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Museum of Fine Arts, Houston

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Latinx communities, including artists from Mexico, Central and South America, the Caribbean, and artists of Latin American descent living and working in the United States. Through the ICAA, the MFAH brought a long-term transformation in the appreciation and understanding of Latin American and Latinx visual arts in the United States and abroad. The Museum of Fine Arts, Houston is known for the diversity and inclusivity of their collection and exhibitions. They tend to promote more art pieces that bring people together and that they can relate to and understand, despite their differences. In the context of African American art, they have numerous pieces dedicated to telling the stories, heritage, and lifestyles of these artists and their community within their collection. The majority of these works are part of their Modern and Contemporary Art collection and engage in many themes prominent to the African American community such as racial discrimination, civil rights and racial injustice, and the generational impacts of slavery and racism. In 2020, the museum presented the exhibition, Soul of a Nation: Art in the Age of Black Power, which featured the works of numerous black artists expressing the revolutionary achievements of the black community and establishing their identity in the 1960s and 1980s. Work currently displayed in the galleries, such as Kehinde Wiley’s Judith and Holofernes and Kara Walker’s Slaughter of the Innocents (They Might Be Guilty of Something), educate on similar themes of oppression and its layers, as well as the impact on the African American community from multiple generations’ perspective. On many occasions, local artists commissioned or employed by the museum will showcase their work outside of the museum in various gallery locations in Houston. Specifically, these are conducted in areas with higher rates of African American residency. These galleries are typically established to promote the artistic and historical education to members of the Black community with explanations from the artists themselves. Regardless of the contents and target audience, all are welcome to join and learn.
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original building, designed by Houston architect William Ward Watkin in the Greek Neoclassical style, is the first art museum built in Texas. Today the MFAH encompasses three buildings, the Caroline Wiess Law, Audrey Jones Beck, and Nancy and Rich Kinder buildings, that house its primary collections and temporary exhibitions; two decorative arts house museums; The Glassell studio art school; a sculpture garden; a facility for conservation, storage and archives; and an administrative building with the Glassell Junior school of Art.
550:, was designed by architect John F. Staub in 1927. Miss Hogg donated the property to the MFAH in 1957, followed, in 1962, by the donation of its collection of paintings, furniture, ceramics, glass, metals, and textiles. Bayou Bend was officially dedicated and opened to the public in 1966. Situated on 14 acres (57,000 m) of formal and woodland gardens five miles (8 km) from the main museum campus, the historic house museum documents American decorative and fine arts from the seventeenth to the mid-nineteenth centuries. 2840: 2849: 640:
the Cullen Foundation's funding of the MFAH's first accessions endowment in 1970, the Brown Foundation, Inc., launched a challenge grant in 1976 that would stay in effect for twenty years raising funds for both accessions and operational costs in landmark amounts and providing incentive for additional community support. Also in 1976, the photography collection was established with Target Stores’ first corporate grant to the museum. Today the museum is the sixth-largest in the country.
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and sculpture. Other facets of the collection include African-American art and Texas painting. Emerging collection interests of modern and contemporary Latin American art, including the artwork of all Texas Latino artists, Asian art, and Islamic art continue to strengthen the museum's collection diversity. As a result of its encyclopedic collection, the museum ranks nationally among the top ten art museums in attendance.
