Mulholland Drive (film)

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lesbianism in its innocent and expansive form: lesbian desire appears as one big adventure, an entrée into a glamorous and unknown territory". Simultaneously, he presents the tragic lesbian triangle, "in which an attractive but unavailable woman dumps a less attractive woman who is figured as exclusively lesbian", perpetuating the stereotype of the bisexual "ending up with a man". Maria San Filippo recognizes that Lynch relies on classic film noir archetypes to develop Camilla's eventual betrayal: these archetypes "become ingrained to such a degree that viewers are immediately cued that "Rita" is not what she seems and that it is only a matter of time before she reveals her duplicitous nature." For Love, Diane's exclusively lesbian desire is "between success and failure, between sexiness and abjection, even between life and death" if she is rejected. In this context the character of Diane may be interpreted as the "tragic lesbian" cliché pining after the bisexual in the heterosexual relationship. Love's analysis of the film notes the media's peculiar response to the film's lesbian content: "reviewers rhapsodized in particular and at length about the film's sex scenes, as if there were a contest to see who could enjoy this representation of female same-sex desire the most." She points out that the film used a classic theme in literature and film depicting lesbian relationships: Camilla as achingly beautiful and available, rejecting Diane for Adam. Popular reaction to the film suggests the contrasting relationships between Betty and Rita and Diane and Camilla are "understood as both the hottest thing on earth and, at the same time, as something fundamentally sad and not at all erotic" as "the heterosexual order asserts itself with crushing effects for the abandoned woman".

1250:(Melissa George, Laura Elena Harring) is little more than a face in a photo and a name that has inspired many representatives of some vaguely threatening power to place her in a film against the wishes of Adam. Referred to as a "vapid moll" by one reviewer, she barely makes an impression in the first portion of the film, but after the blue box is opened and she is portrayed by Harring, she becomes a full person who symbolizes "betrayal, humiliation and abandonment", and is the object of Diane's sexual obsession and frustration. Diane is a sharp contrast to Camilla, who is more voluptuous than ever, and who appears to have "sucked the life out of Diane". Immediately after telling Diane that "she drives her wild", Camilla tells her they must end their affair. On a film set where Adam is directing Camilla, he orders the set cleared, except for Diane—at Camilla's request—where Adam shows another actor just how to kiss Camilla correctly. Instead of punishing Camilla for such public humiliation, as is suggested by Diane's conversation with the bungling hit man, one critic views Rita as the vulnerable representation of Diane's desire for Camilla. 1360:

as surreal as the first part. Diane's scenes feature choppier editing and dirtier lighting that symbolize her physical and spiritual impoverishment, which contrasts with the first portion of the film where "even the plainest decor seems to sparkle", Betty and Rita glow with light and transitions between scenes are smooth. Lynch moves between scenes in the first portion of the film by using panoramic shots of the mountains, palm trees and buildings in Los Angeles. In the darker part of the film, sound transitions to the next scene without a visual reference where it is taking place. At Camilla's party, when Diane is most humiliated, the sound of crashing dishes is heard that carries immediately to the scene where dishes have been dropped in the diner, and Diane is speaking with the hit man. Sinnerbrink also notes that several scenes in the film, such as the one featuring Diane's hallucination of Camilla after Diane wakes up, the image of the being from behind Winkie's after Diane's suicide, or the "repetition, reversal and displacement of elements that were differently configured" in the early portion of the film, creates the

1268:), and thrown out of his own opulent house above Hollywood. After he checks into a seedy motel and pays with cash, the manager arrives to tell him that his credit is no good. Witnessed by Diane, Adam is pompous and self-important. He is the only character whose personality does not seem to change completely from the first part of the film to the second. One analysis of Adam's character contends that because he capitulated and chose Camilla Rhodes for his film, that is the end of Betty's cheerfulness and ability to help Rita, placing the blame for her tragedy on the representatives of studio power. Another analysis suggests that "Adam Kesher does not have the control, he wants and is willing to step over who or what is necessary to consolidate his career. Hungry for power, he uses the appearance of love or seduction only as one more tool. Love for power justifies that everything else is forgotten, be it pride, love or any other consideration. There are no regrets, it is Mulholland Drive in Los Angeles." 1240:(Watts) is the palpably frustrated and depressed woman, who seems to have ridden the coattails of Camilla, whom she idolizes and adores, but who does not return her affection. She is considered to be the reality of the too-good-to-be-true Betty, or a later version of Betty after living too long in Hollywood. For Steven Dillon, the plot of the film "makes Rita the perfect empty vessel for Diane's fantasies", but because Rita is only a "blank cover girl" Diane has "invested herself in emptiness", which leads her to depression and apparently to suicide. Hence, Diane is the personification of dissatisfaction, painfully illustrated when she is unable to climax while masturbating, in a scene that indicates "through blurred, jerky, point of view shots of the stony wall—not only her tears and humiliation but the disintegration of her fantasy and her growing desire for revenge". One analysis of Diane suggests her devotion to Camilla is based on a manifestation of 1167:

and Betty plays it in rehearsal as poorly as it is written. Nervous but plucky as ever at the audition, Betty enters the cramped room, but when pitted inches from her audition partner (Chad Everett), she turns it into a scene of powerful sexual tension that she fully controls and draws in every person in the room. The sexuality erodes immediately as the scene ends and she stands before them shyly waiting for their approval. One film analyst asserts that Betty's previously unknown ability steals the show, specifically, taking the dark mystery away from Rita and assigning it to herself, and by Lynch's use of this scene illustrates his use of deception in his characters. Betty's acting ability prompts Ruth Perlmutter to speculate if Betty is acting the role of Diane in either a dream or a parody of a film that ultimately turns against her.

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many wrong sounds and instantly you know it. Sometimes it's really magical." In the opening scene of the film, as the dark-haired woman stumbles off Mulholland Drive, silently it suggests she is clumsy. After Lynch added "a hint of the steam and the screaming kids", however, it transformed Laura Elena Harring from clumsy to terrified. Lynch also infused subtle rumblings throughout portions of the film that reviewers noted added unsettling and creepy effects. Hageman also identifies "perpetual and uncanny ambient sound", and places a particular emphasis on the scene where the man collapses behind Winkie's as normal sound is drowned out by a buzzing roar, noting that the noise "creates a dissonance and suspense that draws in the spectator as detective to place the sound and reestablish order".

1328:" act makes it unclear if Camilla is as capricious as she seems, or if Diane's paranoia is allowing the audience only to see what she senses. In a scene immediately after Betty's audition, the film cuts to a woman singing without apparent accompaniment, but as the camera pulls backwards, the audience sees that it is a recording studio. In actuality, it is a sound stage where Betty has just arrived to meet Adam Kesher, that the audience realizes as the camera pulls back further. Ridgway insists that such deception through artful camera work sets the viewer full of doubt about what is being presented: "It is as if the camera, in its graceful fluidity of motion, reassures us that it (thinks it) sees everything, has everything under control, even if we (and Betty) do not." 1234:

special effects that fragment their image and their voices are drowned out in reverb, the camera seemingly writing out the mental state of the characters". Immediately they return to Betty's aunt's apartment where Rita dons a blonde wig—ostensibly to disguise herself—but making her look remarkably like Betty. It is this transformation that one film analyst suggests is the melding of both identities. This is supported by visual clues, like particular camera angles making their faces appear to be merging into one. This is further illustrated soon after by their sexual intimacy, followed by Rita's personality becoming more dominant as she insists they go to Club Silencio at 2 a.m., that eventually leads to the total domination by Camilla.

1244:, as Camilla embodies everything Diane wants and wants to be. Although she is portrayed as weak and the ultimate loser, for Jeff Johnson, author of a book about morality in Lynch films, Diane is the only character in the second portion of the film whose moral code remains intact. She is "a decent person corrupted by the miscellaneous miscreants who populate the film industry". Her guilt and regret are evident in her suicide, and in the clues that surface in the first portion of the film. Rita's fear, the dead body and the illusion at Club Silencio indicate that something is dark and wrong in Betty and Rita's world. In becoming free from Camilla, her moral conditioning kills her. 1109:

where the story was going. It broke my heart a little bit." However, in another interview Watts stated, "I was amazed how honest and real all this looks on screen. These girls look really in love and it was curiously erotic." While Harring was quoted saying, "The love scene just happened in my eyes. Rita's very grateful for the help Betty's given so I'm saying goodbye and goodnight to her, thank you, from the bottom of my heart, I kiss her and then there's just an energy that takes us . Of course I have amnesia so I don't know if I've done it before, but I don't think we're really lesbians." Heather Love agreed somewhat with Harring's perception when she stated that identity in

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to make sense of the film through her identity. Instead of threatening, she inspires Betty to nurture, console and help her. Her amnesia makes her a blank persona, which one reviewer notes is "the vacancy that comes with extraordinary beauty and the onlooker's willingness to project any combination of angelic and devilish onto her". A character analysis of Rita asserts that her actions are the most genuine of the first portion of the film, since she has no memory and nothing to use as a frame of reference for how to behave. Todd McGowan, however, author of a book on themes in Lynch's films, states that the first portion of

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example of Diane's transgender gaze: "Adam functions like a mirror – a male object upon which Diane might project herself". Diane's prolonged eye-contact with Dan at Winkie's is another example of the trans gaze. For Cole, "Diane's strange recognition of Dan, which is not quite identification but something else, feels trans in its oblique line, drawn between impossible doubles" and their similar names (Dan/Diane) which is no mistake. He stresses that the lesbian understanding of the film has overshadowed potential trans interpretations; his reading of Diane's trans gaze is a contribution to the queer narrative of the film

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Everything was seen from a different angle ... Now, looking back, I see that always wanted to be this way. It just took this strange beginning to cause it to be what it is." The result was an extra eighteen pages of material that included the romantic relationship between Rita and Betty and the events that occurred after the blue box was opened. Watts was relieved that the pilot was dropped by ABC. She found Betty too one-dimensional without the darker portion of the film that was put together afterward. Most of the new scenes were filmed in October 2000, funded with $ 7 million from French

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old), cigarette smoking by Ann Miller's character and a close-frame shot of dog feces in one scene. Lynch remembered, "All I know is, I loved making it, ABC hated it, and I don't like the cut I turned in. I agreed with ABC that the longer cut was too slow, but I was forced to butcher it because we had a deadline, and there wasn't time to finesse anything. It lost texture, big scenes and storylines, and there are 300 tape copies of the bad version circulating around. Lots of people have seen it, which is embarrassing, because they're bad-quality tapes, too. I don't want to think about it."

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scholars, and they portray a "vision of the industry as a closed hierarchical system in which the ultimate source of power remains hidden behind a series of representatives". Ann Miller portrays Coco, the landlady who welcomes Betty to her wonderful new apartment. Coco, in the first part of the film, represents the old guard in Hollywood, who welcomes and protects Betty. In the second part of the film, however, she appears as Adam's mother, who impatiently chastises Diane for being late to the party and barely pays attention to Diane's embarrassed tale of how she got into acting.

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of view, thereby ungrounding a single or even a human perspective" so that the multiple perspectives keep contexts from merging, significantly troubling "our sense of the individual and the human". Andrew Hageman similarly notes that the camera work in the film "renders a very disturbing sense of place and presence", such as the scene in Winkie's where the "camera floats irregularly during the shot-reverse shot dialogue" by which the "spectator becomes aware that a set of normally objective shots have become disturbingly subjective". Scholar Curt Hersey recognizes several

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relationship disappears and is replaced by Diane and Camilla's dysfunction. According to one film scholar, the song and the entire theater scene marks the disintegration of Betty's and Rita's personalities, as well as their relationship. With the use of multiple languages and a song to portray such primal emotions, one film analyst states that Lynch exhibits his distrust of intellectual discourse and chooses to make sense through images and sounds. The disorienting effect of the music playing although del Rio is no longer there is described as "the musical version of

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I saw it, I thought it dealt with identity. Do we know who we are? And then I kept seeing different things in it ... There's no right or wrong to what someone takes away from it or what they think the film is really about. It's a movie that makes you continuously ponder, makes you ask questions. I've heard over and over, 'This is a movie that I'll see again' or 'This is a movie you've got to see again.' It intrigues you. You want to get it, but I don't think it's a movie to be gotten. It's achieved its goal if it makes you ask questions."

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would also be involved in a car accident in the film. Watts arrived wearing jeans for the first interview, direct from the airplane from New York City. Lynch asked her to return the next day "more glammed up". She was offered the part two weeks later. Lynch explained his selection of Watts, "I saw someone that I felt had a tremendous talent, and I saw someone who had a beautiful soul, an intelligence—possibilities for a lot of different roles, so it was a beautiful full package."

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declaration is delayed because it is obvious and expected. The heterosexual closure of the scene is interrupted by a scene change. As Lee Wallace suggests, by planning a hit against Camilla, "Diane circumvents the heterosexual closure of the industry story but only by going over to its storyworld, an act that proves fatal for both women, the cause and effect relations of the thriller being fundamentally incompatible with the plot of lesbianism as the film presents it".

1416:, was "fired up" about doing another television series. Lynch sold the idea to ABC executives based only on the story of Rita emerging from the car accident with her purse containing $ 125,000 in cash and the blue key, and Betty trying to help her figure out who she is. An ABC executive recalled, "I remember the creepiness of this woman in this horrible, horrible crash, and David teasing us with the notion that people are chasing her. She's not just 'in' trouble—she 1529:

work kind of half-blindfolded. If he were a first-time director and hadn't demonstrated any command of this method, I'd probably have reservations. But it obviously works for him." Theroux noted that the only answer Lynch did provide was that he was certain that Theroux's character, a Hollywood director, was not meant to be Lynch. Watts stated that she tried to bluff Lynch by pretending she had the plot figured out, and that he delighted in the cast's frustration.

1424:" Lynch showed ABC a rough cut of the pilot. The person who saw it, according to Lynch, was watching it at six in the morning and was having coffee and standing up. He hated the pilot, and ABC immediately cancelled it. Pierre Edleman, Lynch's friend from Paris, came to visit and started talking to him about the film being a feature. Edleman went back to Paris. Canal+ wanted to give Lynch money to make it into a feature and it took a year to negotiate. 1153:, observed that Betty is a thrill-seeker, someone "who finds herself in a world she doesn't belong in and is ready to take on a new identity, even if it's somebody else's". This has also led one theorist to conclude that since Betty had naïvely, yet eagerly entered the Hollywood system, she had become a "complicit actor" who had "embraced the very structure that" destroyed her. In an explanation of her development of the Betty character, Watts stated: 1122: 1617:. Unlike "Sixteen Reasons", however, portions of "I've Told Ev'ry Little Star" are distorted to suggest "a sonic split-identity" for Camilla. When the song plays, Betty has just entered the sound stage where Adam is auditioning actresses for his film, and she sees Adam, locks eyes with him and abruptly flees after Adam has declared "This is the girl" about Camilla, thereby avoiding his inevitable rejection. 1256:(Justin Theroux) is established in the first portion of the film as a "vaguely arrogant", but apparently successful, director who endures one humiliation after another. Theroux said of his role, "He's sort of the one character in the film who doesn't know what the going on. I think he's the one guy the audience says, 'I'm kind of like you right now. I don't know why you're being subjected to all this pain. 505:"; the performer collapses but the singing continues, revealing audio to be a playback recording. Betty discovers a blue box matching the key in her purse, and the two women return home. Rita retrieves the key, but finds Betty has vanished; unlocking the box, Rita vanishes too and the box falls to the floor. The apartment owner, seen leaving in the opening, investigates the noise but finds nothing. 879:" as the screen fades to black. Sinnerbrink writes that the "concluding images float in an indeterminate zone between fantasy and reality, which is perhaps the genuinely metaphysical dimension of the cinematic image", also noting that it might be that the "last sequence comprises the fantasy images of Diane's dying consciousness, concluding with the real moment of her death: the final 396:. The half-pilot, half-feature result, along with Lynch's characteristic surrealist style, has left the general meaning of the film's events open to interpretation. Lynch has declined to offer an explanation of his intentions for the narrative, leaving audiences, critics, and cast members to speculate on what it means. He gave the film the tagline "A love story in the city of dreams". 38: 1585:", with "the rhythms building to an explosion of infinite darkness." Badalamenti described a particular technique of sound design applied to the film, by which he would provide Lynch with multiple ten- to twelve-minute tracks at slow tempo, that they called "firewood", from which Lynch "would take fragments and experiment with them resulting in a lot of film's eerie soundscapes." 774:

soon-to-be-famous actress. The last one-fifth of the film presents Diane's real life, in which she has failed both personally and professionally. She arranges for Camilla, an ex-lover, to be killed, and unable to cope with the guilt, re-imagines her as the dependent, pliable amnesiac Rita. Clues to her inevitable demise, however, continue to appear throughout her dream.

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switch point for the contesting storyworlds within Lynch's elaborately plotted film". The presence of mirrors and doppelgangers throughout the film "are common representations of lesbian desire". The co-dependency in the relationship between Betty and Rita—which borders on outright obsession—has been compared to the female relationships in two similar films,

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film zooms into a bed containing an unknown sleeper, instilling, according to film scholar Ruth Perlmutter, the necessity to question the reality of following events. Professor of dream studies Kelly Bulkeley argues that the early scene at the diner, as the only one in which dreams or dreaming are explicitly mentioned, illustrates "revelatory truth and

468:, but is saved when a car crashes into them. The woman is the sole survivor but is dazed, and hides in an apartment when the occupant leaves with suitcases. Aspiring actress Betty Elms arrives at the apartment, loaned by her aunt, and finds the woman. The woman confides she has amnesia and is in danger, and dons the name "Rita" from a 883:". Referring to the same sequence, film theorist Andrew Hageman notes that "the ninety-second coda that follows Betty/Diane's suicide is a cinematic space that persists after the curtain has dropped on her living consciousness, and this persistent space is the very theatre where the illusion of illusion is continually unmasked". 757:. On the other hand, Justin Theroux said of Lynch's feelings on the multiple meanings people perceive in the film, "I think he's genuinely happy for it to mean anything you want. He loves it when people come up with really bizarre interpretations. David works from his subconscious." The film was described as a 1298:

characters in scenarios that have components and references to dreams, fantasies and nightmares, viewers are left to decide, between the extremes, what is reality. One film analyst, Jennifer Hudson, writes of him, "Like most surrealists, Lynch's language of the unexplained is the fluid language of dreams."

1894:, Peter Rainer observed, "Although I like it more than some of his other dreamtime freakfests, it's still a pretty moribund ride ... Lynch needs to renew himself with an influx of the deep feeling he has for people, for outcasts, and lay off the cretins and hobgoblins and zombies for a while." In 1919:

also criticized it, saying: "Lynch cheats his audience, pulling the rug out from under us. He throws everything into the mix with the lone goal of confusing us. Nothing makes any sense because it's not supposed to make any sense. There's no purpose or logic to events. Lynch is playing a big practical

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found much to praise—"Lynch cranks up the levels of bizarre humor, dramatic incident and genuine mystery with a succession of memorable scenes, some of which rank with his best"—but also noted, "the film jumps off the solid ground of relative narrative coherence into Lynchian fantasyland ... for

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called it "exhilarating ... for its dreamlike images and fierce, frequently reckless imagination" and added, "there's a mesmerizing quality to its languid pace, its sense of foreboding and its lost-in-time atmosphere ... it holds us, spellbound and amused, for all of its loony and luscious,

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According to Stephen Dillon, Lynch's use of different camera positions throughout the film, such as hand-held points of view, makes the viewer "identify with the suspense of the character in his or her particular space", but that Lynch at moments also "disconnects the camera from any particular point

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Minor characters include The Cowboy (Monty Montgomery), the Castigliani Brothers (Dan Hedaya and Angelo Badalamenti) and Mr. Roque (Michael J. Anderson), all of whom are somehow involved in pressuring Adam to cast Camilla Rhodes in his film. These characters represent the death of creativity for film

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After Betty and Rita find the decomposing body, they flee the apartment and their images are split apart and reintegrated. David Roche notes that Rita's lack of identity causes a breakdown that "occurs not only at the level of the character but also at the level of the image; the shot is subjected to

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can be construed as Rita's fantasy, until Diane Selwyn is revealed; Betty is the object that overcomes Rita's anxiety about her loss of identity. According to film historian Steven Dillon, Diane transitions a former roommate into Rita: following a tense scene where the roommate collects her remaining

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remake". She serves as the object of desire, directly oppositional to Betty's bright self-assuredness. She is also the first character with whom the audience identifies, and as viewers know her only as confused and frightened, not knowing who she is and where she is going, she represents their desire

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Betty, however difficult to believe as her character is established, shows an astonishing depth of dimension in her audition. Previously rehearsed with Rita in the apartment, where Rita feeds her lines woodenly, the scene is "dreck" and "hollow; every line unworthy of a genuine actress's commitment",

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For Joshua Bastian Cole, Adam's character serves as Diane's foil, what she can never be, which is why Camilla leaves her. In her fantasy, Adam has his own subplot which leads to his humiliation. While this subplot can be understood as a revenge fantasy born from jealousy, Cole argues that this is an

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2001) in a city of lethal illusions". The title of the film is a reference to iconic Hollywood culture. Lynch lives near Mulholland Drive, and stated in an interview, "At night, you ride on the top of the world. In the daytime you ride on top of the world, too, but it's mysterious, and there's a hair

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symbolize the heavy influence of dreams. Rita falls asleep several times; in between these episodes, disconnected scenes such as the men having a conversation at Winkie's, Betty's arrival in Los Angeles and the bungled hit take place, suggesting that Rita may be dreaming them. The opening shot of the

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At Winkie's, Diane meets the hitman and hires him to kill Camilla. He says that he will leave a blue key to signal completion. In her apartment, a traumatized Diane stares at the blue key on her coffee table. Terrorised by hallucinations, Diane runs into her room and shoots herself. At Club Silencio,

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Betty and Rita go to Diane Selwyn's apartment complex, but the occupant explains she is Diane's neighbor and they recently swapped apartments. Breaking into Diane's new apartment, Betty and Rita discover a woman's decomposing corpse, horrifying Rita. Rita emotionally attempts to cut her hair off, but

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by their photographs. He called them in separately for half-hour interviews and told them that he had not seen any of their previous works in film or television. Harring considered it fateful that she was involved in a minor car accident on the way to the first interview, only to learn her character

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Lynch described the attractiveness of the idea of a pilot, despite the knowledge that the medium of television would be constricting: "I'm a sucker for a continuing story ... Theoretically, you can get a very deep story and you can go so deep and open the world so beautifully, but it takes time

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s ending with the woman at Club Silencio whispering is an example of Lynch's aural deception and surreality, according to Ruth Perlmutter, who writes, "The acting, the dreams, the search for identity, the fears and terrors of the undefined self are over when the film is over, and therefore, there is

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The first portion of the film that establishes the characters of Betty, Rita and Adam presents some of the most logical filmmaking of Lynch's career. The later part of the film that represents reality to many viewers, however, exhibits a marked change in cinematic effect that gives it a quality just

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Several theorists have accused Lynch of perpetuating stereotypes and clichés of lesbians, bisexuals and lesbian relationships. Rita (the femme fatale) and Betty (the school girl) represent two classic stock lesbian characters; Heather Love identifies two key clichés used in the film: "Lynch presents

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Harring described her interpretation after seeing the film: "When I saw it the first time, I thought it was the story of Hollywood dreams, illusion and obsession. It touches on the idea that nothing is quite as it seems, especially the idea of being a Hollywood movie star. The second and third times

