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Michael Beinhorn

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3598: 424:" (which featured the first ever usage of the "Fresh Scratch" as a turntable scratch. Another element was its usage of programmed drum fill breaks as thematic motifs). Beinhorn co-produced, co-wrote, and programmed the Oberheim DMX drum machine, synthesizers and Lexicon M.93 Prime Time sampler on the track. As a result of its usage in "Rockit", the "Fresh Scratch" has subsequently become the most sampled sound in the world. 782: 25: 660:. Coincidentally, both records were finished and released at the same time, giving Beinhorn the distinction of being the first record producer in history to have two records debut in the Top Ten positions of the Billboard album charts, (with Manson at number 1 and Hole at number 9) in the same week (September 15, 1998). As a result, Beinhorn was nominated for 621:. In 1994, he conceived of a new multitrack recording format – an analog 8-track tape recorder with a 2-inch head block that also included a time code reader so it could sync with other tape machines, consoles, etc. The system was dubbed "Ultra-Analog" by CN Fletcher of Mercenary Audio and had its maiden voyage on the 1995 Ozzy Osbourne record 732:
out and tested. Usually, I do my vocals and it takes me a month or two weeks, but just vocals it took me five, almost six months. With Beinhorn, sometimes I'd walk in and sing and he'd just say, "Go home, your voice ain't right." It was the peak and pinnacle of everything in Korn. I still can't believe how much work went in on it.
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However, his attention consistently returned to the issue of artist development, as well as other concerns facing artists, producers and other individuals who are trying to maintain their creative ethics in the radically shifting environment of a new music industry. Being a staunch advocate of album
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Beinhorn's whole vision was to make an amazing sounding rock record that could never be made again. I wanted to shoot a documentary about that record. We spent so much money, on the drums alone we spent a whole month just getting drum sounds. There were 50 mics just on the drumset that they picked
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I think for the rest of my entire life, until I draw my last breath, I'll never ever forget how I felt when they started playing that song. From the very first few notes, I felt like I'd been hit by a thunderbolt. I was just absolutely stunned. What in the world is this? I get goosebumps thinking
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To address these concerns and redefine the role of the music producer through the incorporation of new technology, Beinhorn started one of the world's first completely remote services for working with artists and producing music in 2018, called Beinhorn Creative. He sees this as a way to help
536:" went to number five on the Billboard Top 100 singles chart, selling 600,000 copies, and its video received significant airplay on MTV. The album spent 76 weeks in the Billboard Top 200 Album charts, sold over three million copies in the United States (as of 1993), and netted the band a 409:
which became the source of the infamous "Fresh Scratch"(which included the sound of a voice controlling the Oberheim OBXa synthesizer through the Roland SVC350 vocoder reciting "Ahhhh...this stuff is really frrreshh"). This led to Beinhorn's work in 1983 on
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After Gomelsky produced the Zu Band's first recording, the group ended their relationship with him and began self-producing. About a year following their first release and their first shows in New York City (at such legendary nightclubs as
53: 587:") and sold over 9 million copies worldwide as of 1995. In an appearance on The Pods & Sods Network, Beinhorn shared his reaction to first hearing "Black Hole Sun" during the 773:. In 2015, Beinhorn wrote a book called "Unlocking Creativity" (published by Hal Leonard) which outlines his personal experience with the creative process as a record producer. 646:") and sold nearly 4 million records worldwide. As well as receiving two Grammy Nominations in 1999, it is number 871 in the book "1001 Records To Hear Before You Die". 428: 792: 343:
By 1980, Maher and Cultreri had left Material. As a duo, Beinhorn and Laswell collaborated on various projects with a variety of musical artists, such as
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pre-production, he also felt the need to address the changing music industry climate and the lack of reasonable budgets available to most musicians.
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Beinhorn set out on his own, leaving Material in 1984. Two years later, he found himself in a speeding van with struggling Los Angeles band
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Bambarger, Bradley (30 July 1994). "For Soundgarden, Soul Asylum Producer Michael Beinhorn, Personality Is Paramount".
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went on to sell over one million records in the United States as of 1995 and brought the band international renown.
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After his success with Red Hot Chili Peppers, Beinhorn began a working streak which culminated in him producing
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and Cliff Cultreri, they formed the Zu Band (so-named by legendary European music impresario, producer/manager
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After leaving Atlantic, Beinhorn returned to independent record production, where he produced
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musicians achieve their greatest potential while pursuing a return to excellence.
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From 1999 to 2002, Beinhorn held an Executive Vice President A&R position at
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who were late to a gig in Dallas, Texas. The result of that van ride was 1987's
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song "Memories" which also featured the legendary free jazz tenor sax player,
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series modular systems at Public Access Synthesizer Studio in New York City.
