List of musical symbols

2855: 1388: 941: 1373: 2094: 2019: 853: 839: 1863: 1995: 876: 1466: 1939: 1919: 2040: 1979: 1887: 1336: 2445: 793: 1498: 807: 1221: 830: 665: 651: 1209: 2292: 2959:). Sometimes, it also denotes that the note to be played is an open string. On a valved brass instrument, it means to play the note "open" (without lowering any valve, or without mute). In organ notation, this means to play a pedal note with the heel (above the note, use the right foot; below the note, use the left foot). In percussion notation this denotes, among many other specific uses, to open the hi-hat by releasing the pedal, or allow an instrument to ring. 2328: 2920: 2198: 770: 5127: 784: 642: 628: 540: 2498: 1963: 1903: 1156: 2516: 894: 605: 922: 1319: 720: 967: 510: 2467: 1559: 1273: 1138: 743: 816: 761: 2075: 2892: 2392: 1748: 1299: 1278: 5117: 688: 674: 197: 157: 1633: 2056: 2940: 2620: 2179: 1826: 1247: 862: 711: 697: 2764: 2582: 3006: 2421: 2274: 2254: 1773: 1596: 1435: 1120: 917: 549: 2323: 1028: 3295: 3067: 2601: 2462: 2223: 1701: 2688: 2670: 1002: 181: 3311: 2730: 2558: 3275: 2966: 2705: 2472: 2387: 1792: 1102: 312: 420: 111: 87: 619: 3328: 3046: 1696: 1080: 889: 499: 411: 481: 2798: 1252: 342: 129: 490: 472: 451: 2818: 734: 213: 1677: 2532:, the miniature note still positioned behind the main note but on the same line or space of the staff. The flam note is usually played just before the natural durational subdivision the main note is played on, with the timing and duration of the main note remaining unchanged. Also known by the English translation of the Italian term, 397:, C clefs were frequently seen pointing to other lines (it is sometimes called a "movable clef"), mostly in vocal music, but this has been supplanted by the universal use of the treble and bass clefs. Modern editions of music from such periods generally rewrite the original C-clef parts to either treble (female voices), 2487:) indicates a sequence of upper auxiliary note, principal note, lower auxiliary note, and a return to the principal note. When placed to the right of the note, the principal note is played first, followed by the above pattern. Placing a vertical line through the turn symbol or inverting it, it indicates an 3320:

More accurately indicates the precise use of the sustain pedal. Initial depress and final release are indicated by the short vertical lines. The extended horizontal line tells the player to keep the sustain pedal depressed for all notes below which it appears. The inverted «V» (Λ) shape indicates the

2697:

Denote that preceding groups of beats or measures are to be repeated. In the examples here, the first usually means to repeat the previous measure, and the second usually means to repeat the previous two measures. This mark is normally only used in styles of music in which the players commonly expect

2527:

The acciaccatura is of very brief duration, as though brushed on the way to the principal note, which receives virtually all of its notated duration. In some styles of music, the acciaccatura is played exactly on the beat and the principal note is marginally late; in other styles, the acciaccatura is

1426:

Most music has a rhythmic pulse with a uniform number of beats—each segment of this pulse is shown as a measure. Time signatures indicate the number of beats in each measure (the top number) and also show what type of note represents a single beat (the bottom number). There may be any number of beats

560:

Used in place of ordinary staff notation for some string instruments, such as the guitar. Not a true clef—the lines and spaces do not represent pitches. The lines represent the strings of an instrument (for standard 6-stringed guitars, six lines would be used). Numbers on the lines show which fret to

2403:

A rapid alternation between the specified note and the next higher note (determined by key signature) within its duration, also called a "shake". When followed by a wavy horizontal line, this symbol indicates an extended, or running, trill. In music up to the time of Haydn or Mozart the trill begins

905:

Eighth notes (quavers) and shorter notes have flags to indicate their duration, but beams can be used instead of flags to connect groups of these notes. This is usually done to indicate a rhythmic grouping but can also be used to connect notes in ametrical passages. The number of beams is equivalent

460:

Treble and bass clefs can be modified by octave numbers. An "8" below the clef (as in the diagram) indicates that pitches will sound an octave lower than they would with the unmodified clef. A "15" below indicates a two-octave shift. These numbers may also be used above the clef to indicate pitches

99:

The five-line staff (often "stave" in British usage) is used to indicate pitch. Each line or space indicates the pitch belonging to a note with a letter name: A, B, C, D, E, F, G. Moving vertically upwards, the letter names proceed alphabetically with the alternating lines and spaces, and represent

1784:

A tuplet is a group of notes that would not normally fit into the rhythmic space they occupy. The example shown is a quarter-note triplet—three quarter notes are to be played in the space that would normally contain two. (To determine how many "normal" notes are being replaced by the tuplet, it is

1765:

A continuous, uninterrupted glide from one note to the next that includes the pitches between. Some instruments such as the violin can make this glide continuously (portamento), while other instruments such as the harp blur the discrete pitches between the start and end notes to mimic a continuous

2303:

A marcato marking indicates that the note should be played louder or more forcefully than a note with a regular accent mark. In organ notation, this sign often does not indicate marcato, but instead that a pedal note should be played with the toe. When placed above the note it indicates the right

2152:

Dynamics are relative, and the meaning of each level is at the discretion of the performer or the conductor. Laws to curb high noise levels in the workplace have changed the interpretation of very loud dynamics in some large orchestral works, as noise levels within the orchestra itself can easily

1490:

time, indicating 6 beats per measure, with an eighth note representing one beat. The rhythm within each measure is divided into two groups of three eighth notes each (notated by beaming in groups of three). This indicates a pulse that follows the eighth notes (as expected) along with a pulse that

303:

of the music on that staff. A clef is usually the leftmost symbol on a staff, although a different clef may appear elsewhere to indicate a change in register. Historically, clefs could be placed on any line on a staff (or even on a space), but modern notation almost exclusively uses treble, bass,

2913:, this accent indicates a "stopped note" (a note played with the stopping hand shoved further into the bell of the horn). In percussion this notation denotes, among many other specific uses, to close the hi-hat by pressing the pedal, or that an instrument is to be "choked" (muted with the hand). 2433:

Rapidly play the principal note, the next higher note (according to key signature) then return to the principal note for the remaining duration. In some music, the mordent begins on the auxiliary note, and the alternation between the two notes may be extended. (In other words, in some music, the

2339:

A rapidly repeated note. If the tremolo is between two notes, then they are played in rapid alternation. The number of slashes through the stem (or number of diagonal bars between two notes) indicates the frequency to repeat (or alternate) the note. As shown here, the note is to be repeated at a

2215:

This indicates that the note should be played even shorter than staccato. It is usually applied to quarter notes or shorter notes. In the past this marking's meaning was more ambiguous—it was sometimes used interchangeably with staccato and sometimes indicated an accent and not a shortened note.

933:

Placing a dot to the right of a notehead lengthens the note's duration by one-half. Additional dots lengthen the previous dot instead of the original note, thus a note with one dot is one and one half its original value, a note with two dots is one and three quarters—use of more than two dots is

4295:

Associated Board of the Royal Schools of Music, London 1958. I,33 and III,25. The former shows both rest forms without distinction, the latter the "old" form only. The book was the standard theory manual in the UK up until at least 1975. The "old" form was taught as a manuscript variant of the

1198:

of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key signature with no flats or sharps generally indicates the key of C major or A minor, but can also indicate that pitches will be notated with accidentals as required. The key

1688:

When tied together, two notes with the same pitch are played as a single note. The length of this single note is the sum of the time values of the two tied notes. The symbol for the tie and the symbol for the slur appear the same, but a tie can only join two notes of the same pitch.

245: 1785:

sometimes necessary to examine the context.) While triplets are the most common version, many other tuplets are possible: five notes in the space of four, seven notes in the space of eight, etc. Specific tuplets are named according to the number of grouped notes; e.g., quintuplets.

1427:

in a measure but the most common by far are multiples of 2 or 3 (i.e., a top number of 2, 3, 4, or 6). Likewise, any note length can be used to represent a beat, but a quarter note (indicated by a bottom number of 4) or eighth note (bottom number of 8) are by far the most common.

2234:

This symbol indicates that the note should be played at its full value, or slightly longer. It can also indicate a degree of emphasis, especially when combined with dynamic markings to indicate a change in loudness, or combined with a staccato dot to indicate a slight detachment

1265:

Lowers the pitch of a note by one quarter tone. (Another notation for the demiflat is a flat with a diagonal slash through its stem. In systems where pitches are divided into intervals smaller than a quarter tone, the slashed flat represents a lower note than the reversed flat.)

2028:

Literally "suddenly forced", denotes an abrupt, fierce accent on a single sound or chord. When written out in full, it applies to the sequence of sounds or chords under or over which it is placed. The weaker version is ''forzando/forzato''. Sforzando is not to be confused with

1730:

While the slur symbol and the tie symbol appear the same, a tie can only connect exactly two notes of the same pitch; a slur can connect two or more of any pitches. In vocal music a slur normally indicates that notes under the slur should be sung to a single

910:). Modern notation of vocal music encourages the use of beaming in a consistent manner with instrumental engraving, however. In non-traditional meters, beaming is at the discretion of composers and arrangers and can be used to emphasize a rhythmic pattern. 906:

to the number of flags on the note value—eighth notes are beamed together with a single beam, sixteenth notes with two, and so on. In older printings of vocal music, the use of beams is sometimes reserved for notes that are sung on one syllable of text (

2190:

This indicates that the note should be played shorter than notated, usually half the value, leaving the rest of the metric value silent. Staccato marks may appear on notes of any value, shortening their performed duration without speeding up the music.

