225:, striking up a friendship with the older artist. Cattelan asked Gioni to act as his doppelgänger for press interviews on television and radio, and even some lectures, wherein Gioni would pretend to be Cattelan. In 2017, Gioni once again appeared as a stand-in for the artist during interviews in the documentary
267:, opened in Milan in May 2003. On the occasion of the International Expo in Milan, in 2015, with the Nicola Trussardi Foundation, Gioni curated "The Great Mother" at Palazzo Reale. And in 2017 he organized "The Restless Earth" at La Triennale. During his tenure as artistic director, he has curated projects by
507:
Since 2015 he has organized the presentations of the Tony and Elham Salame
Collection at the Aishti Foundation in Beirut, where he has curated three exhibitions, titled respectively “New Skin” (2015), "Good Dreams, Bad Dreams: American Mythologies" (2016), and "The Trick Brain" (2017) along with Urs
503:
For the 55th Venice
Biennale, Gioni curated the exhibition around the theme "Il Palazzo Enciclopedico" (The Encyclopedic Palace). The title was an homage to late outsider artist Marino Auriti's attempt to build an edifice containing all human knowledge. The exhibition brought together the work of
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In 2002, Gioni, Cattelan and curator Ali
Subotnick founded The Wrong Gallery, billed as "the smallest exhibition space in New York". The Wrong Gallery had an exhibition space of approximately one metre square, which could be seen through a locked single glass door. It later went on show at the
549:
and Jeff Koons, Even", the first exhibition to bring in dialogue the works of Marcel
Duchamp and Jeff Koons – the show attracted more than 440,240 visitors, making it the most well-attended show in the museum's history and one of the most visited exhibitions of contemporary art in Mexico.
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Gioni's group shows – which include "After Nature", "Ghosts in the
Machine", "Here and Elsewhere", "NYC 1993: Experimental Jet Set, Trash and No Star", "Ostalgia", and "The Keeper" – have become signature initiatives of the New Museum program. Writing about 'Ostalgia' in 2021, art critic
263:, which he transformed into a nomadic museum that organizes exhibitions by contemporary artists in forgotten buildings, public monuments and abandoned palazzos in the city of Milan. Its first commissioned project, 'Short Cut', by artist duo
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He has served as a juror for the
Absolut Art Award, BMW Art Journey, Hugo Boss Prize, Mario Merz Prize, Edvard Munch Art Award, Pinchuk Art Prize, Preis der Nationalgalerie-Hamburger Bahnhof, Kurt Schwitters Prize, and Vilcek Prize.
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Gioni has contributed to many publications and magazines including
Artforum, Flash Art (for which he served as US editor from 1999 to 2003), Frieze, Parkett, Tate Etc., among others. He directed the independent art magazines
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and Mark Nash – which supervised the posthumous realization of Okwui
Enwezor's exhibition "Grief and Grievance: Art and Mourning in America", which had been originally conceived by Enwezor for the New Museum.
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professional artists showcased along the creations of amateurs, outsiders, and dilettantes. Among the many exhibits, It featured a presentation of Carl Gustav Jung's illuminated manuscript “The Red Book”.
588:, Switzerland, made by the artist using found materials from the local area. It was accompanied by a 'real-time movie' performance created by the artist, and performed by actors and participating locals.
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In 2021, Gioni joined the
Beatrice Trussardi Foundation as artistic director, expanding his nomadic museum approach with art installations in unexpected locations internationally.
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In 2018 in London at The Store X Gioni organized "Strange Days – Memories of the Future", an exhibition-anthology of video works originally presented at the New Museum.
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described Gioni as "master of his own form of large-scale exhibition as narrative, time machine, pleasurable pedagogy, historical potboiler come to life, and insight."
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In
September 2021, he curated George Condo's "The Picture Gallery" at the Long Museum in Shanghai, the artist's first major exhibition in Asia.
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alongside Maurizio Cattelan and Ali Subotnick. He is the commissioning editor of "2000 Words", a series of monographic books published by the
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In 2019, Gioni curated "The Warmth of Other Suns. Stories of Global Displacement", a collaboration between the New Museum and the
523:'s "Leaves of Stone" to be the first contemporary artwork to be permanently installed in the historic center of the city of Rome.
