611:, USSR. Merzbow were invited along with computer composer Kazuo Uehara. Apparently Merzbow was mistaken for a group using hi-tech equipment. The first set was typical Merzbow style, but was stopped for being too noisy. For the show the following day, the duo were asked to play "more musically". and featured Akita on drums and Mizutani on piano and guitar. Following this, touring would become an important activity for Merzbow, especially for the connections made with artists and labels. Merzbow would tour Europe in 1989 and the United States in 1990. Kiyoshi Mizutani left Merzbow after the 1989 European tour and continues to pursue a solo career.
552:. This led to a technique he termed "environmental percussion", where instrumental sounds were made with non-instruments such as banging on the floor, gas stove, spring of a table lamp for percussion sounds. As well as using a violin bow on objects like plastic cassette cases or cards, rubber bands as a guitar sound, blowing in a toilet paper tube as horns, scratching metal as electrical sounds, etc. At this time, Akita also made a homemade instrument consisting of a metal case strung with piano wires, guitar strings, and springs. It was played by bowing or placing objects inside and shaking it. This can be heard on albums like
31:
993:
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233:
790:
809:. Also at this time he began referring to his home studio as "Bedroom, Tokyo". At live performances, Akita has produced noise music from either two laptop computers or combination of a laptop and analog synthesizers/guitar pedals. Reiko A. and Bara left Merzbow during this time; Reiko Azuma now has a solo career. Since 2001, Jenny Akita (née Kawabata) started being credited for artwork on various releases.
639:
But when I started live in late 1980s I didn't like to use tape on stage. I like only live electronics. So, my studio works changed to more live composition style. I'm still using many tapes in studio works, but difference is I treat tapes and instruments. Before, I used tapes as overdubbing concept.
828:, the little ornamental chickens. With this experience as a start, I gradually started to be concerned and care about chickens and all the barn animals I used to eat without giving it a second thought before. So I started reading books and researching on the internet about
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project in the early 1990s with Tetsuo
Sakaibara (who became a live member of Merzbow) and Toshiyuki Seido. The performances included fetish equipment, simulated gore (including autopsy), mechanical devices, nude models, etc. It was inspired by
885:, which was seen as a significant departure from his trademark abstract style in that it contains beat-oriented pieces. This has sparked some controversy among fans, though some reviewers pointed out that it sounded very similar to
525:
series consisted of ten cassettes, the first five were recorded in a studio for an independent label called Ylem, which went defunct before they could be released. So, Akita released them himself, and recorded five more at home.
348:
In addition to being a prolific musician, he has been a writer and editor for several books and magazines in Japan, and has written several books of his own. He has written about a variety of subjects, mostly about music,
917:
series. At this time he changed the name of his home studio to
Munemihouse. By the early 2010s, he was using a large number of pedals, oscillators and tone generators, and reduced to a single laptop running
583:
and porn magazines he found in trash cans in the Tokyo subway. Akita explained this as trying to "create the same feeling as the secret porn customer for the people buying my cassettes in the early 80s".
1226:
using discarded magazines – in particular pornographic magazines – taken from the trash. These were then sent along with his cassettes, the idea being that his art was like cheap mail order pornography.
30:
925:
Beginning in
November 2009, Merzbow started releasing archival material from the 1980s and 1990s, both reissues and previously unreleased material, several of which were released on
530:
I threw all my past music career in the garbage. There was no longer any need for concepts like 'career' and 'skill'. I stopped playing music and went in search of an alternative.
1120:
in 2022. Slowdown has also released several new recordings in addition to the archival releases. By the end of 2022, Slowdown has released 96 archival CDs and 116 CDs total.
693:
Throughout most of the 1990s, Merzbow live was a trio with Reiko A. on electronics and Tetsuo
Sakaibara (aka Bara) on voice and dance. Masami Akita occasionally played drums for
1488:
After completing his degree, Akita became a freelance writer and editor for various magazines in Japan. He frequently wrote on a variety of topics such as sexuality (including
619:
During a
European tour in September–October 1989, Merzbow could only bring simple and portable gear; this led to the harsh noise style Merzbow became known for in the 1990s.
1104:
Beginning in April 2018, the
Japanese label Slowdown Records began releasing a series of archival recordings spanning Merzbow's career on a semimonthly basis, starting with
595:
movement but eventually became the successor to Lowest Music & Arts. Numerous
Merzbow releases were recorded at ZSF Produkt Studio, Masami Akita's home studio.
1151:
and conventional instruments. Similar to his present albums, he produced lengthy, disorienting pieces. He also became famous for the sheer volume of his releases.
419:
in his youth, all of which have influenced his noise. In 1972, he became the drummer of various high school bands, which he left due to the other members being "
3673:
Edwards, James Rhys (2011). "Silence by my noise: An ecocritical aesthetic of noise in
Japanese traditional sound culture and the sound art of Akita Masami".
309:. The name was chosen to reflect Akita's dada influence and junk art aesthetic. In addition to this, Akita has cited a wide range of musical influences from
1344:, it featured several other members of both groups such as Reiko Azuma, Asami Hayashi, Kiyoshi Mizutani, Yushi Okano, Ikuo Taketani, etc. They did many
2084:
Note: English title refers to
English writing on the cover, sometimes it's a translation of the Japanese title, or a completely different phrase.