1181:

indicate which notes are to be played as sharps or flats in the music that follows, showing up to seven sharps or flats. Notes that are shown as sharp or flat in a key signature will be played that way in every octave—e.g., a key signature with a

2528:

marginally early and the principal note is on the beat. It is also possible on some instruments to play both notes exactly on the beat and then quickly release the acciaccatura. In percussion notation, the acciaccatura symbol denotes the

1392:) while the 7th, 13th, 17th and 19th are labeled with harmonic flats and harmonic sharps relative to C (because the 17th and 19th harmonics are closer to equal temperament than the (unlabeled) 5th, labeling of those is seldom necessary). 328:

The spiral of a G clef (not a point on the spiral, but the center around which the spiral is drawn) shows where the G above middle C is located on the staff. A G clef with the spiral centered on the second line of the staff is called

2454:

Rapidly play the principal note, the note below it, then return to the principal note for the remaining duration. In much music, the mordent begins on the auxiliary note, and the alternation between the two notes may be extended.

401:

treble (tenors), or bass clef (tenors and basses). The C clef was sometimes placed on the third space of the staff (equivalent to an octave treble clef) but this usage is unusual since all other modern clefs are placed on lines.

440:, which is by far its most common usage. Bass clef appears nearly as often as treble clef in modern music notation. In older notation, particularly for vocal music, F clefs were sometimes centered on the third line ( 2266:

A fermata indicates that a note, chord, or rest is sustained longer than its written value. It will usually appear on all parts in an ensemble. The fermata is held for as long as the performer or conductor desires.

1661:. This is a tempo marking, not a time signature—it is independent of how the beats are grouped (the top number in a time signature), although it defines the tempo in terms of the counting note (the bottom number). 2698:

to play repeated patterns, and in which the mark is therefore frequently encountered; in styles where such a mark would be unusual, repeated measures are written out in full, or the "repeat sign" is used instead.

362:

The center of a C clef points to the line representing middle C. The first illustration here is centered on the third line on the staff, making that line middle C. When placed there, the clef is called

122:

These additional lines (and the spaces they form) indicate pitches above or below the staff. The diagram shows one ledger line above the staff and one below, but multiple ledger lines can be used.

2340:

demisemiquaver (thirty-second note) rate, but it is a common convention for three slashes to be interpreted as "as fast as possible", or at any rate at a speed to be left to the player's judgment.

1384:, labeled with their number (top line), frequency ratios (second line) and interval size in cents (bottom). The 11th harmonic is notated with the arrow notation for a demisharp (F↑ as opposed to F 1741:) is visually identical to a slur but connects a passage of music over several measures. A phrase mark indicates a musical phrase and may not necessarily require that the music be slurred. 1649:

of the music by assigning an absolute duration to each beat. This example indicates a tempo of 120 quarter notes (crotchets) per minute. Many publishers precede the marking with letters "

1838:

A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played. It is also called a broken chord, a rolled chord, or an arpeggio.

2723:

A repeated passage is to be played with different endings on different playings. Although two endings are most common, it is possible to have multiple endings (1st, 2nd, 3rd ...).

2681:

Enclose a passage that is to be played more than once. If there is no left repeat sign, the right repeat sign sends the performer back to the start of the piece or the movement.

1444:

Simple time signatures are usually classified as those with an upper number of 2, 3, or 4. This example shows that each measure is the length of three quarter notes (crotchets).

2374:) for a period equivalent to the duration of the note. In other cases, the interpretation of tremolos is highly variable, and should be examined by the director and performers. 2216:

These usages are now almost defunct but still appear in some scores. For string instruments this indicates a bowing technique in which the bow bounces lightly upon the string.

3092:

notation system derived from the names of the fingers in Spanish or Latin. They are written above, below, or beside the note to which they are attached. They read as follows:

2171:. Articulations can be combined with one another and may appear in conjunction with phrasing marks (above). Any of these markings may be placed either above or below a note. 1716:, the others are not. For bowed instruments this entails playing the notes in a single bow movement, for wind instruments (aerophones) the first note of the slurred group is 2929:

On a stringed instrument, a note played by stretching a string away from the frame of the instrument and letting it go, making it "snap" against the frame. Also known as a

1724:, the notes are connected in a phrase, as if a singer were to sing them in a single breath. In certain contexts a slur may instead indicate that the notes are to be played 2354:. Typically, a single tremolo line on a sufficiently short note (such as a sixteenth) is played as a drag, and a combination of three stem and tremolo lines indicates a 1585:

time—four beats per measure with a quarter note representing one beat. It derives from the broken circle that represented "imperfect" duple meter in fourteenth-century

586:

values have names that indicate their length relative to a whole note. A half note is half the length of a whole note, a quarter note is one quarter the length, etc.

254:

A bracket is used to connect two or more lines of music that sound simultaneously. In contemporary usage it usually connects staves of individual instruments (e.g.,

1400:, where a whole tone is divided into three steps instead of two, music is typically notated in a way that flats and sharps are not usually enharmonic (thus a C 38:

that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including

2103:

Meaning "nothing". May be used at the start of a crescendo to indicate "start from nothing" or at the end of a diminuendo to indicate "fade out to nothing".

4359:

The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme.

2285:

An accent indicates that a note should be played louder, or with a harder attack than surrounding unaccented notes. It may appear on notes of any duration.

436:

An F clef places the F below middle C on the line between the dots. When placing the F below middle C on the fourth line, as shown here, it is called

104:

is almost always added, which assigns one specific pitch to one specific line; the other lines and spaces are determined alphabetically as described.

70:(e.g., whether sections are repeated), and details about specific playing techniques (e.g., which fingers, keys, or pedals are to be used, whether a 2909:

A note on a stringed instrument where the string is plucked with the left hand (the hand that usually stops the strings) rather than bowed. On the

523:. Not a true clef—the lines and spaces do not indicate pitches—but it occupies the position of a clef. In this case, the lines and spaces indicate 4331:

Haas, David (2011). "Shostakovich's Second Piano Sonata: A Composition Recital in Three Styles". In Fairclough, Pauline; Fanning, David (eds.).

299:

A clef assigns one particular pitch to one particular line of the staff on which it is placed. This also effectively defines the pitch range or

2509:

The first half of the principal note's duration has the pitch of the grace note (the first two-thirds if the principal note is a dotted note).

2434:

upper-mordent sign means exactly the same as the trill sign.) Regardless of the style of music, the pattern finishes on the principal note. In

2830:

Indicates a forward jump in the music to its coda (ending passage), which is marked with the same sign. Only used after playing through a

1072:

modify the pitch of the notes that follow them on the same staff position within a measure, unless cancelled by an additional accidental.

222:

A brace is used to connect two or more lines of music that are played simultaneously, usually by a single player, generally when using a

4560: 3675:

The thumb is also used by the cello and bass, usually denoted by ϙ (a circle with a line coming out the bottom), or, more rarely, a T.

4245: 1131:

A natural cancels a sharp or flat. This sharp or flat may have been indicated as an accidental or defined by the key signature.

4279:

Examples of the older rest symbol are found in the work of English music publishers up to the 20th century, e.g., W. A. Mozart

1329:

Raises the pitch of a note by three quarter tones. Occasionally represented with two vertical and three diagonal bars instead.

17: 4352: 4315: 4195: 2979:

On a bowed string instrument, the note is played while drawing the bow upward. On a plucked string instrument played with a

3019:

In contrast to the up bow, here the bow is drawn downward to create sound. On a plucked string instrument played with a

4224: 2741:(lit. "From top") Tells the performer to repeat playing of the music from its beginning. This is usually followed by 461:

one or two octaves higher. A treble clef with an eight below is the most common version, typically used in music for

371:

but sometimes used for other instruments. The second illustration shows the clef centered on the fourth line—called

5026: 4176: 3689:

Fingering numbers are similar to piano, except there is no 5 as the little finger is not used in playing the harp.

4166: 4161: 5156: 4553: 4336: 2367: 1721: 231: 2848:

Marks the end of a composition or movement, usually following a repeat command such as D.C. al fine or D.S.

2775:(lit. "From the sign") Tells the performer to repeat playing of the music starting at the nearest preceding 868: 561:

use. Because the lines represent strings rather than pitches, the spaces between the lines are never used.

1021:

instruments), or to leave a slight space (for other instruments). This marking does not affect the tempo.

5061: 4925: 1369:

A symbol with one vertical and three diagonal bars indicates a sharp with some form of alternate tuning.

1239:

involves writing the fraction ¼ next to an arrow pointing up or down. Below are other forms of notation:

1586: 1720:

but the rest of the notes are not—they are played in one continuous breath. On other instruments, like

1504: 845: 2438:, this symbol is a "shake" and indicates the rapid shaking of the bells for the duration of the note. 1475:

In a compound meter, there is an additional rhythmic grouping within each measure. This example shows

1387: 5151: 5130: 5021: 4996: 4787: 4546: 2946: 960:) notehead instead of an oval. It is primarily used to represent percussive pitches or spoken words. 465:

or tenor voice. Sometimes a shift of one octave up is indicated by drawing two clefs instead of one.

2854: 2086:

Can be extended under many notes to indicate that the volume steadily decreases during the passage.

2067:

Can be extended under many notes to indicate that the volume steadily increases during the passage.

206:

These can be used to subdivide measures of complex meter into shorter segments for ease of reading.

5031: 4981: 4870: 4777: 4151: 394: 100:

ascending pitches. The A-G pattern repeats continually—the note above "G" is always another "A". A

4487:

Sounds That Resonate: Selected Developments in Western Bar Percussion During the Twentieth Century

4991: 4437: 1381: 1346: 978:

The multi-measure rest is a compact way to indicate multiple measures of rest. It is also called

3679: 4670: 2004:

Extremely loud. Louder dynamics occur very infrequently and would be specified with additional

1872:

Extremely soft. Softer dynamics occur very infrequently and would be specified with additional

1654: 520: 74:

should be bowed or plucked, or whether the bow of a string instrument should move up or down).

4445: 2049:

Indicates that the note is to be played with a loud attack, and then immediately become soft.

5102: 4966: 4665: 4371: 2861: 2404:

on the upper auxiliary note. In percussion notation, a trill is sometimes used to indicate a

973: 4515: 2753:(lit. "to the tail"), which means repeat up to the coda sign and then jump forward into the 2167:

specify the length, volume, and style of attack of individual notes. This category includes

4797: 4595: 4256: 2613:

is placed above the staff to indicate that the passage is to be played two octaves higher.

2529: 2164: 1713: 1397: 1354: 51: 2632:

is placed below the staff to indicate that the passage is to be played two octaves lower.