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has in recent years refused to allow voice-over commentary or scene access on the DVDs of his films. "The film is the thing", he tells me. "For me, the world you go into in a film is so delicate — it can be broken so easily. It's so tender. And it's essential to hold that world together, to keep it

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fantasias as a monumental self-reflection" and added: "Looked at lightly, it is the grandest and silliest cinematic carnival to come along in quite some time ... on a more serious level, its investigation into the power of movies pierces a void from which you can hear the screams of a ravenous

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Filming for the television pilot began on location in Los Angeles in February 1999 and took six weeks. Ultimately, the network was unhappy with the pilot and decided not to place it on its schedule. Objections included the nonlinear storyline, the ages of Harring and Watts (whom they considered too

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Another recurring element in Lynch's films is his experimentation with sound. He stated in an interview, "you look at the image and the scene silent, it's doing the job it's supposed to do, but the work isn't done. When you start working on the sound, keep working until it feels correct. There's so

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arms and legs in order to portray his head as abnormally small. During Adam and Camilla's party, Diane watches Camilla (played by Harring) with Adam on one arm, lean over and deeply kiss the same woman who appeared as Camilla (Melissa George) before the blue box was opened. Both then turn and smile

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Heterosexuality as primary is important in the latter half of the film, as the ultimate demise of Diane and Camilla's relationship springs from the matrimony of the heterosexual couple. At Adam's party, they begin to announce that Camilla and Adam are getting married; through laughs and kisses, the

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uncertainty in Lynch's film". The monstrous being from the dream, who is the subject of conversation of the men in Winkie's, reappears at the end of the film right before and after Diane commits suicide. Bulkeley asserts that the lone discussion of dreams in that scene presents an opening to "a new

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seem to accept this interpretation, but both hesitate to overanalyze the film. Ebert states, "There is no explanation. There may not even be a mystery." Ross observes that there are storylines that go nowhere: "Perhaps these were leftovers from the pilot it was originally intended to be, or perhaps

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found that "everything in 'Mulholland Drive' is a nightmare. It's a portrayal of the Hollywood golden dream turning rancid, curdling into a poisonous stew of hatred, envy, sleazy compromise and soul-killing failure. This is the underbelly of our glamorous fantasies, and the area Lynch shows here is

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Diane Selwyn, a depressed and struggling actress resembling Betty, awakens in the apartment Betty and Rita investigated. Diane's neighbor shows up to claim her old possessions, and warns that detectives have asked for Diane's whereabouts. Diane has fantasies about her past relationship with Camilla

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At a Winkie's diner, a man tells his companion about his recurring nightmare of the restaurant, saying it is caused by a horrific figure hiding in the alley behind. Noticing similarities to his nightmare, the man and his companion investigate behind the diner. The figure appears, causing the man to

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Reviewers note that Badalamenti's ominous score, described as his "darkest yet", contributes to the sense of mystery as the film opens on the dark-haired woman's limousine, that contrasts with the bright, hopeful tones of Betty's first arrival in Los Angeles, with the score "acting as an emotional

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Theroux described approaching filming without entirely understanding the plot: "You get the whole script, but he might as well withhold the scenes you're not in, because the whole turns out to be more mystifying than the parts. David welcomes questions, but he won't answer any of them ... You

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Some film theorists have argued that Lynch inserts queerness in the aesthetic and thematic content of the film. The non-linear film is "incapable of sustaining narrative coherence", as Lee Wallace argues that, "lesbianism dissolves the ideological conventions of narrative realism, operating as the

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Media theorist Siobhan Lyons similarly disagrees with the dream theory, arguing that it is a "superficial interpretation undermines the strength of the absurdity of reality that often takes place in Lynch's universe". Instead, Lyons posits that Betty and Diane are in fact two different people who

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names Universal Pictures as the sole distributor of the film; copyright to the film in the U.S. was registered to Universal, with Universal Pictures' logo and a presenter credit appearing on any existing U.S. theatrical release poster, trailer and early home video releases of the film in the U.S.

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has little to do with any single character's love life or professional ambition. The movie is an ever-deepening reflection on the allure of Hollywood and on the multiple role-playing and self-invention that the movie-going experience promises ... What greater power is there than the power to

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by playing on the spectator's mistake that narration is synonymous with diegesis". In Lynch's films, the spectator is always "one step behind narration" and thus "narration prevails over diegesis". Roche also notes that there are multiple mysteries in the film that ultimately go unanswered by the

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employs the conventions of film noir in a pure form. One useful definition of noirs is that they're about characters who have committed a crime or a sin, are immersed with guilt, and fear they're getting what they deserve. Another is that they've done nothing wrong, but it nevertheless certainly

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where she was living, and she sang the song for him once and did not know he was recording her. Lynch wrote a part for her in the film and used the version she sang for him in Nashville. The song tragically serenades the lovers Betty and Rita, who sit spellbound and weeping, moments before their

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Media portrayals of Naomi Watts's and Laura Elena Harring's views of their onscreen relationships were varied and conflicting. Watts said of the filming of the scene, "I don't see it as erotic, though maybe it plays that way. The last time I saw it, I actually had tears in my eyes because I knew

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in the scene where Rita dons the blonde wig, styled exactly like Betty's own hair. Rita and Betty then gaze at each other in the mirror "drawing attention to their physical similarity, linking the sequence to theme of embrace, physical coupling and the idea of merging or doubling". Mirroring and

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Critic Gregory Weight cautions viewers against a cynical interpretation of the events in the film, stating that Lynch presents more than "the façade and that he believes only evil and deceit lie beneath it". As much as Lynch makes a statement about the deceit, manipulation and false pretenses in

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and she's in absolute need of Betty, and Betty controls her as if she were a doll. Rita is Betty's fantasy of who she wants Camilla to be." Watts's own early experiences in Hollywood parallel those of Diane's. She endured some professional frustration before she became successful, auditioned for

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Nick Coccellato of Eccentric Cinema gave the film a rating of nine out of ten and the DVD release an eight out of ten, saying that the lack of special features "only adds to the mystery the film itself possesses, in abundance". Special features in later versions and overseas versions of the DVD

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are archetypes that can only be perceived as cliché: the new Hollywood hopeful, the femme fatale, the maverick director and shady powerbrokers that Lynch never seems to explore fully. Lynch places these often hackneyed characters in dire situations, creating dream-like qualities. By using these

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While at Winkie's investigating Rita's identity, the waitress's nametag causes Rita to remember the name "Diane Selwyn"; they call Diane's number, but there is no answer. Betty leaves Rita to attend an audition, and is shown around by a casting agent. Betty enters Adam's soundstage, where he is

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Director Adam Kesher is threatened by mobsters, forced to cast unknown actress Camilla Rhodes as his film lead. When Kesher refuses, the mobsters remove his line of credit and the studio shuts down production. Kesher discovers his wife's infidelity, and is kicked out of their home by her lover.

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The filmmaking style of David Lynch has been written about extensively using descriptions like "ultraweird", "dark" and "oddball". Todd McGowan writes, "One cannot watch a Lynch film the way one watches a standard Hollywood film noir nor in the way that one watches most radical films." Through

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states that the pivotal romantic interlude between Betty and Rita was made poignant and tender by Betty's "understanding for the first time, with self-surprise, that all her helpfulness and curiosity about the other woman had a point: desire ... It is a beautiful moment, made all the more

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to argue that the first part is a dream of the real Diane Selwyn, who has cast her dream-self as the innocent and hopeful "Betty Elms", reconstructing her history and persona into something like an old Hollywood film. In the dream, Betty is successful, charming, and lives the fantasy life of a

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The script was later rewritten and expanded when Lynch decided to transform it into a feature film. Describing the transition from an open-ended pilot to a feature film with a resolution of sorts, Lynch said, "One night, I sat down, the ideas came in, and it was a most beautiful experience.

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where viewers are presented with familiar characters or situations in altered times or locations. Similarly, Hageman has identified the early scene at Winkie's as "extremely uncanny", because it is a scene where the "boundaries separating physical reality from the imaginary realities of the

517:, and they became friends despite Diane losing the leading role to her. Camilla kisses and whispers about Diane to the "Camilla Rhodes" Adam cast earlier, angering Diane. Adam and Camilla prepare to make a joint announcement (suggesting they are getting married) as Diane shakes with rage. 1140:

for reviewers. Her entire persona at first is an apparent cliché of small-town naïveté. But it is Betty's identity, or loss of it, that appears to be the focus of the film. For one critic, Betty performed the role of the film's consciousness and unconscious. Watts, who modeled Betty on

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similarly notes that the images following Diane's apparent suicide undermine the "dream and reality" interpretation. After Diane shoots herself, the bed is consumed with smoke, and Betty and Rita are shown beaming at each other, after which a woman in the Club Silencio balcony whispers

1532:"I'm not going to lie: I felt very vulnerable," Laura Harring said of filming the sex scene between Harring and Watts' characters. "I was in my dressing room and was on the verge of tears. It's hard. There are a lot of people there ... Naomi and I were friends. It was pretty awkward." 1173:(Harring) is the mysterious and helpless apparent victim, a classic femme fatale with her dark, strikingly beautiful appearance. Roger Ebert was so impressed with Harring that he said of her "all she has to do is stand there and she is the first good argument in 55 years for a 6315:"theater of the absurd" and is concerned that too many DVD extras can "demystify" a film. "Do not demystify", he declares, with ardor. "When you know too much, you can never see the film the same way again. It's ruined for you for good. All the magic leaks out, and it's putrefied." 37: 977:

of fear because it goes into remote areas. You feel the history of Hollywood in that road." Watts also had experience with the road before her career was established: "I remember driving along the street many times sobbing my heart out in my car, going, 'What am I doing here?

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The album progresses much like a typical Lynch film, opening with a quick, pleasant Jitterbug and then slowly delving into darker string passages, the twangy guitar sounds of '50s diner music and, finally, the layered, disturbing, often confusing underbelly of the score.

1061:, ready to swallow them if they awake from the film's dream. And when they are swallowed, when smoke fills the frame as if the sulfur of hell itself were obscuring our vision, we feel as if not just a romance has been broken, but the beauty of the world has been cursed." 1136:(Naomi Watts) is the bright and talented newcomer to Los Angeles, described as "wholesome, optimistic, determined to take the town by storm", and "absurdly naïve". Her perkiness and intrepid approach to helping Rita because it is the right thing to do is reminiscent of 1085:(1977), which also depict identities of vulnerable women that become tangled, interchanging and ultimately merge: "The female couples also mirror each other, with their mutual interactions conflating hero(ine) worship with same-sex desire". Lynch pays direct homage to 1506:

One night, I sat down, the ideas came in, and it was a most beautiful experience. Everything was seen from a different angle ... Now, looking back, I see that always wanted to be this way. It just took this strange beginning to cause it to be what it is.

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makes movies feel alive again. This sinful pleasure is a fresh triumph for Lynch, and one of the best films of a sorry-ass year. For visionary daring, swooning eroticism and colors that pop like a whore's lip gloss, there's nothing like this baby anywhere."

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released the film theatrically in Canada on October 26, 2001. In other territories outside the United States, the film grossed $ 12,897,096, for a worldwide total of $ 20,117,339 on the film's original release, plus much smaller sums on later re-releases.

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wrote that, while some might consider the plot an "offense against narrative order", the film is "an intoxicating liberation from sense, with moments of feeling all the more powerful for seeming to emerge from the murky night world of the unconscious".

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parts in which she did not believe, and encountered people who did not follow through with opportunities. She recalled, "There were a lot of promises, but nothing actually came off. I ran out of money and became quite lonely." Michael Wilmington of the

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I had to therefore come up with my own decisions about what this meant and what this character was going through, what was dream and what was reality. My interpretation could end up being completely different, from both David and the audience. But I

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Lynch's juxtaposition of cliché and surreal, nightmares and fantasies, nonlinear story lines, camera work, sound and lighting, he presents a film that challenges viewers to suspend belief of what they are experiencing. Many of the characters in

392:, and a large portion of the film was shot in 1999 with Lynch's plan to keep it open-ended for a potential series. After viewing Lynch's cut, however, television executives rejected it. Lynch then provided an ending to the project, making it a 1001:. He also portrays Betty as extraordinarily talented and shows that her abilities are noticed by powerful people in the entertainment industry. Commenting on the contrasting positions between film nostalgia and the putrefaction of Hollywood, 899:

characters who meet dead ends, like Betty and Rita, or give in to pressures as Adam does. Although the audience still struggles to make sense of the stories, the characters are no longer trying to solve their mysteries. Roche concludes that

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also met Lynch directly after his airplane flight. After a long flight with little sleep, Theroux arrived dressed all in black, with untidy hair. Lynch liked the look and decided to cast Adam wearing similar clothes and the same hairstyle.

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At Camilla's behest, Diane attends a party at Adam's house on Mulholland Drive. Diane explains to the partygoers, who all resemble people seen previously, that she moved from Canada after inheriting cash from her aunt. Diane met Camilla on

2213:. Criterion indicated each title will be available in a 4K UHD+Blu-ray combo pack including a 4K UHD disc of the feature film as well as the film and special features on the companion Blu-ray. Criterion confirmed on August 16, 2021, that 1721:

theatrically in 66 theaters in the United States on October 12, 2001, grossing $ 587,591 over its opening weekend. It eventually expanded to its widest release of 247 theaters, ultimately grossing $ 7,220,243 at the U.S. box office.

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by Universal Studios Home Video on April 9, 2002, in the United States and Canada, with few special features. It was released without chapter stops, a feature that Lynch objects to on the grounds that it "demystifies" the film.

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was ranked the 28th greatest film ever made, and in the 2022 poll, its ranking rose to 8th. Having received 40 critics' votes, it is one of only two films from the 21st century to be included in the list, along with 2000's

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reported that Universal had bought U.S. distribution rights to the film and planned to release it under the Universal Focus banner, with some articles and reviews also naming the division as distributor. However, the

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This interpretation was similar to what Naomi Watts construed, when she said in an interview, "I thought Diane was the real character and that Betty was the person she wanted to be and had dreamed up. Rita is the

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the final 45 minutes, Lynch is in mind-twisting mode that presents a form of alternate reality with no apparent meaning or logical connection to what came before. Although such tactics are familiar from

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The dark-haired woman assumes the name "Rita" after seeing the name on a poster. Her search for her identity has been interpreted by film scholars as representing the audience's desire to make sense of the

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is a mystery film not because it allows the audience to view the solution to a question, but the film itself is a mystery that is held together "by the spectator-detective's desire to make sense" of it.

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them. According to an analyst of music used in Lynch films, Lynch's female characters are often unable to communicate through normal channels and are reduced to lip-synching or being otherwise stifled.

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poll of international "critics, programmers, academics, filmmakers and others", and by the magazine's readers. It appeared on lists among the ten best films of the decade, coming in third according to

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Betty persuades her to don a similar blonde wig. Later that night, the two have sex. At 2 a.m., Rita awakens from a nightmare while chanting "Silencio" and insists that the two go to Club Silencio.

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The relationships between Betty and Rita, and Diane and Camilla have been variously described as "touching", "moving", as well as "titillating". The French critic Thierry Jousse, in his review for

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Kesher is pressured to meet a cowboy, who strongly urges him to cast Camilla for his own good. Elsewhere, a bungling hitman leaves three people dead in an attempt to steal a book of phone numbers.

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notes, "You wouldn't need all the emotional back-flips and narrative trap doors if you had anything to say. You wouldn't need doppelgangers and shadow-figures if your characters had souls."

12841: 5527: 1635:(there is no band) ... but yet we hear a band", variated between English, Spanish and French. Described as "the most original and stunning sequence in an original and stunning film", 5855: 1581:

guide for the viewer". Film music journalist Daniel Schweiger remarks that Badalamenti's contribution to the score alternates from the "nearly motionless string dread to noir jazz and

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Yet it floats in an uneasy psychic space, never defining who sinned. The film evokes the feeling of noir guilt while never attaching to anything specific. A neat trick. Pure cinema."

8369: 6754: 6393: 11436: 7956: 1861:—the atmosphere of free-floating menace, pointless transmigration of souls, provocatively dropped plot stitches, gimcrack alternate universes—are here brilliantly rehabilitated." 6056: 3281: 1747:, the film has an approval rating of 84% based on 262 reviews, with an average rating of 7.8/10. The website's critical consensus reads, "David Lynch's dreamlike and mysterious 1053:

stated that the scene's "eroticism so potent it blankets the whole movie, coloring every scene that came before and every one that follows". Betty and Rita were chosen by the

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An emotionally troubled Diane exchanges words with Camilla. Diane's scenes were characterized by different lighting to symbolize her physical and spiritual impoverishment.

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as the emblematic romantic couple of the 2000s. Writer Charles Taylor said, "Betty and Rita are often framed against darkness so soft and velvety it's like a hovering

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and elsewhere, the sudden switcheroo to head games is disappointing because, up to this point, Lynch had so wonderfully succeeded in creating genuine involvement."

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Cheng, Scarlet (October 12, 2001). "It's a Road She Knows Well; 'Mulholland Drive ' Star Naomi Watts Has Lived the Hollywood Metaphor Behind the Fabled Highway".

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of multiple characters played by the same actors, dreams and an everyday object—primarily the blue box—that initiates Rita's disappearance and Diane's real life.

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Despite the proliferation of theories, critics note that no explanation satisfies all of the loose ends and questions that arise from the film. Stephen Holden of

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digital transfer, on DVD and Blu-ray on October 27, 2015, both of which include new interviews with the film's crew and the 2005 edition of Chris Rodley's book

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is a twisty neo-noir with an unconventional structure that features a mesmerizing performance from Naomi Watts as a woman on the dark fringes of Hollywood." On

5881: 5307: 2616: 8362: 4600: 1755:, which assigns a normalized rating to reviews, the film has a weighted average score of 87 out of 100 based on 37 critics, indicating "universal acclaim". 1647:", named "Llorando", is praised as "show-stopping ... except that there's no show to stop" in the sparsely attended Club Silencio. Lynch wanted to use 12851: 9829: 9493: 5620: 2608: 857:. It was also suggested that the entire film takes place in a dream, yet the identity of the dreamer is unknown. Repeated references to beds, bedrooms and 6358: 3205: 6415: 5580: 5343: 2673: 2151:

as part of its StudioCanal Collection on September 13, 2010. New special features exclusive to this release include: an introduction by Thierry Jousse;

11452: 7972: 6230: 6182: 2250: 2190:, along with the original trailer and other extras. It was Lynch's second film to receive a Criterion Collection release on DVD and Blu-ray, following 9037: 5941: 3255: 3126: 6619: 6268: 12746: 8355: 11719: 10477: 6034: 4048: 2354: 5517: 5167: 1659:". Del Rio, who popularized the Spanish version and who received her first recording contract on the basis of the song, stated that Lynch flew to 5903: 453: 5972: 4960: 4419: 3595: 3523: 2241:

nominations in the categories of Best Picture (Drama), Best Director, Best Screenplay and Best Original Score. It was named Best Picture by the

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happen to look similar, a common motif among Hollywood starlets. In a similar interpretation, Betty and Rita and Diane and Camilla may exist in

12806: 12189: 7773: 6535: 6328: 6094: 5034: 4887: 11518: 11207: 9625: 5668: 1609:" is the audition for the first Camilla Rhodes, that film scholar Eric Gans considers a song of empowerment for Betty. Originally written by 9030: 8378: 2848: 6762: 4171: 12891: 12791: 12771: 12736: 8837: 6679: 6653: 6389: 4964: 2881: 1574: 1113:

is not as important as desire: "who we are does not count for much—what matters instead is what we are about to do, what we want to do."

3277: 1767:, who had often been dismissive of Lynch's work, awarded the film four stars out of four, writing, "David Lynch has been working toward 7211: 6148: 5821: 2209:, Criterion's parent company. On August 11, 2021, Criterion announced their first 4K Ultra HD releases, a six-film slate, will include 1690: 6794: 6294: 3976:

Filippo, Maria San (2007). "The 'Other' Dreamgirl: Female Bisexuality As the 'Dark Secret' of David Lynch's Mulholland Drive (2001)".

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throughout the film and recognizes that real art comes from classic filmmaking as Lynch cast thereby paying tribute to veteran actors

12831: 7782: 7204: 6706: 5471: 4534: 4129: 3479: 12334: 11913: 10065: 6208: 6118: 5646: 5502: 4930: 2536: 2412: 2246: 2163:, and several interviews with people involved in making the film. It is the second David Lynch film in this line of Blu-rays after 1031:, said that the love between the women depicted is "of lyricism practically without equal in contemporary cinema". In the pages of 7042: 5199:

Lentzner, Jay R.; Ross, Donald R. (2005). "The Dreams That Blister Sleep: Latent Content and Cinematic Form in Mulholland Drive".

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is the monster behind the diner; it's the self-delusional dream turned into nightmare." It was also voted best of the decade in a

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Rhodes, a successful actress who looks like Rita. Despite Diane's investment in the relationship, Camilla breaks up with Diane.

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Contained within the original DVD release is a card titled "David Lynch's 10 Clues to Unlocking This Thriller". The clues are:

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techniques used in the film including lack of transitions, abrupt transitions, motion speed, nontraditional camera movement,

11732: 5248: 1971:, "Can there be another movie that speaks as resonantly—if unwittingly—to the awful moment that marked our decade? ... 12083: 12058: 11874: 11712: 10664: 8988: 8547: 7218: 6820: 5419: 4728: 3103: 2811: 2369: 2199: 1932: 1002: 9053: 6855: 5730: 2300: 890:, but rather force the audience into the role of becoming detectives themselves to make sense of the narratives, and that 430:. The film boosted Watts' Hollywood profile considerably, and was the last feature film to star veteran Hollywood actress 12816: 12716: 2758: 2279: 2242: 1783:. At last his experiment doesn't shatter the test tubes. The movie is a surrealist dreamscape in the form of a Hollywood 5442: 5129: 4095: 3354: 2568: 12801: 12268: 6558: 4413: 3773: 3384: 3011: 2504: 1631:

At the hinge of the film is a scene in an unusual late night theater called Club Silencio where a performer announces "

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has received "both some of the harshest epithets and some of the most lavish praise in recent cinematic history". On

1606: 441: 6004: 5877: 12731: 7363: 6758: 6596: 6445: 2703: 2387: 2331: 1319:). Anderson, who has only two lines and is seated in an enormous wooden wheelchair, was fitted with oversized foam 838: 6816: 4592: 4163: 1288:, as Mr. Roque, was fitted with oversized prosthetic limbs to give him the appearance of an abnormally small head. 1090:

doubles, which are prominent themes throughout the film, serve to further queer the form and content of the film.

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trouble. Obviously, we asked, 'What happens next?' And David said, 'You have to buy the pitch for me to tell you.

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Hudson, Jennifer (Spring 2004). "'No Hay Banda, and yet We Hear a Band': David Lynch's Reversal of Coherence in

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as a duet, sung by Linda Scott in this rendition by herself, Gans suggests it takes on a homosexual overtone in

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Lynch uses two pop songs from the 1960s directly after one another, playing as two actresses are auditioning by

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said that it was the worst film he had seen in 2001, calling it "a load of moronic and incoherent garbage". In

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exasperating 146 minutes proves that Lynch is in solid form—and still an expert at pricking our nerves".

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at number 391 on their list of the five hundred greatest films ever. It has also been ranked number 38 on the

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The view of Los Angeles from Mulholland Drive has become an iconic representation of the city's opportunities.

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writers and editors with the primary criterion of communicating an inherent truth about the L.A. experience.

