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Medium shot

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98: 20: 156: 120:. In some standard texts and professional references, a full-length view of a human subject is called a medium shot; in this terminology, a shot of the person from the knees up or the waist up is a close-up shot. In other texts, these partial views are called medium shots. In principle, the medium shot is what can be seen with the human eye in a single quick glance and convey all the action taking place in that 77:
Medium shots are favored in sequences where dialogues or a small group of people are acting, as they give the viewer a partial view of the background, such as when the shot is 'cutting the person in half' and also show the subjects' facial expressions in the context of their body language. Medium
144:, shows a bit more of the background but is still close enough for facial expressions to be seen, although these facial expressions would be better seen in a waist-high shot. 565: 82:. It is also used in interviews. It is the most common shot in movies, and it usually follows the first establishing shots of a new scene or location. 412: 633: 1125: 602: 592: 626: 579: 261: 1456: 673: 39: 736: 1451: 1118: 619: 540: 112:
The medium shot shows equality between subjects and background. The dividing line between what constitutes a
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Medium shots are divided into singles (a waist-high shot of one actor), group shots,
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Cinematography: Theory and Practice, Image Making for Cinematographers and Directors
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shots are also used when the subject in the shot is delivering information, such as
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and medium shot is not definite, nor is the line between medium shot and
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that sees what the human eye sees is usually used for medium shots.
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Filmmaking A to Z: The Guide to 35 Millimeter Filmmaking
256:. Burlington, Massachusetts: Focal Press. p. 20. 151: 1443: 140:(featuring two people). A medium wide shot, or 1119: 627: 243: 23:An example of a medium group shot featuring 1126: 1112: 634: 620: 590: 641: 444: 442: 440: 438: 343: 341: 96: 18: 16:Camera angle shot from a medium distance 367: 284: 282: 280: 1444: 567:Digital Cinematography & Directing 1107: 615: 563: 475: 469: 448: 435: 410: 406: 404: 402: 400: 338: 312: 310: 249: 533:"Elements of Cinematography: Camera" 277: 1133: 451:"SHOT SIZES: Telling What They See" 13: 557: 413:"Long shot, medium shot, close-up" 397: 307: 14: 1468: 591:Alexander, Victor (29 May 2008). 373: 154: 525: 419:. Releasing.net. Archived from 496: 1: 541:University of Texas at Dallas 237: 92: 7: 476:Moura, Gabe (3 June 2014). 449:Moura, Gabe (3 June 2014). 