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750:, stated that optical mixing would produce more vibrant and pure colors than the traditional process of mixing pigments. Mixing pigments physically is a subtractive process with cyan, magenta, and yellow being the primary colors. On the other hand, if colored light is mixed together, an additive mixture results, a process in which the primary colors are red, green and blue. The optical mixture which characterized Divisionism—the process of mixing color by juxtaposing pigments—is different from either additive or subtractive mixture, although combining colors in optical mixture functions the same way as additive mixture, i.e. the primary colors are the same. In reality, Seurat's paintings did not actually achieve true optical mixing; for him, the theory was more useful for causing vibrations of color to the viewer, where contrasting colors placed near each other would intensify the relationship between the colors while preserving their singular separate identity.
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1007:, some people believe that there is evidence that Divisionists misinterpreted some basic elements of optical theory. For example, one of these misconceptions can be seen in the general belief that the Divisionist method of painting allowed for greater luminosity than previous techniques. Additive luminosity is only applicable in the case of colored light, not juxtaposed pigments; in reality, the luminosity of two pigments next to each other is just the average of their individual luminosities. Furthermore, it is not possible to create a color using optical mixture which could not also be created by physical mixture. Logical inconsistencies can also be found with the Divisionist exclusion of darker colors and their interpretation of simultaneous contrast.
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showing prominence. After Seurat's death by diphtheria and his friend Albert Dubois-Pillet's by smallpox in the previous year, the Neo-impressionists began to change and strengthen their image through social and political alliances. They forged links to the anarcho-communists movement and through this, many more young artists were attracted to this "blend of social and artistic theory". In the later 1890s Signac went back to his earlier belief in the visual harmony of the Neo-impressionist style, and the belief that it signified his ideals. He also emphasized that Neo-Impressionists were not seeking realism. They did not want to imitate, but instead have "the will to create the beautiful…. We are false, false like
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182:, acknowledged the different behaviors exhibited by colored light and colored pigment. While the mixture of the former created a white or gray color, that of the latter produced a dark, murky color. As painters, Neo-Impressionists had to deal with colored pigments, so to avoid the dullness, they devised a system of pure-color juxtaposition. Mixing of colors was not necessary. The effective utilization of pointillism facilitated in eliciting a distinct luminous effect, and from a distance, the dots came together as a whole displaying maximum brilliance and conformity to actual light conditions.
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995:. Furthermore, Divisionists were often criticized for being too peaceful and logical in revolution. Because their color choices were often planned and scientifically constructed, they lacked the radical freedom that anarchists embodied. French anarchy, particularly after Haussmannization, placed an emphasis on a classless society but Divisionists, and all artists, reinforced classes through middle-class consumerism of their works. These conflicting ideals put Divisionism under the critical lens of radical anarchists.
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667:, born in 1830, is a notable radical artist and the only painter to exhibit in all eight Impressionist shows from 1874 to 1886. During Pissarro's long career he remained at the foreground of French avant-garde art, although his Neo-Impressionist phase is among his most popular and most studied. Pissarro studied under Fritz Melbye, spending the first 15 years of his career painting rural landscapes, market scenes and ports, all of which make subject returns throughout his later career.
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technique, the
Mediterranean location, and the classical tradition in painting". Signac also viewed the Mediterranean as the place for anarchist avant-garde art. The Mediterranean was rarely depicted by avant-garde painters partially because of the association between the south of France and academic classicism as well as cultural and political conservatism. By setting his pastorals in the south, Signac followed the literary examples of
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698:, born in 1863, was Seurat's closest friend and the face of the Neo-Impressionist movement. He had no formal art training but was able to refine his skills through travel and replication as he was born into a family of financial stability. Signac was encouraged to remove earth tones from his palette by Seurat, and in turn introduced Seurat to Symbolism, jointly creating the Neo-Impressionist movement. He is also noted for initiating
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optically instead of physically mixing pigments, Divisionists believed they were achieving the maximum luminosity that was scientifically possible. They also believed that it philosophically represented harmony as unanticipated colors work together equally to form a single image. Georges Seurat founded the style around 1884 as chromo-luminarism, drawing from his understanding of the scientific theories of
130:(Salon des Indépendants) in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The
198:, which is more commonly used, describes an early mode of Neo-Impressionist painting. It refers to the method of applying individual strokes of complementary and contrasting colors. Unlike other designations of this era, the term 'Neo-Impressionism' was not given as a criticism. Instead, it embraces Seurat's and his followers' ideals in their approach to art. Note:
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364:, and Swiss aesthetician, David Sutter), and manuals for the industrial and decorative arts, science of optics and perception. At this time Pissarro began to be involved with the coterie that helped found the Société des Artistes Independants in 1884. Some members of the group attended gatherings for naturalist and
462:, who linked the region with liberty. Stendhal "described the south as a place of freedom where the worst faults of capitalist society were less entrenched than in the north." Stendhal also saw the South as a connection to other "Latin" countries who are "outside the civilized societies' concern for money."
632:, Seurat intensely pursued interests in line and color, color theory, and optical effects, all of which formed the basis of Divisionism. In 1883, Seurat and some of his colleagues began exploring ways to express as much light as possible on the canvas. By 1884, with the exhibition of his first major work,
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In 1907 Metzinger and
Delaunay were singled out by the critic Louis Vauxcelles as Divisionists who used large, mosaic-like 'cubes' to construct small but highly symbolic compositions. Both artists had developed a new sub-style that had great significance shortly thereafter within the context of their
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in the 1870s, characterized by the use of quick, short, broken brushstrokes to accurately capture the momentary effects of light and atmosphere in a scene, usually outdoors. The
Impressionists sought to create an "impression" of a momentary scene as perceived by the viewer, rather than a mechanically
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This movement's peak years lasted about five years (1886–1891), but did not end with
Georges Seurat's death in 1891. Impressionism continued to evolve and expand over the next decade with even more distinctive characteristics. Incorporation of political and social ideas, especially anarchism, started
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featured a front-page column by critic
Adolphe Tabarant. He remarked on the new Neo-Impressionist cooperative gallery in the Rue Laffitte, focusing on Luce and Signac, also known as the young masters: "The art has, perhaps, a tendency toward an ill-tempered synthesis, toward a scientific observation
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During his
Impressionist phase, Pissarro switched to a lighter brush stroke and a brighter color palette, frequently applied in sections of unmixed color. This style of Impressionism gave way to joining Seurat in Neo-Impressionism in 1885. He was the first convert to what is now called Divisionism.
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In 1891, the year after Seurat's death, Signac began to introduce abstract visual rhythms and subjectivity into his works and by transit into Neo-Impressionism. Signac's creative experimentation inspired artists such as
Matisse and Henri-Edmond Cross to further define Neo-Impressionism in the 20th
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artists and critics, Divisionism became the avant-garde style of post-Impressionism. The support Seurat initially received slowly dissipated as he became increasingly hostile towards other artists, believing that they were corrupting his style and technique. By the end of his life few works of his
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Seurat and his followers tried to give their painting a scientific basis, by painting tiny dabs of primary colors close to each other to intensify the viewer's perception of colors by a process of optical mixing. This created greater apparent luminosity because the optical mixing of colors tends
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Seurat's theories intrigued many of his contemporaries, as other artists seeking a reaction against
Impressionism joined the Neo-Impressionist movement. Paul Signac, in particular, became one of the main proponents of divisionist theory, especially after Seurat's death in 1891. In fact, Signac's
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Divisionism (also called Chromo-luminarism) was the characteristic style in Neo-Impressionist painting defined by the separation of contrasting or complementing colors into individual patches which interacted optically to create shadow and dimension. By requiring the viewer to combine the colors
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Neo-Impressionists' use of small segments of color to compose a whole picture was considered even more controversial than its preceding movement; Impressionism had been notorious for its spontaneous representation of fleeting moments and roughness in brushwork. Neo-Impressionism provoked similar
337:. The Indépendants remained their main exhibition space for decades with Signac acting as president of the association. But with the success of Neo-Impressionism, its fame spread quickly. In 1886, Seurat and Signac were invited to exhibit in the 8th and final Impressionist exhibition, later with
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Following the revolutions of 1848, a strong undercurrent of radical anarchism ran throughout the artistic community of France. The combination of social art and artistic freedom and the departure from traditional color painting techniques attracted radicals to the movement of Neo-Impressionism.
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that is too dry. But how it vibrates, and how it rings with truth! What an expenditure of coloring, what a profusion of agitated notions, in which one senses the noble and sincere passions of those young men who, after lamented Seurat, strive to capture all the secrets of light from the sun!"
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tradition. Seurat "wanted to be perceived as a technician of art, and so he borrowed from science some of the signs of its authority, including the regularity and clarity of pattern." This can be compared to how Signac "saw and emphasized a connection between anarchism, the Neo-Impressionist
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Neo-Impressionists began to place complementary colors side-by-side to create dimension and shadows instead of working in a range of hues. This dividing up of the canvas into individual sections of complementary and contrasting colors led to the name "divisionism", a term coined by Signac.
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Divisionism developed in nineteenth-century painting as artists discovered scientific theories of vision which encouraged a departure from the tenets of
Impressionism. Most notably as science surrounding the vibration of light and the effect on retinas developed, color palettes changed.
589:. This created a more vibrant and dynamic effect, but also required a higher level of skill and precision. Neo-Impressionism emerged in the late 19th century, used more precise and geometric shapes to build compositions, and was strongly influenced by the scientific study of
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century. His knowledge of the movement lead to illustrating
Charles Henry's Cerle Chromatique et Rapporteur Esthétique, a widely influential book on color theory and later to his authoring the manifesto of Neo-Impressionism, D’Eugène Delacroix au Néo-Impressionisme in 1899.
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and radical Republican journalist. It was here that the painters got to know each other, and many showed their work at independents' shows for all their lives. Pissarro asked Seurat and Signac to participate in the eighth impressionist exhibit in May 1886. This is where
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was shown. They had a separate room at the show. The Republicans' liberalization of press laws in 1881 also aided this avant-garde movement. It made it easier for people to begin their own newspapers, thus allowing more art critics to get published.
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towards white, unlike mixing of paints on the palette which tends towards black and reduces intensity. Neo-impressionists also used more precise and geometric shapes to simplify and reveal the relationships between forms. Seurat's disciple
479:, false, false! But we also have our ideal—to which it is necessary to sacrifice everything". This return to an earlier style was alienating and caused fissures and tensions within the previously tight-knit community of neo-impressionists.
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Divisionism quickly received both negative and positive attention from art critics, who generally either embraced or condemned the incorporation of scientific theories in the Neo-Impressionist techniques. For example,
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responses for opposite reasons. The meticulously calculated regularity of brush strokes was deemed to be too mechanical and antithetical to the commonly accepted notions of creative processes set for the 19th century.
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knew all the details of the real world, and that he was able to express the world contained it by his beautiful spirit. He relates Signac to an "inheritor of landscape tradition that envisioned the realm of harmony".
149:, which set a pace for later artistic manifestations. The movement and the style were an attempt to drive "harmonious" vision from modern science, anarchist theory, and late 19th-century debate around the value of
360:'s in the fall of 1885 and began to experiment with a technique using tiny dots of juxtaposing colors. This technique was developed from readings of popular art history and aesthetics (the French administrator,
510:. Other papers also discussed the future Neo-Impressionists together, thus showing that they had formed as a group through tier creation of a democratic exhibit space, not their movement or artistic style.
153:. The artists of the movement "promised to employ optical and psycho-biological theories in pursuit of a grand synthesis of the ideal and the real, the fugitive and the essential, science and temperament."
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in 1886 that he established his theory of chromo-luminarism. Although this painting was originally rejected by the official salon it attracted the Salon des Indépendants where Paul Signac was engaged.
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spoke negatively of Seurat's paintings, saying "Strip his figures of the colored fleas that cover them, underneath there is nothing, no thought, no soul, nothing". Leaders of Impressionism, such as
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Neo-impressionist painters: a sourcebook on Georges Seurat, Camille Pissarro, Paul Signac, Théo van Rysselberghe, Henri Edmond Cross, Charles Angrand, Maximilien Luce, and Albert Dubois-Pillet.
1996:
Neo-Impressionist Painters A Source Book on Georges Seurat, Camille Pissarro, Paul Signac, Théo van Rysselberghe, Henri Edward Cross, Charles Angrand, Maximilien Luco, and Albert Dubois-Pillet
647:, Camille Pissarro and Paul Signac converted to Neo-Impressionism and, along with Pissarro's son Lucien, formed the basis of the Neo-Impressionist and Divisionist movements. Later promoted by
585:, developed from Impressionism in the 1880s. The Divisionists used a technique of placing small, distinct dots of color next to one another on the canvas, rather than mixing the colors on the
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In 1892, a group of Neo-Impressionist painters united to show their works in Paris, in the Salons of the Hôtel Brébant, 32, boulevard Poissonnière. The following year they exhibited at 20,
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merely describes a later technique based on divisionism in which dots of color instead of blocks of color are applied; Signac rejected this term's use as synonymous for divisionism.
561:, among others. Divisionism developed alongside Pointillism, which is defined specifically by the use of dots of paint but does not primarily focus on the separation of colors.
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Direct sunlight: As appropriate, yellow-orange colors representing the sun's action would be interspersed with the natural colors to emulate the effect of direct sunlight.
