30:
4272:
2341:
4282:
963:, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:
851:
Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann
Sebastian Bach) it indicates the date of
2569:
Most recordings of the Bach motets have been made since the Second World War. The
Thomanerchor, for example, recorded a set in the 1950s. However, there were several pre-War recordings of the motets. The first recording of a Bach motet was a 1927 version of
927:(BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the
408:. Traditionally, scholars believed that Bach composed it in Leipzig in 1726, while more recent scholarship suggests for stylistic reasons that it was composed during Bach's Weimar period. It has been compared to another motet for double choir,
3268:
Melamed, Daniel R. âThe
Authorship of the Motet âIch Lasse Dich Nichtâ (BWV Anh. 159).â Journal of the American Musicological Society, vol. 41, no. 3, 1988, pp. 491â526. JSTOR, www.jstor.org/stable/831462. Accessed 30 Mar. 2020 (subscription
2577:
A single CD can contain the set of six motets (BWV 225â230) plus other works. One of the decisions which needs to be made is which motets to include. Another decision is how many voices to use per part. The motets have been recorded with
251:. In the early 19th century, six motets (BWV 225, 228, Anh. 159, 229, 227, 226) were among Bach's first printed music, after the second half of the 18th century when the only vocal music by Bach that was printed were collections of
227:. Several of the motets were written for funerals. There is some uncertainty as to the extent that motets would have been called for in normal church servicesâthere is evidence that the form was considered archaic. The text of
1805:
1755:
1107:
1810:
952:
3935:
2057:
2052:
136:
2306:
2301:
2254:
2249:
1764:
1759:
168:
1692:
1687:
355:
for five vocal parts. It has been suggested that it was composed in 1723 for the funeral of
Johanna Maria KĂ€sin, the wife of the Leipzig postmaster. It takes its title from the hymn "
188:
composed, because some have been lost, and there are some doubtful attributions among the surviving ones associated with him. There is a case for regarding the six motets catalogued
2462:, a pupil of Bach. The interest in Bach motets was sufficient for six of them to be printed for the first time in 1802/1803. They appeared in two volumes from the Leipzig publisher
2170:
2165:
3951:
3857:
3830:
1007:
981:
131:
111:
91:
4285:
161:
1111:
1994:
1958:
1920:
2358:
654:
238:
suggested that the choral writing would have been useful for training Bach's young singers, and
Christoph Wolff has argued that this could apply in particular to
4311:
3836:
991:
252:
154:
96:
1989:
1953:
1915:
1873:
1868:
317:(The Spirit gives aid to our weakness), BWV 226, a motet in B-flat major scored for two four-part choirs, was performed in Leipzig in 1729 for the funeral of
4230:
3864:
1013:
116:
3199:
2118:
2113:
1102:), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g.,
3850:
1001:
106:
2405:
3871:
1019:
975:
234:(whether or not the piece is attributable to Bach) suggests a performance at Christmas. Another possible use is a pedagogical one. Bach's biographer
121:
79:
2377:
3946:
3843:
995:
101:
4224:
3786:
614:. All that is certain regarding Bach's participation in the work is that its second movement derives from the second movement of Bach's cantata
3657:
2384:
312:
3537:
3207:
3941:
3803:
53:
3878:
3755:
3713:
2564:
515:
126:
3222:
451:. Although some scholars have expressed doubts about the attribution to Bach, the work is generally regarded as a surviving motet by Bach.
2391:
1568:
701:
668:
228:
2744:
3706:
483:
3983:
3541:
3226:
3211:
1606:
2373:
247:
Bach's motets are his only vocal works that stayed in the canon without interruption between his death in 1750 and the 19th-century
4306:
3649:
3473:
687:
266:
239:
36:
3923:
1025:
3697:
463:
4155:
3689:
3621:
434:
193:
3993:
3742:
1103:
597:
471:
3203:
585:
3779:
1559:
extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
476:, presented as a separate motet. Whether Bach extracted this motet (which is based on the second movement of the cantata
3568:"Zur Schichtschen Typendruck-Ausgabe der Motetten Johann Sebastian Bachs und zu ihrer Stellung in der WerkĂŒberlieferung"
4245:
3733:
1567:
extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (
674:
535:
409:
199:
2919:
499:
4235:
4073:
3590:
3417:
3382:
2832:
2705:
2424:
2398:
603:
577:
336:
3725:
3231:
2897:
4147:
3905:
1584:
640:
448:
564:
III (spurious works) to BWV Anh. II (doubtful works) in BWV. The final chorale of the motet is an adaptation of
326:
4275:
3772:
3494:
3398:
2466:. The editor is not credited on the title page; however, it has been suggested that the person responsible was
2362:
694:
288:
3673:
2769:
387:
4078:
3916:
17:
3506:
3178:
3132:
3079:
3033:
2990:
2968:
2946:
2882:
2860:
2795:
2642:
2322:
2270:
2218:
2181:
2129:
2077:
2011:
1973:
1937:
1897:
1827:
1784:
1720:
3665:
3461:
3435:
2716:
346:
3256:
636:
4199:
2442:
1592:
681:
3573:
Musikalische
Quellen, Quellen zur Musikgeschichte: Festschrift fĂŒr Martin Staehelin zum 65. Geburtstag
3153:
3107:
3100:
3054:
3681:
3614:
2520:
1580:
1108:
List of chorale harmonisations by Johann
Sebastian Bach#Chorale harmonisations in various collections
420:
568:, but that may also be a later addition to the motet. It draws its text from a verse taken from the
523:. The arrangement is possibly Bach's, and it is possible Bach used it as a separate (funeral) motet.
3546:
2467:
1610:
870:, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
3374:
2463:
4083:
3563:
3502:
2552:
2351:
1743:
1576:
766:
318:
210:
3557:
2664:
480:) from the three-movement motet or the cantata, and/or used it as a separate motet is not known.
4048:
4018:
3812:
3362:
Bach Werke
Verzeichnis: Kleine Ausgabe â Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
3360:
2701:
2459:
742:
611:
235:
189:
65:
4189:
3567:
2907:
2612:
4184:
4134:
3820:
3795:
3636:
2782:
2751:
1891:
1774:
1588:
1505:
971:
553:
364:
322:
206:
185:
75:
71:
4063:
3607:
2632:
Johann
Sebastian Bach: His Work and Influence on the Music of Germany, 1685â1750 (Volume 2)
2591:
1062:"by" â indicating the composer of the composition (if different from Johann Sebastian Bach)
708:
664:
8:
4168:
4162:
4098:
4033:
3309:
3291:
2630:
1572:
1514:
1459:
1365:
632:
468:, originally BWV 231, later renumbered to BWV 28/2a, is the second movement of the motet
363:
on which it is based. The stanzas of the chorale are interspersed with passages from the
209:, appears to be at least partly by J.S. Bach, and if so was probably composed during his
4023:
2709:
2583:
4058:
4008:
3488:
3392:
3327:
2579:
356:
4194:
2824:
2818:
2548:
4125:
3586:
3578:
3550:
3413:
3378:
2828:
2676:
2657:
1375:
1191:
921:
644:
573:
2535:(the second edition of the composer's complete works) came out in 1965. It includes
3957:
3465:
3011:
2532:
1883:
1501:
1341:
1091:
1029:
947:
832:
506:
29:
3599:
2539:(which had been included among the cantatas in the Bach-Gesellschaft-Ausgabe) and
2524:
368:
4250:
4088:
3910:
3571:
3407:
2636:
1528:
1393:
1389:
1385:
1355:
1337:
956:
852:
that person's involvement with the composition as composer, scribe or publisher.
