644:
Latinx communities, including artists from Mexico, Central and South
America, the Caribbean, and artists of Latin American descent living and working in the United States. Through the ICAA, the MFAH brought a long-term transformation in the appreciation and understanding of Latin American and Latinx visual arts in the United States and abroad. The Museum of Fine Arts, Houston is known for the diversity and inclusivity of their collection and exhibitions. They tend to promote more art pieces that bring people together and that they can relate to and understand, despite their differences. In the context of African American art, they have numerous pieces dedicated to telling the stories, heritage, and lifestyles of these artists and their community within their collection. The majority of these works are part of their Modern and Contemporary Art collection and engage in many themes prominent to the African American community such as racial discrimination, civil rights and racial injustice, and the generational impacts of slavery and racism. In 2020, the museum presented the exhibition, Soul of a Nation: Art in the Age of Black Power, which featured the works of numerous black artists expressing the revolutionary achievements of the black community and establishing their identity in the 1960s and 1980s. Work currently displayed in the galleries, such as Kehinde Wiley’s Judith and Holofernes and Kara Walker’s Slaughter of the Innocents (They Might Be Guilty of Something), educate on similar themes of oppression and its layers, as well as the impact on the African American community from multiple generations’ perspective. On many occasions, local artists commissioned or employed by the museum will showcase their work outside of the museum in various gallery locations in Houston. Specifically, these are conducted in areas with higher rates of African American residency. These galleries are typically established to promote the artistic and historical education to members of the Black community with explanations from the artists themselves. Regardless of the contents and target audience, all are welcome to join and learn.
763:
725:
1120:
1004:
1476:
1101:
1360:
810:
1198:
907:
1243:
1436:
985:
1398:
791:
1044:
926:
1139:
888:
1063:
1417:
964:
945:
1323:
1379:
1457:
829:
511:– was founded in 1979, with an original building, now demolished, designed by architect S. I. Morris. In 2014, a new L-shaped building was designed by Steven Holl for the school, which features a ramped amphitheater leading up to a walkable rooftop garden. The 80,000 sq ft (7,400 m) building sits on top of an extensive underground parking garage, and it opens onto Noguchi's sculpture garden, offering additional outdoor space for programs and performances. It offers a wide range of classes, workshops, and educational opportunities to students of all ages, interests, experiences, through the Studio School for Adults, the Glassell Junior School, as well as Community Bridge Programs, special programs for youths, and the Core Artist-in-Residence Program.
1082:
744:
1177:
1283:
1224:
1342:
1158:
1023:
848:
1262:
395:
869:
197:
1302:
590:
original building, designed by
Houston architect William Ward Watkin in the Greek Neoclassical style, is the first art museum built in Texas. Today the MFAH encompasses three buildings, the Caroline Wiess Law, Audrey Jones Beck, and Nancy and Rich Kinder buildings, that house its primary collections and temporary exhibitions; two decorative arts house museums; The Glassell studio art school; a sculpture garden; a facility for conservation, storage and archives; and an administrative building with the Glassell Junior school of Art.
550:, was designed by architect John F. Staub in 1927. Miss Hogg donated the property to the MFAH in 1957, followed, in 1962, by the donation of its collection of paintings, furniture, ceramics, glass, metals, and textiles. Bayou Bend was officially dedicated and opened to the public in 1966. Situated on 14 acres (57,000 m) of formal and woodland gardens five miles (8 km) from the main museum campus, the historic house museum documents American decorative and fine arts from the seventeenth to the mid-nineteenth centuries.
2840:
2849:
640:
the Cullen
Foundation's funding of the MFAH's first accessions endowment in 1970, the Brown Foundation, Inc., launched a challenge grant in 1976 that would stay in effect for twenty years raising funds for both accessions and operational costs in landmark amounts and providing incentive for additional community support. Also in 1976, the photography collection was established with Target Stores’ first corporate grant to the museum. Today the museum is the sixth-largest in the country.
379:
3207:
403:
582:
33:
3187:
90:
3197:
3177:
623:
1530:
653:
3167:
668:
and sculpture. Other facets of the collection include
African-American art and Texas painting. Emerging collection interests of modern and contemporary Latin American art, including the artwork of all Texas Latino artists, Asian art, and Islamic art continue to strengthen the museum's collection diversity. As a result of its encyclopedic collection, the museum ranks nationally among the top ten art museums in attendance.
442:. The original Caroline Wiess Law building was constructed in 1924 and the east and west wing were added in 1926. The Robert Lee Blaffer Memorial Wing was designed by Kenneth Franzheim and opened to the public in 1953. The new construction included significant structural improvements to several existing galleries—most notably, air conditioning. Two subsequent additions, Cullinan Hall and the Brown Pavilion, designed by
1544:
3157:
2321:
206:
414:
387:
762:
1003:
517:– The building, opened in 1994 and designed by Texan architectural designer Carlos Jimenez, houses the museum's administrative functions as well as the Glassell Junior School. The MFAH is the only museum facility in the United States that has a special building dedicated solely to art classes for children.
2199:
But the Museum of Fine Arts, Houston, which ultimately came to possess the third
Bellotto, has rejected the Emden heirs' claims since 2007. Its director, Gary Tinterow, argues that Emden sold the painting voluntarily and, that after conducting provenance research and consulting lawyers, "we concluded
606:
paintings, sculptures and works on paper from renowned New York collectors Edith and Percy Straus. Over the next two decades, gifts from prominent
Houston families and foundations concentrated on European art from the fifteenth to twentieth centuries, contemporary painting and sculpture, and African,
589:
The Museum of Fine Arts, Houston (MFAH) is the oldest art museum in Texas. In 1917, the museum site was dedicated by the
Houston Public School Art League (later the Houston Art League) with the intention of becoming a public art museum. The first museum building was opened to the public in 1924. The
480:
Sculpture Garden and an expanded
Glassell School of Art. In addition to a theater, restaurant, café, and seven small gardens and reflecting pools inset along the building's perimeter, the 237,213 square-foot Kinder building increases the museums overall exhibition space by nearly 75 percent. In 2021,
446:
were built in 1958 and 1974 respectively. This section of the Museum of Fine Arts, Houston campus is the only Mies-designed museum in the United States. The
Caroline Wiess Law building provides an ideal space in which to exhibit temporary and traveling exhibitions, as well as installations of Islamic
639:
masterpieces, augmenting the museum's already strong
Impressionist collection. This collection would never leave the MFAH, formally entering its holdings in 1998 as a gift of Life Trustee Audrey Jones Beck. The collection is permanently displayed in the building that bears her name. On the heels of
479:
to design a 164,000 sq ft (15,200 m) expansion that primarily holds galleries for art after 1900. Opened to the public in November 2020, the new building occupies a two-acre site north of the Caroline Wiess Law Building. The new MFAH building is adjacent to Lillie and Hugh Roy Cullen
468:
in honor of the large collection she had donated to the museum several decades prior. In addition to traveling exhibitions and rotating temporary shows of photography, prints and drawings on the lower levels, the building displays the permanent collections of antiquities, European, and American art
667:
With approximately 70,000 works of art, the largest part of the museum's collection lie in the areas of Italian Renaissance painting, French Impressionism, photography, American and European decorative arts, African and pre-Columbian gold, American art, and post-1945 European and American painting
1505:
between 1982 and 2010, the Museum of Fine Arts’ yearly attendance increased to roughly two million from 300,000; its operating budget climbed to $ 52 million from $ 5 million, and its endowment reached $ 1 billion (before the 2008 recession dropped its value to about $ 800 million). The museum's
698:
The museum, which had rejected the Emden heirs’ claims since 2007, disagreed with the characterization of the painting as having been subject to a forced or duress sale due to Nazi persecution. MFAH director Gary Tinterow stated that Emden sold the painting voluntarily and, that after consulting
1506:
permanent collection more than tripled in size, to 63,000 works from 20,000. In 2010, Marzio was the sixth-highest-paid charity chief executive in the country, with compensation in 2008 of $ 1,054,939. A year after Peter Marzio died in 2010, Gary Tinterow was appointed as the museum's director.
