310:, William York wrote: "just because this is a solo album and Bennink is a percussionist doesn't make this a solo percussion album, per se. Along the way, he also sings, yells like a mock karate artist, and rummages through a whole assortment of instruments... this album does a really good job of capturing Bennink's personality and documenting his unique approach to improvisation, and it holds up surprisingly well over repeated listens."
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Writer Todd S. Jenkins noted
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stated: "it's a natural urge for Han to make noise, and anything will do, as long as he gets to expend effort. The audience is generous with attention, and one can hear from the stereo movement that Han is to and fro on stage... When the trip between stations is too long, he's happy to kneel on the
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wrote: "An amazing drummer, as the cymbal thrash on 'Spooky Drums' more than points out. The title piece moves into another realm with a primitive drum machine serving as backdrop for
Bennink's free association on trombone, clarinet, whatever, before he returns to form, banging on anything he can
375:... is a defiantly individualistic approach to improvised music that is all the richer for its humour. The only thing of stability is Bennink's distinctive roar: a scream which, every time it appears, draws the entirety of its universe into a black hole from which it emerges purified once more."
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s Brian L. Knight remarked: "Bennink saw every surface as a potential beat and he felt every instrument known to man was an instrument worth playing... every song is appropriately titled... Through these moods, Bennink’s inspiration and technical insight is more than apparent."
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is one of the most spontaneous things
Bennink has ever done. It's also the only document in print of his early solo work. An extremely clever drummer, he rapidly develops new ideas and then just as easily discards them for something else... listening to
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stated that the album "transcends the clichés about period charm and feels vividly alive, although one can only guess what this extraordinary man is doing some of the way."
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floor and play that, too. Bennink's drumming is better heard on plenty of other group albums, but this solo trip is an amusing one."
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480:(liner notes). Han Bennink. Atavistic Records. 2001. UMS/ALP206CD.
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is like taking a living, breathing voyage through sound."
580:"Atavistic's Unheard Music Series: European Free Jazz"
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deficient attention span spins him around the room."
528:"Atavistic Unheard Music Series: A Consumer Guide"
631:Free Jazz and Free Improvisation: An Encyclopedia
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183:. It was recorded on September 27, 1973, at the
866:Free Touching: Live in Beijing at Keep in Touch
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767:Still Quite Popular After All Those Years
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633:. Vol. 1. Greenwood. p. 38.
508:Cook, Richard; Morton, Brian (2008).
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187:in Bremen, Germany, for broadcast on
161:21 Years Later (Train Kept a Rollin')
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510:The Penguin Guide to Jazz Recordings
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711:The Topography of the Lungs
453:"Han Bennink - Nerve Beats"
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648:. No. 1. p. 87.
264:The Penguin Guide to Jazz
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179:is a live solo album by
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834:3 Points and a Mountain
387:"Spooky Drums" – 26:07
384:"Bumble Rumble" – 4:21
532:Tom Hull – on the Web
390:"Nerve Beats" – 16:36
296:Tom Hull – on the Web
208:Professional ratings
197:Unheard Music Series
486:cite AV media notes
457:Jazz Music Archives
341:The Vermont Review'
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82:Free improvisation
60:September 27, 1973
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559:. October 1, 2000
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783:Welcome Back
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189:Radio Bremen
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114:UMS/ALP206CD
842:Jazz Bunker
826:Nerve Beats
794:Live albums
687:Han Bennink
614:November 9,
589:November 9,
563:November 9,
537:November 9,
526:Hull, Tom.
478:Nerve Beats
462:November 9,
437:November 9,
401:Han Bennink
373:Nerve Beats
371:remarked: "
335:Nerve Beats
330:Nerve Beats
181:Han Bennink
176:Nerve Beats
153:Nerve Beats
144:Jazz Bunker
131:Han Bennink
42:Han Bennink
22:Nerve Beats
911:Categories
810:Dual Unity
802:Improvisie
759:Serpentine
609:Jazz Shelf
408:References
349:Jazz Shelf
133:chronology
37:Live album
719:Altissimo
395:Personnel
203:Reception
110:Atavistic
879:released
850:Cheer Up
432:AllMusic
360:reach."
357:Tom Hull
308:AllMusic
227:AllMusic
121:Producer
57:Recorded
49:Released
39: by
743:Azurety
646:Eartrip
355:Critic
185:Rathaus
164:(2001)
157:(2001)
148:(2000)
69:Rathaus
896:The Ex
874:Parken
869:(1996)
861:(1995)
853:(1995)
845:(1980)
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829:(1973)
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813:(1971)
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786:(2015)
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730:(1973)
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714:(1970)
221:Rating
218:Source
88:Length
881:2009)
105:Label
77:Genre
65:Venue
616:2023
591:2023
565:2023
539:2023
492:link
464:2023
439:2023
52:2001
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518:^
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