387:, the flagship evening news program of the Union Broadcasting System (UBS), learns from friend and news division president Max Schumacher that he has just two more weeks on the air because of declining ratings. The following night, Beale announces to his audience that he will commit suicide on next Tuesday's newscast. UBS tries to immediately fire Beale, but Schumacher intervenes so that he can have a dignified farewell. Beale promises to apologize for his outburst, but once on the air, he launches into a rant about life being "bullshit". Beale's outburst causes ratings to spike, and much to Schumacher's dismay, UBS executives decide to exploit the situation. When Beale's ratings soon top out, programming chief Diana Christensen reaches out to Schumacher with an offer to help "develop" Beale's show. He declines the professional proposal but accepts her more personal pitch; the two begin an affair.
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585:) allows that whether Chayefsky was inspired by the Chubbuck case remains unclear, that Chayefsky's screenplay notes on the week of the live death have nothing about the incident in them, and grants it is an eerie parallel. It was to be months later that actual direct reference was made, Chayefsky writing for Beale to bray that he "will blow my brains out right on the air ... like that girl in Florida", which was later removed. Sidney Lumet made the categorical statement that the character of Howard Beale was never based on any real-life person.
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822:. According to biographer Bob Thomas, Holden had been incensed by Dunaway's behavior during the filming of the disaster epic, especially her habit of leaving him fuming on the set while she attended to her hair, makeup and telephone calls. One day, after a two-hour wait, Holden reportedly grabbed Dunaway by the shoulders, pushed her against a soundstage wall and snapped, "You do that to me once more, and I'll push you through that wall!"
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comedy, but instead directed his frustration at the content being broadcast on television—which he described as "an indestructible and terrifying giant that is stronger than the government"—into the screenplay. It became a "dark satire about an unstable news anchor and a broadcasting company and a viewing public all too happy to follow him over the brink of sanity." The character of network executive Diana
Christiansen was based on
659:. He went so far as to write Newman, telling him that "You and a very small handful of other actors are the only ones I can think of with the range for this part." Lumet wanted Fonda, with whom he had worked several times, but Fonda declined the role, finding it too "hysterical" for his taste. Stewart also found the script unsuitable, objecting to the strong language. Early consideration was given to real-life newscasters
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964:"outrageous ... brilliantly, cruelly funny, a topical American comedy that confirms Paddy Chayefsky's position as a major new American satirist" and a film whose "wickedly distorted views of the way television looks, sounds, and, indeed, is, are the satirist's cardiogram of the hidden heart, not just of television but also of the society that supports it and is, in turn, supported."
577:. The anchorwoman was suffering from depression and loneliness, was often emotionally distant from her co-workers, and shot herself on camera as stunned viewers watched on July 15, 1974. Chayefsky used the idea of a live death as his film's terminating focal point, to say later in an interview, "Television will do anything for a rating... anything!" However,
631:. Soon afterward, United Artists reversed itself and looked to co-finance the film with MGM, since the latter had an ongoing distribution arrangement with UA in North America. Since MGM agreed to let UA back on board, the former (through United Artists as per the arrangement) controlled North American/Caribbean rights, with UA opting for overseas distribution.
830:
progressed, camera setups became more rigid, more formal. The lighting became more and more artificial. The next-to-final scene—where Faye
Dunaway, Robert Duvall, and the three network gray suits decide to kill Peter Finch—is lit like a commercial. The camera setups are static and framed like still pictures. The camera had also become a victim of television."
31:
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was the entirety of
America's anger being broadcast in everything from sitcoms to news reports. He concluded that Americans "don't want jolly, happy family type shows like Eye Witness News" ... "the American people are angry and want angry shows." When he began writing his script he had intended on a
419:
conglomerate. He urges his audience to pressure the White House to quash the deal. This panics UBS because the network's debt load has made the merger essential for its survival. CCA chairman Arthur Jensen arranges a meeting with Beale where he reveals himself secretly to be as mentally ill as Beale,
1042:
Arab colloquies." He also asked whether
Chayefsky would label Israelis as "medieval fanatics" and wondered why the producer, Howard Gottfried, and director, Sidney Lumet, sanctioned Chayefsky's "anti-Arab diatribe," as he described it, in the film. He additionally described the film's focus on Arabs
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When
Schumacher decides to end Beale's "angry man" format, Christensen persuades her boss, Frank Hackett, to slot the evening news show under the entertainment division so she can develop it. Hackett bullies UBS executives to consent and fire Schumacher. In one impassioned diatribe, Beale galvanizes
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into a tape recorder, then listening to playbacks with a critical ear. Gottfried recalled that Finch "was nervous as hell at that first meeting over lunch and just like a kid auditioning. Once we'd heard him, Sidney Lumet, Paddy, and I were ecstatic because we knew it was a hell of a part to cast."
