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245:: "I saw a store called Mr. Baby, and it freaked me out. Then everyone started calling me Mr. Baby. Then I became Mr. Baby onstage. I had my own theme song and everything. I wore a little eyeliner mustache. From there it changed into Mr. Lady, which just seemed like a good name for a queer label." It also related to
356:
No band that signed with Mr. Lady contained a male artist. Carland said "It's not that we're necessarily never going to put out a band with men in it, but it's just kind of organically happened that way. We wanted to focus on putting out music by women. We do consider ourselves a feminist business
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started as a separatist event for womyn born womyn and we personally still feel the continued need for that kind of space and event. We don't think that our support of the trans communities and womyn born womyn communities are in direct contradiction to each other."
372:
Although initially a vehicle for Wilson to release her own albums, Mr. Lady grew into a label whose musical and political contributions gained national attention. During a review of Tami Hart's debut release with Mr. Lady, online magazine
182:, aiming to redress what they saw as a lack of feminist record labels at the time. As well as a range of recording artists, the label was also heavily involved in other events that promoted feminist thinking and music, such as the
222:
run record labels," which they felt led to an "extremely limited amount of affordable and accessible means for independent artists to distribute their work." Thus, Mr. Lady
Records was started with, in Wilson's words,
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231:(Our music is) feminist music: strong women-identified women playing music. That doesn't necessarily fall into a genre but describes the people playing. To me, we are women's music.
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described the label as having "grown from a community that perhaps needed it the most," contrasting the scarcity of a gay/lesbian-oriented label in the
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magazine described the label in 2004 as "lead the way when it came to releasing music that was as politically significant as it was danceable."
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to boycott the festival, Mr. Lady released a statement which defended the festival, believing that they did not consider an event for "
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Due to their work with Mr. Lady, Wilson and
Carland were described as two of the "100 most influential gay people in the world" by
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people are an important part of the queer community and that they face an enormous amount of opposition. We know that the
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community to be mutually exclusive, but backed the right of the festival to exclude those not born as women.
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to specifically represent the work of herself and other "out" female musicians, Wilson and her girlfriend,
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339:, was released which featured eighteen tracks from various artists and friends of the label, including
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186:– which led to some controversy in 1999 – and various art showcases. Mr. Lady closed down in June
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described the label as "one of the bright spots in new music. Whether the groups or singers are
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community, disagreed with Mr. Lady's stance and felt that the group and label exploited
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Wilson stated the name "Mr. Lady" came from a trip to Italy while on tour with
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Kaia Wilson confirmed this in a June 1999 statement: "e strongly believe that
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901:"Michigan/Trans Controversy Archive – Frequently Asked Questions: Protests"
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in 2003 at the Center for
Lesbian Gay Bi Transgender Art & Culture in
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1275:"Surveying the Scene: Excerpts From the D.I.Y. Distro Resource Guide"
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958:"Don't you stop: an interview with Le Tigre's Kathleen Hanna"
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women to attend the festival. In response to a request from
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and part of that involves prioritizing work made by women."
1118:"Feminist/Queer Entrepreneurs – Mr. Lady music and videos"
871:"Mr. Lady info on www.mrlady.com via the Internet Archive"
424:
In 1999, Mr. Lady records (along with one of its artists,
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of feminist and lesbian music, including events at the
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Mr. Lady
Records released recordings by groups such as
1085:"Tara Jane O'Neil releases on www.aquariusrecords.org"
667:
412:
Involvement with the
Michigan Womyn's Music Festival
972:
971:Carson, Mina; Lewis, Tisa; Shaw, Susan M. (2004).
1159:. Duke Student Publishing Company. Archived from
1530:
1350:"Review of Tami Hart's "What passed between us""
1279:FELIX: A JOURNAL OF MEDIA ARTS AND COMMUNICATION
979:. Lexington, KY: University Press of Kentucky.
537:
975:Girls Rock!: Fifty Years of Women Making Music
652:The label's name appears in the lyrics of the
1183:"OUT100: The 100 Most Influential Gay People"
498:images. The label went defunct in June 2004.
