84:
186:
43:
292:
with the same type of ending, they respectively result in masculine or feminine rhymes. Poems often arrange their lines in patterns of masculine and feminine endings. The distinction of masculine vs. feminine endings is independent of the distinction between
915:; the feminine endings occur in the full octosyllabic lines, with perfect final trochaic foot; and the masculine endings occur in the truncated seven-syllable lines, with an exceptional final monosyllabic foot. In contrast, the following poem by
1043:
There remains a further logical possibility: an eleven-syllable line ending in two stressless syllables. In actual verse, such lines are rare at best; Tarlinskaya asserts: "syllable 10 in feminine endings is always stressed."
101:
56:
1245:
148:
120:
1083:"Even" was often a monosyllable for Shakespeare; cf. poetic usages such as "e'er" for "ever", "e'en" for "even(ing)". For discussion, see
971:, yet have the syllable count of lines with uncontroversial masculine endings. For instance, the following four lines from Shakespeare's
127:
134:
1023:). Having ten syllables, they are structurally parallel to masculine lines, even though they do not end in stressed syllables.
451:(or single rhyme). In English-language poetry, especially serious verse, masculine rhymes comprise a majority of all rhymes.
829:", cited above, every couplet consists of a feminine ending followed by a masculine one. This is the pattern followed by the
116:
62:
842:
1196:
1148:
247:
229:
167:
70:
373:. In each stanza, the first and third lines have a feminine ending and the second and fourth lines a masculine one.
211:
1104:
17:
196:
105:
141:
973:
1011:. The last line, with eleven syllables, has an uncontroversial feminine ending: the stressless syllable
203:
1007:
The first of these, with ten syllables, has an uncontroversial masculine ending: the stressed syllable
875:
370:
531:
1281:
746:, which adds an additional stressless syllable, can make it readily available. For instance, the
534:" is an extravagant example of feminine rhymes, since (unusually) all fourteen lines end in one.
207:
94:
1040:). Thus for Tarlinskaja, "syllable 10 in masculine endings can be stressed or unstressed".
825:
Poems often arrange their lines in patterns of masculine and feminine endings, for instance in "
1034:
as masculine endings (her example is "To sunder his that was thine enemy", from
Shakespeare's
900:
The distinction of masculine vs. feminine endings is independent of the distinction between
1189:
Songwriting: Essential guide to rhyming: A step-by-step guide to better rhyming and lyrics
8:
1212:
968:
912:
527:
314:
281:
1136:
455:'s poem "Lecture Upon the Shadow" is one of many that use exclusively masculine rhyme:
276:, the study of verse form. In general, "masculine ending" refers to a line ending in a
31:
1192:
1144:
978:
920:
767:
354:
1036:
928:
916:
750:
ending makes available three of the feminine rhymes in
Shakespeare's sonnet above,
350:
306:
273:
826:
783:
366:
346:
342:
310:
285:
277:
1161:
791:
777:
731:
The feminine rhyme is rare in a monosyllabic language such as
English, but the
705:
1275:
908:
901:
833:
that are classified as "87.87" in standard nomenclature (for this system see
447:(such as "dream" and "seem" in the previous example), the result is called a
294:
924:
834:
838:
763:
334:
309:(the study of verse form), masculine ending refers to a line ending in a
911:. For instance, the Longfellow and Newton examples above are written in
736:
452:
338:
787:
801:
Till I scarcely more than muttered “Other friends have flown before—
518:
When lines with feminine endings are rhymed, the result is termed a
214:. Statements consisting only of original research should be removed.
83:
774:
280:; "feminine ending" is its opposite, describing a line ending in a
905:
771:
704:
The following unstressed syllables of a feminine rhyme are often
798:
Nothing farther then he uttered—not a feather then he fluttered—
414:. The final stressed syllables, creating masculine endings, are
384: And things are not what they seem.
739:
732:
708:(all syllables the same), but do not have to be; they may be a
444:
398:
The final stressless syllables, creating feminine endings, are
289:
1015:. The second and third lines end in two stressless syllables (
770:
will often employ outlandish feminine rhymes for their humor.
1264:
1242:
Pronouncing
Shakespeare's Words: A guide from 'a' to 'zounds'
313:
while a feminine or weak ending describes a line ending in a
967:
Particularly in unrhymed verse, lines occur that end in two
389: And the grave is not its goal;
1143:, p.400. Halsall, Albert W.; trans. University of Toronto.