589:
569:
3447:
192:
225â230 as being authenticated, although there is some doubt about one of them,
4068:
4043:
3443:
2626:
2587:
2067:
1706:
1519:
1488:
1448:
1360:
510:
401:
300:
4013:
3439:
3356:
4300:
4255:
4215:
4028:
4003:
3582:
3457:
2071:
2006:
1968:
1932:
1887:
1822:
1778:
1296:
1087:
520:
405:
372:
360:
330:
3367:
Bach Works
Catalogue: Small Edition â After Wolfgang Schmieder's 2nd edition
4141:
4118:
4093:
4053:
4038:
3900:
3514:
2544:
2455:
2446:
2124:
1333:
1319:
1219:
1126:
1033:
967:
793:
621:
272:
248:
1345:
556:, appears to be one of Bach's earlier works, possibly composed during his
3978:
3431:
3427:
2680:
2667:. 1802 (Vol. 1: BWV 225, 228, Anh. 159); 1803 (Vol.2: BWV 229, 227, 226).
2312:
2260:
2158:
2106:
2063:
2045:
2002:
1964:
1928:
1879:
1861:
1818:
1770:
1698:
1680:
1478:
1454:
1225:
884:
786:
549:
397:
396:
for a funeral, set for double chorus and unspecified instruments playing
3764:
3560:. 1802 (Vol. 1: BWV 225, 228, Anh. 159); 1803 (Vol.2: BWV 229, 227, 226)
4220:
3929:
3469:
2365: in this section. Unsourced material may be challenged and removed.
1484:
1463:
1327:
1306:
1229:
1095:
779:
775:
429:
composed in Leipzig, which received its first performance by 1731â1732.
1605:
extant or clearly documented manuscript (copy) by close friend and/or
3478:
2586:. Most recordings deploy more than one singer per part; for example,
2523:, the first edition of the composer's complete works. The editor was
2213:
2176:
1714:
1710:
1702:
1071:
607:
489:: originally listed as a cantata, in BWV listed as a (funeral) motet.
444:
304:
296:
284:
3012:
Georg Gottfried Wagner: Motet Lob und Ehre und Weisheit, BWV Anh 162
2340:
1794:
chorale setting "Komm, Heiliger Geist, Herre Gott" (s. 3)
1112:
List of organ compositions by Johann Sebastian Bach#Chorale Preludes
4240:
3884:
2470:, who was active in the city as a choral and orchestral conductor.
1370:
1315:
561:
141:
825:
Chapters of the main catalogue indicated by Arabic numerals (1-13)
552:. The motet, which was formerly attributed to Bach's older cousin
2316:
2286:
2264:
2234:
2196:
2155:
2145:
2093:
2032:
1848:
1736:
1667:
1533:
1473:
1380:
1323:
1302:
1286:
1200:
867:
866:
Name of the composition: if the composition is known by a German
628:
565:
541:
440:
426:
393:
367:. The chorale melody on which several movements are based was by
352:
280:
224:
216:
2042:
1677:
3016:
2103:
1858:
1524:
615:
557:
477:
220:
4281:
2449:
after Bach's death. It is documented that the choir performed
3370:
2297:
1510:
1497:
1311:
1209:
1099:
1065:"in" â indicating the oldest known source for the composition
804:
182:
3183:
3161:
3137:
3115:
3084:
3062:
3038:
2995:
2973:
2951:
2927:
2887:
2865:
2841:
2800:
1079:"see" â composition renumbered in a later edition of the BWV
223:, between 1708 and 1717, the others having been composed in
3831:
Masses, Mass movements, Magnificats, Passions and Oratorios
2721:
1469:
1350:
1292:
1182:
1142:
1076:" â indicating a composition with parts of different origin
800:
581:
560:
period around 1712. Consequently, the motet was moved from
545:
292:
276:
2685:
2453:
for Mozart in 1789. The director on this occasion was the
2445:, appears to have kept the motets in the repertory of its
1909:
chorale setting "Jesu, meine Freude" (ss. 1, 6)
1751:
610:
motet for SATBâSATB attributed to, among others, Bach and
439:(Praise the Lord, all ye heathen), BWV 230, is a motet in
1222:
for unspecified voices or instruments as in some canons)
3738:(BWV Anh. 159, also attributed to Johann Christoph Bach)
271:(Sing unto the Lord a new song), BWV 225, is a motet in
3369:] (in German). Kirsten BeiĂwenger (collaborator). (
2715:
New York: Harcourt, Brace and Howe; London: Constable,
1135:
219:
is another motet which appears to have been written at
205:, which was formerly attributed to Bach's older cousin
3992:
3248:
3246:
3244:
3242:
3240:
3238:
3236:
3234:
1983:
chorale setting "Jesu, meine Freude" (s. 4)
1947:
chorale setting "Jesu, meine Freude" (s. 2)
1839:
631:
for SATB, strings(?) and continuo, by Graun (possibly
540:(I will not let you go ), BWV Anh. 159, is a motet in
2823:. Oxford, England: Oxford University Press. pp.
2774:
2772:
902:
400:. The work in two movements draws its text from the
3629:
2245:
1836:
1729:
2551:, and again in 2003, seven compositions edited by
693:, for SATB, after movements 2, 4 and 6 of cantata
443:scored for four voices, which draws its text from
287::1â3 for its first movement, the third stanza of "
3272:
2519:In 1892 the motets were published as part of the
828:Anh. sections indicated by Roman numerals (IâIII)
822:Section in which the composition appears in BWV:
4298:
2742:
1086:Provenance of standard texts and tunes, such as
1059:"after" â indicating a model for the composition
905:below for the abbreviations used in this column
771:(Annex; Anh.) numbers are indicated as follows:
4312:Lists of compositions by Johann Sebastian Bach
3302:
3284:
2711:Johann Sebastian Bach: His Life, Art, and Work
1104:Chorale cantata (Bach)#Bach's chorale cantatas
647:in a three-movement Christmas motet pasticcio.
3780:
3615:
3355:
2933:
2847:
2727:
2300:
1993:
1957:
1919:
1809:
1136:Legend for abbreviations in "Scoring" column
1069:
162:
4153:
4132:
4123:
2913:
2565:Motets by Johann Sebastian Bach, discography
2330:
928:
919:
764:
740:
595:
533:
469:
461:
432:
425:(Come, Jesus, come), BWV 229, is a motet in
418:
385:
344:
334:
310:
264:
34:
3507:"Johann Sebastian Bach / Motetten / Motets"
2616:, p. 249 (W. W. Norton & Company 2001).