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in Rome. Gioni was also part of the commission of the Ministry of Cultural Heritage and Activities and Tourism that selected
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722:"La Biennale di Venezia - The Board appoints new Directors: Massimiliano Gioni for Visual Arts and Ivan Fedele for Music"
2947:"The Art World Works From Home: Venice Biennale Curator Cecilia Alemani Spends Her Days Cramming in Skype Studio Visits"
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338:, New York as Director of Special Exhibitions, before being as appointed as the Edlis Neeson Artistic Director in 2014.
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Gioni has curated numerous international exhibitions and biennials including the 55th Venice Biennale (2013), the 8th
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He graduated in Disciplines of the Arts, Music, and Cinema from the Faculty of Literature and Philosophy at the
1444:"'We Want Art With All Its Contradictions': Massimiliano Gioni on How Curators Can Help Keep Radical Art Alive"
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696:"'We Want Art With All Its Contradictions': Massimiliano Gioni on How Curators Can Help Keep Radical Art Alive"
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In July 2021, he curated the inaugural installation for the Beatrice Trussardi Foundation by Polish sculptor
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in Milan as well as the artistic director of the Beatrice Trussardi Foundation. Gioni was the curator of the
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169:, one of the first Italian digital art and culture magazines, which published writings by, among others,
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2014:
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2144:"Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even"
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2331:"Cos'è un "museo nomade", e perché la Fondazione Beatrice Trussardi ne è l'esempio più seducente"
1884:"Surrealism in the digital age: Beirut exhibition looks at new wave of 20th-century art movement"
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In June 2021, he organized "The Greek Gift", a small collective exhibition for the Dakis Joannou/
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996:"How to Make It in the Art World - Pretend You're an Outsider -- New York Magazine - Nymag"
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Fischer's major solo exhibition in the Middle East: "The Lyrical and the Prosaic" (2019).
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805:"New Museum Artistic Director Massimiliano Gioni On His More-Is-More Curatorial Approach"
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1213:"Aesthetica Magazine - Sarah Lucas: Temporary ob-scenarios, Fondazione Nicola Trussardi"
2794:"Shortlisted artists for the Future Generation Art Prize 2012 - Announcements - e-flux"
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1238:"Elmgreen & Dragset's Short-Cut looks like an accident scene – Public Delivery"
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2041:"How sci-fi, magical realism and video games inspired new exhibition Strange Days"
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2093:"Three Museum Exhibitions about Migration Focus on Trauma but Obscure its Causes"
1910:"At the AĂŻshti Foundation, international art is seen through the lens of Lebanon"
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In 2021, Gioni has served as part of the curatorial advisory group – composed of
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2118:"'There aren't many fairytale endings': behind the bleak immigration exhibition"
2357:"Das Paradies ist immer heute: Pawel Althamers Franziskus-Huldigung im Engadin"
917:"Massimiliano Gioni scelto dal New Museum of Contemporary Art - ArteVarese.com"
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Working as a translator and editor while at university, in 1996 Gioni founded
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2563:"Dakis Joannou's art collection goes on show at the Deste Foundation, Athens"
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747:"Massimiliano Gioni: The Crown Prince of the Art World | Pearson College UWC"
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1073:"Maurizio Cattelan's Latest Prank Is a Documentary About His Life and Work"
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he curated "Appearance Stripped Bare: Desire and the Object in the Work of
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2169:"Koons x Duchamp Show at Mexico's Museo Jumex Attracted Record Attendance"
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In 2017 he curated the exhibition "Giuseppe Penone: Matrice", produced by
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2665:"BMW + art basel to recognize emerging creatives with art journey award"
2220:"Heartbreak and Resurrection in 'Grief and Grievance' at the New Museum"
1314:""La Terra Inquieta" at La Triennale di Milano, Milan — Mousse Magazine"
1128:"Tate Modern launches The Wrong Gallery with orgasm box – Press Release"
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Gioni's first major curatorial project was the "La Zona" section of the
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95:(born 1973) is an Italian curator and contemporary art critic based in
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At the New Museum Massimiliano Gioni has curated solo exhibitions by
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In interviews, Gioni has stated that he first came into contact with
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in New York City. The couple has one son together and reside in the
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361:(co-curated with Maurizio Cattelan and Ali Subotnick in 2006) and
2246:"Black Grief, White Grievance: Artists Search for Racial Justice"
2066:"Strange Days: Memories of the Future opens today at The Store X"
1836:"Massimiliano Gioni at the Venice Biennale | The RED BOOK Prints"
1728:"Il Palazzo Enciclopedico. Curatorial text by Massimiliano Gioni"
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256:, with whom Gioni had previously worked and collaborated with.