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1132:, machinery, and home-made noisemakers. While much of Merzbow's output is intensely harsh in character, Akita does occasionally make forays into
509:, Lowest Music & Arts, which was founded in order to trade cassette tapes with other underground artists. The earliest recording he made was
909:
Starting in the mid-2000s, Masami Akita began to reintroduce junk metal and effects pedals back into his setup. In 2008, Akita reintroduced the
540:
Early methods included what Akita referred to as "material action", made by making quiet sounds with household objects which were recorded with
501:
Merzbow began as the duo of Masami Akita and
Kiyoshi Mizutani, who met Akita in junior high school. Akita started releasing noise recordings on
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During the 1990s Akita's work became much harsher and was generally mastered at a louder volume than usual. These were heavily influenced by
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freaks". By this time, he and school friend Kiyoshi Mizutani had started playing improvised studio sessions that he described as "long
4043:
4018:
4003:
1101:, was released in 2016. It is a double album, one disc is by Boris and one by Merzbow, that are meant to be played at the same time.
1500:), underground and extreme culture (including music and art), architecture, and animal rights. None have been published in English.
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1112:. Groups of six releases were later compiled in 6 CD box sets. These boxes were themselves later compiled in larger boxes:
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591:, from an ancient Japanese word meaning "magnetic") was founded in 1984 to release music by similar artists within the
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1044:(2016), all released by RareNoiseRecords. Akita, Pándi, and Gustafsson also toured together and released the live LP
390:. This, among other achievements, has helped Merzbow to be regarded by some as the "most important artist in noise".
598:
During this era, Merzbow found much wider recognition and began making recordings for various international labels.
4053:
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3918:
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1283:, standing for something different on each release, including "Society for Cutting Up Merzbow" (a reference to the
1168:). The mid-1990s saw Akita being heavily influenced by psychedelic bands and this was reflected in various albums.
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662:. Recordings from this time are mostly recorded at extreme volume, some mastered at levels far beyond standard (
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or rubbing the microphone directly on things and overloading the recording levels. This method was used on
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was a "conceptual death metal" group (because they couldn't play death metal) with Tetsuo Sakaibara,
901:(2005) followed in a similar vein with sampled beats combined with Merzbow's signature harsh noise.
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2743:"MERZBOW'S Discipline, Decibels, and Diety Japan's Minister of Sonic Terror Turns On The Feedback"
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Merzbow's first performances outside of Japan were at the Jazz-on-Amur festival in March 1988 in
125:
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1004:
in 2009, initially Pándi served as a live drummer for Merzbow. This resulted in the live albums
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was released as part of these activities. Pornoise was credit as the artist for a track on the
992:
812:
Since 2001, Akita started utilising samples of animal sounds in various releases starting with
502:
2859:
1016:. Akita and Pándi then began to record studio albums collaborating with additional musicians,
365:. Other art forms Akita has been interested in include painting, photography, filmmaking, and
3800:
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3139:
870:. He has also produced several works centered around recordings of his pet chickens (notably
301:
288:. Since 1980, Akita has released over 500 recordings and collaborated with numerous artists.
166:
3465:
3075:
1340:
was a collaboration between the groups of Merzbow and Null. In addition to Masami Akita and
1192:(or variations of this) was used by Akita for his artwork on Merzbow releases and his books.
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cassette was reissued on vinyl by Urashima. Other cassettes of unreleased material include
8:
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films produced by Kinbiken/Right Brain. The abbreviation RBA appears in track titles on
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1140:. Vocals are employed sometimes, but never in a lyrical sense. Contrary to most harsh
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synthesizer. From 1996, plans were made to release a "10 (or maybe 12)" CD box set on
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was a project where Akita made new releases out of previous Merzbow sessions using
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Since 1999, Akita has used computers in his recordings, having first acquired a
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3033:
2809:. London, New York: Continuum International Publishing Group Inc. p. 156.
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But now tapes are crashing together, no static overdub. I found that style on
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690:, a fifty CD set of Merzbow records, twenty of them not previously released.
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3486:"[音楽][公演]AUBE: 中嶋昭文トリビュート For The Heart Of G.R.O.S.S.（ベアーズ）"
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2992:
Masami Akita's vegan origins, taken from interview released in January, 2011
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1369:. Masami Akita was a performer in addition to composing the backing music.
846:, which is reflected in his animal-themed releases. An example of this is
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3747:
3381:
Wehowsky, Ralf (1987). "Masami Akita aka Merzbow: Eine Cassettographie".
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Merzbow's sounds employ the use of distortion, feedback, and noises from
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Micro Bionic: Radical Electronic Music and Sound Art in the 21st Century
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2991:
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2564:
2515:(liner notes) (in Japanese). Merzbow. Japan: Slowdown Records. SDRSW 54
2475:(liner notes) (in Japanese). Merzbow. Milan, Italy: Urashima. USHI 016.
1354:
was a duo of Akita and Kishino active at the same time as Merzbow Null.
832:
and that triggered an awareness of "evil" that human society has done.
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436:
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In addition to Merzbow, Masami Akita has been involved in a number of
700:
In the early 1990s, Masami Akita composed the soundtracks to numerous
1325:
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802:
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1988:
Sutorenji nūdo karuto: Fushigi no ratai tengoku (Nūdo wārudo vol. 2)
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1313:
1219:
910:
724:-themed videos by their sub-label Right Brain. Akita also directed
447:
338:
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and fetish culture. Since the early 2000s, he has been inspired by
305:, in which Schwitters transformed the interior of his house using
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Akita's early work consisted of industrial noise music made from
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format. It also includes live material recorded during the tour.
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378:
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performances during 1983–84 and released over a dozen cassettes.
