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Natalie Bookchin

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114:, the Museum of Contemporary Art in Barcelona, KunstWerke, Berlin, the Generali Foundation, Vienna, the Walker Art Center, the Whitney Museum of American Art, and the Shedhale in Zurich. Her works are in a variety of forms – from online computer games, collaborative performances and "hacktivist" interventions, to interactive websites and widely distributed texts and manifestos. In her work, she explores some of the far-reaching consequences of Internet and digital technologies on a range of spheres, including aesthetics, labor, leisure, and politics. Much of Bookchin's later works amass excerpts from video blogs or YouTube found online. From 1998 to 2000 she was a member of the collective 31: 278:(2007): 4-channel video installation that projects webcam footage from around the world on four screens/walls, accompanied by a fictional tour narrated by Thomas Edison in 1988. This video installation is a part of Bookchin's security webcam series: Network Movies (2005-2007). 202:(1997): motion-study installation that presents the story of three Arkansas prison prisoners four days before their death. This interactive installation includes text projections on the wall, as well as a video of one of the inmates' face on a computer monitor. 262:(2000) was reviewed by Joan Campas who explains that this work is a white screen with nine numbers that link to various searches based on Truth and compares "the absolutely huge (Cyberspace) with the infinitely small (the internaut)" or internet reader. 140:
In 2015, she was appointed to Associate Chair of the Visual Arts Department at the Rutgers Mason Gross School of the Arts. Prior to that she was serving as the co-Director of the Photography and Media Program in the Art School at
306:(2006, 10.5 min.): single-channel video that compiles excerpts from private security webcams (found through hacks). This video is a part of Bookchin's security webcam series: Network Movies (2005-2007). 156:
was included in the Chicago New Media 1973-1992 Exhibition, curated by jonCates The work combines a game-like structure with narrative elements, drawing upon a short story by
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MFA, School of the Art Institute of Chicago (1990); Whitney Independent Study Program, New York BFA, State University of New York (1984)
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Weibel, P., & Druckrey, T. eds. (2001). net_condition. art and global media. Cambridge, Mass.: MIT Press. pp. 86–87.
435: 363: 848: 501: 674: 559: 877: 340: 146: 530: 790: 296:(1970). Bookchin replaces the English signs in Frampton's film with signs in different languages from around the world. 1015: 703: 819: 1000: 142: 380:(coming soon): video-installation, documentary, and web project that discusses experiences of poverty in the US. 137:
in 1990. She participated in the Independent Study Program at Whitney Museum of American Art from 1991 to 1992.
398: 972: 208:(1990-2000): eight-month series of lectures and workshops on art, activism, and the Internet at 995: 320:(2008, 63 min.): single-channel digital video that compiles excerpts from YouTube travel clips. 225: 161: 75:
Guggenheim Fellowship (2001), MacArthur Documentary Film Fund grant (2012), Creative Capital
368:(2012): 18-channel video installation. This installation compiles excerpts from hundreds of 1005: 412: 196:(1997): online collaborative project that Bookchin developed with students and colleagues. 8: 106:. She was a 2001-2002 Guggenheim Fellow. Her work is exhibited at institutions including 333: 769: 740: 474: 431: 249: 181: 157: 622: 648: 597: 464: 99: 914: 452: 372:
concerning media scandals surrounding one of four African American public figures.
30: 856: 509: 287: 682: 567: 328:(2009): single-channel video installation that displays hundreds of excerpts of 241: 229: 885: 601: 67:
Long Story Short, net.net.net, Metapet, Mass Ornament, Testament, The Intruder
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that merges computer games and literature based on 1966 short story by
103: 964: 936:"Out in Public: Natalie Bookchin in Conversation with Blake Stimson" 209: 177: 107: 95: 344:(2009): 4-channel video installation that compiles excerpts from 329: 216:
in Los Angeles, and in Tijuana (the latter with collaboration of
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Dichtung Digital. Journal für Kunst und Kultur digitaler Medien
237: 115: 430:. Illinois, United States: University of Illinois. p. 9. 357: 353: 349: 310: 301: 281: 324: 314:(2008, 12-13 min.): video compilation of parking lot spaces. 190:(2000): PowerPoint Presentation collaboration with Jin Lee. 959: 453:"E-Literature, New Media Art, and E-Literary Criticism" 375: 286:(2007, 12 min.): single-channel silent video remake of 83: 590:"The Frontiers between Digital Literature and Net.art" 133:
in 1984 and a master's degree in photography from the
