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Muthiah Bhagavatar

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33: 183:. His rich voice and excellent tanam singing made him one of the era's most highly coveted concert artists. He was Asthana vidvan in seithur zamin and first guru of M S Subbulakshmi. His cousin Venkatarama Iyer was a Supreme Court Judge as well as recipient of Sangeet Kalanidhi award in 1944. 281:. Bhagavathar initially was very reluctant but was later persuaded by Raval Krishna Iyer, a budding contractor of Madras. Muthiah travelled to Bombay where the film was being made at the Ranjit Studios. He composed 63 songs for the film resulting in the film being renamed as 154:
family. He was exposed to music from a very early age, as his father was a patron of musicians. He lost his father at the young age of six years, when his maternal uncle M. Lakshmana Suri took over the responsibility for his education, initiating Muthiah into
417:(for example "Sohini" which is Hamsaanandhi in carnatic and Saarang Malhar) and creating approximately 20 new ragas of his own. He ensured that his legacy would live on with such compositions as 343:
He lived like a great king, but was as magnanimous as he was rich. The Harikesanjali Trust (promoted by his descendants) has been established to propagate his compositions.
1215: 171:, who recognised Muthiah's talent for music. Sambasiva Iyer was the father of T.S Sabesa Iyer, a contemporary who also went on to win the prestigious 1053: 862: 308:, and regularly gave lectures on musicology at the Music Academy. He was the first musician to be awarded a doctorate in India when the 266:. When someone asked if he could compose something that would appeal to Westerners, he composed the English notes (later popularised by 1614: 1575: 1676: 366:
in Kannada in praise of Goddess Chamundeshwari, the patron goddess of the Wodeyar dynasty. Later he was invited to the court of
167:, Tamil Nadu when he was only ten years in search of a teacher. He found the gifted teacher Padinaindumandapa Sambasiva Iyer at 1681: 1543: 1696: 381:, which won him an honorary doctorate. Muthiah Bhagavathar was the first President of the Annual Conference at the 179:
in 1934. During the nine years he spent with Sambasiva Iyer, Muthiah cultivated this talent and made his name as a
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In addition to musical talents, his theoretical knowledge was also vast. He wrote a treatise on musical theory,
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Sankara Sivam, a disciple of Muthiah Bhagavathar, said "He was also the first to introduce the practice of
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studies. However, the love of music that had been implanted in him led Muthiah to leave his hometown of
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awarded him the D. Litt. for his Tamil treatise in 1943. He was also the first principal of the
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In 1934, Muthiah composed music for Tamil Nadu Talkies then owned by S. Soundararaja for their
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and changed the entire landscape of Carnatic music by introducing many Hindustani
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Some of the ragams that owe their existence today to this great composer include
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He has to his credit almost 400 musical compositions, the largest among the post-
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Muthiah was born on 15 November 1877, in Harikesanallur, a small village in the
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in 1939. Muthiah Bhagavatar has also authored a Sanskrit poetic work called
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Muthiah Bhagavatar's legacy of music lives on in his granddaughter,
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When he died in 1945, Muthiah Bhagavatar had written over 400
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and also through his disciples, the most famous of which was
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famous twentieth-century composers. He also created about 20
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Unnai ninaindu Raagam : Ragamalika, Adi tALaM