623:(1990) was the first example of this new style, Merzbow's first
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1144:, Akita also occasionally uses elements of melody and rhythm.
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Beginning in the mid-1990s, Merzbow began to be influenced by
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3313:(insert) (in Japanese). Merzbow. Slowdown Records. SDRSW-39.
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1825:
Ratai no teikoku (Nūdo wārudo vol. 1: nūdizumu no rekishi 1)
454:. While at university, he became interested in the ideas of
2885:"Beyond Ultra Violence: Uneasy Listening by Merzbow (1998)"
2131:"On the Floor – Merzbow at Red Bull Music Festival Chicago"
843:
761:, and Akita composed original music for Kerhof's 1994 film
455:
358:
292:
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3717:
1202:
compilation. ZSF Produkt is listed as the contact address.
929:. The Blossoming Noise label reissued the 1980s cassettes
226:
859:
3397:"I've posted this before, but I have some great new..."
1295:
was used for two solo synthesizer performances in 1996.
969:. 2010–2013 saw the release several archival box sets;
3191:"Razor Blades In The Dark: An Interview With Merzbow"
1535:
Tōsaku no anaguramu: Shūenteki porunogurafī no gekijō
1000:
Akita began collaborating with the Hungarian drummer
842:
During this period, Akita also became a supporter of
1601:
Fetisshu fasshon: Henbō suru eros to kairaku shintai
1289:), "Scissors for CUtting Merzbow", "Steel CUM", etc.
745:
for Right Brain. Some of this music was included on
614:
3446:
She - Maldoror | Songs, Reviews, Credits | AllMusic
1212:
in 1983 because of the difference in musical style.
284:, best known for a style of harsh, confrontational
3425:. No. 1. Automatism Press. 1995. p. 51.
2714:"Expanded Noisehands – The Noise Music of Merzbow"
2383:
2381:
1249:albums, as they're soundtracks he did for several
1051:Merzbow also released several collaborations with
767:Beyond Ultra Violence: Uneasy Listening by Merzbow
476:, or art made from rubbish, including Schwitters'
3068:
3025:
2549:
2527:
2305:(booklet). Australia: Room40. p. 11. RM4108.
2236:"Fifteen Questions with MERZBOW | Lost and found"
2100:
2098:
2096:
913:, his first instrument. This can be heard on the
3995:
2745:. Digi-zine Online Entertainment. Archived from
357:. His more renowned works were on the topics of
3158:
3156:
3132:
2378:
1055:/noise musicians he had known since the 1980s:
922:software. In 2014, he toured without a laptop.
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713:
382:. Akita's work has been the subject of several
275:
252:
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2015:
1980:
1948:
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753:, co-credited to Right Brain Audile. Director
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2641:
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1222:project Akita had in the 1980s where he made
904:
407:, Japan on December 19, 1956. He listened to
3630:. Continuum International Publishing Group.
3153:
3047:
1790:Sei no ryōki modan: Nihon hentai kenkyū ōrai
757:would use a Merzbow track for his 1992 film
604:was his first LP released outside of Japan.
493:), which is the source of the name Merzbow.
3692:Japanoise: Music at the Edge of Circulation
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1235:compilation and co-credited for artwork on
439:but we didn't have any psychedelic taste".
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2860:"Masami 'Merzbow' Akita's "Lost Paradise""
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1097:, the seventh collaborative releases with
996:Masami Akita and Balázs Pándi live in 2010
231:
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2776:"Corridor Of Cells - Interview - Merzbow"
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1022:(2013) with the Swedish saxophone player
784:
3603:
3380:
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3278:"Merzbow/Fennesz/Antenna Farm Interview"
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1465:with Tetsuya Mugishima (aka Seven), and
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631:), and the first recording made for the
513:. Various other early releases included
496:
325:to non-musical influences like dadaism,
3672:
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2804:
2705:
2650:"Interview with Masami Akita (Merzbow)"
2647:
2488:
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2309:
2297:
2257:
1982:ストレンジ・ヌード・カルト 不思議の裸体天国 (ヌード・ワールド Vol.2)
1665:Noizu wō: Noizu myūjikku to sono tenkai
1457:(they later released an album entitled
291:The name Merzbow comes from the German
3996:
3644:
3354:"Trevor Brown interviews Masami Akita"
3342:
3089:
3034:"imprec097 Merzbow, Minazo Volume One"
2508:
1162:bands of the time (a prime example is
769:in 1998. Akita also created music for
763:The Dead Man 2: Return of the Dead Man
567:Among early releases like the box set
450:, at which he majored in painting and
3789:
3689:
3258:from the original on December 7, 2022
1006:Live at Fluc Wanne, Vienna 2010/05/18
672:). In 1994, Akita acquired a vintage
488:
4009:Japanese experimental musical groups
2492:(August 2000). "Consumed by Noise".
1572:Ikei no manierisumu: "Ja" no minzoku
738:Shitsurakuen: Jōbafuku onna harakiri
3645:Bailey, Thomas Bey William (2009).
3606:Merzbook: The Pleasuredome of Noise
3510:
3188:
2832:Merzbook: The Pleasuredome of Noise
2685:Merzbook: The Pleasuredome of Noise
2616:Merzbook: The Pleasuredome of Noise
2587:Merzbook: The Pleasuredome of Noise
2444:Merzbook: The Pleasuredome of Noise
2415:Merzbook: The Pleasuredome of Noise
2333:Merzbook: The Pleasuredome of Noise
2186:Merzbook: The Pleasuredome of Noise
2157:Merzbook: The Pleasuredome of Noise
1334:was a trio with Yamazaki and Asher.