762:"Natalie Bookchin - projects - All That is Solid" 733:"Natalie Bookchin - projects - All That is Solid" 399:"Natalie Bookchin Mason Gross School of the Arts" 987: 176:(1999): web-based hybrid interactive narrative 675:"Natalie Bookchin- projects - Round the World" 1011:School of the Art Institute of Chicago alumni 849:"Natalie Bookchin - projects - Mass Ornament" 704:"Natalie Bookchin - projects - Zorns Lemma2" 502:"Natalie Bookchin - projects - BioTaylorism" 268:(2004-2008): net-based project created with 791:"Natalie Bookchin - projects - Parking Lot" 560:"Natalie Bookchin- projects - Marking time" 413:"Faculty/Staff Directory: Natalie Bookchin" 365:Now he's out in public and everyone can see 160:, and is often discussed in the context of 457:CLCWeb: Comparative Literature and Culture 348:, each channel presents a distinct theme: 129:She received a bachelor's degree from the 29: 878:"Natalie Bookchin - projects - Testament" 468: 450: 401:. Rutgers Mason Gross School of the Arts. 531:"Natalie Bookchin - projects - Homework" 145:. She has also previously taught at the 131:State University of New York at Purchase 112:Massachusetts Museum of Contemporary Art 332:dance videos. The work is titled after 122:prank they organized spoofing the 1999 1021:American electronic literature writers 988: 587: 135:School of the Art Institute of Chicago 124:General Agreement on Tariffs and Trade 425: 820:"Natalie Bookchin - projects - Trip" 272:and commissioned by the Tate Online. 102:. She is well known for her work in 415:. California Institute of the Arts. 147:University of California, San Diego 13: 981:<net.net.net> lecture series 14: 1032: 953: 143:California Institute of the Arts 928: 899: 870: 841: 812: 783: 754: 725: 696: 667: 641: 615: 451:Strehovec, Janez (2014-12-31). 581: 552: 523: 494: 485: 444: 419: 405: 391: 1: 384: 184:, also titled "The Intruder". 428:Chicago New Media, 1973-1992 7: 10: 1037: 118:, and was involved in the 260:Searching for the Truth24 79: 71: 61: 53: 45: 37: 28: 21: 1016:American digital artists 174:The Intruder web project 167: 1001:Artists from California 602:10.25969/mediarep/17659 470:10.7771/1481-4374.2486 224:). Lecturers included 222:Laboratorios Cinemátik 94:is an artist based in 226:Critical Art Ensemble 162:electronic literature 336:"The Mass Ornament." 334:Siegfried Kracauer's 252:, Rachel Baker, and 84:http://bookchin.net/ 426:Cates, Jon (2018). 300:All That Is Solid ( 206:<net.net.net> 649:"Natalie Bookchin" 623:"Natalie Bookchin" 232:, Jenny Marketou, 437:978-0-252-08407-2 302:Location Insecure 250:Florian Schneider 182:Jorge Luis Borges 158:Jorge Luis Borges 89: 88: 1028: 947: 946: 944: 943: 932: 926: 925: 923: 922: 913:. Archived from 903: 897: 896: 894: 893: 884:. Archived from 874: 868: 867: 865: 864: 855:. Archived from 845: 839: 838: 836: 835: 826:. Archived from 816: 810: 809: 807: 806: 797:. Archived from 787: 781: 780: 778: 777: 768:. Archived from 758: 752: 751: 749: 748: 739:. Archived from 729: 723: 722: 720: 719: 710:. Archived from 700: 694: 693: 691: 690: 681:. 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Furtherfield 614: 580: 551: 522: 493: 484: 443: 436: 418: 404: 389: 388: 386: 383: 382: 381: 373: 361: 337: 321: 315: 307: 297: 279: 273: 270:Jackie Stevens 263: 257: 230:Alexei Shulgin 203: 197: 191: 185: 169: 166: 87: 86: 81: 77: 76: 73: 69: 68: 65: 59: 58: 55: 54:Known for 51: 50: 47: 43: 42: 39: 35: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1033: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 996:Living people 994: 993: 991: 982: 979: 977: 975: 971: 969: 967: 963: 961: 960:Official Site 958: 957: 937: 931: 917:on 2015-04-26 916: 912: 908: 902: 888:on 2015-05-18 887: 883: 879: 873: 859:on 2015-05-13 858: 854: 850: 844: 830:on 2015-05-18 829: 825: 821: 815: 801:on 2015-05-18 800: 796: 792: 786: 772:on 2015-05-18 771: 767: 763: 757: 743:on 2015-05-18 742: 738: 734: 728: 714:on 2015-05-07 713: 709: 705: 699: 685:on 2013-05-05 684: 680: 676: 670: 654: 650: 644: 628: 624: 618: 603: 599: 596:. 33, Jg. 6. 595: 591: 584: 570:on 2013-05-05 569: 565: 561: 555: 541:on 2013-05-05 540: 536: 532: 526: 512:on 2013-05-05 511: 507: 503: 497: 488: 480: 476: 471: 466: 462: 458: 454: 447: 439: 433: 429: 422: 414: 408: 400: 394: 390: 379: 378: 374: 371: 367: 366: 362: 359: 355: 351: 347: 343: 342: 338: 335: 331: 327: 326: 325:Mass Ornament 322: 319: 316: 313: 312: 308: 305: 303: 298: 295: 294: 289: 285: 284: 280: 277: 274: 271: 267: 264: 261: 258: 255: 254:Heath Bunting 251: 247: 243: 240:, Fiambrera, 239: 235: 231: 227: 223: 219: 215: 211: 207: 204: 201: 198: 195: 192: 189: 186: 183: 179: 175: 172: 171: 165: 163: 159: 155: 150: 148: 144: 138: 136: 132: 127: 125: 121: 117: 113: 109: 105: 101: 97: 93: 85: 82: 78: 74: 70: 66: 60: 56: 52: 48: 44: 40: 36: 32: 27: 20: 973: 966:The Intruder 965: 940:. 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Index


http://bookchin.net/
Brooklyn
New York
media
PS1
Massachusetts Museum of Contemporary Art
RTMark
General Agreement on Tariffs and Trade
State University of New York at Purchase
School of the Art Institute of Chicago
California Institute of the Arts
University of California, San Diego
Jorge Luis Borges
electronic literature
art game
Jorge Luis Borges
Cal Arts
MOCA
Fran Ilich
Laboratorios Cinemátik
Critical Art Ensemble
Alexei Shulgin
Geert Lovink
RTmark
Vuk Ćosić
Olia Lialina
Florian Schneider
Heath Bunting
Jackie Stevens

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