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Scarlatti was sixty years old at the time and composed at the beginning of the 18th century, in a modern style of the period, characterised by brio and seduction, which culminated in the great masses of
384:, Wendy Eathorne, sopranos; Margaret Cable, alto; Wynford Evans, tenor; Christopher Keyte, bass; John Scott, organ; The Choir of St John's College, Cambridge; The Wren Orchestra, dir.
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Blanche
Christensen, Jean Preston, soprano; Beryl-Jensen Smiley, alto; Ronald Christensen, tenor; Warren Wood, bass; the Alumnenchor of the
547: : "In this mass for a festive day, we admire above all the quality and purity of style displayed by the entire team gathered around
90:
and "seems to foretell Haydn's last masses". This remarkable work, "coronation of all his church music", almost contemporary of Bach's
205:
and the
Bolognese; the choir's interventions alternate or overlap with the singing decorated with soloists. The composer ends the
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96:(1723), has nothing to envy to it, "both in terms of musical interest and stylistic synthesis of early 18th century trends".
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Dictionnaire des disques et des compacts;guide critique de la musique classique enregistrée
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St. Cecilia Mass (1720) for SSATB soli and chorus, string orchestra, and organ continuo
185:
259:, Scarlatti merges the old (voice) and new (strings) styles, until they are reversed.
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In addition to the mass, still in 1720, Scarlatti composed almost as long (40 min.)
570:
551:. Everything is perfectly settled in an intimate tuning of voices and instruments".
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229:, which in its style looks more to the future, is close to the writing of his own
605:(1992). "Messe et VĂŞpres pour la fĂŞte de sainte-CĂ©cile, d'Alessandro Scarlatti".
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609:(in French). Vol. II (G-O). Paris: Éditions Bordas. pp. 1291–1292.
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Edwin Hanley (October 1962). "Alessandro
Scarlatti: Messa di Santa Cecilia".
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527:. Bouquins (in French). Paris: Éditions Robert Laffont. pp. 775–776.
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643:. Petite bibliothèque Ombre (in French). Toulouse: Ombre. p. 115.
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which "intensifies to the tumult", contrasts with the sudden stop on
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74:), choir and orchestra, commissioned by and dedicated to cardinal
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641:; Correspondance d'Alessandro Scarlatti et de Ferdiand de MĂ©dicis
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138:
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62:
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266:, discovered more recently, both scores being intended for the
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Guide de la musique sacrée et chorale, l'âge baroque 1600–1750
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with its complex structure, with an impressive five-part
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The execution time of the 923 bars is about 52 min. The
675:. Les Indispensables de la musique (in French). Paris:
239:
seventeen years later. The joyful precipitation of the
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247:
in a striking effect. The movement concludes with a
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Mon respectueux, mon profond silence parle pour moi
631:
449:
164:is the most developed, exceeding 23 min. and the
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634:Ferdinando de' Medici, Grand Prince of Tuscany
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569:. Vol. 48, no. 4. pp. 548–550.
468:
255:in a completely different development. In the
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351:/ "Alessandro Scarlatti collection", vol. 5,
607:Dictionnaire des Ĺ“uvres de la musique vocale
564:
392:"Seranata" 430 631-2 / "Double" 458 370–2)
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217:, the subject of which is provided by the
221:intonation of the Mass to Saint-Cecilia,
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61:, written in 1720 for five soloists (
1040:Compositions by Alessandro Scarlatti
388:(3-4 August 1978, LP Argo ZRG 903 /
201:is lively on the strings, close to
16:Composition by Alessandro Scarlatti
13:
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14:
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270:church. In 1708, he had composed
251:that takes up the subject of the
30:(first half of the 17th century,
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671:Edmond Lemaître (dir.) (1992).
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313:, ed. John Steel, Novello 1968
276:, inspired by the same figure,
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498:
486:
450:Scarlatti & de Medici 1995
283:
168:which follows reaches 14 min.
32:Museum of Fine Arts (Budapest)
1:
667:Messa di Santa Cecilia (1720)
421:
325:
321:— after the Roman manuscript.
280:, patron saint of musicians.
197:Scarlatti's writing from the
415:Il Martirio di Santa Cecilia
347:Amadeo AVRS5001 / Amadeus /
273:Il Martirio di Santa Cecilia
7:
917:Sinfonie di concerto grosso
407:
278:Santa Cecilia in Trastevere
268:Santa Cecilia in Trastevere
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10:
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469:de Nys & Honegger 1992
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908:
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26:CĂ©cile with an angel by
575:10.1093/mq/XLVIII.4.548
182:Santa Cecilia in estasi
894:Messa di Santa Cecilia
730:Messa di Santa Cecilia
722:Messa di Santa Cecilia
710:Messa di santa Cecilia
632:Alessandro Scarlatti;
507:Messa di Santa Cecilia
505:Alessandro Scarlatti:
493:Messa di Santa Cecilia
291:Biblioteca Casanatense
194:
42:Messa di Santa Cecilia
36:
876:Se tu della mia morte
841:Il trionfo dell'onore
793:L'honestĂ negli amori
567:The Musical Quarterly
179:
24:
825:Carlo re d'Allemagna
769:Alessandro Scarlatti
679:. pp. 668–669.
