269:, was arguably the industry leader in terms of unsurpassed quality both editorially and creatively. EC used small cadre of artists to extreme advantage, tailoring unique artistic styles to specific story settings and plots. While Stan may not have been quite so particular, he was certainly willing to try to give EC a run for its money. He would take over an entire book and do it all himself, like Feldstein did, with his small group of top-line artists.
302:, in which comics would bear the postage-stamp-sized Comics Code seal. The series' covers, however, each sport a star reading "Conforms to the Comics Code", with a small rectangular box above that reading "Authorized A.C.M.P." This represents the essentially unenforced precursor sponsored by the trade group the
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280:
from March 1953 to May 1954. It was published monthly through issue #8, then after a three-month hiatus returned for its final three, bimonthly issues. Lee wrote each issue's four comic stories through #7, and at least two more stories through the end of the title's run.
322:
and who was now an Atlas mainstay. For issues #1-6, he drew the covers and one story each, as well as drawing a story for #9 and the cover of #10. The Lee/Everett story "Zombie" in issue #5 (July 1953) introduced the
367:
Another character introduced in a standalone story that was revived decades later as a continuing character was an unnamed robot in the five-page story "I, the Robot", by an unknown writer and artist
284:
Issue #12 was in production at the time of cancellation, scheduled for a July 1954 cover date. The contents were held as inventory and soon afterwards published in the Atlas title
265:' EC line had by now become enormous. Stan was quite aware of what was going on in the industry, and what his competition was going. EC, under Gaines and artist/editor
780:
339:, and the ironic comeuppance visited upon his cruel master. The character was revived two decades later as the star of the black-and-white horror-comics magazine
405:, the Human-Robot, it served as a member of a team of artificially or naturally long-lived 1950s superhumans gathered as the globetrotting adventurers the
660:
604:
634:
160:. As well, a standalone story in the final issue introduced a robot character that was revived decades later as the Human-Robot, a.k.a.
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303:
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sought to distinguish the title by attempting to replicate EC's specific process, as Atlas historian Michal J. Vassallo describes:
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605:"Comic Books and Juvenile Delinquency: Interim Report of the Committee on the judiciary pursuant to S. Res. 89 and S. Res. 190"
569:
50:
602:
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603:
83rd United States
Congress Committee on the Judiciary (Harley M. Kilgore, Chairman) (March 14, 1955).
219:
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371:, in issue #11 (May 1954). Rechristened the Human-Robot, the character appeared in a non-canonical,
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480:, and Robert Q. Sale. The covers of issues #7-8 are tentatively credited to Golden Age great
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156:, in a standalone story that became the basis for the 1970s black-and-white comics magazine
484:. Two standard databases credit the final issue's unsigned cover to artist Harry Anderson.
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The 11-issue series (March 1953 - May 1954) included art by such 1940s
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published before the strictures of the industry's self-censoring
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et al.). It joined such existing Atlas horror/fantasy series as
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665:"Earth-9904: ( the Avengers Had Fought Evil During the 1950s)"
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361:
230:, debuted in 1953 during a cycle of popularity for publisher
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is considered an example of "pre-Code horror", referring to
397:(Oct. 2006 - March 2007) and the subsequent ongoing series
327:, Simon Garth, in a seven-page, standalone story of a
667:, The Appendix to the Handbook of the Marvel Universe
353:. The character has continued to make appearances in
742:
at The
Unofficial Handbook of Marvel Comics Creators
493:The complete 11 issue series has been collected in
318:, who in 1939 had created the aquatic antihero the
203:, the future architect of Marvel Comics' rise as a
148:. It is best known for the first appearance of the
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781:Comics magazines published in the United States
436:. Industry newcomers and future stars included
556:Vassallo, Michael J. (2009). "Introduction".