2613:Johann Sebastian Bach: The Learned Musician
2305:
2253:
2248:
2169:
2164:
2117:
2112:
2056:
2051:
1988:
1952:
1914:
1872:
1867:
1804:
1763:
1754:
1691:
1686:
748:
717:
709:Motets listed in the second chapter of the
548:âSATB) and unspecified instruments playing
3787:
3773:
3730:(BWV 1149, arrangement attributed to Bach)
3622:
3608:
2738:
2736:
2527:, who did not accept Bach's authorship of
2282:
2230:
2141:
2089:
2023:
1661:
624:KĂŒndlich groĂ ist das gottselige Geheimnis
455:
169:
155:
3794:
3542:International Music Score Library Project
3227:International Music Score Library Project
3212:International Music Score Library Project
2425:Learn how and when to remove this message
2374:"List of motets by Johann Sebastian Bach"
580:), combined with the third stanza of the
3216:
3193:
2276:
2224:
2187:
2135:
2083:
2017:
1979:
1943:
1903:
1833:
1790:
1726:
1655:
351:(Jesus, my joy), BWV 227, is a motet in
28:
3710:(BWV 118, formerly listed as a cantata)
3405:
3252:
3171:
3125:
3072:
3026:
2983:
2961:
2939:
2903:
2875:
2853:
2778:
2733:
2279:
2227:
2190:
2138:
2086:
2020:
1658:
1451:: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu
14:
4299:
3426:
3210:: documentation and facsimiles at the
2788:
2625:
1494:strings: Vl I, Vl II and Va
1082:"text" â by text author, or, in source
974:grouped by occasion; Vol. 35â40:
392:(Do not fear), BWV 228, is a motet in
137:Printed during the composer's lifetime
4156:Internationale Bachakademie Stuttgart
3768:
3659:Der Geist hilft unser Schwachheit auf
3603:
3552:Joh. Seb. Bach's Motetten in Partitur
3359:; Kobayashi, Yoshitake, eds. (1998).
2820:Oxford Composer Companions: J.S. Bach
2659:Joh. Seb. Bach's Motetten in Partitur
2513:Der Geist hilft unser Schwachheit auf
1739:Der Geist hilft unser Schwachheit auf
661:Merk auf, mein Herz, und sieh dorthin
313:Der Geist hilft unser Schwachheit auf
3924:Performance practice of Bach's music
3585:. Vandenhoeck & Ruprecht. 2002.
3501:
3278:
2816:
2652:
2650:
2363:adding citations to reliable sources
2334:
4236:Bach Prize (Royal Academy of Music)
3460:(in German). Vol. 48. Berlin:
3320:
799:preceded by N: new Anh. numbers in
527:
24:
3464:(published 1962). pp. 35â51.
3432:"Eine Pergolesi-Bearbeitung Bachs"
2656:Johann Gottfried Schicht, editor.
2594:use a chorus of eighteen singers.
1620:Motets listed in Chapter 2 of BWV
663:, BWV Anh. 163, for SATBâSATB, by
653:, BWV Anh. 162, for SATBâSATB, by
651:Lob und Ehre und Weisheit und Dank
25:
4323:
3707:O Jesu Christ, meins Lebens Licht
3531:
2647:
2289:O Jesu Christ, meins Lebens Licht
2237:O Jesu Christ, meins Lebens Licht
1613:, ...), or distant family member
1039:Addenda (approximately 7 volumes)
831:Reconstructions published in the
586:Warum betrĂŒbst du dich, mein Herz
485:O Jesu Christ, meins Lebens Licht
275:scored for two four-part choirs (
4280:
4271:
4270:
3387:. Preface in English and German.
2537:O Jesu Christ, mein Lebens Licht
2339:
337:Komm, Heiliger Geist, Herre Gott
307::2 and 6 for its third movement.
4307:Motets by Johann Sebastian Bach
4148:Johann Sebastian Bach Institute
3651:Singet dem Herrn ein neues Lied
3262:
3147:
3094:
3048:
3005:
2810:
2543:. The motets were published by
2478:Singet dem Herrn ein neues Lied
2437:
2350:needs additional citations for
1670:Singet dem Herrn ein neues Lied
1542:
1289:(can be part of Bc, see below)
1094:, Latin liturgical texts (e.g.
782:(1950 first edition of the BWV)
303:) for the second movement, and
279:) which was first performed in
267:Singet dem Herrn ein neues Lied
241:Singet dem Herrn ein neues Lied
37:Singet dem Herrn ein neues Lied
3936:Printed during Bach's lifetime
3722:according to Bach's autograph)
3538:Motets by Johan Sebastian Bach
3412:. Cambridge University Press.
3409:J.S. Bach and the German Motet
3310:"Motets / Recordings â Part 1"
3292:"Motets / Recordings â Part 2"
2695:
2670:
2619:
2604:
371:(1653). The German text is by
289:Nun lob, mein Seel, den Herren
258:
112:Keyboard and lute compositions
92:Masses, Passions and Oratorios
33:Bach's autograph of the motet
13:
1:
3715:Tilge, Höchster, meine SĂŒnden
3702:(BWV 28/2a, formerly BWV 231)
2597:
2558:
2024:
1840:
1609:(Kellner, Krebs, Kirnberger,
1487:(/man. = manualiter, without
519:which was likely composed by
505:, a chorale from a pasticcio
376:
333:'s third stanza to the hymn "
321:. The text is taken from the
283:around 1727. This motet uses
230:Jauchzet dem Herrn, alle Welt
3743:Jauchzet dem Herrn alle Welt
3718:(BWV 1083, after Pergolesi:
3691:Lobet den Herrn, alle Heiden
2298:SATB 2Ob Tai Bas 2Hn Str Bc
2148:Lobet den Herrn, alle Heiden
2070:41: 10 (/1), 43: 1 (/2), by
1119:
1046:
937:
909:
891:
874:
856:
841:
813:
730:
598:Jauchzet dem Herrn alle Welt
472:Jauchzet dem Herrn alle Welt
435:Lobet den Herrn, alle Heiden
415:, which is possibly by Bach.
195:Lobet den Herrn, alle Heiden
7:
3699:Sei Lob und Preis mit Ehren
3577:Edited by JĂŒrgen Heidrich,
3462:Evangelische Verlagsanstalt
3406:Melamed, Daniel R. (1995).
