351:"), was based on a cousin of Wuolijoki's former husband called Roope Juntula. Juntula had become engaged with three village women and had also driven his Buick recklessly in the middle of the night to procure alcohol—both episodes that would be dramatised in Brecht's story. Wuolijoki suggested a collaboration with Brecht on an entry for a competition run by the Finnish Dramatists' League for a "people's play," whose deadline was to fall in October. The title page of Brecht's play describes it as "a people's play" that is "after stories and a draft play by Hella Wuolijoki." Brecht began work on his
1360:
355:
version of the story on 2 September and finished a first draft three weeks later. Along with the structural transformation from dramatic to epic, Brecht described his main tasks in re-working
Wuolijoki's original as: "to bring out the underlying
162:, Matti, as well as his daughter, Eva, whom he wants to marry off to an Attaché. Eva herself loves Matti and so Puntila has to decide whether to marry his daughter to his driver or to an Attaché, while he also deals with a drinking problem.
179:. The central relationship between Mr Puntila and Matti—in which Puntila is warm, friendly and loving when drunk, but cold, cynical and penny-pinching when sober—echoes the relationship between the Tramp and the Millionaire in
628:
intoxication to enlightened sobriety: "All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his
360:, dismantle the psychological discussions so as to make place for tales from Finnish popular life or statements of opinion, find a theatrical form for the master/man contradiction, and give the theme back its
115:
392:. Wuolijoki translated Brecht's play into Finnish for the competition but it did not win a prize. The two authors agreed that Wuolijoki could develop the Finnish version for production throughout
597:
Quoted by
Willett and Manheim (1994, xvii). Willett and Manheim outline the changes of Wuolijoki's play that Brecht effected in his re-working in their editorial notes (1994, 399-426).
396:(for which she renamed the protagonist "Johannes Iso-Heikkilä"), while Brecht could negotiate performances anywhere else, where the royalties would be split equally between them.
189:(1931). The duality of Mr. Puntila is an example of Brecht's use of the literary device, the split character. The play is also an inspiration for some of the main characters in
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368:
aspects." Brecht gave his story a downbeat ending, in which Matti resigns himself to the impossibility of authentic human relationships across the divide of
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404:
A theatrical production of the play became a priority for Brecht on his return from exile in 1947; he helped to direct its premiere at the
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designed the sets. Brecht introduced the linking "Puntila Song" and decided to discourage the audience's
444:; Puntila was played initially by Leonard Steckel (as with the Zurich production), then by the comedian
1321:
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524:
An
Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics
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acting is not enough in this case" and recommends an approach to staging that draws on the
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620:(1848), describe the disenchantment that the progress of the subsumption of society under
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343:, which, Brecht concluded, hampered her achievement as a writer. Its
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wrote a musical setting for the songs for this production, while
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from a national problem for the
Finnish, as it was dramatised in
318:
159:
99:
432:, the world-renowned theatre company that he founded in 1949 in
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759:. Bertolt Brecht: Plays, Poetry, Prose Ser. London: Methuen.
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314:
464:
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Brecht's play is based on another by his host during his
428:
for the opening production of the first season of the
331:, a German translation of which Wuolijoki dictated to
479:
Brecht's play was adapted for the 1960 Austrian film
471:characters. This production was seen by Wuolijoki.
624:social relations effects in terms of a move from
1376:
547:Bharadwaj's interview in The Big Indian Picture
485:, and again for the 1979 Finnish-Swedish film
786:
335:during August 1940. Wuolijoki's work had the
751:Willett, John and Ralph Manheim, eds. 1994.
709:"HERR PUNTILA UND SEIN KNECHT MATTI (1956)"
372:, excepting the intoxicated illusions that
793:
779:
440:. Brecht co-directed this production with
376:provides. He transformed the treatment of
347:, Puntila (who is described as a "Finnish
158:land-owner Puntila's relationship to his
169:" (written in 1940), Brecht warns that "
1147:The Trial of Joan of Arc at Rouen, 1431
731:"Herra Puntila ja hänen renkinsä Matti"
637:
635:
521:
408:, where it opened on 5 June 1948, with
14:
1377:
1337:The Modern Theatre Is the Epic Theatre
924:Rise and Fall of the City of Mahagonny
667:
665:
575:
573:
571:
569:
549:March 2013. Retrieved 10 November 2022
875:Downfall of the Egotist Johann Fatzer
774:
680:Willett and Manheim (1994, xix, 394).
650:Willett and Manheim (1994, xix, 389).
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689:Willett and Manheim (1994, xx, 394).
632:
205:
698:Willett and Manheim (1994, xix-xx).
662:
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24:
1000:Fear and Misery of the Third Reich
800:
641:Willett and Manheim (1994, xviii).
606:Willett and Manheim (1994, xvii).
552:
526:. Amsterdam: Rodopi. p. 107.
482:Herr Puntila and His Servant Matti
125:Herr Puntila und sein Knecht Matti
25:
1421:
910:The Baden-Baden Lesson on Consent
579:Willett and Manheim (1994, xvii).
321:—the Finnish-Estonian playwright
1359:
1358:
1063:The Resistible Rise of Arturo Ui
993:The Horatians and the Curiatians
671:Willett and Manheim (1994, xix).
659:Willett and Manheim (1994, 389).
588:Willett and Manheim (1994, 215).
563:Willett and Manheim (1994, xvi).
512:Willett and Manheim (1994, 392).