1703:. It drew positive reviews from many critics and some of the strongest audience reactions of Lynch's career. 1403: 739: 726:

Giving the film only the tagline "A love story in the city of dreams", David Lynch has refused to comment on

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Romney, Jonathan (January 6, 2002). "Film: Lynch opens up his box of tricks; Mulholland Drive David Lynch".

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Fuller, Graham (November 2001). "Naomi Watts: Three Continents Later, An Outsider Actress Finds her Place".

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Norelli, Clare Nina (2009). "Suburban Dread: The music of Angelo Badalamenti in the films of David Lynch".

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pointedly at Diane. Film critic Franklin Ridgway writes that the depiction of such a deliberate "cruel and

1129:). Betty is bright and optimistic, in contrast to Diane—also played by Watts—in the later part of the film. 1058: 6260: 688:

Pay particular attention in the beginning of the film: At least two clues are revealed before the credits.

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include a Lynch interview at the Cannes Film Festival and highlights of the debut of the film at Cannes.

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unconscious disintegrate". Author Valtteri Kokko has identified three groups of "uncanny metaphors"; the

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Can you hear the title of the film that Adam Kesher is auditioning actresses for? Is it mentioned again?

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Cole, Joshua Bastian (March 2018). "Passing Glances: Recognizing the Trans Gaze in Mulholland Drive".

12881: 12871: 12184: 12179: 11968: 11943: 11899: 11421: 11257: 11006: 10865: 9995: 9777: 8016: 7941: 7884: 7844: 7836: 7176: 7148: 6231:"2021 Cannes Classics Lineup Includes Orson Welles, Powell and Pressburger, Tilda Swinton & More" 4968: 4403: 3511: 3318: 2109: 2000: 1686: 1644: 1472: 502: 409: 246: 6527: 6336: 6091: 2051:

to his canon of "Great Movies": "David Lynch loves movies, genres, archetypes and obligatory shots.

960:(1950), another tale about broken dreams in Hollywood, and early in the film Rita is shown crossing 12896: 12503: 12413: 12017: 11761: 11697: 11606: 11464: 11136: 10613: 10493: 10446: 10232: 10155: 9577: 9145: 9089: 8877: 8302: 8120: 7197: 6650:"Nominees & Winners for the 74th Academy Awards: Academy of Motion Picture Arts & Sciences" 5026: 4961:"The 2001 Anthony Asquith Award for the achievement in Film Music - Search Results for Badalamenti" 4879: 4556:

McGowan, Todd (2004). "Lost on Mulholland Drive: Navigating David Lynch's Panegyric to Hollywood".

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Arnold, Gary (October 12, 2001). "Smoke and mirrors; Director Lynch keeps actor Theroux guessing".

2173: 1900:, Desson Howe called it "an extended mood opera, if you want to put an arty label on incoherence". 1054: 804: 12657: 12466: 12349: 12314: 11928: 11756: 11751: 11598: 11582: 10523: 10312: 10222: 9705: 9689: 9225: 9113: 8647: 8254: 8160: 8136: 8056: 7641: 7256: 7190: 7183: 5676: 5276: 4934: 4697: 2838: 2647: 2443: 2234: 2164: 2011:. The film was voted as the 11th best film set in Los Angeles in the last 25 years by a group of 1814: 1670: 1570: 956: 2060:'s favorite plot, the Innocent Man Wrongly Accused. The first describes the central dilemma of 12487: 12234: 11998: 11923: 11834: 11829: 11550: 11247: 11086: 11026: 10760: 10513: 10503: 10025: 9925: 9657: 9441: 9433: 9201: 8967: 8200: 7913: 7600: 7090: 6122: 3605: 2873: 2477: 2068: 973: 841:

rejects the theory of Betty's life as Diane's dream, but also warns against too much analysis.

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At Club Silencio, the emcee explains that everything is an illusion, and the women soon cry to

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spoke with Lynch after the film screened at Cannes and wrote that the director "insisted that

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Newman, Bruce (October 10, 2001). "How pair got to intersection of Lynch and 'Mulholland'".

3001: 2155:, a retrospective documentary featuring directors and critics; two making-of documentaries: 1847:

stated, "This voluptuous phantasmagoria ... is certainly Lynch's strongest movie since

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Universal has seemingly lost the film's U.S. distribution rights since, which now lie with

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which was released in September 2014. This Blu-ray/DVD release was under the license from

1937: 1601:" is the song being sung while the camera pans backwards to reveal several illusions, and 1577:(BAFTA) for his work on the film, also has a cameo as an espresso aficionado and mobster. 1207: 1027: 8: 12696: 12389: 12248: 12174: 12164: 12149: 11988: 11963: 11778: 11472: 11387: 11317: 11166: 11146: 11096: 10996: 10805: 10795: 10744: 10412: 10342: 10332: 10272: 10242: 10115: 9855: 9713: 9585: 9545: 9505: 9321: 9305: 9289: 9257: 9129: 8727: 8537: 8527: 8318: 8262: 8214: 8168: 8088: 7752: 7711: 7620: 7312: 6204: 5447: 5414: 4771: 3644:

Vass, Michael (June 22, 2005). "Cinematic meaning in the work of David Lynch: Revisiting

1963: 1896: 1890: 1779: 1440:, such as the mystery of Rita's identity, Betty's career and Adam Kesher's film project. 1341: 1310: 1285: 1071: 810: 753: 585: 8347: 7127: 7111: 6126: 5642: 5494: 4938: 2144: 12647: 12492: 12456: 12423: 12354: 12339: 12319: 12309: 12278: 12273: 12037: 11983: 11938: 11879: 11849: 11839: 11814: 11678: 11614: 11574: 11277: 11227: 10875: 10573: 10302: 10262: 10145: 10045: 9721: 9681: 9513: 9449: 9409: 9345: 9233: 9185: 9177: 8637: 8587: 8467: 8437: 8230: 8184: 8032: 7874: 7671: 7503: 7483: 7322: 7276: 7073: 7046: 5348: 5216: 5076: 5059:

Mazullo, Mark (Winter 2005). "Remembering Pop: David Lynch and the Sound of the '60s".

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The film was publicized with cryptic posters bearing the abbreviation "Mulholland Dr."

1558: 1519: 1305:. A shadowy figure named Mr. Roque, who seems to control film studios, is portrayed by 1043: 922: 871: 779: 751:

does tell a coherent, comprehensible story", unlike some of Lynch's earlier films like

579: 373:. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in 208: 159: 6467: 798:

asked six well-known film critics for their own perceptions of the overall meaning in

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safe." He says he thinks "it's crazy to go in and fiddle with the film", considers

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poster. The two discover a large quantity of cash and a blue key in Rita's purse.

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in its piece on "New Classics" as the most enduring film since 2000. Ebert added

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woman (Harring) recovering from a car accident. The story follows several other

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at night. Apart from both titles being named after iconic Los Angeles streets,

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that sometimes interconnect. Another theory offered is that the narrative is a

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Neman, Daniel (October 19, 2001). "Indie Actor Theroux Puts in 'Drive' Time".

3435: 3397: 2766: 12690: 12555: 12529: 12144: 12042: 11824: 11488: 10986: 10845: 10754: 10643: 10252: 9975: 9875: 9601: 9193: 9081: 8767: 8447: 8427: 8334: 8144: 7819: 7732: 7691: 7423: 6620:"Criterion announces support for 4K UHD Blu-ray, beginning with Citizen Kane" 5312: 5303: 5133: 4849:""Walk Like a Kitty Cat, Laura": How David Lynch Directed 'Mulholland Drive'" 4792: 4737: 4092: 4035: 3351: 2321: 2226: 2181: 1901: 1829: 1824: 1694: 1483: 1447:

stated in a 2014 interview that the original idea came during the filming of

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miraculous by its earned tenderness, and its distances from anything lurid."

828: 819: 591: 567: 537: 413: 362: 116: 5852:"'Memento,' 'Mulholland Drive' among Canadian Press film favourites of 2000" 3781: 3701: 1467: 1280: 1009:

is critical of the culture of Hollywood as much as it is a condemnation of "

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subscribe to the theory that Betty is Diane's projection of a happier life.

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echoes this sentiment by calling it a "poisonous valentine to Hollywood".

894:, like other Lynch films, frustrates "the spectator's need for a rational 12619: 12451: 12399: 12108: 12027: 12003: 11156: 10976: 10181: 10135: 9553: 9337: 9241: 9169: 8957: 8857: 8747: 8687: 8048: 7984: 7524: 7164: 7079: 6592: 6501: 6362: 6087: 5344:"Critic's Notebook; Shoving Through the Crowd to Taste Lyrical Nostalgia" 5339: 4569: 4122: 3937:

Love, Heather (2004). "Spectacular failure: the figure of the lesbian in

2217:

will be released on November 16, 2021, as a 4K and Blu-ray disc package.

2206: 1996: 1862: 1838: 1758: 1648: 1610: 1602: 1522: 1479: 1407: 1333: 1193: 932: 837:

sees it as an allusion to Hollywood tragedy, while Jane Douglas from the

815: 609: 531: 374: 358: 350: 188: 177: 111: 90: 77: 51: 9828: 9492: 7062: 6588: 6441: 3422:

Bulkeley, Kelly (March 2003). "Dreaming and the Cinema of David Lynch".

3027:

Silver, Alain; Ward, Elizabeth; Ursini, James; Porfirio, Robert (2010).

1471:

Naomi Watts, David Lynch, Laura Elena Harring and Justin Theroux at the

1013:" (the fascination of filmmaking and the fantasies associated with it). 12633: 12605: 11337: 11066: 10936: 10105: 10085: 10035: 9955: 9521: 8827: 8667: 8278: 8080: 8064: 8024: 7610: 7590: 7493: 7453: 7246: 7107: 6824: 5243: 5080: 4088: 4053: 3551: 3206:"Lynch's 'Mulholland Drive' takes us to a hair-raising alternate world" 3187:

Pearce, Gareth (January 6, 2002). "Why Naomi is a girl's best friend".

2313: 2092:

poll, it was ranked 21st among all American films. The following year,

1921: 1857:. The very things that failed him in the bad-boy rockabilly debacle of 1853: 1787:, and the less sense it makes, the more we can't stop watching it". In 1752: 1640: 1627:

performing "Llorando", popularized in the film's Club Silencio sequence

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Ridgway, Franklin (Fall 2006). "You Came Back!; Or Mulholland Treib".

3278:"Moving Beyond the Dream Theory: A New Approach to 'Mulholland Drive'" 968:

is "Lynch's unique account of what held Wilder's attention too: human

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XIX. Solar Sphinx. Memories of Vamp Iris Atma Ra. Woman & Romance

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all of his career, and now that he's arrived there I forgive him for

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Film theorist David Roche writes that Lynch films do not simply tell

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Some sources contradict each other as to whether Universal released

972:(a term Lynch used several times during his press conference at the 697:

An accident is a terrible event—notice the location of the accident.

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demon whose appetites can never be slaked." Edward Guthmann of the

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is often regarded as one of Lynch's finest works and as one of the

6883:

The Solaris Effect: Art and Artifice in Contemporary American Film

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have to reconcile all of that, and people seem to think it works.

1081: 907: 378: 388:

The American-French co-production was originally conceived as a

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Toles, George (2004). "Auditioning Betty in Mulholland Drive".

1808: 734: 385:

and characters, including a Hollywood film director (Theroux).

11397: 10422: 7133: 1260:" After being stripped of creative control of his film, he is 10191: 6978:

The Cinema of David Lynch: American Dreams, Nightmare Visions

5148: 1215: 1185:

belongings, Rita appears in the apartment, smiling at Diane.

1175: 470: 12842:

National Society of Film Critics Award for Best Film winners

7029:

at LynchNet.com – includes interviews, press kit, film clips

4501:

Hersey, Curt (2002). "Diegetic Breaks and the Avant-Garde".

4328:"Everything you were afraid to ask about 'Mulholland Drive'" 1803: 867:

way of understanding everything that happens in the movie".

6921:

Pervert in the Pulpit: Morality in the Works of David Lynch

6902:

The B Word: Bisexuality in Contemporary Film and Television

6785:"'Memento' Makes Memories at the Independent Spirit Awards" 6390:"Mulholland Drive StudioCanal Collection UK Blu-ray Review" 4434: 4326:

Garrone, Max; Klein, Andy; Wyman, Bill (October 23, 2001).

3620: 3382:

Permutter, Ruth (April 2005). "Memories, Dreams, Screens".

1125:

Betty (Watts) arrives in Los Angeles; pictured with Irene (

737:, leading to much discussion and multiple interpretations. 6848:""Mulholland Drive" takes best picture in critics' awards" 4383: 4286: 3738:

Weight, Gregory (2002). "Film Reviews: Mulholland Drive".

3564:

E-rea: Revue électronique d'études sur le monde anglophone

464:

A woman is about to be shot by her limousine chauffeur on

12679:

All un-suffixed roads are streets unless otherwise noted.

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Note the occurrences surrounding the man behind Winkie's.

706:

What is felt, realized and gathered at the Club Silencio?

4800: 4708: 3026: 2609:"Film Festival Review: Hollywood, a Funhouse of Fantasy" 1689:

in May to major critical acclaim. Lynch was awarded the

6327:

Coccellato, Nick (June 4, 2008). Linsdey, Brian (ed.).

5934:"The 25 best arthouse films of all time: the full list" 5854:. journalpioneer.com. December 20, 2009. Archived from 4355: 4353: 3774:"Laura Elena Harring Explores the World of David Lynch" 3755: 3753: 3520:

Scope: An Online Journal of Film and Television Studies

1410:, the agent who was responsible for the development of 6999:

Weirdsville USA: The Obsessive Universe of David Lynch

6205:"Mulholland Drive tops BBC Culture greatest film poll" 5003: 4274: 4222: 4210: 4143: 9052: 6141: 6092:

Mulholland Dr. Movie Review & Film Summary (2001)

5518:"LA critics name Mulholland Drive Film of the Decade" 4482: 3059:

Postfeminism and the Fatale Figure in Neo-Noir Cinema

2926:

Macaulay, Scott (October 2001). "The dream factory".

1569:. Badalamenti, who was nominated for awards from the 931:

enter and to program the dream life of the culture?"

9830:

National Society of Film Critics Award for Best Film

9494:

Chicago Film Critics Association Award for Best Film

5791:"Best films of the noughties No 3: Mulholland Drive" 4829: 4668: 4470: 4458: 4446: 4350: 4305:

Fuller, Graham (December 2001). "Babes in Babylon".

