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life of Moses"). The presence of a hostage, Fenena, younger daughter of
Nabucco, King of Babylon, may yet secure peace ("Come notte a sol fulgente" / "Like darkness before the sun"). Zaccaria entrusts Fenena to Ismaele, nephew of the King of Jerusalem and a former envoy to Babylon. Left alone, Fenena and Ismaele recall how they fell in love when Ismaele was held prisoner by the Babylonians, and how Fenena helped him to escape to Israel. Nabucco's supposed elder daughter, Abigaille, enters the temple with Babylonian soldiers in disguise. She, too, loves Ismaele. Discovering the lovers, she threatens Ismaele: if he does not give up Fenena, Abigaille will accuse her of treason. If Ismaele returns Abigaille's love, however, Abigaille will petition Nabucco on the Israelites' behalf. Ismaele tells Abigaille that he cannot love her and she vows revenge. Nabucco enters with his warriors ("Viva Nabucco" / "Long live Nabucco"). Zaccaria defies him, threatening to kill Fenena if Nabucco attacks the temple. Ismaele intervenes to save Fenena, which removes any impediment from Nabucco destroying the temple. He orders this, while Zaccaria and the Israelites curse Ismaele as a traitor.
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933:, and urges them to forgive Ismaele. Abdallo, a soldier, announces the death of Nabucco and warns of the rebellion instigated by Abigaille. Abigaille enters with the High Priest of Baal and demands the crown from Fenena. Unexpectedly, Nabucco himself enters; pushing through the crowd, he seizes the crown and declares himself not only king of the Babylonians but also their god. The high priest Zaccaria curses him and warns of divine vengeance; an incensed Nabucco in turn orders the death of the Israelites. Fenena reveals to him that she has embraced the Jewish religion and will share the Israelites' fate. Nabucco is furious and repeats his conviction that he is now divine ("Non son più re, son dio" / "I am no longer King! I am God!"). A crashing thunderbolt strikes Nabucco down, and he promptly loses his senses. The crown falls from his head and is picked up by Abigaille, who pronounces herself ruler of the Babylonians.
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the march accompanying
Nabucco on his arrival and for Fenena's funeral march. Propulsive energetic rhythms are a notable feature of much of the music, contrasted with more lyrical moments, providing dramatic pace. Both the bass Zaccaria in his prayer "Vieni o Levita", a quiet piece with the unusual accompaniment of six cellos, and the baritone Nabucco in his mad scene and other passages, are given music of great expressiveness, providing outstanding opportunities for the singers, but the tenor role of Ismaele is comparatively minor, unusual for a Verdi opera. The music for Abigaille is extremely demanding, requiring a soprano who can sing both very low and very high with dramatic force and is also capable of virtuoso vocal decoration. More than any of the soloists, however, the chorus, used in a new and dramatic fashion, is at the centre of the opera.
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signing it. When
Nabucco learns that he has consigned his (true) daughter to death, he is overcome with grief and anger. He tells Abigaille that he is not in fact her father and searches for the document evidencing her true origins as a slave. Abigaille mocks him, produces the document and tears it up. Realizing his powerlessness, Nabucco pleads for Fenena's life ("Oh di qual onta aggravasi questo mio crin canuto" / "Oh, what shame must my old head suffer"). Abigaille is unmoved and orders Nabucco to leave her.
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He declares that he will rebuild the Temple of
Jerusalem and worship the God of the Israelites, ordering the destruction of the idol of Baal. At his word, the idol falls to the ground of its own accord and shatters into pieces. Nabucco tells the Israelites that they are now free and all join in praise of Jehovah. Abigaille enters, supported by soldiers. She has poisoned herself. She begs forgiveness of Fenena, prays for God's mercy and dies. Zaccaria proclaims Nabucco the servant of God and king of kings.
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play a role in the war with the
Israelites and recalls past happiness ("Anch'io dischiuso un giorno" / "I too once opened my heart to happiness"). The High Priest of Baal informs Abigaille that Fenena has released the Israelite captives. He plans for Abigaille to become ruler of Babylon, and with this intention has spread the rumour that Nabucco has died in battle. Abigaille determines to seize the throne ("Salgo già del trono aurato" / "I already ascend the golden throne").
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libretto in a corner without looking at it anymore, and for the next five months he carried on with his reading of bad novels ... towards the end of May he found himself with that blessed play in his hands: he read the last scene over again, the one with the death of
Abigaille (which was later cut), seated himself almost mechanically at the piano ... and set the scene to music."
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1029:(c. 634–562 BC) took Jerusalem in 597 BC, but the madness plot of the opera differs from both archeological and biblical records of him. In the Book of Daniel, his madness lasts for seven years before his conversion to Judaism. But in the opera it only lasts for the time between the order to kill Fenena and the Jews, and it being carried out.
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door in my face and locked himself in". Verdi claims that gradually he worked on the music: "This verse today, tomorrow that, here a note, there a whole phrase, and little by little the opera was written" so that by the autumn of 1841 it was complete. At the very least, both Verdi's and
Lessona's versions end with a complete score.
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The overture, often played outside the context of the complete work in orchestral concerts, mostly consists of themes from the opera, including the Chorus of Hebrew Slaves and the warlike music when the
Israelites curse Ismaele for his betrayal. A stage band is used extensively in the opera, both for
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Nabucco has appointed Fenena regent and guardian of the
Israelite prisoners, while he continues the battle against the Israelites. Abigaille has discovered a document that proves she is not Nabucco's real daughter, but the daughter of slaves. She reflects bitterly on Nabucco's refusal to allow her to
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The
Israelites pray as the Babylonian army advances on their city ("Gli arredi festivi giù cadano infranti" / "Throw down and destroy all festive decorations"). The High Priest Zaccaria tells the people not to despair but to trust in God ("D'Egitto là su i lidi" / "On the shores of Egypt He saved the
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to rest. Although the audience did indeed demand an encore, it was not for "Va, pensiero" but rather for the hymn "Immenso Jehova", sung by the Hebrew slaves in act 4 to thank God for saving his people. In light of these revelations, Verdi's position as the musical figurehead of the Risorgimento has
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Nevertheless, Verdi still refused to compose the music, taking the manuscript back to the impresario the next day. But Merelli would not accept the refusal; he immediately stuffed the papers back into Verdi's pocket and according to the composer, "not only threw me out of his office, but slammed the
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Fenena and the Israelite prisoners are led in to be sacrificed (orchestral interlude and "Va! La palma del martirio" / "Go, win the palm of martyrdom"). Fenena serenely prepares for death ("O dischiuso è il firmamento" / "O open is the firmament"). Nabucco rushes in with Abdallo and other soldiers.
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The opening performances, limited to only eight because the season was coming to an end, were "a colossal success." But, when the new season opened on 13 August 1842, around 60 performances had been added by the end of that year. Numerous Italian and foreign theatres put on this opera in the years
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While it has been noted that "Verdi read it enthusiastically" (and certainly he states that, while he attempted to sleep, he was kept awake and read and re-read the libretto three times), others have stated that he read the libretto very reluctantly or, as recounted by Lessona, that he "threw the
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Abigaille is now Queen of Babylon. The High Priest of Baal presents her with the death warrant for the Israelites, as well as for Fenena. Nabucco, still insane, tries to reclaim the throne without success. Though his consent to the death warrant is no longer necessary, Abigaille tricks him into
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Nabucco awakens, still confused and raving. He sees Fenena in chains being taken to her death. In despair, he prays to the God of the Hebrews. He asks for forgiveness, and promises to rebuild the temple in Jerusalem and convert to Judaism if his prayers are answered ("Dio di Giuda" / "God of
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In "An Autobiographical Sketch", written in 1879, Verdi tells the story of how he came to be twice persuaded by Merelli to change his mind and to write the opera. The duration of 38 years since the event may have led to a somewhat romanticized view; or, as Verdi scholar
314:. Verdi describes how he took it home, and threw "it on the table with an almost violent gesture. ... In falling, it had opened of itself; without my realising it, my eyes clung to the open page and to one special line: 'Va, pensiero, sull'ali dorate'."