442:. The original Caroline Wiess Law building was constructed in 1924 and the east and west wing were added in 1926. The Robert Lee Blaffer Memorial Wing was designed by Kenneth Franzheim and opened to the public in 1953. The new construction included significant structural improvements to several existing galleries—most notably, air conditioning. Two subsequent additions, Cullinan Hall and the Brown Pavilion, designed by 1544: 3157: 2321: 206: 414: 387: 762: 1003: 517:– The building, opened in 1994 and designed by Texan architectural designer Carlos Jimenez, houses the museum's administrative functions as well as the Glassell Junior School. The MFAH is the only museum facility in the United States that has a special building dedicated solely to art classes for children. 2199:
But the Museum of Fine Arts, Houston, which ultimately came to possess the third Bellotto, has rejected the Emden heirs' claims since 2007. Its director, Gary Tinterow, argues that Emden sold the painting voluntarily and, that after conducting provenance research and consulting lawyers, "we concluded
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paintings, sculptures and works on paper from renowned New York collectors Edith and Percy Straus. Over the next two decades, gifts from prominent Houston families and foundations concentrated on European art from the fifteenth to twentieth centuries, contemporary painting and sculpture, and African,
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The Museum of Fine Arts, Houston (MFAH) is the oldest art museum in Texas. In 1917, the museum site was dedicated by the Houston Public School Art League (later the Houston Art League) with the intention of becoming a public art museum. The first museum building was opened to the public in 1924. The
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Sculpture Garden and an expanded Glassell School of Art. In addition to a theater, restaurant, café, and seven small gardens and reflecting pools inset along the building's perimeter, the 237,213 square-foot Kinder building increases the museums overall exhibition space by nearly 75 percent. In 2021,
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were built in 1958 and 1974 respectively. This section of the Museum of Fine Arts, Houston campus is the only Mies-designed museum in the United States. The Caroline Wiess Law building provides an ideal space in which to exhibit temporary and traveling exhibitions, as well as installations of Islamic
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masterpieces, augmenting the museum's already strong Impressionist collection. This collection would never leave the MFAH, formally entering its holdings in 1998 as a gift of Life Trustee Audrey Jones Beck. The collection is permanently displayed in the building that bears her name. On the heels of
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to design a 164,000 sq ft (15,200 m) expansion that primarily holds galleries for art after 1900. Opened to the public in November 2020, the new building occupies a two-acre site north of the Caroline Wiess Law Building. The new MFAH building is adjacent to Lillie and Hugh Roy Cullen
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in honor of the large collection she had donated to the museum several decades prior. In addition to traveling exhibitions and rotating temporary shows of photography, prints and drawings on the lower levels, the building displays the permanent collections of antiquities, European, and American art
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With approximately 70,000 works of art, the largest part of the museum's collection lie in the areas of Italian Renaissance painting, French Impressionism, photography, American and European decorative arts, African and pre-Columbian gold, American art, and post-1945 European and American painting
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between 1982 and 2010, the Museum of Fine Arts’ yearly attendance increased to roughly two million from 300,000; its operating budget climbed to $ 52 million from $ 5 million, and its endowment reached $ 1 billion (before the 2008 recession dropped its value to about $ 800 million). The museum's
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The museum, which had rejected the Emden heirs’ claims since 2007, disagreed with the characterization of the painting as having been subject to a forced or duress sale due to Nazi persecution. MFAH director Gary Tinterow stated that Emden sold the painting voluntarily and, that after consulting
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permanent collection more than tripled in size, to 63,000 works from 20,000. In 2010, Marzio was the sixth-highest-paid charity chief executive in the country, with compensation in 2008 of $ 1,054,939. A year after Peter Marzio died in 2010, Gary Tinterow was appointed as the museum's director.
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In 2001, the MFAH, established the International Center for the Arts of the Americas (ICAA), the leading research institute for 20th-century Latin American and Latino art. The ICAA has been a pioneer in collecting, exhibiting and researching the diverse artistic production of Latin American and
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The MFAH's permanent collection totals nearly 70,000 pieces in over 300,000 square feet (28,000 m) of exhibition space, placing it among the larger art museums in the United States. The museum's collections and programs are housed in nine facilities. The Susan and Fayez S. Sarofim Campus
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Prior to the opening of the permanent museum building in 1924, George M. Dickson bequeathed to the collection its first important American and European oil paintings. In the 1930s, Houstonian Annette Finnigan began her donation of antiquities and Texas philanthropist
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art, Pacific Island and Australian art, Asian art, Indonesian gold artworks, and Mesoamerican and sub-Saharan African art. Of special interest is the Glassell Collection of African Gold, the largest assemblage of its kind in the world, donated by museum chairman
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The MFAH collection nearly doubled from 1970 to 1989, fueled by continued donations of art along with the advent of both accession endowment funding and corporate giving. In 1974, John and Audrey Jones Beck placed on long-term loan fifty
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The permanent collection of the museum spans more than 5,000 years of history with nearly 80,000 works from six continents. In 2023, the museum received over 900,000 visitors, making it the 20th most-visited museum in the United States.
