steve Reich can be found on the 1999 album 4802: 4800: 4717: 4643:"John Cage Bubblegum/Eloge d'Eros - Stereolab" 4608: 4480: 4169: 4114: 4112: 3930: 3410: 3408: 3352: 3216: 3075: 2872: 2540: 2464: 2381: 2362: 5660: 5468:Pulse of the Early Brain: Switched On, Vol. 5 5242: 5116:Strange Sounds: Music, Technology and Culture 4959: 4781: 4748: 4671: 4617: 4425:"The Anti-Nostalgia of the Stereolab Reunion" 4376: 4353: 4186: 3388: 3377: 3261: 3144: 2969: 2927: 2728: 2683:"Plasticine and Heard. (Interactive Exhibit)" 2512: 2068: 1460:The group have also received negative press. 1334:, a radical political philosopher but strong 718:2002–2008: Death of Hansen and later releases 714:was "anchored in overly familiar territory." 496: 296:, the group's sound features influences from 4486: 4137: 4118: 3270: 3188: 3160:"Rock & pop: Total eclipse of the heart" 3011: 2933: 2707: 2543:"Stereolab Stands Alone With Hypnotic Drone" 2349: 2347: 2230: 2219: 2079: 1963: 5461:Electrically Possessed: Switched On, Vol. 4 4797: 4570: 4152: 4109: 3871: 3787: 3571:"St Jerome's Laneway Festival line-up 2009" 3405: 2618: 2438: 2336:: CS1 maint: numeric names: authors list ( 2127: 2046: 1555:formed a band named Schema with members of 1110:", with their earlier work "bearing strong 5718:(as Laetitia Sadier Source Ensemble, 2017) 5667: 5653: 5249: 5235: 5201: 4539: 4399: 4198:Fritch, Matthew (November–December 2004). 3127:"Review (ABC Music: The Radio 1 Sessions)" 3124: 2994: 2566: 2489: 2266: 1377:. Other examples are the 1992 compilation 1179:and Neu!, the Mexican lounge music master 1094:said that their music also had "echoes of 5542:Music for the Amorphous Body Study Center 5166:"STEREOLAB | full Official Chart History" 3813: 3247:"Stereolab won't let Hansen be forgotten" 3157: 2759: 2409: 2353: 2344: 2196: 2194: 2192: 2190: 2188: 1559:and released their eponymous EP in 2000. 1088:, but in a very pop way." Dave Heaton of 698:(August 2001), rose to number 178 on the 573:Music for the Amorphous Body Study Center 4422: 3000: 2233:"Stereolab: Dots and Loops Album Review" 2042: 2040: 1757:Julien Gasc - keyboards, backing vocals 1412: 797: 530: 378: 5454:Serene Velocity (A Stereolab Anthology) 4175: 3880:"Album review: Your Friend, 'Gumption'" 3877: 3844: 3695:"Sounds Like Stereolab Are Coming Back" 3599: 3444: 2395:. The Wire Magazine Ltd. Archived from 926:Sample of "Motoroller Scalatron", from 579:Refried Ectoplasm (Switched On, Vol. 2) 466:, the group's first full-length album, 374: 14: 5788: 5419:Refried Ectoplasm: Switched On, Vol. 2 5012: 4455: 4264: 3536: 3225:. Sun-Times News Group. Archived from 2644: 2638: 2549:. Sun-Times News Group. Archived from 2475:. Sun-Times News Group. Archived from 2185: 2092:from the original on 28 September 2007 1982: 1931:Serene Velocity: A Stereolab Anthology 1138:(1996) had musical influences such as 535:Stereolab performing in London in 1994 505:elements into their sound with the EP 5806:Musical groups disestablished in 2009 5648: 5230: 4871: 4695:Considine, J. D. (12 December 1997). 