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Music of El Salvador

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463: 871: 607: 247: 704: 499: 806:" was to be the "national dance" which was created and led by Paquito Palaviccini's and his "Orquesta Internacional Polio." That was one of the many orchestras he led during and in the mid-1940s, his other hit was known throughout the country. "Carnaval En San Miguel" was commonly known to the whole country as the first Salvadoran band that went on to receive numerous awards in the years to come. Paquito Palaviccini, being known throughout Central and South America, made tours to Cuba, Buenos Aires, where Paquito Studied, and other Latin American countries. 648: 1144: 1964: 258: 561:
Franja Norte is characterized by its mountainous and cool terrain as well as being an area of heavy European settlement and as a result a large majority of the people who inhabit the Northern Region (especially Chalatenango, Metapán, and Morazán) are light-skinned people with colored eyes. The impact they have had on the local culture has been great and the music of Northern El Salvador clearly reflects the European influence in the area.
24: 763:. Indigenous instruments such as drum and flutes are a standard in all Salvadoran music used as a solidarity with El Salvador indigenous ancestry. "El Sombrero Azul," for example, is a cumbia song by Salsa Clave which starts with an indigenous tune. Tubular bells are a cue for El Salvador's Christianity and majestic fanfare trumpets for El Salvador's national pride, the national anthem itself start off with majestic fanfare trumpets. 598:— a Salvadoran term for shoes. It was called so because of the fast and intricate foot stepping down when dancing the music that tended to make ones shoes fly off. The music consisted of a duo or trio playing a guitar, accordion, and violin or sometimes just an accordion and violin but always to a fast-paced rhythm. Popular songs and dances included "La Raspa" ("The Scrape") and "El Levanta Polvo" ("The Dust Lifter"). 1974: 818:. This new type of Salvadoran rock music was called "Guanarock" (portmanteau of Guanaco, a nickname demonym slang Salvadorans use to refer to themselves which comes from the word Guanacasco which means "gathering brotherhood" in Poton Lenca Mesoamerican language, and rock), which inspired bands such as Ayutush. 809:
The inspiration came to Paquito to develop the "Xuc" and "El Baile del Torito" in a tour they had in Cuba. The 1960s saw an influx of American and British pop and rock, inspiring like-minded Salvadoran bands, while the following two decades were dominated by a wave of popular genres from across Latin
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Foreign rock bands from the U.S and other parts of the world are also very welcomed and listened in El Salvador. Many foreign rock groups dedicated songs to El Salvador and the Salvadoran people during the civil war, songs such as "Bullet the Blue Sky" by U2, "El Salvador" by White Lion, and "Weapons
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Rock and hip hop are very well established music genres in Salvadoran culture. Salvadoran rock has a longer history dating back before the civil war while Salvadoran hip hop arrived after the civil war and it is seen as a legacy of the Salvadoran exodus, diaspora, immigration and deportation from the
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Marching bands in El Salvador were once called "war bands". After the peace accords that ended the civil war were signed, the named was changed to "peace bands". The Salvadoran marching bands have even made international appearances in events such as the Rose Parade in the U.S city of Pasadena in New
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School and military marching bands are a staple in El Salvador and it is a vital and crucial part of Salvadoran youth culture, whether in town or cities. Salvadoran marching bands are present in any kind of Salvadoran events, celebrations, and even in small activities, they become present along with
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and the music is always instrumental. The heyday of marimba in El Salvador was from the 1920s to 1930s when musicians played internationally, but because the instrument could be adapted to other styles, it remained popular until rock came on the scene in the late 1950s and early 1960s. In 1990, a
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in Salvadoran Spanish, a local word for a female hog, due to its sow-like appearance), two guitars, and two violins. Nowadays, congas and cowbells are added to the mix to produce sounds similar to cumbias. Chanchona music is popular in Eastern El Salvador and it is present there in most of their
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Northern El Salvador is composed of the departments of Chalatenango, Cabañas, Morazán and the northern parts of Santa Ana (e.g., Metapán), San Miguel (e.g., Cd. Barrios) and La Unión (e.g., Nueva Esparta) as well as the town of Suchitoto in the department of Cuscatlán. Northern El Salvador or la
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Salvadoran cumbia is a staple in Salvadoran music. Groups such as Orquesta San Vicente who sing (Soy Salvadoreño), the Bravo group who sing (Sabrosa Cumbia) and the Hermanos Flores group who sing (Mi Pais) are three well known cumbia music groups in El Salvador.