1197: 1475: 1397: 1138: 790: 523:– is a 37,864-square-foot conservation center designed by Lake-Flato Architects that was completed in 2018. It is home to conservation labs and studios located above the museum's parking garage. It is not open to the public. 743: 1242: 1359: 984: 925: 1435: 1043: 1062: 426:) at off site locations. The main public collections and exhibitions are in the Law, Beck, and Kinder buildings. The Law and Beck buildings have over 130,000 square feet (12,000 m) of exhibition space. 1157: 887: 504:
and opened in 1986. The Lillie and Hugh Roy Cullen Sculpture Garden houses more than twenty-five works by artists from the nineteenth, twentieth, and twenty-first centuries from the MFAH and other major
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Since 2019 Hossein Afshar Collection, one of the world's most distinguished private collections of Persian art, is on loan to MFAH. The museum has organised two exhibitions of this collection.
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provenance and legal experts, “we concluded that we had good title.” The museum also states that the Bellotto is one of multiple nearly identical versions by the artist, and was bought by
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gave her collection of avant-garde European prints and drawings. Ima Hogg's gift was followed by the subsequent donations of her Southwest Native American and
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encompasses 14 acres including seven of the facilities, with two additional facilities, Bayou Bend and Rienzi (
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Still Life of Game including a Hare, Black Grouse, Partridge, Spaniel, and Pigeon in Flight
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in the Museum of Fine Arts, Houston (MFAH). According to the foundation, the painting by
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collections during the 1940s. The same decade witnessed the 1944 bequest of eighty-three
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Steven Holl Architects' dramatic expansion design for The Museum of Fine Arts in Houston
2962: 2802: 2684: 2586: 2295: 2003: 1984: 1798:"Museum of Fine Arts in Houston Opens Nidhika and Pershant Mehta Arts of India Gallery" 1741:""Ontologically, every thing is unique": Behind the Curtain at the MFAH - OffCite Blog" 1567: 1549: 1087: 990: 950: 700: 636: 612: 599: 568:. The structure was designed in 1952 by John F. Staub, the same architect who designed 317: 3166: 2796: 2386: 2234: 2179: 1462: 815: 688: 465: 455: 1904: 196: 3051: 3028: 2992: 2910: 2892: 2874: 2632: 2539: 1422: 1248: 657: 2214:
Backgrounder and Statement: “The Marketplace at Pirna,” c. 1764, Bernardo Bellotto
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It may require cleanup to comply with Knowledge's content policies, particularly
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Arts of Africa, the Indigenous Pacific Islands, Australia, and the Americas
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Art museum, institute, library, sculpture park in Houston, TX United States
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Oceanic and Pre-Columbian art. Among these are the gifts of Life Trustees
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directed the museum from 1969 to 1974. During the 28-year tenure of