8: 5036: 5016: 2594:

is placed below the staff to indicate that the passage is to be played one octave lower.

2343: 524: 223: 147: 5066: 3077:

This symbol indicates that no mute is used. It is generally seen after a muted section.

2898: 4688: 4380: 4141: 2359: 2355: 1069: 1051: 799: 4459: 4308:

Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians

2867:

Used to indicate the first note on the next staff of the following page. Similar to a

5082: 4830: 4590: 4585: 4348: 4311: 4220: 2351: 822: 657: 71: 3840:

The organ has many different abbreviations for its keyboards in European languages.

1372: 1235:, with varying systems being used depending on the situation. A common notation for 952:

A ghost note has a rhythmic value but no discernible pitch. It is represented by a (

940: 5041: 4845: 4820: 4772: 4645: 4569: 4441: 4340: 4199: 2930: 2377: 2093: 1850: 1810: 1232: 1059: 47: 43: 35: 4344: 4935: 4930: 4815: 4782: 4698: 2018: 1551:. These time signatures cannot be evenly subdivided into groups of two or three. 1126: 531:. It may also be drawn on a single-line staff for single percussion instruments. 166:

These indicate some change in the music, such as a new musical section, or a new

150:

is used or when indicating groups of similar instruments in a conductor's score.

852: 838: 5092: 4805: 4660: 4532: 2280: 2243: 2168: 1855:

Dynamics are indicators of the relative intensity or volume of a musical line.

1421: 776: 611: 171: 143: 4526: 2149:", these words (formed by adding an additional "iss") are not proper Italian. 1994: 1862: 1465: 146:. They sometimes extend through multiple staves to group them together when a 5145: 5097: 4956: 4875: 4747: 4703: 4640: 4620: 4577: 3285: 3252: 3089: 2955:

On a stringed instrument, this means to play a natural harmonic (also called

2398: 2204: 1815: 1798: 1349:

of the root (bottom) of the chord. The diagram shows a specific example, the

1178: 1108: 1055: 875: 846:

Semihemidemisemiquaver / Quasihemidemisemiquaver / Hundred twenty-eighth note

634: 227: 167: 93: 63: 39: 1938: 1918: 1803:

A chord is several notes sounded simultaneously. Two-note chords are called

1335: 333:. The treble clef is the most commonly encountered clef in modern notation. 5011: 5001: 4976: 4887: 4850: 4752: 4740: 4730: 4693: 4680: 4630: 4520: 4156: 4146: 3264: 3057: 2904: 2824: 2754: 2570:

is placed above the staff to indicate that the passage is to be played one

2522: 2504: 2478: 2039: 1978: 1886: 1805: 1707: 1497: 1377: 1345:

Lowers the pitch of a note to a pitch matching the indicated number in the

1289: 1236: 1162: 1086: 900: 726: 583: 579: 67: 55: 2109:

Rarely, even softer or louder dynamic levels are indicated by adding more

5087: 4961: 4940: 4917: 4902: 4715: 4650: 4625: 4600: 4489:. Cornell University: UMI Dissertation Services No. 3114502. p. 182. 4375: 3032: 3024: 2992: 2984: 2910: 2676: 2444: 2327: 2030: 1683: 1565: 1509:

Time signatures that cannot be classified as simple or compound, such as

1195: 1144: 1018: 1008: 928: 806: 792: 749: 391:

when the notes get very high, avoiding the use of excessive ledger lines.

388: 322: 139: 117: 2466: 1220: 829: 664: 650: 4986: 4860: 4725: 4720: 4283:, vocal score ed. W. T. Best, pub. London: Novello & Co. Ltd. 1879. 4171: 3589:

Old (pre-1940) tutors published in the UK may use "English fingering".

3353: 3260: 2291: 1760: 1602: 1208: 1199:

signature examples shown here are as they would appear in treble clef.

947: 893: 680: 573: 356: 2919: 2471: 2197: 1962: 1902: 921: 783: 769: 641: 627: 539: 110: 5056: 5046: 5006: 4971: 4855: 4615: 4246:"UNLP at the C@merata Task: Question Answering on Musical Scores ACM" 2868: 2770: 2515: 2497: 2435: 2371: 1754: 1658: 1639: 1412:); this has the advantage of not requiring any nonstandard notation. 1155: 1014: 703: 604: 555: 430: 352: 300: 2366:, mallet percussion and some untuned percussion instruments such as 1318: 1277: 966: 719: 509: 4907: 4892: 4735: 4710: 4538: 3036: 3020: 2996: 2980: 2619: 2210: 2185: 2074: 1832: 1717: 1626:

time—two beats per measure with a half-note representing one beat.

1558: 1272: 1137: 1092: 815: 760: 742: 528: 384: 259: 2891: 2581: 2391: 2055: 1747: 1632: 1491:

follows a dotted quarter note (equivalent to three eighth notes).

1298: 1017:), to lift the bow and start the next note with a new bowing (for 1013:

This symbol tells the performer to take a breath (for singers and

756:

has the same number of flags (or hooks) as the rest has branches.

687: 673: 196: 156: 4882: 4865: 4840: 4825: 4810: 4767: 4610: 4396:

Associated Board of the Royal Schools of Music, London 1958. V,29

4136: 3692:

1 = thumb, 2 = index finger, 3 = middle finger, 4 = ring finger.

2939: 2763: 2736: 2660: 2600: 2428: 2405: 2363: 2334: 2304:

foot's toe, and below the note it indicates the left foot's toe.

2298: 2260: 2237: 2178: 1825: 1292:. As with a demiflat, a slashed double-flat symbol is also used. 1246: 1034: 953: 907: 861: 710: 696: 376: 263: 31: 3294: 3066: 3005: 2557: 2420: 2322: 2273: 2253: 2247:). In percussion notation, this sign indicates a slight accent. 1772: 1595: 1434: 1119: 1027: 916: 548: 244: 4897: 4835: 4762: 3310: 3274: 3028: 2988: 2729: 2687: 2669: 2571: 2483:

When placed directly above the note, the turn (also known as a

2461: 2347: 2229: 2222: 1779: 1725: 1700: 1001: 498: 462: 426: 398: 348: 318: 180: 3327: 3045: 2965: 2704: 2386: 1791: 1251: 1101: 1039:

A caesura indicates a pause during which time is not counted.

869:

Demisemihemidemisemiquaver / Two hundred fifty-sixth note

618: 489: 471: 450: 419: 311: 86: 5051: 4757: 4655: 4635: 3256: 2797: 1695: 1646: 1363:

is tuned exactly to a 7:6 frequency ratio with the root (C).

1113:

The sharp symbol raises the pitch of a note by one semitone.

1079: 888: 480: 410: 380: 368: 275: 255: 59: 2817: 1676: 1167:

A double sharp raises the pitch of a note by two semitones.

341: 190:

These indicate the conclusion of a movement or composition.

128: 4605: 3832:

Numbers for six-mallet percussion may be reversed as well.

3321:

pedal is to be momentarily released, then depressed again.

1149:

A double flat lowers the pitch of a note by two semitones.

733: 294: 279: 274:

instrument (e.g., the right-hand and left-hand staves of a

212: 101: 2491:, in which the order of the auxiliary notes is reversed. 2414:, was notated as a small cross above or beside the note. 4422:(Englewood Cliffs, New Jersey: Prentice-Hall), pp. 42-43 4409:(New York and London: W. W. Norton & Company), p. 16 2315:

Ornaments modify the pitch pattern of individual notes.

2745:(lit. "to the end"), which means to repeat to the word 1459:

is pronounced as "three-four" or "three-quarter time".

934:

rare. Rests can be dotted in the same manner as notes.

567: 4504:

Behind Bars – The Definitive Guide to Music Notation

527:, such as the different individual instruments in a 238:

in some old texts and can vary in design and style.