4234: 3750: 4700:from the original on November 14, 2021 – via 764: 11453:Online Film Critics Society Award for Best Picture 7973:Boston Society of Film Critics Award for Best Film 6996: 6468:"Mulholland Dr. (2001) – The Criterion Collection" 4912:Jolin, Dan (February 2002). "Angelo Badalamenti". 4694:Queensland Art Gallery & Gallery of Modern Art 4625:Divine, Christine (November 2001). "David Lynch". 4593:"Psychological Horror in the Films of David Lynch" 3856:"The Naughts: The Romantic Pair of the '00s – IFC" 12877:Films about contract killing in the United States 5822:"Mulholland Drive – Rolling Stone Movies – Lists" 4325: 1301:David Lynch uses various methods of deception in 12688: 10478:New York Film Critics Circle Award for Best Film 2108:was shown in the Cannes Classics section at the 1655:, but changed his mind when he heard Orbison's " 7930: 2978: 2976: 1967:, who asked rhetorically in a reference to the 6755:"Chicago Film Critics Awards – 1998–2007" 6498:"Eraserhead (1997) – The Criterion Collection" 6110: 4408:. Amazon Digital Services LLC - KDP Print US. 4264:Post Script: Essays in Film and the Humanities 3457: 3455: 3453: 2056:appears as if they have. The second describes 2003:'s list. In 2010 it was named the second best 1561:, who collaborated on previous Lynch projects 11713: 11519:The Lord of the Rings: The Return of the King 11437: 11208:The Lord of the Rings: The Return of the King 10462: 9814: 9626:The Lord of the Rings: The Return of the King 9478: 9038: 8363: 7957: 7149: 6956: 6672: 5965:"The 25 best L.A. films of the last 25 years" 5168:"Festival de Cannes – From 15 to 26 may 2012" 5154: 5130:"Rebekah Del Rio – The story behind Llorando" 3377: 3375: 3373: 2999: 1931:was named the best film of the decade by the 1394:Originally conceived as a television series, 703:Notice the robe, the ashtray, the coffee cup. 677: 7038:– comprehensive analysis and resource center 6975: 6739:"'Pinero, ' Rodriguez Receive ALMA Awards". 5731:"Film Comment's End-of-Decade Critics' Poll" 5465: 5198: 5099:"Chronicles of Love & Resentment CCLXIX" 5020: 5018: 4769:David, Anna (November 2001). "Twin Piques". 4440: 3679: 3677: 3675: 3673: 3671: 3669: 3667: 3626: 3242:"Nice Film If You Can Get It: Understanding 2973: 2569:"Film clean-out begins at Vivendi Universal" 2435:on its own or through an arthouse division. 12852:Television pilots not picked up as a series 8838:Uncle Boonmee Who Can Recall His Past Lives 6698: 6654:Academy of Motion Picture Arts and Sciences 6418:. studiocanalcollection.com. Archived from 6416:"StudioCanal Collection – The Elephant Man" 6359:"StudioCanal Collection – Mulholland Drive" 5054: 5052: 4965:British Academy of Film and Television Arts 4514: 4512: 4298: 3820: 3818: 3804:Pendant les travaux, le cinéma reste ouvert 3589: 3587: 3552:"The Death of the Subject in David Lynch's 3461: 3450: 3006:. University of Kentucky Press. p. 3. 2921: 2919: 2917: 2915: 2913: 2874:"Mulholland Drive (2001) – Box Office Mojo" 1693:at the festival, sharing it with co-winner 1575:British Academy of Film and Television Arts 1432:elements, much like Lynch's earlier series 11929:Laurel Canyon Blvd./Crescent Heights Blvd. 11720: 11706: 11444: 11430: 10469: 10455: 9821: 9807: 9485: 9471: 9045: 9031: 8370: 8356: 7964: 7950: 7156: 7142: 7126: 7110: 7072: 6617: 6326: 6197: 4990: 4988: 4986: 4696:. June 15, 2015. 34:22–36:07 minutes in. 4401: 4257: 4255: 4253: 4251: 4249: 4170:(Interview). Interviewed by Paul Fischer. 3505: 3503: 3501: 3499: 3497: 3370: 3367:5, no. 37 (September/October 2001): 44–45. 3203: 2949:"Lynch's twisty map to 'Mulholland Drive'" 2906:(DVD). Universal Studios Home Video. 2002. 2704:"Mulholland Drive - Original Movie Poster" 1989:critic Peter Travers, the Canadian Press, 36: 6957:Odell, Colin; Le Blanc, Michelle (2007). 5643:"Best of the Decade #1: Mulholland Drive" 5578: 5024: 5015: 4729:"Sherilyn Fenn talks David Lynch and how 4620: 4618: 4084: 4082: 4080: 4078: 4076: 3906: 3733: 3731: 3683: 3664: 3575: 3417: 3415: 3381: 3343: 3341: 3339: 3337: 3335: 3333: 3307: 3305: 3303: 3301: 3299: 3182: 3180: 3158: 3156: 3154: 3000:Sanders, Steven; Skoble, Aeon G. (2008). 2537:"THE TWISTS, TURNS OF "Mulholland Drive'" 769:An early interpretation of the film uses 521:a blue-haired woman whispers "Silencio". 452:of the best films ever made and topped a 6976:Sheen, Erica; Davison, A., eds. (2004). 6556: 6434: 6289: 6116: 6027:"Film4's 50 Films To See Before You Die" 5880:. accesshollywood.com. January 5, 2010. 5269: 5092: 5090: 5049: 4907: 4905: 4764: 4762: 4760: 4518: 4509: 4370: 4368: 4185: 4183: 4181: 4118: 4116: 4114: 4066:Lawrence Ferber, "Sapphic Strangeness", 3892:. New York: Routledge. pp. 99–116. 3815: 3771: 3713: 3711: 3593: 3584: 3545: 3543: 3541: 3421: 3235: 3233: 3204:Wilmington, Michael (October 12, 2001). 3020: 2946: 2925: 2910: 2602: 2600: 2598: 2596: 2413:List of films featuring miniature people 2318:Outstanding Actress in a Motion Picture 2247:2001 New York Film Critics Circle Awards 1619: 1466: 1398:began as a 90-minute pilot produced for 1350: 1279: 1120: 911: 691:Notice appearances of the red lampshade. 6937: 6918: 6899: 6642: 6387: 6185:from the original on September 16, 2016 6119:"The Top 50 Greatest Films of All Time" 5962: 5878:"MovieMantz: Best Movies Of The Decade" 5819: 5623:from the original on September 30, 2012 5530:from the original on September 18, 2012 5302: 5160: 5058: 5009: 4994: 4983: 4877: 4603:from the original on September 27, 2013 4555: 4549: 4464: 4452: 4389: 4292: 4280: 4261: 4246: 4228: 4216: 4164:"Driven To Tears (on Mulholland Drive)" 4149: 3975: 3932: 3930: 3928: 3926: 3924: 3922: 3920: 3918: 3887: 3639: 3637: 3635: 3509: 3494: 2868: 2866: 2502: 1730: 12689: 6880: 6858:from the original on November 15, 2013 6845: 6797:from the original on November 30, 2016 6704: 6599:from the original on February 25, 2024 6569:from the original on February 25, 2024 6478:from the original on September 4, 2015 5801:from the original on September 8, 2013 5699:"The TONY top 50 movies of the decade" 5579:Hernandez, Eugene (January 22, 2010). 5492: 5474:from the original on February 24, 2012 5407: 5356:from the original on November 10, 2012 4925: 4923: 4859:from the original on February 24, 2022 4818: 4789: 4726: 4624: 4615: 4500: 4488: 4304: 4240: 4073: 4060: 3853: 3759: 3737: 3728: 3412: 3330: 3311: 3296: 3186: 3177: 3162: 3151: 3106:from the original on November 28, 2015 3056: 2982: 2684:from the original on February 21, 2024 2606: 2581:from the original on November 27, 2022 19:Not to be confused with the 1996 film 12807:Films with screenplays by David Lynch 12747:Best Foreign Film César Award winners 11701: 11527:Eternal Sunshine of the Spotless Mind 11511:The Lord of the Rings: The Two Towers 11425: 10450: 9906:The Discreet Charm of the Bourgeoisie 9802: 9466: 9026: 8351: 7945: 7929: 7137: 6994: 6732: 6682:. TheGoldenGlobes.com. Archived from 6680:"The 59th Annual Golden Globe Awards" 6630:from the original on February 3, 2022 6007:from the original on October 15, 2012 5995:"The 500 Greatest Movies of All Time" 5711:from the original on October 13, 2010 5495:"Mulholland Drive and "puzzle films"" 5422:from the original on October 18, 2012 5338: 5270:Guthmann, Edward (October 12, 2001). 5087: 4953: 4931:"AFI AWARDS 2001: Movies of the Year" 4911: 4902: 4835: 4806: 4768: 4757: 4745:from the original on January 22, 2014 4714: 4674: 4643: 4637: 4590: 4476: 4374: 4365: 4359: 4319: 4189: 4178: 4161: 4111: 4009: 4007: 3883: 3881: 3802:Thierry Jousse, "L'amour à mort," in 3717: 3708: 3549: 3538: 3284:from the original on October 21, 2017 3239: 3230: 3088: 3086: 3052: 3050: 3048: 2961:from the original on October 12, 2001 2884:from the original on October 21, 2012 2851:from the original on February 1, 2021 2819:from the original on October 27, 2014 2785:Universal Pictures Home Entertainment 2638: 2636: 2634: 2593: 2505:"U gets into Focus with 'Mulholland'" 2468: 2466: 2464: 1797:wrote that the film "ranks alongside 8548:The Chronicle of Anna Magdalena Bach 7043:"Deciphering David Lynch's 10 Clues" 6557:Galloway, Chris (October 22, 2015). 6442:"Criterion Announces October Titles" 6388:DuHamel, Brandon (August 31, 2010). 6211:from the original on August 23, 2016 6069:from the original on August 18, 2012 6037:from the original on October 5, 2013 5975:from the original on August 25, 2015 5944:from the original on October 5, 2013 5884:from the original on October 1, 2012 5820:Travers, Peters (December 9, 2009). 5591:from the original on August 31, 2016 5440: 5374: 5096: 5025:Schweiger, Daniel (September 2001). 4174:from the original on August 6, 2012. 4013: 3936: 3915: 3854:Taylor, Charles (December 9, 2009). 3643: 3632: 3258:from the original on August 30, 2008 3124: 3118: 2947:Sterritt, David (October 12, 2001). 2863: 2812:British Board of Film Classification 2370:Los Angeles Film Critics Association 2220: 2200:Universal Studios Home Entertainment 1933:Los Angeles Film Critics Association 908:A "poisonous valentine to Hollywood" 6846:Taylor, Charles (January 7, 2002). 6711:. University Press of Mississippi. 6618:Machkovech, Sam (August 11, 2021). 6320: 6271:from the original on March 18, 2002 5515: 5505:from the original on March 3, 2016. 5455:from the original on March 5, 2016. 5284:from the original on March 21, 2012 5132:. rebekahdelrio.com. Archived from 5127: 4920: 4503:The Journal of Moving Image Studies 4422:from the original on April 25, 2023 3526:from the original on August 7, 2012 2654:from the original on August 5, 2020 2607:Holden, Stephen (October 6, 2001). 1020: 985:Hollywood culture, he also infuses 13: 12892:English-language independent films 12792:Films scored by Angelo Badalamenti 12772:Films about Hollywood, Los Angeles 12737:American nonlinear narrative films 7414:Premonition Following an Evil Deed 6538:from the original on March 2, 2024 6508:from the original on June 20, 2014 6448:from the original on July 18, 2015 6396:from the original on March 9, 2012 6241:from the original on June 24, 2021 5963:Boucher, Geoff (August 31, 2008). 5649:from the original on July 17, 2012 5037:from the original on March 1, 2012 4890:from the original on March 1, 2012 4108:5, no. 37 (September 2001): 51–55. 4004: 3878: 3829:David Lynch's latest tour de force 3684:Nochimson, Martha (Autumn 2002). " 3385:Quarterly Review of Film and Video 3083: 3045: 2759:"United States theatrical trailer" 2739:from the original on April 3, 2016 2631: 2619:from the original on June 21, 2008 2461: 14: 12913: 11671:Everything Everywhere All at Once 10066:The Unbearable Lightness of Being 9054:César Award for Best Foreign Film 7018: 6528:"Mulholland Dr. Packaging Photos" 6261:"MulhollandDrive Speeds To Video" 6179:"The 100 greatest American films" 5443:"'Mulholland': A Dead-End Street" 5441:Howe, Desson (October 12, 2001). 5251:from the original on May 15, 2020 4878:Shurley, Neil (January 6, 2002). 4727:Harris, Will (January 22, 2014). 4162:Watts, Naomi (October 16, 2001). 3240:Lewis, Robin (January 17, 2007). 3031:. Overlook Duckworth (New York). 2098:greatest film of the 21st century 12832:French nonlinear narrative films 10624:The Treasure of the Sierra Madre 7364:Six Men Getting Sick (Six Times) 6839: 6809: 6777: 6747: 6611: 6581: 6550: 6520: 6490: 6460: 6408: 6381: 6351: 6283: 6253: 6223: 6171: 6081: 6049: 6019: 5987: 5956: 5926: 5896: 5870: 5844: 5813: 5783: 5761:"Extended Readers' Poll Results" 5753: 5723: 5691: 5661: 5635: 5603: 5572: 5542: 5516:Kay, Jeremy (January 12, 2010). 5509: 5486: 5459: 5434: 5401: 5368: 5332: 5296: 5263: 5227: 5192: 5121: 3594:Hoberman, J. (October 2, 2001). 3482:from the original on May 7, 2013 3464:"Cinematic Ideas: David Lynch's 2549:from the original on May 4, 2023 2517:from the original on May 4, 2023 2388:National Society of Film Critics 2176:announced that it would release 1878:was not without its detractors. 1428:to do that." The story included 1206: 1200:Harring as the dark-haired woman 1192: 765:Dreams and alternative realities 12180:Manchester Ave./Firestone Blvd. 10016:The Night of the Shooting Stars 9074:We All Loved Each Other So Much 8009:The Night of the Shooting Stars 7163: 6874: 5408:Ranier, Peter (April 8, 2008). 4871: 4841: 4812: 4783: 4680: 4584: 4519:McCarthy, Todd (May 16, 2001). 4494: 4395: 4155: 4042: 3969: 3847: 3796: 3772:Spelling, Ian (November 2001). 3765: 3270: 3197: 3125:Tang, Jean (November 7, 2001). 2993: 2940: 2896: 2831: 2795: 2773: 2751: 2503:Dunkley, Cathy (July 4, 2001). 2425: 2157:On the Road to Mulholland Drive 1264:by the pool cleaner (played by 12757:Films about female bisexuality 8798:Private Fears in Public Places 7303:Twin Peaks: The Missing Pieces 6444:. Blu-ray.com. July 15, 2015. 5375:Reed, Rex (October 14, 2001). 5097:Gans, Eric (August 31, 2002). 4880:"CD reviews: Mulholland Drive" 3061:. London: Palgrave Macmillan. 2721: 2696: 2666: 2561: 2529: 2496: 2034:50 Films to See Before You Die 1389: 870:Philosopher and film theorist 709:Did talent alone help Camilla? 456:of the best films since 2000. 1: 12887:English-language French films 12787:Films produced by Alain Sarde 12782:Films directed by David Lynch 11969:Rosemead Blvd./Lakewood Blvd. 8989:The Bridges of Madison County 7829:The Angriest Dog in the World 7297:Twin Peaks: Fire Walk with Me 6942:. Columbia University Press. 6885:. University of Texas Press. 4402:Victorieux, Ra'al Ki (2019). 3646:Twin Peaks: Fire Walk With Me 3510:Hageman, Andrew (June 2008). 3127:"All you have to do is dream" 2954:The Christian Science Monitor 2454: 2115: 1709: 1535: 1384: 1116: 827:and subconscious of dreams." 740:The Christian Science Monitor 408:(Best Director Award) at the 377:, who meets and befriends an 349:film written and directed by 12752:2000s English-language films 12722:American LGBTQ-related films 12190:Martin Luther King Jr. Blvd. 11805:Atlantic Blvd./Atlantic Ave. 10725:The Bridge on the River Kwai 7543:Shot in the Back of the Head 7404:The Cowboy and the Frenchman 6904:. Indiana University Press. 6743:. May 20, 2002. p. F.7. 5904:"Best of the Decade Top Ten" 5466:Berardinelli, James (2001). 3462:Sinnerbrink, Robert (2005). 3029:Film Noir: The Encyclopaedia 2243:New York Film Critics Circle 7: 10715:Around the World in 80 Days 10604:The Best Years of Our Lives 9370:The Broken Circle Breakdown 9218:Four Weddings and a Funeral 6923:. McFarland & Company. 6900:Filippo, Maria San (2013). 6705:Barney, Richard A. (2009). 4689:David Lynch In Conversation 4098:September 21, 2013, at the 2406: 2332:Chicago Film Critics Awards 2251:Online Film Critics Society 2225:Lynch was nominated for an 2180:, newly restored through a 2037:. In 2011, online magazine 1920:joke on us." Film theorist 1607:I've Told Ev'ry Little Star 444:. It was ranked 8th in the 263:November 21, 2001 10: 12918: 12817:French LGBTQ-related films 12717:American independent films 11880:Glendale Blvd./Brand Blvd. 11408:Killers of the Flower Moon 9966:Get Out Your Handkerchiefs 9786:Killers of the Flower Moon 8628:A Short Film About Killing 8295:If Beale Street Could Talk 8001:E.T. the Extra-Terrestrial 6940:The Impossible David Lynch 6097:February 25, 2020, at the 5707:(739). November 26, 2009. 5611:"Best of the Aughts: Film" 5027:"The Mad Man and His Muse" 4057:61 (February 2002): 72–74. 3834:November 15, 2013, at the 2137:Optimum Home Entertainment 1677: 1651:'s version of "Crying" in 1495: 1462: 1455:film for her character of 1436:. Groundwork was laid for 1381:only silence and enigma." 1338:computer-generated imagery 853:, a twisted band that has 790:realistically portrayed". 678:Themes and interpretations 534:as Betty Elms/Diane Selwyn 442:greatest films of all time 252:October 12, 2001 18: 12802:Films shot in Los Angeles 12677: 12569: 12543: 12522: 12480: 12442: 12287: 12115:Compton Blvd./Marine Ave. 12051: 11875:Garfield Ave./Cherry Ave. 11787: 11739: 11459: 11178: 10917: 10655: 10484: 10203: 9836: 9778:The Banshees of Inisherin 9500: 9060: 8979: 8388: 7979: 7939: 7885:David Lynch: The Art Life 7845:Industrial Symphony No. 1 7793: 7764: 7723: 7632: 7581: 7562: 7515: 7354: 7237: 7228: 7171: 6995:Woods, Paul, ed. (2000). 6392:. blu-raydefinition.com. 6363:studiocanalcollection.com 5155:Odell & Le Blanc 2007 4853:www.hollywoodreporter.com 3890:Lesbianism, Cinema, Space 3398:10.1080/10509200590461837 3319:Journal of Film and Video 3094:"Mulholland Drive (2001)" 3057:Lindop, Samantha (2015). 3003:The Philosophy of TV Noir 2839:"Mulholland Drive (2001)" 2391: 2373: 2368: 2353: 2350:Independent Spirit Awards 2335: 2317: 2299: 2283: 2273: 2270: 2267: 2264: 2237:, the film received four 2120:The film was released on 2110:2021 Cannes Film Festival 1687:2001 Cannes Film Festival 1473:2001 Cannes Film Festival 700:Who gives a key, and why? 501:'s Spanish rendition of " 412:, sharing the prize with 410:2001 Cannes Film Festival 321: 313: 305: 288: 278: 228: 201: 165: 155: 145: 135: 99: 65: 57: 47: 42:Theatrical release poster 35: 30: 12857:Universal Pictures films 12812:French independent films 12797:Films set in Los Angeles 12707:2001 LGBTQ-related films 11607:The Grand Budapest Hotel 11077:The Silence of the Lambs 10826:In the Heat of the Night 10665:A Streetcar Named Desire 9530:The Silence of the Lambs 9146:The Purple Rose of Cairo 9090:The Tree of Wooden Clogs 8073:The Silence of the Lambs 6472:The Criterion Collection 4591:Kokko, Valtteri (2004). 4441:Sheen & Davison 2004 4379:. Virginia. p. C1A. 4132:October 1, 2013, at the 3778:New York Times Syndicate 3627:Sheen & Davison 2004 3512:"The Uncanny Ecology of 3357:October 4, 2013, at the 2418: 2174:The Criterion Collection 2161:Back to Mulholland Drive 1700:The Man Who Wasn't There 1275: 1055:Independent Film Channel 419:The Man Who Wasn't There 405:Prix de la mise en scène 211:(United States; through 182:Asymmetrical Productions 16:2001 film by David Lynch 12732:American neo-noir films 12467:SM Entertainment Square 10927:All the President's Men 9946:All the President's Men 8980:Best Film of the Decade 8648:Freeze Die Come to Life 8057:Crimes and Misdemeanors 7059:– found within the DVD 6881:Dillon, Steven (2006). 6708:David Lynch: Interviews 5277:San Francisco Chronicle 4967:(BAFTA). Archived from 4644:Horan, Anthony (n.d.). 