389:. The character next appeared in mainstream
633:: CS1 maint: numeric names: authors list (
420:veterans such as single-story contributors
345:(Aug. 1973 - June 1974), published by the
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304:Association of Comics Magazine Publishers
611:. United States Congress. Archived from
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456:. Among other artist contributors were
393:continuity in the six-issue miniseries
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588:: Marvel, Atlas imprint, 1953 Series
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708:Marvel Masterworks: Atlas Era Menace
649:Marvel Masterworks: Atlas Era Menace
558:Marvel Masterworks: Atlas Era Menace
179:, and such future industry stars as
401:vol. 2 (April 2009-on). Now dubbed
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791:Magazines disestablished in 1954
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314:The series' primary artist was
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412:Other series artists included
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786:Magazines established in 1953
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516:has been included in various
35:#5 (July 1953). Cover art by
697:at the Grand Comics Database
682:at the Grand Comics Database
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226:, the 1950s forerunner of
418:Golden Age of Comic Books
169:Golden Age of Comic Books
144:, the 1950s precursor of
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253:. Atlas editor-in-chief
506:#5 was included in the
45:Publication information
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245:Adventures into Terror
695:, Marvel, 2009 Series
680:, Marvel, 2006 Series
592:Grand Comics Database
508:Marvel Horror Omnibus
472:, Seymour Moskowitz,
300:Comics Code Authority
259:
152:Marvel character the
609:Congressional Record
512:"I, the Robot" from
498:: Atlas Era - Menace
240:Tales from the Crypt
164:, the Human-Robot.
140:series published by
766:1954 comics endings
756:Atlas Comics titles
706:Table of Contents,
342:Tales of the Zombie
211:Publication history
158:Tales of the Zombie
125:was a 1953 to 1954
761:1953 comics debuts
661:Christiansen, Jeff
562:Marvel Enterprises
496:Marvel Masterworks
488:Collected editions
373:alternate-universe
310:Creative personnel
261:The influence of
723:at AtlasTales.com
571:978-0-7851-3509-8
288:#35 (Oct. 1954).
218:, from publisher
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92:Publication date
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615:on May 10, 2007
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519:Agents of Atlas
502:"Zombie!" from
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450:John Romita Sr.
426:Sheldon Moldoff
407:Agents of Atlas
399:Agents of Atlas
395:Agents of Atlas
391:Marvel Universe
369:John Romita Sr.
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276:ran 11 issues,
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193:John Romita Sr.
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99:1953 – May
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540:AtlasTales.com
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617:. Retrieved
613:the original
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517:
513:
507:
503:
494:
474:Paul Reinman
470:Ed Winiarski
460:, Al Eadeh,
458:Tony DiPreta
414:George Tuska
411:
398:
394:
376:
366:
340:
316:Bill Everett
313:
291:
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285:
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273:
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267:Al Feldstein
260:
248:
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224:Atlas Comics
215:
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207:phenomenon.
205:pop-cultural
177:George Tuska
173:Bill Everett
171:creators as
166:
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150:supernatural
142:Atlas Comics
121:
120:
119:
56:Atlas Comics
37:Bill Everett
32:
19:
740:(1953-1954)
619:January 25,
522:collections
482:Carl Burgos
478:Werner Roth
454:Joe Sinnott
446:Joe Maneely
358:comic books
333:New Orleans
320:Sub-Mariner
286:Astonishing
278:cover-dated
263:Bill Gaines
197:Joe Sinnott
189:Joe Maneely
750:Categories
527:References
514:Menace #11
462:John Forte
442:Russ Heath
438:Gene Colan
434:Syd Shores
430:Bob Powell
185:Russ Heath
181:Gene Colan
138:comic book
136:anthology
466:Jack Katz
422:Fred Kida
385:team the
383:superhero
375:story in
360:into the
337:Louisiana
232:EC Comics
111:of issues
51:Publisher
629:cite web
387:Avengers
378:What If?
349:imprint
331:outside
255:Stan Lee
201:Stan Lee
127:American
590:at the
738:Menace
720:Menace
586:Menace
568:
504:Menace
452:, and
432:, and
355:Marvel
329:zombie
325:Zombie
292:Menace
274:Menace
216:Menace
195:, and
154:Zombie
134:horror
122:Menace
101:
97:
83:horror
62:Format
33:Menace
20:Menace
362:2000s
130:crime
95:March
79:Crime
72:Genre
635:link
621:2009
566:ISBN
403:M-11
247:and
175:and
162:M-11
103:1954
222:'s
109:No.
752::
663:.
631:}}
627:{{
607:.
564:.
560:.
546:^
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335:,
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191:,
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114:11
81:,
637:)
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237:(
132:/
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
