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Nautch

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67: 55: 750: 573: 469: 337: 278:"Jealousy and love are hardly ever better portrayed than by the dark flashing eyes, and unrestrained passion, of an Indian natch girl. Very few English admire this exhibition on the first representation, but by repetition it ceases to disgust, and at length, in many cases, comes to form the chief enjoyment of life. It is a fact, however, that whenever this fatal taste is acquired, the moral being of the man becomes more and more enervated, until its healthier European characteristics that are lost in the voluptuous indolence that enthrals the generality of the western Asiatics." 380: 432: 31: 1730: 43: 1841: 672: 400:. Wandering troops of nautch girls often traveled to different places, performed impromptu roadside dance performances or just turned up uninvited to perform at the homes of their richer patrons who were customarily obliged to pay them. They performed everywhere, in the homes of their patrons, public places or on stage, also in Mughal courts, palaces of 449:"They are extremely delicate in their person, soft and regular in their features, with a form of perfect symmetry, and although dedicated from infancy to this profession, they in general preserve a decency and modesty in their demeanor, which is more likely to allure than the shameless effrontery of similar characters in other countries." 221:"Hindi women in general are finely shaped, gentle in their manners, and have something soft and even musical in their voices. An exceedingly graceful dance of the Natch girls is called the “Kite dance.” The air is slow and expressive, and the dancers imitate in their gestures the movements of a person flying the kite." 216:. Nautch girls were also invited to perform on the special events of the native Indians where guests congregated in a separate performance hall, nautch girls sat with the nautch party, composed of attendant musicians and two or more nautch girls, whose numbers vary depending on the status of the host. 176:
who used to perform ritual and religious dances in the Hindu temples of India. However, there is not much similarity between the Devadasis and the nautch girls. The former performed dances, mostly Indian classical dances, including the ritual dances, in the precincts of the Hindu temples to please
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A nautch girl is a dancer who makes a living by entertaining men, women and children of all social classes, regions, castes and religions on various occasions including parties, weddings, christenings, religious ceremonies, and other social events. Their dances were simplified combination of
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in 1869, dance was stigmatized and shunned by Europeans and Indians alike. Consequently, nautch girls abandoned by their patrons were often forced to take up prostitution for survival, and by the early 20th century the respectable art of the nautch had acquired a derogatory connotation.
737:, and even less interested in spending lavish sums upon them. The Victorian purity movement, which spread from England to the colonies and the Indian mutiny of 1857 further reinforced these views on local practices such as dancing girls which were seen as lewd by the 496:, was introduced in the beginning of the 20th century. Musicians performed while standing in the courts, palaces and the homes of rich patrons. They performed while sitting in the homes of poor patrons and in public performances. Singers of the nautch party used 177:
the temple deities, whereas the nautch girls performed nautches for the pleasure of men. In 1917, attributing the adjective to a woman in India would suggest her entrancing skill, tempting style and alluring costume could mesmerize men to absolute obedience.
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singers in company of about 20 male dancers took part in the singing and dancing. Part of the songs were repeated by the dancing girls and by the male dancers, and the nautch girls formed a line or a circle to perform a dance similar to the