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Between Sea and Sky: Blue and White Ceramics from Persia and Beyond
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Inspiration From South of the Border Moves Center Stage in Houston
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Central Administration and Glassell Junior School of Art Building
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announced that it had located a painting from the collection of
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Rama, Lakshmana, and Sita Cooking and Eating in the Wilderness
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The Sarah Campbell Blaffer Foundation Center for Conservation
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Campus Redevelopment, The Susan and Fayez S. Sarofim Campus
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International Center for the Arts of the Americas at MFAH
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Impressionism, postimpressionism, and early modern art
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A major contributor to this article appears to have a
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Houston Museum Chooses Architect for Expansion Plan
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The Museum of Fine Arts, Houston" 1578:List of most-visited museums in the United States 703:in 1952 and later donated to the museum in 1961. 3223: 2311:Virtual tour of the Museum of Fine Arts, Houston 2267:Met Veteran Named Director of Houston Art Museum 1849: 1847: 1845: 1843: 917:Christ in the House of Mary, Martha, and Lazarus 1980:Replacing a Museum Director Who Was a Rare Find 497:The Lillie and Hugh Roy Cullen Sculpture Garden 1974: 1972: 1970: 1968: 3287:Mesoamerican art museums in the United States 3267:Art museums and galleries established in 1900 2759: 2509: 2347: 2225: 2223: 1840: 820:Saint Clare Rescuing a Child Mauled by a Wolf 801:Saint Anthony Abbot Shunning the Mass of Gold 3247:Decorative arts museums in the United States 2773: 2231:Peter Marzio, 67; transformed Houston museum 1691:"Museum of Fine Arts: Sarofim (main) Campus" 1168:Orpheus Leading Eurydice from the Underworld 615:and Alice N. Hanzsen as well as that of the 2525:Lillie and Hugh Roy Cullen Sculpture Garden 2407:Lillie and Hugh Roy Cullen Sculpture Garden 2361: 1965: 1410:(1905), oil on board, 69.9 x: 49.5 cm. 737:(1730), ink on paper, 132.1 × 70.2 cm. 2766: 2752: 2516: 2502: 2354: 2340: 2220: 783:European and American painting (1400-1899) 204: 2677:Recuerdo de Machu Picchu 3 (Las terrazas) 174:Learn how and when to remove this message 72:Learn how and when to remove this message 3297:African art museums in the United States 1316:(Nympheas) (1907), 92.1 × 81.2 cm. 803:** (c. 1435–1440), 19.7 x 28.1 cm. 674: 651: 621: 580: 469:up to 1900, including the Impressionist. 412: 401: 393: 385: 377: 3023:Martin Luther King Jr. Memorial Library 2805:(1928–1929; reconstructed, 1986) (with 2421:(Italian Cultural and Community Center) 2169: 2139: 2040: 1514:Art curator and the Wortham Curator of 14: 3282:Asian art museums in the United States 3224: 3176: 2920:Cullinan Hall and the Brown Pavilion, 1997:Hilarie M. Sheets (November 13, 2020) 1795: 1111:Self-Portrait with Angelica and Rachel 841:* (after 1454), 31.9 x 22.86 cm. 822:** (c.1453-1462), 20.6 x 28.1 cm. 367:based on square feet of gallery space. 