689:
896:
850:
613:
51:
313:
989:
1946:
920:
well-connected monk may have given him more confidence in creating new compositions, whereas a lay artist would prefer to stick to traditional formulae. It may also reflect the lack of full training in the art of the period. His colouring emphasises green and blue, and together with his characteristic layout of a picture in the top half of a page, is relatively distinctive. What are probably his final sketches are found in
440:
1929:
1911:
1893:
1875:
1857:
1839:
1821:
1803:
1785:
1767:
259:
664:, ca. 1178. The manuscript also contains notes in Paris's hand (see above) showing that his manuscripts were lent to various aristocratic ladies for periods, and that he probably acted as an intermediary between commissioners of manuscripts and the (probably) lay artists who produced them, advising on the calendars and iconography.
547:, covering the years 1254–1259 (folios 157–218), and prefatory material including an itinerary from London to Jerusalem and tinted drawings of the kings of England. All is in Paris's own hand, apart from folios 210–218 and 154v–156v, which are in the hand of the scribe who has added a note of Matthew Paris's death (f. 218v). The
476:, MSS 26 and 16, 362 × 244/248 mm. ff 141 + 281, composed 1240–53. His major historical work (see below), but less heavily illustrated per page than others. These two volumes contain annals from the creation of the world up to the year 1253. The content up to 1234 or 1235 is based in the main on Roger of Wendover's
610:(the lives of the first 23 abbots of St Albans with a miniature portrait of each), coats of arms, as well as a large number copies of original documents such as letters. The from-life original version of his well-known drawing of an elephant is in this volume, as is a large drawing of Christ, not by Paris.
919:
Paris's style suggests that it was formed by works from around 1200. He was somewhat old-fashioned in retaining a roundness in his figures, rather than adopting the thin angularity of most of his artist contemporaries, especially those in London. His compositions are very inventive; his position as a
423:
contain multiple texts and often begin with a large assortment of prefatory material, often including full-page miniatures. Some have survived incomplete, and the various elements now bound together may not have been intended to be so by Paris. Unless stated otherwise, all were given by Paris to his
867:
In some of Paris's manuscripts, a framed miniature occupies the upper half of the page, and in others, they are "marginal" – unframed and occupying the bottom quarter (approximately) of the page. Tinted drawings were an established style well before Paris, and became especially popular in the first
523:. It was apparently started there, copying another MS of Paris's text that went up to 1240. Later it was sent back to the author for him to update; Richard Vaughan argues this was in 1251–2. The illustrations are similar to Paris's style but not by him. Later additions took the chronicle up to 1327.
735:
are of different sizes, and written by different scribes, neither of them Paris himself, so they are not likely to be part of the manuscript that Paris wrote of having lent to the
Countess of Arundel; but that, "to judge from the script and the style of illumination" they are "very close copies of
910:
Recent scholarship, notably that of Nigel Morgan, suggests that Paris's influence on other artists of the period has been exaggerated. This is likely because so much more is known about him than other
English illuminators of the period, who are mostly anonymous. Most manuscripts seem to have been
285:
in 1217. It is on the assumption that he was in his teens on admission that his birth date is estimated; some scholars suspect he may have been ten years or older; many monks only entered monastic life after pursuing a career in the world outside. He was clearly at ease with the nobility and even
1020:
charting the route from London to Rome in graphic form. A sequence of pictures of towns on the route marked the terminus of each day's travel, enabling the viewer to envisage and follow the whole journey rather like a comic strip – an achievement unprecedented elsewhere in the medieval world.
950:
The king knew that Paris was writing a history, and wanted it to be as exact as possible. In 1257, in the course of a week's visit to St Albans, Henry kept the chronicler beside him night and day, "and guided my pen," says Paris, "with much goodwill and diligence." It is curious that the
229:
is a renowned
Medieval work, in many cases being a key source for mid-13th century Europe, partially due to his verbose insertion of personal opinions into his narrative and his use of sources such as records, letters, and conversations with witnesses to events including the English king
938:
dropped his pen, Paris continued the history on the plan which his predecessors had followed. He derived much of his information from the letters of important people, which he sometimes inserts, but much more from conversations with the eyewitnesses of events. Among his informants were
761:, Bishop of Chichester, and other materials including from Paris's own histories. A 14th-century copy of the prose life has survived in British Library Cotton MS Julius D VI, folios 123–156v. One copy of the verse life that was in Cotton MS Vitellius D VIII was destroyed in the
1843:
915:
is shown with a clerical tonsure, but he was married, which suggests he had minor orders only. The manuscripts produced by Paris show few signs of collaboration, but art historians detect a School of St Albans surviving after Paris's death, influenced by him.