696:
Producers were wary that Finch, an
Australian, would not be able to sound authentically American; they demanded an audition before his casting could be considered. An actor of considerable prominence, Finch reportedly responded, "Bugger pride. Put the script in the mail." Immediately realizing that
399:
message in front of a live studio audience that, on cue, chants his signature catchphrase: "We're as mad as hell, and we're not going to take this anymore!" Schumacher and
Christensen's romance withers as the show flourishes, but in the flush of high ratings, the two ultimately find their way back
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criticized the film's abundance of long, preachy speeches; Chayefsky's self-righteous contempt for not only television itself but also television viewers; and the fact that almost everyone in the movie, particularly Robert Duvall, has a shouting rant: "The cast of this messianic farce takes turns
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in
January 1976. Lumet recalled that Chayefsky was usually on set during filming, and sometimes offered advice about how certain scenes should be played. Lumet allowed that his old friend had the better comic instincts of the two, but when it came to the domestic confrontation between Holden and
423:
Christensen's fanatical devotion to her job and emotional emptiness ultimately drive
Schumacher away, warning her that she will self-destruct if she continues on her current path. Audiences find Beale's new sermons on the dehumanization of society depressing and ratings start to slip, yet Jensen
829:
worked out a complicated lighting scheme that in Lumet's words would "corrupt the camera". Lumet recalled: "We started with an almost naturalistic look. For the first scene between Peter Finch and Bill Holden, on Sixth Avenue at night, we added only enough light to get an exposure. As the movie
588:
Before beginning his screenplay, Chayefsky visited network TV offices. He was surprised to learn that television executives did not watch much television. "The programs they put on 'had to' be bad, had to be something they wouldn't watch," he remarked. "Imagine having to work like that all your
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called it a "supremely well-acted, intelligent film that tries for too much, that attacks not only television but also most of the other ills of the 1970s," though "what it does accomplish is done so well, is seen so sharply, is presented so unforgivingly, that
815:
Straight, the four-times-married director had the upper hand: "Paddy, please, I know more about divorce than you!" Finch, who had suffered from heart problems for many years, became physically and psychologically exhausted by the demands of playing Beale.
420:
describing the interrelatedness of the participants in the international economy and the illusory nature of nationality distinctions. Jensen scolds Beale and persuades him to abandon his message and preach a new gospel that serves Jensen's interests.
1066:
the film has an approval rating of 91% based on 76 reviews, with an average rating of 8.50/10. The site's critics consensus states, "Driven by populist fury and elevated by strong direction, powerful acting, and an intelligent script,
697:
the role was a plum, he even agreed to pay his own fare to New York for a screen test. He prepared for the audition by listening to hours of broadcasts by
American newscasters, and by weeks of reading the international editions of
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is in a unique position of being owned by both companies. Today, Warner Bros. (via Turner Entertainment Co.) controls the film in the North America, while Amazon MGM Studios (via United Artists) controls the film
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Dunaway was cast as Diana in September 1975. Lumet told her that he would edit any attempts on her part to make her character sympathetic and insisted on presenting her without any vulnerability. Lumet cast
415:, for which the ELA will provide exclusive footage of their activities. Meanwhile, Beale discovers that Communications Corporation of America (CCA), the parent company of UBS, will be bought out by a larger
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described it as "slick, 'adult', self-congratulatory, and almost entirely hollow", adding that "most of the interest comes in watching such a lavishly mounted vehicle leaving the rails so spectacularly."