4665: 4552:from the original on 26 December 2017 4521:from the original on 28 February 2019 4208:. Magnet Magazine Inc. Archived from 4061: 4031:"Album Review: Stereolab – Not Music" 3992: 3990: 3892:from the original on 18 December 2016 3814:Sherburne, Phillip (6 October 2018). 3320:Woodcraft, Molloy (1 February 2004). 3275:. The Virginian Pilot. Archived from 3017: 2810: 2515:"Acting on Pulse: Shimmery Stereolab" 2161:"Stereolab - Switched on Volumes 1-3" 2037: 1433:, Peter Shapiro compared the band to 949:Stereolab's music combines a droning 5811:Musical groups reestablished in 2019 5029:from the original on 12 January 2021 4994:from the original on 12 January 2021 4915:from the original on 12 January 2021 4902: 4884:from the original on 12 January 2021 4853:from the original on 12 January 2021 4821:from the original on 12 January 2021 4806: 4784:"The Sea And Cake: One Bed ..." 4763:from the original on 16 October 2007 4730:from the original on 12 January 2021 4653:from the original on 12 January 2021 4468:from the original on 12 January 2021 4437:from the original on 12 January 2021 4335:from the original on 12 January 2021 4279:from the original on 12 January 2021 4246:from the original on 12 January 2021 4086: 4074:from the original on 12 January 2021 4043:from the original on 12 January 2021 4028: 3931:Adams, Gregory (18 September 2012). 3878:Maloney, Sean L. (28 January 2016). 3859:from the original on 12 January 2021 3826:from the original on 12 January 2021 3766:from the original on 12 January 2021 3736:from the original on 12 January 2021 3723: 3692: 3674:from the original on 12 January 2021 3644:from the original on 12 January 2021 3614:from the original on 12 January 2021 3581:from the original on 12 January 2021 3551:from the original on 12 January 2021 3518:from the original on 12 January 2021 3422:. Beggars Group, USA. Archived from 3334:from the original on 12 January 2021 3301:from the original on 12 January 2021 2982:from the original on 12 January 2021 2915:from the original on 16 October 2007 2885:from the original on 12 January 2021 2854:from the original on 12 January 2021 2823:from the original on 12 January 2021 2770:. Philly Online, LLC. Archived from 2741:from the original on 12 January 2021 2695:from the original on 12 January 2021 2659:from the original on 12 January 2021 2356:(compilation Album Booklet) R2 79533 2245:from the original on 12 January 2021 2201:Perrone, Pierre (13 December 2002). 2173:from the original on 12 January 2021 2158: 2140:from the original on 12 January 2021 2015: 1997:from the original on 12 January 2021 1247: 1198: 1157:Stereolab's style also incorporates 5426:Aluminum Tunes: Switched On, Vol. 3 4981: 4962:"Monade: A Few Steps More ..." 4905:"Turn On | Biography & History" 4751:"Stereolab (Manchester University)" 4618:Jenkins, Mark (18 September 1998). 3756:"Stereolab at Primavera Sound 2019" 3634:"Stereolab: Not Music Album Review" 2691:. Artforum International Magazine. 2483: 1593:then, Stereolab's self-owned label 609:was their first album to enter the 515:. Their first album under Elektra, 304:, often incorporating a repetitive 48:Stereolab performing at the London 24: 5801:Musical groups established in 1990 5674: 4749:Simpson, Dave (10 December 2001). 