868:
half of the 13th century. They were certainly much cheaper and quicker than fully painted illuminations. The tradition of tinted drawings or outline drawings with ink supplemented by coloured wash was distinctively
English, dating back to the
965:, which shows that the writer understood the danger which he ran. On the other hand, unexpurgated copies were made in Paris's lifetime. Although the offending passages are duly omitted or softened in his abridgement of his longer work, the
594:. British Library Cotton MS Vitellius A XX, folios 77r–108v. Covers from 1066 to 1246. Written at some point between 1246 and 1259. Not definitely by Paris, but evidently written under his supervision, with some of the text in his own hand.
677:
MS. Ee.3.59. This is the only surviving copy of this work, but is believed to be a slightly later copy made in London, probably by court artists, of Paris's text and framed illustrations. Based on the Latin Life of Edward the
Confessor by
480:, with additions; after that date, the material is Paris's own, and written in his own hand from the annal for 1213 onward. There are 100 marginal drawings (25 + 75), some fragmentary maps and an itinerary, and full-page drawings of
1861:
206:. He authored a number of historical works, many of which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, others in
529:. British Library, Royal MS 14 C VII, fols. 8v–156v. 358 × 250 mm, ff 232 in all. A history of England, begun in 1250 and perhaps completed around 1255, covering the years 1070–1253. The text is an abridgement of the
286:
royalty, which may indicate that he came from a family of some status, although it also seems an indication of his personality. His life was mainly spent in this religious house. In 1248, Paris was sent to
1825:
1879:
567:. The fact that the book was acquired by a 16th-century Earl of Arundel suggests that Duke Humphrey's inscription was not entirely accurate, as New College would probably not have disposed of it.
378:
The Dublin MS (see below) contains interesting notes, which shed light on Paris's involvement in other manuscripts, and on the way his own were used. They are in French and in his handwriting:
1789:
1771:
411:
The lending of his manuscripts to aristocratic households, apparently for periods of weeks or months at a time, suggests why he made several different illustrated versions of his
Chronicle.
332:
Apart from these missions, his known activities were devoted to the composition of history, a pursuit for which the monks of St Albans had long been famous. He inherited the mantle of
1915:
349:
was thus not only useful to readers of Paris's time, and has been used by modern historians as a source document for the period between 1235 and 1259. While this makes Paris's
1933:
2297:
749:, Archbishop of Canterbury from 1233 to 1240. Based on Paris's own Latin prose life of Rich, composed in the late 1240s, which drew on a collection of materials made at
515:, MS 6712. Only part of the text, covering 1241 to 1249, is in Paris's hand, though he is credited with the authorship of the whole text, which is an abridgement of the
2176:
1404:
1378:
841:
has been attributed to Paris, presumably dating from his visit in 1248. Local paintings are usually on pine, so he may have brought this with him, or sent it later.
375:, over 20 copies were made. Paris also is known for his illustrations and cartographic ability, often found as marginalia however sometimes being given full pages.
2205:
1293:
992:
The most developed of
Matthew Paris's four maps of Britain (Cotton MS Claudius D VI, fol. 12v). The work is organised around a central north–south itinerary from
336:, at that time the abbey's foremost chronicler, after Wendover's death in 1236. Paris revised Wendover's work, a chronicle covering Creation to 1235 known as the
1897:
1530:
1072:
edited by Luard (3 vols., Rolls series, 1890). This work, compiled by various hands, is an edition of
Matthew Paris, with continuations extending to 1326.
269:
In spite of his surname and knowledge of the French language, Paris was of
English birth, and is believed by some chroniclers to be of the Paris family of
972:
Naturalists have praised his descriptions of the
English wildlife of his time, brief though they are: in particular his valuable description of the first
969:(written about 1253), Paris's real feelings must have been an open secret. There is no ground for the old theory that he was an official historiographer.
1301:
1961:
353:
currently his most famous work, within the first few hundred years after Paris's death this was not the case. Paris scribed 2 major abridgements of his
2282:
712:
799:), birds, tables and diagrams of geomantic significance. Several later copies of the text and illustrations survive. Provenance before 1602 unknown.