2921:Instrumental and Supplement
2531:. The motet volume of the
982:Masses, Passions, Oratorios
493:
464:Sei Lob und Preis mit Ehren
142:Lost, doubtful and spurious
10:
4328:
4200:St. Thomas Church, Leipzig
3917:Bach's choir and orchestra
3493:: CS1 maint: postscript (
3397:: CS1 maint: postscript (
3349:
2562:
2443:St. Thomas School, Leipzig
1400:
1235:
1140:
689:Unser Wandel ist im Himmel
682:Johann Christoph Altnickol
606:8:10) is a three-movement
544:scored for double chorus (
4266:
4208:
4177:
4111:
3971:
3893:
3811:
3802:
3753:
3746:(BWV Anh. 160 = TWV 8:10)
3645:
3200:Bach-Gesellschaft Ausgabe
2934:DĂŒrr & Kobayashi 1998
2848:DĂŒrr & Kobayashi 1998
2728:DĂŒrr & Kobayashi 1998
2521:Bach-Gesellschaft-Ausgabe
2331:Publication and recording
1894:8: 1â2, 9â11 (even mvts)
1855:
1752:2SATB Str Vc 2Ob Tai Bas
1732:
1650:
1647:
1644:
1641:
1638:
1635:
1632:
1629:
1627:
1624:
1618:
1447:
1409:
1224:
1217:
1176:
1173:
1098:) and common tunes (e.g.
933:(Preface) of the volume.
722:
335:
181:It is uncertain how many
3547:Johann Gottfried Schicht
2468:Johann Gottfried Schicht
678:, BWV Anh. 164
3434:[An arrangement of
3373: ed.). Wiesbaden:
3225:: documentation at the
2702:Forkel, Johann Nikolaus
1008:Keyboard and Lute Works
796:(spurious works) of BWV
789:(doubtful works) of BWV
456:BWV 28/2a (231) and 118
319:Johann Heinrich Ernesti
4154:
4133:
4124:
3837:Chorale harmonisations
3375:Breitkopf & HĂ€rtel
3208:.../Thematic Catalogue
2817:Boyd, Malcolm (1999).
2743:Gardiner, John Eliot.
2464:Breitkopf & HĂ€rtel
2460:Johann Friedrich Doles
1401:Strings and keyboard (
1092:their chorale melodies
1070:
978:; Vol. 41: Varia)
960:
929:
920:
765:
743:Bach-Werke-Verzeichnis
741:
711:Bach-Werke-Verzeichnis
655:Georg Gottfried Wagner
612:Georg Philipp Telemann
596:
534:
470:
462:
433:
419:
386:
345:
327:Romans 8:26â27
311:
265:
253:his four-part chorales
236:Johann Nikolaus Forkel
97:Chorale harmonisations
42:
35:
4185:Bach House (Eisenach)
4135:Neue Bachgesellschaft
3906:Church music in Latin
3796:Johann Sebastian Bach
3727:Der Gerechte kömmt um
3637:Johann Sebastian Bach
3472:. Digital version at
3314:Bach Cantatas Website
3296:Bach Cantatas Website
2706:Charles Sanford Terry
2563:Further information:
2496:Book II consisted of
1206:soprano (choir part)
696:Mein Odem ist schwach
578:Genesis 32:27
554:Johann Christoph Bach
516:Tristis est anima mea
501:Der Gerechte kömmt um
365:Epistle to the Romans
323:Epistle to the Romans
207:Johann Christoph Bach
186:Johann Sebastian Bach
56:Johann Sebastian Bach
32:
4231:Bach Prize (Hamburg)
4163:J.S. Bach Foundation
3735:Ich lasse dich nicht
3558:Breitkopf und HĂ€rtel
2665:Breitkopf und HĂ€rtel
2592:Bach Collegium Japan
2529:Ich lasse dich nicht
2490:Ich lasse dich nicht
2473:Book I consisted of
2359:improve this article
792:preceded by III: in
758:Bach-works-catalogue
718:Legend to the table
684:, Bach's son-in-law.
676:Nun danket alle Gott
622:Motet movement
572:, from the scene of
536:Ich lasse dich nicht
411:Ich lasse dich nicht
201:Ich lasse dich nicht
4190:Bach House (Köthen)
4169:List of Bach choirs
3593:, pp. 269â286
2610:Wolff, Christoph.
2547:in 1975, edited by
1744:Ernesti, J. H.
1621:
1544:
1543:Background colours
1515:violoncello piccolo
1481:(lute-harpsichord)
1236:Winds and battery (
1215:tenor (choir part)
1137:
887:of the composition
785:preceded by II: in
719:
635:), precedes laudes
633:Carl Heinrich Graun
627:, BWV Anh. 161, in
198:. A seventh motet,
3851:Organ compositions
3675:FĂŒrchte dich nicht
3667:Jesu, meine Freude
3470:10.13141/bjb.v1961
3454:Bach Yearbook 1961
3449:Bach-Jahrbuch 1961
3177:Bach Digital Work
3131:Bach Digital Work
3078:Bach Digital Work
3032:Bach Digital Work
2989:Bach Digital Work
2967:Bach Digital Work
2945:Bach Digital Work
2881:Bach Digital Work
2859:Bach Digital Work
2794:Bach Digital Work
2580:one voice per part
2572:Jesu, meine Freude
2507:Jesu, meine Freude
2484:FĂŒrchte dich nicht
2246:SATB 2Hn Cnt 3Tbn
2035:FĂŒrchte dich nicht
1998:III/2.2: 168
1924:III/2.2: 156
1890:(odd mvts), after
1851:Jesu, meine Freude
1777:8: 26â27 (/1), by
1619:
1585:J. C. F.
1581:C. P. E.
1197:bass (choir part)
1188:alto (choir part)
774:preceded by I: in
388:FĂŒrchte dich nicht
357:Jesu, meine Freude
347:Jesu, meine Freude
107:Organ compositions
43:
4294:
4293:
4126:Bach Gesellschaft
4107:
4106:
3967:
3966:
3858:Keyboard and lute
3762:
3761:
3579:Hans Joachim Marx
3438:by Bach]. In
3223:Neue Bach-Ausgabe
2435:
2434:
2427:
2409:
2328:
2327:
2090:before 1731â1732
2066:(/2); text after
1814:III/2.2: 38
1773:(/2); text after
1701:(/2); text after
1617:
1616:
1591:) or son-in-law (
1589:J. Christian
1569:J. Christoph
1540:
1539:
1536:, violone grosso
1376:tromba da tirarsi
1141:Voices (see also
1133:
1132:
970:(Vol. 1â34:
961:Neue Bach-Ausgabe
922:Bach Gesellschaft
702:Johann Ernst Bach
645:Bach's Magnificat
602:, BWV Anh. 160 (=
375:, and dates from
179:
178:
16:(Redirected from
4319:
4284:
4274:
4273:
4159:
4138:
4129:
3990:
3989:
3960:
3958:New Bach Edition
3938:
3926:
3919:
3881:
3874:
3872:Orchestral works
3867:
3860:
3853:
3846:
3839:
3809:
3808:
3789:
3782:
3775:
3766:
3765:
3683:Komm, Jesu, komm
3640:
3639:
3624:
3617:
3610:
3601:
3600:
3596:
3540:: Scores at the
3527:
3525:
3523:
3511:
3498:
3492:
3484:
3482:
3423:
3402:
3396:
3388:
3343:
3342:
3340:
3338:
3324:
3318:
3317:
3306:
3300:
3299:
3288:
3282:
3276:
3270:
3266:
3260:
3250:
3229:
3220:
3214:
3197:
3191:
3190:
3187:
3185:
3175:
3169:
3168:
3165:
3163:
3151:
3145:
3144:
3141:
3139:
3129:
3123:
3122:
3119:
3117:
3110:Mus. ms. 521/2â6
3098:
3092:
3091:
3088:
3086:
3076:
3070:
3069:
3066:
3064:
3057:Ms. II 3902 Mus.