4697:"Music so retro it's cutting edge" 4377:Jenkins, Mark (13 November 1999). 4300:"Stereolab—Emperor Tomato Ketchup" 4265:Heaton, Dave (20 September 2006). 4123:. Potomac Books. pp. 55, 56. 4029:Cole, Matthew (15 November 2010). 3987: 3505: 3353:Sanneh, Kelefa (5 February 2004). 3191:"Stereolab changes with 'Eclipse'" 2778: 2598:"Stereolab: Separation Terrorists" 2513:Jenkins, Mark (12 November 1993). 2465:DeRogatis, Jim (14 October 1993). 1494:and released two albums together, 940:Problems playing these files? See 899:Sample of "Jenny Ondioline", from 873: 25: 5887: 5188: 5059:from the original on 3 March 2016 5017:Elektra Plugs Stereolab's Voltage 4809:"The complete guide to Stereolab" 4640: 4321:Hodgkinson, Will (21 July 2001). 4153:Stark, Jeff (22 September 1999). 4010:from the original on 1 April 2020 3975:from the original on 1 April 2020 3945:from the original on 7 March 2016 3447:"STEREOLAB "Fab Four Suture ..."" 3271:Wagner, Lori (13 February 2004). 3217:DeRogatis, Jim (5 October 2003). 3076:Walters, Barry (20 August 2001). 3018:Ranta, Alan (12 September 2019). 2970:Jenkins, Mark (5 November 1999). 2787:"Review (Emperor Tomato Ketchup)" 2018:"The complete guide to Stereolab" 5851:English experimental rock groups 5836:Drag City (record label) artists 5631: 5630: 5584:The First of the Microbe Hunters 5071: 5006: 4975: 4953: 4927: 4896: 4865: 4540:Behm, John (16 September 2010). 4487:Stanley, Bob (17 October 2003). 4298:Davet, Stephane (6 April 1996). 4234:Reynolds, Simon (4 April 1996). 3705:from the original on 17 May 2019 3537:Stosuy, Brandon (11 June 2008). 3245:Harrington, Jim (1 April 2004). 2729:Klein, Joshua (29 August 2001). 2541:DeRogatis, Jim (7 August 1994). 2305:"Tim Gane (Duophonic/UHF Disks)" 2269:"In Person: Don't call us retro" 2080:Arundel, Jim (26 October 1991). 996:The band have played on vintage 916: 889: 866: 834:2009–present: Hiatus and reunion 358:signed a distribution deal with 42: 5433:ABC Music: The Radio 1 Sessions 5105: 5079:"Discography (Jenny Ondioline)" 5013:Gidley, Lisa (28 August 1999). 4833: 4807:Dale, John (17 February 2016). 4782:Jenkins, Mark (25 April 2003). 4775: 4742: 4726:. Emap Consumer Media Limited. 4711: 4688: 4672:Lewis, Angela (19 April 1996). 4634: 4599: 4590: 4533: 4503: 4456:Heaton, Dave (27 August 2001). 4449: 4416: 4393: 4370: 4347: 4314: 4291: 4100: 4062:Reger, Rick (3 December 1999). 4022: 3957: 3924: 3838: 3807: 3748: 3717: 3686: 3656: 3626: 3593: 3563: 3530: 3469: 3445:Jenkins, Mark (17 March 2006). 3438: 3346: 3313: 3283: 3182: 3118: 3092: 3069: 3039: 2972:"Stereolab's Latest Experiment" 2897: 2873:Hoskyns, Barry (October 1997). 2866: 2835: 2804: 2753: 2612: 2586: 2506: 2458: 2403: 2302: 2016:Dale, John (17 February 2016). 1907:ABC Music: The Radio 1 Sessions 1733:Richard Harrison - bass guitar 729:ABC Music: The Radio 1 Sessions 642:. A review in German newspaper 5876:1990 establishments in England 4701:The Milwaukee Journal Sentinel 4511:"Stereolab – Lataetia and Tim" 4423:Harvilla, Rob (25 July 2019). 4323:"Home entertainment—Stereolab" 4092:Lætitia Sadier Lecture (2015) 3724:Reed, Ryan (5 December 2018). 3693:Cush, Andy (4 December 2018). 