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The nautch girls performed in small troupes called the "nautch parties", which consisted of just one or two people to 10 or more, including dancers and singer, and their husbands often played the role of musicians and handlers.
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standards of the British and not well tolerated. As a result, many nautch girls lost their former patrons and were pushed further into prostitution, as local mistresses for the British were replaced with wives from Britain.
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and ornaments: they were followed by three musicians, and attended by a couple of mussaulchis who held their torches first to the face and then lower down as if showing off the charms of the dancers to the best
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Nautch girls, Hyderabad; a photo commissioned by the Indian government in the 19th century; the colonial authorities designated a "prostitute class" for the dancers.
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standards of the British Raj. British women were imported into India (and modern day Pakistan) as respectable wives to replace local mistresses.
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India : pictorial, descriptive, and historical : from the earliest times to the present with nearly one hundred illustrations.
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also testifies to the high esteem in which she was held in society. She appears through the ages in different incarnations from
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was an unarmed guard who maintained order, acted as usher, and ensured protection during performance and travel.
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The nautch, performed only by the girls, evolved into several styles, three of which were most essential, the
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Over time, the nautch travelled outside the confines of the imperial courts of the Mughals, the palaces of the
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as welcome gifts or rewards. In 18th century, young princes were sent to nautch girls to learn
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The Nautch - Ally Adnan on the colorful dancing girls who dazzled India in the 19th century
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is said to have invaded Malwa after hearing about her beauty. In 1561 Akbar's army, led by
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cf. the evidently scandalous character of a nautch-girl in dialogue in Act 1 of the play
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they were uninterested in becoming patrons of the formerly well tolerated courtesans of
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give us a colourful description of her intimate connection with royal splendour. The
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and Pir Muhammad Khan, attacked Malwa and defeated Baz Bahadur in the battle of
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The nautch party musicians historically played four instruments:
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Typical Pictures of Indian Natives: With Descriptive Letterpress
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Earlier, devotional dances were performed in the temples by the
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The shift in attitude to nautch girls can be attributed to the
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and inherited his estate after his death. She is buried in the
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The English in India, and other sketches, by a traveller (1835)
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The Athenæum: A Journal of Literature, Science, the Fine Arts
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When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry
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highlight her auspicious presence as a symbol of good luck.