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is the opera that is considered to have permanently established Verdi's reputation as a composer. He commented that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is certain that
1094:, the composer to whom the libretto was first offered. A Prussian, Nicolai felt at odds with emotional Italian opera while he lived near Milan. After refusing to accept the libretto proposal from Merelli, Nicolai began work on another offer called
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and was enraged. "Verdi's operas are really horrible," he wrote. "He scores like a fool – technically he is not even professional – and he must have the heart of a donkey and in my view he is a pitiful, despicable composer ...
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ruling northern Italy at the time to prevent public protests, such a gesture would have been extremely significant. However, recent scholarship puts this and the corresponding myth of "Va, pensiero" as the national anthem of the
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been correspondingly revised. At Verdi's funeral however, the crowds in the streets spontaneously broke into "Va, pensiero". When his body was moved to the crypt of the Casa di Riposo, "Va, pensiero" was conducted by
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Judah!"). Miraculously, his strength and reason are immediately restored. Abdallo and loyal soldiers enter to release him. Nabucco resolves to rescue Fenena and the Israelites as well as to punish the traitors.
49:
1158:" chorus sung in the third act by the Hebrew slaves. Scholars have long believed the audience, responding with nationalistic fervor to the slaves' powerful hymn of longing for their homeland, demanded an
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929:!"), then goes to summon Fenena. A group of Levites accuse Ismaele of treachery. Zaccaria returns with Fenena and his sister Anna. Anna tells the Levites that Fenena has converted to
1048:, than to the historical Nebuchadnezzar. Nabonidus was the last king of Babylon, five kings later than Nebuchadnezzar, and Belshazzar was a temporary regent during Nabonidus' reign.
278:(completed in 1840 towards the end of a brutal two-year period during which both of his infant children and then his 26-year-old wife died), Verdi vowed never to compose again.
970:" / "Fly, thought, on golden wings"). The high priest Zaccaria once again exhorts them to have faith: God will destroy Babylon. The Israelites are inspired by his words.
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in September 1844. Nonetheless, a more plausible alternative for the establishment of this abbreviated form claims that it was the result of a revival of the opera in
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following his conquest of Babylon in 539 BC. The opera's Nabucco character is thus a composite of historical and biblical Nebuchadnezzar II, Nabonidus and Cyrus.
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230:). The historical events are used as background for a romantic and political plot. The best-known number from the opera is the "Chorus of the Hebrew Slaves" ("
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1098:. Its disastrous premiere in March 1841 forced Nicolai to cancel his contract with Merelli and return to Vienna. From there he learned of the success of
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406:'s roster since it was first presented there during the 1960/61 season. When the Metropolitan opened its season in September 2001, eleven days after
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942:'Therefore the wild beasts of the desert with the wild beasts of the islands shall dwell there, and the owls shall dwell therein' (Jeremiah 50:39)
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At the 1845 premiere of the opera in Paris critics complained about the excessive use of brass instruments and this word play epigram appeared:
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866:'Thus saith the Lord, Behold, I shall deliver this city into the hand of the King of Babylon, and he will burn it with fire' (Jeremiah 21:10)
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1086:'s operas playing nearby. While the public went mad with enthusiasm, the critics tempered their approval of the opera. One critic who found
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writes: "he was concerned to weave a protective legend about himself it was all part of his fierce independence of spirit." However, in
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Opera: An Encyclopedia of World Premieres and Significant Performances, Singers, Composers, Librettists, Arias and Conductors, 1597–2000
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979:'Bel is confounded, Merodach is broken to pieces; her idols are confounded, her images are broken in pieces.' (Jeremiah 50:2)
234:" / "Fly, thought, on golden wings"), a chorus that is regularly given an encore in many opera houses when performed today.
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Historical and biblical records agree that the Jews were freed and their temple was rebuilt not by the Babylonians but by
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conducted it in Vienna, and other stagings took place that year in Lisbon and Cagliari. But the definitive name of
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1066:, who assumed the title of "lord" after his exaltation. The title "Bel" was in fact used also in connection with
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387:, since the depiction of biblical characters on stage "was not considered proper". In the US it appeared at the
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420:. Among the performances preserved on DVD are those at the Arena di Verona (1981 and 2007); La Scala (1987),
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888:'Behold, the whirlwind of the Lord goeth forth, it shall fall upon the head of the wicked' (Jeremiah 30:23)
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is nothing but "rage, invective, bloodshed and murder." However, Nicolai's opinions were in the minority.
192:. However, Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at
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for a new co-production with La Scala, which was relayed to cinemas and subsequently released on DVD.
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Phillips-Matz, Mary Jane (2004). "Verdi's life: a thematic biography". In Balthazar, Scott E. (ed.).
2572:(The book refers to 'Teatro Giglio of Corfu', but there was never a theatre with this name in Corfu.)
272:'s impresario, to offer Verdi a contract for three more works. After the failure of his second opera
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The biblical story of seven years of madness followed by conversion bears more similarity to the
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in 1836, was a more important source for Solera than the play itself. Under its original name of
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2927:, critical edition, Center for Italian Studies, University of Chicago. Retrieved 7 April 2013.
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After a chance meeting with Merelli close to La Scala, the impresario gave him a copy of
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provides a different account of the events, as allegedly recounted by Verdi himself.
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with a chorus of 820 singers, with a crowd of estimated 300,000 in attendance.
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for the opera (and its protagonist) was first used at a performance at the
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2934:(the works of Giuseppe Verdi), Chicago: University of Chicago Press, 1988
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Arpa d'or dei fatidici vati: The Verdian Patriotic Chorus in the 1840s
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Zaccaria reads over the Tablets of Law ("Vieni, o Levita" / "Come, oh
200:, the opera was first performed at La Scala in Milan on 9 March 1842.
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2982:(1982), New York: Knopf, 1962, Chicago: University of Chicago Press.
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Music historians have perpetuated a powerful myth about the famous "
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2932:"Nabucodonosor": Dramma Lirico in Four Parts by Temistocle Solera
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In non-Italian-language productions, usually shown as priest to
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is frequently heard around the world today. It has been on the
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440:(2004), and Austria's St. Margarethen Opera Festival (2007).
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Martin, George Whitney (1979). "'Autobiographic Sketch' and
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The Story of Giuseppe Verdi: Oberto to Un Ballo in Maschera
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2068:, performance details, Royal Opera House Collections Online
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Matthew Boyden; Nick Kimberley (2002). Joe Staines (ed.).
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Soprano Giuseppina Strepponi, the first Abigaille, c. 1840
499:, and performed it again in June 2019, accompanied by the
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Nineteenth-Century Italian Opera: From Rossini to Puccini
2051:"Nabucco in Jerusalem – Die richtige Oper am rechten Ort"
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of the piece. As encores were expressly forbidden by the
2202:; author: Simon Holledge) and appear here by permission.
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on giuseppeverdi.it, in English. Retrieved 1 April 2013.
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Many other companies have also performed it, including
2570:. The Master Musicians. London: J. M. Dent & Sons.
2396:. Roma: Grandi Tascabili Economic Newton. p. 85.
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1800:
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53:
Costume sketch for Nabucco for the original production
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2869:. Chicago & London: University of Chicago Press.
