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this same period, economic and political conflicts within Mexico and indeed much of
Central and South America were intensifying and this included increased repression of political dissidents. In 1929, Mella was assassinated while walking in the street with Modotti from the offices of Red Aid, a Comintern-attached organization that offered relief to and defended victims of political repression. Modotti was immediately arrested, but later released and cleared of his murder. Shortly thereafter, an attempt was made on the life of the Mexican President
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649:, or perhaps just in support of insurrection against injustice everywhere. She is shown gazing at her then lover Mella while Vidali peers over her shoulder. Modotti objected to Rivera's use of her private life in such a public manner. She wrote to Weston, "Recently Diego has taken to painting details with an exaggerated precision. He leaves nothing to the imagination." The central figure in this painting is Rivera's then-lover, the artist
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171:, Italy. Her mother, Assunta, was a seamstress; her father, Giuseppe, was a mason. After spending time living in Austria, where her parents were migrant workers, the family returned to Udine, where the young Modotti worked in a textile factory. In 1913, at the age of 16, she emigrated to the United States to join her father in San Francisco, California. Departing from Genoa aboard the
291:. In general, Weston was moved by the landscape and folk art of Mexico to create abstract works, while Modotti was more captivated by the people of Mexico and blended this human interest with a modernist aesthetic, all the while shunning the term 'artist', insisting she merely wanted to "capture social realities". Modotti also became the photographer of choice for the blossoming
414:. Modotti – who was a target of both the Mexican and Italian political police — was questioned about both crimes amidst a concerted anti-communist, anti-immigrant press campaign, that depicted "the fierce and bloody Tina Modotti" as the perpetrator (a Catholic zealot, Daniel Luis Flores, was later charged with shooting Ortiz Rubio. José Magriñat was arrested for Mella's murder).
666:, were deeply held. Later, she explained her decision to abandon photography for political work following her expulsion from Mexico thus (inverting an outlook stated to her years earlier by Edward Weston): "I cannot solve the problem of life by losing myself in the problem of art". Rivera's expulsion started him on a trajectory which was to lead to his later association with
267:. She sustained a second loss with the death of her father, which forced her to return to San Francisco later in March 1922. In 1923, Modotti returned to Mexico City with Weston and his son Chandler, leaving behind Weston's wife Flora and their youngest three children. She agreed to run Weston's studio free of charge in return for his mentoring her in photography.
147:. She left her native Italy in 1913 and emigrated to the United States, where she settled in San Francisco with her father and sister. In San Francisco, Modotti worked as a seamstress, model, and theater performer and, later, moved to Los Angeles where she worked in film. She later became a photographer and essayist. In 1922 she moved to
254:. It was through her relationship with Weston that Modotti developed as an important fine art photographer and documentarian. By 1921, Modotti was Weston's lover. Ricardo Gómez Robelo became the head of Mexico's Ministry of Education's Fine Arts Department, and persuaded Robo to come to Mexico with a promise of a job and a studio.