3052:
3046:
3045:
3042:
3040:
3030:
3024:
3023:
3020:
3018:
3009:
3003:
3002:
2999:
2997:
2987:
2981:
2980:
2977:
2975:
2965:
2959:
2958:
2955:
2953:
2943:
2937:
2931:
2925:
2917:
2911:
2901:
2895:
2894:
2891:
2889:
2879:
2873:
2872:
2869:
2867:
2857:
2851:
2845:
2839:
2838:
2814:
2808:
2807:
2804:
2802:
2792:
2786:
2776:
2767:
2766:
2764:
2762:
2756:
2750:. Archived from
2749:
2740:
2731:
2725:
2719:
2704:, translated by
2699:
2693:
2692:
2689:
2687:
2674:
2668:
2654:
2645:
2640:
2637:Novello & Co
2623:
2617:
2608:
2584:Konrad JunghÀnel
2533:New Bach Edition
2501:Komm, Jesu, komm
2451:Singet dem Herrn
2430:
2423:
2419:
2416:
2410:
2408:
2367:
2343:
2335:
2096:Komm, Jesu, komm
2029:
2026:
1995:III/2.1: 22
1959:III/2.1: 28
1921:III/2.1: 27
1845:
1844: 1723â1735
1842:
1811:III/2.1: 18
1648:Additional info
1622:
1602:
1545:
1541:
1462:(Hc, Lw, Org or
1342:corno da tirarsi
1228:for unspecified
1218:voice (includes
1138:
1134:
1075:
1053:Additional info
1049:
1030:Musical Offering
1020:Orchestral Works
976:secular cantatas
955:
948:New Bach Edition
940:
932:
926:
912:
894:
877:
859:
844:
835:indicated by "R"
816:
778:(lost works) of
770:
763:; BWV) numbers.
762:
759:
756:
753:
750:
746:
733:
720:
716:
680:, for SSATB, by
601:
539:
528:BWV Anh. 159â165
507:passion oratorio
475:
467:
438:
424:
421:Komm, Jesu, komm
391:
381:
378:
350:
340:
339:
316:
270:
171:
164:
157:
122:Orchestral works
83:
45:
44:
40:
21:
4327:
4326:
4322:
4321:
4320:
4318:
4317:
4316:
4297:
4296:
4295:
4290:
4262:
4251:Bach quadrangle
4204:
4195:Café Zimmermann
4173:
4103:
4049:Riemenschneider
3996:
3988:
3963:
3956:
3947:Reconstructions
3934:
3922:
3915:
3889:
3877:
3870:
3863:
3856:
3849:
3844:Songs and arias
3842:
3835:
3798:
3793:
3763:
3758:
3749:
3641:
3635:
3634:
3628:
3594:
3534:
3521:
3519:
3509:
3486:
3485:
3476:
3444:Neumann, Werner
3420:
3390:
3389:
3385:
3352:
3347:
3346:
3336:
3334:
3328:"Bach - Motets"
3326:
3325:
3321:
3308:
3307:
3303:
3290:
3289:
3285:
3277:
3273:
3267:
3263:
3251:
3232:
3221:
3217:
3198:
3194:
3182:
3176:
3172:
3160:
3154:HLB Darmstadt,
3152:
3148:
3136:
3130:
3126:
3114:
3108:HLB Darmstadt,
3101:HLB Darmstadt,
3099:
3095:
3083:
3077:
3073:
3061:
3053:
3049:
3037:
3031:
3027:
3015:
3010:
3006:
2994:
2988:
2984:
2972:
2966:
2962:
2950:
2944:
2940:
2932:
2928:
2918:
2914:
2902:
2898:
2886:
2880:
2876:
2864:
2858:
2854:
2846:
2842:
2835:
2815:
2811:
2799:
2793:
2789:
2777:
2770:
2760:
2758:
2757:on 4 March 2016
2754:
2747:
2741:
2734:
2726:
2722:
2700:
2696:
2684:
2675:
2671:
2655:
2648:
2627:Spitta, Philipp
2624:
2620:
2609:
2605:
2600:
2567:
2561:
2549:GĂŒnter Graulich
2541:Lobet den Herrn
2440:
2431:
2420:
2414:
2411:
2368:
2366:
2356:
2344:
2333:
2307:III/1: 171
2255:III/1: 163
2209:
2206:
2203:
2200:
2197:
2194:
2191:
2027:
1997:
1923:
1905:
1843:
1813:
1798:
1705:: 1â3 (/1), by
1663:
1600:
1529:violino piccolo
1394:clarino trumpet
1390:natural trumpet
1338:corno da caccia
1047:
1042:
972:church cantatas
951:
938:
910:
892:
875:
857:
842:
814:
760:
757:
754:
751:
731:
715:
665:Johann Bernhard
590:Erasmus Alberus
570:Book of Genesis
530:
496:
458:
379:
261:
175:
146:
102:Songs and arias
70:
55:
54:Compositions by
23:
22:
15:
12:
11:
5:
4325:
4315:
4314:
4309:
4292:
4291:
4289:
4288:
4278:
4267:
4264:
4263:
4261:
4260:
4259:
4258:
4248:
4243:
4238:
4233:
4228:
4218:
4216:Bach festivals
4212:
4210:
4206:
4205:
4203:
4202:
4197:
4192:
4187:
4181:
4179:
4175:
4174:
4172:
4171:
4166:
4160:
4151:
4145:
4139:
4130:
4121:
4115:
4113:
4109:
4108:
4105:
4104:
4102:
4101:
4096:
4091:
4086:
4081:
4076:
4071:
4066:
4061:
4056:
4051:
4046:
4041:
4036:
4031:
4026:
4021:
4016:
4011:
4006:
4000:
3998:
3987:
3986:
3981:
3975:
3973:
3969:
3968:
3965:
3964:
3962:
3961:
3954:
3952:Transcriptions
3949:
3944:
3939:
3932:
3927:
3920:
3913:
3908:
3903:
3897:
3895:
3891:
3890:
3888:
3887:
3882:
3875:
3868:
3861:
3854:
3847:
3840:
3833:
3828:
3823:
3817:
3815:
3806:
3800:
3799:
3792:
3791:
3784:
3777:
3769:
3760:
3759:
3754:
3751:
3750:
3748:
3747:
3739:
3731:
3723:
3711:
3703:
3695:
3687:
3679:
3671:
3663:
3655:
3646:
3643:
3642:
3627:
3626:
3619:
3612:
3604:
3598:
3597:
3561:
3544:
3533:
3532:External links
3530:
3529:
3528:
3505:, ed. (2002).