3322:"Stereolab: Margerine Eclipse" 2811:Mason, Rachel (13 June 2016). 2681:Reynolds, Simon (1 May 1995). 2621:"Review (Mars Audiac Quintet)" 2490:Popshifter (30 January 2011). 2387:"Laboratory Secrets—Stereolab" 2152: 2009: 1774: 1712:Katharine Gifford - keyboards 706:was more warmly received than 662:, was issued in October 1998. 545:, entered at number 75 on the 13: 1: 5816:Indie rock groups from London 5256: 5135: 4960:Jenkins, Mark (20 May 2005). 4936:"Biography (The High Llamas)" 4354:Jenkins, Mark (28 May 1996). 4064:"Stereolab's Catchy Artiness" 3600:Breihan, Tom (2 April 2009). 3508:"Chemical Chords - Stereolab" 3391:"Warner to Ax Eighty Artists" 3389:Eliscu, Jenny (3 June 2004). 3189:Laban, Linda (9 April 2004). 2231:Harvey, Eric (23 July 2017). 2159:Dale, Jon (9 November 2018). 1983:McLean, Craig (10 May 2019). 1956: 1670:Gina Morris - backing vocals 1397:", a portmanteau of inventor 1342:, and its debut album title, 1056: 582:, was released in July 1995. 555:in 1997.) Their third album, 354:, and their self-owned label 27:English-French avant-pop band 5507:Space Age Bachelor Pad Music 5053:"Stereolab—Radio 1 Sessions" 4489:"Stereolab—starting at zero" 4356:"Stereolab (Concert Review)" 2934:Cooper, Neil (23 May 1999). 1745:Dominic Jeffery - keyboards 1294:, and her anger towards the 1259:Sadier in an interview with 852:festival held at Pontins in 828:St Jerome's Laneway Festival 603:Released in September 1997, 508:Space Age Bachelor Pad Music 7: 5871:Slumberland Records artists 5440:Oscillons from the Anti-Sun 5120:(1st ed.). Routledge. 5085:. Stereolab. Archived from 4718:Hoskyns, Barry (May 1996). 3007:. No. 269. p. 50. 2875:"Stereolab: Dots and Loops" 2760:Moon, Tom (20 April 2004). 1915:Oscillons from the Anti-Sun 1706:Duncan Brown - bass guitar 1535:. Katharine Gifford formed 692:Stereolab's seventh album, 10: 5892: 5861:Experimental pop musicians 5831:Flying Nun Records artists 5826:Musical groups from London 4903:Erlewine, Stephen Thomas. 3845:Couture, François (2001). 3099:Erlewine, Stephen Thomas. 2842:Erlewine, Stephen Thomas. 2785:Erlewine, Stephen Thomas. 2441:"Review (Fab Four Suture)" 2314:. Chunklet. Archived from 1778: 1739:Simon Johns - bass guitar 1718:Morgane Lhote - keyboards 1664:Martin Kean - bass guitar 1604: 1531:, who formed his own band 768:Stereolab's eighth album, 497:1993–2001: Sign to Elektra 448:Stereolab released the EP 369: 5756: 5740: 5733: 5682: 5628: 5607: 5598:Instant 0 in the Universe 5477: 5403: 5322: 5264: 5143:"Stereolab Chart History" 5037:– via Google Books. 4400:Bream, Jon (9 May 1996). 4236:"Stereolab: Simple Minds" 2905:"Review (Dots and Loops)" 2844:"Review (Dots and Loops)" 2569:"Song Review (Ping Pong)" 2412:"Review (Super-Electric)" 1641:(2004–2009, 2019–present) 1635:(1992–2009, 2019–present) 1629:(1990–2009, 2019–present) 1620:(1990–2009, 2019–present) 1408: 1186:Instant 0 in the Universe 758:Instant 0 in the Universe 585:The band's fourth album, 387:In 1985, Tim Gane formed 259: 255: 201: 197: 169: 165: 114: 104: 73: 62: 57: 41: 34: 5846:British indie pop groups 5821:English post-rock groups 5112:Taylor, Timothy (2001). 5051:Stevens, Andrew (2003). 