2608:(in Italian). Florence: G. Barbèra. pp. 287–307.
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Giuseppe Verdi, lithograph by Roberto Focosi, c. 1840
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in 2008 as part of their on-going "Festival Verdi".
310:'s libretto which had been rejected by the composer
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2255:. Center for Online Judaic Studies. 25 January 2009
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2911:, Oxford & New York: Oxford University Press.
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218:as they are assaulted, conquered and subsequently
2551:. Vol. 1. London: Cassell. pp. 89–112.
168:. The libretto is based on the biblical books of
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2100:
559:Baritone Giorgio Ronconi who sang the title role
91:, as well as Antonio Cortese's ballet adaptation
2658:Leonora's Last Act: Essays in Verdian Discourse
2190:Parts of this synopsis were first published on
2865:De Van, Gilles (trans. Gilda Roberts) (1998),
2353:The International Standard Bible Encyclopaedia
2279:"Israel among the Nations: The Persian Period"
1135:when the question is about Nabucodonos-brass?
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2867:Verdi’s Theater: Creating Drama Through Music
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1078:The opera was an instant success, dominating
491:celebrated its 25th anniversary in 2010 with
3708:Orchestra Sinfonica di Milano Giuseppe Verdi
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1823:
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1767:Verdi, "An Autobiographical Sketch" 1879 in
1288:Orchestra Sinfonica e Coro di Roma della RAI
3052:Recording of the opera in the public-domain
2909:The New Grove Guide to Verdi and His Operas
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2053:(in German) opera-online.com, 20 June 2019
1838:
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3007:International Music Score Library Project
2660:. Princeton: Princeton University Press.
2636:10.1093/gmo/9781561592630.article.O008126
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2180:International Music Score Library Project
1819:
1817:
1815:
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966:The Israelites long for their homeland ("
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647:nephew of Zedekiah, the King of Jerusalem
408:the destruction of the World Trade Center
4049:Cultural depictions of Nebuchadnezzar II
2284:The Oxford History of the Biblical World
2139:. McFarland & Company. p. 184.
2024:"Nabucco" debuted at Detroit Opera House
1062:" (Italian: Belo), related to the deity
1058:Babylonians addressed their own god as "
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487:as part of their 2009–2010 seasons. The
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993:Scene 2: The Hanging Gardens of Babylon
379:The opera was first given in London at
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2026:Downriver Sunday Times 24 October 2009
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2356:. Howard-Severance Company. pp.
1990:Von Rhein, John (22 September 1997).
1251:Orchestra and Chorus (live recording)
1122:Pourquoi nous annoncer Nabucodonos-or
1118:Vraiment l'affiche est dans son tort,
352:in Venice in December 1842. In 1843,
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1683:Arena di Verona Orchestra and Chorus
1131:It should be indicted for falsehood.
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984:Scene 1: Royal apartments in Babylon
893:Scene 1: Royal apartments in Babylon
258:The success of Verdi's first opera,
214:The opera follows the plight of the
141:[naˌbukoˈdɔːnozor,-donoˈzɔr]
2958:, Portland, Oregon: Amadeus Press.
2498:, operadis-opera-discography.org.uk
2101:Melinda Bargreen (10 August 2015).
1859:
1752:
852:
534:produced its first-ever staging of
428:(2001), Metropolitan Opera (2002),
416:is also regularly performed at the
13:
3091:
2973:Giuseppe Verdi: His Life and Works
2843:Baldini, Gabriele (1970), (trans.
2836:
2107:: An old story, told in a new way"
741:
519:, and in March 2013 with director
383:on 3 March 1846 under the name of
19:For the natural gas pipeline, see
14:
4075:
4064:Works based on the Book of Daniel
4044:Opera world premieres at La Scala
3028:Contextual commentary to libretto
2994:
2602:(1869). "Parma: Giuseppe Verdi".
2281:. In Michael David Coogan (ed.).
1120:en faux on devrait la poursuivre.
566:Roles, voice types, premiere cast
348:immediately following, including
156:in four acts composed in 1841 by
3981:
3957:
3956:
3907:Giuseppe Verdi's Rigoletto Story
3635:
2894:, New York: Da Capo Press, Inc.
2818:Verdi: His Music, Life and Times
2765:The Cambridge Companion to Verdi
2394:Tutti i libretti d'opera – Verdi
1133:Why to announce a Nabucodonos-or
1124:quand c'est Nabucodonos-cuivre?
959:Scene 2: The banks of the River
513:Royal Opera House, Covent Garden
4019:Works set in the 6th century BC
2501:
2482:
2385:
2372:
2343:
2277:Winn Leith, Mary Joan (2001) .
2224:. Westminster John Knox Press.
2184:
2166:
2153:
2133:Mesa, Franklin (January 2007).
2126:
2094:
2077:Church, Michael (1 April 2013).
2071:
2056:
2043:
2029:
2017:
2002:
1984:
1970:
1948:
1932:
1913:
1898:
1141:
342:
3148:I Lombardi alla prima crociata
3118:Oberto, Conte di San Bonifacio
3012:Synopsis, libretto, highlights
2855:: Cambridge University Press.
2795:Verdi: The Man and His Letters
2712:, London; includes details of
1378:and the Ambrosian Opera Chorus
1001:
211:was born under a lucky star."
1:
2930:Parker, Roger, (ed.) (1988),
1728:
1188:
968:Va, pensiero, sull'ali dorate
902:Scene 2: A room in the palace
613:supposedly his elder daughter
436:(2004), Teatro Municipale di
391:in New York on 4 April 1848.
232:Va, pensiero, sull'ali dorate
3927:Casa di Riposo per Musicisti
3672:Theatres named after Verdi (
2584:. New York: Penguin Putnam.
2083:, Royal Opera House, London"
1992:"Striking Opening For Lyric"
1688:Cat: DDD 0440 074 3245 7 DH
501:Jerusalem Symphony Orchestra
254:Librettist Temistocle Solera
16:1842 opera by Giuseppe Verdi
7:
3666:Memorials to Giuseppe Verdi
2892:The Complete Opera of Verdi
2582:The New Penguin Opera Guide
1771:, pp. 87–92. See also
1720:DVD:C Major, live recording
1641:Naples Orchestra and Chorus
1129:Really the poster is wrong,
832:
580:Premiere cast, 9 March 1842
451:in 1995 and 2019, London's
222:from their homeland by the
10:
4080:
3776:Portrait of Giuseppe Verdi
2797:. New York: Vienna House.
2769:Cambridge University Press
2392:Pietro Mioli, ed. (1996).
1686:DVD: Decca, live recording
1212:Opera house and orchestra
949:Hanging Gardens of Babylon
511:. It was performed at the
461:New National Theatre Tokyo
184:, and on the 1836 play by
18:
4039:Operas based on the Bible
4034:Operas set in Mesopotamia
3953:
3918:
3837:
3796:Verdi, the King of Melody
3766:
3657:
3624:String Quartet in E minor
3595:
3492:
3409:
3108:
3099:
2091:. Retrieved 1 April 2013.
1904:"Her Majesty's Theatre",
1214:
1209:
1198:
1195:
1147:"or" is French for "gold"
1111:secured Verdi's success.