643:
In 2001, the MFAH, established the International Center for the Arts of the Americas (ICAA), the leading research institute for 20th-century Latin American and Latino art. The ICAA has been a pioneer in collecting, exhibiting and researching the diverse artistic production of Latin American and
421:
The MFAH's permanent collection totals nearly 70,000 pieces in over 300,000 square feet (28,000 m) of exhibition space, placing it among the larger art museums in the United States. The museum's collections and programs are housed in nine facilities. The Susan and Fayez S. Sarofim Campus
1119:
724:
572:. Completed in 1954, Rienzi served as both a family home and a center for Houston civic and philanthropic activity from the 1950s through the mid-1990s. After Mr. Masterson's death, the MFAH transformed the home into a museum and subsequently opened it to the public in 1999.
593:
Prior to the opening of the permanent museum building in 1924, George M. Dickson bequeathed to the collection its first important American and European oil paintings. In the 1930s, Houstonian Annette Finnigan began her donation of antiquities and Texas philanthropist
447:
art, Pacific Island and Australian art, Asian art, Indonesian gold artworks, and Mesoamerican and sub-Saharan African art. Of special interest is the Glassell Collection of African Gold, the largest assemblage of its kind in the world, donated by museum chairman
1100:
809:
906:
630:
The MFAH collection nearly doubled from 1970 to 1989, fueled by continued donations of art along with the advent of both accession endowment funding and corporate giving. In 1974, John and Audrey Jones Beck placed on long-term loan fifty
369:
The permanent collection of the museum spans more than 5,000 years of history with nearly 80,000 works from six continents. In 2023, the museum received over 900,000 visitors, making it the 20th most-visited museum in the United States.
1197:
1475:
1397:
1138:
790:
523:– is a 37,864-square-foot conservation center designed by Lake-Flato Architects that was completed in 2018. It is home to conservation labs and studios located above the museum's parking garage. It is not open to the public.
743:
1242:
1359:
984:
925:
1435:
1043:
1062:
426:) at off site locations. The main public collections and exhibitions are in the Law, Beck, and Kinder buildings. The Law and Beck buildings have over 130,000 square feet (12,000 m) of exhibition space.
1157:
887:
504:
and opened in 1986. The Lillie and Hugh Roy Cullen Sculpture Garden houses more than twenty-five works by artists from the nineteenth, twentieth, and twenty-first centuries from the MFAH and other major
963:
944:
828:
1378:
695:, had an inaccurate provenance that concealed the history of the painting. After the MFAH refused to restitute the painting the Emden heirs filed a lawsuit in the Southern District of Texas.
1322:
671:
Since 2019 Hossein Afshar Collection, one of the world's most distinguished private collections of Persian art, is on loan to MFAH. The museum has organised two exhibitions of this collection.
1176:
1081:
1456:
2515:
699:
provenance and legal experts, “we concluded that we had good title.” The museum also states that the Bellotto is one of multiple nearly identical versions by the artist, and was bought by
2956:
1416:
1854:
1223:
1022:
1282:
868:
847:
2508:
1341:
1740:
3286:
3266:
1349:
598:
gave her collection of avant-garde European prints and drawings. Ima Hogg's gift was followed by the subsequent donations of her Southwest Native American and
3246:
2501:
1515:
680:
2171:
488:, a contemporary French restaurant emphasizing the highest-quality, seasonal ingredients from Michelin-starred chef Alain Verzeroli, and Italian-inspired
248:
1261:
2765:
1601:
1582:
3296:
2968:
2353:
1577:
1301:
2141:
3210:
2266:
3281:
496:
361:. With the recent completion of an eight-year campus redevelopment project, including the opening of the Nancy and Rich Kinder Building in 2020,
3190:
2230:
2213:
3200:
3180:
2325:
154:
107:
3170:
126:
3251:
3236:
2524:
2406:
2092:
17:
133:
3160:
2676:
1822:
3261:
1885:
1771:
974:
3022:
2886:
1998:
1033:
140:
2758:
2043:"Restitution Experts Blast Houston's Museum of Fine Arts for Refusing to Return a Painting Once Purchased for Hitler's Museum"
3271:
3231:
2346:
1144:
1645:"Major Expansion of the Museum of Fine Arts, Houston Moves Forward with the Construction of the Audrey Jones Beck Building"
122:
2465:
2444:
2413:
1748:
1187:
321:
556:– the MFAH house museum for European decorative arts, Rienzi was donated to the MFAH by Carroll Sterling Masterson and
564:, Mr. Masterson's grandfather, is situated on 4.4 acres (18,000 m) in Homewood Addition, surrounded by Houston's
2937:
2751:
2396:
2029:
1557:
534:
173:
71:
53:
2848:
2042:
1797:
3276:
2986:
2980:
2381:
2339:
2142:"The Heirs of a Jewish Collector Are Suing the Museum of Fine Arts, Houston, for the Return of a Bellotto Painting"
2310:
3256:
2376:
2068:"The Museum of Fine Arts, Houston Must End Its Head-in-the-Sand Approach to Justice When It Comes to Restitution"
49:
1068:
2187:
422:
encompasses 14 acres including seven of the facilities, with two additional facilities, Bayou Bend and Rienzi (
111:
42:
2839:
3140:
2904:
1125:
1609:
147:
2691:
858:
241:
3241:
3102:
3034:
3016:
2974:
1572:
1446:
1163:
364:
2149:
2812:
2570:
2067:
1182:
451:. Also the Nidhika and Pershant Mehta Arts of India, the only space in Houston for Indian Arts Culture.
1925:
1049:
3107:
3004:
2898:
2774:
2707:
2391:
2314:
443:
3206:
3010:
2931:
2362:
893:
464:, a Pritzker Architecture Prize Laureate. The museum Trustees elected to name the building after
354:
100:
3291:
2648:
2460:
2248:
1498:
608:
448:
2493:
1507:
2868:
2655:
2593:
2093:"MFA Houston Owns Bellotto Painting Sold Under Duress During World War II, Foundation Claims"
1403:
1229:
874:
834:
1775:
1715:
2998:
2880:
2662:
2601:
1858:
1106:
1014:
Still Life of Game including a Hare, Black Grouse, Partridge, Spaniel, and Pigeon in Flight
931:
619:. Augmented by museum purchases, the permanent collection numbered 12,000 objects by 1970.