4464:The Associated Board of the Royal Schools of Music 4196:"Music Notation and Engraving – Braces and Bracket 1091:The flat symbol lowers the pitch of a note by one 444:) but this usage has essentially become obsolete. 3251:Pedal marks appear in music for instruments with 1045: 5143: 1312:Raises the pitch of a note by one quarter tone. 4431: 4339:. Cambridge University Press. pp. 95–114. 2877: 4372:"No Fortissimo? Symphony Told to Keep It Down" 3304:Tells the player to let the sustain pedal up. 2661:Repetition, codas, and other direction symbols 2025:Sforzando / Sforzato (subito forzando/forzato) 1645:This notation is used to precisely define the 1231:There is no universally accepted notation for 754:For notes of this length and shorter, the note 4554: 4533:Sight reading tutorial with symbol variations 3612: 3524: 3517: 3497: 3490: 3193: 2653:. When they appear below the staff, the word 266:; etc.) or multiple vocal parts, whereas the 142:("bars") of music according to the indicated 3470: 3463: 3443: 3436: 2537: 2409: 2408:. In French baroque notation, the trill, or 1956:is assumed to be the default dynamic level. 1728:, in which case rearticulation is permitted. 4210: 4208: 3382:Tells the player to let the soft pedal up. 2882: 1712:While the first note of a slurred group is 1194:. A key signature indicates the prevailing 226:. The grand staff is used for piano, harp, 5116: 4561: 4547: 612:Large (Latin: Maxima) / Octuple whole note 4516:Comprehensive list of music symbols fonts 4214: 3695: 3039:), the note is played with a downstroke. 1406:represents a third of a step lower than D 4484: 4205: 3763: 3749:Some systems reverse the numbers (e.g., 2999:), the note is played with an upstroke. 1371: 519:Used for pitchless instruments, such as 4460:"Scales-continental/ English Fingering" 4446:10.1093/gmo/9781561592630.article.07829 4333:The Cambridge Companion to Shostakovich 4240: 4238: 4236: 3388: 1809:, three-note chords built by using the 1188:indicates that every B is played as a B 14: 5144: 4305: 4217:Essential Dictionary of Music Notation 823:Hemidemisemiquaver / Sixty-fourth note 234:. The brace is occasionally called an 4542: 2645:are sometimes abbreviated further to 2159: 1667: 1064: 4568: 4330: 4233: 4120:Rw. (not to be confused with French 4107:Bw. (not to be confused with German 1288:Lowers the pitch of a note by three 4407:The Norton Manual of Music Notation 2376:The tremolo symbol also represents 800:Demisemiquaver / Thirty-second note 24: 4497: 4432:Richard Rastall (2001). "Direct". 3680:Fingerstyle guitar § Notation 1415: 568:Rhythmic values of notes and rests 25: 5168: 4509: 4506:. Faber Music (publisher), 2011. 1505:Complex/irregular time signatures 1173: 5126: 5125: 5115: 4215:Gerou, Tom; Lusk, Linda (1996). 4177:Musical Symbols (disambiguation) 3326: 3309: 3293: 3273: 3065: 3044: 3004: 2964: 2938: 2918: 2890: 2853: 2816: 2796: 2762: 2728: 2703: 2686: 2668: 2618: 2599: 2580: 2556: 2514: 2496: 2470: 2465: 2460: 2443: 2419: 2390: 2385: 2326: 2321: 2290: 2272: 2252: 2221: 2196: 2177: 2092: 2073: 2054: 2038: 2017: 1993: 1977: 1961: 1937: 1917: 1901: 1885: 1861: 1824: 1790: 1771: 1746: 1699: 1694: 1675: 1631: 1594: 1557: 1496: 1464: 1433: 1386: 1334: 1317: 1297: 1276: 1271: 1250: 1245: 1219: 1207: 1154: 1136: 1118: 1100: 1078: 1026: 1000: 965: 939: 920: 915: 892: 887: 874: 860: 851: 837: 828: 814: 805: 791: 782: 768: 759: 741: 732: 718: 709: 695: 686: 672: 663: 649: 640: 626: 617: 603: 547: 538: 508: 497: 488: 479: 470: 449: 418: 409: 340: 310: 243: 211: 195: 179: 155: 127: 109: 85: 4478: 4452: 4425: 4412: 4399: 4167:Musical Symbols (Unicode block) 4162:Glossary of musical terminology 2548: 956:) cross (similar to the letter 4387: 4365: 4324: 4299: 4286: 4273: 4189: 3649:= open string (no finger used) 3246: 2084:A gradual decrease in volume. 2065:A gradual increase in volume. 1722:pitched percussion instruments 1046:Accidentals and key signatures 270:connects multiple parts for a 232:pitched percussion instruments 13: 1: 4527:Dictionary of musical symbols 4394:Rudiments and Theory of Music 4345:10.1017/CCOL9780521842204.006 4337:Cambridge Companions to Music 4293:Rudiments and Theory of Music 4182: 3617:(With the exception of harp) 3056:This symbol indicates that a 1948:Moderately loud; softer than 1928:Moderately soft; louder than 1226: 595:British name / American name 4219:. Alfred Music. p. 49. 3352:Tells the player to put the 3284:Tells the player to put the 2878:Instrument-specific notation 2310: 7: 4926:History of music publishing 4130: 3757:= Inner-left mallet, etc.) 2346:, tremolos indicate rolls, 1844: 777:Semiquaver / Sixteenth note 635:Long / Quadruple whole note 10: 5173: 4521:Music theory & history 4420:Preparing Music Manuscript 3677: 3613:Other stringed instruments 1848: 1419: 1049: 571: 292: 5131:Category:Musical notation 5111: 5075: 4997:Numbered musical notation 4949: 4916: 4796: 4788:Scientific pitch notation 4679: 4576: 4485:Paterson, Robert (2004). 4310:. Routledge. p. 38. 4059: 3998: 3944:Schwellwerk or Brustwerk 3937: 3876: 3505: 3478: 3451: 3424: 3405: 3315: 3194: 3083: 992: 658:Breve / Double whole note 514: 455: 375:. Tenor clef is used for 346: 4778:Helmholtz pitch notation 3835: 3241: 2883:Bowed string instruments 2451:Lower mordent (inverted) 2081:Diminuendo / Decrescendo 1587:mensural time signatures 1472:Compound time signatures 288: 77: 5121:List of musical symbols 4992:Nashville Number System 4438:Oxford University Press 3796:Mallet identifications: 3720:Mallet identifications: 3684: 3644:Finger identifications: 3558:Finger identifications: 2834:(Dal segno al coda) or 2542:(simultaneous stroke). 1952:If no dynamic appears, 1611:This symbol represents 1570:This symbol represents 727:Crotchet / Quarter note 4671:Transposing instrument 3941:Hauptwerk or Oberwerk 3821:= Middle-right mallet 3696:Four-mallet percussion 3525: 3518: 3498: 3491: 3471: 3464: 3444: 3437: 2779:. This is followed by 2719:1st- and 2nd-time bars 2538: 2410: 1813:of a third are called 1441:Simple time signatures 1393: 1353:, in the context of a 681:Semibreve / Whole note 536:On a single-line staff 521:percussion instruments 367:, mainly used for the 304:alto, and tenor clef. 18:Modern musical symbols 5157:Classical music lists 4405:George Heussenstamm, 3816:= Inner-right mallet 3806:= Middle-left mallet 3764:Six-mallet percussion 3735:= Inner-right mallet 1375: 135:Bar line (or barline) 118:Ledger or leger lines 3811:= Inner-left mallet 3730:= Inner-left mallet 3389:Other piano notation 2657:is sometimes added. 2153:exceed safe levels. 1398:19 equal temperament 1355:septimal minor third 1215:Sharp key signatures 750:Quaver / Eighth note 525:specific instruments 187:Bold double bar line 5017:Percussion notation 4306:Miller, RJ (2015). 4142:Musical instruments 3826:= Far-right mallet 3753:= Far-left mallet, 3740:= Far right mallet 3317:Variable pedal mark 2899:Left-hand pizzicato 2838:(Da capo al coda). 2715:1st and 2nd endings 2536:, and in German as 2344:percussion notation 1766:slide (glissando). 1737:(or less commonly, 1539:, are often called 1203:Flat key signatures 578:In American usage, 138:Bar lines separate 4529:(Dolmetsch Online) 4523:(Dolmetsch Online) 4466:. 