13:
4024:Musical groups established in 1979
3597:
2648:Volohov, Danil (18 October 2018).
1819:裸体の帝国 (ヌード・ワールド Vol.1 ヌーディズムの歴史 1)
889:(1998), which features samples of
466:dance. At Tamagawa, he learned of
393:
14:
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3709:
3677:. Vol. 15. pp. 89–102.
3555:「日本絶滅動物記」其の１８～「独り遊びの思想」開催告知！！（終了）
3531:
3492:(in Japanese). September 23, 2014
3325:"Memorial page of Shohei Iwasaki"
3228:from the original on May 25, 2021
2470:
983:Lowest Music & Arts 1980–1983
759:La séquence des barres parallèles
615:Noise electronics era (1989–1999)
546:Material Action for 2 Microphones
4044:Drag City (record label) artists
4019:Japanese industrial music groups
4004:Japanese electronic music groups
3975:An Untroublesome Defencelessness
3919:SYR8: Andre Sider Af Sonic Youth
3845:Batztoutai with Memorial Gadgets
1171:
1123:
1037:An Untroublesome Defencelessness
793:Masami Akita performing live at
601:Batztoutai with Memorial Gadgets
571:, Merzbow created artwork using
376:released the 50 CD box set
35:Masami Akita performing live at
29:
3694:. Duke University Press Books.
3574:
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3458:
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3414:
3317:
3240:
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2985:
2958:
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2852:
2741:Dixon Christie (January 1997).
2512:Environmental Percussion Vol. 1
2502:
2246:from the original on 2014-06-25
1483:
1198:is credited for a track on the
1077:Amniocentesi / Envoise 30 05 82
765:. Kerkhof made the documentary
751:Music for Bondage Performance 2
3683:10.1080/14688417.2011.10589093
3385:. Vol. 7. pp. 45–46.
2557:"Merzbow – Age of 369/Chant 2"
2228:
1472:
1071:, and a trio of releases with
816:. Around 2002, Akita became a
1:
4034:Japanese noise musical groups
3582:"Jungle club scene, Jan-1998"
3218:"Merzbow – 10x6=60CD Box Set"
3163:Pozniak, Alex (May 6, 2012).
2389:"Merzbow about Improvisation"
2087:
1731:Body Exotica: Sexual Atrocity
1247:Music for Bondage Performance
881:Also in 2002, Akita released
747:Music for Bondage Performance
398:
4079:Smalltown Supersound artists
3562:(in Japanese). July 26, 2010
2939:"Ilppo Pohjola: Routemaster"
2058:Watashi no saishoku seikatsu
1638:The Power of Goddess of Love
1237:Scissors for Cutting Merzbow
1083:with two tracks from 1982),
697:during the early–mid 1990s.
7:
3815:
3076:"Merzbow: Animal Magnetism"
1956:Nyoinkō: Seigaku koten yori
1697:Kairaku shintai no miraikei
1595:フェティッシュ・ファッション 変貌するエロスと快楽身体
1030:(2015) with Gustafsson and
967:Variations for Electric Fan
737:
714:
276:
263:project started in 1979 by
253:
10:
4105:
4064:Third Mind Records artists
4014:Japanese noise rock groups
3947:Full of Hell & Merzbow
1476:
1245:is co-credited on the two
1183:
1057:Spiral Right / Spiral Left
1028:Cuts of Guilt, Cuts Deeper
905:Current era (2009–present)
4069:Cuneiform Records artists
4049:Important Records artists
4039:Alien8 Recordings artists
4029:Musical groups from Tokyo
3875:
3836:
3823:
3304:
2912:"Ilppo Pohjola: Asphalto"
2716:. Angbase. Archived from
2051:
2016:
1981:
1949:
1943:
1920:
1900:
1885:
1853:
1818:
1783:
1751:
1745:
1719:
1690:
1684:
1670:Noise War: Noise 10 Years
1658:
1633:Sekkusu shinboru no tanjō
1626:
1594:
1565:
1543:
1540:The Anagram of Perversion
1528:
1461:under their real names),
1387:Commando Bruno Sanmartino
1299:
731:
708:
403:Masami Akita was born in
270:
247:
220:
216:
196:
192:
184:
180:
112:
94:
63:
49:
44:
28:
21:
4074:RareNoiseRecords artists
3604:Woodward, Brett (1999).
3554:
2830:Woodward, Brett (1999).
2683:Woodward, Brett (1999).
2614:Woodward, Brett (1999).
2585:Woodward, Brett (1999).
2442:Woodward, Brett (1999).
2413:Woodward, Brett (1999).
2331:Woodward, Brett (1999).
2184:Woodward, Brett (1999).
2155:Woodward, Brett (1999).
1860:Nihon kinbaku shashinshi
1795:Modern Sexuality Bizarre
1479:Masami Akita discography
1046:Live in Tabačka 13/04/12
858:he visited often at the
587:ZSF Produkt (pronounced
550:Material Action 2 N.A.M.
337:, and began to follow a
4054:Relapse Records artists
3513:"Melt-Banana interview"
2971:Internet Movie Database
2890:Internet Movie Database
2807:Noise/Music – A History
1659:ノイズ・ウォー ノイズ・ミュージックとその展開
1529:倒錯のアナグラム 周縁的ポルノグラフィーの劇場
1389:with Fumio Kosakai and
824:I started raising four
805:to work on art for the
704:videos by Fuji Planning
119:Lowest Music & Arts
4059:Tzadik Records artists
3628:Noise/Music: A History
3055:"Merzbow – Bloody Sea"
2805:Hegarty, Paul (2007).
