382:. International interest in his work and in that of other young Italians was growing, and in 1980 a traveling exhibition took works by Sandro Chia, Francesco Clemente, Sandro Cucchi, Nicola De Maria and Paladino, together with two other artists, Luigi Ontani and Ernesto Tatafiore, to three of the most important museums in Europe. It was also the year of the 39th Venice Biennale, where Harald Szeemann and Achille Bonito Oliva curated the Aperto section, choosing some of the artists who were to make their mark on the art scene for many years to come. It was here that Transavanguardia became more firmly established, with its theoretical structure being published the following year. The arrival of the young Italian painters was seen by many as a breath of fresh air and a key exhibition like
394:, with the use of geometrical elements applied to the environment, the first result of which came in 1995. Painting, sculpture and engraving were the three media that most inspired his style throughout the following years and one might well assume that this is the ââeminenceâ that Danto refers to, since it was clear that â like few other artists of the twentieth century â Paladino always revealed a different ambition in each discipline. In 1988 the critic Giovanni Carandente entrusted him with the main gallery in the Italian Pavilion at the 43rd Venice Biennale. Here Paladino showed an installation in which the management of space â created in part by a pictorial approach to sculpture â was of great impact. This type of approach returned in the early nineties in the
449:
becoming difficult to list all his exhibitions and publications, what is important is the care with which
Paladino achieves his artistic mission in the allotted space, as can be seen in his latest creation for the 55th Venice Biennale in 2015. Whether it is a painting, a piazza, the pages of a book, or the galleries of a museum, it is his all-embracing vision that makes each element a crucial component of a complex project. A project that always attempts to seize the opportunities rather than the limitations of the world. In 2016 He creates a large-scale exhibition for
186:
323:
386:, in Berlin, certainly indicated their progress, with German-speaking countries as the first to promote their work. Paladino's career, like those of his colleagues, has included considerable collaboration with artists, intellectuals and musicians, and yet, more than others, Paladino has always managed to appear with a form of creativity that is inquisitive and open, but always personal. He goes beyond the purely pictorial and, ever since 1983, he has strayed into sculpture (his first work,
369:, which was shown in a room in which also the walls were painted. The aim was clearly a return to painting, as the principal place of narration. This was not to recapture the aspirations of the fifties and sixties, which in Italy reflected a painting tradition linked to pre-war artistic research, but rather to make a break with the influences that repudiated painting in the strictest sense, on which he intervened with a series of circular linguistic and semiotic interactions.
248:
66:
25:
365:
the first major date in his artistic education. This was when, still a schoolboy, he visited the 32nd Venice
Biennale and, in particular, the U.S. Pavilion, where he discovered the American Pop artists. In the early 1970s, his approach shifted towards conceptual art and photography, but by the mid-decade his painting had acquired considerable importance and appeared in a manifesto work,
417:, devoted to the work by Cervantes. Presented at the Venice Film Festival, the movie captures the essence of the art of the masterpiece in a highly imaginative series of evocations, sounds and inventions. Great literature is an underlying thread that, over the years, has led him to illustrate the icons of world culture, such as
398:
in
Benevento, a garden in which architecture, the environment and objects all combined to form the work. These creations, which had a mysterious, âalchemicalâ air about them, emerged like apparitions, as constant epiphanies. This is an aspect that I find constantly in the work of this artist, who in
372:
In the late seventies, Paladino moved to Milan, where he later taught artistic disciplines at the Liceo school, while also working on his art. In 1977 came his first collaboration with Lucio Amelio, the historic gallery owner in Naples, and two years later he put on his first exhibition with another