20 December 2004 4434:Grove Music Online 4381:The New York Times 3801:= Far-left mallet 3725:= Far left mallet 2626:Quindicesima bassa 2360:single-stroke roll 2356:double-stroke roll 2160:Articulation marks 1668:Note relationships 1394: 1065:Common accidentals 1052:Accidental (music) 974:Multi-measure rest 5139: 5138: 5083:Mensural notation 4354:978-1-139-00195-3 4317:978-0-415-74190-3 4128: 4127: 3830: 3829: 3761: 3760: 3744: 3743: 3673: 3672: 3587: 3586: 3532: 3531: 3386: 3385: 3239: 3238: 3088:The guitar has a 3081: 3080: 2875: 2874: 2636: 2635: 2607:Quindicesima alta 2546: 2545: 2479:Gruppetto or Turn 2362:, in the case of 2308: 2307: 2107: 2106: 1842: 1841: 1665: 1664: 1376:Notation for the 1367: 1366: 1171: 1170: 1043: 1042: 990: 989: 882: 881: 704:Minim / Half note 565: 564: 506:On a 5-line staff 286: 285: 72:string instrument 16:(Redirected from 5164: 5152:Musical notation 5129: 5128: 5119: 5118: 4982:Graphic notation 4646:Rehearsal letter 4570:Musical notation 4563: 4556: 4549: 4540: 4539: 4491: 4490: 4482: 4476: 4475: 4473: 4471: 4456: 4450: 4449: 4429: 4423: 4418:Anthony Donato, 4416: 4410: 4403: 4397: 4391: 4385: 4369: 4363: 4361: 4328: 4322: 4321: 4303: 4297: 4290: 4284: 4277: 4271: 4270: 4268: 4267: 4261: 4255:. Archived from 4253:Csee.essex.ac.uk 4250: 4242: 4231: 4230: 4212: 4203: 4202:Music Department 4200:Colorado College 4193: 4152:Graphic notation 3843: 3842: 3768: 3767: 3746: 3745: 3700: 3699: 3620: 3619: 3593:for thumb, then 3534: 3533: 3528: 3521: 3501: 3494: 3474: 3467: 3447: 3440: 3393: 3392: 3330: 3313: 3297: 3277: 3270: 3269: 3197: 3196: 3182:majeur ou médius 3095: 3094: 3075:("without mute") 3069: 3048: 3008: 2968: 2947:Natural harmonic 2942: 2922: 2894: 2887: 2886: 2857: 2820: 2800: 2766: 2732: 2707: 2690: 2672: 2665: 2664: 2622: 2603: 2584: 2560: 2553: 2552: 2541: 2518: 2500: 2474: 2469: 2464: 2447: 2423: 2413: 2394: 2389: 2378:flutter-tonguing 2330: 2325: 2318: 2317: 2294: 2276: 2256: 2225: 2200: 2181: 2174: 2173: 2144: 2132: 2124: 2116: 2096: 2077: 2058: 2042: 2021: 2011: 1997: 1981: 1965: 1941: 1921: 1905: 1889: 1879: 1865: 1858: 1857: 1851:Dynamics (music) 1828: 1794: 1775: 1750: 1703: 1698: 1679: 1672: 1671: 1653:", referring to 1635: 1625: 1624: 1623: 1622: 1598: 1584: 1583: 1582: 1581: 1561: 1538: 1537: 1536: 1535: 1523: 1522: 1521: 1520: 1500: 1489: 1488: 1487: 1486: 1468: 1458: 1457: 1456: 1455: 1437: 1430: 1429: 1411: 1410: 1405: 1404: 1391: 1390: 1362: 1361: 1357:, in which the E 1338: 1325:Sharp-and-a-half 1321: 1301: 1280: 1275: 1254: 1249: 1242: 1241: 1233:microtonal music 1223: 1211: 1193: 1192: 1187: 1186: 1158: 1140: 1122: 1104: 1082: 1075: 1074: 1060:Circle of fifths 1030: 1004: 997: 996: 969: 943: 924: 919: 896: 891: 884: 883: 878: 864: 855: 841: 832: 818: 809: 795: 786: 772: 763: 745: 736: 722: 713: 699: 690: 676: 667: 653: 644: 630: 621: 607: 589: 588: 551: 542: 512: 501: 492: 483: 474: 453: 422: 413: 344: 314: 307: 306: 247: 215: 199: 183: 159: 131: 113: 89: 82: 81: 36:musical notation 21: 5172: 5171: 5167: 5166: 5165: 5163: 5162: 5161: 5142: 5141: 5140: 5135: 5107: 5071: 4945: 4936:Music publisher 4931:Music engraving 4912: 4792: 4783:Letter notation 4675: 4572: 4567: 4512: 4500: 4498:Further reading 4495: 4494: 4483: 4479: 4469: 4467: 4458: 4457: 4453: 4430: 4426: 4417: 4413: 4404: 4400: 4392: 4388: 4384:(20 April 2008) 4370: 4366: 4355: 4329: 4325: 4318: 4304: 4300: 4291: 4287: 4278: 4274: 4265: 4263: 4259: 4248: 4244: 4243: 4234: 4227: 4213: 4206: 4194: 4190: 4185: 4133: 3838: 3822: 3817: 3812: 3807: 3802: 3797: 3766: 3736: 3731: 3726: 3721: 3698: 3687: 3682: 3665: 3660: 3655: 3650: 3645: 3615: 3579: 3574: 3569: 3564: 3559: 3391: 3381: 3351: 3319: 3303: 3283: 3249: 3244: 3086: 3076: 3060:is to be used. 3055: 3018: 2978: 2954: 2928: 2908: 2885: 2880: 2871:in literature. 2866: 2829: 2807:Mark used with 2806: 2774: 2740: 2722: 2696: 2680: 2663: 2628: 2609: 2590: 2575: 2566: 2551: 2526: 2508: 2482: 2453: 2432: 2402: 2375: 2341: 2338: 2313: 2302: 2284: 2265: 2233: 2214: 2189: 2162: 2156: 2138: 2126: 2118: 2110: 2102: 2083: 2064: 2048: 2027: 2005: 2003: 1987: 1971: 1947: 1927: 1911: 1895: 1873: 1871: 1853: 1847: 1837: 1802: 1783: 1764: 1732: 1729: 1711: 1687: 1670: 1644: 1621: 1616: 1615: 1614: 1613: 1612: 1610: 1580: 1575: 1574: 1573: 1572: 1571: 1569: 1534: 1529: 1528: 1527: 1526: 1525: 1519: 1514: 1513: 1512: 1511: 1510: 1485: 1480: 1479: 1478: 1477: 1476: 1474: 1454: 1449: 1448: 1447: 1446: 1445: 1443: 1424: 1418: 1416:Time signatures 1408: 1407: 1402: 1401: 1385: 1382:harmonic series 1359: 1358: 1347:harmonic series 1344: 1328: 1311: 1287: 1284:Flat-and-a-half 1264: 1229: 1190: 1189: 1184: 1183: 1176: 1166: 1148: 1130: 1112: 1090: 1067: 1062: 1050:Main articles: 1048: 1038: 1012: 995: 977: 951: 932: 904: 755: 753: 576: 570: 559: 537: 518: 507: 459: 435: 408: 392: 361: 339: 327: 297: 291: 253: 221: 205: 203:Dotted bar line 189: 165: 163:Double bar line 137: 121: 98: 80: 28:Musical symbols 23: 22: 15: 12: 11: 5: 5170: 5160: 5159: 5154: 5137: 5136: 5134: 5133: 5123: 5112: 5109: 5108: 5106: 5105: 5100: 5095: 5090: 5085: 5079: 5077: 5073: 5072: 5070: 5069: 5064: 5059: 5054: 5049: 5044: 5039: 5034: 5029: 5024: 5019: 5014: 5009: 5004: 4999: 4994: 4989: 4984: 4979: 4974: 4969: 4964: 4959: 4953: 4951: 4947: 4946: 4944: 4943: 4938: 4933: 4928: 4922: 4920: 4914: 4913: 4911: 4910: 4905: 4900: 4895: 4890: 4885: 4880: 4879: 4878: 4873: 4868: 4863: 4858: 4853: 4843: 4838: 4833: 4828: 4823: 4818: 4813: 4808: 4802: 4800: 4794: 4793: 4791: 4790: 4785: 4780: 4775: 4770: 4765: 4760: 4755: 4750: 4745: 4744: 4743: 4738: 4733: 4723: 4718: 4713: 4708: 4707: 4706: 4701: 4696: 4685: 4683: 4677: 4676: 4674: 4673: 4668: 4663: 4661:Time signature 4658: 4653: 4648: 4643: 4638: 4633: 4628: 4623: 4618: 4613: 4608: 4603: 4598: 4593: 4588: 4582: 4580: 4574: 4573: 4566: 4565: 4558: 4551: 4543: 4537: 4536: 4530: 4524: 4518: 4511: 4510:External links 4508: 4502:Elaine Gould, 4499: 4496: 4493: 4492: 4477: 4451: 4424: 4411: 4398: 4386: 4364: 4353: 4323: 4316: 4298: 4285: 4272: 4232: 4225: 4204: 4187: 4186: 4184: 4181: 4180: 4179: 4174: 4169: 4164: 4159: 4154: 4149: 4144: 4139: 4132: 4129: 4126: 4125: 4118: 4115: 4112: 4105: 4102: 4099: 4096: 4093: 4089: 4088: 4085: 4082: 4079: 4076: 4073: 4070: 4067: 4064: 4061: 4057: 4056: 4053: 4050: 4047: 4044: 4041: 4038: 4035: 4032: 4028: 4027: 4024: 4021: 4018: 4015: 4012: 4009: 4006: 4003: 4000: 3996: 3995: 3992: 3989: 3986: 3983: 3980: 3977: 3974: 3971: 3967: 3966: 3963: 3960: 3957: 3954: 3951: 3948: 3945: 3942: 3939: 3935: 3934: 3931: 3928: 3925: 3922: 3919: 3916: 3913: 3910: 3906: 3905: 3902: 3899: 3896: 3893: 3890: 3887: 3884: 3881: 3878: 3874: 3873: 3870: 3867: 3864: 3861: 3858: 3855: 3852: 3849: 3846: 3837: 3834: 3828: 3827: 3794: 3765: 3762: 3759: 3758: 3742: 3741: 3718: 3697: 3694: 3686: 3683: 3671: 3670: 3642: 3614: 3611: 3585: 3584: 3556: 3530: 3529: 3522: 3519:mano izquierda 3514: 3513: 3510: 3507: 3503: 3502: 3495: 3487: 3486: 3483: 3480: 3476: 3475: 3468: 3460: 3459: 3456: 3453: 3449: 3448: 3441: 3433: 3432: 3429: 3426: 3422: 3421: 3418: 3414: 3413: 3410: 3407: 3403: 3402: 3399: 3396: 3390: 3387: 3384: 3383: 3371:tutte le corde 3364: 3358: 3357: 3338: 3332: 3331: 3323: 3322: 3314: 3306: 3305: 