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refuses to fire him. To boost the network's ratings, Christensen, Hackett and the other executives decide to hire the ELA to assassinate Beale on the air. The assassination succeeds, putting an end to
312:
was a commercial success, earning $ 23.7 million on a $ 3.8 million production budget. It also received widespread critical acclaim, with particular praise for its screenplay and performances. At the
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627:, until UA found the subject matter too controversial and backed out. Undeterred, Chayefsky and Gottfried shopped the script around to other studios, and eventually found an interested party in
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2002:, however, due to concerns in the financial community over the debt-load of his companies, in August of that same year, Turner was forced to sell the MGM name, all of United Artists back to
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for approximately $ 300 million after only months of ownership. Turner, however kept all of MGM's film, television and cartoon library released prior to May 23, 1986 and formed
687:. Ford was under consideration for this part as well, and was said to be one of two final contenders. Holden finally got the edge because of his recent box-office success with
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in the film, but Chayefsky did not want her. Lumet argued that he thought she was the greatest English-speaking actress in the world, while Chayefsky, a proud Jew and
364:
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There was some concern that the combination of Holden and Dunaway might create conflict on the set, since the two had sparred during an earlier co-starring stint in
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395:, top-billed as "the mad prophet of the airwaves". The show becomes the most highly rated program on television, and Beale finds new celebrity preaching his angry
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the nation, persuading viewers to shout, "I'm as mad as hell, and I'm not going to take this anymore!" from their windows. He is soon hosting a new program called
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after the original actor failed to live up to Lumet's standards. Beatty had one night to prepare a four-page speech, and was finished after one day's shooting.
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shortly afterward. The film opened to widespread critical acclaim, and became one of the big hits of 1976–77, earning $ 23.7 million at the box office.
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to play Max Schumacher, but Lumet refused, believing that Mitchum was not sufficiently urbane. For the role of Diana Christensen, Chayefsky thought of
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reportedly also turned down the opportunity to play Beale, with Holden instead playing Max Schumacher: For that role, Chayefsky had initially listed
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432:. A voice-over proclaims, "This was the story of Howard Beale: the first known instance of a man who was killed because he had lousy ratings."
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four stars out of four, calling it "a very funny movie that takes an easy target and giddily beats it to death." In a review written after
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won three of the four acting awards. As of 2023, it is the second of only three films which have accomplished this feat, preceded by
1032:, an American writer and lecturer who specialized in addressing racial and ethnic stereotypes, was critical of the film in his book,
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in a package with a less successful film. Despite this recent legal action, Chayefsky and Gottfried signed a deal with UA to finance
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Beatrice Straight's performance as Louise Schumacher occupied only five minutes and two seconds of screen time, making it
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Seeking another hit, Christensen cuts a deal with a terrorist group called the Ecumenical Liberation Army (ELA) for a new
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1239:). Additionally, Ned Beatty's performance of Arthur Jensen occupied only six minutes of screen time, also making it
1038:. He put it on his worst list, noting that Arabs were portrayed as "medieval fanatics," and criticized Chayefsky's "
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760:. Lumet, also a Jew, said "Paddy, that's blacklisting!", to which Chayefsky replied, "Not when a Jew does it to a
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In his notes, Chayefsky jotted down his ideas about casting. For Howard Beale, who would eventually be played by
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1999:
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1218:). The statuette itself was collected by Finch's widow, Eletha Finch, after Chayefsky invited her onstage.
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declared that "the movie is too sternly, monotonously preachy for either persuasion or casual amusement."
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came only two years after the first on-screen suicide in television history, of television news reporter
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1995:
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it has a weighted average score of 83 out of 100, based on 16 critics, indicating "universal acclaim".
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life." According to Dave Itzkoff, what Chayefsky saw while writing the screenplay during the midst of
363:
voted Chayefsky's screenplay one of the 10 greatest in history . In 2007, the film was 64th among the
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4370:
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as being "culturally, historically, or aesthetically significant". In 2002, it was inducted into the
2010:
to handle rights to this library on August 2, 1986. In 1996, Turner Broadcasting System merged with
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2007:
1987:
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1102:?"; he credits Lumet and Chayefsky for knowing "just when to pull out all the stops." Screenwriter
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demonstrators, protesting her pro-Palestinian views, as "a small bunch of Zionist hoodlums" at the
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list and said it was "like prophecy. When Chayefsky created Howard Beale, could he have imagined
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s searing satire of ratings-driven news remains sadly relevant more than four decades later." On
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1990:(which became the worldwide rights holder to the film from 1982 until 1986). On March 25, 1986,
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2015:
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3157:"Best Supporting Actress Oscar nominees: Who contended for a performance of only 139 seconds?"