364:
He made his debut in 1968 with a solo exhibition at the
Galleria Carolina in Portici in Naples. Here he was presented by Achille Bonito Oliva, who was also present for the monographic show at Enzo Cannaviello's Studio Oggetto in Caserta the following year. However, we need to go back to 1964 to find
601:
A major solo exhibition of drawings from the previous five years is organised by the
Kunstmuseum, Basel. It travels to the Kestner-Gesellschaft, Hannover, the Mannheimer Kunstverein, Mannheim, and the Groninger Museum, Groningen, and launches Paladino as an international artistWorks on the first of
528:
Paints a seminal work that marks a shift towards painting at odds with current avant-garde practice: âI have always thought of my work as something which is on a borderline with risk. Even my first painting with an image came out in a moment when something of this kind was totally outside the idea
506:
Completes his studies at the Liceo artistico di
Benevento and within a year has participated in a group show in Naples. His early work uses photo-based imagery as well as showing an awareness of conceptual art: ââŠwhat I was really looking for was images. The frozen art, made with such a cold medium
684:
A major exhibition opens in Prague at the
Belvedere, the royal castle that has been restored for the occasion; shows a cycle of seven new canvases inspired by the history of Prague, nine bronze torsos and works on paper. A sculpture of a fallen horse exhibited in a nearby piazza is removed after
448:
In 2013 he was commissioned to make a monumental installation for the Piazza Santa Croce in
Florence, where he used blocks of marble and bronze sculptures for a large temporary project (263 x 164 ft), creating a sort of enormous cross in which the public could move freely. Even though it is
715:
Responds to the assassinations of two judges by the
Sicilian Mafia, which also caused the deaths of many others, by painting seven large pictures âlike a chorus, a requiem, which I then covered up with a coat of limestone wash (the same material used to bury the dead)â
692:. âIâve always painted as though the canvas itself were a living organism, to create a living, curious, palpitating thing. When I was applying a brushstroke to one of these works, I realised that this gesture was like breathing, like the panting of a manâ
677:
festival. Paladino devises a sculpture-environment to be seen by moonlight. It consists of a Zen garden made of raked gravel dominated by a 15-metre-high (49 ft) mountain of salt from which emerge the charred forms of 30 wooden horses
745:, an exhibition of contemporary art held in the Sala delle Reali Poste in the west wing of the Uffizi to mark its restoration after that part of the building had been almost completely destroyed in a car-bomb blast in May 1993
403:
dates from 1990. Originally created in
Gibellina, it âappearedâ in the Piazza del Plebiscito in Naples in 1995 and later, in 2011, in the Piazza del Duomo in Milan, when the city dedicated a major retrospective to him on the
377:
in 1980. This was indeed another crucial year, for it was when he put on his first solo exhibition in New York (where he had just taken up temporary residence), in two different galleries â those of Maria Goodman and
412:
became its symbol. The new millennium, as well as bringing a large number of exhibitions in which he was the protagonist or a guest, also brought the use of video. In 2006 Paladino made his short feature film
399:
1994 was the first Italian to exhibit in the Forbidden City in Beijing. Here the views formed a complementary backdrop to the works on show, and this became a constant feature of all his urban projects. The
522:
Begins combining images in mixed media, building up a complex iconography that takes account of âa terrible mixture of messages from cultures, strangely opposed and divergent, though mixed togetherâ
653:
The Italian pavilion at the Venice Biennale devotes a large central space to a massive sculptural work consisting of enigmatic graphic symbols attached to the walls and a group of bronze figures
94:
483:
Mimmo Paladino is married to Imma, and has one daughter and three grandchildren. He now lives in Rome and Milan, and Paduli but still has a studio in the little town near Benevento.