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Lieutenant Thomas Bacon, Description of Late Evening Nautch
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Yasmini in "King, of the Khyber Rifles" by Talbot Mundy
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While the British men were happy to take local women as
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did not share the same attitude towards dancing girls.
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dance imitating both the kite and the kite flier) and
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HarperCollins Publishers. pp. 35–36. 1621:: CS1 maint: multiple names: authors list ( 435:Indian professional dancing nautch girls in 315:as two or three sang, and they repeated the 306:, in which two or four nautch girls and two 1635: 1435:"Nautch girls: Sahibs danced to their tune" 250:(the dance of peacock to attract peahens), 1715:The Novels and Plays of "Saki" (H H Munro) 896: 882: 761:and pressure from the increased number of 205:(elegance and court manners) and culture. 1814:Learn how and when to remove this message 903: 212:era, nautch girls regularly performed at 1691:onprostitution.oberlincollegelibrary.org 1562: 1560: 1558: 1389:. HarperCollins Publishers. p. 36. 748: 670: 571: 467: 430: 378: 335: 65: 53: 41: 29: 1717:, 1933, The Bodley Head, London, p.389. 1556: 1554: 1552: 1550: 1548: 1546: 1544: 1542: 1540: 1538: 1516:, Thacker & Company, limited, p.19. 701: 189:for spiritual reasons only. During the 14: 1853: 1524: 1522: 1482: 1480: 1478: 1476: 1474: 1472: 1470: 1468: 567: 298:nautch" patronised by the Zamindar of 1660: 1604: 1384: 1360: 877: 1866:Performers of Indian classical dance 1752:adding citations to reliable sources 1723: 1585: 1576: 1535: 1380: 1378: 1376: 757:In the mid-nineteenth century, with 583:was a famous Hindu nautch girl from 458:(1749–1819), Oriental Memoirs (1813) 428:(landowners) and many other places. 101:, meaning "dance" or "dancing" from 62:awaits the arrival of Nautch dancers 1598: 1519: 1506: 1493: 1465: 463: 24: 856: 27:Popular court dance in royal India 25: 1892: 1826: 1462:Tom Stacey 1972 orig 1917 hb, p16 1373: 1057:Durbar Mahila Samanwaya Committee 516:Nautch handlers: mama and muhafiz 290:Regional variations of the nautch 1839: 1728: 1608:Akbar the Great Mogul, 1542-1605 80: 1861:Indian female classical dancers 1739:needs additional citations for 1703: 1679: 1654: 1629: 1605:Smith, Vincent, Arthur (1919). 1415:Wiktionary, the free dictionary 759:the spread of western education 354:(first generation prostitute), 331: 322: 273:) were popular types of dance. 241: 1640:. Cambridge University Press. 1448: 1427: 1403: 929:Prostitution in colonial India 841:Prostitution in colonial India 696:Basilica of our Lady of Graces 416:of British officers, homes of 164:Some references use the terms 121:" was a British corruption of 70:A Nautch girl performing, 1862 13: 1: 1713:by "Saki" and Charles Maude: 1353: 1011:Chaturbhuj Sthan, Muzaffarpur 576:Baz Bahadur and Rani Roopmati 1636:Chakravarty, Gautam (2005). 939:Prostitution in Kuki society 621:was a famous nautch girl of 7: 773: 646:in divine form to ganika , 10: 1897: 820:List of Indian folk dances 698:, which she commissioned. 492:. A fifth instrument, the 180: 1835:, memoirs by James Forbes 1661:Brown, Louise T. (2006). 1486:Nautch Girls of the Raj, 1385:Brown, Louise T. (2006). 1166: 1075: 1044: 998: 957: 911: 765:after the opening of the 236: 195:British migrants to India 1871:Culture of Uttar Pradesh 1052:All Bengal Women's Union 851:Prostitution in Pakistan 346:"A nautch girl is not a 1663:Dancing Girls of Lahore 1387:Dancing Girls of Lahore 1240:Laaga Chunari Mein Daag 1088:Bangalore Nagarathnamma 934:Prostitution in Kolkata 692:Walter Reinhardt Sombre 591:, the Muslim sultan of 1582:1835, , London, p.178. 