910:Nabucco's mad scene with
732:
579:
574:
571:
152:) is an Italian-language
145:
95:
76:
68:
58:
46:
35:
30:
4029:Operas set in the Levant
4009:Operas by Giuseppe Verdi
3464:Libiamo ne' lieti calici
2734:Phillips-Matz, Mary Jane
2511:The Rough Guide to Opera
2036:Nabucco / Giuseppe Verdi
1945:, p. 203, Picador (2011)
1852:19 December 2013 at the
1824:Werfel & Stefan 1973
1769:Werfel & Stefan 1973
1512:Tokyo Symphony Orchestra
1179:
1116:
1040:(556–539 BC), father of
541:
334:Drawing for libretto of
186:Auguste Anicet-Bourgeois
85:Auguste Anicet-Bourgeois
4004:Italian-language operas
3701:Giuseppe Verdi Monument
3428:Bella figlia dell'amore
3248:La battaglia di Legnano
2746:Oxford University Press
2744:. New York and Oxford:
2628:Oxford University Press
2576:Kimbell, David (2001).
2566:Budden, Julian (1985).
2304:Oxford University Press
2066:– 23 March 1972 Evening
1964:6 December 2010 at the
1415:Lucia Valentini Terrani
665:high priest of the Jews
640:Giovannina Bellinzaghi
395:20th century and beyond
3308:Les vêpres siciliennes
2921:Parker, Roger (1988),
1473:Cat: 5050467-0944-2-0
1376:Philharmonia Orchestra
1046:Cylinders of Nabonidus
1022:
974:Act 4: The Broken Idol
922:
883:Act 2: The Impious One
862:
560:
551:
481:Michigan Opera Theatre
459:in 1997 and 2016, the
457:Lyric Opera of Chicago
339:
255:
247:
128:Italian pronunciation:
100:9 March 1842
3473:Un dì, felice, eterea
3041:7 August 2020 at the
2249:"Prayer of Nabonidus"
2009:"Festival Verdi 2008"
1716:Teatro Regio di Parma
1009:
909:
860:
558:
549:
509:Old City of Jerusalem
479:was presented by the
473:Teatro Regio di Parma
381:Her Majesty's Theatre
333:
253:
245:
4059:Jerusalem in fiction
3935:Verdi Transcriptions
3585:Un ballo in maschera
3531:La forza del destino
3358:La forza del destino
3348:Un ballo in maschera
3102:List of compositions
2494:26 July 2010 at the
2198:15 June 2011 at the
2013:Teatro Regio (Parma)
1959:Performance archives
1928:Repertory Statistics
1910:, 4 March 1846, p. 5
1701:Dimitra Theodossiou,
1599:Orchestra and Chorus
1514:, Tokyo Opera Chorus
1492:Ferruccio Furlanetto
1468:Orchestra and Chorus
1424:Deutsche Oper Berlin
1329:Orchestra and Chorus
1164:Austrian authorities
717:Baal (mythology)Baal
623:Giuseppina Strepponi
3767:Cultural depictions
3646:Quattro pezzi sacri
3494:Opera discographies
3045:, giuseppeverdi.it
2549:The Operas of Verdi
1792:, pp. 297–298.
1703:Riccardo Zanellato,
1597:Teatro Carlo Felice
1586:Yasuharu Nakajiima,
1274:Antonio Cassinelli,
1249:Teatro di San Carlo
937:Act 3: The Prophecy
568:
445:San Francisco Opera
434:Teatro Carlo Felice
362:San Giacomo Theatre
326:Performance history
238:Composition history
4054:Babylon in fiction
3694:Milan Conservatory
3615:Inno delle nazioni
3596:Other compositions
3318:I vespri siciliani
3128:Un giorno di regno
2740:Verdi: A Biography
2720:on 12 October 2008
2708:(Lecture given at
2623:Grove Music Online
2465:Phillips-Matz 2004
2453:Phillips-Matz 1993
2378:Nicolai quoted in
2350:James Orr (1915).
1920:Metropolitan Opera
1871:, pp. 978–979
1707:Annamaria Chiuri,
1646:Brilliant Classics
1560:Metropolitan Opera
1432:Cat: DG 410 512-2
1405:Yevgeny Nesterenko
1327:Vienna State Opera
1284:Fernando Previtali
1023:
923:
863:
861:A scene from act 1
749:is scored for two
710:Napoleone Marconi
701:Babylonian soldier
564:
561:
552:
426:Vienna State Opera
404:Metropolitan Opera
340:
275:Un giorno di regno
266:Bartolomeo Merelli
256:
248:
132:[naˈbukko]
3969:
3968:
3809:(1982 miniseries)
3806:The Life of Verdi
3743:Verdi, California
3455:La donna è mobile
2975:, New York: Knopf
2940:978-0-226-85310-9
2917:978-0-19-531314-7
2820:. Da Capo Press.
2778:978-0-521-63535-6
2771:. pp. 3–14.
2716:). Archived from
2691:978-88-85065-15-4
2645:978-1-56159-263-0
2525:978-1-85828-749-2
2403:978-88-8183-108-1
2231:978-0-664-25675-3
2146:978-0-7864-0959-4
2112:The Seattle Times
2103:"Seattle Opera's
1977:Royal Opera House
1726:
1725:
1621:Maurizio Frusoni,
1588:Annamaria Popescu
1546:Gwyn Hughes Jones
1451:Paata Burchuladze
1420:Giuseppe Sinopoli
1395:Piero Cappuccilli
1346:Matteo Manuguerra
1322:Lamberto Gardelli
1074:Critical reaction
1027:Nebuchadnezzar II
921:in the title role
873:Temple of Solomon
825:, and an onstage
739:
738:
683:Zaccaria's sister
584:Eugenio Cavallini
471:in 2006, and the
453:Royal Opera House
389:Astor Opera House
370:Teatro del Giglio
308:Temistocle Solera
228:Nebuchadnezzar II
166:Temistocle Solera
119:
118:
63:Temistocle Solera
4071:
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3960:
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3929:
3919:Related articles
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3048:
3014:, opera-guide.ch
3005:: Scores at the
2952:Pistone, Danièle
2888:Osborne, Charles
2831:
2808:
2782:
2759:
2743:
2729:
2727:
2725:
2695:
2671:
2649:
2626:(8th ed.).
2609:
2600:Lessona, Michele
2595:
2571:
2562:
2530:
2529:
2505:
2499:
2486:
2480:
2474:
2468:
2462:
2456:
2450:
2444:
2438:
2432:
2426:
2420:
2414:
2408:
2407:
2389:
2383:
2376:
2370:
2369:
2367:
2365:
2347:
2341:
2340:
2338:
2336:
2293:
2274:
2265:
2264:
2262:
2260:
2245:
2236:
2235:
2212:
2203:
2188:
2182:
2178:: Scores at the
2170:
2164:
2157:
2151:
2150:
2130:
2124:
2123:
2121:
2119:
2098:
2092:
2075:
2069:
2060:
2054:
2049:Billand, Klaus:
2047:
2041:
2033:
2027:
2021:
2015:
2006:
2000:
1988:
1982:
1974:
1968:
1952:
1946:
1936:
1930:
1917:
1911:
1902:
1896:
1890:
1884:
1878:
1872:
1866:
1857:
1840:
1827:
1826:, pp. 88–90
1821:
1810:
1804:
1793:
1787:
1776:
1775:, pp. 95–99
1765:
1750:
1744:
1711:Michele Mariotti
1678:Nino Surguladze,
1648:, live recording
1639:Teatro San Carlo
1636:Paolo Carignani,
1606:, live recording
1582:Orlin Anastassov
1577:Alberto Gazzale,
1569:Cat: B0006O9M6S
1567:, live recording
1366:Elena Obraztsova
1361:Veriano Luchetti
1356:Nicolai Ghiaurov
1291:CD: Warner Fonit
1270:Caterina Mancini
1236:Gino Sinimberghi
1193:
1192:
1174:Arturo Toscanini
1148:
1145:
1034:Dead Sea Scrolls
920:
912:Bastiaan Everink
871:Interior of the
853:Act 1: Jerusalem
734:People, soldiers
657:Corrado Miraglia
569:
567:
563:
538:in August 2015.