421:, followed by several years in Moscow. Traveling on a restricted visa that mandated her final destination as Italy, Modotti initially stopped in Berlin and from there visited Switzerland. The Italian government made concerted efforts to extradite her as a subversive national, but with the assistance of
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activists, she evaded detention by the fascist police. She apparently intended to make her way into Italy to join the anti-fascist resistance there. In response to the deteriorating political situation in
Germany and her own exhausted resources, however, she followed the advice of Vittorio Vidali and
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Modotti began a relationship with Xavier
Guerrero, who was a member of the Mexican Communist Party, in 1927. Guerrero was sent to Moscow for a year to take part in political party training, and by 1928 Modotti had met and begun a relationship with the exiled Cuban activist Julio Antonio Mella. During
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in Mexico City, is reputed to have been reintroduced to Rivera in 1928 at a party in
Modotti's home, although there are other versions of the tale of their meeting. Modotti hosted Kahlo and Rivera's wedding party on August 21, 1929. The final rift between Modotti on the one hand and Rivera and Kahlo
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was organized at the
Richard Norton Gallery. The State Museum and Exhibition Center ROSPHOTO in Saint Petersburg, Russia, organized an exhibition of Modotti's work entitled "Tina Modotti. Art. Love. Revolution" from 20 September 2019 to 18 November 2019. In Italy, Palazzo Ducale in Genoa organized
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named Ruby
Ritchie, the artist and poet assumed the more bohemian name Roubaix. In 1918, Modotti began a romantic relationship with him and moved with him to Los Angeles to pursue a career in the motion picture industry. Although the couple cohabited and lived as a "married couple", they were not
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in Mexico City. Modotti's visual vocabulary matured during this period, such as her formal experiments with architectural interiors, blooming flowers, urban landscapes, and especially in her many beautiful images of peasants and workers during the depression. In 1926, Modotti and Weston were
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on the other, less than a month later, appears to have been political rather than personal. Modotti supported Rivera's expulsion from the
Communist Party. Modotti's internationalism, and her belief that this was best advanced by adherence to the line of the Mexican Communist Party and the
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divided
Modotti's career as a photographer into two distinct categories: "Romantic" and "Revolutionary", with the former period including her time spent as Weston's darkroom assistant, office manager and, finally, creative partner. Her later works were the focus of her
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Robo left for Mexico in
December 1921. Perhaps unaware of his affair with Modotti, Robo took with him prints of Weston's, hoping to mount an exhibition of his and Weston's work in Mexico. While she was on her way to be with Robo, Modotti received word of his death from
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Starting in 1927, a much more politically active
Modotti (she joined the Mexican Communist Party that year) found her focus shifting and more of her work becoming politically motivated. Around that time her photographs began appearing in publications such as
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Together they opened a portrait studio in Mexico City. Modotti and Weston quickly gravitated toward the capital's bohemian scene and used their connections to create an expanding portrait business. Together they found a community of cultural and political
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As a young girl in Italy her uncle, Pietro Modotti, maintained a photography studio. Later in the U.S., her father briefly ran a similar studio in San Francisco. While in Los Angeles, she met the photographer Edward Weston and his creative partner
186:, where she "declared herself to be single, five feet one inch tall, in good mental and physical health, and a student." She carried with her "100 dollars and a train ticket for San Francisco, where her father and her sister Mercedes resided."
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in Vienna, Austria. It presented 250 photographs, many never shown before. The exhibition is based on the collections of Galerie Bilderwelt, Berlin and Spencer Throckmorton, NYC and curated by Reinhard Schultz. In 2015 the exhibition
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on February 9, 1922. Devastated, she arrived two days after his death. In March 1922, determined to see Robo's vision realized, she mounted a two-week exhibition of Robo's and Weston's work at the National Academy of Fine Arts in
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suggested that Vidali had orchestrated it. Modotti may have 'known too much' about Vidali's activities in Spain, which included a rumoured 400 executions. An autopsy showed that she died of natural causes, namely
316:. The relative contributions of Modotti and Weston to the project has been debated. Weston's son Brett, who accompanied the two on the project, indicated that the photographs were taken by Edward Weston.
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In 1926, Diego Rivera's wife Lupe Marín asserted that her separation from her husband was caused by his affair with Modotti, which had arisen from Modotti's nude modeling for him for the murals as
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This painting was part of the break between Modotti and Rivera caused by his expulsion from the Communist Party. The mural depicts Modotti passing out ammunition, perhaps for the revolution of
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Prior to the presentation of her work in the U.S., Modotti's photographs have been shown in Italy, Poland, Germany, Austria, and other countries. In 2010, the largest exhibition of her work,
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erupted in 1936, Vidali (then known as "Comandante Carlos") and Modotti (using the pseudonym "Maria") left Moscow for Spain, where they stayed and worked until 1939. She worked with Canadian
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1185:(in English and Spanish). Alejandro G. Nieto, Christina Carlos and Veronica Mercado. Chicago/Mexico City: Frida National Museum of Mexican Art/museo Mural Diego Rivera.