1538:
814:
are all accepted as by Paris. The main text is a chronicle, highly derivative of Paris's. This was John's property, left to his final monastery at
1323:
563:, who wrote a note that if the monks of St Albans could prove the book was a loan, they should have it back. Otherwise, it was bequeathed to
519:
with additions from the annals of Reading and of Southwark. Additional interpolations to the text make it clear the volume was created for
424:
monastery (from some inscriptions it seems they were regarded as his property to dispose of). The monastic libraries were broken up at the
408:
It is presumed the last relates to Paris acting as commissioning agent and iconographical consultant for the Countess with another artist.
961:
supposes that Paris never intended his work to be read in its present form. Many passages of the autograph have written next to them, the
342:, and added new material of an annalistic nature from 1236 onwards which Paris sustained until his death in 1259. This work, known as the
242:, a number of English bishops, and many others. Modern historians recognise Paris's biases. He often tended to glorify Holy Roman Emperor
1966:
497:
in the British Library volume below. An unillustrated copy of the material from 1189 to 1250, with much of his sharper commentary about
250:, Paris displays a highly negative view of Frederick, going as far as to describe him as a "tyrant" who "committed disgraceful crimes".
2267:
281:, however this is simply conjecture. The first we know of Matthew Paris (from his own writings) is that he was admitted as a monk to
2332:
688:
404:"In the Countess of Winchester's book let there be a pair of images on each page thus": (verses follow describing thirteen saints)
577:), British Library Cotton MS Claudius D VI, fols. 5–100. Another shortened history, mainly covering 1067 to 1253. Probably begun
2327:
1517:
1479:
1466:
1365:
1353:
1244:
246:
and denigrate the pope, expressing strong criticism of centralised church authority and at times royal power. However, in his
2322:
2312:
1998:
1625:
1501:
900:
191:
2193:
Art Bulletin article on his maps;Imagined Pilgrimage in the Itinerary Maps of Matthew Paris. 12/1/1999 by Connolly, Daniel K
1245:"Matthew Paris, Chronica maiora (2r-393r), incorporating St Godric's hymn to the Blessed Virgin Mary (150v: Boffey 2988)..."
1408:
1382:
501:
toned down or removed, was supervised by Paris himself and now exists as British Library Cotton MS Nero D V, fol. 162–393.
2337:
1807:
895:
849:
810:, another monk of St Albans, who also probably did some drawings. A portrait of John, a map of the British Isles, and a
584:, it remained unfinished at Paris's death. Illustrated with thirty-three seated figures of English kings illustrating a
551:
concludes with a portrait of Paris on his death-bed, presumably not by him. By the 15th century this volume belonged to
2307:
2287:
428:. These MSS seem to have been appreciated, and were quickly collected by bibliophiles. Many of his manuscripts in the
2112:
1717:
703:, British Library, Loan MS 88 – Four leaves (the "Becket Leaves") survive from a French-verse history of the life of
473:
458:
298:; he made himself so agreeable to the Norwegian sovereign that he was invited to superintend the reformation of the
2277:
2252:
2049:
1677:
Atkinson, Robert (1874). "Strictures on Mr. Luard's Edition of a French Poem on the Life of Edward the Confessor".
1093:(the History of Saint Edward the King), which survives in a beautifully illuminated manuscript version, Cambridge,
783:, Oxford, Ms. Ashmole 304, 176 × 128 mm, ff72. Many illustrations: author portraits (many of ancient Greeks –
243:
17:
1129:
278:
1155:
2317:
2262:
2242:
806:(the Younger), British Library, MS Cotton Julius D VII, 188 × 130 mm, ff. 134. 1247–58. Mostly scribed by
612:
425:
2247:
1030:
807:
803:
638:
1214:
1182:
Crusade and Christendom: Annotated Documents in Translation from Innocent III to the Fall of Acre, 1187–1291
2257:
1094:
674:
641:, Ms 177 (former Ms E.I.40) 77 ff with 54 miniatures, mostly half-page. 240 × 165 mm. Also contains a
552:
394:
325:
2272:
1957:
1194:
2043:
1331:
1180:
Matthew Paris, 'Matthew Paris on Staufer Italy'. In Jessalyn Bird, Edward Peters, and James M. Powell,
873:
1281:
1110:
940:
762:
2292:
1080:
371:, was copied multiple times and at multiple places and within 250 years of the writing of Paris's
2302:
858:
621:
299:
1643:"A Medieval Manuscript in the Age of Mechanical Reproduction: Regarding Cambridge MS. Ee. 3. 59"
559:, who inscribed it "Ceste livre est a moy Homffrey Duc de Gloucestre". Later it was held by the
385:"G, please send to the Lady Countess of Arundel, Isabel, that she is to send you the book about
1063:
312:
215:
195:
2177:
Stanford Digitized texts – Works by and about Paris, including Vaughan etc, in huge pdf files
2066:
1087:
758:
754:
207:
50:
2237:
2232:
1097:
MS. Ee.3.59. The manuscript has had a varied publication history. Sections were printed in
958:
944:
922:
669:
661:
602:
512:
498:
481:
448:
390:
321:
231:
2218:
Fully annotated copy of Matthew Paris's Claudius Map, with translations and transcriptions
2152:. Division B, II: The History of the Jewish People. World Union of Jewish Studies: 61–68.