4377:Richmond Times Dispatch 4070:, October 11, 2001, 31. 3702:10.1525/fq.2002.56.1.37 3436:10.1023/a:1022190318612 2648:American Film Institute 2644:"Mulholland Dr. (2001)" 2474:"Mulholland Dr. (2001)" 2444:American Film Institute 2235:Hollywood Foreign Press 2233:for the film. From the 2100:in a poll conducted by 1999:, and eighth on critic 1815:San Francisco Chronicle 1671:Ceci n'est pas une pipe 1571:American Film Institute 947:has been compared with 855:no beginning and no end 721:2002 DVD edition insert 558:as Vincenzo Castigliane 524: 459: 422:. Lynch also earned an 12777:Films about nightmares 12727:American mystery films 12702:2001 independent films 11729:Streets in Los Angeles 11551:No Country for Old Men 11248:No Country for Old Men 11047:The Accidental Tourist 11027:Hannah and Her Sisters 10514:The Life of Emile Zola 10504:Mr. Deeds Goes to Town 10026:Stranger Than Paradise 9926:Scenes from a Marriage 9658:No Country for Old Men 9009:Twin Peaks: The Return 8908:Twin Peaks: The Return 8618:Under the Sun of Satan 8201:No Country for Old Men 7914:David Lynch Foundation 7621:Twin Peaks: The Return 7212:Frequent collaborators 6938:McGowan, Todd (2007). 6919:Johnson, Jeff (2004). 6759:chicagofilmcritics.org 6295:"Everybody Gets a Cut" 6181:. BBC. July 20, 2015. 6117:Christie, Ian (2012). 5910:. 2002. Archived from 5908:bventertainment.go.com 5767:. 2010. Archived from 5737:. 2010. Archived from 5675:. 2010. Archived from 5556:. 2010. Archived from 5176:. 2001. Archived from 5103:anthropoetics.ucla.edu 4627:Creative Screenwriting 4204:10.1525/fq.2004.58.1.2 4028:10.3366/soma.2018.0238 3978:Journal of Bisexuality 2769:on September 24, 2010. 2478:British Film Institute 2069:British Film Institute 1628: 1545: 1509: 1475: 1356: 1340:, nondiegetic images, 1289: 1164: 1130: 974:New York Film Festival 917: 718: 540:as Rita/Camilla Rhodes 515:The Sylvia North Story 488:The Sylvia North Story 237:May 16, 2001 12837:Lesbian-related films 12827:French neo-noir films 12742:BAFTA winners (films) 12315:Coldwater Canyon Ave. 12185:Manhattan Beach Blvd. 11535:A History of Violence 10816:A Man for All Seasons 10685:From Here to Eternity 10614:Gentleman's Agreement 9282:Bowling for Columbine 8105:Sense and Sensibility 7895:Blue Velvet Revisited 7743:Catching the Big Fish 7569:Duran Duran: Unstaged 7003:. Plexus Publishing. 6267:. February 14, 2002. 5797:. December 30, 2009. 5410:"You Don't Know Jack" 5382:The New York Observer 5377:"A Festival of Flops" 5213:10.1353/aim.2005.0016 5136:on September 14, 2012 4825:. London. p. 11. 3990:10.1300/J159v07n01_03 3955:10.1353/nlh.2004.0021 3888:Wallace, Lee (2009). 3596:"Points of No Return" 3550:Roche, David (2004). 3067:10.1057/9781137503596 2284:Composer of the Year 1885:The New York Observer 1623: 1540: 1504: 1470: 1402:and intended for the 1400:Touchstone Television 1354: 1283: 1155: 1124: 915: 823:these things are the 682: 669:Michael Cooke as Herb 576:as Detective McKnight 570:as Detective Domgaard 178:Les Films Alain Sarde 12862:2000s American films 12822:French mystery films 12627:King of the Mountain 12523:Streets in San Pedro 12414:Topanga Canyon Blvd. 11663:The Power of the Dog 10176:Being John Malkovich 9770:The Power of the Dog 9314:Little Miss Sunshine 9266:In the Mood for Love 9154:The Name of the Rose 8868:Stranger by the Lake 6980:. Wallflower Press. 6686:on February 26, 2012 6660:on September 7, 2014 6107:, November 11, 2012. 6065:. November 7, 2011. 5940:. October 20, 2010. 5619:. February 7, 2010. 5523:Screen International 5493:Carney, Ray (2004). 5306:(October 11, 2001). 4570:10.1353/cj.2004.0008 4537:on December 19, 2008 3943:New Literary History 3139:on December 29, 2008 2986:The Washington Times 2763:mulholland-drive.com 2574:Screen International 2085:In the Mood for Love 1969:September 11 attacks 1731:Reception and legacy 1406:television network. 582:as Luigi Castigliane 260: (United States) 12902:Damsels in distress 12767:Films about amnesia 12712:2000s mystery films 12350:Laurel Canyon Blvd. 12111:/Golden Springs Dr. 11788:North–south streets 11473:Saving Private Ryan 11147:Saving Private Ryan 10997:Terms of Endearment 10544:The Grapes of Wrath 10343:Goodbye to Language 10333:Inside Llewyn Davis 10273:There Will Be Blood 10243:Million Dollar Baby 9586:Saving Private Ryan 9506:Mississippi Burning 9322:The Lives of Others 9306:Million Dollar Baby 9298:Lost in Translation 9258:All About My Mother 9130:Fanny and Alexander 8728:Flowers of Shanghai 8528:Au Hasard Balthazar 8382:Award for Best Film 8215:Slumdog Millionaire 7753:Genealogies of Pain 7712:Cellophane Memories 7219:Unrealized projects 7049:on January 26, 2007 6369:on October 15, 2012 6207:. August 23, 2016. 6159:on October 26, 2013 5832:on December 8, 2010 5679:on October 20, 2012 5645:. reverseshot.com. 5554:cahiersducinema.net 5448:The Washington Post 5320:on November 4, 2007 4809:, pp. 213–214. 4717:, pp. 205–214. 4392:, pp. 205–206. 4295:, pp. 137–138. 3912:Filippo (2013), 74. 3844:, October 12, 2001. 3784:on February 9, 2012 2484:on February 8, 2016 2355:Best Cinematography 2287:Angelo Badalamenti 2261: 1897:The Washington Post 1735:Since its release, 1691:Best Director prize 1342:nonlinear narration 1311:Michael J. Anderson 1286:Michael J. Anderson 808:and Tom Charity of 715:Where is Aunt Ruth? 586:Michael J. Anderson 478:collapse in shock. 193:The Picture Factory 12867:2000s French films 12762:Films about actors 12648:Pico and Sepulveda 12570:In popular culture 12504:Pacific Coast Hwy. 12493:California Incline 12488:Abbot Kinney Blvd. 12457:Hollywood and Vine 12235:Santa Monica Blvd. 12069:Angeles Crest Hwy. 12018:Pacific Coast Hwy. 11999:Sierra Madre Blvd. 11959:Orange Grove Blvd. 11830:Beverly Glen Blvd. 11615:Mad Max: Fury Road 11575:The Social Network 11278:The Social Network 11228:Brokeback Mountain 11007:A Passage to India 10876:Cries and Whispers 10866:A Clockwork Orange 10836:The Lion in Winter 10634:All the King's Men 10574:Watch on the Rhine 10303:The Social Network 10146:Breaking the Waves 9722:Mad Max: Fury Road 9682:The Social Network 9514:Do the Right Thing 9450:The Nature of Love 9346:The Social Network 9234:Breaking the Waves 9186:Dead Poets Society 9178:Dangerous Liaisons 8638:Do the Right Thing 8588:Full Moon in Paris 8558:The Aviator's Wife 8468:Sansho the Bailiff 8438:A King in New York 8231:The Social Network 8185:Brokeback Mountain 8017:The Killing Fields 7875:The Air Is on Fire 7672:Polish Night Music 7662:The Air Is on Fire 7484:Lady Blue Shanghai 7323:The Straight Story 6563:CriterionForum.org 6532:criterionforum.org 6299:The New York Times 6291:Rafferty, Terrence 6149:"Critics' top 100" 5468:"Mulholland Drive" 5389:on August 30, 2010 5349:The New York Times 5308:"Mulholland Drive" 5173:festival-cannes.fr 5128:Del Rio, Rebekah. 4733:should have ended" 4646:"Mulholland Drive" 4051:, "Lust Highway", 3825:Stephanie Zacharek 3740:Film & History 3280:. August 4, 2016. 2613:The New York Times 2577:. March 24, 2002. 2256: 2172:On July 15, 2015, 1917:James Berardinelli 1868:The New York Times 1790:The New York Times 1715:Universal Pictures 1629: 1559:Angelo Badalamenti 1557:was supervised by 1553:The soundtrack of 1548:Neil Shurley, 2002 1520:production company 1476: 1357: 1290: 1131: 1044:Stephanie Zacharek 923:The New York Times 918: 872:Robert Sinnerbrink 847:parallel universes 802:. Neil Roberts of 780:damsel in distress 654:as Lorainne Kesher 580:Angelo Badalamenti 209:Universal Pictures 160:Angelo Badalamenti 12847:StudioCanal films 12684: 12683: 12509:San Vicente Blvd. 12443:Intersections and 12249:Cesar Chavez Ave. 12052:East–west streets 11733:metropolitan area 11695: 11694: 11689: 11688: 11465:L.A. Confidential 11419: 11418: 11137:L.A. Confidential 11117:Leaving Las Vegas 10957:Kramer vs. Kramer 10695:On the Waterfront 10564:In Which We Serve 10534:Wuthering Heights 10444: 10443: 10283:Waltz with Bashir 10233:American Splendor 10156:L.A. Confidential 9986:Melvin and Howard 9796: 9795: 9578:L.A. Confidential 9460: 9459: 9330:Waltz with Bashir 9250:Life Is Beautiful 9066:Scent of a Woman 9020: 9019: 8508:Band of Outsiders 8380:Cahiers du Cinéma 8345: 8344: 8121:L.A. Confidential 7923: 7922: 7577: 7576: 7552:Came Back Haunted 7504:What Did Jack Do? 7010:978-0-85965-291-9 6987:978-1-903364-85-7 6968:978-1-84243-225-9 6949:978-0-231-13955-7 6930:978-0-7864-1753-7 6911:978-0-253-00892-3 6892:978-0-292-71345-1 6790:Los Angeles Times 6741:Los Angeles Times 6339:on March 24, 2013 6237:. June 23, 2021. 5969:Los Angeles Times 5914:on April 14, 2010 5704:Time Out New York 5673:The Village Voice 5560:on April 26, 2012 5499:Boston University 5470:. reelviews.net. 5109:on March 13, 2012 4971:on March 20, 2012 4855:. April 9, 2019. 4656:on August 4, 2020 4308:Sight & Sound 4138:Chicago Sun-Times 3899:978-0-415-99243-5 3809:Cahiers du cinéma 3721:Los Angeles Times 3688:by David Lynch". 3601:The Village Voice 3076:978-1-137-50359-6 3038:978-1-59020-144-2 2815:. July 26, 2001. 2729:"US Magazine Ads" 2404: 2403: 2301:Best Foreign Film 2221:Awards and honors 2096:was named as the 2074:Sight & Sound 2014:Los Angeles Times 1964:Time Out New York 1958:The Village Voice 1938:Cahiers du cinéma 1844:The Village Voice 1764:Chicago Sun-Times 1741:review aggregator 1685:premiered at the 1512:David Lynch, 2001 1028:Cahiers du cinéma 938:The Village Voice 888:detective stories 636:as Camilla Rhodes 448:Sight & Sound 402:earned Lynch the 329: 328: 12909: 12882:Surrealist films 12872:Postmodern films 12654:Sunset Boulevard 12641:Mulholland Drive 12599:Dead Man's Curve 12481:Diagonal streets 12385:San Fernando Rd. 12345:Lankershim Blvd. 12269:Washington Blvd. 12130:El Segundo Blvd. 12013:Long Beach Blvd. 11974:San Fernando Rd. 11919:La Cienega Blvd. 11740:Numbered streets 11722: 11715: 11708: 11699: 11698: 11599:12 Years a Slave 11583:The Tree of Life 11503:Mulholland Drive 11446: 11439: 11432: 11423: 11422: 11412: 11402: 11392: 11382: 11372: 11362: 11352: 11342: 11332: 11322: 11312: 11302: 11298:Zero Dark Thirty 11292: 11282: 11272: 11262: 11252: 11242: 11232: 11222: 11212: 11202: 11192: 11188:Mulholland Drive 11171: 11161: 11151: 11141: 11131: 11121: 11111: 11101: 11097:Schindler's List 11091: 11081: 11071: 11061: 11051: 11041: 11031: 11021: 11011: 11001: 10991: 10981: 10971: 10961: 10951: 10941: 10931: 10910: 10900: 10890: 10880: 10870: 10860: 10856:Five Easy Pieces 10850: 10840: 10830: 10820: 10810: 10800: 10790: 10780: 10775: 10765: 10749: 10739: 10735:The Defiant Ones 10729: 10719: 10709: 10699: 10689: 10679: 10669: 10648: 10638: 10628: 10618: 10608: 10598: 10594:The Lost Weekend 10588: 10578: 10568: 10558: 10548: 10538: 10528: 10518: 10508: 10498: 10471: 10464: 10457: 10448: 10447: 10437: 10427: 10417: 10407: 10397: 10387: 10377: 10367: 10357: 10347: 10337: 10327: 10317: 10307: 10297: 10287: 10277: 10267: 10257: 10247: 10237: 10227: 10217: 10213:Mulholland Drive 10196: 10186: 10170: 10160: 10150: 10140: 10130: 10120: 10116:Schindler's List 10110: 10100: 10090: 10080: 10076:Drugstore Cowboy 10070: 10060: 10050: 10040: 10030: 10020: 10010: 10000: 9990: 9980: 9970: 9960: 9950: 9940: 9930: 9920: 9910: 9900: 9890: 9880: 9870: 9860: 9850: 9823: 9816: 9809: 9800: 9799: 9706:12 Years a Slave 9698:Zero Dark Thirty 9690:The Tree of Life 9610:Mulholland Drive 9546:Schindler's List 9487: 9480: 9473: 9464: 9463: 9274:Mulholland Drive 9226:Land and Freedom 9162:The Last Emperor 9114:The Elephant Man 9047: 9040: 9033: 9024: 9023: 9013: 9003: 8999:Mulholland Drive 8993: 8972: 8962: 8952: 8942: 8932: 8922: 8912: 8902: 8892: 8882: 8872: 8862: 8852: 8842: 8832: 8822: 8812: 8802: 8792: 8782: 8772: 8762: 8758:Mulholland Drive 8752: 8742: 8732: 8722: 8712: 8702: 8692: 8682: 8672: 8662: 8652: 8642: 8632: 8622: 8612: 8602: 8592: 8582: 8572: 8562: 8552: 8542: 8532: 8522: 8512: 8502: 8492: 8482: 8472: 8462: 8452: 8442: 8432: 8422: 8418:Journey to Italy 8412: 8402: 8372: 8365: 8358: 8349: 8348: 8255:12 Years a Slave 8247:Zero Dark Thirty 8153:Mulholland Drive 8089:Schindler's List 7966: 7959: 7952: 7943: 7942: 7933:Mulholland Drive 7927: 7926: 7916: 7909: 7899: 7889: 7879: 7878:(art exhibition) 7869: 7859: 7849: 7839: 7832: 7823: 7814: 7805: 7786: 7777: 7774:The Elephant Man 7757: 7747: 7737: 7716: 7706: 7696: 7686: 7682:Crazy Clown Time 7676: 7666: 7656: 7646: 7625: 7615: 7605: 7595: 7555: 7546: 7537: 7528: 7508: 7498: 7488: 7478: 7468: 7458: 7448: 7438: 7428: 7418: 7408: 7398: 7388: 7378: 7368: 7347: 7337: 7333:Mulholland Drive 7327: 7317: 7307: 7291: 7281: 7271: 7261: 7257:The Elephant Man 7251: 7235: 7234: 7221: 7214: 7207: 7200: 7193: 7186: 7179: 7158: 7151: 7144: 7135: 7134: 7130: 7119:Mulholland Drive 7114: 7103:Mulholland Drive 7092:Mulholland Drive 7081:Mulholland Drive 7076: 7064:Mulholland Drive 7058: 7056: 7054: 7045:. Archived from 7035:Mulholland Drive 7026:Mulholland Drive 7014: 7002: 6991: 6972: 6961:. Kamera Books. 6953: 6934: 6915: 6896: 6868: 6867: 6865: 6863: 6843: 6837: 6836: 6834: 6832: 6827:on March 3, 2012 6823:. Archived from 6813: 6807: 6806: 6804: 6802: 6781: 6775: 6774: 6772: 6770: 6761:. Archived from 6751: 6745: 6744: 6736: 6730: 6729: 6727: 6725: 6702: 6696: 6695: 6693: 6691: 6676: 6670: 6669: 6667: 6665: 6656:. Archived from 6646: 6640: 6639: 6637: 6635: 6615: 6609: 6608: 6606: 6604: 6585: 6579: 6578: 6576: 6574: 6554: 6548: 6547: 6545: 6543: 6524: 6518: 6517: 6515: 6513: 6494: 6488: 6487: 6485: 6483: 6464: 6458: 6457: 6455: 6453: 6438: 6432: 6431: 6429: 6427: 6422:on July 26, 2012 6412: 6406: 6405: 6403: 6401: 6385: 6379: 6378: 6376: 6374: 6365:. Archived from 6355: 6349: 6348: 6346: 6344: 6335:. Archived from 6333:Eccentric Cinema 6324: 6318: 6317: 6307: 6305: 6287: 6281: 6280: 6278: 6276: 6257: 6251: 6250: 6248: 6246: 6227: 6221: 6220: 6218: 6216: 6201: 6195: 6194: 6192: 6190: 6175: 6169: 6168: 6166: 6164: 6155:. Archived from 6145: 6139: 6138: 6136: 6134: 6129:on March 1, 2017 6125:. Archived from 6114: 6108: 6085: 6079: 6078: 6076: 6074: 6053: 6047: 6046: 6044: 6042: 6023: 6017: 6016: 6014: 6012: 5991: 5985: 5984: 5982: 5980: 5960: 5954: 5953: 5951: 5949: 5930: 5924: 5923: 5921: 5919: 5900: 5894: 5893: 5891: 5889: 5874: 5868: 5867: 5865: 5863: 5858:on July 13, 2011 5848: 5842: 5841: 5839: 5837: 5828:. Archived from 5817: 5811: 5810: 5808: 5806: 5787: 5781: 5780: 5778: 5776: 5771:on March 6, 2012 5757: 5751: 5750: 5748: 5746: 5727: 5721: 5720: 5718: 5716: 5695: 5689: 5688: 5686: 5684: 5669:"Best of Decade" 5665: 5659: 5658: 5656: 5654: 5639: 5633: 5632: 5630: 5628: 5607: 5601: 5600: 5598: 5596: 5576: 5570: 5569: 5567: 5565: 5546: 5540: 5539: 5537: 5535: 5513: 5507: 5506: 5490: 5484: 5483: 5481: 5479: 5463: 5457: 5456: 5438: 5432: 5431: 5429: 5427: 5405: 5399: 5398: 5396: 5394: 5385:. Archived from 5372: 5366: 5365: 5363: 5361: 5342:(May 17, 2001). 5336: 5330: 5329: 5327: 5325: 5316:. Archived from 5300: 5294: 5293: 5291: 5289: 5267: 5261: 5260: 5258: 5256: 5237:Mulholland Drive 5231: 5225: 5224: 5196: 5190: 5189: 5187: 5185: 5164: 5158: 5152: 5146: 5145: 5143: 5141: 5125: 5119: 5118: 5116: 5114: 5105:. Archived from 5094: 5085: 5084: 5056: 5047: 5046: 5044: 5042: 5022: 5013: 5007: 5001: 5000: 4992: 4981: 4980: 4978: 4976: 4957: 4951: 4950: 4948: 4946: 4937:. Archived from 4927: 4918: 4917: 4909: 4900: 4899: 4897: 4895: 4884:Film Score Daily 4875: 4869: 4868: 4866: 4864: 4845: 4839: 4833: 4827: 4826: 4816: 4810: 4804: 4798: 4797: 4787: 4781: 4780: 4766: 4755: 4754: 4752: 4750: 4724: 4718: 4712: 4706: 4705: 4684: 4678: 4672: 4666: 4665: 4663: 4661: 4652:. Archived from 4641: 4635: 4634: 4622: 4613: 4612: 4610: 4608: 4588: 4582: 4581: 4553: 4547: 4546: 4544: 4542: 4533:. Archived from 4523:Mulholland Drive 4516: 4507: 4506: 4498: 4492: 4486: 4480: 4474: 4468: 4462: 4456: 4450: 4444: 4438: 4432: 4431: 4429: 4427: 4399: 4393: 4387: 4381: 4380: 4372: 4363: 4357: 4348: 4347: 4345: 4343: 4334:. Archived from 4323: 4317: 4316: 4302: 4296: 4290: 4284: 4278: 4272: 4271: 4259: 4244: 4238: 4232: 4226: 4220: 4214: 4208: 4207: 4187: 4176: 4175: 4159: 4153: 4147: 4141: 4127:Mulholland Drive 4120: 4109: 4086: 4071: 4064: 4058: 4046: 4040: 4039: 4011: 4002: 4001: 3973: 3967: 3966: 3939:Mulholland Drive 3934: 3913: 3910: 3904: 3903: 3885: 3876: 3875: 3873: 3871: 3866:on July 29, 2012 3862:. Archived from 3851: 3845: 3822: 3813: 3800: 3794: 3793: 3791: 3789: 3780:. Archived from 3769: 3763: 3757: 3748: 3747: 3735: 3726: 3725: 3715: 3706: 3705: 3686:Mulholland Drive 3681: 3662: 3661: 3654:Mulholland Drive 3641: 3630: 3624: 3618: 3617: 3615: 3613: 3608:on July 19, 2008 3604:. Archived from 3591: 3582: 3581: 3579: 3577:10.4000/erea.432 3558:Mulholland Drive 3547: 3536: 3535: 3533: 3531: 3514:Mulholland Drive 3507: 3492: 3491: 3489: 3487: 3466:Mulholland Drive 3459: 3448: 3447: 3419: 3410: 3409: 3379: 3368: 3352:Welcome to L. A. 3345: 3328: 3327: 3314:Mulholland Drive 3309: 3294: 3293: 3291: 3289: 3274: 3268: 3267: 3265: 3263: 3244:Mulholland Drive 3237: 3228: 3227: 3225: 3223: 3218:on June 17, 2020 3214:. Archived from 3201: 3195: 3194: 3190:The Sunday Times 3184: 3175: 3174: 3160: 3149: 3148: 3146: 3144: 3135:. Archived from 3122: 3116: 3115: 3113: 3111: 3090: 3081: 3080: 3054: 3043: 3042: 3024: 3018: 3017: 2997: 2991: 2990: 2980: 2971: 2970: 2968: 2966: 2944: 2938: 2937: 2923: 2908: 2907: 2904:Mulholland Drive 2900: 2894: 2893: 2891: 2889: 2870: 2861: 2860: 2858: 2856: 2835: 2829: 2828: 2826: 2824: 2805:MULHOLLAND DRIVE 2799: 2793: 2792: 2781:Mulholland Drive 2777: 2771: 2770: 2765:. Archived from 2755: 2749: 2748: 2746: 2744: 2725: 2719: 2718: 2716: 2714: 2700: 2694: 2693: 2691: 2689: 2670: 2664: 2663: 2661: 2659: 2640: 2629: 2628: 2626: 2624: 2604: 2591: 2590: 2588: 2586: 2565: 2559: 2558: 2556: 2554: 2533: 2527: 2526: 2524: 2522: 2500: 2494: 2493: 2491: 2489: 2480:. Archived from 2470: 2448: 2433:Mulholland Drive 2429: 2262: 2259:Mulholland Drive 2255: 2215:Mulholland Drive 2211:Mulholland Drive 2178:Mulholland Drive 2166:The Elephant Man 2141:Mulholland Drive 2106:Mulholland Drive 2104:. In July 2021, 2094:Mulholland Drive 2079:Mulholland Drive 2053:Mulholland Drive 2049:Mulholland Drive 2045:Mulholland Drive 2025:Mulholland Drive 2023:magazine placed 2001:Michael Phillips 1992:Access Hollywood 