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organization. In November 1926, Weston left Mexico and returned to California. During this time Modotti met several political radicals and Communists, including three
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As a result of the anti-communist campaign by the Mexican government, Modotti was exiled from Mexico in 1930. She first spent several months in
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in 1937. In 1939, following the collapse of the Republican movement in Spain, Modotti left Spain with Vidali and returned to Mexico under a
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composed Modotti's epitaph, part of which can also be found on her tombstone, which also includes a relief portrait of Modotti by engraver
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Women Artists of Modern Mexico: Mujeres artistas en el México de la modernidad/Frida's Contemporaries: Las contemporáneas de Frida
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in Nicaragua, perhaps for the "invasion" of Cuba that Mella was planning at that time hoping to overthrow the regime of General
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1537:"Tina Modotti, photographer who intersected with artists and revolutionaries, honored with plaque outside onetime S.F. home"
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691:. Martha Chahroudi, the museum's curator of photography, organized the exhibition. To raise funds for the show, the singer
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moved to Moscow in 1931. After 1931, Modotti no longer photographed. Reports of later photographs are unsubstantiated.
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In 1942, at the age of 45, Modotti died from heart failure while on her way home in a taxi from a dinner at
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612:. Their affair lasted for about a year and he painted her five times in the Chapingo murals, including as
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circle of friends. One of these fellow bohemians was Ricardo Gómez Robelo. Another was the photographer,
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auctioned her 1963 Mercedes-Benz. Madonna has become a major collector of Modotti's work. In 2006, the
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in December 1929, which was advertised as "The First Revolutionary Photographic Exhibition In Mexico".
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married. She was listed as a U.S. citizen in the 1920 Los Angeles township census. Often playing the
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653:. Kahlo, who had first met Rivera as a schoolgirl in 1922 when he was painting his first mural
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900:(Channel 4 1992 Documentary) 52 minutes, directed by Ceri Higgins and produced by Helen Kelsey
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Patricia Albers, San Francisco State University: Tina Modotti and the Mexican Renaissance
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to travel around Mexico and take photographs for what would become her influential book
303:. Between 1924 and 1928, Modotti took hundreds of photographs of Rivera's murals at the
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1309:"A Newly Discovered Article by Tina Modotti, Published for the First Time in English"
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Attracted to the performing arts supported by the Italian émigré community in the
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the exhibition "Donne, Messico e Libertà" from 8 April 2022 to 9 October 2022.
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210:, Modotti experimented with acting. She appeared in several plays, operas, and
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NY: Dover Publications Inc. Mineola, 2002 photographs by Modotti and Weston.
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In 1917, she met Roubaix "Robo" de l'Abrie Richey. Originally a farm boy from
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788:. 2018 announcement by AG Studios, England to make a TV mini-series titled
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During the next few years she engaged in various missions on behalf of the
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1016:"How the work of radical photographer Tina Modotti stood the test of time"
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on June 24, she traveled alone, according to Letizia Argenteri, author of
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1981:. London: Merrill Publishers in association with Barbican Gallery, 2004.
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in the late 1910s and early 1920s, and also worked as an artist's model.
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organized a large-scale retrospective dedicated to the artist, entitled
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leaders who would all eventually become romantically linked with her:
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Mexico Through Foreign Eyes – Visto por ojos extranjeros 1850 – 1990
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Italian-born photographer and actress, active in the USA and Mexico
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Archery at the 1904 Summer Olympics – Men's double American round
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Margrethe Mather & Edward Weston – A Passionate Collaboration
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Tina Modotti's Vision: Photographic Modernism in Mexico 1923–1930
1141:, pp. 12-13. New Haven, Connecticut: Yale University Press, 2003.
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Idols Behind Altars – Modern Mexican Art and Its Cultural Roots,
1678:"Discover Art & Artists | The Art Institute of Chicago"
1597:, San Francisco Museum of Modern Art, Retrieved August 23, 2015.
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Modotti's work is held in the following permanent collections:
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1347:, The Metropolitan Museum of Art, Retrieved September 1, 2015.