1844:
Matthew Paris, Abbreuiatio chronicorum, AD 1000–1255 (13th C) - BL Cotton MS Claudius D VI
8:
2186:
997:
649:
564:
556:
295:
282:
235:
199:
177:
2060:
1661:
2153:
2103:
Colin Richmond (1992). "Englishness and Medieval Anglo-Jewry". In Kushner, Tony (ed.).
2026:
1686:
1076:
1068:
912:
838:
776:
679:
507:
444:
363:
338:
291:
262:
151:
2217:
2095:
2108:
2030:
1994:
1748:
1713:
1706:
1621:
1614:
1497:
1098:
1034:
1009:
935:
834:
811:
560:
520:
333:
2212:
2192:
2042:
1431:
988:
2135:
2091:
2022:
2018:
1147:
1017:
977:
780:
600:. British Library Cotton MS Nero D I, ff 202 in all, contains maps, the illustrated
1198:
1056:
889:
877:
876:
of the period. A strong influence on one branch of the style was the Carolingian
869:
823:
720:
467:
429:
344:
317:
302:
287:
224:
144:
60:
1118:
993:
973:
885:
750:
716:
433:
274:
168:
83:
31:
2226:
2187:
Matthew Paris's Jerusalem pilgrim's travel guide: information, zoomable image
2171:
2148:
Benin, Stephen D; והיהודים, מתיאו פריס (1989). "Matthew Paris and the Jews".
1952:
1005:
1001:
766:
704:
699:
386:
203:
106:
2139:
2075:
588:. It also contains the most developed of Paris's four maps of Great Britain.
2009:
Weiler, Björn (3 January 2012). "Matthew Paris on the writing of history".
1106:
1048:
724:
1647:
From Text(s) to Book(s): Studies in the Production and Editorial Processes
1379:"Itinerary From London To Chambery, In Matthew Paris' 'Book Of Additions'"
1862:
Matthew Paris, Liber Additamentorum (13th-14th C) - BL Cotton MS Nero D I
1122:
1038:
854:
830:
746:
741:
633:
187:
2197:
2157:
2082:
Menache, Sophia (1997). "Matthew Paris's attitudes toward Anglo-Jewry".
1690:
1125:, and the whole manuscript has been digitalized and can be seen online.
2038:
1494:
Matthieu Paris, Le Moine et le Hasard: Bodleian Library, MS Ashmole 304
881:
796:
644:
617:
484:. MS 16 has very recently had all prefatory matter re-bound separately.
270:
211:
102:
79:
2181:
1114:
815:
585:
306:
277:. He may have studied at Paris in his youth after early education at
239:
2123:
2059:
1642:
1016:
Outstanding among his other maps were (four versions of) a pilgrim
784:
692:
One of the "Becket Leaves", if not by Paris, certainly in his style
55:
Self-portrait of Matthew Paris from the original manuscript of his
1951:
This article incorporates text from a publication now in the
1645:. In Collé-Bak, Nathalie; Latham, Monica; Ten Eyck, David (eds.).
1222:
398:
2198:
Latin Chroniclers from the Eleventh to the Thirteenth Centuries:
1029:
The relation of Matthew Paris's work to those of John de Celia (
439:
1928:
1910:
1892:
1874:
1856:
1838:
1820:
1802:
1784:
1766:
1649:. Nancy: Editions Universitaires de Lorraine. pp. 169–179.