557:
3186:
8:
2699:
2475:
2470:
1826:
1267:
1203:
687:
in the Museum of Fine Arts, Houston (MFAH). According to the foundation, the painting by
602:
collections during the 1940s. The same decade witnessed the 1944 bequest of eighty-three
439:
3196:
2116:
1979:
1855:
Steven Holl Architects' dramatic expansion design for The Museum of Fine Arts in Houston
2962:
2802:
2684:
2586:
2295:
2003:
1984:
1798:"Museum of Fine Arts in Houston Opens Nidhika and Pershant Mehta Arts of India Gallery"
1741:""Ontologically, every thing is unique": Behind the Curtain at the MFAH - OffCite Blog"
1567:
1549:
1087:
990:
950:
700:
636:
612:
599:
568:. The structure was designed in 1952 by John F. Staub, the same architect who designed
317:
3166:
2796:
2386:
2234:
2179:
1462:
815:
688:
465:
455:
1904:
196:
3051:
3028:
2992:
2910:
2892:
2874:
2632:
2539:
1422:
1248:
657:
2214:
Backgrounder and Statement: “The Marketplace at Pirna,” c. 1764, Bernardo Bellotto
1631:
1481:
3081:
3061:
2818:
2715:
2640:
2609:
2555:
616:
561:
48:
It may require cleanup to comply with Knowledge's content policies, particularly
1665:
1328:
3128:
2914:
2270:
2252:
1889:
1288:
912:
539:
358:
3225:
2669:
2183:
1511:
1441:
969:
632:
501:
423:
302:
263:
250:
2743:
2424:
2172:"What Constitutes Art Sales Under Duress? A Dispute Reignites the Question"
1535:
1502:
1384:
1312:
1307:
1272:
853:
796:
730:
712:
Arts of Africa, the Indigenous Pacific Islands, Australia, and the Americas
461:
378:
186:
Art museum, institute, library, sculpture park in Houston, TX United States
2331:
607:
Oceanic and Pre-Columbian art. Among these are the gifts of Life Trustees
438:– the original neo-classical building was designed in phases by architect
3133:
3085:
3075:
3065:
3055:
2828:
2822:
2806:
2617:
2418:
1872:
1690:
1644:
1365:
749:
603:
476:
481:
3071:
2790:
2624:
2547:
1009:
569:
283:
756:(1770-1839), ink and watercolor on paper, 171.2 × 372.1 × 1.5 cm.
402:
394:
2562:
2435:
2305:
1028:
684:
661:
581:
546:. The Bayou Bend Collection and Gardens, former home of Life Trustee
543:
287:
1951:
1501:
directed the museum from 1969 to 1974. During the 28-year tenure of
89:
2578:
2030:
Between Sea and Sky: Blue and White Ceramics from Persia and Beyond
1562:
622:
595:
565:
547:
485:
407:
1999:
Inspiration From South of the Border Moves Center Stage in Houston
652:
460:– Opened to the public in 2000, the Beck Building was designed by
3123:
2925:
515:
Central Administration and Glassell Junior School of Art Building
291:
683:
announced that it had located a painting from the collection of
489:
2523:
2320:
2299:
1543:
770:
Rama, Lakshmana, and Sita Cooking and Eating in the Wilderness
205:
521:
The Sarah Campbell Blaffer Foundation Center for Conservation
413:
2017:
1949:
1902:
1769:
772:(c. 1820), gouache & gold on paper, 21.6 × 16.5 cm.
1632:
Campus Redevelopment, The Susan and Fayez S. Sarofim Campus
1602:"The Museum of Fine Arts, Houston, Houston, United States"
386:
2306:
International Center for the Arts of the Americas at MFAH
1716:"Museum of Fine Arts: The Nancy and Rich Kinder Building"
500:– was designed by US-born artist and landscape architect
429:
2288:
332:
1666:"Tips for Visiting - The Museum of Fine Arts, Houston"
1216:
Impressionism, postimpressionism, and early modern art
41:
A major contributor to this article appears to have a
1926:"Museum of Fine Arts, Houston: Campus Redevelopment"
1525:
1886:
Houston Museum Chooses Architect for Expansion Plan
114:. Unsourced material may be challenged and removed.
1583:List of claims for restitution for Nazi-looted art
2296:Photographs from the Museum of Fine Arts, Houston
2249:Peter Marzio, Houston Museum Director, Dies at 67
2117:"Emden et al v. The Museum of Fine Arts, Houston"
1578:List of most-visited museums in the United States
703:in 1952 and later donated to the museum in 1961.
3223:
2311:Virtual tour of the Museum of Fine Arts, Houston
2267:Met Veteran Named Director of Houston Art Museum
1849:
1847:
1845:
1843:
917:Christ in the House of Mary, Martha, and Lazarus
1980:Replacing a Museum Director Who Was a Rare Find
497:The Lillie and Hugh Roy Cullen Sculpture Garden
1974:
1972:
1970:
1968:
3287:Mesoamerican art museums in the United States
3267:Art museums and galleries established in 1900
2759:
2509:
2347:
2225:
2223:
1840:
820:Saint Clare Rescuing a Child Mauled by a Wolf
801:Saint Anthony Abbot Shunning the Mass of Gold
3247:Decorative arts museums in the United States
2773:
2231:Peter Marzio, 67; transformed Houston museum
1691:"Museum of Fine Arts: Sarofim (main) Campus"
1168:Orpheus Leading Eurydice from the Underworld
615:and Alice N. Hanzsen as well as that of the
2525:Lillie and Hugh Roy Cullen Sculpture Garden
2407:Lillie and Hugh Roy Cullen Sculpture Garden
2361:
1965:
1410:(1905), oil on board, 69.9 x: 49.5 cm.
737:(1730), ink on paper, 132.1 × 70.2 cm.
2766:
2752:
2516:
2502:
2354:
2340:
2220:
783:European and American painting (1400-1899)
204:
2677:Recuerdo de Machu Picchu 3 (Las terrazas)
174:Learn how and when to remove this message
72:Learn how and when to remove this message
3297:African art museums in the United States
1316:(Nympheas) (1907), 92.1 × 81.2 cm.
803:** (c. 1435–1440), 19.7 x 28.1 cm.
674:
651:
621:
580:
469:up to 1900, including the Impressionist.
412:
401:
393:
385:
377:
3023:Martin Luther King Jr. Memorial Library
2805:(1928–1929; reconstructed, 1986) (with
2421:(Italian Cultural and Community Center)
2169:
2139:
2040:
1514:Art curator and the Wortham Curator of
14:
3282:Asian art museums in the United States
3224:
3176:
2920:Cullinan Hall and the Brown Pavilion,
1997:Hilarie M. Sheets (November 13, 2020)
1795:
1111:Self-Portrait with Angelica and Rachel
841:* (after 1454), 31.9 x 22.86 cm.
822:** (c.1453-1462), 20.6 x 28.1 cm.
367:based on square feet of gallery space.
2747:
2497:
2335:
2090:
2065:
1518:at the Museum of Fine Arts, Houston.
881:* (c. 1500), 120.7 cm. diameter
430:The Susan and Fayez S. Sarofim Campus
3156:
2247:William Grimes (December 11, 2010),
1637:
862:* (c. 1468–70), 25.6 x 17.7 cm.