3499:
3424:
3418:
3403:
3383:
3351:
3348:
3345:
3344:
3319:
3301:
3283:
3271:
3261:
3230:
3215:
3192:
3170:
3146:
3124:
3103:Mus. ms. 521/1
3093:
3071:
3047:
3025:
3019:.bach-cantatas
3004:
2982:
2960:
2938:
2936:, p. 459.
2926:
2912:
2896:
2874:
2852:
2850:, p. 233.
2840:
2833:
2809:
2787:
2768:
2732:
2730:, p. 228.
2720:
2694:
2669:
2646:
2618:
2602:
2601:
2599:
2596:
2588:Masaaki Suzuki
2560:
2557:
2517:
2516:
2510:
2504:
2494:
2493:
2492:(BWV Anh. 159)
2487:
2481:
2439:
2436:
2433:
2432:
2347:
2345:
2338:
2332:
2329:
2326:
2325:
2320:
2309:
2304:
2299:
2296:
2293:
2284:
2281:
2278:
2274:
2273:
2268:
2257:
2252:
2247:
2244:
2241:
2232:
2229:
2226:
2222:
2221:
2216:
2210:
2207:
2204:
2201:
2198:
2195:
2192:
2189:
2185:
2184:
2179:
2173:
2168:
2163:
2154:
2151:
2143:
2140:
2137:
2133:
2132:
2127:
2121:
2116:
2111:
2102:
2099:
2091:
2088:
2085:
2081:
2080:
2075:
2060:
2055:
2050:
2041:
2038:
2030:
2022:
2019:
2015:
2014:
2009:
1999:
1992:
1987:
1984:
1981:
1977:
1976:
1971:
1961:
1956:
1951:
1948:
1945:
1941:
1940:
1935:
1925:
1918:
1913:
1910:
1907:
1901:
1900:
1895:
1876:
1871:
1866:
1857:
1854:
1846:
1838:
1835:
1831:
1830:
1825:
1815:
1808:
1803:
1800:
1795:
1792:
1788:
1787:
1782:
1767:
1762:
1753:
1750:
1747:
1734:
1731:
1728:
1724:
1723:
1718:
1695:
1690:
1685:
1676:
1673:
1665:
1660:
1657:
1653:
1652:
1649:
1646:
1643:
1640:
1637:
1634:
1631:
1628:
1626:
1615:
1614:
1603:
1597:
1596:
1565:
1561:
1560:
1557:
1553:
1552:
1549:
1538:
1537:
1531:
1522:
1520:viola da gamba
1517:
1508:
1495:
1492:
1482:
1476:
1467:
1457:
1452:
1449:basso continuo
1445:
1444:
1441:
1438:
1435:
1432:
1429:
1426:
1423:
1420:
1417:
1414:
1411:
1407:
1406:
1398:
1397:
1383:
1378:
1373:
1368:
1363:
1361:oboe da caccia
1358:
1353:
1348:
1331:
1309:
1300:
1290:
1283:
1282:
1279:
1276:
1273:
1270:
1267:
1264:
1261:
1258:
1255:
1252:
1249:
1246:
1242:
1241:
1233:
1232:
1223:
1216:
1213:
1207:
1204:
1198:
1195:
1189:
1186:
1179:
1178:
1175:
1172:
1169:
1166:
1163:
1160:
1157:
1154:
1151:
1147:
1146:
1131:
1130:
1124:
1121:
1117:
1116:
1088:Lutheran hymns
1084:
1083:
1080:
1077:
1066:
1063:
1060:
1054:
1051:
1044:
1043:
1041:
1040:
1037:
1023:
1017:
1011:
1005:
999:
985:
979:
964:
945:
942:
935:
934:
917:
914:
907:
906:
899:
896:
889:
888:
882:
879:
872:
871:
864:
861:
854:
853:
849:
846:
839:
838:
837:
836:
829:
826:
820:
818:
811:
810:
809:
808:
803:(1990) and/or
797:
790:
783:
738:
735:
728:
727:
724:
714:
707:
706:
705:
691:, BWV Anh. 165
685:
672:
658:
648:
619:
593:
574:Jacob's Ladder
529:
526:
525:
524:
495:
492:
491:
490:
481:
457:
454:
453:
452:
430:
416:
413:, BWV Anh. 159
404:and a hymn by
402:Book of Isaiah
383:
342:
308:
301:Johann Gramann
260:
257:
232:, BWV Anh. 160
203:, BWV Anh. 159
177:
176:
174:
173:
166:
159:
151:
148:
147:
145:
144:
139:
134:
132:Transcriptions
129:
124:
119:
114:
109:
104:
99:
94:
89:
84:
68:
62:
59:
58:
50:
49:
9:
6:
4:
3:
2:
4324:
4313:
4310:
4308:
4305:
4304:
4302:
4287:
4283:
4279:
4277:
4269:
4268:
4265:
4257:
4254:
4253:
4252:
4249:
4247:
4244:
4242:
4239:
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4112:Organizations
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3899:
3898:
3896:
3892:
3886:
3883:
3880:
3876:
3873:
3869:
3866:
3865:Chamber music
3862:
3859:
3855:
3852:
3848:
3845:
3841:
3838:
3834:
3832:
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3827:
3824:
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3644:
3638:
3632:
3625:
3620:
3618:
3613:
3611:
3606:
3605:
3602:
3592:
3591:9783525278208
3588:
3584:
3583:Ulrich Konrad
3580:
3576:
3574:
3569:
3565:
3562:
3559:
3555:
3553:
3548:
3545:
3543:
3539:
3536:
3535:
3517:
3516:
3508:
3504:
3500:
3496:
3490:
3480:
3475:
3471:
3467:
3463:
3459:
3458:Bach-Jahrbuch
3455:
3451:
3450:
3445:
3441:
3437:
3433:
3429:
3425:
3421:
3419:0-52-141864-X
3415:
3411:
3410:
3404:
3400:
3394:
3386:
3384:9783765102493
3380:
3376:
3372:
3368:
3364:
3363:
3358:
3354:
3353:
3333:
3329:
3323:
3315:
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3305:
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3287:
3280:
3275:
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3258:
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3228:
3224:
3219:
3213:
3209:
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3201:
3196:
3189:
3180:
3174:
3167:
3158:
3157:
3150:
3143:
3134:
3128:
3121:
3112:
3111:
3105:
3104:
3097:
3090:
3081:
3075:
3068:
3059:
3058:
3055:BR Bruxelles
3051:
3044:
3035:
3029:
3022:
3013:
3008:
3001:
2992:
2986:
2979:
2970:
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2909:
2905:
2900:
2893:
2884:
2878:
2871:
2862:
2856:
2849:
2844:
2836:
2834:0-19-866208-4
2830:
2826:
2822:
2821:
2813:
2806:
2797:
2791:
2784:
2780:
2775:
2773:
2753:
2746:
2745:"Bach Motets"
2739:
2737:
2729:
2724:
2718:
2714:
2712:
2707:
2703:
2698:
2691:
2682:
2678:
2673:
2666:
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2660:
2653:
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2644:
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2607:
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2575:
2573:
2566:
2556:
2554:
2550:
2546:
2542:
2538:
2534:
2530:
2526:
2525:Franz WĂŒllner
2522:
2514:
2511:
2508:
2505:
2502:
2499:
2498:
2497:
2491:
2488:
2485:
2482:
2479:
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2458:
2457:
2452:
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2429:
2426:
2418:
2407:
2404:
2400:
2397:
2393:
2390:
2386:
2383:
2379:
2376: â
2375:
2371:
2370:Find sources:
2364:
2360:
2354:
2353:
2348:This section
2346:
2342:
2337:
2336:
2324:
2321:
2318:
2314:
2310:
2308:
2303:
2295:Bâ maj.