529:
297:
151:
143:
134:
129:
107:
105:
51:
28:
27:
21:Nabucco pipeline
4079:
4078:
4074:
4073:
4072:
4070:
4069:
4068:
3994:
3993:
3992:
3980:
3972:
3970:
3965:
3949:
3942:
3932:
3925:
3914:
3904:
3894:
3884:
3874:
3864:
3854:
3844:
3833:
3823:
3813:
3803:
3793:
3783:
3773:
3762:
3755:
3748:
3741:
3734:
3727:
3720:
3713:
3706:
3699:
3692:
3671:
3664:
3653:
3643:
3630:
3622:
3612:
3605:Suona la tromba
3602:
3591:
3582:
3573:
3564:
3555:
3546:
3537:
3528:
3519:
3510:
3501:
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3470:
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3425:
3416:
3405:
3395:
3385:
3375:
3365:
3355:
3345:
3335:
3325:
3321:(December 1855)
3315:
3305:
3295:
3285:
3275:
3265:
3255:
3245:
3235:
3225:
3215:
3205:
3195:
3185:
3178:Giovanna d'Arco
3175:
3165:
3155:
3145:
3135:
3125:
3115:
3104:
3095:
3090:
3046:
3043:Wayback Machine
2997:
2992:
2978:Walker, Frank,
2839:
2837:Further reading
2834:
2828:
2805:
2779:
2756:
2723:
2721:
2710:Gresham College
2705:Verdi and Milan
2702:(14 May 2007).
2692:
2668:
2646:
2605:Volere è potere
2592:
2559:
2534:
2533:
2526:
2518:. p. 216.
2506:
2502:
2496:Wayback Machine
2487:
2483:
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2306:. p. 285.
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2213:
2206:
2200:Wayback Machine
2189:
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2154:
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2127:
2117:
2115:
2099:
2095:
2088:The Independent
2076:
2072:
2061:
2057:
2048:
2044:
2034:
2030:
2022:
2018:
2007:
2003:
1997:Chicago Tribune
1989:
1985:
1975:
1971:
1966:Wayback Machine
1955:Arena di Verona
1953:
1949:
1937:
1933:
1924:Search: Nabucco
1918:
1914:
1903:
1899:
1891:
1887:
1879:
1875:
1867:
1860:
1854:Wayback Machine
1841:
1830:
1822:
1813:
1805:
1796:
1788:
1779:
1766:
1753:
1745:
1741:
1731:
1721:
1714:
1706:
1704:
1702:
1700:
1687:
1682:
1677:
1672:
1669:Carlo Colombara
1667:
1664:Maria Guleghina
1662:
1649:
1637:
1632:
1629:Carlo Colombara
1627:
1624:Lauren Flanigan
1622:
1620:
1607:
1595:
1592:Riccardo Frizza
1587:
1585:
1580:
1578:
1568:
1559:
1549:
1544:
1539:
1536:Maria Guleghina
1534:
1521:
1510:
1500:
1497:Fabio Armiliato
1495:
1490:
1487:Maria Guleghina
1485:
1472:
1464:
1457:Raquel Pierotti
1456:
1455:Bruno Beccaria,
1454:
1449:
1446:Ghena Dimitrova
1444:
1431:
1423:
1413:
1410:Plácido Domingo
1408:
1403:
1400:Ghena Dimitrova
1398:
1386:Cat: 747 488-2
1385:
1374:
1364:
1359:
1354:
1349:
1337:Cat: 417 407-2
1336:
1325:
1317:
1312:
1310:
1307:Elena Souliotis
1305:
1292:
1287:
1279:Gabriella Gatti
1277:
1275:
1273:
1268:
1255:
1247:
1239:
1234:
1233:Luciano Neroni,
1232:
1227:
1211:
1206:
1204:
1202:
1200:
1191:
1182:
1152:
1151:
1146:
1142:
1137:
1134:
1132:
1130:
1126:
1123:
1121:
1119:
1084:Giovanni Pacini
1076:
1053:Cyrus the Great
1025:The historical
1004:
976:
939:
914:
885:
855:
835:
744:
742:Instrumentation
715:High priest of
675:Prosper Dérivis
605:Giorgio Ronconi
595:King of Babylon
581:
565:
562:
544:
523:
485:San Diego Opera
469:Baltimore Opera
422:Opera Australia
418:Arena di Verona
397:
345:
328:
301:Michele Lessona
291:
289:Volere è potere
240:
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3791:
3786:Giuseppe Verdi
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3477:
3468:
3459:
3450:
3446:Di quella pira
3441:
3432:
3423:
3413:
3411:
3410:Opera excerpts
3407:
3406:
3404:
3403:
3393:
3383:
3373:
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3333:
3323:
3313:
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3153:
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3123:
3112:
3110:
3106:
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3100:
3097:
3096:
3093:Giuseppe Verdi
3089:
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3074:
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3054:
3049:
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3015:
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2995:External links
2993:
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2596:
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2578:Holden, Amanda
2573:
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2545:Budden, Julian
2540:
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2500:
2481:
2469:
2457:
2455:, p. 765.
2445:
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2421:
2409:
2402:
2384:
2371:
2342:
2312:
2266:
2237:
2230:
2204:
2192:Opera japonica
2183:
2165:
2152:
2145:
2125:
2093:
2070:
2055:
2042:
2028:
2016:
2001:
1983:
1969:
1947:
1943:Listen to This
1931:
1912:
1897:
1895:, p. 112.
1885:
1873:
1858:
1828:
1811:
1794:
1777:
1751:
1738:
1737:
1730:
1727:
1724:
1723:
1718:
1708:
1705:Bruno Ribeiro,
1694:
1690:
1689:
1684:
1679:
1656:
1652:
1651:
1642:
1634:
1633:Monica Bacelli
1614:
1610:
1609:
1600:
1589:
1575:
1571:
1570:
1561:
1553:
1528:
1524:
1523:
1515:
1504:
1479:
1475:
1474:
1469:
1458:
1438:
1434:
1433:
1425:
1417:
1392:
1388:
1387:
1379:
1368:
1343:
1339:
1338:
1330:
1319:
1299:
1295:
1294:
1289:
1281:
1262:
1258:
1257:
1252:
1241:
1221:
1217:
1216:
1213:
1208:
1199:Cast (Nabucco,
1197:
1190:
1187:
1181:
1178:
1150:
1149:
1139:
1138:
1127:
1090:revolting was
1075:
1072:
1019:Silesian Opera
1003:
1000:
981:
980:
975:
972:
944:
943:
938:
935:
890:
889:
884:
881:
868:
867:
854:
851:
850:
849:
839:
834:
831:
761:(one doubling
753:(one doubling
743:
740:
737:
736:
730:
729:
724:
719:
712:
711:
708:
703:
696:
695:
693:Teresa Ruggeri
690:
685:
678:
677:
672:
667:
660:
659:
654:
649:
642:
641:
638:
633:
626:
625:
620:
615:
608:
607:
602:
597:
587:
586:
578:
573:
553:
543:
540:
521:Daniele Abbado
449:Sarasota Opera
396:
393:
344:
341:
327:
324:
239:
236:
226:king Nabucco (
160:to an Italian
158:Giuseppe Verdi
148:Nebuchadnezzar
117:
116:
109:
99:
97:
93:
92:
78:
74:
73:
70:
66:
65:
60:
56:
55:
52:
44:
43:
41:Giuseppe Verdi
33:
32:
15:
9:
6:
4:
3:
2:
4076:
4065:
4062:
4060:
4057:
4055:
4052:
4050:
4047:
4045:
4042:
4040:
4037:
4035:
4032:
4030:
4027:
4025:
4022:
4020:
4017:
4015:
4012:
4010:
4007:
4005:
4002:
4001:
3999:
3989:
3984:
3979:
3978:
3975:
3964:
3963:
3952:
3945:
3941:
3938:
3936:
3931:
3928:
3924:
3923:
3921:
3917:
3909:
3908:
3903:
3899:
3898:
3893:
3889:
3888:
3883:
3879:
3878:
3873:
3869:
3868:
3863:
3859:
3858:
3853:
3849:
3848:
3843:
3842:
3840:
3836:
3828:
3827:
3826:Risorgimento!
