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Men Must Fight

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292:, hundreds are killed and Laura is injured, though not seriously. Bob changes his stance and enlists, not in the chemical division as a trained chemist as Edward had suggested, but as an aviator like his real father. Bob and Peggy marry, then he departs with his squadron. As she watches Bob's squadron fly over the city, Laura now understands that freedom is not free; that we must always be prepared to safeguard it; and we all have a responsibility to defend it. 265:
opinion in peacetime, and pledging himself wholeheartedly to the struggle once war is declared. When a news reporter interviews him, he insists his son will enlist. Bob categorically denies this, causing Peggy to break off their engagement. Unable to get his son to change his mind, Edward tells him that he at least has no right to sully the Seward name, revealing that he is not Bob's father. Laura confirms it, and tells Bob of his real father and how he died.
384:, a.k.a. "What Women Give" in its working title, was in production from mid-December 1932, and reflected the unstable period between the wars. In creating a realistic scenario for a war in 1940, the future included television and video telephones. Based on a Broadway production that premiered on October 14, 1932, some of the staginess of the play was reflected in its set. 374: 245:, flies home after having negotiated the Seward Peace Treaty, which he claims will make it impossible for any country to go to war again. However, when the U.S. ambassador to the state of "Eurasia" is assassinated while en route to the Eurasian State Department to discuss an earlier diplomatic incident, the 264:
Laura speaks at a large peace rally, over her husband's strong objection. The rally is broken up a group of angry men. A mob then gathers at the Seward home and starts pelting the place. Edward manages to disperse the crowd by first reminding the mob of each American's right to voice his or her own
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Nurse Laura Mattson and World War I military pilot Lt. Geoffrey Aiken fall in love after only knowing each other for a few days. Tragically, he is brought to her hospital and, by chance, put under her care after being fatally wounded on his very first mission. After he dies, Laura realizes she is
406:, praised the performances of two of the leads, writing that "Miss Wynyard gives an affecting and very earnest interpretation of a mother who protests vociferously against war ... Mr. Stone does splendidly in his part", while "Phillips Holmes is not especially effective". In a later review, 29: 410:
noted the prophetic nature of the plotline, "This powder keg of a film is fascinating on many levels, particularly as it looks into the 'future' and uncannily depicts the world at war and the mainstream popularity of television." American film critic
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noted that the film "predicted with eerie accuracy the outbreak of war in 1940", and that it depicted men as being "unreasonable aggressors by reason of their gender alone."
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The film grossed a total (domestic and foreign) of $ 434,000: $ 229,000 from the United States and Canada and $ 205,000 elsewhere. It made a profit of $ 25,000.
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War breaks out. Privately, Edward informs his wife that the war is going badly because America fell behind during the years of peace; the "
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By 1940, Laura's son Bob has grown into a young man, newly engaged to Peggy Chase. Laura has raised Bob to embrace
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pregnant. Edward Seward loves her and persuades her to marry him. As far as anyone knows, the child will be his.
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The art-deco sets projected a futuristic look, including the television set in the foreground.
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to underscore the U.S. demand for a formal apology. Eurasia refuses to comply, and another
8: 757: 106: 53: 486: 402: 250: 194: 534: 483:"Diana Wynyard in a Pictorial Version of a Play by Reginald Lawrence and S.K. Lauren." 615: 591: 565: 557: 277: 272:" has been captured by the enemy, and 12,000 U.S. troops killed in two days by enemy 364:
as Soto, the Sewards' cook, who quits so he can go home and fight for the other side
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Visions of the Apocalypse: Spectacles of Destruction in American Cinema
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The MGM Story: The Complete History of Fifty Roaring Years.
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London: Octopus Books Limited, 1982, First edition 1979.
