86:
150:. Later he would meet up with Ōkyo again, when they both sought shelter in the same temple after a fire devastated parts of Kyōto. What was apparently a good working partnership in Hyōgo now became friendship. Around 1789 Goshun returned to the Shijō-district of Kyōto, by now he had begun to incorporate elements of Ōkyos decorative and realistic art styles. He was never a formal member of Ōkyos Maruyama-school, the older friend had declined his offer to accept him as disciple stating he wanted him to remain on equal footing with his younger friend, he nonetheless became proficient in Ōkyos painting techniques. However, only after Ōkyos death in 1795 did he found his own, the so-called Shijō-school (after the location of Goshuns residence and workplace) where he refined his own blend of literati-stile brushwork and decorative Maruyama-style composition and techniques.
17:
154:
115:) as the oldest of six children. His parents wished him to be well educated in the basics of Chinese and Japanese culture and had him tutored in skills such as classical history and literature, calligraphy and painting as well as writing poetry. Thus he began his education as a painter very early. In those years his masters were painters of the
130:
He wasn't immediately successful as a painter but managed to support himself with the aid of Buson, who arranged him to be an advisor on literature for wealthy provincials. In 1781 his career took a turn for the worse when both his wife and his father died and his mentor Buson, himself nearing death
185:
His style can be considered mature, however, only after the death of Ōkyo in 1795 when he refined his painting style in his own school without the influence of his former masters. In this late stage of his career he seems to have all but abandoned Buson's literati-style of painting even though in
177:
left a great impression on Goshun. Until around 1785 he refines this style of painting until he is proficient in Buson-style, which he seems to copy faithfully. His time in Ikeda can be viewed as a period of maturity for
Goshuns Literati-style painting.
181:
After his time with Ōkyo (after 1787) his style changed significantly. Under the influence of the
Maruyama-school he began to incorporate elementes of Ōkyo and his disciples into his oeuvre and developed them.
644:
302:
139:
near Ōsaka. During his time in Ikeda he continued to paint in Busons
Literati-style yet was not successful enough to support himself with his painting alone.
548:
772:, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Matsumura Goshun (see index)
500:
668:
355:
85:
142:
By 1787 it was certain that he would have to join up with another band of painters, so he worked with the circle of painters around
800:
785:
299:
805:
16:
207:
769:
756:
741:
451:
131:
was apparently no longer able to support him. As a result of that he left his residence in the Shijō-district of
692:
524:
91:
227:
251:
231:
427:
247:
215:
195:
620:
170:
116:
74:
239:
104:
96:
31:
379:
645:"Matsumura Goshun | Woodcutters and Fishermen | Japan | Edo period (1615–1868)"
119:-style, learned scholars of the literati-traditions that had come over from China, among them
255:
795:
790:
199:
476:
153:
8:
693:"Orchid Pavillion Gathering | Goshun (also known as Matsumura Gekkei) | Profile of Works"
219:
103:
Goshun was born into a wealthy family of government officials working in the royal mint (
572:
147:
403:
211:
752:
737:
40:
300:
Cleveland Museum of Art - Seventy-two Peaks
Against the Blue Sky (Matsumura Goshun)
223:
143:
331:
306:
203:
58:
173:-literati-style of painting as were most of his teacher, not the least of which
66:
243:
21:
779:
596:
136:
235:
174:
123:(1716–1784) who taught Goshun among other things literati-painting and
120:
70:
62:
573:"Willow and White-cheeked Starling by Matsumura Goshun - MIHO MUSEUM"
146:(1733–1795) to work at the screen-doors of the Daijō-ji, a temple in
44:
477:"From the Harvard Art Museums' collections Seven Chinese Immortals"
770:
Bridge of dreams: the Mary Griggs Burke collection of
Japanese art
525:"Fifty Years Old, Matsumura Goshun ^ Minneapolis Institute of Art"
132:
452:"Philadelphia Museum of Art - Collections Object : Warrior"
186:
Kyōto he was for a while widely considered to be his successor.