1973:Mulholland Drive 1929:Mulholland Drive 1876:Mulholland Drive 1834:Mulholland Drive 1769:Mulholland Drive 1749:Mulholland Drive 1737:Mulholland Drive 1719:Mulholland Drive 1683:Mulholland Drive 1615:Mulholland Drive 1555:Mulholland Drive 1549: 1513: 1423: 1396:Mulholland Drive 1379: 1375:Mulholland Drive 1303:Mulholland Drive 1295:Mulholland Drive 1259: 1220: 1210: 1201: 1196: 1182:Mulholland Drive 1111:Mulholland Drive 1021:Romantic content 1007:Mulholland Drive 980: 966:Mulholland Drive 962:Sunset Boulevard 957:Sunset Boulevard 945:Mulholland Drive 928:Mulholland Drive 901:Mulholland Drive 892:Mulholland Drive 800:Mulholland Drive 749:Mulholland Drive 732: 728:Mulholland Drive 722: 664:Patrick Fischler 606:as Louise Bonner 598:Monty Montgomery 486:auditioning for 466:Mulholland Drive 438:Mulholland Drive 400:Mulholland Drive 390:television pilot 333:Mulholland Drive 270: 268: 259: 257: 244: 242: 219:BAC Distribution 189:Le Studio Canal+ 40: 31:Mulholland Drive 28: 27: 21:Mulholland Falls 12917: 12916: 12912: 12911: 12910: 12908: 12907: 12906: 12897:BAC Films films 12687: 12686: 12685: 12680: 12673: 12578:77 Sunset Strip 12565: 12539: 12518: 12476: 12472:Sunset Junction 12445:traffic circles 12444: 12438: 12390:Sepulveda Blvd. 12283: 12175:Los Feliz Blvd. 12165:Jefferson Blvd. 12150:Hollywood Blvd. 12047: 11989:Sepulveda Blvd. 11964:Robertson Blvd. 11939:Los Angeles St. 11914:Hawthorne Blvd. 11783: 11735: 11726: 11696: 11691: 11690: 11685: 11567:The Hurt Locker 11481:American Beauty 11455: 11450: 11420: 11415: 11405: 11395: 11385: 11375: 11365: 11355: 11345: 11335: 11325: 11315: 11308:American Hustle 11305: 11295: 11285: 11275: 11268:The Hurt Locker 11265: 11255: 11245: 11235: 11225: 11215: 11205: 11198:Far from Heaven 11195: 11185: 11174: 11164: 11154: 11144: 11134: 11124: 11114: 11104: 11094: 11084: 11074: 11064: 11054: 11044: 11034: 11024: 11014: 11004: 10994: 10984: 10974: 10967:Ordinary People 10964: 10954: 10947:The Deer Hunter 10944: 10934: 10924: 10913: 10903: 10893: 10883: 10873: 10863: 10853: 10843: 10833: 10823: 10813: 10803: 10793: 10783: 10779:No Award (1962) 10778: 10771:West Side Story 10768: 10761:Sons and Lovers 10752: 10742: 10732: 10722: 10712: 10702: 10692: 10682: 10672: 10662: 10651: 10641: 10631: 10621: 10611: 10601: 10591: 10581: 10571: 10561: 10551: 10541: 10531: 10521: 10511: 10501: 10491: 10480: 10475: 10445: 10440: 10430: 10420: 10410: 10400: 10390: 10380: 10370: 10360: 10350: 10340: 10330: 10320: 10310: 10300: 10293:The Hurt Locker 10290: 10280: 10270: 10263:Pan's Labyrinth 10260: 10250: 10240: 10230: 10220: 10210: 10199: 10189: 10173: 10163: 10153: 10143: 10133: 10123: 10113: 10103: 10093: 10083: 10073: 10063: 10053: 10043: 10033: 10023: 10013: 10003: 9993: 9983: 9973: 9963: 9953: 9943: 9933: 9923: 9913: 9903: 9893: 9883: 9873: 9863: 9853: 9843: 9832: 9827: 9797: 9792: 9674:The Hurt Locker 9618:Far from Heaven 9594:American Beauty 9496: 9491: 9461: 9456: 9394:I, Daniel Blake 9122:Victor/Victoria 9056: 9051: 9021: 9016: 9006: 8996: 8986: 8975: 8968:Trenque Lauquen 8965: 8955: 8945: 8935: 8925: 8915: 8905: 8895: 8885: 8875: 8865: 8855: 8845: 8835: 8825: 8815: 8805: 8795: 8785: 8778:Tropical Malady 8775: 8765: 8755: 8745: 8735: 8725: 8715: 8705: 8695: 8685: 8678:A Perfect World 8675: 8665: 8655: 8645: 8635: 8625: 8615: 8605: 8595: 8585: 8575: 8565: 8555: 8545: 8535: 8525: 8515: 8505: 8495: 8488:My Life to Live 8485: 8475: 8465: 8455: 8445: 8435: 8425: 8415: 8405: 8395: 8384: 8376: 8346: 8341: 8327:Return to Seoul 8223:The Hurt Locker 7975: 7970: 7935: 7924: 7919: 7912: 7902: 7892: 7882: 7872: 7862: 7852: 7842: 7835: 7826: 7817: 7808: 7800: 7789: 7780: 7771: 7760: 7750: 7740: 7730: 7719: 7709: 7699: 7689: 7679: 7669: 7659: 7649: 7639: 7628: 7618: 7608: 7598: 7588: 7573: 7558: 7549: 7540: 7531: 7522: 7511: 7501: 7491: 7481: 7471: 7461: 7451: 7441: 7431: 7421: 7411: 7401: 7391: 7384:The Grandmother 7381: 7371: 7361: 7350: 7340: 7330: 7320: 7310: 7294: 7284: 7274: 7264: 7254: 7244: 7230: 7224: 7217: 7210: 7203: 7196: 7189: 7182: 7175: 7167: 7162: 7124:Rotten Tomatoes 7097:Box Office Mojo 7052: 7050: 7041: 7021: 7011: 6988: 6969: 6950: 6931: 6912: 6893: 6877: 6872: 6871: 6861: 6859: 6844: 6840: 6830: 6828: 6815: 6814: 6810: 6800: 6798: 6783: 6782: 6778: 6768: 6766: 6765:on May 15, 2012 6753: 6752: 6748: 6738: 6737: 6733: 6723: 6721: 6719: 6703: 6699: 6689: 6687: 6678: 6677: 6673: 6663: 6661: 6648: 6647: 6643: 6633: 6631: 6616: 6612: 6602: 6600: 6589:"Mulholland Dr" 6587: 6586: 6582: 6572: 6570: 6559:"Mulholland Dr" 6555: 6551: 6541: 6539: 6526: 6525: 6521: 6511: 6509: 6496: 6495: 6491: 6481: 6479: 6466: 6465: 6461: 6451: 6449: 6440: 6439: 6435: 6425: 6423: 6414: 6413: 6409: 6399: 6397: 6386: 6382: 6372: 6370: 6357: 6356: 6352: 6342: 6340: 6329:"MULHOLLAND DR" 6325: 6321: 6303: 6301: 6293:(May 4, 2003). 6288: 6284: 6274: 6272: 6259: 6258: 6254: 6244: 6242: 6229: 6228: 6224: 6214: 6212: 6203: 6202: 6198: 6188: 6186: 6177: 6176: 6172: 6162: 6160: 6147: 6146: 6142: 6132: 6130: 6115: 6111: 6099:Wayback Machine 6086: 6082: 6072: 6070: 6055: 6054: 6050: 6040: 6038: 6025: 6024: 6020: 6010: 6008: 5993: 5992: 5988: 5978: 5976: 5961: 5957: 5947: 5945: 5932: 5931: 5927: 5917: 5915: 5902: 5901: 5897: 5887: 5885: 5876: 5875: 5871: 5861: 5859: 5850: 5849: 5845: 5835: 5833: 5818: 5814: 5804: 5802: 5789: 5788: 5784: 5774: 5772: 5759: 5758: 5754: 5744: 5742: 5741:on June 8, 2012 5729: 5728: 5724: 5714: 5712: 5697: 5696: 5692: 5682: 5680: 5667: 5666: 5662: 5652: 5650: 5641: 5640: 5636: 5626: 5624: 5609: 5608: 5604: 5594: 5592: 5577: 5573: 5563: 5561: 5550:"Palmares 2000" 5548: 5547: 5543: 5533: 5531: 5514: 5510: 5491: 5487: 5477: 5475: 5464: 5460: 5451:. p. T43. 5439: 5435: 5425: 5423: 5406: 5402: 5392: 5390: 5373: 5369: 5359: 5357: 5337: 5333: 5323: 5321: 5301: 5297: 5287: 5285: 5268: 5264: 5254: 5252: 5233: 5232: 5228: 5197: 5193: 5183: 5181: 5180:on May 14, 2013 5166: 5165: 5161: 5153: 5149: 5139: 5137: 5126: 5122: 5112: 5110: 5095: 5088: 5073:10.2307/4153071 5067:(23): 493–513. 5057: 5050: 5040: 5038: 5023: 5016: 5008: 5004: 4993: 4984: 4974: 4972: 4959: 4958: 4954: 4944: 4942: 4941:on June 5, 2011 4929: 4928: 4921: 4910: 4903: 4893: 4891: 4876: 4872: 4862: 4860: 4847: 4846: 4842: 4834: 4830: 4822:The Independent 4817: 4813: 4805: 4801: 4788: 4784: 4767: 4758: 4748: 4746: 4725: 4721: 4713: 4709: 4686: 4685: 4681: 4673: 4669: 4659: 4657: 4642: 4638: 4623: 4616: 4606: 4604: 4589: 4585: 4554: 4550: 4540: 4538: 4517: 4510: 4499: 4495: 4487: 4483: 4475: 4471: 4463: 4459: 4451: 4447: 4439: 4435: 4425: 4423: 4416: 4400: 4396: 4388: 4384: 4373: 4366: 4358: 4351: 4341: 4339: 4338:on May 22, 2009 4324: 4320: 4303: 4299: 4291: 4287: 4279: 4275: 4260: 4247: 4239: 4235: 4227: 4223: 4215: 4211: 4188: 4179: 4160: 4156: 4148: 4144: 4134:Wayback Machine 4121: 4112: 4100:Wayback Machine 4087: 4074: 4065: 4061: 4047: 4043: 4012: 4005: 3974: 3970: 3935: 3916: 3911: 3907: 3900: 3886: 3879: 3869: 3867: 3852: 3848: 3836:Wayback Machine 3823: 3816: 3801: 3797: 3787: 3785: 3770: 3766: 3758: 3751: 3736: 3729: 3716: 3709: 3682: 3665: 3642: 3633: 3625: 3621: 3611: 3609: 3592: 3585: 3548: 3539: 3529: 3527: 3508: 3495: 3485: 3483: 3472:Film-Philosophy 3460: 3451: 3420: 3413: 3392:(22): 125–134. 3380: 3371: 3359:Wayback Machine 3346: 3331: 3310: 3297: 3287: 3285: 3276: 3275: 3271: 3261: 3259: 3238: 3231: 3221: 3219: 3211:Chicago Tribune 3202: 3198: 3185: 3178: 3161: 3152: 3142: 3140: 3123: 3119: 3109: 3107: 3099:Rotten Tomatoes 3092: 3091: 3084: 3077: 3055: 3046: 3039: 3025: 3021: 3014: 2998: 2994: 2981: 2974: 2964: 2962: 2945: 2941: 2924: 2911: 2902: 2901: 2897: 2887: 2885: 2878:Box Office Mojo 2872: 2871: 2864: 2854: 2852: 2837: 2836: 2832: 2822: 2820: 2801: 2800: 2796: 2779: 2778: 2774: 2757: 2756: 2752: 2742: 2740: 2727: 2726: 2722: 2712: 2710: 2702: 2701: 2697: 2687: 2685: 2672: 2671: 2667: 2657: 2655: 2642: 2641: 2632: 2622: 2620: 2615:. p. A13. 2605: 2594: 2584: 2582: 2567: 2566: 2562: 2552: 2550: 2542:Tampa Bay Times 2535: 2534: 2530: 2520: 2518: 2501: 2497: 2487: 2485: 2472: 2471: 2462: 2457: 2452: 2451: 2430: 2426: 2421: 2409: 2223: 2153:In the Blue Box 2145:European market 2118: 1745:Rotten Tomatoes 1733: 1712: 1680: 1637:Rebekah Del Rio 1625:Rebekah Del Rio 1605:'s version of " 1599:Sixteen Reasons 1551: 1547: 1538: 1515: 1511: 1498: 1465: 1421: 1392: 1387: 1377: 1346:intertextuality 1278: 1266:Billy Ray Cyrus 1257: 1231: 1230: 1229: 1228: 1223: 1222: 1221: 1213: 1211: 1203: 1202: 1199: 1197: 1119: 1023: 978: 910: 864:epistemological 786:Chicago Tribune 767: 730: 724: 720: 680: 674: 672: 646:Billy Ray Cyrus 642:as Cookie/Emcee 628:Rebekah Del Rio 624:as The Magician 562:Mark Pellegrino 527: 499:Rebekah del Rio 462: 426:nomination for 353:, and starring 301: 281: 274: 266: 264: 255: 253: 240: 238: 231: 224: 213:Universal Focus 197: 196: 170: 168: 131: 95: 87:Michael Polaire 43: 24: 17: 12: 11: 5: 12915: 12905: 12904: 12899: 12894: 12889: 12884: 12879: 12874: 12869: 12864: 12859: 12854: 12849: 12844: 12839: 12834: 12829: 12824: 12819: 12814: 12809: 12804: 12799: 12794: 12789: 12784: 12779: 12774: 12769: 12764: 12759: 12754: 12749: 12744: 12739: 12734: 12729: 12724: 12719: 12714: 12709: 12704: 12699: 12682: 12681: 12678: 12675: 12674: 12672: 12671: 12665: 12651: 12644: 12637: 12630: 12623: 12616: 12609: 12602: 12595: 12588: 12585:All I Wanna Do 12581: 12573: 12571: 12567: 12566: 12564: 12563: 12558: 12553: 12547: 12545: 12541: 12540: 12538: 12537: 12532: 12526: 12524: 12520: 12519: 12517: 12516: 12511: 12506: 12501: 12498:Centinela Ave. 12495: 12490: 12484: 12482: 12478: 12477: 12475: 12474: 12469: 12464: 12459: 12454: 12448: 12446: 12440: 12439: 12437: 12436: 12431: 12426: 12424:Van Nuys Blvd. 12421: 12416: 12411: 12402: 12397: 12392: 12387: 12382: 12377: 12372: 12367: 12362: 12360:Mulholland Dr. 12357: 12355:Magnolia Blvd. 12352: 12347: 12342: 12340:Glenoaks Blvd. 12337: 12335:Foothill Blvd. 12332: 12330:Devonshire St. 12327: 12322: 12320:Colorado Blvd. 12317: 12312: 12310:Cahuenga Blvd. 12307: 12302: 12297: 12291: 12289: 12285: 12284: 12282: 12281: 12279:Wilshire Blvd. 12276: 12274:Whittier Blvd. 12271: 12266: 12261: 12256: 12251: 12242: 12237: 12232: 12230:Rosecrans Ave. 12227: 12222: 12217: 12212: 12207: 12205:Mulholland Dr. 12202: 12197: 12192: 12187: 12182: 12177: 12172: 12167: 12162: 12157: 12155:Huntington Dr. 12152: 12147: 12142: 12137: 12132: 12127: 12122: 12117: 12112: 12106: 12101: 12096: 12091: 12086: 12081: 12076: 12071: 12066: 12061: 12055: 12053: 12049: 12048: 12046: 12045: 12040: 12038:Westwood Blvd. 12035: 12030: 12025: 12020: 12015: 12006: 12001: 11996: 11991: 11986: 11984:Sawtelle Blvd. 11981: 11976: 11971: 11966: 11961: 11956: 11951: 11949:Normandie Ave. 11946: 11941: 11936: 11931: 11926: 11921: 11916: 11907: 11902: 11897: 11892: 11887: 11882: 11877: 11872: 11867: 11865:Fair Oaks Ave. 11862: 11857: 11852: 11850:Crenshaw Blvd. 11847: 11842: 11840:Cahuenga Blvd. 11837: 11832: 11827: 11822: 11817: 11815:Aviation Blvd. 11812: 11807: 11802: 11797: 11791: 11789: 11785: 11784: 11782: 11781: 11776: 11771: 11766: 11765: 11764: 11759: 11754: 11743: 11741: 11737: 11736: 11725: 11724: 11717: 11710: 11702: 11693: 11692: 11687: 11686: 11684: 11683: 11675: 11667: 11659: 11651: 11643: 11635: 11627: 11619: 11611: 11603: 11595: 11587: 11579: 11571: 11563: 11555: 11547: 11539: 11531: 11523: 11515: 11507: 11493: 11485: 11477: 11469: 11460: 11457: 11456: 11449: 11448: 11441: 11434: 11426: 11417: 11416: 11414: 11413: 11403: 11393: 11383: 11373: 11363: 11353: 11343: 11333: 11323: 11313: 11303: 11293: 11283: 11273: 11263: 11253: 11243: 11233: 11223: 11213: 11203: 11193: 11182: 11180: 11176: 11175: 11173: 11172: 11162: 11152: 11142: 11132: 11122: 11112: 11102: 11092: 11082: 11072: 11062: 11052: 11042: 11037:Broadcast News 11032: 11022: 11017:Prizzi's Honor 11012: 11002: 10992: 10982: 10972: 10962: 10952: 10942: 10932: 10921: 10919: 10915: 10914: 10912: 10911: 10901: 10891: 10881: 10871: 10861: 10851: 10841: 10831: 10821: 10811: 10801: 10791: 10781: 10776: 10766: 10750: 10740: 10730: 10720: 10710: 10700: 10690: 10680: 10670: 10659: 10657: 10653: 10652: 10650: 10649: 10639: 10629: 10619: 10609: 10599: 10589: 10579: 10569: 10559: 10549: 10539: 10529: 10519: 10509: 10499: 10488: 10486: 10482: 10481: 10474: 10473: 10466: 10459: 10451: 10442: 10441: 10439: 10438: 10428: 10418: 10408: 10398: 10388: 10378: 10368: 10358: 10348: 10338: 10328: 10318: 10308: 10298: 10288: 10278: 10268: 10258: 10248: 10238: 10228: 10218: 10207: 10205: 10201: 10200: 10198: 10197: 10187: 10171: 10161: 10151: 10141: 10131: 10121: 10111: 10101: 10091: 10081: 10071: 10061: 10051: 10041: 10031: 10021: 10011: 10001: 9991: 9981: 9971: 9961: 9951: 9941: 9931: 9921: 9911: 9901: 9891: 9881: 9871: 9861: 9851: 9840: 9838: 9834: 9833: 9826: 9825: 9818: 9811: 9803: 9794: 9793: 9791: 9790: 9782: 9774: 9766: 9758: 9750: 9742: 9734: 9726: 9718: 9710: 9702: 9694: 9686: 9678: 9670: 9662: 9654: 9646: 9638: 9630: 9622: 9614: 9606: 9598: 9590: 9582: 9574: 9566: 9558: 9550: 9542: 9534: 9526: 9518: 9510: 9501: 9498: 9497: 9490: 9489: 9482: 9475: 9467: 9458: 9457: 9455: 9454: 9446: 9438: 9430: 9422: 9414: 9406: 9398: 9390: 9382: 9374: 9366: 9358: 9350: 9342: 9334: 9326: 9318: 9310: 9302: 9294: 9286: 9278: 9270: 9262: 9254: 9246: 9238: 9230: 9222: 9214: 9206: 9198: 9190: 9182: 9174: 9166: 9158: 9150: 9142: 9134: 9126: 9118: 9110: 9102: 9094: 9086: 9078: 9070: 9061: 9058: 9057: 9050: 9049: 9042: 9035: 9027: 9018: 9017: 9015: 9014: 9004: 8994: 8983: 8981: 8977: 8976: 8974: 8973: 8963: 8953: 8943: 8933: 8928:The Image Book 8923: 8913: 8903: 8893: 8883: 8873: 8863: 8853: 8848:We Have a Pope 8843: 8833: 8823: 8813: 8803: 8793: 8783: 8773: 8763: 8753: 8743: 8738:Eyes Wide Shut 8733: 8723: 8713: 8703: 8693: 8683: 8673: 8663: 8653: 8643: 8633: 8623: 8613: 8603: 8593: 8583: 8573: 8568:A Room in Town 8563: 8553: 8543: 8533: 8523: 8518:Pierrot le Fou 8513: 8503: 8493: 8483: 8473: 8463: 8453: 8443: 8433: 8423: 8413: 8403: 8392: 8390: 8386: 8385: 8375: 8374: 8367: 8360: 8352: 8343: 8342: 8340: 8339: 8331: 8323: 8315: 8307: 8299: 8291: 8287:Phantom Thread 8283: 8275: 8267: 8259: 8251: 8243: 8235: 8227: 8219: 8205: 8197: 8189: 8181: 8173: 8165: 8157: 8149: 8141: 8133: 8125: 8117: 8109: 8101: 8093: 8085: 8077: 8069: 8061: 8053: 8045: 8041:Hope and Glory 8037: 8029: 8021: 8013: 8005: 7997: 7989: 7980: 7977: 7976: 7969: 7968: 7961: 7954: 7946: 7940: 7937: 7936: 7921: 7920: 7918: 7917: 7910: 7900: 7890: 7880: 7870: 7868:(opera) (2003) 7860: 7855:Lynch on Lynch 7850: 7840: 7833: 7824: 7815: 7806: 7802:Jennifer Lynch 7797: 7795: 7791: 7790: 7788: 7787: 7778: 7768: 7766: 7765:Awards by film 7762: 7761: 7759: 7758: 7748: 7738: 7727: 7725: 7721: 7720: 7718: 7717: 7707: 7697: 7687: 7677: 7667: 7657: 7647: 7636: 7634: 7630: 7629: 7627: 7626: 7616: 7606: 7596: 7585: 7583: 7579: 7578: 7575: 7574: 7566: 7564: 7560: 7559: 7557: 7556: 7547: 7538: 7529: 7519: 7517: 7513: 7512: 7510: 7509: 7499: 7489: 7479: 7469: 7459: 7449: 7439: 7429: 7419: 7409: 7399: 7389: 7379: 7369: 7358: 7356: 7352: 7351: 7349: 7348: 7338: 7328: 7318: 7308: 7292: 7282: 7272: 7262: 7252: 7241: 7239: 7232: 7226: 7225: 7223: 7222: 7215: 7208: 7201: 7194: 7187: 7180: 7172: 7169: 7168: 7161: 7160: 7153: 7146: 7138: 7132: 7131: 7115: 7099: 7088: 7077: 7060: 7039: 7030: 7020: 7019:External links 7017: 7016: 7015: 7009: 6992: 6986: 6973: 6967: 6954: 6948: 6935: 6929: 6916: 6910: 6897: 6891: 6876: 6873: 6870: 6869: 6838: 6808: 6776: 6746: 6731: 6717: 6697: 6671: 6641: 6610: 6580: 6549: 6519: 6489: 6459: 6433: 6407: 6380: 6350: 6319: 6282: 6265:hive4media.com 6252: 6235:The Film Stage 6222: 6196: 6170: 6140: 6109: 6104:RogerEbert.com 6080: 6048: 6018: 5986: 5955: 5925: 5895: 5869: 5843: 5812: 5782: 5752: 5722: 5690: 5660: 5634: 5616:Slant Magazine 5602: 5571: 5541: 5508: 5485: 5458: 5433: 5400: 5367: 5352:. p. E1. 5331: 5304:Travers, Peter 5295: 5262: 5226: 5201:American Imago 5191: 5159: 5157:, p. 162. 5147: 5120: 5086: 5061:American Music 5048: 5014: 5012:, p. 197. 5002: 4982: 4952: 4919: 4901: 4870: 4840: 4838:, p. 214. 4828: 4811: 4799: 4796:. p. F-6. 4782: 4756: 4719: 4707: 4679: 4677:, p. 206. 4667: 4636: 4614: 4583: 4558:Cinema Journal 4548: 4508: 4493: 4491:, p. 100. 4481: 4479:, p. 209. 4469: 4457: 4445: 4443:, p. 171. 4433: 4415:978-1701531598 4414: 4394: 4382: 4364: 4362:, p. 208. 4349: 4318: 4297: 4285: 4283:, p. 137. 4273: 4245: 4233: 4231:, p. 199. 4221: 4219:, p. 198. 4209: 4192:Film Quarterly 4177: 4154: 4152:, p. 155. 4142: 4110: 4072: 4059: 4049:Dennis Hensley 4041: 4003: 3984:(1–2): 13–49. 3968: 3914: 3905: 3898: 3877: 3846: 3814: 3795: 3764: 3749: 3727: 3724:. p. F20. 3707: 3690:Film Quarterly 3663: 3631: 3629:, p. 170. 3619: 3583: 3537: 3493: 3449: 3411: 3369: 3348:Phillip Lopate 3329: 3295: 3269: 3229: 3196: 3176: 3150: 3117: 3082: 3075: 3044: 3037: 3019: 3013:978-0813172620 3012: 2992: 2972: 2957:. p. 15. 