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1989:"Fendi Pays Tribute To Rome With Sculpture By Giuseppe Penone"
1496:"BIENNALE ARTE 2013 2013 | Introduction by Massimiliano Gioni"
2870:"Nari Ward Wins $ 100,000 Vilcek Prize for Immigrant Artists"
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2819:"Preis der Nationalgalerie 2013 – Preis der Nationalgalerie"
2459:"Blockbuster Jeff Koons survey to open in Qatar this autumn"
1263:"The Great Mother at Palazzo Reale - Announcements - e-flux"
580:. The installation, titled "Franciszek", saw a sculpture of
2895:"The Space Between: Cecilia Alemani and Massimiliano Gioni"
2691:"Paul Chan Is Back with a New Exhibition at the Guggenheim"
603:
1963:"Roman holiday: Giuseppe Penone branches out at Fendi HQ"
2279:"The Greek Gift | DESTE Foundation for Contemporary Art"
353:(2010), the first New Museum Triennial (co-curated with
75:; Artistic Director of the Beatrice Trussardi Foundation
2304:"DESTE Foundation Project Space, Slaughterhouse, Hydra"
773:"#64: Massimiliano Gioni Wants to Do Away with Quality"
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606:. The exhibition ran from November 2021 - March 2022.
1936:"Dams50 a Bologna: giovedì ospite Massimiliano Gioni"
1390:"Massimiliano Gioni Is Upending How We View Hoarders"
127:
and moved to complete his high school studies at the
1858:"A Look Around Beirut's Brand New AĂŻshti Foundation"
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installed within a 17th-century mountain hut in the
208:
In 1997, Gioni joined the contemporary art magazine
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2769:"Kerstin Brätsch Wins 2017 Edvard Munch Art Award"
2194:"Grief and Grievance: Art and Mourning in America"
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598:'s major solo exhibition "Lost in America" at the
2844:"Mika Rottenberg wins 2018 Kurt Schwitters Prize"
2538:"HISTORY | DESTE Foundation for Contemporary Art"
2409:"George Condo: The Picture Gallery - Long Museum"
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2513:"2000 WORDS: NEW BOOK SERIES PUBLISHED BY DESTE"
1706:"Jerry Saltz Top Ten for 2011 - artnet Magazine"
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2669:designboom | architecture & design magazine
1433:
2921:"A Milanese Art Show Is All About Your Mother"
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1630:"Philip Guston: On Edge - Hauser & Wirth"
971:"Massimiliano Gioni - Announcements - e-flux"
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963:
1340:"La Terra Inquieta - Announcements - e-flux"
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2742:"Shortlisted Artists 2017 Mario Merz Prize"
2614:"Massimiliano Gioni Leads Absolut Art Jury"
1471:"An airy pilgrimage to see art in the Alps"
114:
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1288:"'The Great Mother' Makes Her Grand Debut"
960:
3009:People educated at a United World College
2999:Directors of museums in the United States
2434:"George Condo at Long Museum in Shanghai"
1961:Magazine, Wallpaper* (January 30, 2017).
1811:
1780:"In conversation with Massimiliano Gioni"
1046:"Capturing the Elusive Maurizio Cattelan"
674:"Saltz: New Hope for the Venice Biennale"
647:, a curator and artistic director of the
259:Since 2002, Gioni has been directing the
2589:"Absolut Vodka - Absolut Art Award 2017"
2329:D'Acquisto, Di Germano (July 16, 2021).
1960:
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1583:"A Brief History of the Berlin Biennale"
1021:"Maurizio Cattelan: Be Right Back movie"
2767:Greenberger, Alex (November 14, 2017).
2383:"La montagne magique de Pawel Althamer"
2012:
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771:Burns, Charlotte (September 12, 2019).
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2868:Greenberger, Alex (February 1, 2017).
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1987:Proctor, Rebecca Anne (May 25, 2017).
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1099:"The greatest little gallery on earth"
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67:Edlis Neeson Artistic Director of the
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2244:Cotter, Holland (February 18, 2021).
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2091:Afinogenov, Greg (February 3, 2020).
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1784:Epidemiology and Psychiatric Sciences
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103:. He is the artistic director of the
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1469:Foster, Kristina (August 11, 2021).
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1097:Guardian Staff (December 21, 2005).
943:"TRAX - cultura e spettacolo online"
766:
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357:and Laura Hoptman in 2009), the 4th
1071:Sutton, Benjamin (April 13, 2017).