538:– features a collection of American
112:adding citations to reliable sources
83:
26:
2852:Interior of Villa Tugendhat in Brno
2466:Houston Independent School District
2229:Douglas Britt (December 12, 2010),
2211:Museum of Fine Arts, Houston. MFAH
1884:Robin Pogrebin (February 7, 2012),
1825:. Pritzkerprize.com. Archived from
1210:(1899), 1,476.50 x 968.50 cm.
1034:Entrance to the Grand Canal, Venice
717:Arts of Asia and the Islamic Worlds
527:
353:), is an art museum located in the
24:
3252:Ludwig Mies van der Rohe buildings
3237:Art museums and galleries in Texas
2847:
2838:
2016:The Museum of Fine Arts, Houston:
1978:Rebecca S. Cohen (April 9, 2011),
1950:The Museum of Fine Arts, Houston.
1903:The Museum of Fine Arts, Houston.
1770:The Museum of Fine Arts, Houston.
1630:The Museum of Fine Arts, Houston:
1151:(1808-1812), 44.7 x 62.5 cm.
1145:Francisco José de Goya y Lucientes
978:, (c.1640), 152.5 × 204.9 cm.
560:in 1991. The residence, named for
406:Gardens at Bayou Bend, donated by
25:
3308:
2938:Pavilion and Colonnade Apartments
2397:Houston Museum of Natural Science
2280:
2170:Hickley, Catherine (2021-08-17).
1558:Bayou Bend Collection and Gardens
1113:(1782-1785), 91.8 × 68.9 cm.
1016:(c. 1680), 157.2 × 182.2 cm.
938:(c. 1620), 155.3 × 125.1 cm.
879:The Adoration of the Christ Child
535:Bayou Bend Collection and Gardens
3205:
3195:
3185:
3175:
3165:
3155:
2987:Lafayette Towers Apartments West
2981:Lafayette Towers Apartments East
2382:Contemporary Arts Museum Houston
2319:
2265:Carol Vogel (December 1, 2011),
1542:
1528:
1488:(c. 1926), 102.2 × 76.1 cm.
1474:
1455:
1434:
1415:
1396:
1377:
1358:
1340:
1335:(1888-1890), 74.1 × 61 cm.
1321:
1300:
1281:
1260:
1241:
1222:
1196:
1175:
1156:
1137:
1118:
1099:
1080:
1075:(c. 1753), 41.4 × 47.3 cm.
1061:
1056:(1735-1745) 213 x 231.1 cm.
1042:
1037:(c. 1730), 49.5 × 73.7 cm.
1021:
1002:
997:(c. 1670s), 55.2 x 62.8 cm.
983:
962:
943:
924:
919:(c.1577), 98.4 × 126.4 cm.
905:
886:
867:
846:
827:
808:
789:
761:
742:
723:
195:
88:
52:. Please discuss further on the
31:
3262:Modernist architecture in Texas
2259:
2241:
2205:
2163:
2133:
2109:
2084:
2059:
2034:
2023:
2010:
1991:
1943:
1918:
1896:
1878:
1865:
1853:Pei-Ru Keh (January 19, 2015),
1815:
1170:(1861), 112.3 x 137.1 cm.
1130:Sheerness as Seen From the Nore
475:– In 2012, the museum selected
365:largest art museum in the world
236:Houston, TX 77005 United States
99:needs additional citations for
2091:Villa, Angelica (2021-07-22).
1871:Museum of Fine Arts, Houstom:
1789:
1763:
1747:. 16 July 2015. Archived from
1733:
1708:
1683:
1658:
1624:
1594:
1469:(c. 1916), 116.2 × 73 cm.
1276:(1878), 154.9 × 116.8 cm.
1253:The Goose Girl at Montfoucault
1191:(1869), 130.2 × 97.2 cm.
1132:(1808), 104.5 × 149.6 cm.
957:* (1633), 65.2 x 48.7 cm
900:* (1529), 74.9 x 53.9 cm.
473:Nancy and Rich Kinder Building
123:"Museum of Fine Arts, Houston"
13:
1:
3141:Portrait of Sir David Webster
2905:Lafayette Pavilion Apartments
2140:Cascone, Sarah (2021-10-19).
2041:Cascone, Sarah (2021-08-18).
1493:
1389:Two Young Girls among Flowers
1295:(1882), 61.3 x 75.5 cm.
1126:Joseph Mallord William Turner
647:
373:
3272:1900 establishments in Texas
3232:Museum of Fine Arts, Houston
2843:German Pavilion in Barcelona
2793:(1925–1926; destroyed, 1945)
2733:Museum of Fine Arts, Houston
2692:The Spirit of Eternal Repose
2402:Museum of Fine Arts, Houston
2377:Children's Museum of Houston
2326:Museum of Fine Arts, Houston
2217:. (accessed 17 October 2021)
2066:Edsel, Robert (2021-08-31).
1450:(1918), 80.2 x 49.9 cm.
1429:(1912), 94.9 × 108 cm.
1408:Moonrise: Soldier and Maiden
1391:(1912), 62.2 x 51.4 cm.
1353:(1888), 54.9 × 65.7 cm.
1236:(1871), 73.7 × 59.1 cm.
1149:Still Life with Golden Bream
1094:(1774), 63.8 x 90.9 cm.
1092:Ariadne Abandoned by Theseus
1069:Jean-Baptiste-Siméon Chardin
936:Virgin and Child with Angels
706:
347:Museum of Fine Arts, Houston
190:Museum of Fine Arts, Houston
7:
3035:Kluczynski Federal Building
2975:Highfield House Condominium
2887:Lake Shore Drive Apartments
2020:(accessed 24 December 2020)
1875:(accessed 24 December 2020)
1573:List of largest art museums
1521:
1447:Composition with Grid No. 1
1372:(1893), 65.7 × 81 cm.
1208:Mrs. Sarah Montgomery Sears
1164:Jean-Baptiste-Camille Corot
436:Caroline Wiess Law Building
382:Caroline Wiess Law Building
264:29.72560500°N 95.39053889°W
18:Museum of Fine Arts Houston
10:
3313:
2813:Haus Lange and Haus Esters
2571:Conversation with the Wind
1774:. Mfah.org. Archived from
1772:"The Glassell Collections"
1634:(accessed 19 October 2021)
1255:(1876), 57.8 × 73 cm.
1183:William-Adolphe Bouguereau
617:Samuel H. Kress Foundation
576:
390:Audrey Jones Beck Building
217:Interactive fullscreen map
3151:
3116:
3095:
3044:
2947:
2859:
2836:
2781:
2725:
2531:
2484:
2453:
2434:
2414:First Presbyterian Church
2369:
2315:Google Arts & Culture
1606:Google Arts & Culture
1050:Giovanni Battista Tiepolo
995:Landscape with Cornfields
955:Portrait of a Young Woman
327:
308:
298:
279:
269:29.72560500; -95.39053889
240:
230:
222:
215:
203:
194:
3017:Nuns' Island gas station
3005:Richard King Mellon Hall
2969:Dirksen Federal Building
2899:900-910 North Lake Shore
2799:(four homes) (1927–1928)
2775:Ludwig Mies van der Rohe
2486:This list is incomplete.
2392:Holocaust Museum Houston
2200:that we had good title."