492:It is also the source of a 1966
384:, to its epic presentation as a
1343:A Short Organum for the Theatre
1091:Schweyk in the Second World War
1035:Mother Courage and Her Children
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1126:Die Verurteilung des Lukullus
1077:The Visions of Simone Machard
986:Round Heads and Pointed Heads
499:
200:
27:German play by Bertolt Brecht
1405:Works based on Finnish works
1049:Mr Puntila and His Man Matti
951:Saint Joan of the Stockyards
460:towards Puntila by means of
110:Mr Puntila and His Man Matti
33:Mr Puntila and His Man Matti
18:Mr Puntila and his Man Matti
7:
1395:Compositions by Paul Dessau
1056:The Good Person of Szechwan
903:The Flight Across the Ocean
614:, in a famous passage from
424:played Matti. Brecht chose
165:In his essay "Notes on the
10:
1426:
1322:Separation of the elements
1098:The Caucasian Chalk Circle
958:The Exception and the Rule
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195:Matru Ki Bijlee Ka Mandola
1356:
1244:
1207:What Keeps Mankind Alive?
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847:Mysteries of a Barbershop
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735:The Swedish Film Database
522:Squiers, Anthony (2014).
95:
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72:
62:
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37:
32:
1186:Reminiscence of Marie A.
154:The story describes the
1390:Plays by Bertolt Brecht
1112:The Days of the Commune
854:In the Jungle of Cities
617:The Communist Manifesto
244:The Chemist's Assistant
147:and first performed in
1266:Non-Aristotelian drama
1021:How Much Is Your Iron?
1007:Señora Carrar's Rifles
123:
1330:Messingkauf Dialogues
1133:Report from Herrnburg
1042:The Trial of Lucullus
979:The Seven Deadly Sins
406:Schauspielhaus ZĂĽrich
51:5 June 1948
1410:Works about servants
1084:The Duchess of Malfi
896:The Threepenny Opera
753:Collected Plays: Six
467:for him and all the
382:The Sawdust Princess
328:The Sawdust Princess
143:. It was written in
840:Driving Out a Devil
420:played Puntila and
1168:Trumpets and Drums
826:Drums in the Night
400:Production history
337:dramatic structure
263:The Red-haired Man
176:Commedia dell'Arte
1372:
1371:
1278:Defamiliarization
1221:Einheitsfrontlied
1070:Hangmen Also Die!
882:The Elephant Calf
719:on June 12, 2018.
430:Berliner Ensemble
333:Margarete Steffin
305:
304:
293:The Parson's Wife
272:His Four Children
106:
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73:Original language
16:(Redirected from
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1214:Solidaritätslied
889:Little Mahagonny
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353:non-Aristotelian
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494:opera by Dessau
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462:defamiliarising
448:. The composer
436:with his wife,
418:Leonard Steckel
402:
323:Hella Wuolijoki
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283:the parlourmaid
250:The Telephonist
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191:Vishal Bhardwaj
181:Charlie Chaplin
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63:Place premiered
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241:Sly-Grog Emma
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225:his chauffeur
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1348:Street scene
1335:
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1294:
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1258:
1254:Epic theatre
1245:Theories and
1200:Pirate Jenny
1193:Alabama Song
1178:Poems, songs
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944:The Decision
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717:the original
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434:East Germany
425:
422:Gustav Knuth
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276:
269:Red Surkkala
247:The Milkmaid
224:
219:his daughter
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171:naturalistic
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156:aristocratic
153:
124:
109:
108:
107:
1228:Kinderhymne
972:Kuhle Wampe
931:Der Jasager
626:ideological
475:Adaptations
450:Paul Dessau
442:Erich Engel
394:Scandinavia
345:protagonist
309:Composition
296:Woodcutters
235:The Attaché
213:a landowner
186:City Lights
139:playwright
1385:1948 plays
1379:Categories
1260:LehrstĂĽcke
1247:techniques
1235:Die Lösung
1140:Coriolanus
965:The Mother
622:capitalist
500:References
378:alcoholism
290:The Parson
287:The Lawyer
260:A Labourer
229:The Waiter
201:Characters
55:1948-06-05
38:Written by
1312:Not / But
1119:The Tutor
917:Happy End
861:Edward II
833:A Wedding
469:bourgeois
446:Curt Bois
390:class war
253:A Fat Man
232:The Judge
211:Puntila,
167:Folk Play
137:modernist
116:‹See Tfd›
1365:Category
1161:Don Juan
1154:Turandot
1105:Antigone
809:Dramatic
414:Teo Otto
386:farcical
325:—called
277:the cook
128:) is an
746:Sources
458:empathy
426:Puntila
374:alcohol
349:Bacchus
319:Finland
275:Laina,
238:The Vet
223:Matti,
160:servant
102:, 1920s
100:Finland
96:Setting
53: (
1296:Gestus
1028:Dansen
763:
629:kind."
612:Engels
530:
362:poetic
300:
281:Fina,
133:comedy
120:German
90:comedy
77:German
67:Zurich
1289:Fabel
811:works
755:. By
465:masks
366:comic
358:farce
339:of a
315:exile
217:Eva,
83:Genre
819:Baal
761:ISBN
610:and
608:Marx
528:ISBN
364:and
149:1948
145:1940
130:epic
87:Epic
713:BFI
489:.
412:by
317:in
193:'s
183:'s
1381::
934:/
733:.
711:.
664:^
634:^
568:^
554:^
496:.
416:.
197:.
151:.
122::
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1188:"
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794:e
787:t
780:v
767:.
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536:.
113:(
57:)
20:)
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