3298: 3290: 3289: 3278: 3255:, such as the 3253:sustain pedals 3248: 3245: 3243: 3240: 3237: 3236: 3233: 3230: 3227: 3224: 3221: 3218: 3214: 3213: 3210: 3207: 3204: 3201: 3198: 3191: 3187: 3186: 3183: 3180: 3177: 3174: 3171: 3168: 3164: 3163: 3160: 3157: 3154: 3151: 3148: 3145: 3141: 3140: 3137: 3134: 3131: 3128: 3125: 3122: 3118: 3117: 3114: 3111: 3108: 3105: 3102: 3099: 3085: 3082: 3079: 3078: 3070: 3062: 3061: 3054:("with mute") 3049: 3041: 3040: 3009: 3001: 3000: 2969: 2961: 2960: 2943: 2935: 2934: 2926:Snap pizzicato 2923: 2915: 2914: 2895: 2884: 2881: 2879: 2876: 2873: 2872: 2858: 2850: 2849: 2843: 2840: 2839: 2821: 2813: 2812: 2801: 2793: 2792: 2767: 2759: 2758: 2733: 2725: 2724: 2711:Volta brackets 2708: 2700: 2699: 2691: 2683: 2682: 2673: 2662: 2659: 2634: 2633: 2623: 2615: 2614: 2604: 2596: 2595: 2585: 2577: 2576: 2561: 2550: 2547: 2544: 2543: 2539:Zusammenschlag 2519: 2511: 2510: 2501: 2493: 2492: 2475: 2457: 2456: 2448: 2440: 2439: 2424: 2416: 2415: 2395: 2382: 2381: 2331: 2312: 2309: 2306: 2305: 2295: 2287: 2286: 2277: 2269: 2268: 2257: 2249: 2248: 2244:mezzo staccato 2226: 2218: 2217: 2201: 2193: 2192: 2182: 2161: 2158: 2105: 2104: 2097: 2089: 2088: 2078: 2070: 2069: 2059: 2051: 2050: 2043: 2035: 2034: 2022: 2014: 2013: 1998: 1990: 1989: 1982: 1974: 1973: 1966: 1958: 1957: 1942: 1934: 1933: 1922: 1914: 1913: 1906: 1898: 1897: 1890: 1882: 1881: 1866: 1849:Main article: 1846: 1843: 1840: 1839: 1829: 1821: 1820: 1795: 1787: 1786: 1776: 1768: 1767: 1751: 1743: 1742: 1704: 1691: 1690: 1680: 1669: 1666: 1663: 1662: 1636: 1628: 1627: 1617: 1599: 1591: 1590: 1576: 1562: 1554: 1553: 1530: 1515: 1501: 1493: 1492: 1481: 1469: 1461: 1460: 1450: 1438: 1422:Time signature 1420:Main article: 1417: 1414: 1365: 1364: 1339: 1331: 1330: 1322: 1314: 1313: 1302: 1294: 1293: 1281: 1268: 1267: 1255: 1228: 1225: 1179:Key signatures 1175: 1174:Key signatures 1172: 1169: 1168: 1159: 1151: 1150: 1141: 1133: 1132: 1123: 1115: 1114: 1105: 1097: 1096: 1083: 1066: 1063: 1047: 1044: 1041: 1040: 1031: 1023: 1022: 1005: 994: 991: 988: 987: 984:multi-bar rest 970: 962: 961: 944: 936: 935: 925: 912: 911: 897: 880: 879: 872: 865: 857: 856: 849: 842: 834: 833: 826: 819: 811: 810: 803: 796: 788: 787: 780: 773: 765: 764: 757: 746: 738: 737: 730: 723: 715: 714: 707: 700: 692: 691: 684: 677: 669: 668: 661: 654: 646: 645: 638: 631: 623: 622: 615: 608: 600: 599: 596: 593: 572:Main article: 569: 566: 563: 562: 552: 544: 543: 533: 532: 513: 503: 502: 494: 493: 485: 484: 476: 475: 467: 466: 454: 446: 445: 423: 415: 414: 404: 403: 345: 335: 334: 315: 293:Main article: 290: 287: 284: 283: 248: 240: 239: 216: 208: 207: 200: 192: 191: 184: 176: 175: 160: 152: 151: 144:time signature 132: 124: 123: 114: 106: 105: 90: 79: 76: 30:are marks and 9: 6: 4: 3: 2: 5169: 5158: 5155: 5153: 5150: 5149: 5147: 5132: 5124: 5122: 5114: 5113: 5110: 5104: 5103:Transcription 5101: 5099: 5098:Sight-reading 5096: 5094: 5093:Perfect pitch 5091: 5089: 5086: 5084: 5081: 5080: 5078: 5074: 5068: 5065: 5063: 5060: 5058: 5055: 5053: 5050: 5048: 5045: 5043: 5040: 5038: 5035: 5033: 5030: 5028: 5027:Ancient Greek 5025: 5023: 5020: 5018: 5015: 5013: 5010: 5008: 5005: 5003: 5000: 4998: 4995: 4993: 4990: 4988: 4985: 4983: 4980: 4978: 4975: 4973: 4970: 4968: 4967:Chord diagram 4965: 4963: 4960: 4958: 4957:Braille music 4955: 4954: 4952: 4950:Other systems 4948: 4942: 4939: 4937: 4934: 4932: 4929: 4927: 4924: 4923: 4921: 4919: 4915: 4909: 4906: 4904: 4901: 4899: 4896: 4894: 4891: 4889: 4886: 4884: 4881: 4877: 4874: 4872: 4869: 4867: 4864: 4862: 4859: 4857: 4854: 4852: 4849: 4848: 4847: 4844: 4842: 4839: 4837: 4834: 4832: 4829: 4827: 4824: 4822: 4819: 4817: 4814: 4812: 4809: 4807: 4804: 4803: 4801: 4799: 4795: 4789: 4786: 4784: 4781: 4779: 4776: 4774: 4771: 4769: 4766: 4764: 4761: 4759: 4756: 4754: 4751: 4749: 4746: 4742: 4739: 4737: 4734: 4732: 4729: 4728: 4727: 4724: 4722: 4719: 4717: 4714: 4712: 4709: 4705: 4702: 4700: 4697: 4695: 4692: 4691: 4690: 4687: 4686: 4684: 4682: 4681:Musical notes 4678: 4672: 4669: 4667: 4666:Transposition 4664: 4662: 4659: 4657: 4654: 4652: 4649: 4647: 4644: 4642: 4639: 4637: 4634: 4632: 4629: 4627: 4624: 4622: 4621:Key signature 4619: 4617: 4614: 4612: 4609: 4607: 4604: 4602: 4599: 4597: 4594: 4592: 4589: 4587: 4584: 4583: 4581: 4579: 4575: 4571: 4564: 4559: 4557: 4552: 4550: 4545: 4544: 4541: 4534: 4531: 4528: 4525: 4522: 4519: 4517: 4514: 4513: 4507: 4505: 4488: 4481: 4465: 4461: 4455: 4447: 4443: 4439: 4435: 4428: 4421: 4415: 4408: 4402: 4395: 4390: 4383: 4382: 4377: 4373: 4368: 4362:(p. 112) 4360: 4356: 4350: 4346: 4342: 4338: 4334: 4327: 4319: 4313: 4309: 4302: 4296:printed form. 4294: 4289: 4282: 4276: 4262:on 2015-11-22 4258: 4254: 4247: 4241: 4239: 4237: 4228: 4226:0-88284-768-6 4222: 4218: 4211: 4209: 4201: 4197: 4192: 4188: 4178: 4175: 4173: 4170: 4168: 4165: 4163: 4160: 4158: 4155: 4153: 4150: 4148: 4145: 4143: 4140: 4138: 4135: 4134: 4123: 4119: 4116: 4113: 4110: 4106: 4104:Sol. or Solo 4103: 4100: 4097: 4094: 4091: 4090: 4086: 4083: 4080: 4077: 4074: 4071: 4068: 4065: 4062: 4058: 4054: 4051: 4048: 4045: 4042: 4040:Ped. or Péd. 4039: 4036: 4033: 4030: 4029: 4025: 4022: 4020:Antiphonaire 4019: 4016: 4013: 4010: 4007: 4004: 4001: 3997: 3993: 3990: 3987: 3984: 3981: 3978: 3975: 3972: 3969: 3968: 3964: 3961: 3958: 3955: 3952: 3949: 3946: 3943: 3940: 3936: 3932: 3929: 3926: 3923: 3920: 3917: 3914: 3911: 3908: 3907: 3903: 3900: 3897: 3894: 3891: 3888: 3885: 3882: 3879: 3875: 3871: 3868: 3865: 3862: 3859: 3856: 3853: 3850: 3847: 3845: 3844: 3841: 3833: 3825: 3820: 3815: 3810: 3805: 3800: 3795: 3793: 3789: 3785: 3781: 3777: 3773: 3770: 3769: 3756: 3752: 3748: 3747: 3739: 3734: 3729: 3724: 3719: 3717: 3713: 3709: 3705: 3702: 3701: 3693: 3690: 3681: 3676: 3668: 3663: 3658: 3653: 3648: 3643: 3641: 3637: 3633: 3629: 3625: 3622: 3621: 3618: 3610: 3608: 3604: 3600: 3596: 3592: 3582: 3577: 3572: 3567: 3562: 3557: 3555: 3551: 3547: 3543: 3539: 3536: 3535: 3527: 3523: 3520: 3516: 3515: 3511: 3508: 3504: 3500: 3496: 3493: 3492:mano sinistra 3489: 3488: 3484: 3481: 3477: 3473: 3469: 3466: 3462: 3461: 3457: 3454: 3450: 3446: 3442: 3439: 3435: 3434: 3430: 3427: 3423: 3419: 3416: 3415: 3411: 3408: 3404: 3400: 3397: 3395: 3394: 3380: 3376: 3372: 3368: 3365: 3363: 3360: 3359: 3355: 3350: 3346: 3342: 3339: 3337: 3334: 3333: 3329: 3325: 3324: 3318: 3312: 3308: 3307: 3302: 3301:Release pedal 3299: 3296: 3292: 3291: 3287: 3286:sustain pedal 3282: 3279: 3276: 3272: 3271: 3268: 3266: 3262: 3258: 3254: 3234: 3231: 3228: 3225: 3222: 3219: 3216: 3215: 3211: 3208: 3205: 3202: 3199: 3192: 3189: 3188: 3184: 3181: 3178: 3175: 3172: 3169: 3166: 3165: 3161: 3158: 3155: 3152: 3149: 3146: 3143: 3142: 3138: 3135: 3132: 3129: 3126: 3123: 3120: 3119: 3115: 3112: 3109: 3106: 3103: 3100: 3097: 3096: 3093: 3091: 3090:fingerpicking 3074: 3073:Senza sordino 3071: 3068: 3064: 3063: 3059: 3053: 3050: 3047: 3043: 3042: 3038: 3034: 3030: 3026: 3022: 3017: 3013: 3010: 3007: 3003: 3002: 2998: 2994: 2990: 2986: 2982: 2977: 2973: 2970: 2967: 2963: 2962: 2958: 2953: 2949: 2948: 2944: 2941: 2937: 2936: 2932: 2927: 2924: 2921: 2917: 2916: 2912: 2907: 2906: 2901: 2900: 2896: 2893: 2889: 2888: 2870: 2864: 2863: 2859: 2856: 2852: 2851: 2847: 2844: 2842: 2841: 