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as Lt. Steve Chase, Peggy's brother (as Donald Dilloway)
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As appearing in screen credits (main roles identified):
217:. However, when a second world war looms "between the 672: 749: 552:, 2003, Wallflower Press, London and New York, 535:"Leonard Maltin Movie Review: Men Must Fight." 658: 572:(hardcover), see page 122, bottom paragraph 665: 651: 498: 496: 225:in 1940", that belief is put to the test. 27: 543: 328:Ruth Selwyn as Peggy Chase, Bob's fiancée 445: 443: 441: 372: 493: 463: 461: 261:becomes inevitable despite the treaty. 853:English-language science fiction films 750: 519:"Men Must Fight (1933): Full credits." 646: 477: 475: 473: 438: 813:Films about chemical war and weapons 458: 284:, destroying such landmarks as the 13: 773:American science fiction war films 470: 14: 864: 823:Western Front (World War I) films 603: 221:and a country referred to as the 243:United States Secretary of State 241:. Meanwhile, Edward Seward, now 213:, a woman raises their son as a 763:1930s science fiction war films 579: 556:, Retrieved November 28, 2014, 788:Films directed by Edgar Selwyn 768:American black-and-white films 527: 512: 340:as Albert, the Sewards' butler 247:President of the United States 1: 828:Films set in Washington, D.C. 783:American films based on plays 426: 418: 368: 346:as Mrs. Chase, Peggy's mother 843:1930s English-language films 387: 7: 504:"Articles: Men Must Fight." 276:. When Eurasia launches an 130:February 17, 1933 10: 869: 838:Films about aerial warfare 833:Films set in New York City 703:The Sin of Madelon Claudet 524:. Retrieved: May 28, 2013. 358:as Evelyn, Steve's fiancée 803:Metro-Goldwyn-Mayer films 681: 178: 170: 162: 154: 144: 121: 113: 97: 87: 77: 59: 45: 35: 26: 21: 16:1933 film by Edgar Selwyn 540:Retrieved: May 28, 2013. 509:Retrieved: May 28, 2013. 431: 49:Reginald Lawrence (play) 798:Films set in the future 451:The Eddie Mannix Ledger 307:as Laura Mattson Seward 295: 228: 538:Turner Classic Movies. 507:Turner Classic Movies. 378: 313:as Edward "Ned" Seward 818:Films about diplomacy 808:1930s political films 586:Eames, John Douglas. 550:Wheeler Winston Dixon 413:Wheeler Winston Dixon 400:, the film critic of 376: 334:as Lt. Geoffrey Aiken 286:Empire State Building 848:1930s American films 735:The Mystery of Mr. X 687:The Girl in the Show 197:drama film starring 727:Turn Back the Clock 193:is a 1933 American 117:Metro-Goldwyn-Mayer 107:Metro-Goldwyn-Mayer 54:C. Gardner Sullivan 51:S. K. Lauren (play) 673:Films directed by 627:TCM Movie Database 487:The New York Times 467:Eames 1982, p. 91. 403:The New York Times 379: 251:United States Navy 793:Films set in 1940 745: 744: 596:978-0-51752-389-6 533:Maltin, Leonard. 490:, March 11, 1933. 186: 185: 860: 711:Skyscraper Souls 695:Men Call It Love 667: 660: 653: 644: 643: 573: 547: 541: 531: 525: 516: 510: 500: 491: 481:Hall, Mordaunt. 479: 468: 465: 456: 454: 447: 137: 135: 31: 19: 18: 868: 867: 863: 862: 861: 859: 858: 857: 748: 747: 746: 741: 677: 671: 606: 601: 582: 577: 576: 548: 544: 532: 528: 517: 513: 501: 494: 480: 471: 466: 459: 449: 448: 439: 434: 429: 421: 390: 371: 325:as Maman Seward 317:Phillips Holmes 298: 290:Brooklyn Bridge 231: 223:Eurasian States 207:Phillips Holmes 147: 140: 133: 131: 124: 109: 102: 100: 92:William S. Gray 72:Phillips Holmes 70: 66: 52: 50: 17: 12: 11: 5: 866: 856: 855: 850: 845: 840: 835: 830: 825: 820: 815: 810: 805: 800: 795: 790: 785: 780: 778:Anti-war films 775: 770: 765: 760: 743: 742: 740: 739: 731: 723: 719:Men Must Fight 715: 707: 699: 691: 682: 679: 678: 670: 669: 662: 655: 647: 641: 640: 633:Men Must Fight 