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Andavan Darishname Raagam : Jonpuri, Adi tALaM
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Annai Makali, Raagam : Kapi, Adi tALaM
121:(15 November 1877 – 30 June 1945), commonly known as 217:, his patrons. He composed them in four languages – 195:composers, that included many different types of 1648: 1584:. Chennai, India. 29 March 2003. Archived from 370:by the Maharaja Mulam Tirunal where he studied 385:and was awarded the most prestigious award in 147:district of British India, into an affluent 1552:. 30 June 1995. p. 29. Archived from 346: 31: 638:Chamundamba ashtottara shatanama Krithis 445:In his mother tongue (Tamil) Composition 393:title in 1930. He was conferred with an 340:time at the Thiruvananthapuram temple." 1636:Harikesanallur Muthiah Bhagavatar kriti 1649: 213:. The songs were on a number of the 13: 1338:jaya mangaLaM nitya Subha mangaLaM 503:mAtE malaya-dhvaja pANDya-saHNjAtE 14: 1708: 1625:Detailed Biographical Information 1604: 293:He was adept at playing both the 119:Harikesanallur Muthiah Bhagavatar 44:Harikesanallur Muthiah Bhagavatar 642: 594:Sannuthangi shri Chamundeshwari 439: 1677:Sangeetha Kalanidhi recipients 1630:Articles on Muthiah Bhagavatar 1568: 1536: 1: 1682:20th-century Indian musicians 1615:Genius shining in regal style 1529: 1048:charaNam vijayasaraswati mAyE 766:Ananda rUpaM haraM durdarshaM 277:, a film based on the Uttara 138: 1697:Musicians from British India 857:dakSAdhvara-haraM shaHNkaraM 362:. At Mysore he composed 115 316:Academy of music started in 7: 1643:- He sings in his own voice 1517: 336:vidwans playing during the 186: 10: 1713: 1524:List of Carnatic composers 1386:vAgIshvari vani saraswathi 790:ambA vANi nannu AdarimpavE 458: 127:Carnatic classical music's 1020:shakti-gaNapatiM bhajEhaM 955:himagiri-tanayE hEma-latE 404: 288: 108: 100: 88: 39: 30: 23: 1458:jaya mahishasura mardini 1266:Sri saravaNa bhavunivina 1100:siddhi-vinAyakaM sEvEhaM 1156:vijayAmbikE vimalAtmikE 1076:AryA dEvi amarEsha-nutE 916:gam gaNapatE namO namaH 903:Maharajapuram Santhanam 360:Krishna Raja Wadiyar IV 347:Awards and recognitions 1544:"A versatile composer" 1290:giripriyaM gangAdharaM 1182:ratna-kaHNcuka-dhAriNi 1128:sudhA-mayI sudhA-nidhE 434:Rugmini Gopalakrishnan 322:Tyagaraja Vijaya Kavya 254:. He also popularised 1687:20th-century drummers 1493:Bhairavi Parameshwari 1210:AdityaM dEvAdhi-dEvaM 829:aSTAdasha-supIThasthE 351:Having impressed the 1314:devI SrI mahAlakshmi 942:Nithyasree Mahadevan 569:"shrI rAjarAjEswari" 399:University of Kerala 383:Madras Music Academy 328:, who was taught by 306:Sangita Kalpa Drumam 177:Madras Music Academy 74:Tirunelveli District 1692:Harikatha exponents 1556:on 22 December 1996 1434:varasiddhi vinAyaka 835:simhEndra madhyamam 391:Sangeetha Kalanidhi 379:Sangeeta Kalpadruma 377:and wrote the book 173:Sangeetha Kalanidhi 1667:Carnatic composers 738:Andavan Darishname 541:shrI rAja-mAtaHNgi 395:honorary doctorate 357:Maharaja of Mysore 353:Maharaja of Mysore 326:T. N. Seshagopalan 283:Sangeetha Lavakusa 123:Muthiah Bhagavatar 62:Tinnevely District 25:Muthiah Bhagavatar 1672:Mridangam players 1588:on 1 October 2013 1515: 1514: 635: 634: 526:M.S. Subbulakshmi 423:Madurai Mani Iyer 310:Kerala University 268:Madurai Mani Iyer 116: 115: 66:Madras Presidency 1704: 1637: 1598: 1597: 1595: 1593: 1572: 1566: 1565: 1563: 1561: 1540: 1482: 1216:mAyAmALavagauLaM 994:rAja-rAjArAdhitE 983: 961:Shuddha Dhanyasi 944: 905: 818: 816:T N Seshagopalan 647: 646: 547:Shuddha Dhanyasi 527: 463: 462: 181:Harikata Vidhwan 95: 54:15 November 1877 53: 51: 35: 21: 20: 1712: 1711: 1707: 1706: 1705: 1703: 1702: 1701: 1647: 1646: 1635: 1607: 1602: 1601: 1591: 1589: 1574: 1573: 1569: 1559: 1557: 1542: 1541: 1537: 1532: 1520: 1480:R. 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Index


Harikesanallur
Tinnevely District
Madras Presidency
British India
Tirunelveli District
Tamil Nadu
India
Carnatic classical music's
ragas
Tirunelveli
Tamil
Brahmin
Sanskrit
Vedic
Harikesanallur
Tiruvarur
Sangeetha Kalanidhi
Madras Music Academy
Trinity
Varnams
Kritis
Thillanas
Hindu pantheon
Telugu
Tamil
Sanskrit
Kannada
Niroshta
Shanmukhapriya

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