1563:, Royal Academy/Weidenfeld & Nicolson, London 1987, Cat 311
1271:, Royal Academy/Weidenfeld & Nicolson, London 1987, Cat 437
792:
1559:
Nigel Morgan in: Jonathan Alexander & Paul Binski (eds),
1267:
Nigel Morgan in: Jonathan Alexander & Paul Binski (eds),
884:
from about 1000 to 1640. This was copied in the 1020s in the
788:
1405:"Matthew Paris' "Lives of the Offas", Christ of Revelations"
853:
Framed tinted drawing of Heraclius taking down the head of
493:, from 1254 until Paris's death in 1259, is bound with the
2213:
Life of St Edward the Confessor, Cambridge Digital Library
2076:
On Matthew Paris' attitudes to the Anglo-Jewish community
258:
2206:
The Cambridge History of English and American Literature
765:; but another copy was discovered in the early 1900s at
727:. Vaughan had previously noted that the leaves from the
1880:
Dublin, Trinity College, MS E. I. 40, Life of St._Alban
1666:. London: Longman, Brown, Greens, Longmans and Roberts.
957:
gives so unfavourable an account of the king's policy.
947:, with whom he appears to have been on intimate terms.
30:
For the British newspaper columnist and former MP, see
1561:
Age of Chivalry, Art in Plantagenet England, 1200–1400
1269:
Age of Chivalry, Art in Plantagenet England, 1200–1400
719:
in 1198. The illuminations are attributed to Paris by
2124:"The Jewish Minority in Mediaeval England, 1066-1290"
1790:
Chronica Majora part 2 (Matthew Paris) - Parker MS 16
1772:
Chronica Majora part 1 (Matthew Paris) - Parker MS 26
648:, and various other works relating to the history of
214:
verse. He is sometimes confused with the nonexistent
27:
13th-century English monk, historian, and illustrator
1826:
Historia Anglorum (1250–1259) - BL Royal MS 14 C VII
1516:
British Library Archives and Manuscripts catalogue:
1478:
British Library Archives and Manuscripts catalogue:
1465:
British Library Archives and Manuscripts catalogue:
1364:
British Library Archives and Manuscripts catalogue:
1352:
British Library Archives and Manuscripts catalogue:
1051:, 1872–1881), which contains valuable prefaces. The
1012:
can be seen in the drawing. British Library, London.
2150:
Proceedings of the World Congress of Jewish Studies
1749:"Life of St. Edward the Confessor by Matthew Paris"
2298:People educated at St Albans School, Hertfordshire
2070:. Vol. 11. New York: Robert Appleton Company.
1705:
1613:
1280:British Library Digitised Manuscript information:
1109:was severely criticised; it was re-edited for the
382:"If you please you can keep this book till Easter"
1970:. Vol. 17 (11th ed.). pp. 898–899.
1152:Matthew Paris' English history, from 1235 to 1273
2224:
872:of the mid-10th century, and connected with the
1916:The Becket Leaves (c.1220-1240) - BL Loan MS 88
414:
393:which I copied and illustrated, and which the
2102:
2053:. Vol. 43. London: Smith, Elder & Co.
837:shrine (1850 × 750 mm), in the Museum of
361:, and a work named like that of Wendover, the
2147:
1193:
707:with large illuminations. Based on the Latin
541:. Bound with it is the final part of Paris's
265:from British Library MS Cotton Claudius D VI
1934:Liber Experimentarius - Bod. MS Ashmole 304
1042:
1024:
952:
542:
465:
452:
419:Many of Paris's manuscripts aside from his
222:
142:
2057:
1423:
537:and Paris's earlier edited version of the
513:Chetham's Hospital and Library, Manchester
49:
2283:Writers who illustrated their own writing
1062:Matthew Paris is sometimes confused with
656:is in French verse, adapted from a Latin
1676:
1640:
1611:
987:
983:
911:produced by lay artists in this period.
894:
848:
826:. Various other works, especially maps.
822:Also, fragments of a Latin biography of
745:, a French-verse history of the life of
687:
637:etc., dating controversial (1230–1250),
611:
438:
311:
257:
2081:
1985:. Cambridge: Cambridge University Press
1703:
1616:The life of St. Edmund by Matthew Paris
1576:. London: Croom Helm Ltd, 1978, p. 134.
1491:
929:
14:
2225:
2105:The Jewish Heritage in British History
2008:
1988:
1200:The history of the county of Cambridge
2121:
1956:
1898:The Life of King Edward the Confessor
1732:
1712:. London: Anglo-Norman Text Society.
1659:
1324:"Matthew Paris' map of Great Britain"
1053:Historia Anglorum sive historia minor
901:Richard Marshal, 3rd Earl of Pembroke
844:
2005:(on manuscripts, and artistic style)
1704:Wallace, Kathryn Young, ed. (1983).