629: 622:Men Must Fight 618: 611:Men Must Fight 605: 604:External links 602: 600: 599: 583: 581: 578: 575: 574: 542: 526: 511: 492: 469: 457: 436: 435: 433: 430: 428: 425: 420: 417: 408:Leonard Maltin 394:Men Must Fight 389: 386: 382:Men Must Fight 370: 367: 366: 365: 359: 353: 347: 341: 335: 329: 326: 320: 314: 308: 297: 294: 255:Atlantic Ocean 230: 227: 190:Men Must Fight 184: 183: 180: 176: 175: 172: 168: 167: 164: 160: 159: 156: 152: 151: 148: 145: 142: 141: 139: 138: 127: 125: 122: 119: 118: 115: 114:Distributed by 111: 110: 105: 103: 98: 95: 94: 89: 85: 84: 79: 78:Cinematography 75: 74: 61: 57: 56: 47: 43: 42: 37: 33: 32: 24: 23: 22:Men Must Fight 15: 9: 6: 4: 3: 2: 865: 854: 851: 849: 846: 844: 841: 839: 836: 834: 831: 829: 826: 824: 821: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 794: 791: 789: 786: 784: 781: 779: 776: 774: 771: 769: 766: 764: 761: 759: 756: 755: 753: 737: 736: 732: 729: 728: 724: 721: 720: 716: 713: 712: 708: 705: 704: 700: 697: 696: 692: 689: 688: 684: 683: 680: 676: 668: 663: 661: 656: 654: 649: 648: 645: 639: 635: 634: 630: 628: 624: 623: 619: 617: 613: 612: 608: 607: 597: 593: 589: 585: 584: 571: 570:1-903364-38-8 567: 563: 562:1-903364-74-4 559: 555: 551: 546: 539: 536: 530: 523: 520: 515: 508: 505: 499: 497: 489: 488: 484: 478: 476: 474: 464: 462: 452: 446: 444: 442: 437: 424: 416: 414: 409: 405: 404: 399: 398:Mordaunt Hall 395: 392:In reviewing 385: 383: 375: 363: 360: 357: 356:Mary Carlisle 354: 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 321: 319:as Bob Seward 318: 315: 312: 309: 306: 305:Diana Wynyard 303: 302: 301: 293: 291: 287: 283: 282:New York City 279: 275: 271: 266: 262: 260: 256: 252: 248: 244: 240: 235: 226: 224: 220: 219:United States 216: 212: 208: 204: 200: 199:Diana Wynyard 196: 192: 191: 181: 177: 173: 169: 165: 161: 158:United States 157: 153: 149: 143: 129: 128: 126: 120: 116: 112: 108: 104: 96: 93: 90: 86: 83: 82:George Folsey 80: 76: 73: 69: 65: 64:Diana Wynyard 62: 58: 55: 48: 44: 41: 38: 34: 30: 25: 20: 733: 725: 718: 717: 709: 701: 693: 685: 675:Edgar Selwyn 632: 621: 610: 587: 580:Bibliography 564:(paperback) 553: 545: 537: 529: 521: 514: 506: 485: 450: 422: 401: 393: 391: 381: 380: 362:Luis Alberni 350:Don Dillaway 344:Hedda Hopper 338:Robert Greig 332:Robert Young 299: 267: 263: 236: 232: 189: 188: 187: 146:Running time 123:Release date 40:Edgar Selwyn 502:Carr, Jay. 311:Lewis Stone 253:across the 211:World War I 203:Lewis Stone 68:Lewis Stone 36:Directed by 758:1933 films 752:Categories 427:References 419:Box office 369:Production 323:May Robson 249:sends the 179:Box office 150:72 minutes 134:1933-02-17 99:Production 46:Written by 388:Reception 274:gas bombs 259:world war 182:$ 434,000 174:$ 240,000 88:Edited by 638:AllMovie 288:and the 278:air raid 239:pacifism 215:pacifist 195:pre-Code 163:Language 60:Starring 625:at the 166:English 155:Country 132: ( 101:company 738:(1934) 730:(1933) 722:(1933) 714:(1932) 706:(1931) 698:(1931) 690:(1929) 594:  568:  560:  171:Budget 432:Notes 270:Canal 616:IMDb 592:ISBN 566:ISBN 558:ISBN 522:IMDb 296:Cast 229:Plot 205:and 636:at 614:at 280:on 754:: 495:^ 472:^ 460:^ 440:^ 396:, 201:, 666:e 659:t 652:v 598:. 455:. 136:)

Index


Edgar Selwyn
C. Gardner Sullivan
Diana Wynyard
Lewis Stone
Phillips Holmes
George Folsey
William S. Gray
Metro-Goldwyn-Mayer
pre-Code
Diana Wynyard
Lewis Stone
Phillips Holmes
World War I
pacifist
United States
Eurasian States
pacifism
United States Secretary of State
President of the United States
United States Navy
Atlantic Ocean
world war
Canal
gas bombs
air raid
New York City
Empire State Building
Brooklyn Bridge
Diana Wynyard

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