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At the start of the movement, Neo-Impressionism was not welcomed by the art world and the general public. In 1886, Seurat's first exhibition of his now most famous work,
438:. The allure of the scientific and new techniques captivated the young artists of this movement. The movement then spread abroad when Seurat and Pissarro were invited to
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742:'s Grammaire des arts du dessin introduced Seurat to the theories of color and vision that would inspire chromo-luminarism. Blanc's work, drawing from the theories of
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In addition to Signac, other French artists, largely through associations in the Société des Artistes Indépendants, adopted some Divisionist techniques, including
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of 1906, a number of painters mainly in Northern Italy experimented to various degrees with these techniques. These Italian artists merged Neo-impressionism with
352:. The exhibitions were accompanied by catalogues, the first with reference to the printer: Imp. Vve Monnom, Brussels; the second refers to M. Moline, secretary.
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636:, as well as croquetons of the island of La Grande Jatte, Seurat's style began taking form with an awareness of Impressionism, but it was not until he finished
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According to modern sources, much of the critique of the Neo-Impressionists at the time is just out of focus. In December 1894, the independent socialist daily
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was a term preferred by Georges Seurat. It emphasized the studies of color and light which were central to his artistic style. This term is rarely used today.
2126:, which cites Enciclopedia dell'arte, Milano (Garzanti) 2002, and also see Voci del Divisionismo italiano in Bollettino Anisa, N. 12 Anno XIX, n. 1, May 2000.
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Seurat's mission as an artist was to celebrate the power of pure color, the expressive power of line, color and value, the reform of Impressionism and of the
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However these radicals were often criticized for depicting a peaceful and thoughtful approach to social revolution, combining science and moral harmony.
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movement in painting. The Neo-Impressionists were able to create a movement very quickly in the 19th century, partially due to its strong connection to
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Pissarro developed what he called "scientific Impressionism" and later left the movement as a whole, finding the compositional rules too strict.
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491:, inspired torrents of negative criticism. The commotion evoked by this artwork could only be described with words like "bedlam" and "scandal".
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Shadow: If lighting is only indirect, various other colors, such as blues, reds and purples, can be used to simulate the darkness and shadows.
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techniques are often mentioned in this context, because they were the dominant techniques in the beginning of the Neo-Impressionist movement.
325:(in front of an enamel of a rhythmic background of measures and angles, shades and colors), oil on canvas, 73.7 Ă— 92.5 cm (28.9 Ă— 36.4 in.),
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915:(1904). It was, however, in the subject of landscapes that Divisionism found strong advocates, including Segantini, Previati, Morbelli, and
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980:, refused to exhibit with Seurat, and even Camille Pissarro, who initially supported Divisionism, later spoke negatively of the technique.
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In Divisionist color theory, artists interpreted the scientific literature through making light operate in one of the following contexts:
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Local color: As the dominant element of the painting, local color refers to the true color of subjects, e.g. green grass or blue sky.
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Meighan, Judith. "In Praise of Motherhood: The Promise and Failure of Painting for Social Reform in Late-Nineteenth-Century Italy."
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The influence of Seurat and Signac on some Italian painters became evident in the First Triennale in 1891 in Milan. Spearheaded by
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Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890
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Contrast: To take advantage of Chevreul's theory of simultaneous contrast, contrasting colors might be placed in close proximity.
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Davies, Penelope J. E.; Walter B., Denny; Hofrichter, Frima F.; Jacobs, Joseph F.; Roberts, Ann M.; Simon, David L. (2006).
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While most Divisionists did not receive much critical approval, some critics were loyal to the movement, including notably
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Divisionism, along with the Neo-Impressionism movement as a whole, found its beginnings in Georges Seurat's masterpiece,
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931:, Enrico Lionne, and Arturo Noci. Divisionism was also an important influence in the work of Futurists Gino Severini (
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778:, published in 1899, coined the term Divisionism and became widely recognized as the manifesto of Neo-Impressionism.
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and others by the late 19th century played a pivotal role in shaping the Neo-Impressionist style. Ogden Rood's book,
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814:. Additionally, through Paul Signac's advocacy of Divisionism, an influence can be seen in some of the works of
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Dymond, Anne (June 2003). "A Politicized Pastoral: Signac and the Cultural Geography of Mediterranean France".
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and Nico van Rijn, in the Netherlands, developed a similar mosaic-like Divisionist technique circa 1909. The
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624:. Seurat was classically trained in the École des Beaux-Arts, and, as such, his initial works reflected the
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2240:, The Solomon R. Guggenheim Foundation, New York, 1968, Library of Congress Card Catalogue Number: 68-16803
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Reflected light: An object which is adjacent to another in a painting could cast reflected colors onto it.
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Roslak, Robyn S. (1991). "The Politics of Aesthetic Harmony: Neo-Impressionism, Science, and Anarchism".
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Neo-impressionism and the search for solid ground: art, science, and anarchism in fin-de-siècle France.
414:, and Signac also showed work at the same time. Soon other artists began to join the movement including
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Neo-Impressionism and the Search for Solid Ground: Art, Science, and Anarchism in Fin-de-siecle France
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Neo-Impressionism and the Search for Solid Ground: Art, Science, and Anarchism in Fin-de-siecle France
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656:, an unfinished work exhibited after his death, was barely noticed by critics or the general public.
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The idea of the "modern primitive" drew this group and began with Signac. After Seurat displayed
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There are a number of alternatives to the term "Neo-Impressionism" and each has its own nuance:
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Neo-Impressionism and Anarchism in Fin-de-Siecle France: Painting, Politics and Landscape
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later used what he felt to be a more poetic spontaneous use of divisionist technique.
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applied the technique to social (and political) subjects; in this he was joined by
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854:'s Parisian experience (from 1907), into their dynamic paintings and sculpture.
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207.6 cm Ă— 308 cm (81.7 in Ă— 121.3 in)
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Fraquelli, Simonetta; Ginex, Giovanna; Greene, Vivien; Tosini, Aurora (2008).
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and optical color effects, to create a more harmonious and luminous painting.
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Although Divisionist artists strongly believed their style was founded in
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410:, the critic Fénéon coined the term Neo-Impressionism. Pissarro, his son
316:
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creating allegorical paintings using a divisionist method. For example,
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The Neo-Impressionists were supported from the beginning in 1884 by the
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1309:
554:
240: in this section. Unsourced material may be challenged and removed.
106:
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1932:"Impressionism | Definition, History, Art, & Facts | Britannica"
1900:
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1188:, c.1906, oil on canvas, 44.8 x 36.8 cm, Korban Art Foundation
847:
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Neo-Impressionism was first presented to the public in 1886 at the
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Rapetti Rodolphe Signac, Paul Grove Art Online. Oxford Art Online
581:
precise replication of a scene. Divisionism, also known as
526:
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4393:
1729:
1434:
Lee, Ellen W.; Smith, Tracy E. (1983). Edelstein, Debra (ed.).
862:
850:
later (1909–1916) would adapt the style, in part influenced by
577:
338:
3379:
1478:
Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde
1334:
1167:, 1905, oil on paperboard, 65 x 54 cm, private collection
7762:
4629:
2289:
Pissarro, Neo-impressionism and the Spaces of the Avant-Garde
1436:
The Aura of Neo-Impressionism: The W. J. Holliday Collection
1321:
781:
8455:
8126:
6481:
5283:
3338:
2177:
2399:. London: Henry G. Bohn, York Street, Covent Garden, 1860
1583:
1077:, 1889, oil on canvas, 73 Ă— 60 cm, private collection
564:
205:
6472:
Art in the Protestant Reformation and Counter-Reformation
2020:. Burlington: Ashgate Publishing Company. pp. 15–36.
180:
Modern Chromatics, with Applications to Art and Industry
141:
Some argue that Neo-Impressionism became the first true
2018:
Neo-Impressionism and Anarchism in Fin-de-Siècle France
2524:
Tim Parks on divisionist movement of painters in Italy
2409:
Gage, John. "The Technique of Seurat: A Reappraisal."
2059:, The Solomon R. Guggenheim Foundation, New York, 1968
1588:
Radical Light: Italy's Divisionist painters, 1891–1910
1711:
521:’s idealism in his later work. He compared Signac to
2205:. New York, New York: Rockefeller University Press.
919:. Further adherents in painting genre subjects were
8732:
Nature morte (Compotier et cruche décorée de cerfs)
2588:
A Sunday Afternoon on the Island of La Grande Jatte
622:
A Sunday Afternoon on the Island of La Grande Jatte
489:
A Sunday Afternoon on the Island of La Grande Jatte
376:
A Sunday Afternoon on the Island of La Grande Jatte
123:
A Sunday Afternoon on the Island of La Grande Jatte
35:
A Sunday Afternoon on the Island of La Grande Jatte
1585:
2178:Ferretti-Bocquillon, Marina; et al. (2001).
368:authors at the home of Robert Caze who was an ex-
8873:
8716:Man with a Pipe (Portrait of an American Smoker)
2396:The Principles of Harmony and Contrast of Colors
2448:"Radical Light: Italy's Divisionist Painters."
2367:Greenwich, CT: New York Graphic Society, 1971.
1965:Greenwich, CT: New York Graphic Society, 1970.
162:Principles of aesthetic: light, color, and form
2628:The Channel of Gravelines, Petit Fort Philippe
2249:, New York: Metropolitan Museum of Art, 1991.
2225:, New York: Metropolitan Museum of Art, 1991.
1732:Jansen's History of Art: The Western Tradition
1646:
1644:
1642:
1556:Kleiner, Fred S.; Mamiya, Christin J. (2001).
1480:. The University of Chicago Press. p. 1.
1056:Musée départemental Maurice Denis "The Priory"
1010:
8600:
7794:
7159:
6659:
3561:
3395:
2772:A Glimpse of Notre-Dame in the Late Afternoon
2708:
2544:
2291:Chicago, Illinois: Chicago University Press.
1555:
1385:
1383:
1381:
1379:
1377:
2404:Symbolist Art Theories: A Critical Anthology
2306:. Portland, Oregon: Portland Museum of Art.
2186:. New York: The Metropolitan Museum of Art.
1096:), 1891, oil on panel, 37.5 x 45.7 cm,
998:
962:
2508:D’Eugène Delacroix au Neo-Impressionnisme.
2423:Baton Rouge, LA: Louisiana State UP, 1994.
2349:Englewood Cliffs, NJ: Prentice-Hall, 1978.
1822:. Berkeley: University of California Press.
1798:Paul Signac and Color in Neo-Impressionism.
1639:
1530:"Neo-Impressionism | painting | Britannica"
1144:, 1904, oil on canvas, 98 x 118.5 cm,
8607:
8593:
7801:
7787:
7166:
7152:
6666:
6652:
3568:
3554:
3402:
3388:
2868:The Dessert: Harmony in Red (The Red Room)
2715:
2701:
2551:
2537:
2516:Winkfield, Trevor. "The Signac Syndrome."
2203:Paul Signac and Color in Neo-Impressionism
2029:
2027:
1989:
1987:
1985:
1983:
1981:
1979:
1792:
1790:
1374:
1119:, 1908, oil on canvas, 81 x 100 cm,
1031:, 1887, oil on canvas, 38.5 x 33 cm,
907:. Among Pellizza's Divisionist works were
513:After the turn of the century, the critic
7808:
2011:
2009:
2007:
2005:
1957:
1955:
1953:
1951:
1899:
1755:
1753:
1751:
1678:
1676:
1674:
1672:
1322:Timeline: Lives of the Neo-Impressionists
782:Divisionism in France and northern Europe
776:D’Eugène Delacroix au Néo-Impressionnisme
398:), c. 1893, oil on canvas, 116 Ă— 164 cm,
300:Learn how and when to remove this message
3122:Young Woman in White on a Red Background
2318:Chicago: S.C. Griggs and Company, 1891.
1776:
1774:
1560:(11th ed.). Thomson Learning, Inc.
1433:
861:
721:
678:
600:
382:
311:
2378:Clement, Russell T., and Annick Houzé.
2316:The Grammar of Painting and Engraving.
2024:
1993:
1976:
1787:
1650:
927:, Giuseppe Cominetti, Angelo Barabino,
857:
643:Following the controversial success of
565:Theoretical foundations and development
206:The group of Neo-Impressionist painters
14:
8874:
6673:
6249:Contemporary Indigenous Australian art
2469:
2304:Neo-Impressionism: Artists on the Edge
2260:
2157:
2155:
2153:
2129:
2015:
2002:
1948:
1760:Tosini, Aurora Scotti, "Divisionism",
1748:
1717:
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1471:
1469:
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1429:
1427:
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1419:
1389:
1207:, 1906, oil on canvas, 55 x 43 cm
185:
120:. Seurat's most renowned masterpiece,
8588:
7782:
7147:
6647:
4269:Art of the late 16th century in Milan
3549:
3383:
2696:
2532:
2459:New York: Wittenborn & Co., 1946.
2434:Puppo, Dario del. "Il Quarto Stato."
2335:Grove Art Online. Oxford Art Online.
2326:Grove Art Online. Oxford Art Online.
2200:
1817:
1811:
1771:
1579:
1577:
889:Principi scientifici del divisionismo
652:received the attention they used to.
612:, 1891, oil on canvas, 185 x 152 cm,
8668:Colored Landscape with Aquatic Birds
1881:
1524:
1522:
1475:
238:adding citations to reliable sources
209:
3138:Deux fillettes, fond jaune et rouge
3106:Annelies, White Tulips and Anemones
2150:
1998:. Greenwood Press. pp. 63–235.
1784:Cambridge, MA: The MIT Press, 1964.
1782:Seurat and the Science of Painting.
1691:(2). College Art Association: 365.
1546:
1460:
1416:
659:
174:The development of color theory by
24:
8614:
5604:Vienna School of Fantastic Realism
4455:Neoclassical architecture in Milan
2844:Self-Portrait in a Striped T-shirt
2558:
2406:. Berkeley: U of California, 1994.