2782:. 1997. Archived from
1373:Other groups include:
1208:was used for the tape
997:
840:
798:
785:Laptop era (1999–2009)
652:
538:
45:Background information
16:Japanese noise project
3690:Novak, David (2013).
3248:"Merzbow – 35 CD Box"
2365:"The Beauty of Noise"
995:
822:
792:
637:
528:
497:Beginning (1979–1989)
490:[ˈmɛʁtsˌbaʊ̯]
486:German pronunciation:
4089:Straight edge groups
3466:"Salon Tetra events"
2786:on November 30, 1999
1469:with Fumio Kosakai.
1110:23 November 1979 (B)
1106:Hyper Music 1 Vol. 1
866:, a protest against
554:Crocidura Dsi Nezumi
515:Remblandt Assemblage
511:Metal Acoustic Music
3891:Sun Baked Snow Cave
3608:. Extreme Records.
3121:. Couture, François
3119:"Merzbeat – Review"
3098:"Noise with a Beat"
3078:. Alien8 Recordings
3036:. Important Records
2749:on February 1, 1998
2654:Peek-a-boo Magazine
2536:"Merzbow Biography"
2267:Couture, François.
2242:. 2013. p. 2.
820:. He later stated:
642:Cloud Cock OO Grand
621:Cloud Cock OO Grand
444:Tamagawa University
431:along the lines of
355:underground culture
4084:Soleilmoon artists
3651:. Creation Books.
3311:Le Sang Et La Rose
2997:2011-06-17 at the
2473:Collection 001-010
2421:. pp. 84–85.
2215:"Animal instincts"
1702:Terminal Body Play
1415:Zbigniew Karkowski
1367:Viennese Actionism
1243:Right Brain Audile
1210:Le Sang et la Rose
1196:House Hunt Hussies
1085:Merzbow Meets M.B.
1010:Ducks: Live in NYC
998:
947:Flesh Metal Orgasm
920:granular synthesis
854:, dedicated to an
799:
442:He later attended
86:free improvisation
37:ISSUE Project Room
3991:
3990:
3534:"Past shows 1995"
3532:Sudoh, Toshiaki.
3189:Burnett, Joseph.
3100:. Dusted Magazine
2845:978-0-646-38326-2
2816:978-0-8264-1727-5
2780:Corridor of Cells
2698:978-0-646-38326-2
2629:978-0-646-38326-2
2600:978-0-646-38326-2
2534:Brennan, Gerald.
2457:978-0-646-38326-2
2428:978-0-646-38326-2
2393:Fifteen Questions
2346:978-0-646-38326-2
2299:English, Lawrence
2217:. Musique Machine
2199:978-0-646-38326-2
2170:978-0-646-38326-2
2082:
2081:
2063:Cruelty Free Life
1993:Strange Nude Cult
1647:978-4-7872-1011-1
1583:978-4-7872-3022-5
1467:Shalon Kelly King
955:Untitled Nov 1989
915:13 Japanese Birds
625:digital recording
462:and also studied
409:psychedelic music
386:and at least one
239:
238:
143:Dirter Promotions
4096:
3810:
3803:
3796:
3787:
3786:
3782:
3768:
3754:
3740:
3726:
3721:
3720:
3718:Official website
3705:
3686:
3669:
3667:
3665:
3641:
3619:
3592:
3591:
3589:
3588:
3578:
3572:
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3567:
3550:
3544:
3543:
3541:
3540:
3529:
3523:
3522:
3520:
3519:
3511:Burgess, Aaron.
3508:
3502:
3501:
3499:
3497:
3482:
3476:
3475:
3473:
3472:
3462:
3456:
3455:
3454:
3453:
3441:
3435:
3434:
3418:
3412:
3411:
3409:
3407:
3402:. September 2018
3393:
3387:
3386:
3378:
3369:
3368:
3366:
3365:
3356:. Archived from
3349:
3340:
3339:
3337:
3336:
3331:on July 18, 2011
3327:. Archived from
3321:
3315:
3314:
3308:
3307:
3306:
3299:
3293:
3292:
3290:
3289:
3280:. Archived from
3274:
3268:
3267:
3265:
3263:
3244:
3238:
3237:
3235:
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3214:
3208:
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3062:
3051:
3045:
3044:
3042:
3041:
3029:
3023:
3022:
3020:
3019:
3014:. Allmusic Guide
3010:Anderson, Rick.