1354:Cotton MS Claudius D VI, fols. 5–100
1059:(3 vols., Rolls series, 1866–1869).
779:, and other fortune-telling tracts.
198:, and cartographer who was based at
2037:
1660:Luard, Henry Richards, ed. (1858).
1518:Cotton MS Julius D VII, ff 34r–115r
1467:Cotton MS Julius D VI, ff 123r–156v
1366:Cotton MS Vitellius A XX, ff 67–242
592:Chronica excerpta a magnis cronicis
186: 1200 – 1259), was an English
24:
1735:La Estoire de Seint Aedward le Rei
1708:La Estoire de Seint Aedward le Rei
1091:La Estoire de Seint Aedward le Rei
903:, from the Corpus Christi College
769:and is now in the British Library.
25:
2349:
2268:Historians of the Catholic Church
2165:
2058:Herbermann, Charles, ed. (1911).
1432:"Life of St Edward the Confessor"
1429:
474:Corpus Christi College, Cambridge
459:Corpus Christi College, Cambridge
2050:Dictionary of National Biography
1944:
1927:
1909:
1891:
1873:
1855:
1837:
1819:
1801:
1783:
1765:
290:as the bearer of a message from
253:
182:'Matthew the Parisian';
2333:13th-century English historians
1975:
1921:
1903:
1885:
1867:
1849:
1831:
1813:
1795:
1741:
1726:
1697:
1670:
1653:
1634:
1605:
1592:
1579:
1574:Wildlife in Britain and Ireland
1566:
1553:
1523:
1510:
1485:
1472:
1459:
1446:
1397:
1371:
1358:
1346:
1316:
1286:
1274:
1130:St Albans High School for Girls
1055:(1067–1253) has been edited by
833:, the only surviving part of a
639:Trinity College, Dublin Library
2107:. Frank Cass. pp. 42–59.
2023:10.1016/j.jmedhist.2009.05.001
1777:
1759:
1261:
1237:
1207:
1187:
1174:
1161:
1141:
934:From 1235, the point at which
367:. This manuscript, unlike his
13:
1:
2328:13th-century writers in Latin
2096:10.1016/s0304-4181(97)00003-1
1663:Lives of Edward the Confessor
1294:"Matthew Paris on death bead"
899:Unframed marginal drawing of
683:
652:, both also illustrated. The
578:
533:, also drawing on Wendover's
183:
96:
72:
63:, MS Royal 14.C.VII, folio 6r
2323:13th-century English artists
2313:13th-century Christian monks
2182:JSTOR review of Vaughan book
1958:Davis, Henry William Carless
1751:. Cambridge Digital Library.
1589:(Oxon 2008) p. 72 and p. 198
1095:Cambridge University Library
1066:, the reputed author of the
976:into England in 1254 of the
675:Cambridge University Library
553:Humphrey, Duke of Gloucester
415:Manuscripts by Matthew Paris
326:Cambridge University Library
7:
2084:Journal of Medieval History
2011:Journal of Medieval History
1434:. Cambridge Digital Library
829:A panel painting on oak of
10:
2354:
2338:13th-century cartographers
1733:James, M. R., ed. (1920).
1105:. Luard's edition for the
1103:Chroniques Anglo-Normandes
926:in BL MS Cotton Nero D I.
874:English Benedictine Reform
802:Miscellaneous writings by
29:
2308:Medieval English painters
2288:Medieval European scribes
2144:especially pp. 282–3
2128:Journal of Jewish Studies
1737:. Oxford: Frederick Hall.
1602:(Oxon 2008) pp. 75–6
1492:Iafrate, Allegra (2016).
1111:Anglo-Norman Text Society
941:Richard, Earl of Cornwall
892:of the mid-12th century.
670:King Edward the Confessor
395:Lady Countess of Cornwall
136:
122:
114:
91:
68:
48:
41:
1991:Early Gothic manuscripts
1981:Richard Vaughan (1958),
1641:Plumtree, James (2014).
1612:Lawrence, C. H. (1996).
1480:Add MS 70513, ff 85v-100
1135:
1081:Archbishop of Canterbury
1025:Studies of Matthew Paris
451:. Illustration from the
2278:Manuscript illuminators
2253:English Christian monks
2189:British Library website
1967:Encyclopædia Britannica
1620:. Oxford: Alan Sutton.
1203:. S. &. R. Bentley.
859:Trinity College, Dublin
700:St Thomas of Canterbury
622:Trinity College, Dublin
571:Abbreviatio chronicorum
196:illuminated manuscripts
2122:Hyams, Paul R (1974).