4379:"Stereolab's Velvet Fog" 3602:"Stereolab Go on Hiatus" 1948:Pulse of the Early Brain 1283:Society of the Spectacle 1222:Minneapolis Star Tribune 802:Stereolab performing in 5083:Stereolab Official Site 2203:"Obituary: Mary Hansen" 2130:"Biography (Stereolab)" 1510:. The band worked with 1401:and his instrument the 1356:Cobra and Phases Group… 1217:Cobra and Phases Group… 708:Cobra and Phases Group… 110:1990–2009, 2019–present 5352:Emperor Tomato Ketchup 4155:"Surrealist manifesto" 4095:Red Bull Music Academy 2645:McClintock, J. Scott. 2049:"Biography (McCarthy)" 1939:Electrically Possessed 1817:Emperor Tomato Ketchup 1418: 1344:Socialisme ou Barbarie 1256: 1135:Emperor Tomato Ketchup 929:Emperor Tomato Ketchup 912:"Motoroller Scalatron" 878: 850:All Tomorrow's Parties 807: 743: 588:Emperor Tomato Ketchup 536: 458:Jason Ankeny wrote in 384: 58:Background information 5570:Simple Headphone Mind 4934:Unterberger, Richie. 4674:"Angela Lewis on pop" 4515:Vanguard-online.co.uk 4119:Shea, Stuart (2002). 3101:"Review (Sound-Dust)" 2767:Philadelphia Inquirer 2608:on 28 September 2007. 1950:: Switched On, Vol. 5 1941:: Switched On, Vol. 4 1900:: Switched On, Vol. 3 1891:: Switched On, Vol. 2 1781:Stereolab discography 1658:Joe Dilworth - drums 1503:Simple Headphone Mind 1416: 1393:, and the 1993 song " 1332:Cornelius Castoriadis 1252: 1034:wrote facetiously in 1022:prominently features 877: 801: 739: 534: 501:Stereolab introduced 382: 5293:Xavier Muñoz Guimera 5089:on 27 September 2007 4605:Taylor (2001), p.109 4596:Taylor (2001), p.108 4573:"Biography (Monade)" 4106:Taylor (2001), p.110 2502:on 25 December 2017. 1700:- keyboards, guitar 1633:Andy Ramsay - drums 1618:- guitar, keyboards 1590:Warner Bros. Records 1522:Red Hot Organization 1369:(1997), is a nod to 1233:. Jim Harrington of 1004:from brands such as 998:electronic keyboards 806:, California in 2008 570:issued an EP titled 375:1990–1993: Formation 191:Xavier Muñoz Guimera 5866:Avant-pop musicians 5715:Find Me Finding You 5345:Mars Audiac Quintet 4982:Couture, François. 4971:on 3 November 2012. 4965:The Washington Post 4872:Sherburne, Philip. 4793:on 3 November 2012. 4787:The Washington Post 4707:on 16 October 2007. 4684:on 3 November 2012. 4630:on 3 November 2012. 4624:The Washington Post 4412:on 3 November 2012. 4389:on 3 November 2012. 4383:The Washington Post 4366:on 3 November 2012. 4360:The Washington Post 4165:on 8 February 2007. 3577:. 12 October 2008. 3457:on 14 December 2018 3451:The Washington Post 3401:on 16 October 2007. 3355:"Margerine Eclipse" 3291:"Margerine Eclipse" 3279:on 3 November 2012. 3257:on 16 October 2007. 3229:on 3 November 2012. 3201:on 3 November 2012. 3088:on 16 October 2007. 2976:The Washington Post 2946:on 16 October 2007. 2774:on 3 November 2012. 2735:The Washington Post 2553:on 3 November 2012. 2520:The Washington Post 2479:on 3 November 2012. 2318:on 23 November 2010 2279:on 19 November 2006 2215:on 16 October 2007. 1809:Mars Audiac Quintet 1588:was closed down by 1541:My Bloody Valentine 1236:The Oakland Tribune 1231:My Bloody Valentine 1019:Mars Audiac Quintet 732:; a compilation of 665:Their sixth album, 558:Mars Audiac Quintet 416:Duophonic Super 45s 4310:on 7 January 2013. 