3822:
3818:
3817:
3812:
3808:
3807:
3802:
3798:
3797:
3792:
3788:
3787:
3782:
3778:
3777:
3772:
3771:
3769:
3765:
3758:
3757:Verdi, Nevada
3754:
3751:
3750:Verdi, Kansas
3747:
3744:
3740:
3737:
3733:
3730:
3726:
3723:
3719:
3716:
3712:
3709:
3705:
3702:
3698:
3695:
3691:
3687:
3683:
3679:
3675:
3670:
3667:
3663:
3662:
3660:
3656:
3648:
3647:
3642:
3638:
3633:
3629:
3625:
3621:
3617:
3616:
3611:
3607:
3606:
3601:
3600:
3598:
3594:
3587:
3586:
3581:
3578:
3577:
3572:
3569:
3568:
3563:
3560:
3559:
3554:
3551:
3550:
3545:
3542:
3541:
3536:
3533:
3532:
3527:
3524:
3523:
3518:
3515:
3514:
3509:
3506:
3505:
3500:
3499:
3497:
3491:
3483:
3478:
3474:
3469:
3465:
3460:
3456:
3451:
3447:
3442:
3438:
3433:
3429:
3424:
3420:
3415:
3414:
3412:
3408:
3400:
3399:
3394:
3390:
3389:
3384:
3380:
3379:
3374:
3370:
3369:
3364:
3360:
3359:
3354:
3350:
3349:
3344:
3340:
3339:
3334:
3330:
3329:
3324:
3320:
3319:
3314:
3310:
3309:
3304:
3300:
3299:
3294:
3290:
3289:
3284:
3280:
3279:
3274:
3270:
3269:
3264:
3260:
3259:
3254:
3250:
3249:
3244:
3240:
3239:
3234:
3230:
3229:
3224:
3220:
3219:
3214:
3210:
3209:
3204:
3200:
3199:
3194:
3190:
3189:
3184:
3180:
3179:
3174:
3170:
3169:
3168:I due Foscari
3164:
3160:
3159:
3154:
3150:
3149:
3144:
3140:
3139:
3134:
3130:
3129:
3124:
3120:
3119:
3114:
3113:
3111:
3107:
3103:
3098:
3094:
3087:
3082:
3080:
3075:
3073:
3068:
3067:
3064:
3058:
3057:Aria database
3055:
3053:
3050:
3044:
3040:
3037:
3036:
3035:Nabucodonosor
3032:
3029:
3026:
3023:
3019:
3016:
3013:
3010:
3008:
3004:
3003:
2999:
2998:
2989:
2988:0-226-87132-0
2985:
2981:
2980:The Man Verdi
2977:
2974:
2970:
2969:Toye, Francis
2967:
2965:
2964:0-931340-82-9
2961:
2957:
2953:
2950:
2948:
2947:0-226-85310-1
2944:
2941:
2937:
2933:
2929:
2926:
2925:
2920:
2918:
2914:
2910:
2906:
2905:Parker, Roger
2903:
2901:
2900:0-306-80072-1
2897:
2893:
2889:
2886:
2884:
2883:0-226-14370-8
2880:
2876:
2875:0-226-14369-4
2872:
2868:
2864:
2862:
2861:0-521-29712-5
2858:
2854:
2851:. Cambridge,
2850:
2846:
2842:
2841:
2829:
2827:9780306795497
2823:
2819:
2815:
2810:
2806:
2804:0-8443-0088-8
2800:
2796:
2792:
2788:
2787:Werfel, Franz
2784:
2780:
2774:
2770:
2767:. Cambridge:
2766:
2761:
2757:
2755:0-19-313204-4
2751:
2747:
2742:
2741:
2735:
2731:
2719:
2715:
2711:
2707:
2706:
2701:
2700:Parker, Roger
2697:
2693:
2687:
2683:
2682:
2677:
2676:Parker, Roger
2673:
2669:
2667:0-691-01557-0
2663:
2659:
2655:
2654:Parker, Roger
2651:
2647:
2641:
2637:
2633:
2629:
2625:
2624:
2619:
2615:
2614:Parker, Roger
2611:
2607:
2606:
2601:
2597:
2593:
2591:0-14-029312-4
2587:
2583:
2579:
2574:
2569:
2564:
2560:
2558:0-304-31058-1
2554:
2550:
2546:
2542:
2541:
2539:
2538:
2537:Cited sources
2527:
2521:
2517:
2513:
2512:
2504:
2497:
2493:
2490:
2485:
2478:
2473:
2467:, p. 14.
2466:
2461:
2454:
2449:
2442:
2437:
2430:
2425:
2419:, p. 23.
2418:
2413:
2405:
2399:
2395:
2388:
2381:
2375:
2359:
2355:
2354:
2346:
2331:
2327:
2323:
2319:
2315:
2313:0-19-513937-2
2309:
2305:
2301:
2297:
2291:
2286:
2285:
2280:
2273:
2271:
2254:
2250:
2244:
2242:
2233:
2227:
2223:
2222:
2217:
2211:
2209:
2201:
2197:
2193:
2187:
2181:
2177:
2175:
2169:
2162:
2156:
2148:
2142:
2138:
2137:
2129:
2114:
2113:
2108:
2106:
2097:
2090:
2089:
2084:
2082:
2074:
2067:
2065:
2059:
2052:
2046:
2040:
2039:Israeli Opera
2037:
2032:
2025:
2020:
2014:
2010:
2005:
1999:
1998:
1993:
1987:
1981:
1978:
1973:
1967:
1963:
1960:
1956:
1951:
1944:
1940:
1935:
1929:
1925:
1921:
1916:
1909:
1908:
1901:
1894:
1889:
1883:, p. 20.
1882:
1877:
1870:
1865:
1863:
1855:
1851:
1848:
1846:
1845:Nabucodonosor
1839:
1837:
1835:
1833:
1825:
1820:
1818:
1816:
1809:, p. 92.
1808:
1803:
1801:
1799:
1791:
1786:
1784:
1782:
1774:
1770:
1764:
1762:
1760:
1758:
1756:
1749:, p. 95.