751:
Major solo exhibition in Naples, which is shown in three venues: the Scuderie di Palazzo Reale, the Piazza del Plebiscito and the Villa Pignatelli. Paladino's reconstruction of the
1258:
453:
in Grand Rapids (MI), USA and a retrospective show at Galleria Stein, Milano (F. Arensi in J. Antonucci, Mimmo Paladino, Frederik Mejier Gardens & Sculpture Park, 2016)
437:
for the fourth centenary of the death of the madrigal composer Gesualdo da Venosa. Here too, his collaboration with the world of music goes back a long way, with numerous
441:
for opera houses, the creation of opera posters for Maestro Riccardo Muti and requests for music for his installations, as was the case in 1999 with Brian Eno for
507:
as the camera, certainly didnât come naturally, and above all, I couldnât have kept on making art along such a one-way track that excluded new possibilitiesâ
500:
Visits the Venice Biennale where the work of Robert Rauschenberg in the American Pavilion makes a strong impression, revealing to him the âreality of artâ
659:
Designs a Swatch watch which is produced in an edition of 100. âThe idea was not to decorate a watch, but to design time. My Swatch is like a humorous
860:
Touring Pinocchio exhibition is held at the modern art museums of six Japanese cities and at the eighteenth-century Scola dei Battioro in Venice
390:, is now at Castello di Rivoli) and engraving. However, his basic conception is always pictorial, even when three-dimensional, as in the case of
1268:
1203:
98:
595:
at the Royal Academy of Arts, London, a major exhibition that is shown the following year at the Martin-Gropius-Bau, Berlin, under the title
947:
450:
1278:
1233:
1243:
1228:
913:
74:
1223:
1213:
1248:
627:
Builds a house and studio in Paduli, near Benevento. From now on, divides his time between Paduli and his apartment in Milan
148:
120:
819:
Publication of catalogue raisonnĂ© of graphic works 1974â2001, ed. Enzo Di Martino (Art of this Century, New York/Paris)
1283:
634:, a survey of recent Italian art organized by the Los Angeles Institute of Contemporary Art and held in several venues
882:
An exhibition dedicated to the theme of Don Quixote by Cervantes opens in December at the Museo di Capodimonte, Naple
786:
in the brick-vaulted undercroft of the Roundhouse at Chalk Farm which is accompanied by a score written by Brian Eno.
127:
1263:
709:
The Galleria Civica dâArte Contemporanea in Trento holds a major exhibition of prints produced between 1970 and 1992
309:
291:
229:
207:
167:
52:
273:
200:
1238:
1129:
Flavio Arensi, "Paladino at Palazzo Reale", with essays by Arthur Danto and Germano Celant, Firenze, Giunti, 2011
38:
134:
1218:
1208:
669:
Commissioned by the theatre director Elio De Capitani to create a set for an open-air performance of the opera
258:
1253:
702:, a permanent sculpture installation for the Chiostro di San Domenico at Benevento: âI liked the idea of a
116:
1102:
1030:
912:(âMountain of Saltâ) installed in the Piazza del Duomo in Milan, as part of the celebrations to mark the
847:
Works made in close collaboration with Sol Lewitt are displayed at the Galleria Nazionale d'Arte in Rome
706:
as a place for looking at and contemplating the work of art âŠoutside the constraints of the art galleryâ
408:
of the Palazzo Reale. The nineties was a time of great experimentation and it is no coincidence that the
464:
90:
755:
erected in the Piazza del Plebiscito is seen as a provocation and is vandalised early in the New Year
1273:
194:
79:
894:
Commissioned to re-design the Piazza dei Guidi at the new home of the Museo Leonardiano in Vinci
337:
on 18 December 1948) is an Italian sculptor, painter and printmaker. He is a leading name in the
269:
83:
1198:
673:, based on Friedrich Schiller's tragic drama, and staged at Gibellina in Sicily as part of the
211:
828:
Represented together with Sandro Chia, Francesco Clemente, Enzo Cucchi and Nicola de Maria in
802:
at the Teatro Argentina, Rome, directed by Mario Martone, wins the UBU prize for stage design
457:
141:
1193:
1173:
552:
472:
1054:
8:
1178:
1003:
640:
First retrospective exhibition is held at the StÀdtische Galerie im Lenbachhaus, Munich.
44:
725:
Invited to exhibit in Beijing, the first contemporary Italian artist to be shown there.