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3096:"Breaking: Tony Goldwyn Joins Bryan Cranston and Tatiana Maslany in NETWORK on Broadway"
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In 1981, several years after the film's release, United Artists merged with MGM to form
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Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies
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wrote, "Too much of this film has the hectoring stridency of tabloid headlines", while
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played Louise Schumacher, Max's wife, on whom he cheats with Diana. Straight had won a
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Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies
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Finch cinched the deal with Lumet by playing him the tapes of his newspaper readings.
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as a film that has "set an enduring standard for American entertainment". In 2005 the
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Network: Thoughts on Being Mad As Hell | Brows Held High on official YouTube channel
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3066:"Network review – Bryan Cranston is mad as hell in blazing staging of Oscar winner"
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2613:"Part 2: Network (1976): Why The Acting Is So Good-Acting-CinemaTyler on YouTube"
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1164:
1063:
970:
668:
667:, but neither was open to the idea. Although not mentioned in Chayefsky's notes,
664:
660:
258:
139:
54:
776:". On Duvall, Lumet said: "What's fascinating about Duvall is how funny he is."
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together; Schumacher separates from his wife of over 25 years for Christensen.
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165:
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Peter Finch died before the 1977 ceremony and was the only performer to win a
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Chayefsky and producer Howard Gottfried had just come off a lawsuit against
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Films featuring a Best Supporting Actress Academy Award-winning performance
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respectively, with Finch, Dunaway and Straight winning in their categories.
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2675:"Network (1976): Why The Acting Is So Good-Acting-CinemaTyler on YouTube"
2011:
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on December 6, 2018, with Cranston reprising his role as Beale, and with
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provides various moments of narration advancing additional plot details.
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2224:, Producers Guild of America official site. Accessed October 31, 2010.
2018:) putting the majority of the pre-May 1986 MGM library in the hands of
1991:
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729:
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2026:(via United Artists) retained the rights to the film internationally,
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Films featuring a Best Drama Actress Golden Globe-winning performance
3358:
America's Film Legacy: The Authoritative Guide to the Landmark Movies
2192:"Librarian of Congress Names 25 More Films to National Film Registry"
2003:
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887:
792:
in 1953 for playing an anguished wife who is similarly cheated on in
603:
590:
404:
129:
551:
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Films featuring a Best Drama Actor Golden Globe winning performance
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3300:
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Arnold, Gary (December 16, 1976). "'Network': Satirical Overkill".
2086:
1961:"I'm as mad as hell, and I'm not going to take this anymore!" – #19
733:
396:
3181:
2298:"Sidney Lumet on directing the film "Network" - EMMYTVLEGENDS.ORG"
867:
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Films whose writer won the Best Original Screenplay Academy Award
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2735:(December 19, 1976). "'Network' power scrambles TV's set image".
2679:
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the shortest performance by an actor to be nominated for an Oscar
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Films featuring a Best Actress Academy Award-winning performance
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premiered in New York City on November 27, 1976, and went into
613:, challenging the studio's right to lease their previous film,
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Films featuring a Best Actor Academy Award-winning performance
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Jack Fitzstephens, Marc Laub, Sanford Rackow, James Sabat and
4470:
4320:
2269:"Television will eat itself in Sidney Lumet's searing satire"
2059:
772:
as Frank Hackett. Duvall saw Hackett as a "vicious president
2833:(3rd ed.). Hammondsworth, Middlesex: Penguin. pp.
780:
was cast as Arthur Jensen on the recommendation of director
1047:," but also nonfactual, and noted that Chayefsky condemned
3208:"Accademia del Cinema Italiano - Premi David di Donatello"
2439:
925:) garnered widespread critical acclaim, earning them all
757:
599:
4283:
Los Angeles Film Critics Association Award for Best Film
1106:
wrote in 2011 that "no predictor of the future—not even
4963:
Films whose director won the Best Director Golden Globe
2438:"Producer Lin Bolen Denies She's 'Network' Character".