436:, which had a formal stance against allowing
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1002:"Q & A with Kaia about Mr.Lady Records"
136:distributor. Artists on the label included
1514:(site has been defunct since January 2005)
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1056:"Mr. Lady add Electrelane to their roster"
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420:Mr Lady logo used for the Mr. Sister event
257:after they both left lesbian "supergroup"
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727:(Press release of a 2001 art show at the
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281:(who released their first two records –
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408:at the time with the many in New York.
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557:Artists formerly on Mr. Lady include:
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745:"From the Desk of Mr. Lady: Le Tigre"
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396:Initially distributing music through
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210:politics held them back." Without a
1569:Lesbian history in the United States
1544:Record labels disestablished in 2004
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198:Kaia Wilson was a member of lesbian
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932:National Queer Arts Festival (2003)
516:University of Minnesota Twin Cities
305:is the lead singer), British group
13:
1549:American independent record labels
148:magazine noted that Mr. Lady was "
14:
1600:
1539:Record labels established in 1996
1501:
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956:Taratoot, Cori (6 October 2004).
1486:Oler, Tammy (October 31, 2019).
670:
478:Formally backing the festival's
30:
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999:
490:, and many participants in the
434:Michigan Womyn's Music Festival
184:Michigan Womyn's Music Festival
1249:Discorder Via Internet Archive
949:
486:in particular. Groups such as
332:Calling All Kings & Queens
329:), and others. In March 2001,
1:
1559:Lesbian culture in California
1554:Feminism in the United States
1151:Kelley, Robert (2000-09-15).
691:
524:Queer Student Cultural Center
538:Artists formerly on Mr. Lady
528:National Queer Arts Festival
501:
7:
1574:LGBTQ-related record labels
1564:Lesbian feminist mass media
1298:Wilson, Kaia (1999-06-11).
831:White, David (2001-06-19).
712:Sound Unseen Music Festival
663:
253:, produced with the aid of
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10:
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1116:Parker, Kat (2001-06-27).
115:Mr. Lady Records and Video
1518:Alternative Mr. Lady logo
1243:Siddle, Kat (July 2004).
928:"Mr Sister press release"
350:New Women's Music Sampler
227:35 and a lotta...faith."
155:The label was founded in
103:San Francisco, California
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68:
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46:
38:
29:
24:
1438:"V for Vendetta website"
774:"The Butchies biography"
130:independent record label
16:Independent record label
1579:Queercore record labels
1458:"Kaia Wilson biography"
1325:"Sarah Dougher website"
1181:Johnson, Ramon (2002).
1025:Baumgardner, Jennifer.
1410:. 2003. Archived from
554:
520:Minneapolis, Minnesota
421:
406:southern United States
249:, Wilson's first solo
239:
99:Durham, North Carolina
1589:1996 in LGBTQ history
1584:Lesbian-related music
1273:Mateik, Tara (2000).
833:"A home for homocore"
686:List of record labels
545:
419:
347:. It followed 1999's
229:
152:'s strongest label."
1378:"Mr. Lady Band List"
1245:"Farewell, Mr. Lady"
1215:"No Light In August"
810:on December 11, 2006
798:Sill, Chris (2002).
718:on November 27, 2006
634:Tracy + the Plastics
455:born womyn" and the
290:Feminist Sweepstakes
265:Artists and releases
1408:"TJO press release"
1027:"Women's Music 101"
800:"Queer to the Core"
708:"Mr. Lady Presents"
1123:Independent Weekly
729:Weisman Art Museum
648:In popular culture
555:
522:(working with the
512:Weisman Art Museum
422:
402:Independent Weekly
368:Growing popularity
293:– with Mr. Lady),
206:, and felt their "
804:OutSmart Magazine
606:Gretchen Phillips
549:used on Mr. Lady
216:Tammy Rae Carland
180:Tammy Rae Carland
108:
107:
87:Country of origin
55:Tammy Rae Carland
1596:
1512:Internet Archive
1508:Mr. Lady website
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