147: 10: 1473: 1392:Computer-generated imagery 934:Unchained camera technique 318:"Basics of video shooting" 1362: 1242: 1141: 1097: 1047: 1004: 926: 864: 819: 812: 771: 762: 722: 649: 482:www.elementsofcinema.com 455:www.elementsofcinema.com 326:Arizona State University 127: 69:from a medium distance. 1457:Television terminology 1185:Dead-character costume 216:Over the shoulder shot 109: 72: 43: 856:multiple-camera setup 250:Brown, Blain (2012). 101:A medium two-shot of 100: 22: 1452:Cinematic techniques 1277:Infrared photography 643:Cinematic techniques 597:. Victor Alexander. 423:on December 23, 2019 564:Ablan, Dan (2002). 508:www.owlnet.rice.edu 411:Alexander, Victor. 1327:Tilted plane focus 1267:Forced perspective 1175:Costumed character 1160:Air bladder effect 779:Wide / Long / Full 353:www.dictionary.com 296:. Wavelength Media 134:over-the shoulders 110: 44: 40:A Farewell to Arms 1439: 1438: 1435: 1434: 1312:SchĂĽfftan process 1292:Multiple exposure 1205:Prosthetic makeup 1093: 1092: 1070:Freeze-frame shot 1055:Establishing shot 922: 921: 829:Over-the-shoulder 604:978-1-4382-0963-0 478:"Types of Lenses" 417:www.releasing.net 191:Establishing shot 1464: 1412:Optical printing 1287:Lighting effects 1272:Front projection 1235:Theatrical blood 1195:Miniature effect 1170:Bullet hit squib 1128: 1121: 1114: 1105: 1104: 1048:Other techniques 837: 817: 816: 813:Camera placement 769: 768: 636: 629: 622: 613: 612: 608: 585: 552: 551: 549: 547: 537:www.utdallas.edu 529: 523: 522: 520: 518: 500: 494: 493: 491: 489: 473: 467: 466: 464: 462: 446: 433: 432: 430: 428: 408: 395: 394: 392: 390: 380:www.peachpit.com 371: 365: 364: 362: 360: 355:. Dictionary.com 345: 336: 335: 333: 332: 314: 305: 304: 302: 301: 294:mediacollege.com 286: 275: 274: 272: 270: 247: 226:Video production 164: 159: 158: 157: 1472: 1471: 1467: 1466: 1465: 1463: 1462: 1461: 1442: 1441: 1440: 1431: 1358: 1317:Shutter effects 1302:Rear projection 1238: 1137: 1135:Special effects 1132: 1103: 1089: 1043: 1000: 927:Camera movement 918: 909:Worm's-eye view 860: 835: 808: 758: 718: 645: 640: 605: 582: 560: 558:Further reading 555: 545: 543: 531: 530: 526: 516: 514: 512:Rice University 504:"Film Glossary" 502: 501: 497: 487: 485: 484:. Gabriel Moura 474: 470: 460: 458: 457:. Gabriel Moura 447: 436: 426: 424: 409: 398: 388: 386: 372: 368: 358: 356: 347: 346: 339: 330: 328: 316: 315: 308: 299: 297: 290:"Mid Shot (MS)" 288: 287: 278: 268: 266: 264: 248: 244: 240: 235: 196:High-angle shot 176:Camera operator 160: 155: 153: 150: 130: 95: 80:news presenters 75: 17: 12: 11: 5: 1470: 1460: 1459: 1454: 1437: 1436: 1433: 1432: 1430: 1429: 1424: 1419: 1414: 1409: 1404: 1399: 1394: 1389: 1379: 1374: 1368: 1366: 1360: 1359: 1357: 1356: 1351: 1350: 1349: 1344: 1339: 1329: 1324: 1319: 1314: 1309: 1307:Reverse motion 1304: 1299: 1294: 1289: 1284: 1279: 1274: 1269: 1264: 1259: 1254: 1248: 1246: 1240: 1239: 1237: 1232: 1227: 1225:Matte painting 1222: 1217: 1212: 1207: 1202: 1192: 1187: 1182: 1177: 1172: 1167: 1162: 1157: 1150:Aerial rigging 1147: 1145: 1139: 1138: 1131: 1130: 1123: 1116: 1108: 1102: 1101: 1098: 1095: 1094: 1091: 1090: 1088: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1051: 1049: 1045: 1044: 1042: 1041: 