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in Central America, are a staple in Salvadoran music. Many indigenous music groups such as (Talticpac), have risen in El Salvador, especially after the civil war. Many groups get inspiration from native indigenous music or themes from South and North American.
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station and appealed to the majority of the peasant Salvadoran population. One of the most well known songs is "El Salvador ta venciendo" by Yolocamba Ita, as well as American songs like "U.S get out of El Salvador" dedicated to the U.S. involvement.
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their (cachiporristas) cheerleaders. Marching bands are a representative of Salvadoran culture and tradition, music tunes will include anything from national anthem, folkloric music to dance music like cumbia.
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Political chaos tore the country apart in the early 20th century, and music was often suppressed, especially those with strong native influences. In the 1940s, for example, it was decreed that a dance called
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dance scenes due to its prolific local bands and venues; and the recent increase in local concerts by international bands that include San Salvador as a frequent destination in their international tours.
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Marimba is one of the traditional folk music styles performed in El Salvador and was first introduced by African slaves. Two versions, of the percussion instrument that has intonations like a piano, the
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civic parades and religious holidays. Popular chanchona acts include: la Chanchona de Tito Mira, la Chanchona de Arcadio, Rayos de Oriente, Sonora Santa Marta, and Los Torogoces de Morazán.
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vocalist (Susana Velasques). As one of the first Cumbia groups to reach international success, it is credited with helping to popularize the genre throughout Latin America, and the world.
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United States, especially from cities such as Los Angeles and Washington D.C. Joaquin Santos, Crooked Stilo and Code Blue are just some of the most well known Salvadoran hip hop groups.
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Music from the northern department of Morazán is lively and upbeat with simple lyrics that describe country life, love, and working in the fields. It usually consists of a double bass (
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Years, the first time in 2008 and the most recent in 2013, where the Salvadoran marching bands of boys and girls have been able to embrace their talents to the world.
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Salvadoran Civil War songs located in the nueva cancion movement and genre, have been very popular since the 1970- to present day. They were broadcast through
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were introduced. A coup d’état in 1932 resulted in the massacre of around 30,000 people and destruction of both the indigenous population and the original
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was one of the marimba bands popular in El Salvador and abroad. The first radio station in El Salvador, which was government-owned, played
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was the first native composer. Important military bands composers and arrangers include Jesús Alas, Alejandro Muñoz and Domingo Santos.
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During the colonial period, El Salvador's music began to be influenced by various ethnic groups involved in the colonization process.
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Salvadoran cumbia is related to but very distinct from Colombian cumbia, which is better known outside of El Salvador.
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In the northern department of Chalatenango a popular form of music and fandango-type-of-dance was called
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A sizeable Arab migration that arrived into El Salvador in late 19th and early 20th century, from mainly
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for El Salvador" by The Ex were all inspired by the U.S. involvement in the El Salvador War.
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in 1917. He toured the world in the 1930s, and in 1935, won an award, presented by the
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When African slaves were brought to El Salvador, they introduced instruments like the
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refers to the Music of the Republic of El Salvador and is encompassed in the wider
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has influenced the majority of the Salvadoran youth, which has formed groups like
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and drums. El Salvador has an American indigenous population which includes the
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chimes. Satirical and rural lyrical themes are common and played with
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Music instruments that are present in El Salvador are Native American
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was an important ethnomusicologist and composer in the 20th century.