1967:
AFI's 100 Years...100 Movies (10th Anniversary Edition)
1120:
magazine's list of the 500 Greatest Films of All Time.
1110:—has ever been as right as Chayefsky was when he wrote
2804:. New York, NY: Charles Scribner's Sons. p. 729.
1586:
Outstanding Directorial Achievement in Motion Pictures
1229:'s nine minute and 32 second screen time record for
3360:in the National Film Registry, A&C Black, 2010
3406:
2867:. New York: Olive Branch Press. pp. 347–349.
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810:After two weeks of rehearsals, filming started in
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1374:Best Screenplay – Written Directly for the Screen
4829:
1868:Online Film & Television Association Awards
2864:Reel Bad Arabs: How Hollywood Vilifies a People
2347:
1998:acquired MGM/UA Entertainment Co., and renamed
1005:yelling at us soulless masses." Gary Arnold of
16:1976 film by Paddy Chayefsky & Sidney Lumet
3587:King: A Filmed Record... Montgomery to Memphis
2395:
2359:"Paddy Chayefsky's Notes for 'Network' - Film"
756:, objected on the basis of her support of the
4267:
4017:
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2770:Kael, Pauline (December 6, 1976). "Hot Air".
2222:Producers Guild Hall of Fame – Past Inductees
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3102:. Wisdom Digital Media. September 27, 2018.
2589:Retakes: Behind the Scenes of Classic Movies
1913:Best Drama – Written Directly for the Screen
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1945:AFI's 100 Years...100 Heroes & Villains
1700:Los Angeles Film Critics Association Awards
1143:in November 2017. The play was directed by
4983:United States National Film Registry films
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3035:"New for 2017 and 2018 | National Theatre"
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1135:premiered in the Lyttleton Theatre at the
1086:In 2000 Roger Ebert added the film to his
546:
29:
4958:Films with screenplays by Paddy Chayefsky
4863:Films about adultery in the United States
3064:Billington, Michael (November 13, 2017).
2799:
2405:. Simon & Schuster Inc. p. 304.
2162:"Complete National Film Registry Listing"
602:daytime television programming executive
316:, it received ten nominations, including
2651:. Los Angeles: American Film Institute.
2550:
2548:
2475:
1632:Best Actress in a Motion Picture – Drama
1223:the shortest performance to win an Oscar
833:
550:
3154:
2972:
2857:
2687:from the original on September 20, 2018
2655:from the original on September 29, 2023
2586:
2526:
2356:
1771:National Society of Film Critics Awards
1685:Kansas City Film Critics Circle Awards
357:Producers Guild of America Hall of Fame
4830:
3241:"Notes of a Screenwriter, Mad as Hell"
3126:"Beatrice Straight performance length"
2975:"Notes of a Screenwriter, Mad as Hell"
2718:from the November 15, 1976 edition of
2377:from the original on February 21, 2017
2285:. Henry Holt and Company, 2014, p. 47.
2249:from the original on November 22, 2016
2142:from the original on February 24, 2020
1614:Best Actor in a Motion Picture – Drama
991:will outlive a lot of tidier movies."
4255:
4005:
3380:
3188:from the original on February 8, 2020
3155:Stewart, Matthew (January 30, 2021).
3106:from the original on October 15, 2018
3045:from the original on February 2, 2017
3005:"The 500 Greatest Movies of All Time"
2985:from the original on January 16, 2017
2824:
2554:
2545:
2172:from the original on October 19, 2014
1950:Diana Christensen – Nominated Villain
905:The performances of the entire cast (
848:
428:and kicking off the second season of
3015:from the original on August 14, 2011
2769:
2124:
2122:
2101:British Board of Film Classification
1174:
4998:English-language black comedy films
3214:from the original on April 26, 2020
3076:from the original on April 26, 2021
2905:from the original on April 26, 2021
2802:Halliwell's Film Guide, 6th edition
2419:from the original on April 26, 2021
2310:from the original on April 26, 2019
2107:from the original on April 18, 2017
1884:PGA Hall of Fame – Motion Pictures
1828:New York Film Critics Circle Awards
1123:
1114:." The film ranks at number 100 in
13:
4993:Films produced by Howard Gottfried
3908:Hans Brinker and the Silver Skates
3877:Before the Devil Knows You're Dead
3250:
3230:
2625:from the original on April 9, 2018
2502:"Robert Mitchum: Not Starring ..."