2044:"Paris, Matthew"
1989:Morgan, Nigel (1982).
1219:Corpus Christi College
1075:He wrote a life of St
1064:Matthew of Westminster
1043:
1013:
953:
907:
864:
693:
627:
543:
489:A continuation of the
466:
461:
453:
329:
266:
223:
216:Matthew of Westminster
172:
143:
2318:13th-century painters
2263:English cartographers
2243:People from St Albans
2140:10.18647/682/JJS-1974
2067:Catholic Encyclopedia
2061:"Matthew Paris"
1993:. London: H. Miller.
1531:"John of Wallingford"
991:
984:Paris as cartographer
898:
852:
773:Liber Experimentarius
736:Matthew 's original".
691:
615:
442:
315:
261:
238:, the Norwegian king
2248:English Benedictines
2209:, Volume I, 1907–21.
1936:at Wikimedia Commons
1918:at Wikimedia Commons
1900:at Wikimedia Commons
1882:at Wikimedia Commons
1864:at Wikimedia Commons
1846:at Wikimedia Commons
1828:at Wikimedia Commons
1810:at Wikimedia Commons
1792:at Wikimedia Commons
1774:at Wikimedia Commons
1411:on 27 September 2007
1334:on 15 September 2008
1169:Mongols and the West
1132:is named after him.
1113:by K. Y. Wallace. A
959:Henry Richards Luard
930:Paris as a historian
923:Vitae duorum Offarum
777:Bernardus Silvestris
662:William of St Albans
603:Vitae duorum Offarum
598:Liber Additamentorum
449:Henry III of England
387:St Thomas the Martyr
322:Edward the Confessor
173:Matthæus Parisiensis
2258:English chroniclers
1031:John of Wallingford
808:John of Wallingford
804:John of Wallingford
733:Life of King Edward
565:New College, Oxford
328:, Ee.3.59, fo. 11v)
320:, the wife of King
236:Richard of Cornwall
2273:British heraldists
1808:Flores Historiarum
1496:. Paris: Garnier.
1385:on 13 January 2008
1086:He also wrote the
1077:Edmund of Abingdon
1069:Flores historiarum
1041:'s edition of the
1037:may be studied in
1014:
913:William de Brailes
908:
865:
845:Paris as an artist
753:, statements from
694:
680:Aelred of Rievaulx
628:
535:Flores Historiarum
508:Flores Historiarum
478:Flores Historiarum
462:
445:Louis IX of France
364:Flores Historiarum
339:Flores Historiarum
330:
267:
263:Henry I of England
152:Flores Historiarum
2000:978-0-19-921026-8
1932:Media related to
1914:Media related to
1896:Media related to
1878:Media related to
1860:Media related to
1842:Media related to
1824:Media related to
1806:Media related to
1788:Media related to
1770:Media related to
1627:978-0-7509-1129-0
1503:978-2-8124-4945-1
1282:Royal MS 14 C VII
1099:Francisque Michel
1035:Roger of Wendover
967:Historia Anglorum
963:note offendiculum
812:Christ in Majesty
729:Life of St Thomas
561:bishop of Lincoln
527:Historia Anglorum
521:Westminster Abbey
495:Historia Anglorum
359:Historia Anglorum
334:Roger of Wendover
248:Historia Anglorum
181:
158:
157:
57:Historia Anglorum
16:(Redirected from
2345:
2161:
2143:
2118:
2099:
2071:
2063:
2054:
2046:
2034:
2004:
1971:
1962:Matthew of Paris
1950:
1948:
1947:
1937:
1931:
1925:
1919:
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1619:
1609:
1603:
1600:City/Stage/Globe
1596:
1590:
1587:City/Stage/Globe
1583:
1577:
1572:Perry, Richard.
1570:
1564:
1557:
1551:
1550:
1548:
1546:
1541:on 11 March 2007
1537:. Archived from
1527:
1521:
1514:
1508:
1507:
1489:
1483:
1476:
1470:
1463:
1457:
1450:
1444:
1443:
1441:
1439:
1430:Paris, Matthew.