1748:
1743:
1739:
1736:
1735:
1719:
1717:
1712:
1709:
1698:
1695:
1692:
1691:
1685:
1680:
1675:
1674:Fabio Sartori
1670:
1665:
1660:
1657:
1654:
1653:
1647:
1643:
1640:
1635:
1630:
1625:
1618:
1617:Renato Bruson
1615:
1612:
1611:
1605:
1601:
1598:
1593:
1590:
1583:
1576:
1573:
1572:
1566:
1562:
1557:
1554:
1552:
1547:
1542:
1537:
1532:
1529:
1526:
1525:
1520:
1516:
1513:
1508:
1505:
1503:
1502:Elena Zaremba
1498:
1493:
1488:
1483:
1482:Renato Bruson
1480:
1477:
1476:
1470:
1467:
1462:
1461:Riccardo Muti
1459:
1452:
1447:
1442:
1441:Renato Bruson
1439:
1436:
1435:
1430:
1426:
1421:
1418:
1416:
1411:
1406:
1401:
1396:
1393:
1390:
1389:
1384:
1380:
1377:
1372:
1371:Riccardo Muti
1369:
1367:
1362:
1357:
1352:
1351:Renata Scotto
1347:
1344:
1341:
1340:
1335:
1331:
1328:
1323:
1320:
1315:
1314:Bruno Prevedi
1308:
1303:
1300:
1297:
1296:
1293:8573 82646-2
1290:
1285:
1282:
1280:
1271:
1266:
1265:Paolo Silveri
1263:
1260:
1259:
1253:
1250:
1245:
1242:
1237:
1230:
1225:
1222:
1219:
1218:
1194:
1186:
1177:
1175:
1170:
1165:
1161:
1157:
1144:
1140:
1136:
1125:
1115:
1112:
1110:
1106:
1101:
1097:
1096:Il Proscritto
1093:
1089:
1085:
1081:
1071:
1069:
1065:
1061:
1056:
1054:
1049:
1047:
1043:
1039:
1035:
1030:
1028:
1021:, August 2004
1020:
1016:
1012:
1008:
999:
995:
994:
990:
986:
985:
978:
977:
971:
969:
964:
963:
962:
956:
952:
951:
950:
947:Scene 1: The
941:
940:
934:
932:
928:
918:
913:
908:
904:
903:
899:
895:
894:
887:
886:
880:
876:
875:
874:
865:
864:
859:
848:
844:
840:
837:
836:
830:
828:
824:
820:
816:
812:
808:
804:
800:
796:
792:
788:
784:
780:
776:
772:
768:
764:
760:
756:
752:
748:
735:
731:
728:
727:Gaetano Rossi
725:
723:
720:
718:
714:
713:
709:
707:
704:
702:
698:
697:
694:
691:
689:
686:
684:
680:
679:
676:
673:
671:
668:
666:
662:
661:
658:
655:
653:
650:
648:
644:
643:
639:
637:
636:mezzo-soprano
634:
632:
628:
627:
624:
621:
619:
616:
614:
610:
609:
606:
603:
601:
598:
596:
592:
589:
588:
585:
577:
570:
557:
548:
539:
537:
533:
532:Seattle Opera
527:
522:
518:
515:in 1972 with
514:
510:
506:
505:Sultan's Pool
502:
498:
494:
490:
489:Israeli Opera
486:
482:
478:
474:
470:
466:
462:
458:
454:
450:
446:
441:
439:
435:
431:
427:
423:
419:
415:
411:
409:
405:
401:
392:
390:
386:
382:
377:
375:
371:
367:
363:
359:
355:
351:
337:
332:
323:
319:
315:
313:
309:
304:
302:
298:
295:
290:
285:
284:Julian Budden
279:
277:
276:
271:
267:
263:
262:
252:
244:
235:
233:
229:
225:
221:
217:
212:
210:
205:
201:
199:
198:Nabucodonosor
195:
191:
190:Francis Cornu
187:
183:
179:
175:
171:
167:
163:
159:
155:
149:
142:
138:
137:Nabucodonosor
133:
125:
124:
112:
98:
94:
90:
89:Francis Cornu
86:
82:
79:
75:
71:
67:
64:
61:
57:
50:
45:
42:
38:
34:
29:
26:
22:
3955:
3934:
3906:
3896:
3886:
3876:
3866:
3856:
3846:
3829:(2011 opera)
3824:
3814:
3804:
3794:
3784:
3774:
3658:Recognitions
3644:
3613:
3603:
3584:
3575:
3567:Il trovatore
3566:
3557:
3548:
3539:
3530:
3521:
3512:
3503:
3482:Va, pensiero
3437:Celeste Aida
3419:Anvil Chorus
3396:
3386:
3376:
3366:
3356:
3346:
3336:
3326:
3316:
3306:
3296:
3288:Il trovatore
3286:
3276:
3266:
3258:Luisa Miller
3256:
3246:
3236:
3226:
3218:I masnadieri
3216:
3206:
3196:
3186:
3176:
3166:
3156:
3146:
3137:
3136:
3126:
3116:
3047:(in Italian)
3034:
3030:(in English)
3024:(in Italian)
3021:
3001:
2979:
2972:
2955:
2931:
2923:
2908:
2891:
2877:(hardback),
2866:
2852:
2848:
2845:Roger Parker
2817:
2813:
2794:
2791:Stefan, Paul
2764:
2739:
2722:. Retrieved
2718:the original
2713:
2704:
2680:
2657:
2621:
2617:
2604:
2581:
2567:
2548:
2536:
2535:
2516:Rough Guides
2510:
2503:
2484:
2472:
2460:
2448:
2436:
2429:Parker 1997a
2424:
2417:Parker 1997b
2412:
2393:
2387:
2382:, p. 93
2374:
2362:. Retrieved
2352:
2345:
2333:. Retrieved
2290:Google Books
2283:
2259:10 September
2257:. Retrieved
2252:
2220:
2186:
2173:
2168:
2155:
2135:
2128:
2116:. Retrieved
2110:
2104:
2096:
2086:
2080:
2073:
2063:
2058:
2045:
2031:
2019:
2004:
1995:
1986:
1972:
1950:
1942:
1934:
1915:
1905:
1900:
1888:
1876:
1869:Kimbell 2001
1844:
1790:Lessona 1869
1742:
1733:
1732:
1681:Daniel Oren,
1579:Susan Neves,
1556:James Levine
1541:Samuel Ramey
1276:Mario Binci,
1256:MEL 26029-2
1254:CD: Melodram
1244:Vittorio Gui
1229:Maria Callas
1183:
1169:Risorgimento
1156:Va, pensiero
1153:
1143:
1128:
1117:
1113:
1108:
1104:
1099:
1095:
1092:Otto Nicolai
1087:
1077:
1057:
1050:
1031:
1024:
1010:
996:
992:
991:
987:
983:
982:
965:
958:
957:
953:
946:
945:
924:
901:
900:
896:
892:
891:
877:
870:
869:
838:Time: 587 BC
763:English horn
746:
745:
733:
700:
682:
664:
646:
631:his daughter
630:
612:
594:
535:
492:
476:
465:Teatro Colón
442:
413:
412:
399:
398:
384:
378:
357:
346:
343:19th century
335:
320:
316:
312:Otto Nicolai
305:
287:
280:
273:
259:
257:
213:
208:
203:
202:
197:
178:Lamentations
136:
135:, short for
122:
121:
120:
25:
4014:1842 operas
3944:Villa Verdi
3867:La Traviata
3819:(1985 play)
3799:(1953 film)
3789:(1938 film)
3729:Verdi Range
3722:Verdi Inlet
3649:(1889–1897)
3576:La traviata
3311:(June 1855)
3298:La traviata
2684:. EDT srl.
2477:Parker 1992
2441:Parker 2007
2380:Budden 1973
2335:14 December
1980:DVD Catalog
1893:Budden 1973
1881:Budden 1985
1807:Budden 1973
1773:Martin 1979
1747:Budden 1973
1722:Cat:720408
1650:Cat: 92270
1608:Cat: 33465
1551:Wendy White
1522:Cat: V4852
1517:CD: Valois
1507:Daniel Oren
1471:DVD: Warner
1383:EMI Records
1311:Carlo Cava,
1240:Amalia Pini
1036:' story of
1002:Historicity
915: [
611:Abigaille,
582:Conductor:
524: [
517:Colin Davis
292: [
144:; English:
3998:Categories
3937:(Finnissy)
3816:After Aida
3736:3975 Verdi
3513:Don Carlos
3371:(1867/84)
3368:Don Carlos
3361:(1862/69)
3238:Il corsaro
3211:(1847/65)
2489:Recordings
2216:Seow, C.L.
