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Among his paintings are a "Repose in Egypt", now in the Louvre, and a "Baptism of
Constantine", in the museum at Bordeaux. Among his more important etched and engraved works are: "The Nativity"; "Flight into Egypt"; "Abraham journeying with Lot" (wrongly ascribed to Raphael), and "Jacob wrestling
203:. His style, reminiscent of the old masters, is the conventional style of the Eclectics; his drawing is remarkably careful and exact, the expression on the faces of his religious subjects is dignified and noble, the management of
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on the king's pension; but feeling his genius hampered by the restrictions of the prize, he gave up the money so that he might study the antique in his own way. Coming under the then powerful influence of the
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of Orléans, and on this account is sometimes called the "younger Michel". He is also and more commonly known as the "elder
Corneille" (Corneille l'Aîné), to distinguish him from a younger brother,
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excellent, and the composition harmonious, but suggestive of the
Venetian School. From his insufficient knowledge of the composition of
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Blumer, Marie-Louise (1961). "Corneille (Michel)". In Roman d'Amat, Jean-Charles; et al. (eds.).
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and modelled his style on theirs. In 1663 he returned to Paris and was elected a member of the
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Mémoires inédits sur la vie et les ouvrages de l'Académie royale de peinture (Paris, 1884)
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DURRIEN, La peinture à l'exposition de primitifs français (Paris, 1904).
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304:(in French). Vol. 9. Paris: Letouzey et Ané. cols. 676–678.
251:(in German). Vol. 7. Leipzig: E. A. Seemann. p. 424.
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336:"Corneille, Michel (gen. Michel II bzw. l'aîne; Michel-Ange)"
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224:with the Angel", a plate after Annibale Carracci.
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46:but its sources remain unclear because it lacks
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361:Allgemeines KĂĽnstlerlexikon (Berlin, 1870)
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277:. Vol. 3. Paris: GrĂĽnd. pp.
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392:That entry was written by Leigh Hunt.
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239:"Corneille, Michel oder Michel Ange"
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311:"Corneille"
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