2324:Block, Jane. "Neo-Impressionism."
1759:
1574:
1212:
576:was a movement that originated in
25:
8903:
7173:
5678:American Figurative Expressionism
4014:International Gothic art in Italy
3523:Société des Artistes Indépendants
2722:
2654:Société des Artistes Indépendants
2382:Westport, CT: Greenwood P, 1999.
2161:Lee, Alan. "Seurat and Science."
2073:Galleria Nazionale d'Arte Moderna
1519:
596:
128:Société des Artistes Indépendants
8822:
8636:Two Nudes in an Exotic Landscape
7264:
6628:
6627:
5187:Neue KĂĽnstlervereinigung MĂĽnchen
3471:The Lagoon of Saint Mark, Venice
2443:Nineteenth-Century Art Worldwide
2271:Louisiana State University Press
2171:
2117:Associazione Pellizza da Volpedo
1856:
1834:"Divisionism | art | Britannica"
1800:New York: Rockefeller UP, 1992.
1620:
1500:
1400:Louisiana State University Press
1193:
1172:
1153:
1128:
1105:
1082:
1063:
1040:
1017:
446:tried their hand at this style.
214:
42:
6109:Tunisian collaborative painting
5582:International Typographic Style
3409:
3224:Goldfish paintings and etchings
2438:, Vol. 58, No. 2, pp. 13, 1994.
2413:69 (Sep. 1987): 448-54. JSTOR.
2109:
2094:
2078:
2062:
2049:
2038:
1924:
1875:
1850:
1826:
1723:
732:, oil on canvas, 170 x 141 cm,
717:
225:needs additional citations for
7338:First Impressionist Exhibition
5862:The Caribbean Artists Movement
3170:Black Leaf on Green Background
2860:Blue Nude (Souvenir de Biskra)
2675:Sunday in the Park with George
1614:
1558:Gardner's Art through the Ages
1494:
1165:La Seine à Rouen au crépuscule
1075:Hay harvest at Eragny-sur-Epte
674:
537:
13:
1:
7504:Marc-Aurèle de Foy Suzor-Coté
4218:Dutch and Flemish Renaissance
3495:The Pine Tree at Saint Tropez
3431:Cassis, Cap Lombard, Opus 196
2612:Young Woman Powdering Herself
2139:New York: H.N. Abrams, 1990.
1653:Seurat Drawings and Paintings
1368:
1325:
687:, oil on canvas, 81 x 65 cm,
6333:Modern European ink painting
5705:Bay Area Figurative Movement
3534:Jeanne Selmersheim-Desgrange
2333:Block, Jane. "Pointillism."
1364:, similar technique in music
867:Giuseppe Pellizza da Volpedo
482:
465:
7:
7673:French impressionist cinema
5994:Artificial intelligence art
3463:Entrance to the Grand Canal
1884:"The Impressionists' bible"
1340:
1011:Neo-Impressionist paintings
993:Antoine de la Rochefoucauld
156:
105:is a term coined by French
10:
8908:
8812:Fruit and a Jug on a Table
8804:Lady at her Dressing Table
8796:Soldier at a Game of Chess
8547:Situationist International
7714:Pennsylvania Impressionism
7262:
5907:Post-painterly abstraction
5730:Situationist International
5104:Pennsylvania Impressionism
3047:Odalisque with Raised Arms
2115:Derived from paragraph in
1440:Indianapolis Museum of Art
541:
8850:
8831:
8820:
8622:
8443:
8365:
8204:
8144:
8135:
8017:
7817:
7768:Pays des Impressionnistes
7737:
7681:
7655:
7562:Giovanni Battista Ciolina
7537:
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7346:
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7304:
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6841:Henri de Toulouse-Lautrec
6738:
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6623:
6427:
6192:
6002:
5782:
5574:
5558:
5490:California Scene Painting
5369:California Scene Painting
5325:Figurative Constructivism
5237:
5042:
4821:
4810:
4640:
4577:
4470:
4386:
4376:Poussinists and Rubenists
4277:
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3814:
3614:
3605:
3592:
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3417:
3348:
3317:
3276:
3257:
3241:
3208:
3065:
3023:The Painter and His Model
2927:Still Life with Geraniums
2902:
2780:Luxury, Calm and Pleasure
2739:
2730:
2646:
2566:
2394:Chevreul, Michel Eugène.
2246:Georges Seurat, 1859-1891
2222:Georges Seurat, 1859–1891
1994:Clement, Russell (1999).
1882:Kemp, Martin (May 2008).
1655:. Yale University Press.
1438:. Indianapolis, Indiana:
999:Scientific misconceptions
963:Criticism and controversy
726:Georges Seurat, 1889-90,
630:Pierre Puvis de Chavannes
86:
78:
68:
60:
50:
41:
32:
7704:Decorative Impressionism
7699:California Impressionism
6588:Prehistoric European art
6237:Contemporary African art
5720:Gendai Bijutsu Kondankai
5648:GeneraciĂłn de la Ruptura
5275:Universal Constructivism
5067:California Impressionism
5022:American Barbizon school
3082:Purple Robe and Anemones
2756:Landscape, the Pink Wall
2302:Haslett, Carrie (2002).
2261:Hutton, John G. (2004).
1651:Herbert, Robert (2001).
1444:Indiana University Press
1390:Hutton, John G. (2004).
883:, and codified later by
322:Portrait of Félix Fénéon
91:Art Institute of Chicago
8644:Coucher de soleil no. 1
8057:Experimental literature
7724:Synthetic impressionism
7689:Amsterdam Impressionism
7514:Helen Galloway McNicoll
7365:Frederick Carl Frieseke
6415:Walking Artists Network
5752:Letterist International
5592:Washington Color School
4506:Arts in the Philippines
3162:The Sorrows of the King
2347:Seurat in Perspective.
2201:Floyd, Ratliff (1992).
2165:10 (June 1987): 203-24.
2045:Art of the 20th Century
1963:The Neo Impressionists.
1058:, Saint-Germain-en-Laye
1052:Portrait of Alice Sethe
112:in 1886 to describe an
8323:Second Viennese School
7954:Neue Slowenische Kunst
7825:Abstract expressionism
7395:Walter Elmer Schofield
7071:Salon des Indépendants
7051:Le Barc de Boutteville
7005:Robert Antoine Pinchon
6526:Illuminated manuscript
6174:The Designers Republic
6124:Neue Slowenische Kunst
6047:Pattern and Decoration
5947:Institutional critique
5587:Abstract expressionism
4567:Latin American Baroque
4523:Colonial Asian Baroque
3479:Le Sentier des Douanes
3447:In the Time of Harmony
3090:Woman in a Purple Coat
2892:Portrait of Greta Moll
2820:Landscape at Collioure
2764:Academy Study of a Man
2445:, Vol. 1, No. 1, 2002.
2267:Baton Rouge, Louisiana
2016:Roslak, Robyn (2007).
1820:Symbolist Art Theories
1396:Baton Rouge, Louisiana
1329:The Neo-Impressionists
1280:Robert Antoine Pinchon
1161:Robert Antoine Pinchon
1141:Luxe, Calme et Volupté
876:
744:Michel Eugène Chevreul
736:
692:
628:style. Studying under
617:
551:Michel Eugène Chevreul
403:
335:Salon des Indépendants
330:
176:Michel Eugène Chevreul
8430:Theatre of the Absurd
8353:Twelve-tone technique
8232:Electroacoustic music
7622:Władysław Podkowiński
7360:William Merritt Chase
7251:Pierre-Auguste Renoir
7036:Artistes Indépendants
6965:Karl Schmidt-Rottluff
6960:Ernst Ludwig Kirchner
6866:Théo van Rysselberghe
6164:Artist-run initiative
6139:Young British Artists
6104:New European Painting
6040:Moscow Conceptualists
5962:Feminist art movement
5740:Ukrainian underground
5715:Gutai Art Association
5114:Ten American Painters
4618:Western influence in
3595:List of art movements
3487:The Port of Marseille
3298:(great-granddaughter)
2999:Woman on a High Stool
2884:Bathers with a Turtle
2478:(3). JSTOR: 381–390.
2287:Ward, Martha (1996).
1818:Dorra, Henri (1994).
1598:Yale University Press
1476:Ward, Martha (1996).
1295:Théo van Rysselberghe
1205:Portrait de Metzinger
1048:Théo van Rysselberghe
1005:scientific principles
865:
734:Kröller-Müller Museum
725:
704:Théo van Rysselberghe
682:
604:
386:
315:
8415:Postdramatic theatre
8400:Experimental theatre
7937:Multidimensional art
7529:Robert Wakeham Pilot
7519:James Wilson Morrice
7400:John Henry Twachtman
5974:Saqqakhaneh movement
5867:Chicano art movement
5735:Soviet Nonconformist
5541:Boston Expressionism
5524:Abstraction-Création
5342:Arbeitsrat fĂĽr Kunst
5335:Cologne Progressives
5055:Art Nouveau in Milan
4858:Anglo-Japanese style
4834:National romanticism
4264:Fontainebleau School
4174:Northern Renaissance
4009:International Gothic
3249:Chapel of the Rosary
2959:Zorah on the Terrace
2137:Seurat: a biography.
2089:Museum of Modern Art
1240:Albert Dubois-Pillet
858:Divisionism in Italy
796:Albert Dubois-Pillet
508:Journal des Artistes
500:La Petite RĂ©publique
424:Albert Dubois-Pillet
327:Museum of Modern Art
234:improve this article
8660:La danse, Bacchante
7917:Lyrical Abstraction
7642:Philip Wilson Steer
7494:William Blair Bruce
7281:Gustave Caillebotte
7201:Gustave Caillebotte
7081:Salon des Tuileries
7056:La Libre Esthétique
6821:René Schützenberger
6801:Hippolyte Petitjean
6509:Hierarchy of genres
6074:Saint Soleil School
6010:Post-conceptual art
5979:The Stars Art Group
5857:Black Arts Movement
5820:Neo-Dada Organizers
5621:Lyrical abstraction
5354:Australian tonalism
5027:California Tonalism
4699:Hudson River School
4502:Colonial Asian art
4242:English Renaissance
4191:Ghent–Bruges school
4179:Early Netherlandish
4091:Italian Renaissance
4004:Gothic art in Milan
3362:An Essay on Matisse
3302:Lydia Delectorskaya
2836:The Young Sailor II
2828:Le bonheur de vivre
2580:Bathers at Asnières
2520:Autumn 2001: 66-70.
2436:Science and Society
1766:, Oxford Art Online
1623:"Neo-impressionism"
1503:"Neo-impressionism"
1275:Hippolyte Petitjean
1117:Les cyprès à Cagnes
970:Joris-Karl Huysmans
933:Souvenirs de Voyage
897:Pellizza da Volpedo
812:Hippolyte Petitjean
683:Paul Signac, 1893,
634:Bathing at Asnières
343:La Libre Esthétique
249:"Neo-Impressionism"
186:Origins of the term
8892:Post-Impressionism
8708:Woman with a Horse
8530:Postmodernist film
8435:Theatre of Cruelty
8318:Rock in Opposition
8259:Free improvisation
7902:Post-Impressionism
7835:Art & Language
7751:The Impressionists
7719:Post-Impressionism
7597:Konstantin Korovin
7447:Frederick McCubbin
7291:Henry O. Havemeyer
7046:Volpini Exhibition
6781:Henri-Edmond Cross
6676:Post-Impressionism
6551:Landscape painting
6159:New Leipzig School
6099:Neo-conceptual art
5847:Art & Language
5842:Capitalist realism
5764:Florida Highwaymen
5700:Hard-edge painting
5514:Streamline Moderne
5475:Harlem Renaissance
5318:Novecento Italiano
5146:Deutscher Werkbund
4973:Post-Impressionism
4535:Latin American art
4339:Guild of Romanists
4201:German Renaissance
4196:Northern Mannerism
3365:(1996 documentary)
3098:La Blouse Roumaine
3015:Bathers by a River
3007:The Yellow Curtain
2991:View of Notre-Dame
2314:.*Blanc, Charles.
2122:2013-11-09 at the
1936:www.britannica.com
1838:www.britannica.com
1780:Homer, William I.
1534:www.britannica.com
1347:Post-Impressionism
1315:Henry van de Velde
1230:Henri-Edmond Cross
1113:Henri-Edmond Cross
1094:The Beach at Heist
1029:Couple dans la rue
877:
808:Henri-Edmond Cross
737:
708:Henry Van de Velde
693:
685:Femme Ă l'ombrelle
618:
420:Henri-Edmond Cross
404:
388:Henri-Edmond Cross
356:and Seurat met at
331:
8869:
8868:
8582:
8581:
8572:Russian symbolism
8557:Socialist realism
8395:Experimental film
8361:
8360:
8067:Hungry generation
8042:Conceptual poetry
7897:Neo-Impressionism
7776:
7775:
7709:Neo-Impressionism
7577:Antoine Guillemet
7557:Marie Bracquemond
7524:Laura Muntz Lyall
7390:Theodore Robinson
7385:Lilla Cabot Perry
7221:Armand Guillaumin
7141:
7140:
6970:Wassily Kandinsky
6693:Neo-Impressionism
6641:
6640:
6423:
6422:
6279:Corporate Memphis
6232:Classical Realism
6202:Amazonian pop art
6094:Appropriation art
6062:Neo-expressionism
5932:Environmental art
5837:Nouvelle tendance
5554:
5553:
5502:Socialist realism
5359:Dresden Secession
4978:Neo-Impressionism
4941:Decadent movement
4912:Heidelberg School
4806:
4805:
4704:American luminism
4689:DĂĽsseldorf School
4684:Shoreham Ancients
4674:Nazarene movement
4664:Danish Golden Age
4545:Indochristian art
4223:Antwerp Mannerism
4112:Pittura infamante
4106:Florentine School
4101:Proto-Renaissance
3543:
3542:
3518:Neo-Impressionism
3425:List of paintings
3377:
3376:
3204:
3203:
3154:Beasts of the Sea
3146:The Plum Blossoms
3130:The Knife Thrower
2967:Window at Tangier
2812:View of Collioure
2690:
2689:
2669:Neo-Impressionism
2574:List of paintings
2361:Cachin, Françoise
2243:Herbert, Robert.