265:
974:
564:
353:
Paladino was born on 18 December 1948 in Paduli, Campania, but grew up and trained in
322:
891:
exhibited at the New Art Centre Sculpture Park and Gallery at Roche Court, Salisbury
1156:
1139:
825:
Major retrospective held at the Centro per lâArte Contemporanea Luigi Pecci, Prato
373:
key gallerist, Emilio Mazzoli of Modena, for whom he made his first book-object â
572:
556:
338:
105:
775:, a recently completed group of 20 standing figures in white Vicenza stone, and
960:
1 A. Danto, "Mimmo Paladino. Transavanguardia to Meridionalism", in F. Arensi,
1187:
342:
379:
916:. The installation has a diameter of 30 meters and a height of 20 meters
568:
560:
621:
Makes the first of numerous visits to Brazil where his father is living
903:, written by Enzo Di Martino and Friedhelm Mennekes published by Skira
663:, a poetic symbol of passing time that was industrially manufacturedâ
585:
Begins experimenting with etching, aquatint, lino-cuts and xylography
354:
1078:
536:
Shows a large mural in tempera with Galleria Lucio Amelio in Naples
276:. Statements consisting only of original research should be removed.
937:
An important retrospective at the Galleria Christian Stein, Milan.
782:
Creates, as part of South London Gallery Projects, an installation
765:, a collection of 32 drawings (Squadro edizioni grafiche, Bologna)
919:
Shortlisted for The Royal Academy of Arts, London Wollaston Award
361:. From 1964 until 1968, he attended Liceo Artistico di Benevento.
979:
816:, published in two volumes by Casa editrice Le Lettere, Florence
647:, the first of several series of standing figures in white stone
341:
artistic movement and one of the many European artists to revive
841:
installed in the square of the European Parliament headquarters
630:
Shows five recent works at the Newport Harbor Museum as part of
602:
four projects with the New York printmakers Harlan & Weaver
954:
925:
Exhibition in summer during the international Ravello Festival
789:
An exhibition of new prints opens at the Alan Cristea Gallery.
334:
516:
Solo exhibition at Enzo Cannaviello's Studio Oggetto, Caserta
104:
from the article and its talk page, especially if potentially
792:
Made an honorary member of the Royal Academy of Arts, London
358:
582:
in collaboration with Bonito Oliva (Emilio Mazzoli, Modena)
463:
His work is in many public museum collections including the
494:
Born 18 December in Paduli, near Benevento, east of Naples
468:
964:, exhibition catalogue, 2011, Giunti Editore, p. 35.
445:, in London and then, in 2008, for the Ara Pacis in Rome.
832:
at Castello Di Rivoli, Museo dâArte Contemporanea, Turin
771:
A major exhibition at the South London Gallery includes
931:
Again at the Venice Biennale with a great installation
735:, 21 unnumbered etchings based on James Joyce's novel
433:. Paladino was back behind the camera in 2013 to film
1136:, New York, Rizzoli International Publications, 2002.
1259:
Members of the European Academy of Sciences and Arts
1103:"Mimmo Paladino: Present into Past | Meijer Gardens"
953:Paladino currently lives and works in Milan, Rome,
719:Major solo exhibition at Forte Belvedere, Florence
688:Completes a new cycle of twelve paintings on wood,
510:Solo exhibition at the Galleria Carolina, Portici
1185:
529:of painting; and the title, not by chance, was
872:opens at the Loggetta Lombardesca in Ravenna.
779:, a series of mixed-media works on aluminium.
1132:Enzo Di Martino and Klaus Albrecht Schröder,
456:Paladino was made an honorary member of the
451:Frederik Meijer Gardens & Sculpture Park
854:, has a solo show at the Reggia di Caserta
608:Participates in the Sydney Biennale and in
53:Learn how and when to remove these messages
948:Frederik Meijer Gardens and Sculpture Park
367:Silently, I Am Retiring to Paint a Picture
97:about living persons that is unsourced or
1004:"Untitled, 1985, Mimmo Paladino, Italian"
531:Silence, I am retiring to paint a picture
310:Learn how and when to remove this message
292:Learn how and when to remove this message
230:Learn how and when to remove this message
168:Learn how and when to remove this message
615:Realises his first sculpture in bronze,
321:
193:This article includes a list of general
16:Italian sculptor, painter and printmaker
914:anniversary of the unification of Italy
879:exhibited at EXPO 2005 in Aichi, Japan
1186:
1134:Mimmo Paladino, Graphic Work 1974-2001
326:Mimmo Paladino in Vinci, Toscana, 2006
1269:Honorary members of the Royal Academy
1204:People from the Province of Benevento
555:to show in the Aperto section of the
1025:
1023:
998:
996:
241:
179:
59:
18:
13:
1153:, Kyoto, Japan, Kyoto Shoin, 1990.
