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55:) are sung repeatedly, but with improvised elaborations. The part of lyrics is chosen which is self-contained in terms of its meaning and context and has an elegant structure amenable for repetition with variations. In general, such elaboration follow the rhythmic patterns in the original lyrics (
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cycle, though minor variations that remain faithful to the syllabic patterns of the sahityam are considered fine. The lines are then also played at different levels of speed which can include double speed, triple speed, quadruple speed and even
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Higgins, J. B. (1987). "Performing Arts in India: Essays on Music, Dance, and Drama".
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speed. The neraval is one of the features in the extempore improvisation aspect (
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bhava effectively. It is usually performed by the more advanced performers.
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In the Course of
Performance: Studies in the World of Musical Improvisation
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Examples of
Krithis containing lines best suited for neraval:
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Pondhithivi Kaarunyamurthivai jagamu",
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at " Tanuvurce vandana mona ninchuchu nara" or "Manasuna"
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Chiluka Nokata Penchi Prema Matalalada Nerpi",
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at "Sama Gana
Vinodhini gunadhama Shyamakrishnanuthe",
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