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From 2003, Beinhorn went on to work with a diverse array of artists such as
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has described Beinhorn as adopting a perfectionist approach to recording of
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systems. He received formal training in synthesizer programming on the
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was still being mixed when Beinhorn moved on to his next project-
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to produce their next recording. The resulting project was called
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from the article and its talk page, especially if potentially
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1984–1989: leaving Material, work with Red Hot Chili Peppers
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album charts in its first week of release (directly above
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from the 4th and final recording in Eno's Ambient series,
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Over the next three years, Beinhorn produced records for
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gave Red Hot Chili Peppers a leg up with their label,
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1995–1999: two-inch eight-track, Hole, Marilyn Manson
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Beinhorn's next production was for the Seattle band,
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sequencer. Later, he began using such instruments as
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One ongoing collaboration was with musical luminary
1238:Permanent Record: The Very Best of Violent Femmes 471:where Herbie was the show's most awarded artist. 3614: 1818:Michael Beinhorn Discography by Christian Genzel 223:1977–1983: early years, Material, Herbie Hancock 628:In 1997, Beinhorn was approached by the group 401:That year (1981), they produced and composed " 3549: 2661: 1843: 583:for "Black Hole Sun" and Best Rock Song for " 567:). Eventually spawning 5 singles, including " 518:1989–1994: producing Soul Asylum, Soundgarden 1823:Michael Beinhorn biography at Artists Direct 1577:"Uplift liner notes, 2003 Digital Remaster". 1437:. Vol. 106, no. 31. p. 110. 16:North American musician and record producer 2668: 2654: 1850: 1836: 850: 420:which included the groundbreaking track, " 56:about living persons that is unsourced or 1430: 830:Learn how and when to remove this message 254:, as well as other instruments such as a 127:Learn how and when to remove this message 1424: 463:Awards (also receiving a nomination for 713:Grammy Award for Best Metal Performance 427:Along with such seminal recordings as " 3615: 1709: 1531: 791:contains content that is written like 532:. The third single from this record, " 433:Grandmaster Flash and the Furious Five 238:, after which he began working with a 2649: 1831: 457:Best R&B Instrumental Performance 1762: 1682: 1630: 1124:White Light, White Heat, White Trash 775: 18: 1503: 336:), they changed their band name to 13: 3623:21st-century American keyboardists 1735: 1589:"EM 54- Remembering Chris Cornell" 553:, which reached number one on the 14: 3659: 2675: 1806: 1781: 1656: 672:2000–2002: Atlantic Records, Korn 378:and eventually yielded the track 308:, former manager and producer of 3597: 3596: 3179:I Don't Want to Change the World 1532:Chinen, Nate (8 February 2016). 1493:from the original on 2021-12-05. 1469:from the original on 2021-12-05. 780: 581:Best Hard Rock/Metal Performance 467:), as well as five VMA's at the 23: 1775: 1756: 1729: 1703: 1676: 1650: 1631:Hill, Stephen (2 August 2019). 1624: 736: 296:and together, with his friends 227:Beinhorn began his career as a 3643:The Ozzy Osbourne Band members 1606: 1581: 1570: 1552: 1525: 1497: 1473: 1449: 692:, and contributed to the film 292:In 1977, Beinhorn met bassist 1: 1417: 1268:A Public Display of Affection 526:'s 1992 breakthrough record, 465:Best Instrumental Composition 240:Sequential Circuits Prophet 5 231:. 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171: 169:Occupation(s) 167: 164: 163:United States 161: 157: 154:New York City 152:27 March 1960 151: 147: 140: 131: 128: 120: 109: 106: 102: 99: 95: 92: 88: 85: 81: 78: β€“  77: 73: 72:Find sources: 66: 62: 59: 55: 51: 45: 44: 40: 35: 30: 21: 20: 3538:Savage Skies 3536: 3529: 3496: 3489: 3482: 3462: 3458:Rick Wakeman 3441:Keyboardists 3402:Lee Kerslake 3356:Phil Soussan 3290:Bernie TormΓ© 3285:Randy Rhoads 3080:Ordinary Man 2927: 2920: 2913: 2906: 2899: 2892: 2874: 2867: 2849: 2842: 2835: 2828: 2810: 2805:Ordinary Man 2803: 2796: 2789: 2782: 2775: 2768: 2761: 2754: 2747: 2740: 2733: 2726: 2708: 2703:Adam Wakeman 2701: 2694: 2687: 2575: 2568: 2541: 2507: 2487: 2482:Sound-System 2480: 2468:Future Shock 2466: 2446: 2439:Ginger Baker 2401: 2394: 2387: 2369: 2362: 2346:Intonarumori 2344: 2337: 2330: 2323: 2316: 2309: 2302: 2220:Maceo Parker 2202:Archie Shepp 2161:Daniel Ponce 2142:Ginger Baker 2035:Nile Rodgers 2015:Robert Quine 1945:Shabba Ranks 1921:Nona Hendryx 1907:Contributors 1878: 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