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Modotti was born Assunta Adelaide Luigia Modotti Mondini in
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Tina Modotti in the collection of The Museum of Modern Art
792:, creatively helmed by Paula Alvarez Vaccaro and starring
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1652:"Tina Modotti. Donne, Messico, Libertà a Palazzo Ducale"
1578:, Philadelphia Museum of Art, Retrieved August 23, 2015.
1363:(PhD thesis). City University of New York. p. 143.
2083:, Berkeley, CA: University of California Press, 2000.
1335:, Richard Norton Gallery, Retrieved September 1, 2015.
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Tina Modotti with arms raised - Edward Weston, c. 1921
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at the National Agricultural School in Chapingo, near
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Roubaix de l'Abrie Richey (1918–1922, his death)
1999:, Albuquerque: University of New Mexico Press, 2000.
1741:"The Collection Online: Tina Modotti, Stairs, Mexico"
226:, Modotti's movie career culminated in the 1920 film
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Dreaming With His Eyes Open – A Life of Diego Rivera
1152:"Tina Modotti (The J. Paul Getty Museum Collection)"
2507:Sueño de una Tarde Dominical en la Alameda Central
1814:"Radical Eye: The Life and Times of Tina Modotti"
1656:Genova Palazzo Ducale – Fondazione per la cultura
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1979:Tina Modotti and Edward Weston: The Mexico Years
135:, August 16/17, 1896 – January 5, 1942) was an
1469:. New Haven and London: Yale University Press.
790:Radical Eye: The Life and Times of Tina Modotti
1865:Shadows, Fire, Snow – The Life of Tina Modotti
1607:"Tina Modotti. Photographer and Revolutionary"
1297:
1294:, Moderna Museet, Retrieved September 1, 2015.
1086:"Tina Modotti: An amazing life in photography"
701:Mexico as Muse: Tina Modotti and Edward Weston
495:Pure your gentle name, pure your fragile life,
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1616:, Kunst Haus Wien, Retrieved August 23, 2015.
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1967:, NY: Harry Abrams, Inc., Publishers, 1995.
1921:Tina Modotti, Photographer and Revolutionary
1447:Tina Modotti, Photographer and Revolutionary
1376:""Der Kuckuck", Sprachrohr des "Roten Wien""
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717:Tina Modotti: Photographs of Mexican Murals
500:bees, shadows, fire, snow, silence and foam,
2483:History of Morelos, Conquest and Revolution
2069:New York, NY: Harper Colophon Books, 1983.
2031:, Paris: Jean Michel Place Editions, 2000.
708:Tina Modotti Photographer and Revolutionary
559:. Unsourced material may be challenged and
521:Murals by Diego Rivera that include Modotti
151:, where she became an active member of the
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2250:
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1895:, New York, NY: St. Martin's Press, 1999.
1881:, New Haven: Yale University Press, 2003.
1879:Tina Modotti: Between Art & Revolution
1292:"Tina Modotti and the Mexican Renaissance"
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230:. She had minor parts in two other films.
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1997:Tina Modotti: Image, Texture, Photography
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1518:"The Abundant Earth, 1926 – Diego Rivera"
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1245:, The Getty, Retrieved September 1, 2015.
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579:Learn how and when to remove this message
2126:, San Francisco: Chronicle Books, 1998.
2029:Tina Modotti and the Mexican Renaissance
1843:, IMDB.com, Retrieved September 1, 2015.
1565:. Yale University Press. pp. 87–88.
1563:Tina Modotti: Between Art and Revolution
1467:Tina Modotti: Between Art and Revolution
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1228:Tina Modotti: Between Art and Revolution
1138:Tina Modotti: Between Art and Revolution
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945:Tina Modotti: Between Art and Revolution
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180:Tina Modotti: Between Art and Revolution
2823:Italian people of the Spanish Civil War
2098:, NY, NY: Robert Miller Gallery, 1997.
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478:. Her grave is located within the vast
133:Assunta Adelaide Luigia Modotti Mondini
62:Assunta Adelaide Luigia Modotti Mondini
14:
2888:20th-century Italian women politicians
2853:Italian emigrants to the United States
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1800:, Imdb.com, Retrieved August 24, 2015.