858:"The Crown Prince of the Art World"
13:
3004:Venice Biennale artistic directors
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2218:Saltz, Jerry (February 25, 2021).
1550:"Young Artists, Caught in the Act"
233:, and played in theaters in 2017.
217:In 1997, Gioni met Italian artist
14:
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1778:Tansella, C. (October 25, 2018).
1548:Cotter, Holland (April 9, 2009).
1187:"artnet Asks: Massimiliano Gioni"
856:Volner, Ian (February 14, 2013).
831:"Incontro con Massimiliano Gioni"
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2039:Spice, Anton (October 2, 2018).
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594:In November 2021, Gioni curated
227:Maurizio Cattelan: Be Right Back
149:at the age of 13, after reading
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2015:"Fendi Donates Artwork to Rome"
2013:Zargani, Luisa (May 22, 2017).
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1523:"8th Gwangju Biennale | Frieze"
1521:Lange, Christy (January 2011).
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2489:"Jeff Koons: Lost in America"
1152:Vogel, Carol (May 23, 2013).
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2717:"Mario Merz Prize I edition"
891:"About Massimiliano Gioni |"
229:. The film premiered at the
221:whilst interviewing him for
7:
1752:West, Kim (June 26, 2013).
1369:Fondazione Nicola Trussardi
261:Nicola Trussardi Foundation
105:Nicola Trussardi Foundation
73:Nicola Trussardi Foundation
71:; Artistic Director of the
10:
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2823:preisdernationalgalerie.de
2389:(in French). July 16, 2021
334:In 2006, Gioni joined the
1796:10.1017/S2045796018000550
482:Apichatpong Weerasethakul
160:
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21:
2640:"Idea – BMW Art Journey"
1754:"Visions Without Medium"
625:Dakis Joannou Collection
295:, Elmgreen and Dragset,
115:Early life and education
2644:www.bmw-art-journey.com
2463:www.theartnewspaper.com
1888:www.theartnewspaper.com
653:East Village, Manhattan
602:'s Al Riwaq gallery in
2361:www.monopol-magazin.de
1993:Harper's Bazaar Arabia
1659:Meridian - Culture Fix
1500:La Biennale di Venezia
265:Elmgreen & Dragset
2413:www.thelongmuseum.org
1394:1stDibs Introspective
1318:www.moussemagazine.it
1154:"New Guide in Venice"
569:'s Slaughterhouse in
486:Lynette Yiadom-Boakye
283:, Maurizio Cattelan,
269:Allora and Calzadilla
140:University of Bologna
125:United World Colleges
58:Universita di Bologna
2984:Italian art curators
1686:on December 22, 2010
1680:"2008 Altoids Award"
1655:"Massimiliano Gioni"
1294:. September 10, 2015
643:Gioni is married to
303:, Cyprien Gaillard,
199:David Foster Wallace
109:55th Venice Biennale
2979:Italian art critics
2438:www.hauserwirth.com
1634:www.hauserwirth.com
1502:. December 12, 2017
1217:Aesthetica Magazine
897:. February 20, 2013
862:Wall Street Journal
811:. December 13, 2018
531:Phillips Collection
129:Pearson College UWC
16:Italian art curator
2671:. December 6, 2014
2250:The New York Times
1916:. November 5, 2017
1864:. October 29, 2015
1838:. October 24, 2014
1554:The New York Times
1242:publicdelivery.org
1158:The New York Times
921:www.artevarese.com
726:www.labiennale.org
430:Ragnar Kjartansson
394:Sarah Charlesworth
305:Ragnar Kjartansson
191:Rirkrit Tiravanija
179:Hans Ulrich Obrist
175:Gilbert and George
93:Massimiliano Gioni
23:Massimiliano Gioni
2927:. August 24, 2015
2899:Cultured Magazine
2198:www.newmuseum.org
2072:. October 2, 2018
2045:The Vinyl Factory
1193:. August 21, 2015
1000:New York Magazine
809:Something Curated
655:, New York City.