2837: 2833: 2827: 2826: 2822: 2819: 2815: 2814: 2810: 2805: 2802: 2799: 2795: 2794: 2790: 2787:just as with 2786: 2782: 2778: 2773: 2772: 2768: 2765: 2761: 2760: 2756: 2752: 2749:and stop, or 2748: 2744: 2739: 2738: 2734: 2731: 2727: 2726: 2720: 2716: 2712: 2709: 2706: 2702: 2701: 2695: 2692: 2689: 2685: 2684: 2679: 2678: 2674: 2671: 2667: 2666: 2658: 2656: 2652: 2648: 2644: 2640: 2631: 2627: 2624: 2621: 2617: 2616: 2612: 2608: 2605: 2602: 2598: 2597: 2593: 2589: 2586: 2583: 2579: 2578: 2573: 2569: 2565: 2562: 2559: 2555: 2554: 2540: 2535: 2531: 2525: 2524: 2520: 2517: 2513: 2512: 2507: 2506: 2502: 2499: 2495: 2494: 2490: 2489:inverted turn 2486: 2481: 2480: 2476: 2473: 2468: 2463: 2459: 2458: 2452: 2449: 2446: 2442: 2441: 2437: 2431: 2430: 2425: 2422: 2418: 2417: 2412: 2407: 2401: 2400: 2396: 2393: 2388: 2384: 2383: 2379: 2373: 2369: 2365: 2361: 2357: 2353: 2349: 2345: 2337: 2336: 2332: 2329: 2324: 2320: 2319: 2316: 2301: 2300: 2296: 2293: 2289: 2288: 2283: 2282: 2278: 2275: 2271: 2270: 2264: 2262: 2258: 2255: 2251: 2250: 2246: 2245: 2240: 2239: 2232: 2231: 2227: 2224: 2220: 2219: 2213: 2212: 2207: 2206: 2205:Staccatissimo 2202: 2199: 2195: 2194: 2188: 2187: 2183: 2180: 2176: 2175: 2172: 2170: 2166: 2165:Articulations 2157: 2154: 2150: 2148: 2147:fortississimo 2143: 2142: 2136: 2135:pianississimo 2131: 2130: 2123: 2122: 2115: 2114: 2101: 2098: 2095: 2091: 2090: 2087: 2082: 2079: 2076: 2072: 2071: 2068: 2063: 2060: 2057: 2053: 2052: 2047: 2044: 2041: 2037: 2036: 2032: 2026: 2023: 2020: 2016: 2015: 2010: 2009: 2002: 2001:Fortississimo 1999: 1996: 1992: 1991: 1986: 1983: 1980: 1976: 1975: 1970: 1967: 1964: 1960: 1959: 1955: 1951: 1946: 1943: 1940: 1936: 1935: 1931: 1926: 1923: 1920: 1916: 1915: 1910: 1907: 1904: 1900: 1899: 1894: 1891: 1888: 1884: 1883: 1878: 1877: 1870: 1869:Pianississimo 1867: 1864: 1860: 1859: 1856: 1852: 1836: 1834: 1830: 1827: 1823: 1822: 1818: 1817: 1812: 1808: 1807: 1801: 1800: 1796: 1793: 1789: 1788: 1782: 1781: 1777: 1774: 1770: 1769: 1763: 1762: 1757: 1756: 1752: 1749: 1745: 1744: 1740: 1736: 1727: 1723: 1719: 1715: 1710: 1709: 1705: 1702: 1697: 1693: 1692: 1686: 1685: 1681: 1678: 1674: 1673: 1660: 1656: 1652: 1648: 1643: 1641: 1637: 1634: 1630: 1629: 1620: 1609: 1605: 1604: 1600: 1597: 1593: 1592: 1588: 1579: 1568: 1567: 1563: 1560: 1556: 1555: 1552: 1550: 1546: 1542: 1533: 1518: 1507: 1506: 1502: 1499: 1495: 1494: 1484: 1473: 1470: 1467: 1463: 1462: 1453: 1442: 1439: 1436: 1432: 1431: 1428: 1423: 1413: 1399: 1389: 1383: 1379: 1378:prime numbers 1374: 1370: 1356: 1352: 1351:septimal flat 1348: 1343: 1342:Harmonic flat 1340: 1337: 1333: 1332: 1327:(sesquisharp) 1326: 1323: 1320: 1316: 1315: 1310: 1306: 1303: 1300: 1296: 1295: 1291: 1290:quarter tones 1285: 1282: 1279: 1274: 1270: 1269: 1263: 1259: 1256: 1253: 1248: 1244: 1243: 1240: 1238: 1237:quarter tones 1234: 1224: 1222: 1217: 1216: 1212: 1210: 1205: 1204: 1200: 1197: 1180: 1165: 1164: 1160: 1157: 1153: 1152: 1147: 1146: 1142: 1139: 1135: 1134: 1129: 1128: 1124: 1121: 1117: 1116: 1111: 1110: 1106: 1103: 1099: 1098: 1094: 1089: 1088: 1084: 1081: 1077: 1076: 1073: 1071: 1061: 1057: 1056:Key signature 1053: 1037: 1036: 1032: 1029: 1025: 1024: 1020: 1016: 1011: 1010: 1006: 1003: 999: 998: 985: 981: 980:gathered rest 976: 975: 971: 968: 964: 963: 959: 955: 950: 949: 945: 942: 938: 937: 931: 930: 926: 923: 918: 914: 913: 909: 903: 902: 898: 895: 890: 886: 885: 877: 873: 871: 870: 866: 863: 859: 858: 854: 850: 848: 847: 843: 840: 836: 835: 831: 827: 825: 824: 820: 817: 813: 812: 808: 804: 802: 801: 797: 794: 790: 789: 785: 781: 779: 778: 774: 771: 767: 766: 762: 758: 752: 751: 747: 744: 740: 739: 735: 731: 729: 728: 724: 721: 717: 716: 712: 708: 706: 705: 701: 698: 694: 693: 689: 685: 683: 682: 678: 675: 671: 670: 666: 662: 660: 659: 655: 652: 648: 647: 643: 639: 637: 636: 632: 629: 625: 624: 620: 616: 614: 613: 609: 606: 602: 601: 597: 594: 591: 590: 587: 585: 581: 575: 558: 557: 553: 550: 546: 545: 541: 535: 534: 530: 526: 522: 517: 511: 505: 504: 500: 496: 495: 491: 487: 486: 482: 478: 477: 473: 469: 468: 464: 458: 452: 448: 447: 443: 442:baritone clef 439: 434: 432: 428: 424: 421: 417: 416: 412: 406: 405: 400: 396: 395:classical era 390: 386: 382: 378: 374: 370: 366: 360: 358: 354: 350: 343: 337: 336: 332: 326: 324: 320: 316: 313: 309: 308: 305: 302: 296: 281: 277: 273: 269: 265: 261: 257: 252: 249: 246: 242: 241: 237: 233: 229: 225: 220: 217: 214: 210: 209: 204: 201: 198: 194: 193: 188: 185: 182: 178: 177: 173: 169: 164: 161: 158: 154: 153: 149: 145: 141: 136: 133: 130: 126: 125: 120: 119: 115: 112: 108: 107: 103: 97: 95: 91: 88: 84: 83: 75: 73: 69: 65: 61: 57: 56:musical notes 53: 49: 45: 41: 37: 33: 29: 19: 5120: 5002:Klavarskribo 4977:Figured bass 4851:Appoggiatura 4798:Articulation 4596:Abbreviation 4503: 4501: 4486: 4480: 4468:. Retrieved 4463: 4454: 4433: 4427: 4419: 4414: 4406: 4401: 4393: 4389: 4379: 4367: 4358: 4332: 4326: 4307: 4301: 4292: 4288: 4281:Requiem Mass 4280: 4275: 4264:. Retrieved 4257:the original 4252: 4216: 4191: 4157:Music theory 4121: 4108: 4049:Ant. (rare) 4008:Grand-Chœur 4002:Grand-Orgue 3918:Ped. or Pd. 3839: 3831: 3823: 3818: 3813: 3808: 3803: 3798: 3791: 3787: 3783: 3779: 3775: 3771: 3754: 3750: 3737: 3732: 3727: 3722: 3715: 3711: 3707: 3703: 3691: 3688: 3674: 3666: 3661: 3656: 3651: 3646: 3639: 3635: 3631: 3627: 3623: 3616: 3606: 3602: 3598: 3594: 3590: 3588: 3580: 3575: 3570: 3565: 3560: 3553: 3549: 3545: 3541: 3537: 3526:mano derecha 3378: 3374: 3370: 3366: 3361: 3348: 3344: 3340: 3335: 3316: 3300: 3281:Engage pedal 3280: 3250: 3087: 3072: 3051: 3015: 3011: 2975: 2971: 2956: 2951: 2945: 2925: 2905:Stopped note 2903: 2897: 2860: 2845: 2836:D.C. al coda 2835: 2832:D.S. al coda 2831: 2823: 2808: 2803: 2788: 2784: 2780: 2776: 2769: 2750: 2746: 2742: 2735: 2718: 2714: 2710: 2694:Simile marks 2693: 2677:Repeat signs 2675: 2654: 2650: 2646: 2642: 2638: 2637: 2629: 2625: 2610: 2606: 2591: 2588:Ottava bassa 2587: 2567: 2563: 2549:Octave signs 2534:crushed note 2533: 2523:Acciaccatura 2521: 2505:Appoggiatura 2503: 2488: 2484: 2477: 2450: 2426: 2397: 2333: 2314: 2297: 2279: 2259: 2242: 2236: 2228: 2209: 2203: 2184: 2163: 2155: 2151: 2146: 2140: 2139: 2134: 2128: 2127: 2120: 2119: 2112: 2111: 2108: 2099: 2085: 2080: 2066: 2061: 2045: 2024: 2007: 2006: 2000: 1984: 1968: 1953: 1949: 1944: 1929: 1924: 1908: 1892: 1875: 1874: 1868: 1854: 1831: 1814: 1804: 1797: 1778: 1759: 1753: 1738: 1734: 1706: 1682: 1650: 1638: 1618: 1607: 1601: 1577: 1564: 1548: 1544: 1540: 1531: 1516: 1508: 1503: 1482: 1471: 1451: 1440: 1425: 1395: 1368: 1350: 1341: 1324: 1308: 1304: 1286:(sesquiflat) 1283: 1261: 1257: 1230: 1218: 1214: 1213: 1206: 1202: 1201: 1177: 1163:Double sharp 1161: 1143: 1125: 1107: 1085: 1068: 1033: 1007: 983: 979: 972: 957: 946: 927: 901:Beamed notes 899: 867: 844: 821: 798: 775: 748: 725: 702: 679: 656: 633: 610: 580:musical note 577: 554: 516:Neutral clef 515: 456: 441: 437: 425: 372: 364: 347: 330: 317: 298: 271: 267: 250: 235: 218: 202: 186: 162: 134: 116: 92: 52:articulation 27: 26: 5088:Music stand 4962:Chord chart 4941:Scorewriter 4918:Sheet music 4716:Dotted note 4651:Repeat sign 4626:Ledger line 4535:Amy Appleby 4470:3 September 4376:Sarah Lyall 4081:Antifonaal 4046:Bom. or B. 3973:Sw. or Bw. 3970:Hw. or Ow. 3959:Antiphonal 3898:Antiphonal 3895:Orchestral 3866:Antiphonal 3863:Orchestral 3605:(ring) and 3499:mano destra 3472:main droite 3465:main gauche 3445:rechte Hand 3420:right hand 3401:Right hand 3247:Pedal marks 3232:auriculaire 3116:Portuguese 3052:Con sordino 3027:(such as a 2987:(such as a 2933:pizzicato. 