199:it lacks sufficient corresponding
14:
1295:
1279:21st-century Italian male artists
1234:20th-century Italian male artists
1167:
1020:
993:
944:Mimmo Paladino: Present into Past
551:Invited by the Neapolitan critic
34:This article has multiple issues.
539:The same year he moves to Milan
478:
246:
184:
64:
23:
1174:Mimmo Paladino in ArtCycloprdia
1123:
578:Publication of the book-object
42:or discuss these issues on the
1244:21st-century Italian sculptors
1229:20th-century Italian sculptors
1146:, Milan, Politi Editore, 1992.
1095:
1071:
1047:
1008:The Metropolitan Museum of Art
685:objections by a local bishop.
1:
1224:21st-century Italian painters
1214:20th-century Italian painters
986:
901:Paladino: Sculpture 1980-2008
1249:Italian contemporary artists
1163:, Brussels, Artiscope, 1989.
486:
348:
75:biography of a living person
7:
967:
272:the claims made and adding
102:must be removed immediately
10:
1300:
1055:"Mimmo Paladino born 1948"
830:Transavanguardia 1979-1985
798:His design for the set of
465:Metropolitan Museum of Art
1284:Neo-expressionist artists
690:Il respiro della bellezza
460:, London on 26 May 1999.
1264:20th-century printmakers
1179:Mimmo Paladino on Artnet
1083:The Museum of Modern Art
1031:"Mimmo Paladino, Artist"
946:sculpture exhibition at
593:A New Spirit in Painting
545:First visit to New York
978:(1986), a sculpture in
850:As part of the project
214:more precise citations.
1239:Italian male sculptors
962:Paladino Palazzo Reale
327:
89:Please help by adding
1219:Italian male painters
1209:Artists from Campania
1144:Paladino: Lo Specchio
1107:www.meijergardens.org
1035:Royal Academy of Arts
733:Ulysses, 16 June 1904
458:Royal Academy of Arts
425:, the Homeric poems,
392:It Will Have No Title
325:
950:, Grand Rapids, USA
808:Illustrates Homer's
553:Achille Bonito Oliva
473:Museum of Modern Art
95:Contentious material
1254:Italian printmakers
671:La sposa di Messina
1149:Margaret Failoni,
975:The Sound of Night
565:Francesco Clemente
328:
257:possibly contains
910:Montagna del Sale
728:Works in Bologna
419:Tristes Tropiques
320:
319:
312:
302:
301:
294:
259:original research
240:
239:
232:
178:
177:
170:
152:
78:needs additional
57:
1291:
1274:Transavanguardia
1157:Giovanni Testori
1140:Giancarlo Politi
1117:
1116:
1114:
1113:
1099:
1093:
1092:
1090:
1089:
1079:"Mimmo Paladino"
1075:
1069:
1068:
1066:
1065:
1051:
1045:
1044:
1042:
1041:
1027:
1018:
1017:
1015:
1014:
1000:
889:Porta con Figura
753:Montagna di sale
741:Participates in
704:Hortus conclusus
700:Hortus Conclusus
632:Il Modo Italiano
591:Participates in
559:, together with
475:, among others.
