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460:(1981), he said that while "Call Me the Breeze" and "Crazy Mama" are "absolutely beguiling", the rest of the record's "murmured blues meditations are so easy on the spirit that even though they have their charms they invite the mistrust of moralizers like myself—there's just too much talent here to justify such slight results." Thom Owens of
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said, "This quiet and leisurely album from an excellent guitarist, vocalist, and songwriter is a charmer. J.J. Cale has a unique approach to funk, blues, and country and all it involves is taking things at just as relaxed and mellow a pace as the human metabolism will allow. Here it results in one of
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album Denny
Cordell, who ran Shelter Records at the time, and I had already finished the album, he said, "John, why don't you put 'After Midnight' on there because that is what people recognize you for?" I said, "Well, I've already got that on Liberty Records, and Eric Clapton's already cut it, so if
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The first album was a collection of tunes I'd been working on for about 32 years. It was a collection that refined everything that had come out of me and weeded out all the bad ideas I'd had over 20 years. But, when it was successful, the record company wanted the next album in six months. When you
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The history on that deal was, the original "After
Midnight" I recorded was on Liberty Records on a 45-rpm, and it was fast. That was about 1967-68, maybe 69. I can't remember exactly. But that was the original "After Midnight", and that is what Clapton heard. If you listen to Eric Clapton's record,
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called "Slow Motion", but it was the B-side, "After
Midnight", that would have long-term ramifications for Cale's career when Eric Clapton recorded the song and had a Top 20 hit. Cale, who was languishing in obscurity at the time, had no knowledge of Clapton's recording of "After Midnight" until it
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was recorded independently, "on spec," the musicians being paid demo fees. The ingredients that went into that project, with subtle drum rhythms, murky vocals sung in a narrow range, and a guitar style that merged country, blues and jazz, established the template for the "Tulsa sound". Some songs,
235:
magazine that when he heard
Clapton's version playing on his radio, "I was dirt poor, not making enough to eat and I wasn't a young man. I was in my thirties, so I was very happy. It was nice to make some money." Cale's friend and producer, Audie Ashworth, encouraged Cale to record a full album in
304:, the single "Crazy Mama" would jump into the Top 10 on the charts, but Cale refused when he learned he would have to lip sync to the recording of the song. While "Crazy Mama" nearly cracked the Top 20, Cale was unimpressed with fame right from the beginning, telling Steve Newton of
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in 2004, "When we did the first album, most people didn't realize that was an electric drum machine – or that there even was such a thing. I didn't use a real drummer because I had no money. So I cut 'Crazy Mama' and 'Call Me The Breeze', and
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get successful, the money comes in and pretty soon you've got to hire an accountant, you've got to get up early, and then you've got a day job. Pretty soon, I wasn't enjoying life – all I was doing was working.
31:
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Cale, who was raised in
Oklahoma, first tasted success in 1964 when singer Mel McDaniel scored a regional hit with Cale's composition "Lazy Me". From there Cale moved to California and worked at
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later wrote that "Cale effortlessly captured a lazy, rolling boogie that contradicted all the commercial styles of boogie, blues, and country rock at the time" of the album's release.
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album. I think what they liked really was the songs." In the same documentary, Cale recalls producer and agent Audie
Ashworth calling him saying if he appeared on Dick Clark's
272:
Cale's version of "After
Midnight" differs greatly from Clapton's frenetic version, which is itself based on Cale's own arrangement. The Oklahoma Troubadour explained in 2004:
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what he did was imitate that. No one heard that first version I made of it. I tried to give the thing away, until he cut it and made it popular. So, when I recorded the
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269:." The album showcased Cale's distinctive, understated style, and it successfully established his solo recording career, which continued until his death in 2013.
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came in and played bass, and Mac Gayden played slide on 'Crazy Mama'. Then Audie hired some musicians and a real studio, and we cut the other eight songs on
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album and I'm still not, but most of the people who like my music, J.J. Cale fans, really like the
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played it in preference to the A-side, facilitating its success. Reviewing the LP for
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was less receptive to the "lassitude affected" by Cale and his collaborators. In
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rechristened Cale as J.J. Cale to avoid confusion with the John Cale in the
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accompaniment and sound almost like demos. Cale explained to Dan Forte of
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All Music Guide to the Blues: The
Definitive Guide to the Blues
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The album contained the 1972 hits "Crazy Mama" (#22 on the
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Christgau's Record Guide: Rock Albums of the
Seventies
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Christgau's Record Guide: Rock Albums of the
Seventies
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the most enjoyable debut albums heard in some time."
872:(2003), edited by Vladimir Bogdanov, et al. p. 94.
282:I'm going to do it again I'm going to do it slow.
216:already performing there regularly, club co-owner
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551:Karl Himmel – drums ( A1, A2, A4 - B2, B4 - B6 )
290:, Cale admitted, "I wasn't real crazy about the
236:order to capitalize on the success of his song.