2747: 2497: 2335: 2090: 2065: 1518:at the Museum of Fine Arts, Houston. 881:* (c. 1500), 120.7 cm. diameter 430:The Susan and Fayez S. Sarofim Campus 3156: 2247:William Grimes (December 11, 2010), 1637: 862:* (c. 1468–70), 25.6 x 17.7 cm. 538:– features a collection of American 112:adding citations to reliable sources 83: 26: 2852:Interior of Villa Tugendhat in Brno 2466:Houston Independent School District 2229:Douglas Britt (December 12, 2010), 2211:Museum of Fine Arts, Houston. MFAH 1884:Robin Pogrebin (February 7, 2012), 1825:. Pritzkerprize.com. Archived from 1210:(1899), 1,476.50 x 968.50 cm. 1034:Entrance to the Grand Canal, Venice 717:Arts of Asia and the Islamic Worlds 527: 353:), is an art museum located in the 24: 3252:Ludwig Mies van der Rohe buildings 3237:Art museums and galleries in Texas 2847: 2838: 2016:The Museum of Fine Arts, Houston: 1978:Rebecca S. Cohen (April 9, 2011), 1950:The Museum of Fine Arts, Houston. 1903:The Museum of Fine Arts, Houston. 1770:The Museum of Fine Arts, Houston. 1630:The Museum of Fine Arts, Houston: 1151:(1808-1812), 44.7 x 62.5 cm. 1145:Francisco José de Goya y Lucientes 978:, (c.1640), 152.5 × 204.9 cm. 560:in 1991. The residence, named for 406:Gardens at Bayou Bend, donated by 25: 3308: 2938:Pavilion and Colonnade Apartments 2397:Houston Museum of Natural Science 2280: 2170:Hickley, Catherine (2021-08-17). 1558:Bayou Bend Collection and Gardens 1113:(1782-1785), 91.8 × 68.9 cm. 1016:(c. 1680), 157.2 × 182.2 cm. 938:(c. 1620), 155.3 × 125.1 cm. 879:The Adoration of the Christ Child 535:Bayou Bend Collection and Gardens 3205: 3195: 3185: 3175: 3165: 3155: 2987:Lafayette Towers Apartments West 2981:Lafayette Towers Apartments East 2382:Contemporary Arts Museum Houston 2319: 2265:Carol Vogel (December 1, 2011), 1542: 1528: 1488:(c. 1926), 102.2 × 76.1 cm. 1474: 1455: 1434: 1415: 1396: 1377: 1358: 1340: 1335:(1888-1890), 74.1 × 61 cm. 1321: 1300: 1281: 1260: 1241: 1222: 1196: 1175: 1156: 1137: 1118: 1099: 1080: 1075:(c. 1753), 41.4 × 47.3 cm. 1061: 1056:(1735-1745) 213 x 231.1 cm. 1042: 1037:(c. 1730), 49.5 × 73.7 cm. 1021: 1002: 997:(c. 1670s), 55.2 x 62.8 cm. 983: 962: 943: 924: 919:(c.1577), 98.4 × 126.4 cm. 905: 886: 867: 846: 827: 808: 789: 761: 742: 723: 195: 88: 52:. Please discuss further on the 31: 3262:Modernist architecture in Texas 2259: 2241: 2205: 2163: 2133: 2109: 2084: 2059: 2034: 2023: 2010: 1991: 1943: 1918: 1896: 1878: 1865: 1853:Pei-Ru Keh (January 19, 2015), 1815: 1170:(1861), 112.3 x 137.1 cm. 1130:Sheerness as Seen From the Nore 475:– In 2012, the museum selected 365:largest art museum in the world 236:Houston, TX 77005 United States 99:needs additional citations for 2091:Villa, Angelica (2021-07-22). 1871:Museum of Fine Arts, Houstom: 1789: 1763: 1747:. 16 July 2015. Archived from 1733: 1708: 1683: 1658: 1624: 1594: 1469:(c. 1916), 116.2 × 73 cm. 1276:(1878), 154.9 × 116.8 cm. 1253:The Goose Girl at Montfoucault 1191:(1869), 130.2 × 97.2 cm. 1132:(1808), 104.5 × 149.6 cm. 957:* (1633), 65.2 x 48.7 cm 900:* (1529), 74.9 x 53.9 cm. 473:Nancy and Rich Kinder Building 123:"Museum of Fine Arts, Houston" 13: 1: 3141:Portrait of Sir David Webster 2905:Lafayette Pavilion Apartments 2140:Cascone, Sarah (2021-10-19). 2041:Cascone, Sarah (2021-08-18). 