2202:from the original on April 3, 2019
1956:AFI's 100 Years...100 Movie Quotes
14:
5009:
4798:Everything Everywhere All at Once
3276:
2130:"Network, Box Office Information"
2119:
1880:Producers Guild of America Awards
1676:Outstanding Foreign Language Film
1581:Directors Guild of America Awards
1196:Everything Everywhere All at Once
2963:by Roger Ebert from October 2000
1756:National Film Preservation Board
1658:Best Screenplay – Motion Picture
895:
886:
877:
866:
857:
4305:One Flew Over the Cuckoo's Nest
3287:essay by Joanna E. Rapf on the
3257:Anticipated Contemporary Media"
3200:
3174:
3148:
3088:
3057:
3027:
2997:
2966:
2944:
2917:
2881:
2851:
2818:
2793:
2778:
2763:
2744:
2726:
2699:
2667:
2605:
2580:
2520:
2494:
2469:
2466:TCM. Retrieved 8 November 2018.
2450:
2431:
2389:
2322:
2051:
2034:
1980:
1908:Writers Guild of America Awards
1741:National Board of Review Awards
1506:Best Actor in a Supporting Role
994:Not all reviews were positive:
929:nominations the former two for
4908:Films directed by Sidney Lumet
4561:Crouching Tiger, Hidden Dragon
2973:Itzkoff, Dave (May 19, 2011).
2649:AFI Catalogue of Feature Films
2357:Itzkoff, Dave (May 19, 2011).
2290:
2275:
2261:
2243:Writers Guild of America, West
2231:
2214:
2184:
2154:
2079:
2046:Run After Me Until I Catch You
1871:Hall of Fame – Motion Picture
1645:Best Director – Motion Picture
1493:Best Actress in a Leading Role
1419:American Cinema Editors Awards
383:, the longtime anchor for the
1:
4903:Films about television people
3497:Long Day's Journey into Night
2271:. dead link. October 1, 2008.
2072:
1151:making his UK stage debut as
982:received its Academy Awards,
728:, while the studio suggested
541:
4843:1970s English-language films
4097:The Americanization of Emily
3657:Murder on the Orient Express
3597:Last of the Mobile Hot Shots
3313:AFI Catalog of Feature Films
2442:. July 31, 1978 – via
1939:AFI's 100 Years...100 Laughs
1933:AFI's 100 Years...100 Movies
1467:Best Actor in a Leading Role
1206:acting Academy Award (until
732:, with alternate candidates
7:
4873:American comedy-drama films
4868:American black comedy films
2402:Looking for Gatsby: My Life
1604:Best Motion Picture – Drama
1434:British Academy Film Awards
365:100 greatest American films
265:and its struggle with poor
180:November 27, 1976
10:
5014:
4938:Films set in New York City
4381:E.T. the Extra-Terrestrial
3707:Just Tell Me What You Want
3039:www.nationaltheatre.org.uk
2800:Halliwell, Leslie (1987).
2239:"101 Greatest Screenplays"
1996:Turner Broadcasting System
1262:
1100:World Wrestling Federation
933:, and the later three for
825:Lumet and cinematographer
805:
634:
324:for Finch (posthumously),
281:(in his final film role),
261:. It is about a fictional
4973:Metro-Goldwyn-Mayer films
4572:
4289:
4206:
4139:
4040:
3938:The Count of Monte Cristo
3888:
3437:
3415:
3356:essay by Daniel Eagan in
3182:"Awards for 1976 - LAFCA"
2959:February 4, 2013, at the
2714:February 7, 2012, at the
2480:. Angus & Robertson.
2476:Faulkner, Trader (1979).
2462:February 1, 2018, at the
2399:; Sharkey, Betsy (1995).