224:. In 1966, Cale cut an unsuccessful single for
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229:became a radio hit in 1970. Cale recalled to
701:"J.J. CALE biography - The Great Rock Bible"
417:), "Call Me the Breeze" (later recorded by
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920:
719:"After Midnight by Eric Clapton Songfacts"
29:
768:
319:In 2009 the album was re-released, with
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1088:The Breeze: An Appreciation of JJ Cale
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575:Bob Wilson – piano ( A4 - A6, B2, B5 )
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18:1971 studio album by J. J. Cale
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421:), and "Clyde" (later recorded by
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1204:Albums produced by Audie Ashworth
1081:Rewind: The Unreleased Recordings
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554:Chuck Browning – drums ( A3, B3 )
803:– via robertchristgau.com.
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423:Dr. Hook & the Medicine Show
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252:", were recorded with primitive
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624:Diane Davidson – backing vocals
491:"Don't Go to Strangers" – 2:22
81:Moss Rose, Nashville, Tennessee
62:September 29, 1970–June 9, 1971
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818:
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740:Halsey, Derek (October 2004).
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711:
693:
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472:All songs written by JJ Cale.
196:released on October 25, 1971.
1:
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566:– bass ( A1, A2, B1, B4, B6 )
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425:and a 1980 country hit for
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560:– bass ( A4 - A6, B2, B5 )
526:"Bringing It Back" – 2:46
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615:– slide guitar ( B1, B4 )
523:"River Runs Deep" – 2:42
488:"Call the Doctor" – 2:26
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50:
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23:
883:"J. J. Cale - Naturally"
774:"Consumer Guide '70s: C"
661:JJ Cale official website
603:Shorty Lavender – fiddle
584:Jerry Whitehurst – piano
513:"Nowhere to Run" – 2:26
394:Christgau's Record Guide
286:In the 2005 documentary
77:Mount Juliet, Tennessee
1199:Shelter Records albums
494:"Woman I Love" – 2:40
317:
284:
1074:The Road to Escondido
638:Engineer – James Long
635:Cover artwork - Rabon
529:"Crying Eyes" – 3:15
431:Little Rock, Arkansas
312:
274:
830:"JJ Cale: Naturally"
814:Crazy Mama Songfacts
784:Ticknor & Fields
510:"Crazy Mama" – 2:31
338:Professional ratings
329:' "2 For 1" series.
307:The Georgia Straight
188:is the debut studio
667:on 31 December 2014
339:
1168:Christine Lakeland
1113:Call Me the Breeze
908:(list of releases)
497:"Magnolia" – 3:23
483:Call Me the Breeze
337:
301:American Bandstand
250:Call Me the Breeze
222:Velvet Underground
1194:J. J. Cale albums
1189:1971 debut albums
1176:
1175:
1095:Live in San Diego
1042:To Tulsa and Back
770:Christgau, Robert
606:Walter Hayness –
572:– bass ( A3, B3 )
415:their first album
407:Billboard Hot 100
403:
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327:Universal Records
288:To Tulsa and Back
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1151:Related articles
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838:. Archived from
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663:. Archived from
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594:( A1, A2, B1, B4
548:– guitar, vocals
452:Robert Christgau
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54:October 25, 1971
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842:on 12 June 2009
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468:Track listing
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844:. Retrieved
840:the original
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749:. Retrieved
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723:. Retrieved
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705:the original
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669:. Retrieved
665:the original
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592:steel guitar
579:David Briggs
558:Tim Drummond
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254:drum machine
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206:Leon Russell
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94:Country rock
39:Studio album
15:
1163:Tulsa Sound
1158:Discography
1056:Stay Around
1000:Grasshopper
826:Landau, Jon
799:23 February
725:4 September
618:Ed Colis –
1183:Categories
1035:Guitar Man
1014:Travel-Log
979:Troubadour
943:J. J. Cale
862:Review of
793:089919026X
643:References
630:Production
613:Mac Gayden
564:Carl Radle
546:J. J. Cale
441:Jon Landau
263:Carl Radle
200:Background
194:J. J. Cale
147:chronology
145:J. J. Cale
44:J. J. Cale
1021:Number 10
958:Naturally
901:Naturally
864:Naturally
742:"JJ Cale"
620:harmonica
539:Musicians
534:Personnel
520:" – 2:25
485:" – 2:38
439:in 1972,
333:Reception
310:in 1990:
296:Naturally
292:Naturally
279:Naturally
267:Naturally
248:such as "
245:Naturally
240:Recording
185:Naturally
160:Naturally
24:Naturally
772:(1981).
600:– fiddle
505:Side two
476:Side one
462:AllMusic
357:AllMusic
135:Producer
59:Recorded
51:Released
41: by
1134:Cocaine
1049:Roll On
906:Discogs
846:22 June
671:9 March
657:"Music"
450:critic
212:. With
173:(1972)
164:(1971)
128:Shelter
123:A&M
993:Shades
965:Really
790:
751:4 July
411:Kansas
351:Rating
348:Source
322:Really
169:Really
100:Length
67:Studio
1120:Clyde
608:dobro
190:album
126:USA:
117:Label
89:Genre
972:Okie
848:2019
801:2019
788:ISBN
753:2019
727:2013
673:2011
413:for
232:Mojo
121:UK:
904:at
746:NPR
192:by
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1007:#8
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832:.
828:.
786:.
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761:^
744:.
681:^
659:.
590:–
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399:B
107::
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