169:
In his early career Goshun was predominantly a painter of the
194:
His work is held in several museums worldwide, including the
124:
48:
51:
8/7/17)), sometimes also referred to as
Matsumura Gekkei (
720:
Zenga and Nanga: Paintings By
Japanese Monks and Scholars
597:"1986.95 | 86.95 | Ingalls Library and Museum Archives"
69:
of painting. He was a disciple of the painter and poet
734:
Handbook to Life in
Medieval and Early Modern Japan
356:"Matsumura, Goshun – People – Worcester Art Museum"
777:
47:2/3/15) – September 4, 1811 (traditional:
428:"Works – Matsumura Goshun – Artists – eMuseum"
273:According to standard references, his name is
110:
52:
34:
336:Indianapolis Museum of Art Online Collection
152:
84:
15:
549:"Shin hana tsumi (Picking New Flowers)"
164:
158:Hibiscus and blue heron on a tree-stump
778:
736:. Oxford University Press, US. (2007)
277:Goshun, modelled after Chinese habit,
727:Byōbu: The Art of the Japanese Screen
751:. Prentice Hall, New Jersey. (2004)
208:University of Michigan Museum of Art
722:. New Orleans museum of Art. (1976)
474:
311:
293:
13:
317:Shiba T: Toxicity of puffer fish.
73:(1716–1784), a master of Japanese
14:
817:
763:
404:"Exchange: Life in the Mountains"
729:.Cleveland Museum of Art. (1984)
685:
661:
637:
613:
589:
565:
541:
517:
493:
468:
801:19th-century Japanese painters
786:18th-century Japanese painters
621:"calligraphy | British Museum"
444:
420:
396:
372:
348:
324:
267:
189:
20:Matsumura Goshun; portrait by
1:
806:Artists from Osaka Prefecture
712:
319:Journal of Chemical Education
92:Romance of the Three Kingdoms
228:Minneapolis Institute of Art
7:
252:Nelson-Atkins Museum of Art
232:Museum of Fine Arts, Boston
10:
822:
287:
261:
248:Metropolitan Museum of Art
216:Philadelphia Museum of Art
196:Indianapolis Museum of Art
505:collections.ashmolean.org
111:
53:
35:
725:Cunningham, Michael R.:
601:library.clevelandart.org
432:art.seattleartmuseum.org
321:, Oct. 1982; 59(10): 833
75:southern school painting
749:History of Japanese Art
529:collections.artsmia.org
408:exchange.umma.umich.edu
240:Cleveland Museum of Art
97:Cleveland Museum of Art
80:
669:"Blossoming Plum Tree"
384:www.brooklynmuseum.org
161:
100:
24:
697:TOKYO FUJI ART MUSEUM
673:art.nelson-atkins.org
481:harvardartmuseums.org
360:worcester.emuseum.com
256:Tokyo Fuji Art Museum
156:
88:
19:
747:Mason, Penelope E.:
200:Worcester Art Museum
165:Artistic Development
553:collections.mfa.org
456:www.philamuseum.org
220:Harvard Art Museums
65:and founder of the
732:Deal, William E.:
625:The British Museum
305:2008-06-11 at the
212:Seattle Art Museum
162:
101:
89:Illustration from
39:; April 28, 1752 (
25:
718:Addiss, Stephen:
649:www.metmuseum.org
380:"Brooklyn Museum"
281:Matsumura Gekkei.
813:
707:
706:
704:
703:
689:
683:
682:
680:
679:
665:
659:
658:
656:
655:
641:
635:
634:
632:
631:
617:
611:
610:
608:
607:
593:
587:
586:
584:
583:
569:
563:
562:
560:
559:
545:
539:
538:
536:
535:
521:
515:
514:
512:
511:
497:
491:
490:
488:
487:
472:
466:
465:
463:
462:
448:
442:
441:
439:
438:
424:
418:
417:
415:
414:
400:
394:
393:
391:
390:
376:
370:
369:
367:
366:
352:
346:
345:
343:
342:
328:
322:
315:
309:
297:
282:
271:
148:Hyōgo prefecture
114:
113:
56:
55:
38:
37:
28:Matsumura Goshun
821:
820:
816:
815:
814:
812:
811:
810:
776:
775:
766:
715:
710:
701:
699:
691:
690:
686:
677:
675:
667:
666:
662:
653:
651:
643:
642:
638:
629:
627:
619:
618:
614:
605:
603:
595:
594:
590:
581:
579:
571:
570:
566:
557:
555:
547:
546:
542:
533:
531:
523:
522:
518:
509:
507:
499:
498:
494:
485:
483:
473:
469:
460:
458:
450:
449:
445:
436:
434:
426:
425:
421:
412:
410:
402:
401:
397:
388:
386:
378:
377:
373:
364:
362:
354:
353:
349:
340:
338:
330:
329:
325:
316:
312:
307:Wayback Machine
298:
294:
290:
285:
272:
268:
264:
204:Brooklyn Museum
192:
167:
83:
61:painter of the
12:
11:
5:
819:
809:
808:
803:
798:
793:
788:
774:
773:
765:
764:External links
762:
761:
760:
745:
730:
723:
714:
711:
709:
708:
684:
660:
636:
612:
588:
577:www.miho.or.jp
564:
540:
516:
492:
467:
443:
419:
395:
371:
347:
323:
310:
291:
289:
286:
284:
283:
265:
263:
260:
244:British Museum
191:
188:
166:
163:
82:
79:
9:
6:
4:
3:
2:
818:
807:
804:
802:
799:
797:
794:
792:
789:
787:
784:
783:
781:
771:
768:
767:
758:
757:0-13-117601-3
754:
750:
746:
743:
742:0-19-533126-5
739:
735:
731:
728:
724:
721:
717:
716:
698:
694:
688:
674:
670:
664:
650:
646:
640:
626:
622:
616:
602:
598:
592:
578:
574:
568:
554:
550:
544:
530:
526:
520:
506:
502:
496:
482:
478:
471:
457:
453:
447:
433:
429:
423:
409:
405:
399:
385:
381:
375:
361:
357:
351:
337:
333:
327:
320:
314:
308:
304:
301:
296:
292:
280:
276:
270:
266:
259:
257:
253:
249:
245:
241:
237:
233:
229:
225:
221:
217:
213:
209:
205:
201:
197:
187:
183:
179:
176:
172:
159:
155:
151:
149:
145:
144:Maruyama Ōkyo
140:
138:
135:and moved to
134:
128:
126:
122:
118:
109:
106:
98:
94:
93:
87:
78:
76:
72:
68:
64:
60:
50:
46:
42:
33:
29:
23:
18:
748:
733:
726:
719:
700:. Retrieved
696:
687:
676:. Retrieved
672:
663:
652:. Retrieved
648:
639:
628:. Retrieved
624:
615:
604:. Retrieved
600:
591:
580:. Retrieved
576:
567:
556:. Retrieved
552:
543:
532:. Retrieved
528:
519:
508:. Retrieved
504:
495:
484:. Retrieved
480:
470:
459:. Retrieved
455:
446:
435:. Retrieved
431:
422:
411:. Retrieved
407:
398:
387:. Retrieved
383:
374:
363:. Retrieved
359:
350:
339:. Retrieved
335:
326:
318:
313:
295:
278:
274:
269:
193:
184:
180:
168:
157:
141:
129:
107:
102:
90:
67:Shijō school
27:
26:
796:1811 deaths
791:1752 births
501:"Ashmolean"
236:Miho Museum
190:Collections
41:traditional
22:Tani Bunchō
780:Categories
713:Literature
702:2021-01-08
678:2021-01-08
654:2021-01-08
630:2021-01-08
606:2021-01-08
582:2021-01-08
558:2021-01-08
534:2021-01-08
510:2021-01-08
486:2021-01-08
461:2021-01-08
437:2021-01-08
413:2021-01-08
389:2021-01-08
365:2021-01-08
341:2021-01-08
254:, and the
175:Yosa Buson
121:Yosa Buson
71:Yosa Buson
63:Edo period
475:Harvard.
332:"Boatman"
224:Ashmolean
127:-poetry.
57:), was a
303:Archived
59:Japanese
288:Sources
262:Remarks
755:
740:
275:either
250:, the
246:, the
242:, the
238:, the
234:, the
230:, the
226:, the
222:, the
218:, the
214:, the
210:, the
206:, the
202:, the
198:, the
160:(1782)
45:Hōreki
171:nanga
137:Ikeda
133:Kyōto
125:haiku
117:nanga
108:kinza
54:松村 月渓
49:Bunka
36:松村 呉春
753:ISBN
738:ISBN
105:jap.
81:Life
32:jap.
782::
695:.
671:.
647:.
623:.
599:.
575:.
551:.
527:.
503:.
479:.
454:.
430:.
406:.
382:.
358:.
334:.
279:or
258:.
112:金座
77:.
43::
759:.
744:.
705:.
681:.
657:.
633:.
609:.
585:.
561:.
537:.
513:.
489:.
464:.
440:.
416:.
392:.
368:.
344:.
99:)
95:(
30:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