365:(co-curated with
301:Fischli and Weiss
219:Maurizio Cattelan
177:, W.J. Mitchell,
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1459:
1457:
1455:
1440:
1431:
1430:
1428:
1426:
1420:www.artforum.com
1412:
1406:
1405:
1403:
1401:
1386:
1380:
1379:
1377:
1375:
1361:
1355:
1354:
1352:
1350:
1336:
1330:
1329:
1327:
1325:
1310:
1304:
1303:
1301:
1299:
1284:
1278:
1277:
1275:
1273:
1259:
1253:
1252:
1250:
1248:
1234:
1228:
1227:
1225:
1223:
1209:
1203:
1202:
1200:
1198:
1183:
1177:
1176:
1174:
1172:
1149:
1143:
1142:
1140:
1138:
1123:
1114:
1113:
1111:
1109:
1094:
1088:
1087:
1085:
1083:
1068:
1062:
1061:
1059:
1057:
1042:
1036:
1035:
1033:
1031:
1017:
1011:
1010:
1008:
1006:
992:
986:
985:
983:
981:
967:
958:
957:
955:
953:
939:
933:
932:
930:
928:
923:. 3 October 2006
913:
907:
906:
904:
902:
887:
881:
880:
878:
876:
853:
847:
846:
844:
842:
827:
821:
820:
818:
816:
801:
788:
787:
785:
783:
768:
759:
758:
756:
754:
743:
734:
733:
728:. Archived from
718:
712:
711:
709:
707:
692:
686:
685:
683:
681:
669:
629:Deste Foundation
567:Deste Foundation
535:Washington, D.C.
492:, among others.
351:Gwangju Biennale
254:Francesco Bonami
231:Tribeca Festival
205:, among others.
187:Matthew Slotover
147:contemporary art
133:Vancouver Island
42:
39:December 6, 1973
38:
36:
19:
18:
3024:
3023:
3019:
3018:
3017:
3015:
3014:
3013:
2969:
2968:
2967:
2966:
2956:
2954:
2945:
2944:
2940:
2930:
2928:
2919:
2918:
2914:
2904:
2902:
2901:. June 19, 2013
2893:
2892:
2888:
2878:
2876:
2866:
2862:
2852:
2850:
2842:
2841:
2837:
2827:
2825:
2817:
2816:
2812:
2802:
2800:
2792:
2791:
2787:
2777:
2775:
2765:
2761:
2751:
2749:
2748:. June 11, 2016
2740:
2739:
2735:
2725:
2723:
2715:
2714:
2710:
2700:
2698:
2697:. March 6, 2015
2689:
2688:
2684:
2674:
2672:
2663:
2662:
2658:
2648:
2646:
2638:
2637:
2633:
2623:
2621:
2620:. June 18, 2014
2612:
2611:
2607:
2597:
2595:
2593:www.absolut.com
2587:
2586:
2582:
2572:
2570:
2569:. June 17, 2013
2561:
2560:
2556:
2546:
2544:
2536:
2535:
2531:
2521:
2519:
2511:
2510:
2506:
2497:
2495:
2485:
2478:
2468:
2466:
2465:. March 5, 2021
2457:
2456:
2452:
2442:
2440:
2432:
2431:
2427:
2417:
2415:
2407:
2406:
2402:
2392:
2390:
2381:
2380:
2376:
2366:
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2355:
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2340:
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2327:
2323:
2313:
2311:
2302:
2301:
2297:
2287:
2285:
2277:
2276:
2272:
2262:
2260:
2242:
2238:
2228:
2226:
2216:
2212:
2202:
2200:
2192:
2191:
2187:
2177:
2175:
2167:
2166:
2162:
2152:
2150:
2142:
2141:
2137:
2127:
2125:
2116:
2115:
2111:
2101:
2099:
2089:
2085:
2075:
2073:
2064:
2063:
2059:
2049:
2047:
2037:
2033:
2023:
2021:
2011:
2007:
1997:
1995:
1985:
1981:
1971:
1969:
1959:
1955:
1945:
1943:
1940:www.lapressa.it
1934:
1933:
1929:
1919:
1917:
1908:
1907:
1903:
1893:
1891:
1882:
1881:
1877:
1867:
1865:
1856:
1855:
1851:
1841:
1839:
1834:
1833:
1829:
1776:
1772:
1762:
1760:
1750:
1746:
1736:
1734:
1726:
1725:
1721:
1711:
1709:
1704:
1703:
1699:
1689:
1687:
1678:
1677:
1673:
1663:
1661:
1653:
1652:
1648:
1638:
1636:
1628:
1627:
1623:
1613:
1611:
1607:
1606:
1602:
1592:
1590:
1581:
1580:
1576:
1566:
1564:
1546:
1542:
1532:
1530:
1519:
1515:
1505:
1503:
1494:
1493:
1489:
1479:
1477:
1475:Financial Times
1467:
1463:
1453:
1451:
1450:. July 22, 2021
1442:
1441:
1434:
1424:
1422:
1414:
1413:
1409:
1399:
1397:
1396:. July 25, 2016
1388:
1387:
1383:
1373:
1371:
1363:
1362:
1358:
1348:
1346:
1338:
1337:
1333:
1323:
1321:
1320:. 9 August 2017
1312:
1311:
1307:
1297:
1295:
1286:
1285:
1281:
1271:
1269:
1261:
1260:
1256:
1246:
1244:
1236:
1235:
1231:
1221:
1219:
1211:
1210:
1206:
1196:
1194:
1185:
1184:
1180:
1170:
1168:
1150:
1146:
1136:
1134:
1124:
1117:
1107:
1105:
1095:
1091:
1081:
1079:
1069:
1065:
1055:
1053:
1052:. April 7, 2017
1044:
1043:
1039:
1029:
1027:
1019:
1018:
1014:
1004:
1002:
994:
993:
989:
979:
977:
969:
968:
961:
951:
949:
941:
940:
936:
926:
924:
915:
914:
910:
900:
898:
889:
888:
884:
874:
872:
854:
850:
840:
838:
829:
828:
824:
814:
812:
803:
802:
791:
781:
779:
769:
762:
752:
750:
749:. 21 March 2013
745:
744:
737:
720:
719:
715:
705:
703:
702:. July 22, 2021
694:
693:
689:
679:
677:
670:
666:
661:
645:Cecilia Alemani
641:
617:The Wrong Times
612:
521:Giuseppe Penone
406:Nicole Eisenman
359:Berlin Biennale
347:
250:Venice Biennale
245:, UK, in 2005.
163:
117:
84:Cecilia Alemani
54:Alma mater
49:
43:
40:
34:
32:
24:
17:
12:
11:
5:
3022:
3012:
3011:
3006:
3001:
2996:
2991:
2986:
2981:
2965:
2964:
2938:
2912:
2886:
2860:
2835:
2810:
2798:www.e-flux.com
2785:
2759:
2733:
2708:
2682:
2656:
2631:
2605:
2580:
2554:
2529:
2504:
2476:
2450:
2425:
2400:
2374:
2348:
2321:
2310:. June 6, 2021
2295:
2270:
2236:
2210:
2185:
2160:
2135:
2124:. July 1, 2019
2109:
2083:
2057:
2031:
2005:
1979:
1953:
1927:
1901:
1875:
1849:
1827:
1790:(6): 543–545.
1770:
1744:
1719:
1697:
1671:
1646:
1621:
1600:
1589:. May 25, 2016
1574:
1540:
1513:
1487:
1461:
1432:
1416:"Artforum.com"
1407:
1381:
1356:
1344:www.e-flux.com
1331:
1305:
1279:
1267:www.e-flux.com
1254:
1229:
1204:
1178:
1144:
1115:
1089:
1063:
1050:The New Yorker
1037:
1012:
987:
975:www.e-flux.com
959:
934:
908:
882:
848:
822:
789:
760:
735:
732:on 2012-02-04.
713:
687:
672:Saltz, Jerry.
663:
662:
660:
657:
640:
637:
611:
608:
578:Paweł Althamer
555:Naomi Beckwith
547:Marcel Duchamp
466:Pipilotti Rist
446:Gustav Metzger
422:Carsten Höller
418:Camille Henrot
398:Roberto Cuoghi
382:Paweł Althamer
355:Lauren Cornell
346:
343:
321:Pipilotti Rist
313:Ibrahim Mahama
273:Paweł Althamer
162:
159:
116:
113:
88:
87:
81:
77:
76:
65:
61:
60:
55:
51:
50:
44:
30:
26:
25:
22:
15:
9:
6:
4:
3:
2:
3021:
3010:
3007:
3005:
3002:
3000:
2997:
2995:
2994:Living people
2992:
2990:
2987:
2985:
2982:
2980:
2977:
2976:
2974:
2952:
2948:
2942:
2926:
2922:
2916:
2900:
2896:
2890:
2875:
2871:
2864:
2849:
2848:artreview.com
2845:
2839:
2824:
2820:
2814:
2799:
2795:
2789:
2774:
2770:
2763:
2747:
2743:
2737:
2722:
2718:
2712:
2696:
2692:
2686:
2670:
2666:
2660:
2645:
2641:
2635:
2619:
2615:
2609:
2594:
2590:
2584:
2573:September 14,
2568:
2564:
2558:
2547:September 14,
2543:
2539:
2533:
2518:
2514:
2508:
2494:
2493:Qatar Museums
2490:
2483:
2481:
2464:
2460:
2454:
2443:September 14,
2439:
2435:
2429:
2418:September 14,
2414:
2410:
2404:
2388:
2384:
2378:
2362:
2358:
2352:
2336:
2332:
2325:
2314:September 14,
2309:
2305:
2299:
2288:September 14,
2284:
2280:
2274:
2259:
2255:
2251:
2247:
2240:
2225:
2221:
2214:
2199:
2195:
2189:
2178:September 14,
2174:
2170:
2164:
2153:September 14,
2149:
2145:
2139:
2128:September 14,
2123:
2119:
2113:
2102:September 14,
2098:
2094:
2087:
2071:
2070:Fact Magazine
2067:
2061:
2046:
2042:
2035:
2020:
2016:
2009:
1994:
1990:
1983:
1968:
1964:
1957:
1941:
1937:
1931:
1915:
1911:
1905:
1889:
1885:
1879:
1863:
1859:
1853:
1842:September 14,
1837:
1831:
1823:
1819:
1814:
1809:
1805:
1801:
1797:
1793:
1789:
1785:
1781:
1774:
1763:September 14,
1759:
1755:
1748:
1737:September 14,
1733:
1732:universes.art
1729:
1723:
1707:
1701:
1685:
1681:
1675:
1660:
1656:
1650:
1635:
1631:
1625:
1610:
1604:
1588:
1584:
1578:
1563:
1559:
1555:
1551:
1544:
1528:
1524:
1517:
1501:
1497:
1491:
1476:
1472:
1465:
1449:
1445:
1439:
1437:
1421:
1417:
1411:
1400:September 14,
1395:
1391:
1385:
1374:September 14,
1370:
1366:
1360:
1349:September 14,
1345:
1341:
1335:
1324:September 14,
1319:
1315:
1309:
1298:September 14,
1293:
1289:
1283:
1272:September 14,
1268:
1264:
1258:
1247:September 14,
1243:
1239:
1233:
1218:
1214:
1208:
1197:September 14,
1192:
1188:
1182:
1167:
1163:
1159:
1155:
1148:
1137:September 14,
1133:
1129:
1122:
1120:
1108:September 14,
1104:
1100:
1093:
1078:
1077:Hyperallergic
1074:
1067:
1051:
1047:
1041:
1026:
1022:
1016:
1001:
997:
991:
976:
972:
966:
964:
952:September 14,
948:
944:
938:
927:September 14,
922:
918:
912:
896:
892:
886:
871:
867:
863:
859:
852:
841:September 14,
836:
835:site.unibo.it
832:
826:
810:
806:
800:
798:
796:
794:
778:
774:
767:
765:
748:
742:
740:
731:
727:
723:
717:
701:
697:
691:
675:
668:
664:
656:
654:
650:
646:
639:Personal life
636:
632:
630:
626:
622:
618:
607:
605:
601:
597:
592:
589:
587:
583:
579:
574:
572:
571:Hydra, Greece
568:
563:
560:
556:
551:
548:
544:
540:
536:
532:
527:
524:
522:
518:
514:
509:
505:
501:
499:
493:
491:
487:
483:
479:
475:
471:
467:
463:
459:
455:
454:Albert Oehlen
451:
450:Marta Minujin
447:
443:
442:Goshka Macuga
439:
435:
431:
427:
426:Kahlil Joseph
423:
419:
415:
411:
407:
403:
399:
395:
391:
387:
386:Lynda Benglis
383:
379:
378:John Akomfrah
375:
370:
368:
364:
360:
356:
352:
342:
339:
337:
332:
330:
326:
322:
318:
314:
310:
306:
302:
298:
294:
293:Jeremy Deller
290:
286:
282:
278:
277:Darren Almond
274:
270:
266:
262:
257:
255:
251:
246:
244:
240:
234:
232:
228:
224:
220:
215:
213:
212:
206:
204:
200:
196:
192:
188:
184:
180:
176:
172:
168:
158:
156:
152:
148:
143:
141:
136:
134:
130:
126:
122:
121:Busto Arsizio
112:
110:
106:
102:
98:
97:New York City
94:
85:
82:
78:
74:
70:
66:
64:Occupation(s)
62:
59:
56:
52:
47:
46:Busto Arsizio
41:(age 50)
31:
27:
20:
2955:. Retrieved
2950:
2941:
2929:. Retrieved
2924:
2915:
2903:. Retrieved
2898:
2889:
2879:September 6,
2877:. Retrieved
2873:
2863:
2853:September 6,
2851:. Retrieved
2847:
2838:
2828:September 6,
2826:. Retrieved
2822:
2813:
2803:September 6,
2801:. Retrieved
2797:
2788:
2778:September 6,
2776:. Retrieved
2772:
2762:
2752:September 6,
2750:. Retrieved
2745:
2736:
2726:September 6,
2724:. Retrieved
2720:
2711:
2701:September 6,
2699:. Retrieved
2694:
2685:
2675:September 6,
2673:. Retrieved
2668:
2659:
2649:September 6,
2647:. Retrieved
2643:
2634:
2624:September 6,
2622:. Retrieved
2617:
2608:
2598:September 6,
2596:. Retrieved
2592:
2583:
2571:. Retrieved
2566:
2557:
2545:. Retrieved
2541:
2532:
2522:September 1,
2520:. Retrieved
2516:
2507:
2496:. Retrieved
2492:
2469:September 1,
2467:. Retrieved
2462:
2453:
2441:. Retrieved
2437:
2428:
2416:. Retrieved
2412:
2403:
2393:September 6,
2391:. Retrieved
2386:
2377:
2367:September 6,
2365:. Retrieved
2360:
2351:
2341:September 6,
2339:. Retrieved
2337:(in Italian)
2335:Marie Claire
2334:
2324:
2312:. Retrieved
2307:
2298:
2286:. Retrieved
2282:
2273:
2263:September 6,
2261:. Retrieved
2249:
2239:
2229:September 6,
2227:. Retrieved
2223:
2213:
2203:September 6,
2201:. Retrieved
2197:
2188:
2176:. Retrieved
2172:
2163:
2151:. Retrieved
2147:
2138:
2126:. Retrieved
2122:the Guardian
2121:
2112:
2100:. Retrieved
2096:
2086:
2076:September 1,
2074:. Retrieved
2069:
2060:
2050:September 1,
2048:. Retrieved
2044:
2034:
2024:September 6,
2022:. Retrieved
2018:
2008:
1998:September 6,
1996:. Retrieved
1992:
1982:
1972:September 6,
1970:. Retrieved
1966:
1956:
1946:September 6,
1944:. Retrieved
1942:(in Italian)
1939:
1930:
1920:September 6,
1918:. Retrieved
1913:
1904:
1894:September 6,
1892:. Retrieved
1887:
1878:
1868:September 6,
1866:. Retrieved
1861:
1852:
1840:. Retrieved
1830:
1787:
1783:
1773:
1761:. Retrieved
1758:Kunstkritikk
1757:
1747:
1735:. Retrieved
1731:
1722:
1710:. Retrieved
1708:. Artnet.com
1700:
1688:. Retrieved
1684:the original
1674:
1664:September 6,
1662:. Retrieved
1658:
1649:
1639:September 6,
1637:. Retrieved
1633:
1624:
1614:September 8,
1612:. Retrieved
1603:
1593:September 8,
1591:. Retrieved
1586:
1577:
1567:September 8,
1565:. Retrieved
1553:
1543:
1533:September 8,
1531:. Retrieved
1526:
1516:
1506:September 8,
1504:. Retrieved
1499:
1490:
1480:September 6,
1478:. Retrieved
1474:
1464:
1454:September 6,
1452:. Retrieved
1447:
1425:September 6,
1423:. Retrieved
1419:
1410:
1398:. Retrieved
1393:
1384:
1372:. Retrieved
1368:
1359:
1347:. Retrieved
1343:
1334:
1322:. Retrieved
1317:
1308:
1296:. Retrieved
1291:
1282:
1270:. Retrieved
1266:
1257:
1245:. Retrieved
1241:
1232:
1222:September 6,
1220:. Retrieved
1216:
1207:
1195:. Retrieved
1190:
1181:
1171:September 6,
1169:. Retrieved
1157:
1147:
1135:. Retrieved
1131:
1106:. Retrieved
1103:the Guardian
1102:
1092:
1082:September 6,
1080:. Retrieved
1076:
1066:
1056:September 6,
1054:. Retrieved
1049:
1040:
1030:September 6,
1028:. Retrieved
1024:
1015:
1005:September 6,
1003:. Retrieved
999:
990:
980:September 6,
978:. Retrieved
974:
950:. Retrieved
946:
937:
925:. Retrieved
920:
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901:September 6,
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2363:(in German)
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1587:Artnet News
1448:Artnet News
1292:Artnet News
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