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Afromestizo: The Third Root – African Heritage of Central America
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Banda El Salvador participating in the Rose Parade in 2013
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America, mostly folk-based singer-songwriter genres like
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Popular styles in modern El Salvador include Salvadoran
1086:"De Tu Seno Hemos Nacido: Origins of Salvadoran Music" 907:
was widely lauded for bringing reggae to El Salvador.
1139: 601: 586:. The term is a compound word composed of the word 419:music. This music includes religious songs (mostly 48:. Unsourced material may be challenged and removed. 685: 399:Modern Salvadoran indigenous music is inspired by 312:European colonizers brought instruments, like the 1030:. Santa Barbara, Calif.: Greenwood. p. 157. 831:also became very popular. In the last ten years, 2430: 698: 555: 1051: 1019: 1017: 930: 782:music has infiltrated the country, especially 2165: 2004: 1807: 1719: 1201: 1065:(in Spanish). El Salvador: Canciones del Ayer 663: 1027:Encyclopedia of Latin American popular music 1014: 642: 2179: 2172: 2158: 2011: 1997: 1821: 1814: 1800: 1733: 1726: 1712: 1208: 1194: 915:The main composer of the 19th century was 108:Learn how and when to remove this message 1215: 869: 702: 646: 605: 497: 461: 256: 245: 874:Salvadoran musical group in San Vicente 495:revival of the indigenous music began. 482:, which was played with a bow, and the 2431: 2018: 1295:Salvadoran Civil War (1979–1992) 1180:Erick Gudiel - Saxofonista El Salvador 1023: 381:contemporary Catholic liturgical music 2153: 1992: 1795: 1707: 1189: 854:ensembles, led by a pair or a single 794:is a Colombian cumbia group with one 865: 676: 265:is El Salvador's national instrument 46:adding citations to reliable sources 17: 1973: 1280:Greater Republic of Central America 1275:Federal Republic of Central America 1083: 630:of El Salvador, and especially the 610:Indigenous Salvadoran musical group 13: 711:Popular music in El Salvador uses 466:Salvadoran women in folkloric garb 14: 2450: 1174:Electronic music from El Salvador 1168:Cantante Salvadorena Roxana Damas 1159:El sitio de musica de El Salvador 1135: 707:Salvadoran boy playing the guitar 278:Latin American musical traditions 2293:Saint Vincent and the Grenadines 1972: 1963: 1962: 1142: 602:Native American indigenous music 119: 22: 686:Salvadoran rock and hip hop/rap 470:Musical repertoire consists of 33:needs additional citations for 1100: 1077: 358:brought Arab instruments like 1: 1007: 699:Popular music and instruments 556:Music of Northern El Salvador 457: 2418:United States Virgin Islands 1161:(The El Salvador Music Site) 1024:Torres, George, ed. (2013). 931:Notable Salvadoran musicians 910: 7: 1595:Water supply and sanitation 10: 2455: 1484:pre-dollarization currency 1265:1811 Independence Movement 878:El Salvador has prominent 790:. For example, the famous 664:Salvadoran Civil War songs 2393:Saint Pierre and Miquelon 2311: 2185: 2024: 1958: 1829: 1741: 1665: 1603: 1535: 1526: 1459: 1450: 1373: 1364: 1312: 1303: 1227: 905:Anastasio y los del Monte 643:Salvadoran marching bands 542:Francisco Antonio Beltran 379:Roman Catholic religious 2413:Turks and Caicos Islands 1378:Administrative divisions 942:Ricardo Cabrera MartĂ­nez 937:Erick Gudiel Saxofonista 917:JosĂ© Escolástico