3007:
3001:
2989:
2983:
2982:
2980:
2978:
2962:
2956:
2955:
2953:
2951:
2935:
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2924:
2908:
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2796:
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2738:
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2680:
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2660:
2645:
2634:
2633:
2611:
2605:
2604:
2582:
2576:
2575:
2573:
2572:
2567:on March 2, 2008
2563:. Archived from
2553:
2547:
2546:
2544:
2543:
2531:
2525:
2524:
2522:
2520:
2506:
2500:
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2360:
2351:
2350:
2328:
2307:
2306:
2295:
2280:
2279:
2277:
2276:
2271:. Allmusic Guide
2264:
2255:
2254:
2252:
2251:
2232:
2226:
2225:
2223:
2222:
2210:
2204:
2203:
2181:
2175:
2174:
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2141:
2127:
2121:
2120:
2118:
2116:
2102:
2055:
2054:
2053:
2020:
2019:
2018:
1985:
1984:
1983:
1953:
1952:
1951:
1927:Vintēji erochika
1924:
1923:
1922:
1889:
1888:
1887:
1866:Jiyu Kokuminsha
1857:
1856:
1855:
1822:
1821:
1820:
1787:
1786:
1785:
1784:性の猟奇モダン 日本変態研究往来
1755:
1754:
1753:
1723:
1722:
1721:
1694:
1693:
1692:
1662:
1661:
1660:
1630:
1629:
1628:
1598:
1597:
1596:
1569:
1568:
1567:
1566:異形のマニエリスム 「邪」の民俗
1532:
1531:
1530:
1503:
1502:
1498:Japanese bondage
1429:with Hanayo and
1342:Kazuyuki Kishino
1073:Maurizio Bianchi
891:progressive rock
887:Aqua Necromancer
872:Animal Magnetism
868:Japanese whaling
838:
744:
743:
740:
734:
733:
719:
717:
711:
710:
650:
536:
505:through his own
492:
487:
413:progressive rock
363:Japanese bondage
335:environmentalism
323:electronic music
311:progressive rock
283:
282:
279:
273:
272:
258:
256:
250:
249:
235:
230:
229:
227:Official website
210:Tetsuo Sakaibara
204:Kiyoshi Mizutani
199:
135:Blosloming Noise
107:
105:
97:
33:
19:
18:
4104:
4103:
4099:
4098:
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4095:
4094:
4093:
3994:
3993:
3992:
3987:
3871:
3832:
3819:
3814:
3746:discography at
3732:discography at
3716:
3715:
3712:
3702:
3663:
3661:
3659:
3638:
3616:
3600:
3598:Further reading
3595:
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3079:
3074:
3073:
3069:
3060:
3058:
3053:
3052:
3048:
3039:
3037:
3032:Akita, Masami.
3030:
3026:
3017:
3015:
3008:
3004:
2999:Wayback Machine
2990:
2986:
2976:
2974:
2964:
2963:
2959:
2949:
2947:
2937:
2936:
2932:
2922:
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2799:
2789:
2787:
2774:
2773:
2762:
2752:
2750:
2739:
2732:
2723:
2721:
2720:on May 15, 2008
2710:
2706:
2699:
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2658:
2656:
2646:
2637:
2630:
2612:
2608:
2601:
2583:
2579:
2570:
2568:
2561:Extreme Records
2555:
2554:
2550:
2541:
2539:
2532:
2528:
2518:
2516:
2509:Yorosz (2019).
2507:
2503:
2498:. No. 198.
2487:
2480:
2471:Akita, Masami.
2469:
2465:
2458:
2440:
2436:
2429:
2411:
2407:
2397:
2395:
2387:
2386:
2379:
2370:
2368:
2363:Hensley, Chad.
2361:
2354:
2347:
2329:
2310:
2296:
2283:
2274:
2272:
2265:
2258:
2249:
2247:
2240:15questions.net
2234:
2233:
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2211:
2207:
2200:
2182:
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2171:
2153:
2149:
2139:
2137:
2129:
2128:
2124:
2114:
2112:
2104:
2103:
2094:
2090:
2068:Ohta Publishing
2056:
2049:
2021:
2014:
1986:
1979:
1954:
1947:
1925:
1918:
1890:
1883:
1858:
1851:
1823:
1816:
1788:
1781:
1756:
1749:
1726:Bodi ekizochika
1724:
1717:
1695:
1688:
1663:
1656:
1631:
1624:
1599:
1592:
1570:
1563:
1533:
1526:
1486:
1481:
1475:
1455:Russell Haswell
1431:Masaya Nakahara
1391:Masaya Nakahara
1385:with S.M.U.T.,
1377:with Duenn and
1362:performance art
1332:Flying Testicle
1302:
1186:
1174:
1126:
1065:The Black Album
1024:Mats Gustafsson
907:
839:
836:
787:
741:
728:
705:
682:Extreme Records
678:Extreme Records
651:
648:
617:
537:
534:
499:
485:
468:Kurt Schwitters
401:
396:
394:Life and career
374:Extreme Records
297:Kurt Schwitters
280:
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103:
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3908:
3905:Walrus / Groon
3901:
3894:
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3877:
3876:Collaborations
3873:
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3727:
3711:
3710:External links
3708:
3707:
3706:
3701:978-0822353928
3700:
3687:
3670:
3658:978-1840681536
3657:
3642:
3637:978-0826417268
3636:
3620:
3615:978-0646383262
3614:
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3388:
3370:
3352:Trevor Brown.
3341:
3316:
3309:(2018-09-21).
3294:
3269:
3239:
3209:
3181:
3169:Ears Have Ears
3152:
3131:
3110:
3088:
3067:
3057:. Vivo Records
3046:
3024:
3002:
2984:
2966:"Masami Akita"
2957:
2930:
2903:
2876:
2851:
2844:
2838:. p. vi.
2822:
2815:
2797:
2760:
2730:
2712:Pozo, Carlos.
2704:
2697:
2666:
2635:
2628:
2622:. p. 53.
2606:
2599:
2593:. p. 95.
2577:
2548:
2526:
2501:
2490:Pouncey, Edwin
2478:
2463:
2456:
2450:. p. 85.
2434:
2427:
2405:
2377:
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2339:. p. 10.
2308:
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2256:
2227:
2213:Batty, Roger.
2205:
2198:
2192:. p. 27.
