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that season, however, that the late night music hall performances were resulting in minor scandal, while the members were increasingly availing themselves of the opera box. By the 1894 season the
Vaudeville Club had changed its name to the "Opera Club", and in 1899 its members formally incorporated themselves as the "Metropolitan Opera Club".
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By the second year of the
Vaudeville Club's existence, the Metropolitan Opera had resumed performances, and the club acquired the use of the large opera box that adjoined the club. Members would thus attend the opera and then enjoy the vaudeville entertainments afterwards. It became apparent over
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Although the Opera Club is fully independent of the
Metropolitan Opera Association, support for the MOA is central to the club's activities. The club donated the gold stage curtain that was made for the opening of the new opera house at
36:) and boxes on the dress circle level of the opera house, and is open to its members for several performances a week during the opera season. Informally known as the "Opera Club", the club is independent of the
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while the back of the house was under renovation after a fire. Known as the "Vaudeville Club", members and their guests dined and watched performances from a miniature stage designed by
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in 1966, and also contributed to its recent replacement. The club continues to make annual gifts to the MOA, which are often used to finance new productions or revivals.
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for
Saturday matinee performances. The membership is sometimes affectionately referred to as "the Penguins" because of its attire.
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The club has singers among its membership and often hosts dinners for prominent performers appearing at the
Metropolitan Opera.
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wrote the club to thank its members for publicly expressing their support after he was arrested for breach of the peace at the
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The club was founded in 1893 when a collection of New York
Society gentlemen created a private
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is requested for premieres, galas and certain Monday night performances) and a dark suit or
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Founded as a men-only club, the Opera Club has admitted women as full members since 1982.
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The Club in the Opera House: The Story of the
Metropolitan Opera Club
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169:. Vol. 97, no. 32, 835. December 18, 1947. p. 30.
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199:Charles Cooke; Russell Maloney (22 February 1936).
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118:Support for the Metropolitan Opera Association
46:Members and their guests are required to wear
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257:Papinta dances the Serpentine Dance, 1890s
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379:. New York: The Metropolitan Opera Club.
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303:. 10 November 1928. p. 18.
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353:. The Metropolitan Opera Club
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72:old Metropolitan Opera House
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234:, performingartsarchive.com
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102:Relationship with artists
244:Walter Jones (1874–1922)
161:"Opera Club Bars Landon"
22:Metropolitan Opera House
375:Bonner, Eugene (1949).
32:and later renovated by
18:Metropolitan Opera Club
444:Opera in New York City
86:, Ward & Volkes,
351:"Support of the Met"
137:List of supper clubs
74:on West 39th Street/
464:Metropolitan Opera
166:The New York Times
70:in a lobby of the
340:, pp. 32–33.
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246:, basinstreet.com
232:Ward & Volkes
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30:Angelo Donghia
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355:. Retrieved
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201:"Opera Club"
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88:Walter Jones
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338:Bonner 1949
326:Bonner 1949
314:Bonner 1949
297:"Omnibus".
285:Bonner 1949
273:Bonner 1949
220:Bonner 1949
180:Bonner 1949
92:Pilar-Morin
68:supper club
438:Categories
357:30 October
156:Alf Landon
143:References
154:In 1947,
114:in 1906.
52:white-tie
48:black-tie
131:See also
76:Broadway
402:Portals
369:Sources
262:YouTube
428:Opera
359:2016
16:The
260:on
24:in
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187:^
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