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sonorities. From 1973 he composed theater works which combined elements of
Japanese folk music with European-derived song structures.
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in 1959, where he remained until 1969, and while there his compositions incorporated aspects of
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164:. He wrote pieces which used graphic or artistic scoring notations and made use of
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Shibata also write extensively on music history and theory, and was an editor of
111:; September 29, 1916, Tokyo – February 2, 1996, Tokyo) was a Japanese composer.
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in 1952, remaining there until 1959. He began incorporating elements of
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in the 1950s, and wrote for increasingly larger orchestral forces.
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In 1948, he took a position as a professor of theory at
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189:The New Grove Dictionary of Music and Musicians
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126:and playing cello as a member of the
221:20th-century Japanese male musicians
186:Masakata Kanazawa, "Minao Shibata".
156:Shibata accepted a professorship at
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216:20th-century Japanese composers
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16:Japanese composer (1916–1996)
158:Tokyo University of the Arts
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139:Tōhō Gakuen School of Music
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143:Ochanomizu Women's College
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231:Japanese male composers
128:Tokyo String Orchestra
177:'s Japanese edition.
226:Composers from Tokyo
55:September 29, 1916
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151:musique concrete
120:Tokyo University
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71:(1996-02-02)
211:1996 deaths
206:1916 births
132:Romanticism
200:Categories
181:References
166:microtonal
84:Occupation
51:1916-09-29
147:serialism
87:composer
116:botany
100:柴田 南雄
77:Tokyo
59:Tokyo
30:柴田 南雄
149:and
66:Died
45:Born
118:at
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