98:
20:
156:
120:. In some standard texts and professional references, a full-length view of a human subject is called a medium shot; in this terminology, a shot of the person from the knees up or the waist up is a close-up shot. In other texts, these partial views are called medium shots. In principle, the medium shot is what can be seen with the human eye in a single quick glance and convey all the action taking place in that
77:
Medium shots are favored in sequences where dialogues or a small group of people are acting, as they give the viewer a partial view of the background, such as when the shot is 'cutting the person in half' and also show the subjects' facial expressions in the context of their body language. Medium
144:, shows a bit more of the background but is still close enough for facial expressions to be seen, although these facial expressions would be better seen in a waist-high shot.
565:
82:. It is also used in interviews. It is the most common shot in movies, and it usually follows the first establishing shots of a new scene or location.
412:
633:
1125:
602:
592:
626:
579:
261:
1456:
673:
39:
736:
1451:
1118:
619:
540:
112:
The medium shot shows equality between subjects and background. The dividing line between what constitutes a
731:
1391:
933:
102:
1421:
450:
420:
375:
317:
1111:
325:
477:
823:
1184:
828:
215:
133:
1316:
855:
532:
251:
1276:
1038:
642:
1311:
97:
8:
1385:
1296:
1084:
851:
289:
1326:
1266:
1174:
1159:
908:
888:
833:
703:
1291:
1204:
1198:
1069:
1054:
841:
763:
678:
598:
575:
348:
257:
190:
132:
Medium shots are divided into singles (a waist-high shot of one actor), group shots,
66:
253:
Cinematography: Theory and
Practice, Image Making for Cinematographers and Directors
78:
shots are also used when the subject in the shot is delivering information, such as
1286:
1271:
1243:
1234:
1194:
1169:
1142:
955:
943:
693:
658:
225:
19:
210:
1411:
1301:
883:
511:
195:
175:
503:
1363:
1306:
1224:
1149:
1134:
1021:
1011:
903:
708:
663:
650:
205:
79:
28:
1445:
1346:
1179:
1079:
1026:
1016:
985:
965:
938:
873:
783:
698:
141:
121:
35:
1416:
1406:
1214:
1164:
970:
960:
898:
865:
798:
751:
230:
170:
106:
63:
32:
1426:
1401:
1381:
1371:
1353:
1341:
1336:
1256:
1229:
1219:
1153:
1059:
990:
913:
878:
185:
161:
116:
and medium shot is not definite, nor is the line between medium shot and
86:
24:
1376:
1331:
1281:
1261:
1189:
1031:
995:
893:
846:
746:
713:
688:
668:
611:
1396:
1321:
1074:
980:
975:
778:
741:
683:
200:
113:
89:
that sees what the human eye sees is usually used for medium shots.
1209:
948:
803:
793:
571:
383:
220:
180:
137:
117:
1251:
1064:
723:
594:
Filmmaking A to Z: The Guide to 35 Millimeter
Filmmaking
256:. Burlington, Massachusetts: Focal Press. p. 20.
151:
1443:
140:(featuring two people). A medium wide shot, or
1119:
627:
243:
23:An example of a medium group shot featuring
1126:
1112:
634:
620:
590:
641:
444:
442:
440:
438:
343:
341:
96:
18:
16:Camera angle shot from a medium distance
367:
284:
282:
280:
1444:
567:Digital Cinematography & Directing
1107:
615:
563:
475:
469:
448:
435:
410:
406:
404:
402:
400:
338:
312:
310:
249:
533:"Elements of Cinematography: Camera"
277:
1133:
451:"SHOT SIZES: Telling What They See"
13:
557:
413:"Long shot, medium shot, close-up"
397:
307:
14:
1468:
591:Alexander, Victor (29 May 2008).
373:
154:
525:
419:. Releasing.net. Archived from
496:
1:
541:University of Texas at Dallas
237:
92:
7:
476:Moura, Gabe (3 June 2014).
449:Moura, Gabe (3 June 2014).
147:
10:
1473:
1392:Computer-generated imagery
934:Unchained camera technique
318:"Basics of video shooting"
1362:
1242:
1141:
1097:
1047:
1004:
926:
864:
819:
812:
771:
762:
722:
649:
482:www.elementsofcinema.com
455:www.elementsofcinema.com
326:Arizona State University
127:
69:from a medium distance.