190:Museo di Capodimonte
59:Alessandro Scarlatti
76:Francesco Acquaviva
809:Mitridate Eupatore
510:on Oxford Academic
353:Brilliant Classics
333:University of Utah
298:Santini-Bibliothek
215:Cum Sancto Spirito
195:
186:Bernardo Cavallino
37:
1045:1720 compositions
993:
992:
382:Elizabeth Harwood
341:Maurice Abravanel
237:that of Pergolesi
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665:Sylvie Buissou,
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1050:Christian music
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766:
717:) on ChoralWiki
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545:. Diapason1988.
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305:Modern editions
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973:Scarlatti Peak
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778:List of operas
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703:External links
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603:Honegger, Marc
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483:, p. 669.
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235:, but more to
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55:religious work
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509:
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494:
489:
482:
481:Lemaître 1992
477:
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452:, p. 15.
451:
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438:Lemaître 1992
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390:Decca Records
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337:Utah Symphony
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241:Et resurenxit
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208:
204:
200:
191:
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149:, in A major
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51:Saint Cecilia
48:
44:
43:
33:
29:
23:
19:
915:
900:Stabat Mater
893:
892:
855:
847:
839:
831:
823:
815:
807:
799:
791:
732:; two motets
729:
721:
714:
709:
672:
666:
640:
637:
606:
599:de Nys, Carl
566:
559:Bibliography
549:George Guest
524:
515:
506:
500:
495:on All Music
488:
476:
445:
413:
386:George Guest
310:
271:
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232:Stabat Mater
230:
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105:
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80:
78:of Aragona.
41:
40:
38:
18:
734:on WorldCat
725:on AllMusic
293:, Ms. 2257.
284:Manuscripts
28:Simon Vouet
1034:Categories
659:1033722311
616:2040153950
591:5556199953
422:References
402:1019824531
373:1031705213
326:Recordings
192:, Naples).
93:Magnificat
968:Namesakes
936:(brother)
934:Francesco
801:Il Pompeo
695:708322577
583:0027-4631
543:868546991
365:657400201
361:772703252
319:679576508
296:MĂĽnster,
257:Agnus Dei
245:et mortuo
223:Dilecisti
219:Gregorian
188:in 1645 (
146:Agnus Dei
88:Beethoven
987:Category
960:(nephew)
958:Giuseppe
946:Domenico
857:Griselda
833:Telemaco
636:(1995).
625:25239400
523:(1990).
521:Diapason
408:See also
398:77414310
377:47016549
335:and the
172:Analysis
53:) is a
998:Portals
954:(niece)
849:Cambise
817:Tigrane
343:(1961,
339:, dir.
300:, D-MĂĽs
264:vespers
203:Vivaldi
139:Sanctus
112:A major
100:Details
940:Pietro
927:Family
886:Sacred
860:(1721)
852:(1719)
844:(1718)
836:(1718)
828:(1716)
820:(1715)
812:(1707)
804:(1683)
796:(1680)
785:Operas
693:
683:
677:Fayard
657:
647:
623:
613:
589:
581:
541:
531:
396:
371:
359:
317:
289:Rome,
253:Gloria
225:. The
207:Gloria
162:Gloria
125:Gloria
1024:Italy
948:(son)
942:(son)
909:Other
868:Arias
715:Kyrie
669:, in
249:fugue
227:Credo
211:fugue
199:Kyrie
166:Credo
132:Credo
110:, in
107:Kyrie
952:Rosa
691:OCLC
681:ISBN
655:OCLC
645:ISBN
621:OCLC
611:ISBN
587:OCLC
579:ISSN
539:OCLC
529:ISBN
394:OCLC
369:OCLC
357:OCLC
315:OCLC
86:and
84:Bach
47:mass
39:The
571:doi
213:on
184:by
57:by
49:of
1036::
689:.
653:.
619:.
601:;
585:.
577:.
537:.
457:^
430:^
400:,
375:,
367:,
363:,
355:)
345:LP
63:SS
34:).
1000::
878:"
874:"
761:e
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747:v
713:(
697:.
661:.
627:.
593:.
573::
72:B
69:T
66:A
45:(
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