1905:"Glassell Junior School"
1588:
975:The Judgement of Solomon
859:Portrait of an Old Woman
693:The Marketplace at Pirna
681:Monuments Men Foundation
444:Ludwig Mies van der Rohe
3277:Museums of American art
3011:Toronto-Dominion Centre
2957:Bacardi Office Building
2363:Houston Museum District
2300:Portal to Texas History
1647:. Tfaoi.com. 1924-04-12
1234:Nature morte au bouquet
898:The Suicide of Lucretia
894:Lucas Cranach the Elder
566:River Oaks neighborhood
355:Houston Museum District
3257:Rafael Moneo buildings
2934:(co-authorship) (1959)
2853:
2844:
2649:Large Standing Woman I
2461:Houston Public Library
1823:"The Hyatt Foundation"
1499:Philippe de Montebello
1333:Madame Cézanne in Blue
735:Wild Geese on Sandbank
664:
627:
609:Sarah Campbell Blaffer
586:
509:Glassell School of Art
482:The Bastion Collection
477:Steven Holl Architects
449:Alfred C. Glassell Jr.
418:
410:
399:
398:Glassell School of Art
391:
383:
2869:Promontory Apartments
2851:
2842:
1796:Villarreal, Ignacio.
1404:Ernst Ludwig Kirchner
1230:Pierre-Auguste Renoir
875:Alessandro Botticelli
835:Rogier van der Weyden
675:Claim for restitution
655:
625:
585:Watkin Building, 1924
584:
416:
405:
397:
389:
381:
309:Public transit access
50:neutral point of view
3103:God is in the detail
2999:New National Gallery
2995:(Canada) (1964–1967)
2959:(Mexico) (1958–1961)
2881:Carr Memorial Chapel
2476:Post Oak High School
2328:at Wikimedia Commons
1370:The Bonaventure Pine
1107:Charles Wilson Peale
932:Bartolomeo Cavarozzi
558:Harris Masterson III
108:improve this article
2922:Museum of Fine Arts
2700:Two Circle Sentinel
2471:Presbyterian School
1508:Mari Carmen Ramírez
1268:Gustave Caillebotte
1204:John Singer Sargent
440:William Ward Watkin
417:Rienzi House Museum
260: /
191:
3242:Museums in Houston
3084:(1929–1930) (with
3074:(1929–1930) (with
2963:One Charles Center
2913:(1955–1958) (with
2901:(completion, 1956)
2854:
2845:
2821:(1928–1930) (with
2803:Barcelona Pavilion
2685:The Sound of Night
2176:The New York Times
2004:The New York Times
1985:The New York Times
1612:on 15 October 2022
1568:Samuel Henry Kress
1550:Visual arts portal
1516:Latin American Art
1347:Vincent van Gogh,
1088:Angelica Kauffmann
1073:The Good Education
991:Jacob van Ruisdael
951:Rembrandt van Rijn
754:Tiger in Landscape
665:
637:Post-Impressionist
628:
613:Dominique de Menil
600:Frederic Remington
587:
419:
411:
400:
392:
384:
189:
3219:
3218:
2797:Weissenhof Estate
2741:
2740:
2491:
2490:
2387:The Health Museum
2324:Media related to
2235:Houston Chronicle
1751:on 22 August 2016
1467:Léopold Zborowski
1463:Amedeo Modigliani
816:Giovanni di Paolo
689:Bernardo Bellotto
626:Museum circa 1926
466:Audrey Jones Beck
456:Audrey Jones Beck
343:
342:
184:
183:
176:
158:
82:
81:
74:
45:with its subject.
16:(Redirected from
3304:
3209:
3199:
3189:
3179:
3178:
3169:
3159:
3158:
3052:Weissenhof chair
3001:(Germany) (1968)
2993:Westmount Square
2911:Seagram Building
2875:Farnsworth House
2768:
2761:
2754:
2745:
2744:
2633:Houston Triptych
2518:
2511:
2504:
2495:
2494:
2356:
2349:
2342:
2333:
2332:
2323:
2298:, hosted by the
2292:
2291:
2289:Official website
2275:
2263:
2257:
2245:
2239:
2227:
2218:
2209:
2203:
2202:
2196:
2195:
2186:. Archived from
2167:
2161:
2160:
2158:
2157:
2148:. Archived from
2137:
2131:
2130:
2128:
2127:
2113:
2107:
2106:
2104:
2103:
2088:
2082:
2081:
2079:
2078:
2063:
2057:
2056:
2054:
2053:
2038:
2032:
2027:
2021:
2014:
2008:
1995:
1989:
1976:
1963:
1962:
1960:
1959:
1947:
1941:
1940:
1938:
1936:
1922:
1916:
1915:
1913:
1912:
1900:
1894:
1882:
1876:
1869:
1863:
1851:
1838:
1837:
1835:
1834:
1819:
1813:
1812:
1810:
1808:
1793:
1787:
1786:
1784:
1783:
1767:
1761:
1760:
1758:
1756:
1737:
1731:
1730:
1728:
1726:
1712:
1706:
1705:
1703:
1701:
1687:
1681:
1680:
1678:
1676:
1662:
1656:
1655:
1653:
1652:
1641:
1635:
1628:
1622:
1621:
1619:
1617:
1608:. Archived from
1598:
1552:
1547:
1546:
1538:
1533:
1532:
1531:
1478:
1459:
1438:
1423:Vasily Kandinsky
1419:
1400:
1381:
1362:
1344:
1325:
1304:
1293:The Basket Chair
1285:
1264:
1249:Camille Pissarro
1245:
1226:
1200:
1188:The Elder Sister
1179:
1160:
1141:
1122:
1103:
1084:
1065:
1046:
1025:
1006:
987:
966:
947:
928:
909:
890:
871:
850:
839:Virgin and Child
831:
812:
793:
765:
746:
727:
528:Other facilities
368:
339:
336:
334:
315:
294:, sculpture park
275:
274:
272:
271:
270:
265:
261:
258:
257:
256:
253:
208:
199:
192:
188:
179:
172:
168:
165:
159:
157:
116:
92:
84:
77:
70:
66:
63:
57:
43:close connection
35:
34:
27:
21:
3312:
3311:
3307:
3306:
3305:
3303:
3302:
3301:
3222:
3221:
3220:
3215:
3147:
3144:(1971 painting)
3112:
3091:
3082:Tugendhat chair
3062:Barcelona chair
3040:
3019:(Canada) (1969)
2949:
2943:
2861:
2855:
2846:
2834:
2819:Villa Tugendhat
2783:
2777:
2772:
2742:
2737:
2721:
2716:The Walking Man
2711:(Shapiro, 1990)
2641:The Large Horse
2610:Exhaling Pearls
2556:The Back Series
2527:
2522:
2492:
2487:
2480:
2449:
2445:Museum District
2430:
2365:
2360:
2287:
2286:
2283:
2278:
2264:
2260:
2246:
2242:
2228:
2221:
2210:
2206:
2193:
2191:
2168:
2164:
2155:
2153:
2138:
2134:
2125:
2123:
2115:
2114:
2110:
2101:
2099:
2089:
2085:
2076:
2074:
2064:
2060:
2051:
2049:
2039:
2035:
2028:
2024:
2015:
2011:
1996:
1992:
1977:
1966:
1957:
1955:
1948:
1944:
1934:
1932:
1924:
1923:
1919:
1910:
1908:
1901:
1897:
1883:
1879:
1870:
1866:
1852:
1841:
1832:
1830:
1821:
1820:
1816:
1806:
1804:
1794:
1790:
1781:
1779:
1768:
1764:
1754:
1752:
1739:
1738:
1734:
1724:
1722:
1714:
1713:
1709:
1699:
1697:
1689:
1688:
1684:
1674:
1672:
1664:
1663:
1659:
1650:
1648:
1643:
1642:
1638:
1629:
1625:
1615:
1613:
1600:
1599:
1595:
1591:
1548:
1541:
1534:
1529:
1527:
1524:
1496:
1489:
1479:
1470:
1460:
1451:
1439:
1430:
1420:
1411:
1401:
1392:
1382:
1373:
1363:
1354:
1345:
1336:
1326:
1317:
1305:
1296:
1286:
1277:
1265:
1256:
1246:
1237:
1227:
1211:
1201:
1192:
1180:
1171:
1161:
1152:
1142:
1133:
1123:
1114:
1104:
1095:
1085:
1076:
1066:
1057:
1047:
1038:
1026:
1017:
1007:
998:
988:
979:
967:
958:
948:
939:
929:
920:
910:
901:
891:
882:
872:
863:
851:
842:
832:
823:
813:
804:
794:
773:
766:
757:
747:
738:
728:
709:
701:Samuel H. Kress
677:
650:
579:
562:Rienzi Johnston
530:
432:
376:
363:it is the 12th
362:
331:
322:Museum District
320:
313:
268:
266:
262:
259:
254:
251:
249:
247:
246:
235:
218:
211:
210:Watkin Building
187:
180:
169:
163:
160:
117:
115:
105:
93:
78:
67:
61:
58:
47:
36:
32:
23:
22:
15:
12:
11:
5:
3310:
3300:
3299:
3294:
3289:
3284:
3279:
3274:
3269:
3264:
3259:
3254:
3249:
3244:
3239:
3234:
3217:
3216:
3214:
3213:
3203:
3193:
3183:
3173:
3163:
3152:
3149:
3148:
3146:
3145:
3137:
3136:(collaborator)
3131:
3129:Walter Gropius
3126:
3120:
3118:
3114:
3113:
3111:
3110:
3105:
3099:
3097:
3093:
3092:
3090:
3089:
3079:
3069:
3059:
3048:
3046:
3042:
3041:
3039:
3038:
3032:
3026:
3020:
3014:
3008:
3002:
2996:
2990:
2984:
2978:
2972:
2966:
2960:
2953:
2951:
2945:
2944:
2942:
2941:
2935:
2932:Lafayette Park
2929:
2918:
2915:Philip Johnson
2908:
2902:
2896:
2890:
2884:
2878:
2872:
2865:
2863:
2857:
2856:
2837:
2835:
2833:
2832:
2826:
2816:
2810:
2800:
2794:
2787:
2785:
2779:
2778:
2771:
2770:
2763:
2756:
2748:
2739:
2738:
2736:
2735:
2729:
2727:
2723:
2722:
2720:
2719:
2712:
2704:
2696:
2688:
2681:
2673:
2666:
2659:
2652:
2645:
2637:
2629:
2621:
2614:
2606:
2598:
2590:
2583:
2575:
2567:
2559:
2552:
2544:
2535:
2533:
2529:
2528:
2521:
2520:
2513:
2506:
2498:
2489:
2488:
2485:
2482:
2481:
2479:
2478:
2473:
2468:
2463:
2457:
2455:
2451:
2450:
2448:
2447:
2441:
2439:
2432:
2431:
2429:
2428:
2422:
2416:
2411:
2410:
2409:
2399:
2394:
2389:
2384:
2379:
2373:
2371:
2367:
2366:
2359:
2358:
2351:
2344:
2336:
2330:
2329:
2317:
2308:
2303:
2293:
2282:
2281:External links
2279:
2277:
2276:
2271:New York Times
2258:
2253:New York Times
2240:
2219:
2204:
2162:
2132:
2121:www.law360.com
2108:
2083:
2058:
2033:
2022:
2009:
1990:
1964:
1942:
1917:
1895:
1890:New York Times
1877:
1873:Sarofim Campus
1864:
1839:
1814:
1788:
1762:
1732:
1707:
1682:
1657:
1636:
1623:
1592:
1590:
1587:
1586:
1585:
1580:
1575:
1570:
1565:
1560:
1554:
1553:
1539:
1523:
1520:
1495:
1492:
1491:
1490:
1480:
1473:
1471:
1461:
1454:
1452:
1440:
1433:
1431:
1421:
1414:
1412:
1402:
1395:
1393:
1383:
1376:
1374:
1364:
1357:
1355:
1346:
1339:
1337:
1327:
1320:
1318:
1306:
1299:
1297:
1289:Berthe Morisot
1287:
1280:
1278:
1266:
1259:
1257:
1247:
1240:
1238:
1228:
1221:
1213:
1212:
1202:
1195:
1193:
1181:
1174:
1172:
1162:
1155:
1153:
1143:
1136:
1134:
1124:
1117:
1115:
1105:
1098:
1096:
1086:
1079:
1077:
1067:
1060:
1058:
1048:
1041:
1039:
1027:
1020:
1018:
1008:
1001:
999:
989:
982:
980:
968:
961:
959:
949:
942:
940:
930:
923:
921:
913:Jacopo Bassano
911:
904:
902:
892:
885:
883:
873:
866:
864:
852:
845:
843:
833:
826:
824:
814:
807:
805:
795:
788:
775:
774:
767:
760:
758:
748:
741:
739:
729:
722:
708:
705:
676:
673:
649:
646:
578:
575:
574:
573:
551:
540:decorative art
529:
526:
525:
524:
518:
512:
506:
493:
470:
452:
431:
428:
375:
372:
359:Houston, Texas
341:
340:
329:
325:
324:
312:
310:
306:
305:
300:
296:
295:
281:
277:
276:
255:95°23′25.940″W
252:29°43′32.178″N
244:
238:
237:
234:1001 Bissonnet
232:
228:
227:
224:
220:
219:
216:
213:
212:
209:
201:
200:
185:
182:
181:
96:
94:
87:
80:
79:
39:
37:
30:
9:
6:
4:
3:
2:
3309:
3298:
3295:
3293:
3292:FRAME Museums
3290:
3288:
3285:
3283:
3280:
3278:
3275:
3273:
3270:
3268:
3265:
3263:
3260:
3258:
3255:
3253:
3250:
3248:
3245:
3243:
3240:
3238:
3235:
3233:
3230:
3229:
3227:
3212:
3208:
3204:
3202:
3198:
3194:
3192:
3188:
3184:
3182:
3174:
3172:
3168:
3164:
3162:
3154:
3153:
3150:
3143:
3142:
3138:
3135:
3132:
3130:
3127:
3125:
3122:
3121:
3119:
3115:
3109:
3106:
3104:
3101:
3100:
3098:
3094:
3087:
3083:
3080:
3077:
3073:
3070:
3067:
3064:(1929) (with
3063:
3060:
3057:
3054:(1927) (with
3053:
3050:
3049:
3047:
3043:
3036:
3033:
3030:
3027:
3024:
3021:
3018:
3015:
3012:
3009:
3006:
3003:
3000:
2997:
2994:
2991:
2988:
2985:
2982:
2979:
2976:
2973:
2970:
2967:
2964:
2961:
2958:
2955:
2954:
2952:
2946:
2939:
2936:
2933:
2930:
2927:
2923:
2919:
2916:
2912:
2909:
2906:
2903:
2900:
2897:
2894:
2891:
2888:
2885:
2882:
2879:
2876:
2873:
2870:
2867:
2866:
2864:
2860:United States
2858:
2850:
2841:
2830:
2827:
2824:
2820:
2817:
2814:
2811:
2808:
2804:
2801:
2798:
2795:
2792:
2789:
2788:
2786:
2780:
2776:
2769:
2764:
2762:
2757:
2755:
2750:
2749:
2746:
2734:
2731:
2730:
2728:
2724:
2718:
2717:
2713:
2710:
2709:
2705:
2702:
2701:
2697:
2694:
2693:
2689:
2687:
2686:
2682:
2679:
2678:
2674:
2672:
2671:
2670:Quarantania I
2667:
2665:
2664:
2660:
2658:
2657:
2653:
2651:
2650:
2646:
2643:
2642:
2638:
2635:
2634:
2630:
2627:
2626:
2622:
2620:
2619:
2615:
2612:
2611:
2607:
2604:
2603:
2599:
2596:
2595:
2591:
2589:
2588:
2584:
2581:
2580:
2576:
2573:
2572:
2568:
2565:
2564:
2560:
2558:
2557:
2553:
2550:
2549:
2545:
2542:
2541:
2537:
2536:
2534:
2530:
2526:
2519:
2514:
2512:
2507:
2505:
2500:
2499:
2496:
2483:
2477:
2474:
2472:
2469:
2467:
2464:
2462:
2459:
2458:
2456:
2452:
2446:
2443:
2442:
2440:
2437:
2433:
2426:
2423:
2420:
2417:
2415:
2412:
2408:
2405:
2404:
2403:
2400:
2398:
2395:
2393:
2390:
2388:
2385:
2383:
2380:
2378:
2375:
2374:
2372:
2368:
2364:
2357:
2352:
2350:
2345:
2343:
2338:
2337:
2334:
2327:
2322:
2318:
2316:
2312:
2309:
2307:
2304:
2301:
2297:
2294:
2290:
2285:
2284:
2273:
2272:
2268:
2262:
2255:
2254:
2250:
2244:
2237:
2236:
2232:
2226:
2224:
2216:
2215:
2208:
2201:
2190:on 2021-09-02
2189:
2185:
2181:
2177:
2173:
2166:
2152:on 2021-10-19
2151:
2147:
2143:
2136:
2122:
2118:
2112:
2098:
2094:
2087:
2073:
2069:
2062:
2048:
2044:
2037:
2031:
2026:
2019:
2013:
2006:
2005:
2000:
1994:
1987:
1986:
1981:
1975:
1973:
1971:
1969:
1953:
1946:
1931:
1927:
1921:
1906:
1899:
1892:
1891:
1887:
1881:
1874:
1868:
1861:
1860:
1856:
1850:
1848:
1846:
1844:
1829:on 2011-12-09
1828:
1824:
1818:
1803:
1799:
1792:
1778:on 2011-02-10
1777:
1773:
1766:
1750:
1746:
1742:
1736:
1721:
1717:
1711:
1696:
1692:
1686:
1671:
1667:
1661:
1646:
1640:
1633:
1627:
1611:
1607:
1603:
1597:
1593:
1584:
1581:
1579:
1576:
1574:
1571:
1569:
1566:
1564:
1561:
1559:
1556:
1555:
1551:
1545:
1540:
1537:
1526:
1519:
1517:
1513:
1509:
1504:
1500:
1487:
1483:
1482:Chaïm Soutine
1477:
1472:
1468:
1464:
1458:
1453:
1449:
1448:
1443:
1442:Piet Mondrian
1437:
1432:
1428:
1424:
1418:
1413:
1409:
1405:
1399:
1394:
1390:
1386:
1380:
1375:
1371:
1367:
1361:
1356:
1352:
1351:
1343:
1338:
1334:
1330:
1324:
1319:
1315:
1314:
1309:
1303:
1298:
1294:
1290:
1284:
1279:
1275:
1274:
1269:
1263:
1258:
1254:
1250:
1244:
1239:
1235:
1231:
1225:
1220:
1219:
1218:
1217:
1209:
1205:
1199:
1194:
1190:
1189:
1184:
1178:
1173:
1169:
1165:
1159:
1154:
1150:
1146:
1140:
1135:
1131:
1127:
1121:
1116:
1112:
1108:
1102:
1097:
1093:
1089:
1083:
1078:
1074:
1070:
1064:
1059:
1055:
1054:Juno and Luna
1051:
1045:
1040:
1036:
1035:
1030:
1024:
1019:
1015:
1011:
1005:
1000:
996:
992:
986:
981:
977:
976:
971:
970:Matthias Stom
965:
960:
956:
952:
946:
941:
937:
933:
927:
922:
918:
914:
908:
903:
899:
895:
889:
884:
880:
876:
870:
865:
861:
860:
855:
849:
844:
840:
836:
830:
825:
821:
817:
811:
806:
802:
798:
792:
787:
786:
785:
784:
780:
779:
771:
764:
759:
755:
751:
745:
740:
736:
732:
726:
721:
720:
719:
718:
714:
713:
704:
702:
696:
694:
690:
686:
682:
672:
669:
663:
659:
654:
645:
641:
638:
634:
633:Impressionist
624:
620:
618:
614:
610:
605:
601:
597:
591:
583:
571:
567:
563:
559:
555:
552:
549:
545:
541:
537:
536:
532:
531:
522:
519:
516:
513:
510:
507:
503:
502:Isamu Noguchi
499:
498:
494:
491:
490:Cafe Leonelli
487:
483:
478:
474:
471:
467:
463:
459:
457:
453:
450:
445:
441:
437:
434:
433:
427:
425:
424:house museums
415:
409:
404:
396:
388:
380:
371:
366:
360:
356:
352:
348:
338:
330:
326:
323:
319:
311:
307:
304:
303:Gary Tinterow
301:
297:
293:
289:
285:
282:
278:
273:
245:
243:
239:
233:
229:
225:
221:
214:
207:
202:
198:
193:
178:
175:
167:
156:
153:
149:
146:
142:
139:
135:
132:
128:
125: –
124:
120:
119:Find sources:
113:
109:
103:
102:
97:This article
95:
91:
86:
85:
76:
73:
65:
55:
51:
46:
44:
38:
29:
28:
19:
3139:
3108:Less is more
2928:(1958; 1974)
2921:
2782:Berlin years
2732:
2714:
2706:
2698:
2690:
2683:
2675:
2668:
2661:
2654:
2647:
2639:
2631:
2623:
2616:
2608:
2600:
2592:
2585:
2577:
2569:
2561:
2554:
2546:
2538:
2427:Texas Center
2425:Asia Society
2401:
2370:Institutions
2313:provided by
2269:
2261:
2251:
2243:
2233:
2212:
2207:
2198:
2192:. Retrieved
2188:the original
2175:
2165:
2154:. Retrieved
2150:the original
2145:
2135:
2124:. Retrieved
2120:
2111:
2100:. Retrieved
2096:
2086:
2075:. Retrieved
2071:
2061:
2050:. Retrieved
2046:
2036:
2025:
2012:
2002:
1993:
1983:
1956:. Retrieved
1945:
1933:. Retrieved
1929:
1920:
1909:. Retrieved
1898:
1888:
1880:
1867:
1857:
1831:. Retrieved
1827:the original
1817:
1805:. Retrieved
1802:artdaily.com
1801:
1791:
1780:. Retrieved
1776:the original
1765:
1753:. Retrieved
1749:the original
1744:
1735:
1723:. Retrieved
1719:
1710:
1698:. Retrieved
1694:
1685:
1673:. Retrieved
1669:
1660:
1649:. Retrieved
1639:
1626:
1614:. Retrieved
1610:the original
1605:
1596:
1536:Texas portal
1512:Puerto Rican
1503:Peter Marzio
1497:
1485:
1466:
1445:
1426:
1407:
1388:
1385:Odilon Redon
1369:
1348:
1332:
1329:Paul Cézanne
1313:Water Lilies
1311:
1308:Claude Monet
1292:
1273:Les Orangers
1271:
1252:
1233:
1215:
1214:
1207:
1186:
1167:
1148:
1129:
1110:
1091:
1072:
1053:
1032:
1013:
994:
973:
954:
935:
916:
897:
878:
857:
854:Hans Memling
838:
819:
800:
797:Fra Angelico
782:
781:
777:
776:
769:
753:
734:
731:Bian Shoumin
716:
715:
711:
710:
697:
692:
679:In 2021 the
678:
670:
666:
642:
629:
592:
588:
553:
533:
520:
514:
508:
505:collections.