2176:
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2163:. p. 40.
2147:
2135:Red Bull Radio
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1509:Japanese title
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1477:Main article:
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1318:Shohei Iwasaki
1301:
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1286:SCUM Manifesto
1262:
1240:
1213:
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1032:Thurston Moore
939:Collection 005
935:Collection 004
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795:Moers Festival
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3961:Flying Basket
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3675:Green Letters
3671:
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3643:
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3629:
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3624:Hegarty, Paul
3621:
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3375:
3360:on 1997-06-25
3359:
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3330:
3326:
3320:
3312:
3298:
3284:on 2012-10-15
3283:
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3096:Tausig, Ben.
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2864:J-Sploitation
2861:
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2841:
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2834:. Melbourne:
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2687:. Melbourne:
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2642:
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2618:. Melbourne:
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2589:. Melbourne:
2588:
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2446:. Melbourne:
2445:
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2430:
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2417:. Melbourne:
2416:
2409:
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2382:
2366:
2359:
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2348:
2342:
2338:
2335:. Melbourne:
2334:
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2304:
2301:(June 2019).
2300:
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2188:. Melbourne:
2187:
2180:
2172:
2166:
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2159:. Melbourne:
2158:
2151:
2136:
2132:
2126:
2111:
2110:Extreme Music
2107:
2101:
2099:
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2092:
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2078:
2077:4-87233-979-7
2074:
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2040:4-7567-1141-3
2037:
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2032:Outou Shobou
2031:
2029:
2028:Love Position
2026:
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2023:Rabu pojishon
2013:
2010:
2009:
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2005:4-89176-313-2
2002:
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1892:Anaru Barokku
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1874:4-426-73800-8
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1512:English title
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1379:Koji Nakamura
1376:
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1333:
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1322:Maso Yamazaki
1319:
1315:
1314:Masahiko Ohno
1311:
1310:Fumio Kosakai
1307:
1304:
1303:
1294:
1291:
1288:
1287:
1282:
1279:. SCUM is an
1278:
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1179:
1178:side projects
1172:Side projects
1169:
1167:
1166:
1161:
1157:
1152:
1150:
1145:
1143:
1139:
1135:
1134:ambient music
1131:
1124:Musical style
1121:
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979:Merzmorphosis
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869:
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856:elephant seal
853:
849:
848:Minazo Vol. 1
845:
833:
831:
830:Animal Rights
827:
821:
819:
815:
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808:
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796:
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782:
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771:Ilppo Pohjola
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727:
726:Lost Paradise
723:
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684:released the
683:
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433:Ash Ra Tempel
430:
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388:tribute album
385:
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343:straight edge
340:
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331:animal rights
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307:found objects
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3864:
3857:
3850:
3843:
3816:
3691:
3674:
3662:. Retrieved
3647:
3627:
3605:
3585:. Retrieved
3576:
3564:. Retrieved
3559:
3548:
3537:. Retrieved
3527:
3516:. Retrieved
3506:
3494:. Retrieved
3489:
3480:
3469:. Retrieved
3460:
3450:, retrieved
3445:
3439:
3423:Ongaku Otaku
3422:
3416:
3406:30 September
3404:. Retrieved
3399:
3391:
3382:
3362:. Retrieved
3358:the original
3333:. Retrieved
3329:the original
3319:
3310:
3297:
3286:. Retrieved
3282:the original
3272:
3260:. Retrieved
3251:
3242:
3230:. Retrieved
3221:
3212:
3200:. Retrieved
3194:
3184:
3172:. Retrieved
3168:
3144:. Retrieved
3142:. Howard, Ed
3134:
3123:. Retrieved
3113:
3102:. Retrieved
3091:
3080:. Retrieved
3070:
3059:. Retrieved
3049:
3038:. Retrieved
3027:
3016:. Retrieved
3005:
2987:
2975:. Retrieved
2969:
2960:
2948:. Retrieved
2942:
2933:
2921:. Retrieved
2915:
2906:
2894:. Retrieved
2888:
2879:
2867:. Retrieved
2863:
2854:
2831:
2825:
2806:
2800:
2788:. Retrieved
2784:the original
2779:
2751:. Retrieved
2747:the original
2722:. Retrieved
2718:the original
2707:
2684:
2657:. Retrieved
2653:
2615:
2609:
2586:
2580:
2569:. Retrieved
2565:the original
2551:
2540:. Retrieved
2529:
2519:December 21,
2517:. Retrieved
2511:
2504:
2493:
2472:
2466:
2443:
2437:
2414:
2408:
2396:. Retrieved
2392:
2369:. Retrieved
2332:
2302:
2273:. Retrieved
2248:. Retrieved
2239:
2230:
2219:. Retrieved
2208:
2185:
2179:
2156:
2150:
2138:. Retrieved
2134:
2125:
2113:. Retrieved
2109:
2083:
2062:
2057:
2027:
2022:
1992:
1987:
1961:Think Vagina
1960:
1955:
1926:
1897:Anal Baroque
1896:
1891:
1859:
1829:
1824:
1794:
1789:
1763:Scum Culture
1762:
1757:
1730:
1725:
1701:
1696:
1669:
1664:
1637:
1632:
1627:セックス・シンボルの誕生
1605:
1600:
1571:
1539:
1534:
1487:
1484:Bibliography
1466:
1462:
1458:
1450:
1442:
1435:Metalik Zeit
1434:
1426:
1419:Melting Lips
1418:
1410:
1402:
1394:
1386:
1382:
1374:
1372:
1358:True Romance
1357:
1351:
1338:Merzbow Null
1337:
1331:
1305:
1292:
1284:
1264:
1258:
1246:
1242:
1236:
1232:
1229:Pornoise/1kg
1228:
1215:
1209:
1205:
1199:
1195:
1190:Abtechtonics
1189:
1180:and groups.