2238:Neo-Impressionism
2236:Herbert, Robert,
2219:Herbert, Robert.
2182:Signac, 1863-1935
2057:Neo-Impressionism
1734:. Prentice Hall.
1607:978-1-85709-409-1
1331:
949:Leaving the scene
929:Camillo Innocenti
881:Grubicy de Dragon
872:The Fourth Estate
710:to the movement.
460:Guy de Maupassant
310:
309:
302:
284:
103:Neo-Impressionism
100:
99:
18:Neo-impressionism
16:(Redirected from
8899:
8859:Man in a Hammock
8826:
8772:Woman with a Fan
8748:Woman with a Fan
8740:Dancer in a Café
8684:Nu à la cheminée
8652:Woman with a Hat
8609:
8602:
8595:
8586:
8585:
8476:Russian Futurism
8420:Remodernist film
8338:Stochastic music
8293:Musique concrète
8271:Microtonal music
8249:Experimental pop
8242:Industrial music
8237:Electronic music
8142:
8141:
7964:Nouveau réalisme
7872:Grosvenor School
7803:
7796:
7789:
7780:
7779:
7753:(2006 TV series)
7745:Wilfrid de Glehn
7617:Nadežda Petrović
7582:Nazmi Ziya GĂĽran
7481:
7424:
7375:Alphonse Maureau
7352:
7322:Ambroise Vollard
7312:Paul Durand-Ruel
7268:
7246:Camille Pissarro
7191:Frédéric Bazille
7177:
7168:
7161:
7154:
7145:
7144:
7061:Ambroise Vollard
7010:Henriette Tirman
6904:Der Blaue Reiter
6876:Édouard Vuillard
6861:Vincent van Gogh
6791:Georges Dufrénoy
6677:
6668:
6661:
6654:
6645:
6644:
6631:
6630:
6615:Western painting
6561:Modern sculpture
6519:History painting
6222:Art intervention
6015:Installation art
5832:Nouveau réalisme
5572:
5571:
5546:Leningrad School
5438:Mexican muralism
5411:Grosvenor School
5151:American Realism
5134:Der Blaue Reiter
5092:Berlin Secession
5087:Vienna Secession
5082:Munich Secession
5000:Pont-Aven School
4819:
4818:
4669:Troubadour style
4647:(c. 1770 – 1862)
4614:Qing handicrafts
4580:Western elements
4511:Letras y figuras
4484:African-American
4479:African diaspora
4450:Directoire style
4361:Heptanese school
4344:Dutch Golden Age
4329:Stroganov School
4322:Lutheran Baroque
4317:Louis XIII style
4290:Baroque in Milan
4152:Bolognese School
4147:High Renaissance
4130:Forlivese School
4125:Ferrarese School
3848:Migration Period
3612:
3611:
3570:
3563:
3556:
3547:
3546:
3528:Françoise Cachin
3404:
3397:
3390:
3381:
3380:
3369:Matisse (crater)
3055:Yellow Odalisque
3039:The Piano Lesson
3031:The Music Lesson
2983:Arab Coffeehouse
2943:The Conversation
2804:Woman with a Hat
2788:The Green Stripe
2737:
2736:
2717:
2710:
2703:
2694:
2693:
2604:Parade de cirque
2553:
2546:
2539:
2530:
2529:
2503:
2472:The Art Bulletin
2419:Hutton, John G.
2411:The Art Bulletin
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1763:Grove Art Online
1757:
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1685:The Art Bulletin
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1197:
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1176:
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1109:
1086:
1071:Camille Pissarro
1067:
1044:
1021:
989:Arsène Alexandre
953:Umberto Boccioni
921:Plinio Nomellini
913:Il sole nascente
885:Gaetano Previati
816:Vincent van Gogh
748:Eugène Delacroix
700:Vincent van Gogh
665:Camille Pissarro
660:Camille Pissarro
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8846:
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8578:
8439:
8425:Structural film
8367:
8357:
8212:Aleatoric music
8200:
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8019:
8013:
7974:Performance art
7813:
7807:
7777:
7772:
7733:
7677:
7651:
7647:Eliseu Visconti
7637:JoaquĂn Sorolla
7612:Francisco Oller
7602:MartĂn Malharro
7547:Eugène Baudouin
7539:
7533:
7499:William Brymner
7479:
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7462:Arthur Streeton
7437:E. Phillips Fox
7422:
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7380:Willard Metcalf
7350:
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7296:Ernest Hoschedé
7286:Victor Chocquet
7269:
7260:
7179:
7175:
7172:
7142:
7137:
7106:
7085:
7066:Salon d'Automne
7024:
6995:Francis Picabia
6918:
6886:
6880:
6871:FĂ©lix Vallotton
6856:Maximilien Luce
6771:Marius Borgeaud
6751:Charles Angrand
6734:
6685:
6679:
6675:
6672:
6642:
6637:
6619:
6536:Interactive art
6419:
6393:SoFlo Superflat
6318:Kitsch movement
6242:Africanfuturism
6194:
6188:
6067:Transavantgarde
5998:
5952:Light and Space
5937:Performance art
5917:Psychedelic art
5800:Nueva Presencia
5790:Otra FiguraciĂłn
5778:
5710:Les Plasticiens
5695:New York School
5673:Action painting
5658:Metcalf Chateau
5567:
5562:
5550:
5470:Cercle et Carré
5406:New Objectivity
5313:Return to order
5255:School of Paris
5233:
5077:School of Paris
5038:
4924:Arts and Crafts
4829:Neo-romanticism
4814:
4802:
4798:Etching revival
4750:Barbizon school
4694:Pre-Raphaelites
4646:
4643:
4636:
4579:
4573:
4466:
4440:Louis XVI style
4382:
4371:Louis XIV style
4334:Animal painting
4295:Flemish Baroque
4273:
4184:World landscape
4135:Venetian School
4077:
4064:Majorcan school
4031:Novgorod School
4021:Lucchese School
3993:Opus Anglicanum
3985:Norman-Sicilian
3929:Italo-Byzantine
3829:Early Christian
3810:
3794:Pompeian Styles
3607:
3601:
3588:
3574:
3544:
3539:
3530:(granddaughter)
3501:
3413:
3408:
3378:
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3253:
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3217:The Back Series
3200:
3061:
2898:
2796:The Open Window
2726:
2721:
2691:
2686:
2642:
2562:
2557:
2518:Modern Painters
2484:10.2307/3045811
2462:Roslak, Robyn.
2457:Georges Seurat.
2281:
2213:
2194:
2174:
2169:
2160:
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2134:
2130:
2124:Wayback Machine
2114:
2110:
2103:is also in the
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1290:Lucien Pissarro
1260:Maximilien Luce
1235:Robert Delaunay
1220:Charles Angrand
1215:
1213:Notable artists
1208:
1201:Robert Delaunay
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909:Speranze deluse
901:Angelo Morbelli
860:
828:Robert Delaunay
804:Maximilien Luce
800:Charles Angrand
792:Lucien Pissarro
784:
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662:
645:La Grande Jatte
638:La Grande Jatte
599:
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529:by saying that
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416:Charles Angrand
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8534:
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8502:
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8410:Poetic realism
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8343:Textural music
8340:
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8333:Spectral music
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8320:
8315:
8310:
8305:
8300:
8298:New Complexity
8295:
8290:
8285:
8284:
8283:
8273:
8268:
8263:
8262:
8261:
8251:
8246:
8245:
8244:
8234:
8229:
8224:
8219:
8214:
8208:
8206:
8202:
8201:
8199:
8198:
8197:
8196:
8191:
8186:
8176:
8171:
8170:
8169:
8164:
8154:
8148:
8146:
8139:
8133:
8132:
8130:
8129:
8124:
8119:
8114:
8109:
8104:
8099:
8094:
8089:
8087:Neoavanguardia
8084:
8082:Language poets
8079:
8074:
8069:
8064:
8059:
8054:
8049:
8044:
8039:
8037:Asemic writing
8034:
8032:Angry Penguins
8029:
8023:
8021:
8015:
8014:
8012:
8011:
8006:
8001:
7996:
7991:
7986:
7981:
7976:
7971:
7966:
7961:
7956:
7951:
7950:
7949:
7939:
7934:
7929:
7924:
7919:
7914:
7909:
7904:
7899:
7894:
7889:
7884:
7879:
7874:
7869:
7868:
7867:
7857:
7852:
7847:
7845:Constructivism
7842:
7840:Conceptual art
7837:
7832:
7827:
7821:
7819:
7815:
7814:
7806:
7805:
7798:
7791:
7783:
7774:
7773:
7771:
7770:
7765:
7760:
7755:
7747:
7741:
7739:
7735:
7734:
7732:
7731:
7726:
7721:
7716:
7711:
7706:
7701:
7696:
7691:
7685:
7683:
7679:
7678:
7676:
7675:
7670:
7665:
7659:
7657:
7653:
7652:
7650:
7649:
7644:
7639:
7634:
7629:
7627:Valentin Serov
7624:
7619:
7614:
7609:
7604:
7599:
7594:
7592:Max Liebermann
7589:
7587:Dominique Lang
7584:
7579:
7574:
7569:
7564:
7559:
7554:
7552:Olga Boznańska
7549:
7543:
7541:
7535:
7534:
7532:
7531:
7526:
7521:
7516:
7511:
7509:Maurice Cullen
7506:
7501:
7496:
7491:
7485:
7483:
7473:
7472:
7470:
7469:
7467:Walter Withers
7464:
7459:
7454:
7449:
7444:
7439:
7434:
7432:Charles Conder
7428:
7426:
7416:
7415:
7413:
7412:
7407:
7402:
7397:
7392:
7387:
7382:
7377:
7372:
7367:
7362:
7356:
7354:
7344:
7343:
7341:
7340:
7334:
7332:
7328:
7327:
7325:
7324:
7319:
7314:
7308:
7306:
7302:
7301:
7299:
7298:
7293:
7288:
7283:
7277:
7275:
7271:
7270:
7263:
7261:
7259:
7258:
7253:
7248:
7243:
7241:Berthe Morisot
7238:
7233:
7228:
7226:Johan Jongkind
7223:
7218:
7213:
7208:
7203:
7198:
7193:
7187:
7185:
7181:
7180:
7171:
7170:
7163:
7156:
7148:
7139:
7138:
7136:
7135:
7130:
7125:
7120:
7114:
7112:
7108:
7107:
7105:
7104:
7099:
7093:
7091:
7087:
7086:
7084:
7083:
7078:
7076:Salon des Cent
7073:
7068:
7063:
7058:
7053:
7048:
7043:
7038:
7032:
7030:
7026:
7025:
7023:
7022:
7017:
7012:
7007:
7002:
6997:
6992:
6987:
6985:Jean Metzinger
6982:
6977:
6975:Sonia Lewitska
6972:
6967:
6962:
6957:
6955:Albert Gleizes
6952:
6947:
6942:
6937:
6935:Charles Camoin
6932:
6930:Georges Braque
6926:
6924:
6920:
6919:
6917:
6916:
6911:
6906:
6901:
6896:
6890:
6888:
6882:
6881:
6879:
6878:
6873:
6868:
6863:
6858:
6853:
6851:Georges Lemmen
6848:
6843:
6838:
6833:
6831:Georges Seurat
6828:
6823:
6818:
6816:Henri Rousseau
6813:
6808:
6803:
6798:
6793:
6788:
6783:
6778:
6773:
6768:
6766:Pierre Bonnard
6763:
6758:
6753:
6748:
6742:
6740:
6736:
6735:
6733:
6732:
6727:
6722:
6717:
6710:
6705:
6700:
6695:
6689:
6687:
6681:
6680:
6671:
6670:
6663:
6656:
6648:
6639:
6638:
6636:
6635:
6624:
6621:
6620:
6618:
6617:
6612:
6605:
6600:
6595:
6590:
6585:
6580:
6575:
6570:
6569:
6568:
6566:Late modernism
6563:
6553:
6548:
6543:
6538:
6533:
6528:
6523:
6522:
6521:
6516:
6514:Genre painting
6506:
6501:
6496:
6491:
6490:
6489:
6484:
6479:
6474:
6464:
6462:Ballets Russes
6459:
6454:
6449:
6448:
6447:
6445:Asemic writing
6437:
6435:History of art
6431:
6429:
6428:Related topics
6425:
6424:
6421:
6420:
6418:
6417:
6412:
6407:
6402:
6401:
6400:
6395:
6385:
6380:
6375:
6370:
6365:
6363:Relational art
6360:
6355:
6350:
6345:
6340:
6335:
6330:
6325:
6320:
6315:
6310:
6309:
6308:
6298:
6293:
6288:
6286:Hypermodernism
6283:
6282:
6281:
6271:
6266:
6261:
6256:
6251:
6246:
6245:
6244:
6234:
6229:
6224:
6219:
6214:
6209:
6204:
6198:
6196:
6190:
6189:
6187:
6186:
6181:
6176:
6171:
6166:
6161:
6156:
6151:
6146:
6141:
6136:
6131:
6126:
6121:
6116:
6111:
6106:
6101:
6096:
6091:
6086:
6081:
6076:
6071:
6070:
6069:
6059:
6054:
6049:
6044:
6043:
6042:
6032:
6027:
6025:Postminimalism
6022:
6017:
6012:
6006:
6004:
6000:
5999:
5997:
5996:
5991:
5986:
5981:
5976:
5971:
5970:
5969:
5959:
5954:
5949:
5944:
5939:
5934:
5929:
5924:
5919:
5914:
5909:
5904:
5902:Generative art
5899:
5894:
5889:
5884:
5879:
5874:
5872:Conceptual art
5869:
5864:
5859:
5854:
5849:
5844:
5839:
5834:
5829:
5824:
5823:
5822:
5812:
5807:
5802:
5797:
5792:
5786:
5784:
5780:
5779:
5777:
5776:
5771:
5769:Cybernetic art
5766:
5761:
5760:
5759:
5757:Ultra-Lettrist
5754:
5744:
5743:
5742:
5732:
5727:
5722:
5717:
5712:
5707:
5702:
5697:
5692:
5687:
5686:
5685:
5675:
5670:
5665:
5660:
5655:
5650:
5645:
5644:
5643:
5638:
5633:
5631:Arte Informale
5628:
5618:
5613:
5608:
5607:
5606:
5596:
5595:
5594:
5584:
5578:
5576:
5569:
5568:(1945–present)
5556:
5555:
5552:
5551:
5549:
5548:
5543:
5538:
5533:
5528:
5527:
5526:
5516:
5511:
5510:
5509:
5504:
5497:Heroic realism
5494:
5493:
5492:
5482:
5477:
5472:
5467:
5462:
5457:
5450:
5445:
5440:
5435:
5434:
5433:
5431:Latin American
5428:
5418:
5413:
5408:
5403:
5401:Group of Seven
5398:
5393:
5388:
5383:
5382:
5381:
5371:
5366:
5364:Social realism
5361:
5356:
5351:
5350:
5349:
5347:November Group
5339:
5338:
5337:
5332:
5322:
5321:
5320:
5310:
5305:
5304:
5303:
5291:
5286:
5281:
5280:
5279:
5278:
5277:
5270:Latin American
5265:Constructivism
5262:
5260:Crystal Cubism
5257:
5252:
5247:
5241:
5239:
5235:
5234:
5232:
5231:
5226:
5221:
5216:
5211:
5206:
5201:
5200:
5199:
5189:
5184:
5177:
5176:
5175:
5170:
5160:
5159:
5158:
5148:
5143:
5138:
5137:
5136:
5131:
5121:
5116:
5111:
5106:
5101:
5100:
5099:
5094:
5089:
5084:
5074:
5069:
5064:
5059:
5058:
5057:
5046:
5044:
5040:
5039:
5037:
5036:
5031:
5030:
5029:
5019:
5018:
5017:
5012:
5007:
5002:
4997:
4992:
4987:
4986:
4985:
4970:
4965:
4963:Volcano School
4960:
4959:
4958:
4953:
4943:
4938:
4933:
4932:
4931:
4921:
4916:
4915:
4914:
4909:
4904:
4899:
4898:
4897:
4892:
4877:
4872:
4867:
4862:
4861:
4860:
4848:
4843:
4838:
4837:
4836:
4825:
4823:
4816:
4808:
4807:
4804:
4803:
4801:
4800:
4795:
4794:
4793:
4788:
4787:
4786:
4771:
4770:
4769:
4768:
4767:
4757:
4752:
4742:
4737:
4736:
4735:
4725:
4720:
4718:Norwich School
4715:
4710:
4709:
4708:
4707:
4706:
4696:
4691:
4686:
4681:
4676:
4671:
4666:
4661:
4659:Fairy painting
4650:
4648:
4638:
4637:
4635:
4634:
4633:
4632:
4627:
4616:
4611:
4606:
4601:
4596:
4595:
4594:
4583:
4581:
4575:
4574:
4572:
4571:
4570:
4569:
4564:
4563:
4562:
4557:
4552:
4550:Chilote School
4542:
4540:Casta painting
4532:
4531:
4530:
4525:
4520:
4519:
4518:
4516:Tipos del PaĂs
4513:
4500:
4499:
4498:
4497:
4496:
4486:
4474:
4472:
4468:
4467:
4465:
4464:
4459:
4458:
4457:
4452:
4447:
4442:
4437:
4425:
4424:
4423:
4416:
4411:
4406:
4404:Louis XV style
4401:
4390:
4388:
4384:
4383:
4381:
4380:
4379:
4378:
4373:
4363:
4358:
4353:
4352:
4351:
4341:
4336:
4331:
4326:
4325:
4324:
4319:
4314:
4313:
4312:
4307:
4297:
4292:
4281:
4279:
4275:
4274:
4272:
4271:
4266:
4261:
4256:
4251:
4250:
4249:
4239:
4238:
4237:
4236:
4235:
4230:
4225:
4215:
4214:
4213:
4208:
4206:Cologne School
4198:
4193:
4188:
4187:
4186:
4171:
4170:
4169:
4168:
4167:
4159:
4154:
4149:
4139:
4138:
4137:
4132:
4127:
4117:
4116:
4115:
4108:
4103:
4087:
4085:
4079:
4078:
4076:
4075:
4074:
4073:
4066:
4061:
4059:Italian school
4050:
4045:
4044:
4043:
4041:Sienese School
4033:
4028:
4023:
4018:
4017:
4016:
4011:
4006:
3996:
3989:
3988:
3987:
3977:
3976:
3975:
3970:
3960:
3955:
3954:
3953:
3951:Pre-Romanesque
3948:
3943:
3933:
3932:
3931:
3926:
3921:
3916:
3906:
3901:
3900:
3899:
3887:
3882:
3880:Donor portrait
3877:
3876:
3875:
3870:
3865:
3860:
3855:
3845:
3844:
3843:
3833:
3832:
3831:
3820:
3818:
3812:
3811:
3809:
3808:
3807:
3806:
3801:
3796:
3791:
3789:Julio-Claudian
3786:
3781:
3771:
3766:
3761:
3756:
3751:
3750:
3749:
3748:
3747:
3742:
3741:
3740:
3738:Greco-Buddhist
3730:
3720:
3715:
3710:
3705:
3700:
3695:
3690:
3685:
3680:
3678:Protogeometric
3675:
3665:
3664:
3663:
3658:
3653:
3648:
3638:
3633:
3632:
3631:
3620:
3618:
3609:
3603:
3602:
3593:
3590:
3589:
3573:
3572:
3565:
3558:
3550:
3541:
3540:
3538:
3537:
3531:
3525:
3520:
3515:
3509:
3507:
3503:
3502:
3500:
3499:
3491:
3483:
3475:
3467:
3459:
3451:
3443:
3435:
3427:
3421:
3419:
3415:
3414:
3407:
3406:
3399:
3392:
3384:
3375:
3374:
3372:
3371:
3366:
3358:
3352:
3350:
3346:
3345:
3343:
3342:
3332:
3325:Matisse Museum
3321:
3319:
3315:
3314:
3312:
3311:
3308:Gustave Moreau
3305:
3299:
3296:Sophie Matisse
3293:
3287:
3284:Pierre Matisse
3280:
3278:
3274:
3273:
3271:
3270:
3261:
3259:
3255:
3254:
3252:
3251:
3245:
3243:
3239:
3238:
3236:
3235:
3227:
3221:
3212:
3210:
3206:
3205:
3202:
3201:
3199:
3198:
3190:
3182:
3174:
3166:
3158:
3150:
3142:
3134:
3126:
3118:
3110:
3102:
3094:
3086:
3078:
3069:
3067:
3063:
3062:
3060:
3059:
3051:
3043:
3035:
3027:
3019:
3011:
3003:
2995:
2987:
2979:
2975:Seated Riffian
2971:
2963:
2955:
2947:
2939:
2935:The Red Studio
2931:
2923:
2915:
2906:
2904:
2900:
2899:
2897:
2896:
2888:
2880:
2872:
2864:
2856:
2848:
2840:
2832:
2824:
2816:
2808:
2800:
2792:
2784:
2776:
2768:
2760:
2752:
2743:
2741:
2734:
2728:
2727:
2720:
2719:
2712:
2705:
2697:
2688:
2687:
2685:
2684:
2679:
2678:(1984 musical)
2671:
2666:
2661:
2656:
2650:
2648:
2644:
2643:
2641:
2640:
2632:
2624:
2616:
2608:
2600:
2592:
2584:
2576:
2570:
2568:
2564:
2563:
2560:Georges Seurat
2556:
2555:
2548:
2541:
2533:
2527:
2526:
2521:
2514:
2506:Signac, Paul.
2504:
2467:
2460:
2455:Rewald, John.
2453:
2452:, August 2008.
2446:
2439:
2432:
2417:
2407:
2402:Dorra, Henri.
2400:
2391:
2376:
2358:
2340:
2331:
2322:
2300:
2285:
2279:
2258:
2241:
2234:
2217:
2211:
2198:
2192:
2173:
2170:
2168:
2167:
2149:
2135:Rewald, John.
2128:
2108:
2101:The City Rises
2093:
2077:
2061:
2048:
2037:
2023:
2001:
1975:
1961:Sutter, Jean.
1947:
1923:
1874:
1849:
1825:
1810:
1786:
1770:
1747:
1740:
1722:
1720:, p. 383.
1710:
1668:
1661:
1638:
1613:
1606:
1573:
1566:
1545:
1518:
1493:
1486:
1459:
1452:
1415:
1408:
1372:
1370:
1367:
1366:
1365:
1359:
1354:
1349:
1342:
1339:
1333:
1323:
1320:
1318:
1317:
1312:
1307:
1302:
1300:Georges Seurat
1297:
1292:
1287:
1282:
1277:
1272:
1270:Jean Metzinger
1267:
1262:
1257:
1255:Georges Lemmen
1252:
1247:
1242:
1237:
1232:
1227:
1222:
1216:
1214:
1211:
1210:
1209:
1199:
1192:
1190:
1180:Jean Metzinger
1178:
1171:
1169:
1159:
1152:
1150:
1134:
1127:
1125:
1111:
1104:
1102:
1090:Georges Lemmen
1088:
1081:
1079:
1069:
1062:
1060:
1046:
1039:
1037:
1023:
1016:
1012:
1009:
1000:
997:
964:
961:
957:The City Rises
905:Emilio Longoni
859:
856:
842:Cubist works.