1457:Television terminology
1185:Dead-character costume
216:Over the shoulder shot
109:
72:
43:
856:multiple-camera setup
250:Brown, Blain (2012).
101:A medium two-shot of
100:
22:
1452:Cinematic techniques
1277:Infrared photography
643:Cinematic techniques
597:. Victor Alexander.
423:on December 23, 2019
564:Ablan, Dan (2002).
508:www.owlnet.rice.edu
411:Alexander, Victor.
1327:Tilted plane focus
1267:Forced perspective
1175:Costumed character
1160:Air bladder effect
779:Wide / Long / Full
353:www.dictionary.com
296:. Wavelength Media
134:over-the shoulders
110:
44:
40:A Farewell to Arms
1439:
1438:
1435:
1434:
1312:SchĂĽfftan process
1292:Multiple exposure
1205:Prosthetic makeup
1093:
1092:
1070:Freeze-frame shot
1055:Establishing shot
922:
921:
829:Over-the-shoulder
604:978-1-4382-0963-0
478:"Types of Lenses"
417:www.releasing.net
191:Establishing shot
1464:
1412:Optical printing
1287:Lighting effects
1272:Front projection
1235:Theatrical blood
1195:Miniature effect
1170:Bullet hit squib
1128:
1121:
1114:
1105:
1104:
1048:Other techniques
837:
817:
816:
813:Camera placement
769:
768:
636:
629:
622:
613:
612:
608:
585:
552:
551:
549:
547:
537:www.utdallas.edu
529:
523:
522:
520:
518:
500:
494:
493:
491:
489:
473:
467:
466:
464:
462:
446:
433:
432:
430:
428:
408:
395:
394:
392:
390:
380:www.peachpit.com
371:
365:
364:
362:
360:
355:. Dictionary.com
345:
336:
335:
333:
332:
314:
305:
304:
302:
301:
294:mediacollege.com
286:
275:
274:
272:
270:
247:
226:Video production
164:
159:
158:
157:
1472:
1471:
1467:
1466:
1465:
1463:
1462:
1461:
1442:
1441:
1440:
1431:
1358:
1317:Shutter effects
1302:Rear projection
1238:
1137:
1135:Special effects
1132:
1103:
1089:
1043:
1000:
927:Camera movement
918:
909:Worm's-eye view
860:
835:
808:
758:
718:
645:
640:
605:
582:
560:
558:Further reading
555:
545:
543:
531:
530:
526:
516:
514:
512:Rice University
504:"Film Glossary"
502:
501:
497:
487:
485:
484:. Gabriel Moura
474:
470:
460:
458:
457:. Gabriel Moura
447:
436:
426:
424:
409:
398:
388:
386:
372:
368:
358:
356:
347:
346:
339:
330:
328:
316:
315:
308:
299:
297:
290:"Mid Shot (MS)"
288:
287:
278:
268:
266:
264:
248:
244:
240:
235:
196:High-angle shot
176:Camera operator
160:
155:
153:
150:
130:
95:
80:news presenters
75:
17:
12:
11:
5:
1470:
1460:
1459:
1454:
1437:
1436:
1433:
1432:
1430:
1429:
1424:
1419:
1414:
1409:
1404:
1399:
1394:
1389:
1379:
1374:
1368:
1366:
1360:
1359:
1357:
1356:
1351:
1350:
1349:
1344:
1339:
1329:
1324:
1319:
1314:
1309:
1307:Reverse motion
1304:
1299:
1294:
1289:
1284:
1279:
1274:
1269:
1264:
1259:
1254:
1248:
1246:
1240:
1239:
1237:
1232:
1227:
1225:Matte painting
1222:
1217:
1212:
1207:
1202:
1192:
1187:
1182:
1177:
1172:
1167:
1162:
1157:
1150:Aerial rigging
1147:
1145:
1139:
1138:
1131:
1130:
1123:
1116:
1108:
1102:
1101:
1098:
1095:
1094:
1091:
1090:
1088:
1087:
1082:
1077:
1072:
1067:
1062:
1057:
1051:
1049:
1045:
1044:
1042:
1041:
1036:
1035:
1034:
1029:
1024:
1022:Depth of field
1019:
1008:
1006:
1002:
1001:
999:
998:
993:
988:
983:
978:
973:
968:
963:
958:
953:
952:
951:
941:
936:
930:
928:
924:
923:
920:
919:
917:
916:
911:
906:
901:
896:
891:
886:
881:
876:
870:
868:
862:
861:
859:
858:
849:
844:
839:
834:Point-of-view
831:
826:
820:
814:
810:
809:
807:
806:
801:
796:
791:
786:
781:
775:
773:
766:
760:
759:
757:
756:
755:
754:
749:
744:
734:
728:
726:
720:
719:
717:
716:
711:
706:
701:
696:
691:
686:
681:
676:
671:
666:
661:
655:
653:
647:
646:
639:
638:
631:
624:
616:
610:
609:
603:
587:
586:
580:
559:
556:
554:
553:
524:
495:
468:
434:
396:
376:"Medium Shots"
366:
337:
306:
276:
262:
241:
239:
236:
234:
233:
228:
223:
218:
213:
208:
206:Low-angle shot
203:
198:
193:
188:
183:
178:
173:
167:
166:
165:
149:
146:
129:
126:
94:
91:
74:
71:
29:Adolphe Menjou
15:
9:
6:
4:
3:
2:
1469:
1458:
1455:
1453:
1450:
1449:
1447:
1428:
1425:
1423:
1420:
1418:
1415:
1413:
1410:
1408:
1405:
1403:
1400:
1398:
1395:
1393:
1390:
1387:
1383:
1380:
1378:
1375:
1373:
1370:
1369:
1367:
1365:
1361:
1355:
1352:
1348:
1347:Speed ramping
1345:
1343:
1340:
1338:
1335:
1334:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1298:
1295:
1293:
1290:
1288:
1285:
1283:
1280:
1278:
1275:
1273:
1270:
1268:
1265:
1263:
1260:
1258:
1255:
1253:
1250:
1249:
1247:
1245:
1241:
1236:
1233:
1231:
1228:
1226:
1223:
1221:
1218:
1216:
1213:
1211:
1208:
1206:
1203:
1200:
1196:
1193:
1191:
1188:
1186:
1183:
1181:
1180:Creature suit
1178:
1176:
1173:
1171:
1168:
1166:
1163:
1161:
1158:
1155:
1151:
1148:
1146:
1144:
1140:
1136:
1129:
1124:
1122:
1117:
1115:
1110:
1109:
1106:
1100:
1099:
1096:
1086:
1083:
1081:
1078:
1076:
1073:
1071:
1068:
1066:
1063:
1061:
1058:
1056:
1053:
1052:
1050:
1046:
1040:
1037:
1033:
1030:
1028:
1025:
1023:
1020:
1018:
1015:
1014:
1013:
1010:
1009:
1007:
1003:
997:
994:
992:
989:
987:
986:Walk and talk
984:
982:
979:
977:
974:
972:
969:
967:
964:
962:
959:
957:
954:
950:
947:
946:
945:
942:
940:
937:
935:
932:
931:
929:
925:
915:
912:
910:
907:
905:
902:
900:
897:
895:
892:
890:
887:
885:
882:
880:
877:
875:
872:
871:
869:
867:
863:
857:
853:
850:
848:
845:
843:
840:
838:
832:
830:
827:
825:
822:
821:
818:
815:
811:
805:
802:
800:
797:
795:
792:
790:
787:
785:
782:
780:
777:
776:
774:
770:
767:
765:
761:
753:
752:Sound effects
750:
748:
745:
743:
740:
739:
738:
735:
733:
730:
729:
727:
725:
721:
715:
712:
710:
707:
705:
702:
700:
697:
695:
692:
690:
687:
685:
682:
680:
677:
675:
672:
670:
667:
665:
662:
660:
657:
656:
654:
652:
648:
644:
637:
632:
630:
625:
623:
618:
617:
614:
606:
600:
596:
595:
589:
588:
583:
581:0-7357-1258-1
577:
573:
569:
568:
562:
561:
542:
538:
534:
528:
513:
509:
505:
499:
483:
479:
472:
456:
452:
445:
443:
441:
439:
422:
418:
414:
407:
405:
403:
401:
385:
381:
377:
370:
354:
350:
349:"medium shot"
344:
342:
327:
323:
319:
313:
311:
295:
291:
285:
283:
281:
265:
263:9781136047381
259:
255:
254:
246:
242:
232:
229:
227:
224:
222:
219:
217:
214:
212:
211:Mise-en-scène
209:
207:
204:
202:
199:
197:
194:
192:
189:
187:
184:
182:
179:
177:
174:
172:
169:
168:
163:
152:
145:
143:
142:American shot
139:
135:
125:
123:
122:field of view
119:
115:
108:
105:interviewing
104:
103:Robin Roberts
99:
90:
88:
83:
81:
70:
68:
65:
61:
57:
53:
49:
46:In a movie a
42:
41:
37:
34:
30:
26:
21:
1422:Split screen
1417:Smallgantics
1407:Match moving
1215:Pyrotechnics
1165:Animatronics
1005:Lens effects
866:Camera angle
854: /
788:
737:Non-diegetic
593:
566:
544:. Retrieved
536:
527:
515:. Retrieved
507:
498:
486:. Retrieved
481:
471:
459:. Retrieved
454:
425:. Retrieved
421:the original
416:
387:. Retrieved
379:
374:Ablan, Dan.