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2140:, NY, NY: WW Norton & Co., 2001.
1627:"Tina Modotti. Art. Love. Revolution"
1534:
1434:
1230:, Yale University Press, 2003, p. 29.
1207:"Biography | Tina Modotti Web Museum"
1112:"Tina Modotti | Italian photographer"
991:"Tina Modotti | Italian photographer"
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2818:Actresses from Friuli-Venezia Giulia
1803:
1414:
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1290:Albers, Patricia and Stourdze, Sam.
1034:
595:, The National Agricultural School,
557:adding citations to reliable sources
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2112:, NY, NY: WW Norton and Co., 1993.
2067:Frida – A Biography of Frida Kahlo,
1935:Tina Modotti, Master of Photography
1156:The J. Paul Getty Museum Collection
445:during the disastrous retreat from
355:, and the more radically motivated
24:
2803:20th-century Mexican women artists
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1729:San Francisco Museum of Modern Art
1109:
837:Tina Modotti by Jane Reece c. 1919
745:San Francisco Museum of Modern Art
697:San Francisco Museum of Modern Art
25:
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2833:Mexican people of Italian descent
2257:
2170:
2152:The Fabulous Life of Diego Rivera
1181:Arias-Jirasek, Rita, ed. (2008).
699:organized an exhibition entitled
657:in the Bolívar Auditorium of the
2878:20th-century women photographers
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2187:Sheroes of History; Tina Modotti
1923:, London: Harper Collins, 1993.
1243:"Edward Weston: Enduring Vision"
842:
830:
818:
806:
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505:combined with steel and wire and
397:retrospective exhibition at the
383:Austrian Social Democratic Party
189:
141:revolutionary political activist
139:photographer, model, actor, and
2182:Tina Modotti's ballad and video
2013:, Mexico: Ediciones Era, 1996.
1952:, London: Phaidon Press, 2006.
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1535:Bravo, Tony (August 23, 2021).
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1374:Anton Holzer (March 16, 2019).
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1084:Saunders, Anna (July 4, 2013).
634:Secretaría de Educación Pública
375:. From 1929 she contributed to
305:Secretariat of Public Education
2868:20th-century Italian actresses
2858:Women in the Spanish Civil War
2274:Steel: Armco, Middletown, Ohio
1702:"The Collection: Tina Modotti"
1415:Dyer, Geoff (April 29, 2004).
1307:Modotti, Tina (January 2022).
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679:Select photography exhibitions
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2863:Italian silent film actresses
2094:Miller, Throckmorton, et al.
1907:Tina Modotti – A Fragile Life
1357:Lowe, Sarah Margaret (1996).
904:
852:, photograph by Modotti, 1929
366:Arbeiter-Illustrierte-Zeitung
158:
48:Tina Modotti photographed by
2211:2010 Kunst Haus Wien Exhibit
1763:, Retrieved August 23, 2015.
1747:, Retrieved August 23, 2015.
1731:, Retrieved August 23, 2015.
1708:, Retrieved August 23, 2015.
1682:The Art Institute of Chicago
1487:Tina Modotti: A Fragile Life
1417:"Once upon a time in Mexico"
943:Argentieri, Letizia (2003).
431:Workers International Relief
7:
2893:Mexican women photographers
2808:Italian women photographers
2330:Nude (Charis, Santa Monica)
1723:September 24, 2015, at the
1576:"Tina Modotti: Photographs"
1561:Argenteri, Letizia (2003).
659:National Preparatory School
636:Building, Mexico City, 1928
510:pollen to make up your firm
295:, documenting the works of
10:
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2873:20th-century photographers
2843:People of Friulian descent
2096:Tina Modotti – Photographs
1761:Philadelphia Museum of Art
1745:Metropolitan Museum of Art
1593:September 5, 2015, at the
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757:Philadelphia Museum of Art
751:Metropolitan Museum of Art
685:Philadelphia Museum of Art
437:agent in Europe. When the
233:The couple entered into a
2762:(model and sister-in-law)
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1965:Tina Modotti; Photographs
1909:, Chronicle Books, 1993.