2294:
2291:
2290:
2285:
2275:
2272:
2269:
2266:
2262:
2258:
2256:
2251:
2243:Bâ maj.
2242:
2239:
2238:
2233:
2223:
2220:
2217:
2215:
2211:
2208:
2205:
2202:
2199:
2193:
2186:
2183:
2180:
2178:
2174:
2172:
2167:
2161:
2160:
2152:
2150:
2149:
2144:
2134:
2131:
2128:
2126:
2122:
2120:
2115:
2109:
2108:
2100:
2098:
2097:
2092:
2082:
2079:
2076:
2073:
2069:
2065:
2061:
2059:
2054:
2048:
2047:
2039:
2037:
2036:
2031:
2016:
2013:
2010:
2008:
2004:
2000:
1996:
1991:
1985:
1982:
1978:
1975:
1972:
1970:
1966:
1962:
1960:
1955:
1949:
1946:
1942:
1939:
1936:
1934:
1930:
1926:
1922:
1917:
1911:
1908:
1902:
1899:
1896:
1893:
1889:
1885:
1881:
1877:
1875:
1870:
1864:
1863:
1853:
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1824:
1820:
1816:
1812:
1807:
1801:
1796:
1793:
1789:
1786:
1783:
1780:
1776:
1772:
1768:
1766:
1761:
1757:
1749:Bâ maj.
1748:
1745:
1741:
1740:
1735:
1725:
1722:
1719:
1716:
1712:
1708:
1704:
1700:
1696:
1694:
1689:
1683:
1682:
1675:Bâ maj.
1674:
1672:
1671:
1666:
1654:
1623:
1612:
1608:
1604:
1599:
1598:
1594:
1590:
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1578:
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1563:
1562:
1558:
1555:
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1535:
1532:
1530:
1526:
1523:
1521:
1518:
1516:
1512:
1509:
1507:
1503:
1502:viola d'amore
1499:
1496:
1493:
1490:
1486:
1483:
1480:
1477:
1475:
1471:
1468:
1465:
1461:
1458:
1456:
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1450:
1446:
1442:
1439:
1436:
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1418:
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1412:
1408:
1404:
1399:
1395:
1391:
1387:
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1374:
1372:
1369:
1367:
1364:
1362:
1359:
1357:
1354:
1352:
1349:
1347:
1343:
1339:
1335:
1332:
1329:
1325:
1321:
1317:
1313:
1310:
1308:
1304:
1301:
1298:
1297:musical bells
1294:
1291:
1288:
1285:
1284:
1280:
1277:
1274:
1271:
1268:
1265:
1262:
1259:
1256:
1253:
1250:
1247:
1244:
1243:
1239:
1234:
1231:
1227:
1221:
1214:
1211:
1208:
1205:
1202:
1199:
1196:
1193:
1190:
1187:
1184:
1181:
1180:
1170:
1167:
1164:
1161:
1158:
1155:
1152:
1149:
1148:
1144:
1139:
1128:
1125:
1122:
1118:
1115:
1113:
1109:
1105:
1101:
1097:
1093:
1089:
1081:
1078:
1074:
1073:
1067:
1064:
1061:
1058:
1057:
1056:may include:
1055:
1052:
1045:
1038:
1035:
1031:
1027:
1024:
1021:
1018:
1015:
1014:Chamber Music
1012:
1009:
1006:
1003:
1000:
997:
993:
989:
986:
983:
980:
977:
973:
969:
966:
965:
962:
958:
954:
949:
946:
943:
936:
931:
925:
923:
918:
915:
908:
904:
903:scoring table
900:
897:
890:
886:
883:
880:
873:
869:
865:
862:
855:
850:
847:
840:
834:
830:
827:
824:
823:
821:
819:
812:
806:
802:
798:
795:
794:Anh. III
791:
788:
784:
781:
777:
773:
772:
769:
768:
745:
744:
739:
736:
729:
725:
721:
712:
703:
699:
697:
692:
690:
686:
683:
679:
677:
673:
670:
666:
662:
659:
656:
652:
649:
646:
642:
638:
634:
630:
626:
625:
620:
617:
613:
609:
605:
600:
599:
594:
591:
587:
583:
579:
575:
571:
567:
563:
559:
555:
551:
547:
543:
538:
537:
532:
531:
522:
521:Johann Kuhnau
518:
517:
513:of the motet
512:
508:
504:
502:
498:
497:
488:
486:
482:
479:
474:
473:
466:
465:
460:
459:
450:
446:
442:
437:
436:
431:
428:
423:
422:
417:
414:
412:
407:
406:Paul Gerhardt
403:
399:
395:
390:
389:
384:
374:
373:Johann Franck
370:
369:Johann CrĂŒger
366:
362:
361:Johann Franck
358:
354:
349:
348:
343:
338:
332:
331:Martin Luther
328:
324:
320:
315:
314:
309:
306:
302:
298:
294:
290:
286:
282:
278:
274:
269:
268:
263:
262:
256:
254:
250:
245:
243:
242:
237:
233:
231:
226:
222:
218:
214:
212:
211:Weimar period
208:
204:
202:
197:
196:
191:
187:
184:
172:
167:
165:
160:
158:
153:
152:
150:
149:
143:
140:
138:
135:
133:
130:
128:
125:
123:
120:
118:
117:Chamber music
115:
113:
110:
108:
105:
103:
100:
98:
95:
93:
90:
88:
85:
81:
77:
73:
69:
67:
64:
63:
61:
60:
57:
52:
51:
47:
46:
39:
38:
31:
27:
19:
4209:Other topics
4165:(St. Gallen)
4142:Bach Archive
4119:Bach Society
3997:and scholars
3901:Bach cantata
3825:
3804:Compositions
3741:
3734:
3726:
3719:
3714:
3705:
3698:
3690:
3682:
3674:
3666:
3658:
3650:
3630:
3572:
3551:
3520:. Retrieved
3515:Carus-Verlag
3513:
3453:
3448:
3440:DĂŒrr, Alfred
3428:Platen, Emil
3408:
3366:
3361:
3357:DĂŒrr, Alfred
3335:. Retrieved
3331:
3322:
3313:
3304:
3295:
3286:
3281:, p. I.