1366:Scott A. Kugle, 2016, 944:Prostitution in Mumbai 815:Indian classical dance 763:Christian missionaries 754: 710:, who after capturing 680: 669: 611:. Baz Bahadur fled to 577: 565: 473: 461: 444: 384: 377: 341: 287: 234: 208:During the Mughal and 71: 63: 51: 39: 1848:at Wikimedia Commons 1512:F. M. Coleman, 1897, 1268:Pati Patni Aur Tawaif 1045:NGOs and associations 999:Major red-light areas 924:Prostitution in India 905:Prostitution in India 846:Prostitution in India 752: 674: 627: 575: 544: 471: 456:James Forbes (artist) 446: 434: 382: 343: 339: 275: 218: 69: 57: 45: 33: 1748:improve this article 1031:Shivdaspur, Varanasi 702:Anti-Nautch movement 675:A portrait of Begum 439:for the Afghan emir 1595:, - Volume 6, p.28. 1076:Notable individuals 1026:Meergunj, Allahabad 1021:Kamathipura, Mumbai 949:Sacred prostitution 829:, a 2004 dance film 640:Buddhist literature 568:Famous nautch girls 152:, to the places of 1571:The Times of India 1182:Born into Brothels 1167:In popular culture 1093:Begum Hazrat Mahal 1036:Sonagachi, Kolkata 1006:Budhwar Peth, Pune 755: 681: 658:and nautch girl ." 578: 474: 445: 385: 373:The Times of India 342: 135:East India Company 72: 64: 52: 40: 34:Nautch dancers in 1881:Pakistani tawaifs 1876:Indian courtesans 1844:Media related to 1824: 1823: 1816: 1798: 1350: 1349: 980:Nagarvadhu system 919:Indian Penal Code 441:Abdur Rahman Khan 302:was known as the 197:were often given 46:Nautch dancer in 16:(Redirected from 1888: 1843: 1819: 1812: 1808: 1805: 1799: 1797: 1756: 1732: 1724: 1718: 1707: 1701: 1700: 1698: 1697: 1683: 1677: 1676: 1658: 1652: 1651: 1633: 1627: 1626: 1620: 1612: 1602: 1596: 1589: 1583: 1580: 1574: 1564: 1533: 1532:, London, p.241. 1526: 1517: 1510: 1504: 1497: 1491: 1484: 1463: 1452: 1446: 1445: 1443: 1441: 1431: 1425: 1424: 1423: 1422: 1407: 1401: 1400: 1382: 1371: 1364: 975:Dance bar system 898: 891: 884: 875: 874: 667: 563: 530:(betel nut) and 464:Nautch musicians 459: 375: 285: 232: 100: 99: 96: 95: 92: 89: 86: 21: 1896: 1895: 1891: 1890: 1889: 1887: 1886: 1885: 1851: 1850: 1833:The Nautch Girl 1829: 1820: 1809: 1803: 1800: 1757: 1755: 1745: 1733: 1722: 1721: 1711:The Watched Pot 1708: 1704: 1695: 1693: 1685: 1684: 1680: 1673: 1659: 1655: 1648: 1634: 1630: 1614: 1613: 1603: 1599: 1590: 1586: 1581: 1577: 1565: 1536: 1527: 1520: 1511: 1507: 1498: 1494: 1485: 1466: 1453: 1449: 1439: 1437: 1433: 1432: 1428: 1420: 1418: 1409: 1408: 1404: 1397: 1383: 1374: 1365: 1361: 1356: 1351: 1346: 1162: 1071: 1040: 1016:G.B.Road, Delhi 994: 953: 907: 902: 859: 857:Further reading 834:The Nautch Girl 776: 747: 720:Anglo-Sikh wars 704: 679:in her old age. 668: 663: 597:Akbar the Great 570: 564: 561: 518: 466: 460: 454: 376: 371: 334: 325: 292: 286: 283: 244: 239: 233: 226: 183: 146:princely states 83: 79: 28: 23: 22: 15: 12: 11: 5: 1894: 1884: 1883: 1878: 1873: 1868: 1863: 1837: 1836: 1828: 1827:External links 1825: 1822: 1821: 1804:September 2011 1736: 1734: 1727: 1720: 1719: 1702: 1678: 1671: 1653: 1647:978-0521832748 1646: 1628: 1597: 1584: 1575: 1534: 1518: 1505: 1492: 1464: 1447: 1426: 1402: 1395: 1372: 1358: 1357: 1355: 1352: 1348: 1347: 1345: 1344: 1337: 1329: 1321: 1317:Umrao Jaan Ada 1313: 1310:The Other Song 1306: 1299: 1296:Salaam Bombay! 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Retrieved 1690: 1681: 1662: 1656: 1637: 1631: 1607: 1600: 1587: 1578: 1528:Julia,1873, 1508: 1495: 1450: 1438:. Retrieved 1429: 1419:, retrieved 1417:, 2023-09-16 1414: 1405: 1386: 1362: 1339: 1332: 1324: 1316: 1308: 1302: 1294: 1287: 1280: 1273: 1266: 1259: 1252: 1246: 1238: 1231: 1223: 1215: 1208: 1202: 1194: 1188: 1180: 1173: 1148:Zeenat Begum 1143:Tulasa Thapa 1128:Moran Sarkar 1123:Mah Laqa Bai 984: 862: 832: 824: 756: 724: 705: 682: 654:, kanchani, 629: 628: 618: 617: 579: 546: 545: 539: 535: 521: 519: 475: 448: 447: 386: 345: 344: 332:Nautch girls 326: 323:Nautch party 303: 293: 277: 276: 259: 251: 247: 245: 242:Nautch types 229:Anglo-Indian 220: 219: 207: 202: 184: 172:to describe 170:nautch girls 169: 165: 163: 139: 122: 118: 117:. 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Index

Nautch girl

Old Delhi

Calcutta

Raja

/ˈnɔː/
Hindustani
Mughal
colonial India
Mughal Empire
rule of
East India Company
nawabs
princely states
British Raj
zamindars
Victorian
Devadasis
devdasi
mughal era
British migrants to India
tawaifs
British
durbars
Anglo-Indian
kite
palki

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