1867:, Clarkson Potter, 1999.
1774:"Telephone Wires, Mexico"
1449:. London: Pandora, 1993.
882:, 1921) as "Tina Medotti"
813:Modotti by Weston in 1921
774:Modotti was portrayed by
689:Tina Modotti: Photographs
198:Tina Modotti in the film
113:
105:
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83:January 5, 1942 (aged 45)
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57:
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34:
2602:Museo Mural Diego Rivera
2091:(refers to 1998 edition)
2027:, Karen Cordero Reiman,
1706:The Museum of Modern Art
739:The Museum of Modern Art
733:Art Institute of Chicago
476:congestive heart failure
456:
319:In 1925, Modotti joined
182:, arriving on July 8 at
2848:Mexican artists' models
2626:Frieda and Diego Rivera
2607:Pinacoteca Diego Rivera
2526:Detroit Industry Murals
763:Baltimore Museum of Art
664:Communist International
381:, a publication of the
329:Mexican Communist Party
153:Mexican Communist Party
2108:Naggar & Ritchin,
1937:, NY: Aperture, 1999.
1905:Constantine, Mildred,
1856:Biographies of Modotti
1718:"SFMOMA: Tina Modotti"
1612:March 4, 2016, at the
1489:by Mildred Constantine
1465:Argenteri, L. (2003).
1266:Richard Norton Gallery
850:Woman from Tehuantepec
784:, about fellow artist
361:German Communist Party
293:Mexican mural movement
208:San Francisco Bay Area
203:
2883:Italian photographers
2838:Mexican photographers
2534:Man at the Crossroads
2491:The History of Mexico
2136:Warren, Beth Gates,
2023:Stourdze, Sam (ed.),
1778:collection.artbma.org
949:Yale University Press
482:in Mexico City. Poet
423:International Red Aid
388:Mexican photographer
321:International Red Aid
197:
2772:Diego Rivera Gallery
2597:Museo Dolores Olmedo
2201:George Eastman House
1893:Tina Modotti; A Life
1345:"After Diego Rivera"
1135:Argenteri, Letizia.
977:Museum of Modern Art
880:Fox Film Corporation
672:Fourth International
553:improve this section
390:Manuel Álvarez Bravo
297:José Clemente Orozco
2150:Wolfe, Bertram D.
2122:Rochfort, Desmond,
2009:Poniatowska, Elena,
1877:Argenteri, Letizia.
1226:Letizia Argenteri,
747:, San Francisco, CA
515:and delicate being.
433:organizations as a
412:Pascual Ortiz Rubio
405:Life as an activist
337:Julio Antonio Mella
314:Idols Behind Altars
2828:Mexican communists
2744:(conjugal partner)
2592:Frida Kahlo Museum
2587:Anahuacalli Museum
2499:Pan American Unity
2206:Tina Modotti Books
2158:Publishers, 1963.
2079:Marnham, Patrick,
1863:Albers, Patricia,
1110:Albers, Patricia.
995:www.britannica.com
770:In popular culture
759:, Philadelphia, PA
614:The Earth Enslaved
606:the Abundant Earth
593:The Abundant Earth
480:Panteón de Dolores
443:Dr. Norman Bethune
275:", which included
245:Photography career
204:
65:August 16/17, 1896
2813:People from Udine
2780:
2779:
2754:Ruth Rivera Marín
2425:
2424:
2124:Mexican Muralists
2065:Herrera, Hayden,
1987:978-1-85894-245-2
1963:Lowe, Sarah, M.,
1475:978-0-300-09853-2
1445:Hooks, Margaret.