2564:Ottava alta 2411:tremblement 2145:is called " 2133:is called " 2031:rinforzando 1988:Very loud. 1954:mezzo-forte 1945:Mezzo forte 1925:Mezzo piano 1896:Very soft. 1833:Arpeggiated 1735:phrase mark 1714:articulated 1566:Common time 1145:Double flat 1070:Accidentals 1009:Breath mark 929:Dotted note 457:Octave clef 389:double bass 331:treble clef 323:Treble clef 230:, and some 224:grand staff 174:signature. 148:grand staff 5146:Categories 5062:Shakuhachi 5037:Ekphonetic 5022:Simplified 4987:Lead sheet 4861:Grace note 4726:Note value 4721:Grace note 4689:Accidental 4266:2017-05-30 4183:References 4172:Shape note 4078:Bovenwerk 4063:Hoofdwerk 3962:Widerhall 3956:Orchester 3915:C. or Ch. 3678:See also: 3609:(little). 3601:(middle), 3438:linke Hand 3417:left hand 3398:Left hand 3354:soft pedal 3261:vibraphone 3217:c, x, e, q 3162:indicador 2046:Fortepiano 1985:Fortissimo 1893:Pianissimo 1761:Portamento 1603:Alla breve 1309:Half sharp 1227:Microtones 1015:aerophones 948:Ghost note 574:Note value 407:Tenor clef 393:Until the 373:tenor clef 5057:Swaralipi 5047:Kunkunshi 5007:Tablature 4972:Eye music 4856:Glissando 4831:Fingering 4616:Dal segno 4109:Brustwerk 4066:Zwelwerk 4017:Bombarde 3912:Sw. or S 3909:Gt. or G 3669:= little 3597:(index), 3583:= little 3367:tre corde 3341:una corda 3209:annulaire 3033:pickstyle 2993:pickstyle 2976:Sull'arco 2957:flageolet 2952:Open note 2869:catchword 2809:dal segno 2771:Dal segno 2485:gruppetto 2436:handbells 2372:bass drum 2311:Ornaments 2125:s. While 2062:Crescendo 1755:Glissando 1731:syllable. 1659:Metronome 1640:Metronome 1545:irregular 1305:Demisharp 1262:Half flat 556:Tablature 438:bass clef 431:Bass clef 365:alto clef 338:Alto clef 301:tessitura 5067:Znamenny 4908:Tonguing 4893:Staccato 4846:Ornament 4821:Dynamics 4773:Interval 4736:Notehead 4711:Cue note 4131:See also 4087:Rugwerk 4026:Positif 3965:Positiv 3904:Positiv 3877:English 3872:Positiv 3659:= middle 3573:= middle 3506:Spanish 3479:Italian 3406:English 3203:anularis 3139:polegar 3037:mandolin 3021:plectrum 3016:Giù arco 3012:Down bow 2997:mandolin 2981:plectrum 2368:triangle 2263:or Pause 2211:Spiccato 2186:Staccato 1845:Dynamics 1811:interval 1739:ligature 1608:cut time 1409:♭ 1403:♯ 1360:♭ 1258:Demiflat 1191:♭ 1185:♭ 1093:semitone 529:drum set 385:trombone 264:trumpets 260:clarinet 236:accolade 140:measures 48:dynamics 44:duration 5076:Related 5042:Gamelan 5032:Chinese 5012:Parsons 4883:Portato 4866:Mordent 4841:Marcato 4826:Fermata 4816:Damping 4811:Caesura 4768:Tremolo 4699:natural 4611:Da capo 4147:Cluster 4137:Singing 4072:Pedaal 4011:Pédale 3999:French 3950:Pedale 3938:German 3654:= index 3568:= index 3563:= thumb 3452:French 3425:German 3235:mínimo 3226:minimus 3223:mignolo 3220:meñique 3212:anular 3200:anulare 3127:pollice 3110:English 3104:Italian 3101:Spanish 3031:played 2991:played 2789:da capo 2785:al coda 2781:al fine 2751:al coda 2743:al fine 2737:Da capo 2574:higher. 2429:mordent 2406:tremolo 2364:timpani 2348:diddles 2335:Tremolo 2299:Marcato 2261:Fermata 2238:portato 2169:accents 1718:tongued 1655:Maelzel 1541:complex 1380:in the 1127:Natural 1035:Caesura 954:saltire 908:melisma 377:bassoon 282:part). 251:Bracket 32:symbols 4898:Tenuto 4836:Legato 4806:Accent 4763:Tuplet 4351: 4314: 4223: 4060:Dutch 4052:Écho. 4005:Recit 3991:Echo. 3985:Orch. 3930:Echo. 3924:Orch. 3889:Pedal 3886:Choir 3883:Swell 3880:Great 3857:Pedal 3854:Choir 3851:Swell 3848:Great 3664:= ring 3578:= ring 3356:down. 3288:down. 3265:chimes 3229:little 3195:anular 3185:médio 3179:middle 3150:indice 3147:índice 3130:pollex 3124:pulgar 3113:French 3098:Symbol 3084:Guitar 3029:guitar 2989:guitar 2972:Up bow 2931:Bartók 2865:symbol 2862:Direct 2572:octave 2427:Upper 2358:(or a 2350:, and 2281:Accent 2230:Tenuto 2137:" and 2100:Niente 1972:Loud. 1950:forte. 1912:Soft. 1816:triads 1780:Tuplet 1726:legato 1058:, and 993:Breaks 463:guitar 427:F clef 399:octave 387:, and 359:clefs) 349:C clef 319:G clef 272:single 262:; two 96:/stave 5052:Neume 4876:Trill 4871:Slide 4758:Tacet 4748:Pitch 4704:sharp 4656:Tempo 4641:Scale 4636:Ossia 4578:Staff 4260:(PDF) 4249:(PDF) 4122:recit 4117:Echo 4114:Ant. 4101:Ped. 4084:Echo 4075:Solo 4069:Koor 4055:Pos. 4043:Sol. 4037:G.C. 4031:G.O. 4023:Écho 4014:Solo 3994:Pos. 3988:Ant. 3982:Sol. 3979:Ped. 3953:Solo 3947:Chor 3933:Pos. 3927:Ant. 3901:Echo 3892:Solo 3869:Echo 3860:Solo 3836:Organ 3512:m.d. 3509:m.i. 3485:m.d. 3482:m.s. 3458:m.d. 3455:m.g. 3431:r.H. 3428:l.H. 3412:R.H. 3409:l.h. 3257:piano 3242:Piano 3176:media 3173:medio 3170:medio 3159:index 3156:index 3153:index 3136:pouce 3133:thumb 3107:Latin 3035:or a 2995:or a 2804:Segno 2777:segno 2717:, or 2655:bassa 2399:Trill 2352:drags 2117:s or 1969:Forte 1930:piano 1909:Piano 1835:chord 1806:dyads 1799:Chord 1647:tempo 1109:Sharp 1019:bowed 598:Rest 592:Note 381:cello 369:viola 357:Tenor 289:Clefs 276:piano 268:brace 256:flute 228:organ 219:Brace 94:Staff 78:Lines 64:metre 60:tempo 50:, or 40:pitch 4888:Slur 4753:Rest 4741:stem 4731:beam 4694:flat 4631:Mode 4606:Clef 4472:2015 4349:ISBN 4312:ISBN 4221:ISBN 4095:Zw. 4092:Hw. 3976:Ch. 3921:So. 3685:Harp 3379:3 C. 3375:T.C. 3362:T.C. 3349:1 C. 3345:U.C. 3336:U.C. 3263:and 3206:ring 3058:mute 3025:pick 2985:pick 2911:horn 2846:Fine 2828:sign 2825:Coda 2755:coda 2747:fine 2649:and 2641:and 2530:flam 2370:and 1708:Slur 1651:M.M. 1642:mark 1087:Flat 584:rest 582:and 355:and 353:Alto 295:Clef 280:harp 258:and 172:time 102:clef 68:form 4903:Tie 4601:Bar 4442:doi 4374:by 4341:doi 4098:K. 4034:R. 3377:or 3373:or 3369:or 3347:or 3343:or 3023:or 3014:or 2983:or 2974:or 2950:or 2902:or 2783:or 2342:In 2241:or 2208:or 2141:fff 2129:ppp 2012:s. 1880:s. 1684:Tie 1657:'s 1549:odd 1547:or 1524:or 1396:In 1196:key 982:or 278:or 168:key 54:of 34:in 5148:: 4591:15 4462:. 4440:. 4436:. 4378:, 4357:. 4347:. 4335:. 4251:. 4235:^ 4207:^ 4198:, 4124:) 4111:) 3790:, 3786:, 3782:, 3778:, 3774:, 3714:, 3710:, 3706:, 3638:, 3634:, 3630:, 3626:, 3552:, 3548:, 3544:, 3540:, 3267:. 3259:, 2811:. 2791:. 2757:. 2651:15 2643:15 2630:15 2611:15 2380:. 2033:. 1932:. 1819:. 1758:/ 1733:A 1606:/ 1589:. 1543:, 1307:/ 1260:/ 1095:. 1054:, 986:. 383:, 379:, 66:, 62:, 58:; 46:, 42:, 4586:8 4562:e 4555:t 4548:v 4474:. 4448:. 4444:: 4343:: 4320:. 4269:. 4229:. 3824:6 3819:5 3814:4 3809:3 3804:2 3799:1 3792:6 3788:5 3784:4 3780:3 3776:2 3772:1 3755:3 3751:4 3738:4 3733:3 3728:2 3723:1 3716:4 3712:3 3708:2 3704:1 3667:4 3662:3 3657:2 3652:1 3647:0 3640:4 3636:3 3632:2 3628:1 3624:0 3607:4 3603:3 3599:2 3595:1 3591:+ 3581:5 3576:4 3571:3 3566:2 3561:1 3554:5 3550:4 3546:3 3542:2 3538:1 3190:a 3167:m 3144:i 3121:p 2721:) 2713:( 2647:8 2639:8 2592:8 2568:8 2235:( 2121:f 2113:p 2008:f 1876:p 1619:2 1578:4 1532:8 1517:4 1483:8 1452:4 1182:B 958:x 433:) 429:( 351:( 325:) 321:( 170:/ 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

List of musical symbols

Index