495:
486:Le Jardinier
472:
462:Rafael Moneo
454:
435:
420:
350:
346:
344:
170:
161:
151:
144:
137:
130:
118:
106:Please help
101:verification
98:
68:
62:October 2021
59:
40:
3211:Wikiversity
3134:Lilly Reich
3086:Lilly Reich
3076:Lilly Reich
3066:Lilly Reich
3056:Lilly Reich
3037:(1960–1974)
3013:(1964–1969)
2971:(1960–1964)
2950:(1960–1969)
2940:(1958–1960)
2907:(1955–1958)
2895:(1950–1956)
2889:(1949–1951)
2883:(1949–1952)
2877:(1945–1951)
2862:(1939–1959)
2829:Lemke House
2823:Lilly Reich
2815:(1928–1930)
2807:Lilly Reich
2784:(1907–1938)
2695:(1898–1899)
2663:The Pilgrim
2618:Flora, Nude
2419:Logue House
2146:Artnet News
2097:ARTnews.com
2072:Artnet News
2047:Artnet News
2018:Collections
1935:24 December
1745:offcite.org
1725:22 December
1700:24 December
1616:22 November
1486:The Chicken
1427:Sketch 160A
1366:Paul Signac
778:Antiquities
750:Kishi Ganku
604:Renaissance
267: /
242:Coordinates
223:Established
3226:Categories
3191:Wiktionary
3072:Brno chair
2893:Crown Hall
2791:Villa Wolf
2625:Gymnast II
2548:Arch Falls
2532:Sculptures
2194:2022-01-26
2156:2022-01-26
2126:2021-10-17
2102:2021-10-17
2077:2021-10-17
2052:2021-10-17
1958:2012-09-19
1954:. Mfah.org
1911:2012-09-19
1907:. Mfah.org
1833:2012-09-19
1782:2012-09-19
1651:2012-09-19
1494:Management
1010:Jan Weenix
660:, wife of
648:Collection
570:Bayou Bend
374:Facilities
284:Art museum
164:March 2024
134:newspapers
3201:Wikibooks
3181:Wikiquote
3045:Furniture
3029:IBM Plaza
2948:Worldwide
2656:New Forms
2594:The Dance
2563:Big Twist
2454:Education
2436:METRORail
2184:0362-4331
1859:Wallpaper
1350:The Rocks
1029:Canaletto
752:(Japan),
707:Galleries
691:, called
685:Max Emden
662:Caracalla
658:Plautilla
544:furniture
288:institute
54:talk page
3171:Wikinews
2708:Untitled
2602:Decanter
2579:The Crab
2438:stations
1952:"Rienzi"
1930:mfah.org
1720:mfah.org
1695:mfah.org
1670:mfah.org
1563:Ima Hogg
1522:See also
768:Indian,
656:Bust of
596:Ima Hogg
548:Ima Hogg
458:Building
408:Ima Hogg
318:Red Line
299:Director
231:Location
3161:Commons
3124:Bauhaus
3117:Related
2926:Houston
2726:Related
1807:5 April
1755:5 April
577:History
484:opened
328:Website
292:library
148:scholar
3096:Quotes
3031:(1973)
3025:(1972)
3007:(1968)
2989:(1963)
2983:(1963)
2977:(1964)
2965:(1962)
2871:(1949)
2831:(1933)
2703:(1961)
2680:(1984)
2644:(1914)
2636:(1986)
2628:(1985)
2613:(1993)
2605:(1987)
2597:(2000)
2587:Cybele
2582:(1962)
2574:(1962)
2566:(1978)
2551:(1981)
2543:(1889)
2182:
1675:23 May
554:Rienzi
316:
314:
150:
143:
136:
129:
121:
1589:Notes
1510:is a
335:.mfah
155:JSTOR
141:books
2540:Adam
2180:ISSN
1937:2020
1809:2018
1757:2018
1727:2020
1702:2020
1677:2018
1618:2022
635:and
542:and
351:MFAH
345:The
337:.org
280:Type
226:1900
127:news
357:of
333:www
110:by
3228::
2924:,
2222:^
2197:.
2178:.
2174:.
2144:.
2119:.
2095:.
2070:.
2045:.
2001:,
1982:,
1967:^
1928:.
1842:^
1800:.
1743:.
1718:.
1693:.
1668:.
1604:.
1484:,
1465:,
1444:,
1425:,
1406:,
1387:,
1368:,
1331:,
1310:,
1291:,
1270:,
1251:,
1232:,
1206:,
1185:,
1166:,
1147:,
1128:,
1109:,
1090:,
1071:,
1052:,
1031:,
1012:,
993:,
972:,
953:,
934:,
915:,
896:,
877:,
856:,
837:,
818:,
799:,
733:,
611:,
290:,
286:,
3088:)
3078:)
3068:)
3058:)
2917:)
2825:)
2809:)
2767:e
2760:t
2753:v
2517:e
2510:t
2503:v
2355:e
2348:t
2341:v
2302:.
2274:.
2256:.
2238:.
2159:.
2129:.
2105:.
2080:.
2055:.
2007:.
1988:.
1961:.
1939:.
1914:.
1893:.
1862:.
1836:.
1811:.
1785:.
1759:.
1729:.
1704:.
1679:.
1654:.
1620:.
492:.
349:(
177:)
171:(
166:)
162:(
152:·
145:·
138:·
131:·
104:.
75:)
69:(
64:)
60:(
56:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.