1175:
1163:
1153:
1146:
1137:
1130:synthesizers
1127:
1117:
1116:in 2021 and
1113:
1109:
1105:
1103:
1092:
1089:Amalgamelody
1088:
1084:
1076:
1064:
1056:
1050:
1045:
1035:
1027:
1017:
1013:
1009:
1005:
1002:Balázs Pándi
999:
986:
982:
978:
974:
970:
966:
962:
958:
954:
950:
946:
943:Normal Music
942:
938:
934:
930:
924:
914:
908:
898:
894:
886:
882:
880:
875:
871:
863:
851:
847:
841:
837:Masami Akita
823:
813:
811:
806:
800:
778:
774:
766:
762:
758:
750:
746:
725:
699:
692:
685:
667:
663:
653:
649:Masami Akita
641:
638:
620:
618:
606:
599:
597:
588:
586:
579:made out of
569:Pornoise/1kg
568:
566:
561:
557:
553:
549:
545:
542:close miking
539:
535:Masami Akita
529:
522:
518:
514:
510:
507:record label
500:
481:
477:
471:
441:
429:jam sessions
402:
384:remix albums
377:
371:
347:
321:, and early
300:
290:
277:Akita Masami
265:Masami Akita
264:
241:
240:
198:Past members
188:Masami Akita
96:Years active
3859:Pulse Demon
3852:Venereology
3828:Discography
3748:MusicBrainz
3560:Ｍｒ．エレクトの独り言
3490:かけらを集める（仮）。
3383:Bad Alchemy
3232:January 20,
3196:The Quietus
2659:21 December
2398:21 December
2269:"Biography"
1921:ヴィンテージ・エロチカ
1830:Nude Empire
1490:pornography
1473:Discography
1447:Melt-Banana
1443:Merz-Banana
1407:Mike Patton
1399:Keiji Haino
1352:Tibeta Ubik
1306:Bustmonster
1165:Venereology
1156:death metal
1142:noise music
1069:John Duncan
1042:Keiji Haino
975:Merzphysics
897:(2004) and
779:Routemaster
777:(1998) and
755:Ian Kerkhof
732:失楽園 乗馬服女腹切り
715:Fuji Kikaku
680:. In 2000,
669:Pulse Demon
656:death metal
573:photocopies
519:Solonoise 1
345:lifestyle.
315:heavy metal
207:Reiko Azuma
139:Cold Spring
122:ZSF Produkt
3998:Categories
3912:Rock Dream
3587:2010-09-15
3539:2010-09-15
3518:2010-09-15
3471:2010-09-15
3452:2021-01-20
3364:2010-07-19
3335:2010-09-15
3288:2008-09-01
3146:2008-04-02
3140:"Merzbeat"
3125:2008-04-02
3104:2008-05-14
3082:2012-03-26
3061:2008-05-14
3040:2012-03-26
3018:2008-04-01
3012:"Merzbird"
2724:2008-05-14
2571:2008-05-14
2542:2008-05-13
2371:2008-04-02
2367:. EsoTerra
2303:Noise Mass
2275:2008-04-01
2250:2017-07-08
2221:2008-04-02
2140:6 December
2115:6 December
2088:References
1997:Suiseisha
1950:女陰考 性学古典より
1901:Seikyūsha
1834:Suiseisha
1799:Seikyūsha
1767:Suiseisha
1233:Sexorama 2
1206:Lotus Club
1200:Sexorama 1
1149:tape loops
1053:industrial
963:April 1992
899:Merzbuddha
893:drumming.
864:Bloody Sea
695:Hijokaidan
664:Noisembryo
609:Khabarovsk
593:industrial
558:Ecobondage
523:Collection
484:building,
460:surrealism
452:art theory
415:and later
399:Early life
351:modern art
327:surrealism
299:' artwork
254:Merutsubau
167:Soleilmoon
76:industrial
3926:Keio Line
3431:1081-1761
3165:"Merzbow"
2977:April 24,
2950:April 24,
2923:April 24,
2896:April 24,
2869:April 24,
2790:April 24,
2753:August 9,
2106:"Merzbow"
1752:スカム・カルチャー
1720:ボディ・エキゾチカ
1545:Seikyūsha
1515:Publisher
1326:Zev Asher
1259:Merzbient
1253:and faux-
1160:grindcore
1138:Merzbient
1118:35 CD Box
971:Merzbient
803:Macintosh
660:grindcore
503:cassettes
480:(meaning
446:to study
423:-smoking
417:free jazz
372:In 2000,
319:free jazz
152:Important
3884:04092001
3762:Facebook
3664:June 12,
3626:(2007).
3566:July 11,
3496:July 23,
3256:Archived
3252:Soundohm
3226:Archived
3222:Soundohm
3174:July 17,
2995:Archived
2944:pHinnWeb
2917:pHinnWeb
2538:. Enotes
2495:The Wire
2244:Archived
2052:わたしの菜食生活
2017:ラブ・ポジション
1886:アナル・バロック
1691:快楽身体の未来形
1403:Maldoror
1383:Abe Sada
1224:collages
1220:mail art
1216:Pornoise
1136:, as in
1014:Katowice
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