1036: 1035: 1034: 1029: 1024: 1022:Depth of field 1019: 1008: 1006: 1002: 1001: 999: 998: 993: 988: 983: 978: 973: 968: 963: 958: 953: 952: 951: 941: 936: 930: 928: 924: 923: 920: 919: 917: 916: 911: 906: 901: 896: 891: 886: 881: 876: 870: 868: 862: 861: 859: 858: 849: 844: 839: 834:Point-of-view 831: 826: 820: 814: 810: 809: 807: 806: 801: 796: 791: 786: 781: 775: 773: 766: 760: 759: 757: 756: 755: 754: 749: 744: 734: 728: 726: 720: 719: 717: 716: 711: 706: 701: 696: 691: 686: 681: 676: 671: 666: 661: 655: 653: 647: 646: 639: 638: 631: 624: 616: 610: 609: 603: 587: 586: 580: 559: 556: 554: 553: 524: 495: 468: 434: 396: 376:"Medium Shots" 366: 337: 306: 276: 262: 241: 239: 236: 234: 233: 228: 223: 218: 213: 208: 206:Low-angle shot 203: 198: 193: 188: 183: 178: 173: 167: 166: 165: 149: 146: 129: 126: 94: 91: 74: 71: 29:Adolphe Menjou 15: 9: 6: 4: 3: 2: 1469: 1458: 1455: 1453: 1450: 1449: 1447: 1428: 1425: 1423: 1420: 1418: 1415: 1413: 1410: 1408: 1405: 1403: 1400: 1398: 1395: 1393: 1390: 1387: 1383: 1380: 1378: 1375: 1373: 1370: 1369: 1367: 1365: 1361: 1355: 1352: 1348: 1347:Speed ramping 1345: 1343: 1340: 1338: 1335: 1334: 1333: 1330: 1328: 1325: 1323: 1320: 1318: 1315: 1313: 1310: 1308: 1305: 1303: 1300: 1298: 1295: 1293: 1290: 1288: 1285: 1283: 1280: 1278: 1275: 1273: 1270: 1268: 1265: 1263: 1260: 1258: 1255: 1253: 1250: 1249: 1247: 1245: 1241: 1236: 1233: 1231: 1228: 1226: 1223: 1221: 1218: 1216: 1213: 1211: 1208: 1206: 1203: 1200: 1196: 1193: 1191: 1188: 1186: 1183: 1181: 1180:Creature suit 1178: 1176: 1173: 1171: 1168: 1166: 1163: 1161: 1158: 1155: 1151: 1148: 1146: 1144: 1140: 1136: 1129: 1124: 1122: 1117: 1115: 1110: 1109: 1106: 1100: 1099: 1096: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1052: 1050: 1046: 1040: 1037: 1033: 1030: 1028: 1025: 1023: 1020: 1018: 1015: 1014: 1013: 1010: 1009: 1007: 1003: 997: 994: 992: 989: 987: 986:Walk and talk 984: 982: 979: 977: 974: 972: 969: 967: 964: 962: 959: 957: 954: 950: 947: 946: 945: 942: 940: 937: 935: 932: 931: 929: 925: 915: 912: 910: 907: 905: 902: 900: 897: 895: 892: 890: 887: 885: 882: 880: 877: 875: 872: 871: 869: 867: 863: 857: 853: 850: 848: 845: 843: 840: 838: 832: 830: 827: 825: 822: 821: 818: 815: 811: 805: 802: 800: 797: 795: 792: 790: 787: 785: 782: 780: 777: 776: 774: 770: 767: 765: 761: 753: 752:Sound effects 750: 748: 745: 743: 740: 739: 738: 735: 733: 730: 729: 727: 725: 721: 715: 712: 710: 707: 705: 702: 700: 697: 695: 692: 690: 687: 685: 682: 680: 677: 675: 672: 670: 667: 665: 662: 660: 657: 656: 654: 652: 648: 644: 637: 632: 630: 625: 623: 618: 617: 614: 606: 600: 596: 595: 589: 588: 583: 581:0-7357-1258-1 577: 573: 569: 568: 562: 561: 542: 538: 534: 528: 513: 509: 505: 499: 483: 479: 472: 456: 452: 445: 443: 441: 439: 422: 418: 414: 407: 405: 403: 401: 385: 381: 377: 370: 354: 350: 349:"medium shot" 344: 342: 327: 323: 319: 313: 311: 295: 291: 285: 283: 281: 265: 263:9781136047381 259: 255: 254: 246: 242: 232: 229: 227: 224: 222: 219: 217: 214: 212: 211:Mise-en-scène 209: 207: 204: 202: 199: 197: 194: 192: 189: 187: 184: 182: 179: 177: 174: 172: 169: 168: 163: 152: 145: 143: 142:American shot 139: 135: 125: 123: 122:field of view 119: 115: 108: 105:interviewing 104: 103:Robin Roberts 99: 90: 88: 83: 81: 70: 68: 65: 61: 57: 53: 49: 46:In a movie a 42: 41: 37: 34: 30: 26: 21: 1422:Split screen 1417:Smallgantics 1407:Match moving 1215:Pyrotechnics 1165:Animatronics 1005:Lens effects 866:Camera angle 854: / 788: 737:Non-diegetic 593: 566: 544:. 