3426:on 2 February 2007 3365:on 12 January 2021 3170:on 16 October 2007 3057:on 16 October 2007 2527:on 5 October 2007. 1990:The New York Times 1873:Compilation albums 1520:, produced by the 1419: 1169:. Joshua Klein in 1112:Velvet Underground 879: 808: 537: 385: 50:Pitchfork Festival 5856:Art pop musicians 5781: 5780: 5777: 5776: 5642: 5641: 5620:Duophonic Records 5591:Captain Easychord 5380:Margerine Eclipse 5127:978-0-415-93684-2 5055:. 3:AM Magazine. 4984:"Schema - Schema" 4571:Phares, Heather. 4212:on 27 March 2006. 3788:Phares, Heather. 3506:Phares, Heather. 3223:Chicago Sun-Times 2940:The Sunday Herald 2619:Phares, Heather. 2547:Chicago Sun-Times 2472:Chicago Sun-Times 2439:Phares, Heather. 2128:Phares, Heather. 2047:Sutton, Michael. 1889:Refried Ectoplasm 1849:Margerine Eclipse 1508:Brigitte Fontaine 1336:critic of Marxism 1248:Lyrics and titles 1199:Live performances 1192:Margerine Eclipse 1024:Moog synthesizers 987:experimental rock 921: 894: 885:"Jenny Ondioline" 792:Margerine Eclipse 788:Margerine Eclipse 771:Margerine Eclipse 679:200. An unsigned 275: 274: 231:Katharine Gifford 16:(Redirected from 5883: 5738: 5737: 5723:Rooting for Love 5707:Something Shines 5669: 5662: 5655: 5646: 5645: 5634: 5633: 5608:Related articles 5549:Cybele's Reverie 5251: 5244: 5237: 5228: 5227: 5205: 5200: 5199: 5197:Official website 5184: 5182: 5180: 5161: 5159: 5157: 5131: 5119: 5099: 5098: 5096: 5094: 5075: 5069: 5068: 5066: 5064: 5048: 5039: 5038: 5036: 5034: 5010: 5004: 5003: 5001: 4999: 4979: 4973: 4972: 4967:. Archived from 4957: 4951: 4950: 4948: 4946: 4931: 4925: 4924: 4922: 4920: 4900: 4894: 4893: 4891: 4889: 4869: 4863: 4862: 4860: 4858: 4837: 4831: 4830: 4828: 4826: 4804: 4795: 4794: 4789:. Archived from 4779: 4773: 4772: 4770: 4768: 4746: 4740: 4739: 4737: 4735: 4715: 4709: 4708: 4703:. Archived from 4692: 4686: 4685: 4680:. Archived from 4669: 4663: 4662: 4660: 4658: 4638: 4632: 4631: 4626:. 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Archived from 3242: 3231: 3230: 3214: 3203: 3202: 3197:. Archived from 3186: 3180: 3179: 3177: 3175: 3166:. Archived from 3155: 3142: 3141: 3139: 3137: 3125:Mason, Stewart. 3122: 3116: 3115: 3113: 3111: 3096: 3090: 3089: 3084:. Archived from 3073: 3067: 3066: 3064: 3062: 3053:. Archived from 3043: 3037: 3036: 3034: 3032: 3015: 3009: 3008: 2998: 2992: 2991: 2989: 2987: 2967: 2948: 2947: 2942:. Archived from 2931: 2925: 2924: 2922: 2920: 2911:. 4 April 1997. 2901: 2895: 2894: 2892: 2890: 2870: 2864: 2863: 2861: 2859: 2839: 2833: 2832: 2830: 2828: 2808: 2802: 2801: 2799: 2797: 2782: 2776: 2775: 2757: 2751: 2750: 2748: 2746: 2726: 2705: 2704: 2702: 2700: 2678: 2669: 2668: 2666: 2664: 2642: 2636: 2635: 2633: 2631: 2616: 2610: 2609: 2604:. Archived from 2596:(16 July 1994). 2590: 2584: 2583: 2581: 2579: 2567:Mason, Stewart. 2564: 2555: 2554: 2538: 2529: 2528: 2523:. Archived from 2510: 2504: 2503: 2498:. Archived from 2487: 2481: 2480: 2462: 2456: 2455: 2453: 2451: 2436: 2427: 2426: 2424: 2422: 2407: 2401: 2400: 2399:on 30 June 2007. 2379: 2360: 2359: 2351: 2342: 2341: 2335: 2327: 2325: 2323: 2300: 2289: 2288: 2286: 2284: 2275:. Archived from 2267:Grunebaum, Dan. 2264: 2255: 2254: 2252: 2250: 2228: 2217: 2216: 2211:. 