824:Jean Metzinger
783:
780:
771:
770:
767:
764:
761:
758:
719:
716:
676:
673:
661:
658:
606:Georges Seurat
598:
597:Georges Seurat
595:
566:
563:
542:Main article:
539:
536:
531:Claude Lorrain
484:
481:
467:
464:
308:
307:
222:
220:
213:
207:
204:
187:
184:
163:
160:
158:
155:
118:Georges Seurat
98:
97:
88:
84:
83:
80:
76:
75:
70:
66:
65:
62:
58:
57:
55:Georges Seurat
52:
48:
47:
39:
38:
26:
9:
6:
4:
3:
2:
8904:
8893:
8890:
8888:
8885:
8883:
8882:Impressionism
8880:
8879:
8877:
8861:
8860:
8856:
8855:
8853:
8849:
8842:
8841:
8837:
8836:
8834:
8830:
8825:
8814:
8813:
8809:
8806:
8805:
8801:
8798:
8797:
8793:
8790:
8789:
8788:Man with Pipe
8785:
8782:
8781:
8777:
8774:
8773:
8769:
8766:
8765:
8764:The Blue Bird
8761:
8758:
8757:
8753:
8750:
8749:
8745:
8742:
8741:
8737:
8734:
8733:
8729:
8726:
8725:
8721:
8718:
8717:
8713:
8710:
8709:
8705:
8702:
8701:
8697:
8694:
8693:
8689:
8686:
8685:
8681:
8678:
8677:
8673:
8670:
8669:
8665:
8662:
8661:
8657:
8654:
8653:
8649:
8646:
8645:
8641:
8638:
8637:
8633:
8631:
8630:List of works
8628:
8627:
8625:
8621:
8617:
8610:
8605:
8603:
8598:
8596:
8591:
8590:
8587:
8573:
8570:
8569:
8568:
8565:
8563:
8560:
8558:
8555:
8553:
8550:
8548:
8545:
8543:
8540:
8538:
8535:
8531:
8528:
8527:
8526:
8525:Postmodernism
8523:
8521:
8518:
8516:
8513:
8511:
8508:
8506:
8503:
8501:
8498:
8496:
8493:
8491:
8488:
8482:
8481:Cubo-Futurism
8479:
8478:
8477:
8474:
8473:
8472:
8469:
8467:
8464:
8462:
8461:Expressionism
8459:
8457:
8454:
8452:
8449:
8448:
8446:
8442:
8436:
8433:
8431:
8428:
8426:
8423:
8421:
8418:
8416:
8413:
8411:
8408:
8406:
8403:
8401:
8398:
8396:
8393:
8391:
8388:
8386:
8383:
8381:
8378:
8376:
8373:
8372:
8370:
8364:
8354:
8351:
8349:
8346:
8344:
8341:
8339:
8336:
8334:
8331:
8329:
8326:
8324:
8321:
8319:
8316:
8314:
8311:
8309:
8306:
8304:
8301:
8299:
8296:
8294:
8291:
8289:
8288:Music theatre
8286:
8282:
8279:
8278:
8277:
8276:Minimal music
8274:
8272:
8269:
8267:
8264:
8260:
8257:
8256:
8255:
8252:
8250:
8247:
8243:
8240:
8239:
8238:
8235:
8233:
8230:
8228:
8225:
8223:
8222:Ars subtilior
8220:
8218:
8215:
8213:
8210:
8209:
8207:
8203:
8195:
8192:
8190:
8187:
8185:
8182:
8181:
8180:
8177:
8175:
8172:
8168:
8165:
8163:
8160:
8159:
8158:
8155:
8153:
8150:
8149:
8147:
8143:
8140:
8138:
8134:
8128:
8125:
8123:
8122:Visual poetry
8120:
8118:
8115:
8113:
8110:
8108:
8105:
8103:
8100:
8098:
8097:Nouveau roman
8095:
8093:
8090:
8088:
8085:
8083:
8080:
8078:
8075:
8073:
8070:
8068:
8065:
8063:
8060:
8058:
8055:
8053:
8050:
8048:
8045:
8043:
8040:
8038:
8035:
8033:
8030:
8028:
8025:
8024:
8022:
8016:
8010:
8007:
8005:
8004:Temporary art
8002:
8000:
7997:
7995:
7992:
7990:
7987:
7985:
7982:
7980:
7977:
7975:
7972:
7970:
7967:
7965:
7962:
7960:
7959:Nonconformism
7957:
7955:
7952:
7948:
7945:
7944:
7943:
7942:Neoplasticism
7940:
7938:
7935:
7933:
7932:Mir iskusstva
7930:
7928:
7925:
7923:
7920:
7918:
7915:
7913:
7910:
7908:
7905:
7903:
7900:
7898:
7895:
7893:
7892:Impressionism
7890:
7888:
7885:
7883:
7880:
7878:
7875:
7873:
7870:
7866:
7863:
7862:
7861:
7860:Functionalism
7858:
7856:
7853:
7851:
7848:
7846:
7843:
7841:
7838:
7836:
7833:
7831:
7828:
7826:
7823:
7822:
7820:
7816:
7811:
7804:
7799:
7797:
7792:
7790:
7785:
7784:
7781:
7769:
7766:
7764:
7761:
7759:
7756:
7754:
7752:
7748:
7746:
7743:
7742:
7740:
7736:
7730:
7727:
7725:
7722:
7720:
7717:
7715:
7712:
7710:
7707:
7705:
7702:
7700:
7697:
7695:
7694:Boston School
7692:
7690:
7687:
7686:
7684:
7680:
7674:
7671:
7669:
7666:
7664:
7661:
7660:
7658:
7654:
7648:
7645:
7643:
7640:
7638:
7635:
7633:
7630:
7628:
7625:
7623:
7620:
7618:
7615:
7613:
7610:
7608:
7605:
7603:
7600:
7598:
7595:
7593:
7590:
7588:
7585:
7583:
7580:
7578:
7575:
7573:
7570:
7568:
7567:Lovis Corinth
7565:
7563:
7560:
7558:
7555:
7553:
7550:
7548:
7545:
7544:
7542:
7536:
7530:
7527:
7525:
7522:
7520:
7517:
7515:
7512:
7510:
7507:
7505:
7502:
7500:
7497:
7495:
7492:
7490:
7487:
7486:
7484:
7482:
7474:
7468:
7465:
7463:
7460:
7458:
7455:
7453:
7450:
7448:
7445:
7443:
7442:Elioth Gruner
7440:
7438:
7435:
7433:
7430:
7429:
7427:
7425:
7417:
7411:
7410:J. Alden Weir
7408:
7406:
7405:Robert Vonnoh
7403:
7401:
7398:
7396:
7393:
7391:
7388:
7386:
7383:
7381:
7378:
7376:
7373:
7371:
7370:Childe Hassam
7368:
7366:
7363:
7361:
7358:
7357:
7355:
7353:
7345:
7339:
7336:
7335:
7333:
7329:
7323:
7320:
7318:
7317:Georges Petit
7315:
7313:
7310:
7309:
7307:
7303:
7297:
7294:
7292:
7289:
7287:
7284:
7282:
7279:
7278:
7276:
7272:
7267:
7257:
7256:Alfred Sisley
7254:
7252:
7249:
7247:
7244:
7242:
7239:
7237:
7234:
7232:
7231:Édouard Manet
7229:
7227:
7224:
7222:
7219:
7217:
7214:
7212:
7209:
7207:
7204:
7202:
7199:
7197:
7196:Eugène Boudin
7194:
7192:
7189:
7188:
7186:
7182:
7178:
7176:Impressionism
7169:
7164:
7162:
7157:
7155:
7150:
7149:
7146:
7134:
7131:
7129:
7126:
7124:
7121:
7119:
7118:Impressionism
7116:
7115:
7113:
7109:
7103:
7102:Albert Aurier
7100:
7098:
7095:
7094:
7092:
7088:
7082:
7079:
7077:
7074:
7072:
7069:
7067:
7064:
7062:
7059:
7057:
7054:
7052:
7049:
7047:
7044:
7042:
7039:
7037:
7034:
7033:
7031:
7027:
7021:
7018:
7016:
7015:Jean Marchand
7013:
7011:
7008:
7006:
7003:
7001:
7000:Pablo Picasso
6998:
6996:
6993:
6991:
6990:Henry Ottmann
6988:
6986:
6983:
6981:
6978:
6976:
6973:
6971:
6968:
6966:
6963:
6961:
6958:
6956:
6953:
6951:
6950:Henri Matisse
6948:
6946:
6943:
6941:
6938:
6936:
6933:
6931:
6928:
6927:
6925:
6921:
6915:
6912:
6910:
6909:Expressionism
6907:
6905:
6902:
6900:
6897:
6895:
6892:
6891:
6889:
6885:20th-century
6883:
6877:
6874:
6872:
6869:
6867:
6864:
6862:
6859:
6857:
6854:
6852:
6849:
6847:
6846:Charles Laval
6844:
6842:
6839:
6837:
6834:
6832:
6829:
6827:
6826:Paul SĂ©rusier
6824:
6822:
6819:
6817:
6814:
6812:
6809:
6807:
6804:
6802:
6799:
6797:
6794:
6792:
6789:
6787:
6786:Maurice Denis
6784:
6782:
6779:
6777:
6774:
6772:
6769:
6767:
6764:
6762:
6759:
6757:
6756:Émile Bernard
6754:
6752:
6749:
6747:
6744:
6743:
6741:
6737:
6731:
6728:
6726:
6723:
6721:
6718:
6716:
6715:
6711:
6709:
6706:
6704:
6701:
6699:
6696:
6694:
6691:
6690:
6688:
6684:19th-century
6682:
6678:
6669:
6664:
6662:
6657:
6655:
6650:
6649:
6646:
6634:
6626:
6625:
6622:
6616:
6613:
6611:
6610:
6606:
6604:
6601:
6599:
6596:
6594:
6591:
6589:
6586:
6584:
6581:
6579:
6576:
6574:
6571:
6567:
6564:
6562:
6559:
6558:
6557:
6554:
6552:
6549:
6547:
6544:
6542:
6539:
6537:
6534:
6532:
6529:
6527:
6524:
6520:
6517:
6515:
6512:
6511:
6510:
6507:
6505:
6502:
6500:
6499:Fantastic art
6497:
6495:
6492:
6488:
6485:
6483:
6480:
6478:
6475:
6473:
6470:
6469:
6468:
6467:Christian art
6465:
6463:
6460:
6458:
6455:
6453:
6450:
6446:
6443:
6442:
6441:
6438:
6436:
6433:
6432:
6430:
6426:
6416:
6413:
6411:
6408:
6406:
6403:
6399:
6396:
6394:
6391:
6390:
6389:
6386:
6384:
6381:
6379:
6376:
6374:
6371:
6369:
6368:Skeuomorphism
6366:
6364:
6361:
6359:
6356:
6354:
6351:
6349:
6346:
6344:
6341:
6339:
6336:
6334:
6331:
6329:
6328:Massurrealism
6326:
6324:
6323:Lightpainting
6321:
6319:
6316:
6314:
6311:
6307:
6306:Post-Internet
6304:
6303:
6302:
6299:
6297:
6294:
6292:
6289:
6287:
6284:
6280:
6277:
6276:
6275:
6272:
6270:
6267:
6265:
6262:
6260:
6257:
6255:
6252:
6250:
6247:
6243:
6240:
6239:
6238:
6235:
6233:
6230:
6228:
6225:
6223:
6220:
6218:
6215:
6213:
6210:
6208:
6205:
6203:
6200:
6199:
6197:
6191:
6185:
6182:
6180:
6179:Grunge design
6177:
6175:
6172:
6170:
6167:
6165:
6162:
6160:
6157:
6155:
6152:
6150:
6147:
6145:
6142:
6140:
6137:
6135:
6134:Retrofuturism
6132:
6130:
6129:Scratch video
6127:
6125:
6122:
6120:
6117:
6115:
6114:Memphis Group
6112:
6110:
6107:
6105:
6102:
6100:
6097:
6095:
6092:
6090:
6089:Telematic art
6087:
6085:
6082:
6080:
6079:Guerrilla art
6077:
6075:
6072:
6068:
6065:
6064:
6063:
6060:
6058:
6055:
6053:
6050:
6048:
6045:
6041:
6038:
6037:
6036:
6033:
6031:
6030:Endurance art
6028:
6026:
6023:
6021:
6018:
6016:
6013:
6011:
6008:
6007:
6005:
6001:
5995:
5992:
5990:
5987:
5985:
5982:
5980:
5977:
5975:
5972:
5968:
5965:
5964:
5963:
5960:
5958:
5955:
5953:
5950:
5948:
5945:
5943:
5940:
5938:
5935:
5933:
5930:
5928:
5925:
5923:
5920:
5918:
5915:
5913:
5910:
5908:
5905:
5903:
5900:
5898:
5895:
5893:
5890:
5888:
5885:
5883:
5880:
5878:
5875:
5873:
5870:
5868:
5865:
5863:
5860:
5858:
5855:
5853:
5850:
5848:
5845:
5843:
5840:
5838:
5835:
5833:
5830:
5828:
5825:
5821:
5818:
5817:
5816:
5813:
5811:
5808:
5806:
5803:
5801:
5798:
5796:
5793:
5791:
5788:
5787:
5785:
5781:
5775:
5772:
5770:
5767:
5765:
5762:
5758:
5755:
5753:
5750:
5749:
5748:
5745:
5741:
5738:
5737:
5736:
5733:
5731:
5728:
5726:
5723:
5721:
5718:
5716:
5713:
5711:
5708:
5706:
5703:
5701:
5698:
5696:
5693:
5691:
5690:New media art
5688:
5684:
5681:
5680:
5679:
5676:
5674:
5671:
5669:
5668:Nanyang Style
5666:
5664:
5661:
5659:
5656:
5654:
5651:
5649:
5646:
5642:
5639:
5637:
5634:
5632:
5629:
5627:
5624:
5623:
5622:
5619:
5617:
5614:
5612:
5609:
5605:
5602:
5601:
5600:
5599:Visionary art
5597:
5593:
5590:
5589:
5588:
5585:
5583:
5580:
5579:
5577:
5573:
5570:
5566:
5561:
5557:
5547:
5544:
5542:
5539:
5537:
5534:
5532:
5529:
5525:
5522:
5521:
5520:
5517:
5515:
5512:
5508:
5505:
5503:
5500:
5499:
5498:
5495:
5491:
5488:
5487:
5486:
5483:
5481:
5478:
5476:
5473:
5471:
5468:
5466:
5465:Scuola Romana
5463:
5461:
5458:
5456:
5455:
5451:
5449:
5446:
5444:
5441:
5439:
5436:
5432:
5429:
5427:
5424:
5423:
5422:
5419:
5417:
5414:
5412:
5409:
5407:
5404:
5402:
5399:
5397:
5394:
5392:
5391:Anthropophagy
5389:
5387:
5384:
5380:
5377:
5376:
5375:
5374:Functionalism
5372:
5370:
5367:
5365:
5362:
5360:
5357:
5355:
5352:
5348:
5345:
5344:
5343:
5340:
5336:
5333:
5331:
5328:
5327:
5326:
5323:
5319:
5316:
5315:
5314:
5311:
5309:
5306:
5302:
5301:
5297:
5296:
5295:
5294:Neoplasticism
5292:
5290:
5287:
5285:
5282:
5276:
5273:
5272:
5271:
5268:
5267:
5266:
5263:
5261:
5258:
5256:
5253:
5251:
5248:
5246:
5243:
5242:
5240:
5236:
5230:
5227:
5225:
5222:
5220:
5217:
5215:
5212:
5210:
5207:
5205:
5202:
5198:
5197:Cubo-Futurism
5195:
5194:
5193:
5190:
5188:
5185:
5183:
5182:
5178:
5174:
5171:
5169:
5166:
5165:
5164:
5161:
5157:
5156:Ashcan School
5154:
5153:
5152:
5149:
5147:
5144:
5142:
5139:
5135:
5132:
5130:
5127:
5126:
5125:
5124:Expressionism
5122:
5120:
5117:
5115:
5112:
5110:
5109:Mir iskusstva
5107:
5105:
5102:
5098:
5095:
5093:
5090:
5088:
5085:
5083:
5080:
5079:
5078:
5075:
5073:
5070:
5068:
5065:
5063:
5060:
5056:
5053:
5052:
5051:
5048:
5047:
5045:
5041:
5035:
5032:
5028:
5025:
5024:
5023:
5020:
5016:
5013:
5011:
5008:
5006:
5003:
5001:
4998:
4996:
4993:
4991:
4988:
4984:
4981:
4980:
4979:
4976:
4975:
4974:
4971:
4969:
4966:
4964:
4961:
4957:
4954:
4952:
4949:
4948:
4947:
4944:
4942:
4939:
4937:
4934:
4930:
4927:
4926:
4925:
4922:
4920:
4917:
4913:
4910:
4908:
4905:
4903:
4900:
4896:
4895:Boston School
4893:
4891:
4890:Hoosier Group
4888:
4887:
4886:
4883:
4882:
4881:
4880:Impressionism
4878:
4876:
4875:Peredvizhniki
4873:
4871:
4868:
4866:
4865:Beuron School
4863:
4859:
4856:
4855:
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4853:
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4817:
4813:
4809:
4799:
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4792:
4789:
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4782:
4781:
4780:
4779:Munich School
4777:
4776:
4775:
4772:
4766:
4763:
4762:
4761:
4758:
4756:
4753:
4751:
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4607:
4605:
4602:
4600:
4597:
4593:
4590:
4589:
4588:
4585:
4584:
4582:
4578:Art borrowing
4576:
4568:
4565:
4561:
4558:
4556:
4553:
4551:
4548:
4547:
4546:
4543:
4541:
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4533:
4529:
4528:Company style
4526:
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4509:
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4451:
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4428:Neoclassicism
4426:
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4415:
4412:
4410:
4407:
4405:
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4400:
4397:
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4280:
4276:
4270:
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4260:
4257:
4255:
4254:Cretan School
4252:
4248:
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4240:
4234:
4231:
4229:
4226:
4224:
4221:
4220:
4219:
4216:
4212:
4211:Danube school
4209:
4207:
4204:
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4202:
4199:
4197:
4194:
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4189:
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4182:
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3990:
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3711:
3709:
3706:
3704:
3701:
3699:
3696:
3694:
3691:
3689:
3688:Orientalizing
3686:
3684:
3681:
3679:
3676:
3674:
3673:Sub-Mycenaean
3671:
3670:
3669:
3666:
3662:
3659:
3657:
3654:
3652:
3649:
3647:
3644:
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3626:
3625:
3622:
3621:
3619:
3617:
3613:
3610:
3604:
3600:
3596:
3591:
3587:art movements
3586:
3582:
3578:
3571:
3566:
3564:
3559:
3557:
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3551:
3548:
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3405:
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3370:
3367:
3364:
3363:
3359:
3357:
3354:
3353:
3351:
3347:
3340:
3336:
3335:Musée Matisse
3333:
3330:
3326:
3323:
3322:
3320:
3316:
3309:
3306:
3303:
3300:
3297:
3294:
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3119:
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2920:
2916:
2913:
2912:
2908:
2907:
2905:
2901:
2894:
2893:
2889:
2886:
2885:
2881:
2878:
2877:
2876:Game of Bowls
2873:
2870:
2869:
2865:
2862:
2861:
2857:
2854:
2853:
2849:
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2845:
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2825:
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2798:
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2789:
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2777:
2774:
2773:
2769:
2766:
2765:
2761:
2758:
2757:
2753:
2750:
2749:
2748:Woman Reading
2745:
2744:
2742:
2738:
2735:
2733:
2729:
2725:
2724:Henri Matisse
2718:
2713:
2711:
2706:
2704:
2699:
2698:
2695:
2683:
2680:
2677:
2676:
2672:
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2512:
2509:
2505:
2501:
2497:
2493:
2489:
2485:
2481:
2477:
2473:
2468:
2466:. N.p., 2007.