1427:
1421:
1420:
1418:
1416:
1407:. Archived from
1401:
1395:
1394:
1392:
1390:
1381:. Archived from
1375:
1369:
1362:
1356:
1350:
1344:
1343:
1341:
1339:
1330:. Archived from
1320:
1314:
1313:
1311:
1309:
1304:on 29 April 2005
1300:. Archived from
1290:
1284:
1278:
1272:
1265:
1259:
1258:
1256:
1254:
1241:
1235:
1234:
1232:
1230:
1221:. Archived from
1211:
1205:
1204:
1191:
1185:
1178:
1172:
1165:
1159:
1148:John Allen Giles
1145:
1046:
978:common crossbill
956:
781:Bodleian Library
713:Elias of Evesham
685:
658:Life of St Alban
654:Life of St Alban
625:Life of St Alban
583:
580:
546:
471:
456:
279:St Albans School
228:
185:
176:
165:Matthew of Paris
163:, also known as
148:
139:
98:
74:
53:
39:
38:
21:
18:Matthew of Paris
2353:
2352:
2348:
2347:
2346:
2344:
2343:
2342:
2293:English scribes
2223:
2222:
2168:
2115:
2078:
2001:
1978:
1945:
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1558:
1554:
1544:
1542:
1535:British Library
1529:
1528:
1524:
1515:
1511:
1504:
1490:
1486:
1477:
1473:
1464:
1460:
1452:Vaughn (1958),
1451:
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1328:British Library
1322:
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1298:British Library
1292:
1291:
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1266:
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1248:British Library
1243:
1242:
1238:
1228:
1226:
1225:on 20 July 2008
1213:
1212:
1208:
1192:
1188:
1179:
1175:
1167:Peter Jackson,
1166:
1162:
1154:, Publ. 1852. (
1146:
1142:
1138:
1128:Paris House at
1057:Frederic Madden
1044:Chronica Majora
1027:
986:
954:Chronica Majora
932:
890:Eadwine Psalter
880:, which was at
878:Utrecht Psalter
870:Anglo-Saxon art
847:
839:Oslo University
824:Stephen Langton
721:Janet Backhouse
650:St Albans Abbey
581:
544:Chronica Majora
468:Chronica Majora
454:Chronica Majora
447:, a present to
430:British Library
417:
397:may keep until
345:Chronica Majora
303:Nidarholm Abbey
256:
225:Chronica Majora
200:St Albans Abbey
149:
145:Chronica Majora
137:
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61:British Library
44:
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23:
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2303:Artist authors
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2167:
2166:External links
2164:
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2145:
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2100:
2090:(2): 139–162.
2077:
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2041:, ed. (1895).
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1150:(translator),
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1121:was edited by
1119:Roxburghe Club
1026:
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1010:Hadrian's Wall
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886:Harley Psalter
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1543:. Retrieved
1539:the original
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1425:
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1409:the original
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1383:the original
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1336:. Retrieved
1332:the original
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1302:the original
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1223:the original
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194:, artist in
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138:Notable work
130:Cartographer
56:
36:
2238:1259 deaths
2233:1200 births
2039:Lee, Sidney
1685:(1): 1–81.
1123:M. R. James
1079:, sometime
1039:Henry Luard
943:, and King
857:, from the
855:Saint Alban
747:Edmund Rich
709:Quadrilogus
686: 1162.
582: 1255
426:Dissolution
399:Whitsuntide
318:Queen Edith
300:Benedictine
188:Benedictine
115:Nationality
95:1259 (aged
2227:Categories
1679:Hermathena
1047:(7 vols.,
882:Canterbury
835:tabernacle
797:Pythagoras
618:Amphibalus
271:Hildersham
192:chronicler
103:St. Albans
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1215:"Welcome"
1115:facsimile
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998:Newcastle
974:irruption
945:Henry III
816:Wymondham
742:St Edmund
620:from the
586:genealogy
555:, son of
499:Henry III
482:William I
391:St Edward
307:Trondheim
296:Haakon IV
283:St Albans
240:Haakon IV
232:Henry III
126:Historian
109:, England
86:, England
78:possibly
59:(London,
2158:23535615
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1197:(1819).
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668:Life of
643:Life of
634:St Alban
632:Life of
557:Henry IV
549:Chronica
539:Chronica
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517:Chronica
491:Chronica
421:Chronica
369:Chronica
355:Chronica
351:Chronica
305:outside
292:Louis IX
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1545:7 April
1415:7 March
1389:7 March
1338:7 April
1308:7 April
1253:7 April
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1184:, p.405
1171:, p. 58
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190:monk,
128:Author
2203:from
2154:JSTOR
2027:S2CID
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1136:Notes
994:Dover
789:Plato
169:Latin
2109:ISBN
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1714:ISBN
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1440:2012
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1391:2007
1340:2022
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