1493: 1389:Two Young Girls among Flowers 1295:(1882), 61.3 x 75.5 cm. 1126:Joseph Mallord William Turner 647: 373: 3272:1900 establishments in Texas 3232:Museum of Fine Arts, Houston 2843:German Pavilion in Barcelona 2793:(1925–1926; destroyed, 1945) 2733:Museum of Fine Arts, Houston 2692:The Spirit of Eternal Repose 2402:Museum of Fine Arts, Houston 2377:Children's Museum of Houston 2326:Museum of Fine Arts, Houston 2217:. (accessed 17 October 2021) 2066:Edsel, Robert (2021-08-31). 1450:(1918), 80.2 x 49.9 cm. 1429:(1912), 94.9 × 108 cm. 1408:Moonrise: Soldier and Maiden 1391:(1912), 62.2 x 51.4 cm. 1353:(1888), 54.9 × 65.7 cm. 1236:(1871), 73.7 × 59.1 cm. 1149:Still Life with Golden Bream 1094:(1774), 63.8 x 90.9 cm. 1092:Ariadne Abandoned by Theseus 1069:Jean-Baptiste-Siméon Chardin 936:Virgin and Child with Angels 706: 347:Museum of Fine Arts, Houston 190:Museum of Fine Arts, Houston 7: 3035:Kluczynski Federal Building 2975:Highfield House Condominium 2887:Lake Shore Drive Apartments 2020:(accessed 24 December 2020) 1875:(accessed 24 December 2020) 1573:List of largest art museums 1521: 1447:Composition with Grid No. 1 1372:(1893), 65.7 × 81 cm. 1208:Mrs. Sarah Montgomery Sears 1164:Jean-Baptiste-Camille Corot 436:Caroline Wiess Law Building 382:Caroline Wiess Law Building 264:29.72560500°N 95.39053889°W 18:Museum of Fine Arts Houston 10: 3313: 2813:Haus Lange and Haus Esters 2571:Conversation with the Wind 1774:. Mfah.org. Archived from 1772:"The Glassell Collections" 1634:(accessed 19 October 2021) 1255:(1876), 57.8 × 73 cm. 1183:William-Adolphe Bouguereau 617:Samuel H. Kress Foundation 576: 390:Audrey Jones Beck Building 217:Interactive fullscreen map 3151: 3116: 3095: 3044: 2947: 2859: 2836: 2781: 2725: 2531: 2484: 2453: 2434: 2414:First Presbyterian Church 2369: 2315:Google Arts & Culture 1606:Google Arts & Culture 1050:Giovanni Battista Tiepolo 995:Landscape with Cornfields 955:Portrait of a Young Woman 327: 308: 298: 279: 269:29.72560500; -95.39053889 240: 230: 222: 215: 203: 194: 3017:Nuns' Island gas station 3005:Richard King Mellon Hall 2969:Dirksen Federal Building 2899:900-910 North Lake Shore 2799:(four homes) (1927–1928) 2775:Ludwig Mies van der Rohe 2486:This list is incomplete. 2392:Holocaust Museum Houston 2200:that we had good title." 1905:"Glassell Junior School" 1588: 975:The Judgement of Solomon 859:Portrait of an Old Woman 693:The Marketplace at Pirna 681:Monuments Men Foundation 444:Ludwig Mies van der Rohe 3277:Museums of American art 3011:Toronto-Dominion Centre 2957:Bacardi Office Building 2363:Houston Museum District 2300:Portal to Texas History 1647:. Tfaoi.com. 1924-04-12 1234:Nature morte au bouquet 898:The Suicide of Lucretia 894:Lucas Cranach the Elder 566:River Oaks neighborhood 355:Houston Museum District 3257:Rafael Moneo buildings 2934:(co-authorship) (1959) 2853: 2844: 2649:Large Standing Woman I 2461:Houston Public Library 1823:"The Hyatt Foundation" 1499:Philippe de Montebello 1333:Madame Cézanne in Blue 735:Wild Geese on Sandbank 664: 627: 609:Sarah Campbell Blaffer 586: 509:Glassell School of Art 482:The Bastion Collection 477:Steven Holl Architects 449:Alfred C. 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Museum of Fine Arts Houston
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Coordinates
29°43′32.178″N 95°23′25.940″W / 29.72560500°N 95.39053889°W / 29.72560500; -95.39053889
Art museum
institute
library
Gary Tinterow
Red Line
Museum District
www.mfah.org
Houston Museum District
Houston, Texas
largest art museum in the world

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