2465:
2461:
2458:
2454:
2451:
2450:History Today
2447:
2444:
2440:
2437:
2433:
2430:
2429:0-8071-1823-0
2426:
2422:
2418:
2415:
2412:
2408:
2405:
2401:
2398:
2397:
2392:
2389:
2388:0-313-30382-7
2385:
2381:
2377:
2374:
2373:0-8212-0482-3
2370:
2366:
2365:Paul Signac.
2362:
2359:
2356:
2355:0-13-807115-2
2352:
2348:
2344:
2343:Broude, Norma
2341:
2338:
2336:
2332:
2329:
2327:
2323:
2320:
2317:
2313:
2312:0-916857-30-1
2309:
2305:
2301:
2298:
2297:0-226-87324-2
2294:
2290:
2286:
2282:
2280:0-8071-1823-0
2276:
2272:
2268:
2264:
2259:
2256:
2255:9780870996184
2252:
2248:
2247:
2242:
2239:
2235:
2232:
2231:9780870996184
2228:
2224:
2223:
2218:
2214:
2212:0-87470-050-7
2208:
2204:
2199:
2195:
2189:
2185:
2184:
2181:
2176:
2175:
2172:Other sources
2164:
2158:
2156:
2154:
2146:
2145:0-8109-3814-6
2142:
2138:
2132:
2125:
2121:
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2070:
2065:
2058:
2052:
2046:
2041:
2035:
2030:
2028:
2019:
2012:
2010:
2008:
2006:
1997:
1990:
1988:
1986:
1984:
1982:
1980:
1972:
1971:0-8212-0224-3
1968:
1964:
1958:
1956:
1954:
1952:
1937:
1933:
1927:
1919:
1915:
1911:
1907:
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1885:
1878:
1864:
1860:
1853:
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1814:
1807:
1806:0-87470-050-7
1803:
1799:
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1777:
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1765:
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1754:
1752:
1743:
1741:0-13-193455-4
1737:
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1706:
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1698:
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1679:
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1662:0-300-07131-0
1658:
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1599:
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1569:
1567:0-15-507086-X
1563:
1559:
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1535:
1531:
1525:
1523:
1508:
1504:
1497:
1489:
1487:0-226-87324-2
1483:
1479:
1472:
1470:
1468:
1466:
1464:
1455:
1453:0-936260-04-1
1449:
1445:
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1437:
1430:
1428:
1426:
1424:
1422:
1420:
1411:
1409:0-8071-1823-0
1405:
1401:
1397:
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1373:
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1291:
1288:
1286:
1283:
1281:
1278:
1276:
1273:
1271:
1268:
1266:
1265:Henri Matisse
1263:
1261:
1258:
1256:
1253:
1251:
1248:
1246:
1243:
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1202:
1196:
1191:
1187:
1186:
1181:
1175:
1170:
1166:
1162:
1156:
1151:
1147:
1146:Musée d'Orsay
1143:
1142:
1137:
1136:Henri Matisse
1131:
1126:
1122:
1121:Musée d'Orsay
1118:
1114:
1108:
1103:
1099:
1098:Musée d'Orsay
1095:
1091:
1085:
1080:
1076:
1072:
1066:
1061:
1057:
1053:
1049:
1043:
1038:
1034:
1033:Musée d'Orsay
1030:
1026:
1020:
1015:
1014:
1008:
1006:
996:
994:
990:
986:
981:
979:
975:
971:
960:
958:
954:
951:, 1910); and
950:
946:
942:
938:
937:Giacomo Balla
934:
930:
926:
922:
918:
917:Carlo Fornara
914:
910:
906:
902:
898:
894:
890:
886:
882:
874:
873:
868:
864:
855:
853:
852:Gino Severini
849:
845:
844:Piet Mondrian
839:
835:
833:
832:Pablo Picasso
829:
825:
821:
820:Henri Matisse
817:
813:
809:
805:
801:
797:
793:
789:
779:
777:
768:
765:
762:
759:
756:
755:
754:
751:
749:
745:
741:
740:Charles Blanc
735:
731:
730:
724:
715:
711:
709:
705:
701:
697:
690:
689:Musée d'Orsay
686:
681:
672:
668:
666:
657:
655:
650:
646:
641:
639:
635:
631:
627:
623:
615:
614:Musée d'Orsay
611:
607:
603:
594:
592:
588:
584:
579:
575:
574:Impressionism
571:
562:
560:
559:Charles Blanc
556:
552:
545:
535:
532:
528:
524:
520:
516:
511:
509:
504:
501:
496:
492:
490:
480:
478:
474:
463:
461:
457:
452:
447:
445:
441:
437:
433:
429:
425:
421:
417:
413:
409:
401:
400:Musée d'Orsay
397:
396:l'Air du soir
393:
389:
385:
381:
378:
377:
371:
367:
363:
362:Charles Blanc
359:
355:
351:
346:
345:in Brussels.
344:
340:
336:
328:
324:
323:
318:
314:
304:
301:
293:
290:November 2019
282:
279:
275:
272:
268:
265:
261:
258:
254:
251: –
250:
246:
245:Find sources:
239:
235:
229:
228:
223:This section
221:
217:
212:
211:
203:
201:
197:
193:
183:
181:
177:
172:
170:
154:
152:
148:
144:
139:
137:
133:
129:
125:
124:
119:
115:
111:
108:
104:
96:
92:
89:
85:
81:
77:
74:
73:Oil on canvas
71:
67:
63:
59:
56:
53:
49:
45:
40:
37:
36:
31:
19:
8857:
8840:Du "Cubisme"
8838:
8810:
8802:
8794:
8786:
8778:
8770:
8762:
8756:Au VĂ©lodrome
8754:
8746:
8738:
8730:
8722:
8714:
8706:
8698:
8690:
8682:
8674:
8666:
8658:
8650:
8642:
8634:
8390:Epic theatre
8227:Atonal music
8062:Flarf poetry
8052:Ego-Futurism
7896:
7850:Proto-Cubism
7750:
7708:
7572:Eva Gonzalès
7457:John Russell
7236:Claude Monet
7211:Paul CĂ©zanne
7206:Mary Cassatt
7133:Secessionism
7097:Félix Fénéon
7020:Othon Friesz
6940:André Derain
6811:Odilon Redon
6796:Paul Gauguin
6776:Paul CĂ©zanne
6761:Edvard Munch
6712:
6692:
6609:Trompe-l'Ĺ“il
6607:
6578:Outsider art
6531:Illustration
6487:Lutheran art
6477:Catholic art
6440:Abstract art
6410:Unilalianism
6373:Software art
6348:Neosymbolism
6338:Neo-futurism
6301:Internet art
6291:Hyperrealism
6144:Superfiction
5927:Photorealism
5795:Afrofuturism
5560:Contemporary
5536:Dimensionism
5519:Concrete art
5452:
5448:Precisionism
5298:
5245:Sosaku-hanga
5219:Productivism
5209:Metaphysical
5179:
5168:Proto-Cubism
5072:Secessionism
5034:Costumbrismo
4977:
4919:Aestheticism
4870:Hague School
4850:
4774:Academic art
4755:Costumbrismo
4723:Empire style
4560:Quito School
4555:Cusco School
4471:Colonial art
4432:
4420:FĂŞte galante
4418:
4387:18th century
4349:Delft School
4300:Caravaggisti
4278:17th century
4163:
4120:Quattrocento
4110:
4068:
3991:
3894:
3824:Late antique
3708:Severe style
3698:Black-figure
3585:Contemporary
3517:
3493:
3485:
3477:
3469:
3461:
3455:Capo di Noli
3453:
3445:
3437:
3429:
3360:
3290:Paul Matisse
3264:
3229:
3215:
3192:
3184:
3176:
3168:
3160:
3152:
3144:
3136:
3128:
3120:
3112:
3104:
3096:
3088:
3080:
3074:The Dance II
3072:
3053:
3045:
3037:
3029:
3021:
3013:
3005:
2997:
2989:
2981:
2973:
2965:
2957:
2949:
2941:
2933:
2925:
2917:
2909:
2890:
2882:
2874:
2866:
2858:
2852:Madras Rouge
2850:
2842:
2834:
2826:
2818:
2810:
2802:
2794:
2786:
2778:
2770:
2762:
2754:
2746:
2682:Topiary Park
2673:
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2602:
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2586:
2578:
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2303:
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2244:
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2220:
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2183:
2180:
2162:
2136:
2131:
2111:
2100:
2096:
2084:
2080:
2068:
2064:
2056:
2051:
2040:
2017:
1995:
1962:
1939:. Retrieved
1935:
1926:
1894:(7191): 37.
1891:
1887:
1877:
1866:. Retrieved
1862:
1852:
1841:. Retrieved
1837:
1828:
1819:
1813:
1797:
1781:
1762:
1731:
1725:
1713:
1688:
1684:
1652:
1630:. Retrieved
1626:
1616:
1587:
1557:
1537:. Retrieved
1533:
1510:. Retrieved
1506:
1496:
1477:
1435:
1391:
1362:Micromontage
1328:
1326:
1204:
1183:
1164:
1139:
1116:
1093:
1074:
1051:
1028:
1002:
985:Félix Fénéon
982:
966:
956:
948:
940:
932:
912:
908:
888:
878:
875:, 1899-1901.