2939: 2909: 2895: 2862: 2830: 2794: 2772: 2750: 2720: 2695: 2665: 2630: 2592: 2560: 2528: 2495: 2459: 2458: 2456: 2453: 2450: 2449: 2423: 2422: 2420: 2417: 2416: 2415: 2408: 2405: 2402: 2401: 2398: 2395: 2390: 2384: 2383: 2380: 2377: 2372: 2366: 2365: 2362: 2357: 2352: 2346: 2345: 2342: 2339: 2334: 2328: 2327: 2324: 2319: 2316: 2310: 2309: 2306: 2303: 2298: 2292: 2291: 2288: 2285: 2282: 2276: 2275: 2272: 2269: 2266: 2257:Accolades for 2222: 2219: 2196:Focus Features 2187:Lynch on Lynch 2117: 2114: 2062:Mulholland Dr. 1948:Slant Magazine 1795:Stephen Holden 1732: 1729: 1711: 1708: 1679: 1676: 1643:rendition of " 1595:Connie Stevens 1583:audio feedback 1573:(AFI) and the 1539: 1537: 1534: 1503: 1497: 1494: 1489:Justin Theroux 1464: 1461: 1391: 1388: 1386: 1383: 1362:uncanny effect 1277: 1274: 1248:Camilla Rhodes 1225: 1224: 1212: 1205: 1204: 1198: 1191: 1190: 1189: 1188: 1187: 1118: 1115: 1067:Ingmar Bergman 1039:Phillip Lopate 1022: 1019: 909: 906: 771:dream analysis 766: 763: 745:David Sterritt 717: 716: 713: 710: 707: 704: 701: 698: 695: 692: 689: 681: 679: 676: 671: 670: 667: 661: 655: 649: 643: 637: 634:Melissa George 631: 625: 619: 613: 612:as Wally Brown 607: 601: 595: 589: 583: 577: 574:Robert Forster 571: 565: 559: 553: 547: 546:as Adam Kesher 544:Justin Theroux 541: 535: 528: 526: 523: 461: 458: 371:Robert Forster 355:Justin Theroux 339:Mulholland Dr. 327: 326: 325:$ 20.1 million 323: 319: 318: 315: 311: 310: 307: 303: 302: 300: 299: 296: 292: 290: 286: 285: 282: 279: 276: 275: 273: 272: 261: 250: 234: 232: 229: 226: 225: 223: 222: 216: 205: 203: 202:Distributed by 199: 198: 195: 194: 191: 186: 183: 180: 174: 173: 171: 166: 163: 162: 157: 153: 152: 147: 143: 142: 137: 136:Cinematography 133: 132: 130: 129: 127:Robert Forster 124: 119: 114: 109: 107:Justin Theroux 103: 101: 97: 96: 94: 93: 88: 85: 83:Neal Edelstein 80: 75: 69: 67: 63: 62: 59: 55: 54: 49: 45: 44: 41: 33: 32: 15: 9: 6: 4: 3: 2: 12914: 12903: 12900: 12898: 12895: 12893: 12890: 12888: 12885: 12883: 12880: 12878: 12875: 12873: 12870: 12868: 12865: 12863: 12860: 12858: 12855: 12853: 12850: 12848: 12845: 12843: 12840: 12838: 12835: 12833: 12830: 12828: 12825: 12823: 12820: 12818: 12815: 12813: 12810: 12808: 12805: 12803: 12800: 12798: 12795: 12793: 12790: 12788: 12785: 12783: 12780: 12778: 12775: 12773: 12770: 12768: 12765: 12763: 12760: 12758: 12755: 12753: 12750: 12748: 12745: 12743: 12740: 12738: 12735: 12733: 12730: 12728: 12725: 12723: 12720: 12718: 12715: 12713: 12710: 12708: 12705: 12703: 12700: 12698: 12695: 12694: 12692: 12676: 12670:(+Live+ song) 12669: 12666: 12663: 12659: 12655: 12652: 12649: 12645: 12643: 12642: 12638: 12635: 12631: 12629: 12628: 12624: 12621: 12617: 12614: 12610: 12607: 12603: 12600: 12596: 12593: 12589: 12586: 12582: 12580: 12579: 12575: 12574: 12572: 12568: 12562: 12559: 12557: 12554: 12552: 12549: 12548: 12546: 12542: 12536: 12533: 12531: 12528: 12527: 12525: 12521: 12515: 12514:Telegraph Rd. 12512: 12510: 12507: 12505: 12502: 12499: 12496: 12494: 12491: 12489: 12486: 12485: 12483: 12479: 12473: 12470: 12468: 12465: 12463: 12462:Naud Junction 12460: 12458: 12455: 12453: 12450: 12449: 12447: 12441: 12435: 12434:Victory Blvd. 12432: 12430: 12429:Ventura Blvd. 12427: 12425: 12422: 12420: 12417: 12415: 12412: 12410: 12409:Vineland Ave. 12406: 12405:Sunland Blvd. 12403: 12401: 12398: 12396: 12393: 12391: 12388: 12386: 12383: 12381: 12378: 12376: 12375:Riverside Dr. 12373: 12371: 12368: 12366: 12363: 12361: 12358: 12356: 12353: 12351: 12348: 12346: 12343: 12341: 12338: 12336: 12333: 12331: 12328: 12326: 12323: 12321: 12318: 12316: 12313: 12311: 12308: 12306: 12305:Burbank Blvd. 12303: 12301: 12298: 12296: 12293: 12292: 12290: 12286: 12280: 12277: 12275: 12272: 12270: 12267: 12265: 12262: 12260: 12257: 12255: 12252: 12250: 12246: 12243: 12241: 12238: 12236: 12233: 12231: 12228: 12226: 12223: 12221: 12220:Olympic Blvd. 12218: 12216: 12213: 12211: 12208: 12206: 12203: 12201: 12198: 12196: 12193: 12191: 12188: 12186: 12183: 12181: 12178: 12176: 12173: 12171: 12168: 12166: 12163: 12161: 12160:Imperial Hwy. 12158: 12156: 12153: 12151: 12148: 12146: 12143: 12141: 12140:Franklin Ave. 12138: 12136: 12135:Florence Ave. 12133: 12131: 12128: 12126: 12125:Del Amo Blvd. 12123: 12121: 12118: 12116: 12113: 12110: 12107: 12105: 12104:Century Blvd. 12102: 12100: 12097: 12095: 12092: 12090: 12089:Beverly Blvd. 12087: 12085: 12084:Bandini Blvd. 12082: 12080: 12079:Artesia Blvd. 12077: 12075: 12072: 12070: 12067: 12065: 12064:Alondra Blvd. 12062: 12060: 12057: 12056: 12054: 12050: 12044: 12041: 12039: 12036: 12034: 12031: 12029: 12026: 12024: 12021: 12019: 12016: 12014: 12010: 12009:Pacific Blvd. 12007: 12005: 12002: 12000: 11997: 11995: 11992: 11990: 11987: 11985: 11982: 11980: 11979:San Pedro St. 11977: 11975: 11972: 11970: 11967: 11965: 11962: 11960: 11957: 11955: 11952: 11950: 11947: 11945: 11942: 11940: 11937: 11935: 11934:Lincoln Blvd. 11932: 11930: 11927: 11925: 11922: 11920: 11917: 11915: 11911: 11908: 11906: 11903: 11901: 11898: 11896: 11895:Highland Ave. 11893: 11891: 11888: 11886: 11883: 11881: 11878: 11876: 11873: 11871: 11868: 11866: 11863: 11861: 11858: 11856: 11853: 11851: 11848: 11846: 11843: 11841: 11838: 11836: 11833: 11831: 11828: 11826: 11823: 11821: 11818: 11816: 11813: 11811: 11808: 11806: 11803: 11801: 11798: 11796: 11793: 11792: 11790: 11786: 11780: 11777: 11775: 11772: 11770: 11767: 11763: 11760: 11758: 11755: 11753: 11750: 11749: 11748: 11745: 11744: 11742: 11738: 11734: 11730: 11723: 11718: 11716: 11711: 11709: 11704: 11703: 11700: 11681: 11680: 11676: 11673: 11672: 11668: 11665: 11664: 11660: 11657: 11656: 11652: 11649: 11648: 11644: 11641: 11640: 11636: 11633: 11632: 11628: 11625: 11624: 11620: 11617: 11616: 11612: 11609: 11608: 11604: 11601: 11600: 11596: 11593: 11592: 11588: 11585: 11584: 11580: 11577: 11576: 11572: 11569: 11568: 11564: 11561: 11560: 11556: 11553: 11552: 11548: 11545: 11544: 11540: 11537: 11536: 11532: 11529: 11528: 11524: 11521: 11520: 11516: 11513: 11512: 11508: 11505: 11504: 11499: 11498: 11494: 11491: 11490: 11489:Almost Famous 11486: 11483: 11482: 11478: 11475: 11474: 11470: 11467: 11466: 11462: 11461: 11458: 11454: 11447: 11442: 11440: 11435: 11433: 11428: 11427: 11424: 11410: 11409: 11404: 11400: 11399: 11394: 11390: 11389: 11384: 11380: 11379: 11374: 11370: 11369: 11364: 11360: 11359: 11354: 11350: 11349: 11344: 11340: 11339: 11334: 11330: 11329: 11324: 11320: 11319: 11314: 11310: 11309: 11304: 11300: 11299: 11294: 11290: 11289: 11284: 11280: 11279: 11274: 11270: 11269: 11264: 11260: 11259: 11254: 11250: 11249: 11244: 11240: 11239: 11234: 11230: 11229: 11224: 11220: 11219: 11214: 11210: 11209: 11204: 11200: 11199: 11194: 11190: 11189: 11184: 11183: 11181: 11177: 11169: 11168: 11163: 11159: 11158: 11153: 11149: 11148: 11143: 11139: 11138: 11133: 11129: 11128: 11123: 11119: 11118: 11113: 11109: 11108: 11103: 11099: 11098: 11093: 11089: 11088: 11083: 11079: 11078: 11073: 11069: 11068: 11063: 11059: 11058: 11053: 11049: 11048: 11043: 11039: 11038: 11033: 11029: 11028: 11023: 11019: 11018: 11013: 11009: 11008: 11003: 10999: 10998: 10993: 10989: 10988: 10983: 10979: 10978: 10973: 10969: 10968: 10963: 10959: 10958: 10953: 10949: 10948: 10943: 10939: 10938: 10933: 10929: 10928: 10923: 10922: 10920: 10916: 10908: 10907: 10902: 10898: 10897: 10892: 10888: 10887: 10886:Day for Night 10882: 10878: 10877: 10872: 10868: 10867: 10862: 10858: 10857: 10852: 10848: 10847: 10842: 10838: 10837: 10832: 10828: 10827: 10822: 10818: 10817: 10812: 10808: 10807: 10802: 10798: 10797: 10792: 10788: 10787: 10782: 10777: 10773: 10772: 10767: 10763: 10762: 10757: 10756: 10755:The Apartment 10751: 10747: 10746: 10741: 10737: 10736: 10731: 10727: 10726: 10721: 10717: 10716: 10711: 10707: 10706: 10701: 10697: 10696: 10691: 10687: 10686: 10681: 10677: 10676: 10671: 10667: 10666: 10661: 10660: 10658: 10654: 10646: 10645: 10644:All About Eve 10640: 10636: 10635: 10630: 10626: 10625: 10620: 10616: 10615: 10610: 10606: 10605: 10600: 10596: 10595: 10590: 10586: 10585: 10580: 10576: 10575: 10570: 10566: 10565: 10560: 10556: 10555: 10550: 10546: 10545: 10540: 10536: 10535: 10530: 10526: 10525: 10520: 10516: 10515: 10510: 10506: 10505: 10500: 10496: 10495: 10490: 10489: 10487: 10483: 10479: 10472: 10467: 10465: 10460: 10458: 10453: 10452: 10449: 10435: 10434: 10429: 10425: 10424: 10419: 10415: 10414: 10409: 10405: 10404: 10399: 10395: 10394: 10389: 10385: 10384: 10379: 10375: 10374: 10369: 10365: 10364: 10359: 10355: 10354: 10349: 10345: 10344: 10339: 10335: 10334: 10329: 10325: 10324: 10319: 10315: 10314: 10309: 10305: 10304: 10299: 10295: 10294: 10289: 10285: 10284: 10279: 10275: 10274: 10269: 10265: 10264: 10259: 10255: 10254: 10249: 10245: 10244: 10239: 10235: 10234: 10229: 10225: 10224: 10219: 10215: 10214: 10209: 10208: 10206: 10202: 10194: 10193: 10188: 10184: 10183: 10178: 10177: 10172: 10168: 10167: 10162: 10158: 10157: 10152: 10148: 10147: 10142: 10138: 10137: 10132: 10128: 10127: 10122: 10118: 10117: 10112: 10108: 10107: 10102: 10098: 10097: 10096:Life Is Sweet 10092: 10088: 10087: 10082: 10078: 10077: 10072: 10068: 10067: 10062: 10058: 10057: 10052: 10048: 10047: 10042: 10038: 10037: 10032: 10028: 10027: 10022: 10018: 10017: 10012: 10008: 10007: 10002: 9998: 9997: 9996:Atlantic City 9992: 9988: 9987: 9982: 9978: 9977: 9976:Breaking Away 9972: 9968: 9967: 9962: 9958: 9957: 9952: 9948: 9947: 9942: 9938: 9937: 9932: 9928: 9927: 9922: 9918: 9917: 9916:Day for Night 9912: 9908: 9907: 9902: 9898: 9897: 9896:Claire's Knee 9892: 9888: 9887: 9882: 9878: 9877: 9872: 9868: 9867: 9862: 9858: 9857: 9852: 9848: 9847: 9842: 9841: 9839: 9835: 9831: 9824: 9819: 9817: 9812: 9810: 9805: 9804: 9801: 9788: 9787: 9783: 9780: 9779: 9775: 9772: 9771: 9767: 9764: 9763: 9759: 9756: 9755: 9751: 9748: 9747: 9743: 9740: 9739: 9735: 9732: 9731: 9727: 9724: 9723: 9719: 9716: 9715: 9711: 9708: 9707: 9703: 9700: 9699: 9695: 9692: 9691: 9687: 9684: 9683: 9679: 9676: 9675: 9671: 9668: 9667: 9663: 9660: 9659: 9655: 9652: 9651: 9647: 9644: 9643: 9639: 9636: 9635: 9631: 9628: 9627: 9623: 9620: 9619: 9615: 9612: 9611: 9607: 9604: 9603: 9602:Almost Famous 9599: 9596: 9595: 9591: 9588: 9587: 9583: 9580: 9579: 9575: 9572: 9571: 9567: 9564: 9563: 9559: 9556: 9555: 9551: 9548: 9547: 9543: 9540: 9539: 9535: 9532: 9531: 9527: 9524: 9523: 9519: 9516: 9515: 9511: 9508: 9507: 9503: 9502: 9499: 9495: 9488: 9483: 9481: 9476: 9474: 9469: 9468: 9465: 9452: 9451: 9447: 9444: 9443: 9439: 9436: 9435: 9431: 9428: 9427: 9426:Another Round 9423: 9420: 9419: 9415: 9412: 9411: 9407: 9404: 9403: 9399: 9396: 9395: 9391: 9388: 9387: 9383: 9380: 9379: 9375: 9372: 9371: 9367: 9364: 9363: 9359: 9356: 9355: 9351: 9348: 9347: 9343: 9340: 9339: 9335: 9332: 9331: 9327: 9324: 9323: 9319: 9316: 9315: 9311: 9308: 9307: 9303: 9300: 9299: 9295: 9292: 9291: 9287: 9284: 9283: 9279: 9276: 9275: 9271: 9268: 9267: 9263: 9260: 9259: 9255: 9252: 9251: 9247: 9244: 9243: 9239: 9236: 9235: 9231: 9228: 9227: 9223: 9220: 9219: 9215: 9212: 9211: 9207: 9204: 9203: 9199: 9196: 9195: 9194:Toto the Hero 9191: 9188: 9187: 9183: 9180: 9179: 9175: 9172: 9171: 9167: 9164: 9163: 9159: 9156: 9155: 9151: 9148: 9147: 9143: 9140: 9139: 9135: 9132: 9131: 9127: 9124: 9123: 9119: 9116: 9115: 9111: 9108: 9107: 9103: 9100: 9099: 9095: 9092: 9091: 9087: 9084: 9083: 9082:A Special Day 9079: 9076: 9075: 9071: 9068: 9067: 9063: 9062: 9059: 9055: 9048: 9043: 9041: 9036: 9034: 9029: 9028: 9025: 9011: 9010: 9005: 9001: 9000: 8995: 8991: 8990: 8985: 8984: 8982: 8978: 8970: 8969: 8964: 8960: 8959: 8954: 8950: 8949: 8944: 8940: 8939: 8934: 8930: 8929: 8924: 8920: 8919: 8918:The Wild Boys 8914: 8910: 8909: 8904: 8900: 8899: 8894: 8890: 8889: 8884: 8880: 8879: 8878:Li'l Quinquin 8874: 8870: 8869: 8864: 8860: 8859: 8854: 8850: 8849: 8844: 8840: 8839: 8834: 8830: 8829: 8824: 8820: 8819: 8814: 8810: 8809: 8808:Paranoid Park 8804: 8800: 8799: 8794: 8790: 8789: 8784: 8780: 8779: 8774: 8770: 8769: 8768:Secret Things 8764: 8760: 8759: 8754: 8750: 8749: 8744: 8740: 8739: 8734: 8730: 8729: 8724: 8720: 8719: 8714: 8710: 8709: 8704: 8700: 8699: 8694: 8690: 8689: 8684: 8680: 8679: 8674: 8670: 8669: 8664: 8660: 8659: 8654: 8650: 8649: 8644: 8640: 8639: 8634: 8630: 8629: 8624: 8620: 8619: 8614: 8610: 8609: 8608:The Green Ray 8604: 8600: 8599: 8594: 8590: 8589: 8584: 8580: 8579: 8574: 8570: 8569: 8564: 8560: 8559: 8554: 8550: 8549: 8544: 8540: 8539: 8534: 8530: 8529: 8524: 8520: 8519: 8514: 8510: 8509: 8504: 8500: 8499: 8494: 8490: 8489: 8484: 8480: 8479: 8474: 8470: 8469: 8464: 8460: 8459: 8454: 8450: 8449: 8448:Touch of Evil 8444: 8440: 8439: 8434: 8430: 8429: 8428:A Man Escaped 8424: 8420: 8419: 8414: 8410: 8409: 8404: 8400: 8399: 8394: 8393: 8391: 8387: 8383: 8381: 8373: 8368: 8366: 8361: 8359: 8354: 8353: 8350: 8337: 8336: 8335:The Holdovers 8332: 8329: 8328: 8324: 8321: 8320: 8316: 8313: 8312: 8308: 8305: 8304: 8300: 8297: 8296: 8292: 8289: 8288: 8284: 8281: 8280: 8276: 8273: 8272: 8268: 8265: 8264: 8260: 8257: 8256: 8252: 8249: 8248: 8244: 8241: 8240: 8236: 8233: 8232: 8228: 8225: 8224: 8220: 8217: 8216: 8211: 8210: 8206: 8203: 8202: 8198: 8195: 8194: 8190: 8187: 8186: 8182: 8179: 8178: 8174: 8171: 8170: 8166: 8163: 8162: 8158: 8155: 8154: 8150: 8147: 8146: 8145:Almost Famous 8142: 8139: 8138: 8134: 8131: 8130: 8126: 8123: 8122: 8118: 8115: 8114: 8113:Trainspotting 8110: 8107: 8106: 8102: 8099: 8098: 8094: 8091: 8090: 8086: 8083: 8082: 8078: 8075: 8074: 8070: 8067: 8066: 8062: 8059: 8058: 8054: 8051: 8050: 8046: 8043: 8042: 8038: 8035: 8034: 8030: 8027: 8026: 8022: 8019: 8018: 8014: 8011: 8010: 8006: 8003: 8002: 7998: 7995: 7994: 7990: 7987: 7986: 7982: 7981: 7978: 7974: 7967: 7962: 7960: 7955: 7953: 7948: 7947: 7944: 7938: 7934: 7928: 7915: 7911: 7907: 7906: 7901: 7897: 7896: 7891: 7887: 7886: 7881: 7877: 7876: 7871: 7867: 7866: 7861: 7857: 7856: 7851: 7847: 7846: 7841: 7838: 7834: 7831: 7830: 7825: 7822: 7821: 7820:Ronnie Rocket 7816: 7812: 7807: 7803: 7799: 7798: 7796: 7792: 7785: 7784: 7779: 7776: 7775: 7770: 7769: 7767: 7763: 7755: 7754: 7749: 7745: 7744: 7739: 7735: 7734: 7729: 7728: 7726: 7722: 7714: 7713: 7708: 7704: 7703: 7698: 7694: 7693: 7692:The Big Dream 7688: 7684: 7683: 7678: 7674: 7673: 7668: 7664: 7663: 7658: 7654: 7653: 7648: 7644: 7643: 7638: 7637: 7635: 7631: 7623: 7622: 7617: 7613: 7612: 7607: 7603: 7602: 7597: 7593: 7592: 7587: 7586: 7584: 7580: 7571: 7570: 7565: 7563:Concert films 7561: 7553: 7548: 7544: 7539: 7535: 7530: 7526: 7521: 7520: 7518: 7514: 7506: 7505: 7500: 7496: 7495: 7490: 7486: 7485: 7480: 7476: 7475: 7470: 7466: 7465: 7460: 7456: 7455: 7450: 7446: 7445: 7440: 7436: 7435: 7430: 7426: 7425: 7424:Darkened Room 7420: 7416: 7415: 7410: 7406: 7405: 7400: 7396: 7395: 7390: 7386: 7385: 7380: 7376: 7375: 7370: 7366: 7365: 7360: 7359: 7357: 7353: 7345: 7344: 7343:Inland Empire 7339: 7335: 7334: 7329: 7325: 7324: 7319: 7315: 7314: 7309: 7305: 7304: 7299: 7298: 7293: 7289: 7288: 7287:Wild at Heart 7283: 7279: 7278: 7273: 7269: 7268: 7263: 7259: 7258: 7253: 7249: 7248: 7243: 7242: 7240: 7238:Feature films 7236: 7233: 7227: 7220: 7216: 7213: 7209: 7206: 7202: 7199: 7195: 7192: 7188: 7185: 7181: 7178: 7174: 7173: 7170: 7166: 7159: 7154: 7152: 7147: 7145: 7140: 7139: 7136: 7129: 7125: 7121: 7120: 7116: 7113: 7109: 7105: 7104: 7100: 7098: 7094: 7093: 7089: 7087: 7083: 7082: 7078: 7075: 7070: 7066: 7065: 7061: 7048: 7044: 7040: 7037: 7036: 7031: 7028: 7027: 7023: 7022: 7012: 7006: 7001: 7000: 6993: 6989: 6983: 6979: 6974: 6970: 6964: 6960: 6955: 6951: 6945: 6941: 6936: 6932: 6926: 6922: 6917: 6913: 6907: 6903: 6898: 6894: 6888: 6884: 6879: 6878: 6857: 6853: 6849: 6842: 6826: 6822: 6818: 6812: 6796: 6792: 6791: 6786: 6780: 6764: 6760: 6756: 6750: 6742: 6735: 6720: 6718:9781604732368 6714: 6710: 6709: 6701: 6685: 6681: 6675: 6659: 6655: 6651: 6645: 6629: 6625: 6621: 6614: 6598: 6594: 6590: 6584: 6568: 6564: 6560: 6553: 6537: 6533: 6529: 6523: 6507: 6503: 6499: 6493: 6477: 6473: 6469: 6463: 6447: 6443: 6437: 6421: 6417: 6411: 6395: 6391: 6384: 6368: 6364: 6360: 6354: 6338: 6334: 6330: 6323: 6316: 6314: 6300: 6296: 6292: 6286: 6275:September 10, 6270: 6266: 6262: 6256: 6240: 6236: 6232: 6226: 6210: 6206: 6200: 6184: 6180: 6174: 6158: 6154: 6150: 6144: 6128: 6124: 6120: 6113: 6106: 6105: 6100: 6096: 6093: 6089: 6084: 6068: 6064: 6063: 6058: 6052: 6036: 6032: 6028: 6022: 6006: 6002: 6001: 5996: 5990: 5974: 5970: 5966: 5959: 5943: 5939: 5935: 5929: 5913: 5909: 5905: 5899: 5883: 5879: 5873: 5857: 5853: 5847: 5831: 5827: 5826:Rolling Stone 5823: 5816: 5800: 5796: 5792: 5786: 5770: 5766: 5762: 5756: 5740: 5736: 5732: 5726: 5710: 5706: 5705: 5700: 5694: 5678: 5674: 5670: 5664: 5648: 5644: 5638: 5622: 5618: 5617: 5612: 5606: 5590: 5586: 5585:indiewire.com 5582: 5575: 5559: 5555: 5551: 5545: 5529: 5525: 5524: 5519: 5512: 5504: 5500: 5496: 5489: 5473: 5469: 5462: 5454: 5450: 5449: 5444: 5437: 5421: 5417: 5416: 5411: 5404: 5388: 5384: 5383: 5378: 5371: 5355: 5351: 5350: 5345: 5341: 5335: 5319: 5315: 5314: 5313:Rolling Stone 5309: 5305: 5299: 5283: 5279: 5278: 5273: 5266: 5250: 5246: 5245: 5240: 5238: 5230: 5222: 5218: 5214: 5210: 5206: 5202: 5195: 5179: 5175: 5174: 5169: 5163: 5156: 5151: 5135: 5131: 5124: 5108: 5104: 5100: 5093: 5091: 5082: 5078: 5074: 5070: 5066: 5062: 5055: 5053: 5036: 5032: 5028: 5021: 5019: 5011: 5006: 4998: 4997:Sound Scripts 4991: 4989: 4987: 4970: 4966: 4962: 4956: 4940: 4936: 4932: 4926: 4924: 4915: 4908: 4906: 4889: 4885: 4881: 4874: 4858: 4854: 4850: 4844: 4837: 4832: 4824: 4823: 4815: 4808: 4803: 4795: 4794: 4793:U-T San Diego 4786: 4778: 4774: 4773: 4765: 4763: 4761: 4744: 4740: 4739: 4738:The A.V. Club 4734: 4732: 4723: 4716: 4711: 4703: 4699: 4695: 4691: 4690: 4683: 4676: 4671: 4655: 4651: 4647: 4640: 4632: 4628: 4621: 4619: 4602: 4598: 4594: 4587: 4579: 4575: 4571: 4567: 4564:(43): 67–89. 4563: 4559: 4552: 4536: 4532: 4531: 4526: 4524: 4515: 4513: 4504: 4497: 4490: 4485: 4478: 4473: 4466: 4461: 4454: 4449: 4442: 4437: 4421: 4417: 4411: 4407: 4406: 4398: 4391: 4386: 4378: 4371: 4369: 4361: 4356: 4354: 4337: 4333: 4329: 4322: 4314: 4310: 4309: 4301: 4294: 4289: 4282: 4277: 4269: 4265: 4258: 4256: 4254: 4252: 4250: 4243:, p. 95. 4242: 4237: 4230: 4225: 4218: 4213: 4205: 4201: 4197: 4193: 4186: 4184: 4182: 4173: 4169: 4165: 4158: 4151: 4146: 4139: 4135: 4131: 4128: 4124: 4119: 4117: 4115: 4107: 4106: 4101: 4097: 4094: 4090: 4085: 4083: 4081: 4079: 4077: 4069: 4063: 4056: 4055: 4050: 4045: 4037: 4033: 4029: 4025: 4021: 4017: 4010: 4008: 3999: 3995: 3991: 3987: 3983: 3979: 3972: 3964: 3960: 3956: 3952: 3948: 3944: 3940: 3933: 3931: 3929: 3927: 3925: 3923: 3921: 3919: 3909: 3901: 3895: 3891: 3884: 3882: 3865: 3861: 3857: 3850: 3843: 3842: 3837: 3833: 3830: 3826: 3821: 3819: 3811: 3810: 3805: 3799: 3783: 3779: 3775: 3768: 3762:, p. 94. 3761: 3756: 3754: 3745: 3741: 3734: 3732: 3723: 3722: 3714: 3712: 3703: 3699: 3696:(56): 37–45. 3695: 3691: 3687: 3680: 3678: 3676: 3674: 3672: 3670: 3668: 3659: 3655: 3651: 3647: 3640: 3638: 3636: 3628: 3623: 3607: 3603: 3602: 3597: 3590: 3588: 3578: 3573: 3569: 3565: 3561: 3559: 3555: 3546: 3544: 3542: 3525: 3521: 3517: 3515: 3506: 3504: 3502: 3500: 3498: 3481: 3477: 3473: 3469: 3467: 3458: 3456: 3454: 3445: 3441: 3437: 3433: 3429: 3425: 3418: 3416: 3407: 3403: 3399: 3395: 3391: 3387: 3386: 3378: 3376: 3374: 3366: 3365: 3360: 3356: 3353: 3349: 3344: 3342: 3340: 3338: 3336: 3334: 3325: 3321: 3320: 3315: 3308: 3306: 3304: 3302: 3300: 3283: 3279: 3273: 3257: 3253: 3252: 3247: 3245: 3236: 3234: 3217: 3213: 3212: 3207: 3200: 3193:. p. 14. 