1898:Best Science Fiction Film
1896:
1883:
1870:
1831:
1826:
1769:
1759:
1744:
1703:
1698:
1674:
1602:
1597:
1563:David di Donatello Awards
1465:
1432:
1407:
1297:
1232:The Bad and the Beautiful
1081:
361:Writers Guilds of America
228:
220:
212:
204:
194:
171:
161:
145:
135:
125:
115:
105:
74:
60:
50:
40:
35:Theatrical release poster
28:
23:
4878:American satirical films
3837:Night Falls on Manhattan
2829:Time Out Film Guide, The
2825:Milne, Tom, ed. (1993).
2478:Peter Finch: A Biography
2008:Turner Entertainment Co.
1988:MGM/UA Entertainment Co.
1973:
1671:Japan Academy Film Prize
1424:Best Edited Feature Film
1190:A Streetcar Named Desire
606:, which Bolen disputed.
499:Roy Poole as Sam Haywood
334:Best Original Screenplay
4893:Films about journalists
4858:1976 comedy-drama films
4853:1976 black comedy films
4239:The Latent Heterosexual
4231:The Passion of Josef D.
4197:The Great American Hoax
3253:"Madder Than Hell: How
1927:American Film Institute
1359:Best Supporting Actress
1193:(1951) and followed by
1159:as Diana. It opened on
943:Best Supporting Actress
748:. Lumet wanted to cast
547:Development and writing
435:
374:
369:American Film Institute
330:Best Supporting Actress
4898:Films about television
4421:Hannah and Her Sisters
3487:A View from the Bridge
3428:Awards and nominations
3289:National Film Registry
2587:Eastman, John (1989).
2527:Dunaway, Faye (1995).
2016:Warner Bros. Discovery
1761:National Film Registry
563:
505:as Edward George Ruddy
490:as Barbara Schlesinger
349:National Film Registry
308:on November 27, 1976,
4953:Films shot in Toronto
4883:BAFTA winners (films)
4848:1970s satirical films
4632:Letters from Iwo Jima
3263:. No. March 2014
3011:. Bauer Media Group.
2683:. November 17, 2017.
2000:MGM Entertainment Co.
1802:Best Supporting Actor
1344:Best Supporting Actor
1225:as of 2022 (breaking
1216:Best Supporting Actor
939:Best Supporting Actor
834:Release and reception
554:
430:The Mao Tse-Tung Hour
426:The Howard Beale Show
393:The Howard Beale Show
4988:1970s American films
4978:United Artists films
4814:The Zone of Interest
4748:Call Me by Your Name
4057:As Young as You Feel
3968:Sacco-Vanzetti Story
2741:. Section 6, p. 2-3.
2591:. Ballantine Books.
2103:. November 1, 1976.
1568:Best Foreign Actress
820:The Towering Inferno
690:The Towering Inferno
511:as Louise Schumacher
445:as Diana Christensen
243:is a 1976 American
4642:There Will Be Blood
4541:Saving Private Ryan
4391:Terms of Endearment
4089:Middle of the Night
3817:A Stranger Among Us
2787:The Washington Post
2508:on November 7, 2017
2196:Library of Congress
2166:Library of Congress
1599:Golden Globe Awards
1389:Best Cinematography
1171:as Max Schumacher.
1057:1978 Academy Awards
1008:The Washington Post
754:supporter of Israel
629:Metro-Goldwyn-Mayer
529:as Mary Ann Gifford
523:as Great Ahmed Kahn
379:In September 1975,
353:Library of Congress
314:49th Academy Awards
302:Metro-Goldwyn-Mayer
155:Metro-Goldwyn-Mayer
4672:The Social Network
4622:Brokeback Mountain
4521:Secrets & Lies
4451:Do the Right Thing
4190:The Catered Affair
4169:The Bachelor Party
4073:The Bachelor Party
3928:Three by Tennessee
3918:All the King's Men
3717:Prince of the City
3607:The Anderson Tapes
3467:That Kind of Woman
3407:Films directed by
3347:TCM Movie Database
3245:The New York Times
2979:The New York Times
2721:The New York Times
2529:Looking for Gatsby
2444:Milwaukee Sentinel
2363:The New York Times
2024:Amazon MGM Studios
1621:(posthumous award)
1474:(posthumous award)
1308:(posthumous award)
1129:A stage adaptation
1013:Michael Billington
957:The New York Times
849:Critical Reception
699:The New York Times
571:Christine Chubbuck
564:
332:for Straight, and
263:television network
4948:Films set in 1976
4943:Films set in 1975
4825:
4824:
4602:American Splendor
4531:L.A. Confidential
4511:Leaving Las Vegas
4351:Kramer vs. Kramer
4299:Dog Day Afternoon
4249:
4248:
4155:Printer's Measure
3999:
3998:
3978:100 Centre Street
3958:The Iceman Cometh
3898:Beyond This Place
3777:The Morning After
3667:Dog Day Afternoon
3557:Bye Bye Braverman
3547:The Deadly Affair
3477:The Fugitive Kind
3136:on August 6, 2017
3100:broadwayworld.com
2621:. March 8, 2018.