962:
830:
393: Was not spoken of the soul.
380: Life is but an empty dream!—
927:
lines, whereas the feminine endings occur with a ninth,
284:. The terms originate from a grammatical pattern of the
341:. Rather, they originate from a grammatical pattern of
349:
typically end in a stressless syllable and words of
1026:Tarlinskaja (2014) proposes to classify cases like
108:. Unsourced material may be challenged and removed.
1224:
1222:
1273:
1213:"Twilight sank from high above | LiederNet"
1001:Use me but as your spaniel, spurn me, strike me,
1219:
766:relies upon feminine rhyme for its comedy, and
576:An eye more bright than theirs, less false in
1141:A Dictionary of Literary Devices: Gradus, A-Z
1261:
1228:
623:But since she prick'd thee out for women's
594:Which steals men’s eyes and women’s souls a
71:Learn how and when to remove these messages
923:; the masculine endings occur in ordinary
820:
629:Mine be thy love and thy love's use their
571:With shifting change, as is false women's
997:The more you beat me, I will fawn on you.
989:And even for that do I love you the more.
895:
794:throughout. An example is the following:
780:used many feminine rhymes in his poetry.
333:are not based on any cultural concept of
288:. When masculine or feminine endings are
248:Learn how and when to remove this message
230:Learn how and when to remove this message
168:Learn how and when to remove this message
1186:
963:Lines ending in two stressless syllables
505:And to brave clearness all things are re
1180:
606:Till nature as she wrought thee fell a-
14:
1274:
790:" employs multiple feminine rhymes as
554:A woman's face with nature's own hand
941:What charm can soothe her melancholy,
560:Hast thou, the master mistress of my
484:Along with us, which we ourselves pro
1239:
1084:
365:Below are the first two stanzas of "
179:
106:adding citations to reliable sources
77:
36:
938:And finds too late that men betray,
849:Glorious things of thee are spoken,
813:form internal feminine rhymes with
438:
382:For the soul is dead that slumbers,
24:
993:I am your spaniel; and, Demetrius,
935:When lovely woman stoops to folly,
870:Thou may'st smile at all thy foes.
867:With salvation's walls surrounded,
843:Glorious Things of Thee Are Spoken
617:By adding one thing to my purpose
566:A woman's gentle heart, but not ac
513:
491:But now the sun is just above our
465:A lecture, love, in Love's philoso
25:
1293:
1068:Already, all near things are far;
952:To hide her shame from every eye,
944:What art can wash her guilt away?
588:A man in hue, all hues in his con
391:Dust thou art, to dust returnest,
378:Tell me not, in mournful numbers,
52:This article has multiple issues.
949:The only art her guilt to cover,
600:And for a woman wert thou first
582:Gilding the object whereupon it
459:Stand still, and I will read to
184:
117:"Masculine and feminine endings"
82:
41:
1072:the evening star's fair light.
958:And wring his bosom, is—to die.
955:To give repentance to her lover
874:Here is a German example, from
864:What can shake thy sure repose?
472:These three hours that we have
93:needs additional citations for
60:or discuss these issues on the
1205:
1154:
1130:
1121:
1097:
1077:
1053:
882:Dämmrung senkte sich von oben,
858:Formed thee for his own abode;
855:He whose word cannot be broken
387:Life is real! Life is earnest!
300:
13:
1:
1255:The Oxford English Dictionary
1091:
1066:Twilight sank down from above
891:Holden Lichts der Abendstern!
612:And by addition me of thee de
1262:Tarlinskaja, Marina (2014).
1047:
861:On the Rock of Ages founded,
320:
7:
443:When masculine endings are
347:feminine grammatical gender
210:the claims made and adding
27:Patterns of syllabic stress
10:
1298:
1191:. Hal Leonard. p. 7.
478:Walking here, two shadows
371:Henry Wadsworth Longfellow
360:
29:
974:A Midsummer Night's Dream
885:Schon ist alle Nähe fern;
1070:Yet first is raised high
888:Doch zuerst emporgehoben
433:
30:Not to be confused with
821:In couplets and stanzas
1187:Pattison, Pat (1991).
1137:Dupriez, Bernard Marie
1063:
1005:
896:Relation to verse feet
852:Zion, city of our God;
636:
396:
1266:. Ashgate Publishing.