3274:
3264:
3253:Melamed 1995
3218:
3204:.../Prefaces
3195:
3186:.bachdigital
3173:
3164:.bachdigital
3156:Mus. ms. 528
3155:
3149:
3140:.bachdigital
3127:
3118:.bachdigital
3109:
3102:
3096:
3087:.bachdigital
3074:
3065:.bachdigital
3056:
3050:
3041:.bachdigital
3028:
3007:
2998:.bachdigital
2985:
2976:.bachdigital
2963:
2954:.bachdigital
2941:
2929:
2920:
2915:
2904:Melamed 1995
2899:
2890:.bachdigital
2877:
2868:.bachdigital
2855:
2843:
2819:
2812:
2803:.bachdigital
2790:
2779:Melamed 1995
2759:. Retrieved
2752:the original
2723:
2710:
2697:
2672:
2658:
2631:
2621:
2611:
2606:
2576:
2571:
2568:
2545:Carus-Verlag
2540:
2536:
2528:
2518:
2512:
2506:
2500:
2495:
2489:
2483:
2477:
2472:
2456:Thomaskantor
2454:
2450:
2447:Thomanerchor
2441:
2438:Publications
2421:
2412:
2402:
2395:
2388:
2381:
2369:
2357:Please help
2352:verification
2349:
2288:
2250:24: 185
2236:
2157:
2153:C maj.
2147:
2105:
2101:G min.
2095:
2044:
2040:A maj.
2034:
1860:
1856:E min.
1850:
1797:Bâ maj.
1742:(funeral of
1738:
1717:: 2, 6 (/3)
1713:(/2), after
1679:
1669:
1601:orange-brown
1402:
1356:oboe d'amore
1334:natural horn
1328:flauto basso
1320:flauto dolce
1237:
1212:(solo part)
1203:(solo part)
1194:(solo part)
1185:(solo part)
1127:Bach Digital
1085:
1034:Art of Fugue
1010:(14 volumes)
1004:(11 volumes)
987:
984:(12 volumes)
787:Anh. II
710:
695:
688:
675:
669:Johann Ernst
660:
650:
623:
514:
500:
484:
410:
273:B-flat major
249:Bach Revival
246:
240:
229:
215:
200:
194:
180:
86:
26:
18:Motet (Bach)
4225:Competition
4150:(Göttingen)
3994:Biographers
3879:Fugal works
3756:Discography
3595:(in German)
3518:. p. V
3477: [
2924:bach333.com
2906:, pp.
2781:, pp.
2761:9 September
2302:NBG 17
2175:text after
2159:colla parte
2142:1723â1739?
2107:colla parte
2046:colla parte
2028: 1715
1886:); text by
1862:colla parte
1733:1729-10-20
1681:colla parte
1511:violoncello
1479:Lautenwerck
1455:harpsichord
1405:= soloist)
1240:= soloist)
1226:vocal music
1036:(3 volumes)
1022:(7 volumes)
1016:(5 volumes)
1002:Organ Works
998:(4 volumes)
776:Anh. I
550:colla parte
398:colla parte
380: 1650
259:BWV 225â230
127:Fugal works
4301:Categories
4221:Bach Medal
3930:BACH motif
3549:, editor.
3269:required).
3255:, p.
2635:. London:
2598:References
2559:Recordings
2415:March 2020
2385:newspapers
2292:(funeral)
2283:1746â1747
2240:(funeral)
2231:1736â1737
2171:III/1: 147
2156:SATB Bc (+
2119:III/1: 125
2058:III/1: 105
2007:Franck, J.
2005:; text by
1969:Franck, J.
1967:; text by
1933:Franck, J.
1931:; text by
1888:Franck, J.
1821:; text by
1664:New Year?
1577:W. F.
1573:A. M.
1464:clavichord
1307:cornettino
1230:voice type
1129:Work page
1096:Magnificat
503:, BWV 1149
291:" (a 1530
4246:Portraits
4227:(Leipzig)
4144:(Leipzig)
4059:Schmieder
3942:Reception
3894:More info
3694:(BWV 230)
3686:(BWV 229)
3678:(BWV 228)
3670:(BWV 227)
3662:(BWV 226)
3654:(BWV 225)
3556:Leipzig:
3503:Wolf, Uwe
3489:cite book
3436:Pergolesi
3393:cite book
3279:Wolf 2002
2688:.worldcat
2663:Leipzig:
2515:(BWV 228)
2509:(BWV 227)
2503:(BWV 229)
2486:(BWV 228)
2480:(BWV 225)
2214:BWV 28/2a
2162:instr.?)
2049:instr.?)
1874:III/1: 75
1865:instr.?)
1765:III/1: 37
1684:instr.?)
1662:1726â1727
1593:Altnickol
1571:), wife (
1072:pasticcio
953:âčSee Tfdâș
698:, BWV 222
608:pasticcio
487:, BWV 118
445:Psalm 117
341:" (1524).
305:Psalm 150
297:Psalm 103
285:Psalm 149
41:, BWV 225
4276:Category
4241:Three Bs
4079:Williams
4024:Glöckner
4009:Dadelsen
3984:Students
3911:Passions
3821:Cantatas
3564:Uwe Wolf
3522:24 March
3446:(eds.).
3430:(1961).
2708:(1920).
2681:18856743
2629:(1899).
2590:and his
2553:Uwe Wolf
2315:; after
2311:text by
2259:text by
2123:text by
2110:instr.)
2104:2SATB (+
2072:Gerhardt
2043:2SATB (+
1859:SSATB (+
1693:III/1: 1
1678:2SATB (+
1639:Scoring
1575:), son (
1551:Meaning
1506:violetta
1460:keyboard
1371:trombone
1316:traverso
992:Chorales
968:Cantatas
924:-Ausgabe
898:Scoring
726:content
562:BWV Anh.
494:Parodies
72:Cantatas
48:Lists of
4099:Zehnder
4064:Schulze
4044:Neumann
4029:Hofmann
3720:motetto
3456:].
3350:Sources
3337:6 April
2908:148â149
2717:p. xvii
2399:scholar
2317:BWV 118
2265:BWV 118
2177:Ps. 117
2166:39: 127
2125:Thymich
2114:39: 107
1906:227/11
1819:Z 7445a
1799:G maj.
1771:Z 7445a
1715:Ps. 150
1711:Ps. 103
1707:Gramann
1703:Ps. 149
1611:Walther
1564:yellow
1548:Colour
1534:violone
1474:theorbo
1381:timpani
1324:piccolo
1303:cornett
1287:bassoon
1201:soprano
930:Vorwort
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2033:Motet
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1980:227/7
1965:Z 8032
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1954:39: 66
1944:227/3
1929:Z 8032
1927:after
1916:39: 61
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1986:SATB
1974:11201
1950:SATB
1938:11200
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