369:
357:. Retrieved
352:
329:. Retrieved
321:
298:. Retrieved
293:
267:. Retrieved
252:
245:
231:Videographer
171:Camera angle
131:
111:
107:Barack Obama
84:
76:
64:camera angle
59:
55:
51:
47:
45:
38:
1427:Stop motion
1402:Introvision
1382:Compositing
1372:Bullet time
1354:Stop motion
1342:Slow motion
1337:Fast motion
1282:Lens flares
1257:Bullet time
1230:Sugar glass
1220:Rubber mask
1154:wire-flying
1060:Master shot
914:Dutch angle
824:Perspective
186:Dutch angle
162:Film portal
87:normal lens
48:medium shot
25:Gary Cooper
1446:Categories
1377:Chroma key
1332:Time-lapse
1297:Filtration
1262:Dolly zoom
1190:Kitbashing
996:Dolly zoom
894:Crane shot
889:Bird's-eye
884:High-angle
772:Field size
747:Film score
689:Lens flare
659:Background
546:1 December
517:1 December
488:1 December
461:1 December
427:1 December
389:1 December
359:1 December
331:2015-12-01
300:2015-12-01
269:August 11,
238:References
93:Definition
60:waist shot
36:drama film
1397:Go motion
1322:Slit-scan
1244:In-camera
1143:Practical
1075:Long take
981:SnorriCam
976:Steadicam
956:Hand-held
904:Low-angle
742:Narration
704:Rembrandt
201:Long shot
138:two-shots
114:long shot
31:from the
1210:Puppetry
1080:One-shot
966:Tracking
949:Whip pan
899:Jib shot
804:Two shot
794:Close-up
784:American
764:Shooting
732:Diegetic
679:High-key
651:Lighting
572:Peachpit
384:Peachpit
221:Two shot
181:Close-up
148:See also
118:close-up
52:mid shot
1386:digital
1384: (
1252:Bipacks
1199:hanging
1197: (
1152: (
1039:Zooming
1027:Shallow
1017:Racking
944:Panning
939:Tilting
842:Reverse
799:Italian
694:Low-key
322:asu.edu
1364:Visual
1085:Insert
1065:B-roll
991:Follow
879:Aerial
852:Single
789:Medium
601:
578:
260:
58:), or
1012:Focus
971:Dolly
961:Shaky
847:Trunk
836:(POV)
724:Sound
709:Stage
674:Flood
664:Cameo
128:Types
62:is a
1032:Deep
874:Tilt
714:Soft
699:Mood
669:Fill
599:ISBN
576:ISBN
548:2015
519:2015
490:2015
463:2015
429:2015
391:2015
361:2015
271:2023
258:ISBN
67:shot
33:1932
27:and
684:Key
136:or
73:Use
1448::
574:.
570:.
539:.
535:.
510:.
506:.
480:.
453:.
437:^
415:.
399:^
382:.
378:.
351:.
340:^
324:.
320:.
309:^
292:.
279:^
124:.
85:A
56:MS
50:,
1388:)
1201:)
1156:)
1127:e
1120:t
1113:v
635:e
628:t
621:v
607:.
584:.
550:.
521:.
492:.
465:.
431:.
393:.
363:.
334:.
303:.
273:.
54:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.