1192:978-1-889410-05-0
975:. New York City:
958:978-0-300-09853-2
947:. New Haven, CT:
876:Riding With Death
778:in the 2002 film
589:
588:
581:
439:Spanish Civil War
126:
125:
122:(1921–1927)
16:(Redirected from
2900:
2724:Angelina Beloff
2682:Cradle Will Rock
2658:Frida Still Life
2650:The Love Embrace
2569:Glorious Victory
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2374:Margrethe Mather
2252:
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1977:Lowe, Sarah M.,
1948:Hooks, Margaret,
1933:Hooks, Margaret,
1919:Hooks, Margaret,
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399:National Library
349:Mexican Folkways
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200:The Tiger's Coat
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2050:Brenner, Anita,
2025:Patricia Albers
1891:Cacucci, Pino,
1853:
1851:Further reading
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2379:Tina Modotti
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2192:Tina Modotti
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2010:
1996:
1978:
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1950:Tina Modotti
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2798:1942 deaths
2793:1896 births
2736:Frida Kahlo
2709:(2024 film)
2693:(2002 film)
2685:(1999 film)
2677:(1993 book)
2661:(1983 film)
2642:Diego and I
2529:(1932–1933)
2510:(1946–1947)
2494:(1929–1935)
2486:(1929–1930)
2353:Cole Weston
2266:Photographs
1522:WikiArt.org
858:Filmography
786:Frida Kahlo
776:Ashley Judd
724:Collections
651:Frida Kahlo
618:Germination
467:Mexico City
465:'s home in
378:Der Kuckuck
369:(AIZ), and
277:Frida Kahlo
265:Mexico City
109:Photography
98:Nationality
87:Mexico City
2787:Categories
2756:(daughter)
2750:(daughter)
2738:(3rd wife)
2732:(2nd wife)
2726:(1st wife)
2618:depictions
2553:The Rivals
2358:Kim Weston
2306:Two Shells
2154:, NY, NY:
1991:1858942454
1636:October 6,
1546:August 15,
1212:August 15,
1161:August 15,
1116:Britannica
1026:August 15,
1000:August 15,
928:August 15,
905:References
753:, New York
741:, New York
372:New Masses
357:El Machete
281:Lupe Marín
159:Early life
114:Partner(s)
2224:(lecture)
1662:August 2,
1271:March 23,
1049:The Getty
540:does not
451:pseudonym
435:Comintern
395:one-woman
325:Communist
145:Comintern
2616:Cultural
2518:Frescoes
2298:Nautilus
2290:Nude (2)
2011:Tinísima
1818:IMDb.com
1721:Archived
1631:Rosphoto
1610:Archived
1591:Archived
1541:Datebook
1426:April 5,
1121:April 6,
1095:April 5,
1054:April 5,
670:and the
597:Chapingo
260:smallpox
235:bohemian
143:for the
101:Italian,
2768:(model)
2717:Related
2580:Museums
2398:Related
2222:YouTube
1387:July 6,
894:, 1922)
872:, 1920)
800:Gallery
693:Madonna
610:Texcoco
561:removed
546:sources
52:in 1921
18:Modotti
2572:(1954)
2564:(1932)
2561:Zapata
2556:(1931)
2502:(1940)
2475:Murals
2405:Group
2367:Models
2341:Family
2333:(1936)
2325:(1931)
2317:(1930)
2309:(1927)
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2293:(1925)
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2277:(1922)
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599:, 1926
447:Málaga
419:Berlin
359:, the
339:, and
287:, and
219:Oregon
202:(1920)
175:Moltke
169:Friuli
149:Mexico
131:(born
91:Mexico
2706:Frida
2690:Frida
2666:Frida
2043:Other
1262:(PDF)
781:Frida
457:Death
353:Forma
165:Udine
69:Udine
2282:Nude
2196:IMDb
2160:ISBN
2142:ISBN
2128:ISBN
2114:ISBN
2100:ISBN
2085:ISBN
2071:ISBN
2056:ISBN
2033:ISBN
2015:ISBN
2001:ISBN
1983:ISBN
1969:ISBN
1954:ISBN
1939:ISBN
1925:ISBN
1911:ISBN
1897:ISBN
1883:ISBN
1869:ISBN
1825:2018
1785:2023
1689:2022
1664:2022
1638:2020
1548:2022
1504:IMDb
1471:ISBN
1451:ISBN
1428:2022
1389:2023
1320:2022
1273:2015
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1187:ISBN
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