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Considine 1411: 1395:Jenny Ondioline 1268: 1258: 1250: 1205:Washington Post 1201: 1172:Washington Post 1144:Françoise Hardy 1124:Brazilian music 1072:groups such as 1065:" technique of 1059: 947: 946: 938: 936: 935: 934: 933: 924: 917: 914: 908: 907: 906: 897: 890: 887: 880: 874: 869: 846:Chemical Chords 836: 823:Chemical Chords 813:Fab Four Suture 749: 745: 720: 687:Washington Post 648:stated that in 542:Jenny Ondioline 524:Washington Post 513:Elektra Records 499: 491:the High Llamas 436: 377: 372: 352:Elektra Records 341:The High Llamas 326:Brazilian music 263: 243:Dominic Jeffery 202: 161: 105: 100: 53: 37: 28: 23: 22: 15: 12: 11: 5: 5889: 5879: 5878: 5873: 5868: 5863: 5858: 5853: 5848: 5843: 5838: 5833: 5828: 5823: 5818: 5813: 5808: 5803: 5798: 5779: 5778: 5775: 5774: 5772: 5771: 5766: 5760: 5758: 5754: 5753: 5751: 5750: 5744: 5742: 5735: 5731: 5730: 5728: 5727: 5719: 5711: 5703: 5695: 5686: 5684: 5680: 5679: 5676:Lætitia Sadier 5672: 5671: 5664: 5657: 5649: 5640: 5639: 5629: 5626: 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3837: 3806: 3777: 3747: 3716: 3685: 3655: 3625: 3592: 3562: 3529: 3498: 3483:on 7 July 2008 3468: 3437: 3404: 3376: 3345: 3312: 3282: 3260: 3232: 3204: 3181: 3143: 3117: 3091: 3068: 3038: 3010: 2993: 2949: 2926: 2896: 2865: 2834: 2803: 2777: 2752: 2706: 2670: 2647:"Sean O'Hagan" 2637: 2611: 2585: 2556: 2530: 2505: 2482: 2457: 2428: 2402: 2383:Shapiro, Peter 2361: 2343: 2290: 2256: 2218: 2184: 2151: 2103: 2067: 2036: 2008: 1961: 1960: 1958: 1955: 1954: 1953: 1944: 1935: 1927: 1919: 1911: 1903: 1898:Aluminum Tunes 1894: 1885: 1870: 1869: 1861: 1853: 1845: 1837: 1829: 1825:Dots and Loops 1821: 1813: 1805: 1797: 1779:Main article: 1776: 1773: 1768: 1762: 1761: 1755: 1749: 1743: 1737: 1731: 1727:- bass guitar 1722: 1716: 1710: 1704: 1695: 1683: 1674: 1668: 1662: 1653:Former members 1650: 1649: 1647:(2019–present) 1643: 1637: 1631: 1625:Lætitia Sadier 1622: 1606: 1603: 1462:Barney Hoskyns 1410: 1407: 1383:, named after 1366:Dots and Loops 1313:Simon Reynolds 1251: 1249: 1246: 1200: 1197: 1159:easy-listening 1140:Burt Bacharach 1058: 1055: 937: 925: 915: 910: 909: 898: 888: 883: 882: 881: 872: 871: 870: 868: 865: 835: 832: 738: 719: 716: 659:Aluminum Tunes 650:Dots and Loops 630:Barney Hoskyns 606:Dots and Loops 503:easy-listening 498: 495: 456:Super-Electric 451:Super-Electric 407:demonstrating 391:, a band from 376: 373: 371: 368: 294:Lætitia Sadier 273: 272: 261: 257: 256: 253: 252: 251: 250: 247: 246:Joseph Walters 244: 241: 238: 235: 232: 229: 226: 221: 216: 213: 210: 205: 199: 198: 195: 194: 193: 192: 189: 186: 183: 181:Lætitia Sadier 178: 171: 167: 166: 163: 162: 160: 159: 154: 149: 144: 139: 134: 129: 124: 118: 116: 112: 111: 108: 102: 101: 99: 98: 93: 88: 83: 77: 75: 71: 70: 64: 60: 59: 55: 54: 47: 39: 38: 35: 26: 9: 6: 4: 3: 2: 5888: 5877: 5874: 5872: 5869: 5867: 5864: 5862: 5859: 5857: 5854: 5852: 5849: 5847: 5844: 5842: 5839: 5837: 5834: 5832: 5829: 5827: 5824: 5822: 5819: 5817: 5814: 5812: 5809: 5807: 5804: 5802: 5799: 5797: 5794: 5793: 