1939:Ross, Alex
1847:: History"
1729:References
1318:Dora Caral
1302:Tito Gobbi
1224:Gino Bechi
1210:Conductor,
1201:Abigaille,
1189:Recordings
1042:Belshazzar
1015:Eberswalde
663:Zaccaria,
576:Voice type
224:Babylonian
104:1842-03-09
59:Librettist
3558:Rigoletto
3331:(1857/81)
3278:Rigoletto
3268:Stiffelio
3228:Jérusalem
2847:, 1980),
2678:(1997b).
2656:(1997a).
2616:(1992). "
2079:"Review:
1907:The Times
1697:Leo Nucci
1659:Leo Nucci
1531:Juan Pons
1203:Zaccaria,
1080:Donizetti
1038:Nabonidus
961:Euphrates
843:Jerusalem
811:side drum
803:bass drum
783:trombones
767:clarinets
699:Abdallo,
645:Ismaele,
503:, in the
467:in 2000,
463:in 1998,
455:in 1996,
447:in 1982,
354:Donizetti
350:La Fenice
3962:Category
3682:Florence
3674:Brindisi
3522:Falstaff
3398:Falstaff
3039:Archived
3018:Libretto
2971:(1931),
2954:(1995),
2907:(2007),
2890:(1969),
2793:(1973).
2736:(1993).
2724:2 August
2547:(1973).
2492:Archived
2330:44650958
2322:98016042
2300:New York
2253:cojs.org
2218:(2003).
2196:Archived
1962:Archived
1850:Archived
1466:La Scala
1207:Fenena)
1205:Ismaele,
833:Synopsis
815:triangle
795:cimbasso
781:, three
779:trumpets
771:bassoons
629:Fenena,
600:baritone
483:and the
438:Piacenza
424:(1996),
270:La Scala
194:La Scala
174:Jeremiah
162:libretto
111:La Scala
96:Premiere
77:Based on
69:Language
3887:Macbeth
3686:Trieste
3678:Busseto
3634:(1874)
3540:Macbeth
3391:(1887)
3381:(1871)
3351:(1859)
3301:(1853)
3291:(1853)
3281:(1851)
3208:Macbeth
3138:Nabucco
3022:Nabucco
3002:Nabucco
2924:Nabucco
2814:Nabucco
2714:Nabucco
2618:Nabucco
2580:(ed.).
2364:4 April
2176:(Verdi)
2174:Nabucco
2105:Nabucco
2081:Nabucco
2064:Nabucco
1604:Dynamic
1519:Auvidis
1342:1977–78
1109:Nabucco
1105:Nabucco
1100:Nabucco
1088:Nabucco
1082:'s and
1044:in the
1017:by the
1011:Nabucco
931:Judaism
847:Babylon
841:Place:
823:strings
807:cymbals
799:timpani
793:), one
773:, four
765:), two
757:), two
755:piccolo
747:Nabucco
688:soprano
618:soprano
591:Nabucco
536:Nabucco
493:Nabucco
477:Nabucco
414:Nabucco
400:Nabucco
358:Nabucco
336:Nabucco
209:Nabucco
204:Nabucco
170:2 Kings
123:Nabucco
113:, Milan
102: (
72:Italian
31:Nabucco
4024:Operas
3974:Portal
3910:(2005)
3900:(1987)
3890:(1987)
3880:(1986)
3877:Otello
3870:(1983)
3860:(1953)
3850:(1906)
3847:Otello
3779:(1886)
3626:(1873)
3618:(1862)
3608:(1848)
3549:Otello
3401:(1893)
3388:Otello
3341:(1857)
3338:Aroldo
3271:(1850)
3261:(1849)
3251:(1849)
3241:(1848)
3231:(1847)
3221:(1847)
3201:(1846)
3198:Attila
3191:(1845)
3188:Alzira
3181:(1845)
3171:(1844)
3161:(1844)
3158:Ernani
3151:(1843)
3141:(1842)
3131:(1840)
3121:(1839)
3109:Operas
2986:
2962:
2945:
2938:
2915:
2898:
2881:
2873:
2859:
2824:
2801:
2775:
2752:
2688:
2664:
2642:
2588:
2555:
2522:
2400:
2328:
2320:
2310:
2296:Oxford
2228:
2221:Daniel
2143:
1215:Label
1160:encore
1068:Nergal
1064:Marduk
927:Levite
817:, two
789:, one
777:, two
769:, two
751:flutes
681:Anna,
497:Masada
338:(1954)
264:, led
261:Oberto
220:exiled
182:Daniel
180:, and
3988:Opera
2853:et al
2568:Verdi
2118:8 May
1734:Notes
1644:DVD:
1602:DVD:
1563:DVD:
1334:Decca
1196:Year
1180:Music
919:]
827:banda
819:harps
787:tenor
785:(two
775:horns
759:oboes
706:tenor
652:tenor
572:Role
542:Roles
528:]
430:Genoa
374:Lucca
366:Corfu
296:]
154:opera
37:Opera
3897:Aida
3857:Aida
3504:Aida
3378:Aida
2984:ISBN
2960:ISBN
2943:ISBN
2936:ISBN
2913:ISBN
2896:ISBN
2879:ISBN
2871:ISBN
2857:ISBN
2822:ISBN
2799:ISBN
2773:ISBN
2750:ISBN
2726:2007
2686:ISBN
2662:ISBN
2640:ISBN
2586:ISBN
2553:ISBN
2520:ISBN
2398:ISBN
2366:2013
2337:2012
2326:OCLC
2318:LCCN
2308:ISBN
2261:2018
2226:ISBN
2161:Baal
2141:ISBN
2120:2016
1693:2009
1655:2007
1613:2004
1574:2004
1527:2002
1478:1999
1437:1987
1427:CD:
1391:1982
1381:CD:
1332:CD:
1298:1965
1261:1951
1220:1949
845:and
791:bass
722:bass
670:bass
385:Nino
216:Jews
188:and
87:and
81:Play
3020:to
2816:".
2632:doi
2620:".
2358:349
1060:Bel
1013:in
495:at
432:'s
372:of
364:of
164:by
83:by
39:by
4000::
3684:-
3680:-
3676:-
2789:;
2748:.
2638:.
2630:.
2514:.
2360:ff
2324:.
2316:.
2302::
2298:;
2294:.
2269:^
2251:.
2240:^
2207:^
2109:.
2085:.
2011:,
1994:.
1957:,
1941:,
1926:;
1922:,
1861:^
1831:^
1814:^
1797:^
1780:^
1754:^
1565:DG
1429:DG
1070:.
917:nl
829:.
821:,
813:,
809:,
805:,
801:,
797:,
593:,
526:it
376:.
294:it
268:,
176:,
172:,
3976::
3688:)
3484:"
3480:"
3475:"
3471:"
3466:"
3462:"
3457:"
3453:"
3448:"
3444:"
3439:"
3435:"
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3421:"
3417:"
3085:e
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3071:v
2830:.
2807:.
2781:.
2758:.
2728:.
2694:.
2670:.
2648:.
2634::
2594:.
2561:.
2528:.
2479:.
2443:.
2431:.
2406:.
2368:.
2339:.
2292:)
2288:(
2263:.
2234:.
2194:(
2163:.
2149:.
2122:.
1843:"
1713:,
1699:,
1676:,
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1619:,
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1272:,
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1238:,
1231:,
1226:,
150:"
146:"
126:(
106:)
23:.
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