1244:. Routledge. p.
1062:
1059:English translation:
983:
551:
375:
969:stressless syllables
498:We do those shadows
345:, in which words of
102:improve this article
1240:Coye, Dale (2014).
913:trochaic tetrameter
315:stressless syllable
282:stressless syllable
1257:(online ed.).
1229:Tarlinskaja (2014)
272:are terms used in
195:possibly contains
32:grammatical gender
979:iambic pentameter
921:iambic tetrameter
837:); an example is
784:Edgar Allan Poe's
702:
701:
543:Rhyming Syllables
355:stressed syllable
311:stressed syllable
278:stressed syllable
258:
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16:(Redirected from
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1162:"Feminine rhyme"
1158:
1152:
1134:
1128:
1127:OED, cited below
1125:
1119:
1118:
1116:
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1109:Oxford Reference
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1088:
1081:
1073:
1057:
1037:Romeo and Juliet
1002:
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917:Oliver Goldsmith
537:
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439:Masculine rhymes
351:masculine gender
327:masculine ending
262:masculine ending
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827:A Psalm of Life
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792:internal rhymes
706:identity rhymes
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367:A Psalm of Life
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18:Masculine rhyme
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1282:Poetic devices
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778:Jonathan Swift
712:, such as "exp
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546:Rhyme Pattern
544:
541:
520:feminine rhyme
515:
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1105:"weak ending"
1100:
1096:
1087:, p. 22.
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977:, written in
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929:extrametrical
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719:
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710:mosaic rhymes
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295:metrical feet
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119: –
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113:Find sources:
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91:This article
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1253:"Feminine".
1241:
1207:
1188:
1182:
1170:. Retrieved
1165:
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1140:
1132:
1123:
1112:. Retrieved
1108:
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1035:
1031:
1027:
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1006:
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925:octosyllabic
899:
873:
835:Meter (hymn)
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524:double rhyme
523:
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410:, and again
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100:Please help
95:verification
92:
68:
61:
55:
54:Please help
51:
1085:Coye (2014)
1032:fawn on you
839:John Newton
764:Hudibrastic
528:Shakespeare
335:masculinity
301:Description
270:weak ending
1114:2023-05-08
1092:References
931:syllable:
878:'s verse:
737:participle
720:" and "str
666:trea-sure
453:John Donne
339:femininity
325:The terms
220:April 2022
204:improve it
158:April 2022
128:newspapers
57:improve it
1048:Footnotes
1028:Demetrius
815:fluttered
788:The Raven
768:limericks
664:plea-sure
652:troll-ing
644:quain-ted
532:Sonnet 20
353:end in a
321:Etymology
208:verifying
63:talk page
1276:Category
1139:(1991).
906:trochaic
811:muttered
775:satirist
756:trolling
662:noth-ing
648:roll-ing
646:fash-ion
642:pass-ion
640:pain-ted
631:treasure
625:pleasure
590:trolling
568:quainted
402:, again
1017:-tri-us
986:HELENA:
807:uttered
752:rolling
660:feat-ed
658:dot-ing
654:maz-eth
650:gaz-eth
619:nothing
602:created
578:rolling
573:fashion
562:passion
556:painted
361:Example
307:prosody
274:prosody
202:Please
142:scholar
1195:
1172:18 May
1168:. 1999
1147:
1021:on you
902:iambic
876:Goethe
805:Here,
786:poem "
762:. The
760:doting
758:, and
740:suffix
733:gerund
614:feated
608:doting
596:mazeth
584:gazeth
445:rhymed
426:, and
343:French
290:rhymed
144:
137:
130:
123:
115:
831:hymns
772:Irish
656:at-ed
507:duced
500:tread
486:duced
474:spent
434:Rhyme
416:dream
412:-nest
408:-nest
404:-bers
400:-bers
369:" by
149:JSTOR
135:books
1193:ISBN
1174:2017
1145:ISBN
1009:more
909:feet
904:and
841:'s "
809:and
748:-ing
735:and
722:and
714:and
540:Text
530:'s "
522:(or
493:head
480:went
461:thee
428:soul
424:goal
420:seem
329:and
264:and
121:news
1030:or
845:":
744:ing
728:".
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467:phy
337:or
305:In
268:or
206:by
104:by
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1117:.
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