5791: 5784: 5770: 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5327: 5325: 5323:Studio albums 5321: 5314: 5312:Morgane Lhote 5311: 5309: 5306: 5304: 5301: 5298: 5297: 5294: 5291: 5289: 5286: 5284: 5281: 5279: 5278: 5274: 5272: 5271: 5267: 5266: 5263: 5259: 5252: 5247: 5245: 5240: 5238: 5233: 5232: 5229: 5223: 5219: 5216: 5214: 5210: 5207: 5204: 5198: 5193: 5192: 5175: 5171: 5167: 5163: 5152: 5148: 5144: 5140: 5139: 5129: 5123: 5118: 5117: 5110: 5109: 5088: 5084: 5080: 5074: 5058: 5054: 5047: 5045: 5028: 5024: 5020: 5018: 5009: 4993: 4989: 4985: 4978: 4970: 4966: 4963: 4956: 4941: 4937: 4930: 4914: 4910: 4906: 4899: 4883: 4879: 4875: 4868: 4852: 4848: 4847: 4842: 4836: 4820: 4816: 4815: 4814:FACT Magazine 4810: 4803: 4801: 4792: 4788: 4785: 4778: 4762: 4758: 4757: 4752: 4745: 4729: 4725: 4721: 4714: 4706: 4702: 4698: 4691: 4683: 4679: 4675: 4668: 4652: 4648: 4644: 4637: 4629: 4625: 4621: 4614: 4612: 4602: 4593: 4578: 4574: 4567: 4551: 4547: 4543: 4536: 4520: 4516: 4512: 4506: 4498: 4494: 4490: 4483: 4467: 4463: 4459: 4452: 4436: 4432: 4431: 4426: 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1789: 1788: 1787: 1786:Studio albums 1782: 1767: 1766: 1756: 1750: 1744: 1738: 1732: 1726: 1723: 1717: 1711: 1705: 1699: 1696: 1687: 1684: 1678: 1675: 1669: 1663: 1657: 1656: 1655: 1654: 1644: 1638: 1632: 1626: 1623: 1617: 1614: 1613: 1612: 1611: 1602: 1600: 1596: 1591: 1587: 1583: 1579: 1575: 1571: 1567: 1566: 1560: 1558: 1554: 1550: 1546: 1542: 1538: 1534: 1530: 1525: 1523: 1519: 1518: 1517:Red Hot + Rio 1513: 1509: 1505: 1504: 1499: 1498: 1493: 1489: 1488:John McEntire 1485: 1479: 1476: 1474: 1469: 1468: 1463: 1458: 1456: 1452: 1448: 1444: 1440: 1436: 1432: 1427: 1426: 1425:Rolling Stone 1415: 1406: 1404: 1400: 1399:Georges Jenny 1396: 1392: 1391: 1387:' 1968 album 1386: 1382: 1381: 1376: 1375:Stan Brakhage 1372: 1368: 1367: 1362: 1358: 1357: 1352: 1347: 1345: 1341: 1337: 1333: 1329: 1324: 1322: 1318: 1314: 1309: 1307: 1306: 1301: 1297: 1293: 1289: 1285: 1284: 1279: 1275: 1274: 1267: 1264: 1263: 1255: 1245: 1243: 1238: 1237: 1232: 1228: 1224: 1223: 1218: 1214: 1210: 1206: 1196: 1194: 1193: 1188: 1187: 1182: 1178: 1174: 1173: 1168: 1164: 1161:music of the 1160: 1156: 1154: 1149: 1145: 1141: 1137: 1136: 1131: 1130: 1125: 1121: 1117: 1113: 1109: 1105: 1101: 1097: 1093: 1092: 1087: 1083: 1079: 1075: 1071: 1068: 1064: 1054: 1051: 1045: 1043: 1039: 1038: 1033: 1032:Peter Shapiro 1027: 1025: 1021: 1020: 1015: 1011: 1007: 1003: 999: 994: 992: 988: 984: 980: 976: 972: 968: 964: 960: 956: 952: 945: 943: 931: 930: 913: 904: 903: 886: 867:Musical style 864: 862: 857: 855: 851: 847: 843: 842: 831: 829: 825: 824: 819: 815: 814: 805: 800: 796: 793: 789: 785: 784:Rolling Stone 780: 778: 773: 772: 766: 764: 763:Jim DeRogatis 760: 759: 753: 748: 746:—Sadier, 2004 742: 737: 735: 731: 730: 725: 715: 713: 709: 705: 701: 697: 696: 690: 688: 684: 683: 678: 674: 670: 669: 663: 661: 660: 655: 654:Mouse on Mars 651: 647: 646: 641: 637: 636: 635:Rolling Stone 631: 627: 623: 619: 615: 613: 608: 607: 601: 598: 597:John McEntire 594: 593:college radio 590: 589: 583: 581: 580: 575: 574: 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