870:
840:
836:
785:
775:
772:
752:
738:
727:
718:Color theory
712:
694:
684:
669:
663:
653:
644:
642:
637:
633:
621:
619:
609:
591:color theory
572:
568:
547:
515:Félix Fénéon
512:
507:
505:
499:
497:
493:
488:
486:
469:
448:
407:
405:
395:
391:
374:
350:rue Laffitte
347:
332:
320:
296:
287:
277:
270:
263:
256:
244:
232:Please help
227:verification
224:
189:
179:
173:
165:
151:academic art
140:
121:
114:art movement
110:Félix Fénéon
102:
101:
33:
27:Art movement
8542:Primitivism
8368:and theatre
8308:Noise music
8281:Drone music
8112:Slam poetry
7999:Suprematism
7984:Process art
7912:Incoherents
7907:Color Field
7882:Divisionism
7830:Art Nouveau
7810:Avant-garde
7758:Louis Leroy
7656:Other media
7632:Max Slevogt
7607:Henry Moret
7452:Tom Roberts
7331:Exhibitions
7216:Edgar Degas
7184:Originators
7029:Exhibitions
6836:Paul Signac
6806:Paul Ranson
6730:Art Nouveau
6708:Cloisonnism
6703:Pointillism
6698:Divisionism
6494:Digital art
6457:Avant-garde
6398:Superstroke
6274:Flat design
6269:Fictive art
6264:Excessivism
6212:Art for art
6207:Altermodern
6149:Taring Padi
6084:Lowbrow art
6052:Pliontanism
5989:Yoru no Kai
5942:Process art
5882:Systems art
5852:Arte Povera
5774:Antipodeans
5683:in New York
5653:Jikken KĹŤbĹŤ
5616:Color field
5485:Regionalism
5454:Aeropittura
5443:Neo-Fauvism
5416:Neues Sehen
5386:Kinetic art
5250:Suprematism
5224:Synchromism
5141:Noucentisme
5062:Primitivism
5050:Art Nouveau
5005:Cloisonnism
4995:Pointillism
4990:Divisionism
4968:Incoherents
4929:Art pottery
4815:(1863–1944)
4765:Macchiaioli
4740:Biedermeier
4728:Historicism
4713:Orientalism
4654:Romanticism
4625:Akita ranga
4477:Art of the
4462:Picturesque
4414:Chinoiserie
4409:Frederician
4247:Tudor court
4142:Cinquecento
4083:Renaissance
4070:Mappa mundi
4054:cartography
3946:Carolingian
3941:Merovingian
3924:Palaeologan
3896:RepoblaciĂłn
3853:Anglo-Saxon
3784:Gallo-Roman
3723:Hellenistic
3718:Kerch style
3656:Minyan ware
3536:(companion)
3513:Pointillism
3411:Paul Signac
3269:(1947 book)
3226:(1912–1929)
3220:(1909–1930)
3178:La NĂ©gresse
3066:1930s–1950s
2986:(1912–1913)
2946:(1908–1912)
2903:1910s–1920s
2767:(1900-1901)
2740:1890s–1900s
2664:Pointillism
2659:Divisionism
2639:(1890–1891)
2623:(1889–1890)
2615:(1889–1890)
2607:(1887–1888)
2599:(1884–1886)
2591:(1884–1886)
2163:Art History
1718:Roslak 1991
1357:Pointillism
1305:Paul Signac
1250:LĂ©o Gausson
1245:Willy Finch
945:Carlo CarrĂ
911:(1894) and
696:Paul Signac
675:Paul Signac
583:Pointillism
544:Divisionism
538:Divisionism
432:Louis Hayet
428:LĂ©o Gausson
358:Durand-Ruel
317:Paul Signac
200:Pointillism
196:Divisionism
169:Paul Signac
143:avant-garde
136:Divisionist
132:Pointillist
116:founded by
8887:Modern art
8876:Categories
8851:Portrayals
8724:The Harbor
8562:Surrealism
8500:Minimalism
8375:Cinéma pur
8020:and poetry
8018:Literature
7927:Minimalism
7818:Visual art
7668:Literature
7489:Henri Beau
7421:Australian
7128:Modern art
6980:Franz Marc
6945:Raoul Dufy
6899:Die BrĂĽcke
6746:Cuno Amiet
6720:Synthetism
6541:Jewish art
6353:Passionism
6313:iPhone art
6259:Cyborg art
6254:Crypto art
6227:Brandalism
6119:Cyberdelic
5984:Tropicália
5957:Street art
5912:Intermedia
5892:Minimalism
5611:Spatialism
5565:Postmodern
5421:Surrealism
5289:Shin-hanga
5129:Die BrĂĽcke
5097:Sonderbund
5010:Synthetism
4733:Revivalism
4642:Transition
4599:Manichaean
4445:Adam style
4366:Classicism
4305:in Utrecht
4233:Still life
3963:Romanesque
3919:Macedonian
3914:Iconoclast
3873:Visigothic
3779:Republican
3733:Indo-Greek
3703:Red-figure
3292:(grandson)
3231:Blue Nudes
2636:The Circus
2193:0870999982
2091:, New York
2087:is in the
2071:is in the
1941:2023-01-27
1868:2023-01-27
1843:2023-01-27
1632:2023-03-26
1592:. London:
1539:2023-03-26
1512:2023-03-26
1369:References
1310:Jan Toorop
555:Ogden Rood
517:critiqued
451:Beaux-Arts
329:, New York
260:newspapers
107:art critic
79:Dimensions
8799:(1914–15)
8775:(c. 1913)
8767:(1912–13)
8735:(1911–12)
8727:(1911–12)
8719:(1911–12)
8711:(1911–12)
8695:(1910–11)
8692:Two Nudes
8679:(c. 1908)
8671:(c. 1907)
8663:(c. 1906)
8655:(c. 1906)
8647:(c. 1906)
8639:(1905–06)
8623:Paintings
8567:Symbolism
8495:Modernism
8328:Serialism
8313:Post-rock
8254:Free jazz
8162:Free funk
8117:UltraĂsmo
8072:Imaginism
8047:Cyberpunk
8009:Vorticism
7812:movements
7123:Modernism
6887:movements
6725:Symbolism
6714:Les Nabis
6686:movements
6603:Shock art
6593:Queer art
6573:NaĂŻve art
6556:Modernism
6388:Superflat
6378:Sound art
6358:Post-YBAs
6343:Neomodern
6184:Verdadism
6154:Superflat
6003:1970–1999
5967:in the US
5887:Video art
5810:Happening
5783:1960–1969
5575:1945–1959
5238:1915–1944
5229:Vorticism
5181:A Nyolcak
5043:1900–1914
5015:Les Nabis
4946:Symbolism
4902:Amsterdam
4852:Japonisme
4822:1863–1899
4784:in Greece
4644:to modern
4489:Caribbean
4434:Goût grec
4356:Capriccio
4310:Tenebrism
4259:Turquerie
4157:Mannerism
4052:Medieval
3909:Byzantine
3890:Mozarabic
3841:Ethiopian
3745:Neo-Attic
3728:"Baroque"
3713:Classical
3683:Geometric
3661:Mycenaean
3608:(Western)
3606:Premodern
3577:Premodern
3418:Paintings
3329:Le Cateau
3310:(teacher)
3258:Art books
3186:The Snail
2620:Le Chahut
2567:Paintings
2492:0004-3079
1910:1476-4687
1352:Stippling
1225:Anna Boch
959:, 1910).
943:, 1909);
935:, 1911);
893:Symbolism
848:Futurists
729:Le Chahut
649:Symbolist
610:Le Cirque
483:Criticism
466:Evolution
440:Les Vingt
370:communard
366:symbolist
147:anarchism
64:1884–1886
8832:Writings
8780:En Canot
8700:Tea Time
8515:Neo-Dada
8490:Lettrism
8471:Futurism
8385:Drop Art
8380:Dogme 95
8348:Totalism
8266:Futurism
8217:Ars nova
8145:By style
8092:Neoteric
7994:Rayonism
7947:De Stijl
7922:Mail art
7877:Devětsil
7682:See also
7478:Canadian
7349:American
6633:Category
6583:Portrait
6504:Folk art
6452:Anti-art
6383:Stuckism
6296:Idea art
6217:Art game
6169:Artivism
6057:Punk art
6035:Sots Art
6020:Artscene
5877:Land art
5815:Neo-Dada
5747:Lettrism
5641:Nuagisme
5626:Tachisme
5507:Nazi art
5300:De Stijl
5214:Rayonism
5204:Art Deco
5192:Futurism
4983:Luminism
4951:Romanian
4936:Tonalism
4907:Canadian
4885:American
4791:Neo-Grec
4399:Rocaille
4228:Romanism
4162:Counter-
4096:Trecento
4036:Duecento
4026:Crusades
3958:Ottonian
3936:Frankish
3816:Medieval
3799:Trajanic
3759:Scythian
3754:Etruscan
3646:Cycladic
3624:Thracian
3194:The Boat
2951:Goldfish
2120:Archived
2085:Arc Lamp
1918:34142687
1341:See also
1054:, 1888,
941:Arc Lamp
626:Barbizon
477:Carrière
456:Stendhal
444:Van Gogh
354:Pissarro
319:, 1890,
157:Overview
87:Location
8676:Bathers
8444:General
8303:No wave
8077:Imagism
8027:Acmeism
7979:Pop art
7969:Orphism
7887:Fauvism
7865:Bauhaus
7738:Related
7729:The Ten
7540:artists
7480:artists
7423:artists
7351:artists
7305:Dealers
7274:Patrons
7111:Related
7090:Critics
6923:Artists
6894:Fauvism
6739:Artists
6598:Realism
6195:present
5922:Nut Art
5725:Pop art
5663:Mono-ha
5531:The Ten
5480:Kapists
5426:Iranian
5379:Bauhaus
5173:Orphism
5119:Fauvism
4956:Russian
4846:Nihonga
4760:Verismo
4745:Realism
4679:Purismo
4592:Moorish
4587:Islamic
4494:Haitian
4285:Baroque
4164:Maniera
4048:Mudéjar
3973:Spanish
3885:Pictish
3868:Lombard
3863:Insular
3804:Severan
3769:Gaulish
3764:Iberian
3693:Archaic
3636:Nuragic
3616:Ancient
3599:periods
3506:Related
3356:Fauvism
3349:Related
3318:Museums
3304:(model)
3242:Chapels
2647:Related
2500:3045811
2075:, Rome.
1705:3177348
1148:, Paris
1123:, Paris
1100:, Paris
1035:, Paris
887:in his
788:Camille
691:, Paris
616:, Paris
587:palette
527:Poussin
475:, like
402:, Paris
274:scholar
95:Chicago
8843:(1912)
8815:(1916)
8807:(1916)
8791:(1913)
8783:(1913)
8759:(1912)
8751:(1912)
8743:(1912)
8703:(1911)
8687:(1910)
8520:Neoism
8466:Fluxus
8366:Cinema
8205:Others
8107:Oulipo
8102:Oberiu
7989:Purism
7855:Cubism
7041:Les XX
6914:Cubism
6546:Kitsch
6405:Toyism
5897:Fluxus
5827:Op art
5396:Mingei
5330:Stupid
5308:Purism
5163:Cubism
4812:Modern
4604:Mughal
4394:Rococo
3999:Gothic
3980:Norman
3904:Viking
3858:Hunnic
3836:Coptic
3651:Minoan
3641:Aegean
3629:Dacian
3581:Modern
3498:(1909)
3490:(1907)
3482:(1905)
3474:(1905)
3466:(1905)
3458:(1898)
3450:(1895)
3442:(1890)
3434:(1889)
3277:People
3234:(1952)
3209:Series
3197:(1953)
3189:(1953)
3181:(1952)
3173:(1952)
3165:(1952)
3157:(1950)
3149:(1948)
3141:(1947)
3133:(1947)
3125:(1946)
3117:(1946)
3109:(1944)
3101:(1940)
3093:(1937)
3085:(1937)
3077:(1932)
3058:(1926)
3050:(1923)
3042:(1918)
3034:(1917)
3026:(1917)
3018:(1917)
3010:(1915)
3002:(1914)
2994:(1914)
2978:(1912)
2970:(1912)
2962:(1912)
2954:(1912)
2938:(1911)
2930:(1910)
2922:(1910)
2914:(1910)
2895:(1908)
2887:(1908)
2879:(1908)
2871:(1908)
2863:(1907)
2855:(1907)
2847:(1906)
2839:(1906)
2831:(1906)
2823:(1905)
2815:(1905)
2807:(1905)
2799:(1905)
2791:(1905)
2783:(1904)
2775:(1902)
2759:(1898)
2751:(1894)
2631:(1890)
2596:Models
2583:(1884)
2510:1899.
2498:
2490:
2427:
2386:
2371:
2353:
2345:, ed.
2310:
2295:
2277:
2253:
2229:
2209:
2190:
2143:
1969:
1916:
1908:
1888:Nature
1857:Tate.
1804:
1738:
1703:
1659:
1621:Tate.
1604:
1564:
1501:Tate.
1484:
1450:
1406:
991:, and
978:Renoir
774:book,
654:Circus
578:France
523:Claude
519:Signac
434:, and
412:Lucien
339:Les XX
276:
269:
262:
255:
247:
69:Medium
51:Artist
8194:Metal
8137:Music
7763:Nadar
7663:Music
7538:Other
6193:2000–
5636:COBRA
4630:Uki-e
4620:Japan
4609:Qajar
3968:Mosan
3774:Roman
3668:Greek
3286:(son)
2919:Music
2911:Dance
2732:Works
2496:JSTOR
1914:S2CID
1701:JSTOR
974:Monet
473:Corot
281:JSTOR
267:books
8456:Dada
8189:Punk
8184:Prog
8179:Rock
8167:Yass
8157:Jazz
8152:Funk
8127:Zaum
6482:Icon
5805:ZERO
5563:and
5460:Asso
5284:Dada
4841:YĹŤga
3583:and
3339:Nice
3266:Jazz
3114:Asia
2488:ISSN
2425:ISBN
2384:ISBN
2369:ISBN
2351:ISBN
2308:ISBN
2293:ISBN
2275:ISBN
2251:ISBN
2227:ISBN
2207:ISBN
2188:ISBN
2141:ISBN
2105:MoMA
1967:ISBN
1906:ISSN
1863:Tate
1802:ISBN
1736:ISBN
1657:ISBN
1627:Tate
1602:ISBN
1562:ISBN
1507:Tate
1482:ISBN
1448:ISBN
1404:ISBN
976:and
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830:and
810:and
790:and
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458:and
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253:news
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2480:doi
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