Andrino 2180:Music of North America 1112:www.laprensagrafica.com 982:BenjamĂ­n SolĂ­s MenĂ©ndez 967:Francisco "Pancho" Lara 510:Marimba Centroamericana 356:Palestinian Salvadorans 2343:British Virgin Islands 1823:Music of Latin America 1735:Central American music 1413:International rankings 875: 708: 652: 611: 506: 467: 266: 254: 57:"Music of El Salvador" 2283:Saint Kitts and Nevis 1285:Military dictatorship 1237:Pre-Columbian history 972:Francisco Palaviccini 962:Ciriaco de JesĂşs Alas 919:(born in Guatemala). 873: 706: 650: 609: 501: 465: 293:Native American flute 260: 249: 2439:Music of El Salvador 1423:Legislative Assembly 987:Mario Roberto Zuñiga 952:Carlos Irigoyen Ruiz 505:indigenous musicians 423:) used to celebrate 291:instruments such as 42:improve this article 2298:Trinidad and Tobago 2193:Antigua and Barbuda 636:Mesoamerican region 383:instrument such as 2233:Dominican Republic 2059:Dominican Republic 2019:Hispanophone music 1869:Dominican Republic 1504:Telecommunications 1252:Captaincy General 1150:El Salvador portal 1063:Canciones del Ayer 876: 792:La Sonora Dinamita 709: 653: 612: 507: 468: 372:qanun (instrument) 318:pedal steel guitar 267: 255: 2426: 2425: 2315:other territories 2147: 2146: 2074:Equatorial Guinea 1986: 1985: 1931: 1789: 1788: 1701: 1700: 1661: 1660: 1565:Gender inequality 1522: 1521: 1474:Coffee production 1446: 1445: 1433:Political parties 1398:Foreign relations 1360: 1359: 1037:978-0-313-34031-4 977:Esteban ServellĂłn 957:Juan Isolino Rosa 866:Alternative music 770:mainly and other 677:Salvadoran cumbia 395:are also present. 244: 243: 118: 117: 110: 92: 2446: 2383:Saint BarthĂ©lemy 2313:Dependencies and 2186:Sovereign states 2174: 2167: 2160: 2151: 2150: 2013: 2006: 1999: 1990: 1989: 1976: 1975: 1966: 1965: 1927: 1816: 1809: 1802: 1793: 1792: 1728: 1721: 1714: 1705: 1704: 1681: 1674: 1533: 1532: 1464:Bitcoin adoption 1457: 1456: 1371: 1370: 1310: 1309: 1255: 1242:Spanish conquest 1210: 1203: 1196: 1187: 1186: 1152: 1147: 1146: 1145: 1122: 1121: 1119: 1118: 1104: 1098: 1097: 1092:. 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608: 599: 597: 593: 589: 585: 580: 579: 575: 572: 567: 566: 562: 553: 551: 547: 543: 540:, founded by 539: 535: 532:, along with 531: 527: 523: 519: 515: 511: 504: 500: 496: 493: 489: 485: 481: 475: 473: 464: 455: 453: 448: 446: 442: 438: 434: 431:, especially 430: 426: 422: 418: 414: 410: 406: 402: 401:ambient music 394: 390: 386: 385:tubular bells 382: 378: 377: 373: 369: 365: 361: 357: 353: 349: 348: 344: 340: 336: 332: 331: 327: 323: 319: 315: 311: 310: 306: 302: 298: 294: 290: 289:Pan-Indianism 286: 285: 284: 281: 279: 275: 274: 264: 259: 252: 248: 240: 237: 235: 234:Nueva canciĂłn 232: 231: 228: 225: 223: 220: 218: 215: 213: 210: 207: 206: 203: 200: 198: 195: 194: 191: 188: 186: 183: 182: 179: 176: 174: 171: 170: 167: 164: 162: 159: 157: 154: 153: 150: 147: 146: 143: 140: 138: 135: 134: 131: 127: 125: 122: 121: 112: 109: 101: 90: 87: 83: 80: 76: 73: 69: 66: 62: 59: â€“  58: 54: 53:Find sources: 47: 43: 37: 36: 31:This article 29: 25: 20: 19: 16: 2408:Sint Maarten 2388:Saint 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"Music of El Salvador"
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Cumbia
Merengue
Rock
Indigenous
Jazz
Funk
Pop
Ska
Reggae
Latin Jazz
Electronic
Son
Latin Power
Trova
Salsa
Pop Latino
Electronica
Nueva canciĂłn
Punta

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