3192: 3191: 3183: 3181: 3172: 3168: 3167: 3159: 3157: 3155: 3138: 3134: 3133: 3128: 3121: 3110:September 12, 3105: 3101: 3100: 3095: 3089: 3087: 3078: 3072: 3068: 3064: 3060: 3053: 3051: 3049: 3040: 3034: 3030: 3023: 3015: 3009: 3005: 3004: 2996: 2989:. p. B5. 2988: 2987: 2979: 2977: 2960: 2956: 2955: 2950: 2943: 2935: 2931: 2930: 2922: 2920: 2918: 2916: 2914: 2905: 2899: 2883: 2879: 2875: 2869: 2867: 2850: 2846: 2845: 2840: 2834: 2818: 2814: 2813: 2808: 2806: 2798: 2791:025192178023. 2790: 2786: 2782: 2776: 2768: 2764: 2760: 2754: 2738: 2734: 2730: 2724: 2709: 2708:www.alamy.com 2705: 2699: 2683: 2679: 2678:www.alamy.com 2675: 2669: 2653: 2649: 2645: 2639: 2637: 2635: 2618: 2614: 2610: 2603: 2601: 2599: 2597: 2580: 2576: 2575: 2570: 2564: 2548: 2544: 2543: 2538: 2532: 2516: 2512: 2511: 2506: 2499: 2483: 2479: 2475: 2469: 2467: 2465: 2460: 2445: 2440: 2439: 2434: 2428: 2424: 2414: 2411: 2410: 2399: 2396: 2394: 2389: 2386: 2385: 2381: 2378: 2376: 2375:Best Director 2371: 2367: 2363: 2361: 2358: 2356: 2351: 2348: 2347: 2343: 2340: 2338: 2333: 2330: 2329: 2325: 2323: 2322:Laura Harring 2320: 2315: 2312: 2311: 2307: 2304: 2302: 2297: 2294: 2293: 2289: 2286: 2281: 2278: 2277: 2263: 2260: 2254: 2252: 2248: 2244: 2240: 2236: 2232: 2231:Best Director 2228: 2227:Academy Award 2218: 2216: 2212: 2208: 2203: 2201: 2197: 2193: 2189: 2188: 2183: 2179: 2175: 2170: 2168: 2167: 2162: 2158: 2154: 2150: 2146: 2142: 2138: 2134: 2130: 2127: 2123: 2113: 2111: 2107: 2103: 2099: 2095: 2091: 2087: 2086: 2080: 2076: 2075: 2070: 2065: 2063: 2059: 2054: 2050: 2046: 2042: 2041: 2036: 2035: 2030: 2026: 2022: 2021: 2016: 2015: 2010: 2006: 2005:arthouse film 2002: 1998: 1994: 1993: 1988: 1987:Rolling Stone 1984: 1980: 1979: 1974: 1970: 1966: 1965: 1960: 1959: 1954: 1950: 1949: 1944: 1940: 1939: 1934: 1930: 1925: 1923: 1918: 1914: 1909: 1908: 1903: 1902:Todd McCarthy 1899: 1898: 1893: 1892: 1887: 1886: 1881: 1877: 1873: 1870: 1869: 1864: 1860: 1856: 1855: 1850: 1846: 1845: 1840: 1835: 1831: 1830:Peter Travers 1827: 1826: 1825:Rolling Stone 1820: 1817: 1816: 1810: 1806: 1805: 1800: 1796: 1792: 1791: 1786: 1782: 1781: 1776: 1775: 1774:Wild at Heart 1770: 1766: 1765: 1760: 1756: 1754: 1750: 1746: 1742: 1738: 1728: 1725: 1720: 1716: 1707: 1704: 1702: 1701: 1696: 1692: 1688: 1684: 1675: 1673: 1672: 1667: 1662: 1658: 1654: 1650: 1646: 1642: 1638: 1634: 1626: 1622: 1618: 1616: 1612: 1608: 1604: 1600: 1596: 1591: 1586: 1584: 1578: 1576: 1572: 1568: 1564: 1560: 1556: 1550: 1544: 1533: 1530: 1526: 1524: 1521: 1514: 1508: 1502: 1493: 1490: 1485: 1484:Laura Harring 1481: 1474: 1469: 1460: 1458: 1454: 1450: 1446: 1445:Sherilyn Fenn 1441: 1439: 1435: 1431: 1425: 1419: 1415: 1414: 1409: 1405: 1401: 1397: 1382: 1376: 1370: 1368: 1363: 1353: 1349: 1347: 1343: 1339: 1335: 1329: 1327: 1322: 1318: 1317: 1312: 1308: 1304: 1299: 1296: 1287: 1282: 1273: 1269: 1267: 1263: 1255: 1251: 1249: 1245: 1243: 1239: 1235: 1219:poster (1946) 1218: 1217: 1209: 1195: 1186: 1183: 1178: 1177: 1172: 1168: 1163: 1161: 1154: 1152: 1148: 1144: 1139: 1135: 1128: 1123: 1114: 1112: 1106: 1105: 1099: 1095: 1091: 1088: 1084: 1083: 1078: 1077:Robert Altman 1074: 1073: 1068: 1062: 1060: 1056: 1052: 1050: 1045: 1040: 1036: 1035: 1030: 1029: 1018: 1014: 1012: 1008: 1004: 1003:Steven Dillon 1000: 996: 992: 988: 982: 975: 971: 967: 963: 959: 958: 954: 950: 946: 942: 940: 939: 934: 929: 925: 924: 914: 905: 902: 897: 893: 889: 884: 882: 878: 873: 868: 865: 860: 856: 852: 848: 842: 840: 836: 835: 830: 829:Philip French 826: 825:non-sequiturs 821: 820:Jonathan Ross 817: 813: 812: 807: 806: 801: 797: 796: 791: 788: 787: 781: 775: 772: 762: 760: 756: 755: 750: 746: 742: 741: 736: 733:s meaning or 729: 723: 714: 711: 708: 705: 702: 699: 696: 693: 690: 687: 686: 685: 675: 668: 665: 662: 659: 656: 653: 650: 647: 644: 641: 638: 635: 632: 629: 626: 623: 622:Richard Green 620: 618:as Jimmy Katz 617: 614: 611: 608: 605: 602: 600:as The Cowboy 599: 596: 593: 592:Bonnie Aarons 590: 587: 584: 581: 578: 575: 572: 569: 568:Brent Briscoe 566: 563: 560: 557: 554: 551: 548: 545: 542: 539: 538:Laura Harring 536: 533: 530: 529: 522: 518: 516: 510: 506: 504: 500: 495: 491: 489: 483: 479: 475: 473: 472: 467: 457: 455: 454:2016 BBC poll 451: 450:critics' poll 449: 443: 439: 435: 433: 429: 428:Best Director 425: 424:Academy Award 421: 420: 415: 411: 407: 406: 401: 397: 395: 391: 386: 384: 380: 376: 372: 368: 364: 363:Laura Harring 360: 356: 352: 348: 345: 341: 340: 336:(stylized as 335: 334: 324: 320: 316: 312: 308: 304: 297: 295:United States 294: 293: 291: 287: 283: 277: 271: (France) 262: 251: 248: 236: 235: 233: 230:Release dates 227: 220: 217: 214: 210: 207: 206: 204: 200: 192: 190: 187: 184: 181: 179: 176: 175: 172: 164: 161: 158: 154: 151: 148: 144: 141: 138: 134: 128: 125: 123: 120: 118: 117:Laura Harring 115: 113: 110: 108: 105: 104: 102: 98: 92: 89: 86: 84: 81: 79: 76: 74: 71: 70: 68: 64: 60: 56: 53: 50: 46: 39: 34: 29: 26: 22: 12667: 12653: 12640: 12639: 12625: 12613:Free Fallin' 12592:Blue Jay Way 12576: 12561:Santee Alley 12551:Indian Alley 12535:Western Ave. 12419:Valley Blvd. 12380:Roscoe Blvd. 12370:Reseda Blvd. 12365:Nordhoff St. 12325:De Soto Ave. 12300:Balboa Blvd. 12264:Venice Blvd. 12245:Sunset Blvd. 12240:Slauson Ave. 12200:Montana Ave. 12195:Melrose Ave. 12170:Lomita Blvd. 12120:Culver Blvd. 12094:Carroll Ave. 12033:Western Ave. 12023:Vermont Ave. 11910:La Brea Ave. 11870:Figueroa St. 11860:Fairfax Ave. 11845:Central Ave. 11810:Avalon Blvd. 11800:Alvarado St. 11677: 11669: 11661: 11653: 11645: 11637: 11629: 11621: 11613: 11605: 11597: 11589: 11581: 11573: 11565: 11557: 11549: 11541: 11533: 11525: 11517: 11509: 11502: 11501: 11495: 11487: 11479: 11471: 11463: 11406: 11396: 11388:Drive My Car 11386: 11376: 11368:The Irishman 11366: 11356: 11346: 11336: 11326: 11316: 11306: 11296: 11286: 11276: 11266: 11256: 11246: 11236: 11226: 11216: 11206: 11196: 11187: 11186: 11179:2001–present 11165: 11155: 11145: 11135: 11125: 11115: 11105: 11095: 11085: 11075: 11065: 11057:My Left Foot 11055: 11045: 11035: 11025: 11015: 11005: 10995: 10985: 10975: 10965: 10955: 10945: 10935: 10925: 10904: 10894: 10884: 10874: 10864: 10854: 10844: 10834: 10824: 10814: 10804: 10796:My Fair Lady 10794: 10784: 10769: 10759: 10753: 10743: 10733: 10723: 10713: 10703: 10693: 10683: 10673: 10663: 10642: 10632: 10622: 10612: 10602: 10592: 10584:Going My Way 10582: 10572: 10562: 10554:Citizen Kane 10552: 10542: 10532: 10522: 10512: 10502: 10494:The Informer 10492: 10431: 10421: 10413:Drive My Car 10411: 10401: 10391: 10381: 10371: 10361: 10351: 10341: 10331: 10321: 10311: 10301: 10291: 10281: 10271: 10261: 10251: 10241: 10231: 10221: 10212: 10211: 10204:2001–present 10190: 10180: 10174: 10166:Out of Sight 10164: 10154: 10144: 10134: 10126:Pulp Fiction 10124: 10114: 10104: 10094: 10084: 10074: 10064: 10054: 10044: 10034: 10024: 10014: 10004: 9994: 9984: 9974: 9964: 9954: 9944: 9934: 9924: 9914: 9904: 9894: 9884: 9874: 9864: 9854: 9844: 9784: 9776: 9768: 9760: 9752: 9744: 9736: 9728: 9720: 9712: 9704: 9696: 9688: 9680: 9672: 9664: 9656: 9650:The Departed 9648: 9640: 9632: 9624: 9616: 9609: 9608: 9600: 9592: 9584: 9576: 9568: 9560: 9552: 9544: 9536: 9528: 9520: 9512: 9504: 9448: 9440: 9432: 9424: 9416: 9408: 9400: 9392: 9384: 9376: 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Fiction 8095: 8087: 8079: 8071: 8063: 8055: 8047: 8039: 8031: 8023: 8015: 8007: 7999: 7991: 7983: 7932: 7903: 7893: 7883: 7873: 7865:Lost Highway 7863: 7853: 7843: 7827: 7818: 7781: 7772: 7751: 7741: 7731: 7710: 7702:Thought Gang 7700: 7690: 7680: 7670: 7660: 7650: 7640: 7619: 7609: 7599: 7589: 7567: 7516:Music videos 7502: 7492: 7482: 7472: 7462: 7452: 7442: 7432: 7422: 7412: 7402: 7392: 7382: 7374:The Alphabet 7372: 7362: 7341: 7332: 7331: 7321: 7313:Lost Highway 7311: 7301: 7295: 7285: 7275: 7265: 7255: 7245: 7198:Bibliography 7118: 7101: 7091: 7080: 7063: 7051:. 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Retrieved 4336:the original 4331: 4321: 4315:(11): 14–17. 4312: 4306: 4300: 4293:Johnson 2004 4288: 4281:Johnson 2004 4276: 4270:(26): 43–61. 4267: 4263: 4236: 4229:McGowan 2007 4224: 4217:McGowan 2007 4212: 4198:(58): 2–13. 4195: 4191: 4167: 4157: 4150:Johnson 2004 4145: 4140:, June 2001. 4137: 4105:Film Comment 4103: 4067: 4062: 4052: 4044: 4022:(1): 79–94. 4019: 4016:Somatechnics 4015: 3981: 3977: 3971: 3946: 3942: 3938: 3908: 3889: 3868:. Retrieved 3864:the original 3849: 3839: 3812:(2003): 200. 3807: 3803: 3798: 3786:. Retrieved 3782:the original 3777: 3767: 3746:(32): 83–84. 3743: 3739: 3719: 3693: 3689: 3685: 3660:(67): 12–25. 3657: 3653: 3650:Lost Highway 3649: 3645: 3622: 3610:. Retrieved 3606:the original 3599: 3567: 3563: 3557: 3554:Lost Highway 3553: 3528:. Retrieved 3519: 3513: 3484:. Retrieved 3475: 3471: 3465: 3427: 3423: 3389: 3383: 3364:Film Comment 3362: 3326:(56): 17–24. 3323: 3317: 3313: 3286:. Retrieved 3272: 3260:. Retrieved 3251:The Guardian 3249: 3243: 3220:. 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In a 2015 2083: 2078: 2072: 2066: 2061: 2052: 2048: 2044: 2038: 2032: 2024: 2018: 2012: 2009:The Guardian 2008: 1990: 1986: 1983:The Guardian 1982: 1978:Film Comment 1976: 1972: 1962: 1956: 1953:Reverse Shot 1952: 1946: 1936: 1928: 1926: 1912: 1905: 1895: 1889: 1883: 1875: 1874: 1866: 1859:Lost Highway 1858: 1852: 1848: 1842: 1833: 1823: 1821: 1813: 1802: 1788: 1780:Lost Highway 1778: 1772: 1768: 1762: 1757: 1748: 1736: 1734: 1718: 1713: 1705: 1698: 1682: 1681: 1669: 1668:'s painting 1652: 1633:No hay banda 1632: 1630: 1614: 1590:lip synching 1587: 1579: 1566: 1562: 1554: 1552: 1546: 1541: 1531: 1527: 1516: 1510: 1505: 1499: 1477: 1457:Audrey Horne 1448: 1442: 1433: 1426: 1417: 1411: 1395: 1393: 1374: 1371: 1367:doppelgänger 1358: 1330: 1326:manipulative 1314: 1302: 1300: 1294: 1291: 1284:Dwarf actor 1270: 1253: 1252: 1247: 1246: 1238:Diane Selwyn 1237: 1236: 1232: 1214: 1181: 1174: 1170: 1169: 1165: 1159: 1156: 1147:Tippi Hedren 1133: 1132: 1127:Jeanne Bates 1110: 1107: 1103: 1100: 1096: 1092: 1086: 1080: 1070: 1063: 1048: 1034:Film Comment 1032: 1026: 1024: 1015: 1006: 1005:writes that 999:Chad Everett 983: 970:putrefaction 965: 955: 949:Billy Wilder 944: 943: 936: 927: 921: 919: 900: 891: 885: 880: 876: 869: 851:Möbius strip 843: 834:The Observer 832: 809: 803: 799: 795:The Guardian 793: 792: 784: 776: 768: 754:Lost Highway 752: 748: 743:film critic 738: 727: 725: 719: 683: 673: 658:Jeanne Bates 652:Lori Heuring 616:Chad Everett 588:as Mr. Roque 519: 514: 511: 507: 496: 492: 487: 484: 480: 476: 469: 463: 447: 437: 436: 417: 403: 399: 398: 394:feature film 387: 342:) is a 2001 338: 337: 332: 331: 330: 317:$ 15 million 280:Running time 150:Mary Sweeney 140:Peter Deming 73:Mary Sweeney 25: 12668:Vine Street 12620:I Love L.A. 12452:Gower Gulch 12400:Sherman Way 12395:Sierra Hwy. 12288:The Valleys 12259:Vernon Ave. 12215:Obama Blvd. 12145:Garvey Ave. 12059:Adams Blvd. 12043:Wilcox Ave. 11994:Sierra Hwy. 11825:Beverly Dr. 11795:Alameda St. 11679:Oppenheimer 11157:Topsy-Turvy 10524:The Citadel 10313:Melancholia 10223:The Pianist 10182:Topsy-Turvy 10046:Blue Velvet 9554:Hoop Dreams 9410:Shoplifters 9338:Gran Torino 9242:Brassed Off 9170:Bagdad Cafe 8958:Pacifiction 8858:Holy Motors 8748:Esther Kahn 8688:Caro diario 8161:The Pianist 8137:Three Kings 8049:Bull Durham 8033:Blue Velvet 7985:Raging Bull 7931:Awards for 7837:Frank Booth 7783:Blue Velvet 7594:(1990–1991) 7525:Wicked Game 7394:The Amputee 7355:Short films 7277:Blue Velvet 7229:Directorial 7191:Discography 7184:Filmography 7165:David Lynch 7053:February 1, 6959:David Lynch 6593:Janus Films 6502:Janus Films 6343:February 3, 6313:voice-overs 6088:Roger Ebert 5255:January 27, 5207:: 101–123. 4749:January 22, 4489:Dillon 2006 4241:Dillon 2006 4123:Roger Ebert 3949:: 117–132. 3760:Dillon 2006 3222:December 2, 2855:January 27, 2844:The Numbers 2823:October 26, 2314:ALMA Awards 2207:Janus Films 2102:BBC Culture 1997:Scott Mantz 1863:A. O. Scott 1849:Blue Velvet 1839:J. Hoberman 1832:observed, " 1759:Roger Ebert 1653:Blue Velvet 1649:Roy Orbison 1639:'s Spanish 1611:Jerome Kern 1603:Linda Scott 1563:Blue Velvet 1523:StudioCanal 1480:Naomi Watts 1478:Lynch cast 1408:Tony Krantz 1390:Development 1334:avant-garde 1313:(also from 1254:Adam Kesher 1075:(1966) and 933:J. Hoberman 816:Roger Ebert 610:James Karen 532:Naomi Watts 375:Los Angeles 359:Naomi Watts 351:David Lynch 284:146 minutes 112:Naomi Watts 91:Tony Krantz 78:Alain Sarde 66:Produced by 61:David Lynch 52:David Lynch 48:Directed by 12697:2001 films 12691:Categories 12634:LA Devotee 12606:Down Rodeo 12556:Olvera St. 12530:Gaffey St. 12500:/Bundy Dr. 12295:Arrow Hwy. 12254:Temple St. 12225:Pico Blvd. 12109:Colima Rd. 12099:Carson St. 12074:Arrow Hwy. 11954:Ocean Ave. 11890:Grand Ave. 11855:Doheny Dr. 11820:Azusa Ave. 11338:La La Land 11288:The Artist 11087:The Player 11067:Goodfellas 10937:Annie Hall 10433:Past Lives 10106:Unforgiven 10086:Goodfellas 9956:Annie Hall 9522:Goodfellas 9442:The Beasts 9434:The Father 9202:High Heels 8828:Wild Grass 8668:Unforgiven 8279:La La Land 8239:The Artist 8081:Unforgiven 8065:Goodfellas 7804:(daughter) 7642:Eraserhead 7611:Hotel Room 7601:On the Air 7591:Twin Peaks 7582:Television 7494:Idem Paris 7454:Bug Crawls 7247:Eraserhead 7177:Early life 7108:Metacritic 6862:August 10, 6831:August 10, 6769:August 10, 6690:August 10, 6664:August 10, 6634:August 12, 6426:August 10, 6400:August 10, 6373:August 10, 6304:August 10, 6215:August 23, 6189:October 6, 6153:bfi.org.uk 6133:August 17, 6123:bfi.org.uk 6073:August 17, 6041:August 17, 6011:August 17, 5979:August 17, 5918:August 17, 5888:August 17, 5862:August 17, 5836:August 17, 5805:August 17, 5775:August 17, 5745:August 17, 5715:August 17, 5683:August 17, 5653:August 17, 5627:August 17, 5595:August 17, 5564:August 17, 5534:August 17, 5478:August 17, 5426:August 17, 5393:August 17, 5324:August 17, 5288:August 17, 5244:Metacritic 5184:August 10, 5140:August 19, 5113:August 19, 5041:August 19, 5031:Film Score 4975:August 19, 4945:August 19, 4916:(61): 113. 4914:Total Film 4894:August 19, 4836:Woods 2000 4807:Woods 2000 4731:Twin Peaks 4715:Woods 2000 4675:Woods 2000 4660:August 10, 4650:DVD.net.au 4633:(8): 8–12. 4607:August 19, 4541:August 17, 4477:Woods 2000 4360:Woods 2000 4342:August 17, 4089:Amy Taubin 4054:Total Film 3870:August 17, 3788:August 19, 3658:CineAction 3612:August 19, 3530:August 17, 3486:August 17, 3430:(13): 57. 3288:January 5, 3262:August 17, 3173:: 132–137. 3143:August 17, 2965:August 10, 2888:August 10, 2623:August 19, 2455:References 2290:Nominated 2280:AFI Awards 2271:Recipient 2192:Eraserhead 2116:Home media 1922:Ray Carney 1913:Twin Peaks 1854:Eraserhead 1851:and maybe 1807:and other 1753:Metacritic 1710:Box office 1641:a cappella 1567:Twin Peaks 1536:Soundtrack 1449:Twin Peaks 1438:story arcs 1434:Twin Peaks 1413:Twin Peaks 1385:Production 1321:prosthetic 1316:Twin Peaks 1242:narcissism 1138:Nancy Drew 1134:Betty Elms 1117:Characters 1011:cinephilia 991:Ann Miller 640:Geno Silva 630:as Herself 556:Dan Hedaya 550:Ann Miller 432:Ann Miller 367:Ann Miller 344:surrealist 322:Box office 267:2001-11-21 256:2001-10-12 241:2001-05-16 185:Babbo Inc. 167:Production 122:Ann Miller 58:Written by 12544:Alleyways 11924:Lake Ave. 11885:Gower St. 11655:Nomadland 11623:Moonlight 11543:United 93 11378:First Cow 11348:Lady Bird 11238:United 93 11107:Quiz Show 10918:1976–2000 10906:Nashville 10786:Tom Jones 10675:High Noon 10656:1951–1975 10485:1935–1950 10403:Nomadland 10383:The Rider 10373:Lady Bird 10363:Moonlight 10353:Spotlight 9936:Nashville 9837:1966–2000 9762:Nomadland 9738:Lady Bird 9730:Moonlight 9562:Apollo 13 9538:Malcolm X 9210:The Piano 9106:Kagemusha 9098:Manhattan 8948:First Cow 8938:City Hall 8888:Mia Madre 8788:Last Days 8598:Hail Mary 8398:The River 8389:Best Film 8311:Nomadland 8271:Spotlight 7811:In Heaven 7205:Accolades 6821:lafca.net 6163:March 13, 6031:Channel 4 5948:March 30, 5360:August 6, 5221:142931285 4578:192024675 4093:In Dreams 4068:Watermark 4036:2044-0138 3998:145648137 3963:144210949 3570:(2): 43. 3444:143312944 3406:194058402 3166:Interview 2929:FilmMaker 2713:August 3, 2688:August 3, 2268:Category 2139:released 2058:Hitchcock 2029:Channel 4 1943:IndieWire 1809:auteurist 1785:film noir 1777:and even 1724:TVA Films 1717:released 1695:Joel Coen 1661:Nashville 1657:In Dreams 1262:cuckolded 1151:Kim Novak 1143:Doris Day 995:Lee Grant 987:nostalgia 953:film noir 926:writes, " 735:symbolism 604:Lee Grant 414:Joel Coen 383:vignettes 289:Countries 169:companies 146:Edited by 12028:Vine St. 12004:Soto St. 11944:Main St. 11900:Hill St. 11835:Broadway 11731:and the 11647:Parasite 11218:Sideways 10896:Amarcord 10393:Parasite 10056:The Dead 9754:Parasite 9634:Sideways 9418:Parasite 9402:Loveless 8818:Redacted 8658:Van Gogh 8498:Contempt 8177:Sideways 7905:Lynch/Oz 7554:" (2013) 7545:" (2009) 7536:" (1995) 7527:" (1990) 7444:DumbLand 7300:(1992) ( 7086:AllMovie 7033:Lost on 6856:Archived 6795:Archived 6724:March 3, 6628:Archived 6597:Archived 6567:Archived 6542:March 2, 6536:Archived 6512:June 17, 6506:Archived 6482:July 19, 6476:Archived 6452:July 19, 6446:Archived 6394:Archived 6269:Archived 6245:June 25, 6239:Archived 6209:Archived 6183:Archived 6095:Archived 6067:Archived 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379:amnesiac 306:Language 221:(France) 156:Music by 100:Starring 12662:musical 11779:Avenues 11631:Get Out 11497:Memento 11318:Boyhood 11167:Traffic 10806:Darling 10745:Ben-Hur 10006:Tootsie 9886:M*A*S*H 9856:Persona 9714:Boyhood 9386:Birdman 9138:Amadeus 9012:(2010s) 9002:(2000s) 8992:(1990s) 8718:Hana-bi 8538:Persona 8263:Boyhood 7794:Related 7652:BlueBOB 7534:Longing 7474:Absurda 7434:Rabbits 7306:(2014)) 6817:"LAFCA" 5081:4153071 4935:afi.com 4702:YouTube 4530:Variety 3860:ifc.com 2783:(DVD). 2743:July 6, 2510:Variety 2438:Variety 2274:Result 2245:at the 2149:Blu-ray 2143:to the 2067:In the 1995:critic 1927:Later, 1907:Variety 1799:Fellini 1761:of the 1678:Release 1496:Filming 1463:Casting 1451:, as a 1430:surreal 1087:Persona 1082:3 Women 1072:Persona 805:The Sun 648:as Gene 552:as Coco 347:mystery 309:English 265: ( 254: ( 239: ( 12210:Nadeau 11905:Hoover 11774:41–250 11682:(2023) 11674:(2022) 11666:(2021) 11658:(2020) 11650:(2019) 11642:(2018) 11634:(2017) 11626:(2016) 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