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188:. He is popularly said to have disapproved of his son taking up the arts, but there is nothing to support this. According to François Marandet in 2002, an apprenticeship was arranged for the young Maurice, with a painter named Dupouch, from 12 October 1719, but it is not known when this contract was terminated. Little is known of de La Tour's background until, when barely nineteen, he went to Paris indefinitely, fleeing an indiscretion concerning his cousin, Anne Bougier; by this age he was claiming painting as his profession. After travelling briefly to England in 1725, he returned to Paris in 1727, where he was encouraged to begin working as a portraitist in pastels. His earliest known portrait, which is attested only by an engraving made in 1731 by
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states of de La Tour that "where other artists make heavy weather of portraying themselves, he takes the task lightly and seems to have produced more glad-faced self-portraits than any other artist". However, being of an excessively nervous disposition (which eventually descended into dementia), and
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As de La Tour's wealth increased from his commissions, so did his philanthropy: he founded a school for drawing in his native Saint-Quentin and donated towards impoverished women in confinement and disabled and ageing artisans and artists. He was also advisor and benefactor to the Royal
Academy of
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in 1745. By the late 1760s, his portraiture of the royal family had ceased. De La Tour was popularly perceived as endowing his portrait subjects with a distinctive charm and intelligence, while his delicate but sure touch with the pastel medium rendered a pleasing softness to their features.
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de
Goncourt, Edmond and Jules. French XVIII Century Painters. (1867) pp. 165, 171, 176 (first published Paris, 1867, fasc. 4, reprinted New York, 1948; second edition, 1873, pp. 271, 281–282).
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Contemporary accounts describe de La Tour's nature as lively, good-humoured, but eccentric. In many of his self-portraits he depicts himself smiling out from the frame towards the viewer;
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and Saint-Quentin, who died in 1674. François de La Tour apparently was successively a trumpet-player for the rifle regiment of the
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an interactive multimedia module about the
Portrait of the Marquise de Pompadour in the Website of the musée du Louvre
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claimed to be his only student (although this is unlikely). On 25 May 1737, de La Tour was officially recognised (
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of Amiens. Eventually confined to his home and to the care of his brother, Jean-François, because of encroaching
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an exacting practitioner, he has also been described as over-engineering his work, to the point of spoiling it.
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Abécédario de P.-J. Mariette et autres notes inédites de cet amateur sur les arts et les artistes.
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215:(musée du Louvre), the first of a series of 150 portraits that served as one of the glories of the
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136:(5 September 1704 – 17 February 1788) was a French painter who worked primarily with
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François
Marandet, 'The Apprenticeship of Maurice Quentin de La Tour (1704-88)',
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at the age of 83 (he had revoked earlier wills). Jean-François (d. 1807),
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Neil
Jeffares, Dictionary of pastellists before 1800, online edition
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Maurice
Quentin de La Tour on a banknote of 50 francs issued by the
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In 1737, at the Paris Salon, de La Tour exhibited the portraits of
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This article incorporates text from a publication now in the
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Painting and
Sculpture in Paris, and the Academy of Sciences and
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264:, he retired at the age of 80 to Saint-Quentin, where he died
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800:. Vol. 16 (11th ed.). Cambridge University Press.
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and he was the son of a master mason, Jean de La Tour, of
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Jeffares, Neil, s.v. 'La Tour, Maurice-Quentin de', In
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chevalier de l'ordre royal militaire de Saint-Louis
219:for the next 36 years. Nevertheless, the painter
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757:http://www.pastellists.com/Articles/LaTour2a.pdf
748:, biographie critique. (Paris, 1904) p. 40.
664:'André Michel, 'Causerie artistique: La Tour',
721:(London: George Bell and Sons, 1899), p. 165
666:Journal des débats politiques et litteraires
144:style. Among his most famous subjects were
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695:A Face to the World: On Self-Portraits
272:, was the natural heir to his estate.
753:Dictionary of Pastellists Before 1800
762:Maurice-Quentin de La Tour’s parents
697:. London: HarperPress. p. 159.
184:, and musician to the master of the
631:French banknotes denominated at 50
573:Jean-Joseph Cassanéa de Mondonville
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186:collegiate church of Saint-Quentin
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47:Self-portrait with Lace Jabot
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792:La Tour, Maurice Quentin de
668:(274), 2 October 1904, p. 1
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18:Maurice-Quentin de La Tour
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59:Maurice-Quentin Delatour
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382:Queen Marie Leszczyńska
213:Self-Portrait, Laughing
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400:Isabelle de Charrière
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310:Marquise de Pompadour
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93:(1788-02-17)
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855:1788 deaths
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768:Attribution
217:Paris Salon
114:Nationality
844:Categories
729:References
65:1704-09-05
639:Footnotes
606:Marie Fel
266:intestate
227:) by the
164:Biography
49:(ca 1751)
292:Voltaire
237:Jeffares
194:Voltaire
190:Langlois
156:and the
154:Louis XV
150:Rousseau
146:Voltaire
825:Masters
785::
746:La Tour
627:in 1978
418:Prince
276:Gallery
140:in the
138:pastels
103:Picardy
77:Picardy
779:
701:
633:francs
402:(1766)
207:, and
142:Rococo
126:Pastel
117:French
225:agréé
699:ISBN
178:Laon
174:Laon
88:Died
55:Born
794:".
211:or
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