429:and, of course,
401:Mountain of Salt
396:Hortus Conclusus
315:
308:
297:
290:
286:
283:
277:
274:inline citations
250:
249:
242:
235:
228:
224:
221:
215:
210:this article by
201:inline citations
188:
187:
180:
173:
166:
162:
159:
153:
151:
117:"Mimmo Paladino"
110:
91:reliable sources
68:
67:
60:
49:
27:
26:
19:
1299:
1298:
1294:
1293:
1292:
1290:
1289:
1288:
1184:
1183:
1170:
1126:
1121:
1120:
1111:
1109:
1101:
1100:
1096:
1087:
1085:
1077:
1076:
1072:
1063:
1061:
1053:
1052:
1048:
1039:
1037:
1029:
1028:
1021:
1012:
1010:
1002:
1001:
994:
989:
970:
617:Giardino chiuso
573:Nicola De Maria
557:Venice Biennale
489:
481:
351:
339:Transvanguardia
316:
305:
304:
303:
298:
287:
281:
278:
263:
251:
247:
236:
225:
219:
216:
206:Please help to
205:
189:
185:
174:
163:
157:
154:
111:
109:
88:
69:
65:
28:
24:
17:
12:
11:
5:
1297:
1287:
1286:
1281:
1276:
1271:
1266:
1261:
1256:
1251:
1246:
1241:
1236:
1231:
1226:
1221:
1216:
1211:
1206:
1201:
1196:
1182:
1181:
1176:
1169:
1168:External links
1166:
1165:
1164:
1161:Mimmo Paladino
1154:
1151:Mimmo Paladino
1147:
1137:
1130:
1125:
1122:
1119:
1118:
1094:
1070:
1046:
1019:
991:
990:
988:
985:
984:
983:
969:
966:
867:Mimmo Paladino
488:
485:
480:
477:
439:mises en scĂšne
350:
347:
345:in the 1980s.
331:Mimmo Paladino
318:
317:
300:
299:
254:
252:
245:
238:
237:
220:September 2020
192:
190:
183:
176:
175:
158:September 2020
99:poorly sourced
72:
70:
63:
58:
32:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1296:
1285:
1282:
1280:
1277:
1275:
1272:
1270:
1267:
1265:
1262:
1260:
1257:
1255:
1252:
1250:
1247:
1245:
1242:
1240:
1237:
1235:
1232:
1230:
1227:
1225:
1222:
1220:
1217:
1215:
1212:
1210:
1207:
1205:
1202:
1200:
1199:Living people
1197:
1195:
1192:
1191:
1189:
1180:
1177:
1175:
1172:
1171:
1162:
1158:
1155:
1152:
1148:
1145:
1141:
1138:
1135:
1131:
1128:
1127:
1108:
1104:
1098:
1084:
1080:
1074:
1060:
1056:
1050:
1036:
1032:
1026:
1024:
1009:
1005:
999:
997:
992:
981:
977:
976:
972:
971:
965:
963:
958:
956:
951:
949:
945:
942:
938:
936:
932:
930:
926:
924:
920:
917:
915:
911:
908:
904:
902:
899:
895:
892:
890:
887:
883:
880:
878:
873:
871:
868:
865:
861:
859:
855:
853:
848:
846:
842:
840:
837:
833:
831:
826:
824:
820:
817:
815:
811:
807:
803:
801:
797:
793:
790:
787:
785:
780:
778:
774:
770:
766:
764:
760:
756:
754:
750:
746:
744:
740:
736:
734:
729:
726:
724:
720:
717:
714:
710:
707:
705:
701:
697:
693:
691:
686:
683:
679:
676:
672:
668:
664:
662:
658:
654:
652:
648:
646:
643:Realises the
641:
639:
635:
633:
628:
626:
622:
619:
618:
613:
611:
607:
603:
599:
598:
594:
590:
586:
583:
581:
576:
574:
570:
566:
562:
558:
554:
550:
546:
544:
540:
537:
534:
532:
527:
523:
521:
517:
515:
511:
508:
505:
501:
499:
495:
493:
484:
479:Personal life
476:
474:
470:
466:
461:
459:
454:
452:
446:
444:
440:
436:
432:
428:
424:
420:
416:
411:
407:
402:
397:
393:
389:
388:Closed Garden
385:
381:
376:
370:
368:
362:
360:
356:
346:
344:
343:Expressionism
340:
336:
332:
324:
314:
311:
296:
293:
285:
282:November 2020
275:
271:
267:
261:
260:
255:This article
253:
244:
243:
234:
231:
223:
213:
209:
203:
202:
196:
191:
182:
181:
172:
169:
161:
150:
147:
143:
140:
136:
133:
129:
126:
122:
119: â
118:
114:
113:Find sources:
107:
103:
100:
96:
92:
86:
85:
81:
76:
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
1160:
1150:
1143:
1133:
1124:Bibliography
1110:. Retrieved
1106:
1097:
1086:. Retrieved
1082:
1073:
1062:. Retrieved
1058:
1049:
1038:. Retrieved
1034:
1011:. Retrieved
1007:
973:
961:
959:
952:
943:
940:
939:
934:
933:
928:
927:
922:
921:
918:
909:
906:
905:
900:
897:
896:
893:
888:
885:
884:
881:
876:
874:
869:
866:
863:
862:
857:
856:
852:Terrae Motus
851:
849:
844:
843:
838:
835:
834:
829:
827:
822:
821:
818:
813:
809:
805:
804:
799:
795:
794:
791:
788:
783:
781:
776:
772:
768:
767:
762:
758:
757:
752:
748:
747:
742:
738:
737:
732:
730:
727:
722:
721:
718:
712:
711:
708:
703:
699:
695:
694:
689:
687:
681:
680:
674:
670:
666:
665:
660:
656:
655:
650:
649:
644:
642:
637:
636:
631:
629:
624:
623:
620:
616:
614:
609:
605:
604:
600:
596:
592:
588:
587:
584:
579:
577:
548:
547:
542:
541:
538:
535:
530:
525:
524:
519:
518:
513:
512:
509:
503:
502:
497:
496:
491:
490:
482:
462:
455:
447:
442:
438:
434:
430:
426:
422:
418:
414:
409:
406:piano nobile
405:
400:
395:
391:
387:
383:
380:Annina Nosei
374:
371:
366:
363:
352:
330:
329:
306:
288:
279:
256:
226:
217:
198:
164:
155:
145:
138:
131:
124:
112:
101:
84:verification
77:
50:
43:
37:
36:Please help
33:
1194:1948 births
800:Oedipus Rex
784:I Dormienti
743:Reparations
698:Opening of
610:Documenta 7
569:Enzo Cucchi
561:Sandro Chia
435:Labyrinthus
431:Don Quixote
212:introducing
1188:Categories
1112:2017-01-30
1088:2020-11-16
1064:2020-11-16
1040:2020-11-16
1013:2020-11-16
987:References
761:Publishes
731:Publishes
375:En-De-Re â
266:improve it
195:references
128:newspapers
39:improve it
858:2004â2005
823:2002â2003
773:Testimoni
749:1995â1996
675:Orestiadi
612:, Kassel
597:Zeitgeist
487:Time line
427:Pinocchio
384:Zeitgeist
355:Benevento
349:Biography
333:(born in
270:verifying
80:citations
45:talk page
968:See also
870:in Scena
580:EN DE RE
443:Sleepers
410:Mountain
106:libelous
982:, Texas
980:Houston
875:Statue
814:Odyssey
661:vanitas
423:Ulysses
415:Quijote
264:Please
208:improve
142:scholar
955:Paduli
877:Zenith
839:Zenith
777:Zenith
645:Pietre
571:, and
335:Paduli
197:, but
144:
137:
130:
123:
115:
810:Iliad
359:Italy
149:JSTOR
135:books
73:This
1059:Tate
941:2016
935:2016
929:2015
923:2013
907:2011
898:2009
886:2006
864:2005
845:2004
836:2003
812:and
806:2001
796:2000
769:1999
763:Film
759:1998
739:1995
723:1994
713:1993
696:1992
682:1991
667:1990
657:1989
651:1988
638:1985
625:1984
606:1982
589:1981
549:1980
543:1978
526:1977
520:1973
514:1969
504:1968
498:1964
492:1948
469:Tate
121:news
82:for
268:by
1190::
1159:,
1142:,
1105:.
1081:.
1057:.
1033:.
1022:^
1006:.
995:^
957:.
575:.
567:,
563:,
533:â
471:,
467:,
421:,
357:,
93:.
48:.
1115:.
1091:.
1067:.
1043:.
1016:.
313:)
307:(
295:)
289:(
284:)
280:(
262:.
233:)
227:(
222:)
218:(
204:.
171:)
165:(
160:)
156:(
146:·
139:·
132:·
125:·
108:.
87:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