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Retrieved 252: 245: 231:Videographer 171:Camera angle 131: 111: 107:Barack Obama 84: 76: 64:camera angle 59: 55: 51: 47: 45: 38: 1427:Stop motion 1402:Introvision 1382:Compositing 1372:Bullet time 1354:Stop motion 1342:Slow motion 1337:Fast motion 1282:Lens flares 1257:Bullet time 1230:Sugar glass 1220:Rubber mask 1154:wire-flying 1060:Master shot 914:Dutch angle 824:Perspective 186:Dutch angle 162:Film portal 87:normal lens 48:medium shot 25:Gary Cooper 1446:Categories 1377:Chroma key 1332:Time-lapse 1297:Filtration 1262:Dolly zoom 1190:Kitbashing 996:Dolly zoom 894:Crane shot 889:Bird's-eye 884:High-angle 772:Field size 747:Film score 689:Lens flare 659:Background 546:1 December 517:1 December 488:1 December 461:1 December 427:1 December 389:1 December 359:1 December 331:2015-12-01 300:2015-12-01 269:August 11, 238:References 93:Definition 60:waist shot 36:drama film 1397:Go motion 1322:Slit-scan 1244:In-camera 1143:Practical 1075:Long take 981:SnorriCam 976:Steadicam 956:Hand-held 904:Low-angle 742:Narration 704:Rembrandt 201:Long shot 138:two-shots 114:long shot 31:from the 1210:Puppetry 1080:One-shot 966:Tracking 949:Whip pan 899:Jib shot 804:Two shot 794:Close-up 784:American 764:Shooting 732:Diegetic 679:High-key 651:Lighting 572:Peachpit 384:Peachpit 221:Two shot 181:Close-up 148:See also 118:close-up 52:mid shot 1386:digital 1384: ( 1252:Bipacks 1199:hanging 1197: ( 1152: ( 1039:Zooming 1027:Shallow 1017:Racking 944:Panning 939:Tilting 842:Reverse 799:Italian 694:Low-key 322:asu.edu 1364:Visual 1085:Insert 1065:B-roll 991:Follow 879:Aerial 852:Single 789:Medium 601:  578:  260:  58:), or 1012:Focus 971:Dolly 961:Shaky 847:Trunk 836:(POV) 724:Sound 709:Stage 674:Flood 664:Cameo 128:Types 62:is a 1032:Deep 874:Tilt 714:Soft 699:Mood 669:Fill 599:ISBN 576:ISBN 548:2015 519:2015 490:2015 463:2015 429:2015 391:2015 361:2015 271:2023 258:ISBN 67:shot 33:1932 27:and 684:Key 136:or 73:Use 1448:: 574:. 570:. 539:. 535:. 510:. 506:. 480:. 453:. 437:^ 415:. 399:^ 382:. 378:. 351:. 340:^ 324:. 320:. 309:^ 292:. 279:^ 124:. 85:A 56:MS 50:, 1388:) 1201:) 1156:) 1127:e 1120:t 1113:v 635:e 628:t 621:v 607:. 584:. 550:. 521:. 492:. 465:. 431:. 393:. 363:. 334:. 303:. 273:. 54:(

Index


Gary Cooper
Adolphe Menjou
1932
drama film
A Farewell to Arms
camera angle
shot
news presenters
normal lens

Robin Roberts
Barack Obama
long shot
close-up
field of view
over-the shoulders
two-shots
American shot
Film portal
Camera angle
Camera operator
Close-up
Dutch angle
Establishing shot
High-angle shot
Long shot
Low-angle shot
Mise-en-scène
Over the shoulder shot

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