1924:
1923:
1623:
1476:
1404:Best Film Editing
1364:Beatrice Straight
1310:
1175:Awards and honors
923:Beatrice Straight
786:Beatrice Straight
575:Sarasota, Florida
509:Beatrice Straight
451:as Max Schumacher
367:as chosen by the
343:was selected for
295:Beatrice Straight
269:. The film stars
253:film directed by
236:
235:
5005:
4818:
4808:
4792:
4782:
4772:
4762:
4752:
4742:
4732:
4722:
4712:
4696:
4686:
4676:
4666:
4656:
4646:
4636:
4626:
4616:
4606:
4596:
4586:
4565:
4555:
4545:
4535:
4525:
4515:
4505:
4495:
4491:Schindler's List
4485:
4475:
4465:
4455:
4445:
4435:
4425:
4415:
4405:
4395:
4385:
4375:
4365:
4355:
4345:
4335:
4325:
4309:
4276:
4269:
4262:
4253:
4252:
4140:Television plays
4105:Paint Your Wagon
4026:
4019:
4012:
4003:
4002:
3992:
3982:
3972:
3962:
3952:
3942:
3932:
3922:
3912:
3902:
3881:
3871:
3861:
3851:
3841:
3831:
3821:
3811:
3801:
3791:
3787:Running on Empty
3781:
3771:
3761:
3751:
3741:
3731:
3721:
3711:
3701:
3691:
3681:
3671:
3661:
3651:
3641:
3631:
3621:
3611:
3601:
3591:
3581:
3571:
3561:
3551:
3541:
3531:
3521:
3511:
3501:
3491:
3481:
3471:
3461:
3451:
3430:
3423:
3401:
3394:
3387:
3378:
3377:
3272:
3270:
3268:
3224:
3223:
3221:
3219:
3204:
3198:
3197:
3195:
3193:
3178:
3172:
3171:
3169:
3167:
3152:
3146:
3145:
3143:
3141:
3132:. Archived from
3122:
3116:
3115:
3113:
3111:
3092:
3086:
3085:
3083:
3081:
3061:
3055:
3054:
3052:
3050:
3031:
3025:
3024:
3022:
3020:
3001:
2995:
2994:
2992:
2990:
2970:
2964:
2948:
2942:
2941:
2939:
2937:
2921:
2915:
2914:
2912:
2910:
2889:"Network (1976)"
2885:
2879:
2878:
2855:
2849:
2848:
2832:
2822:
2816:
2815:
2797:
2791:
2782:
2776:
2775:
2767:
2761:
2748:
2742:
2730:
2724:
2703:
2697:
2696:
2694:
2692:
2671:
2665:
2664:
2662:
2660:
2645:"Network (1976)"
2641:
2635:
2634:
2632:
2630:
2609:
2603:
2602:
2584:
2578:
2577:
2565:
2552:
2543:
2542:
2531:. Pocket Books.
2524:
2518:
2517:
2515:
2513:
2498:
2492:
2491:
2473:
2467:
2454:
2448:
2447:
2435:
2429:
2428:
2426:
2424:
2393:
2387:
2386:
2384:
2382:
2354:
2345:
2344:
2342:
2340:
2326:
2320:
2319:
2317:
2315:
2294:
2288:
2279:
2273:
2272:
2265:
2259:
2258:
2256:
2254:
2235:
2229:
2218:
2212:
2211:
2209:
2207:
2188:
2182:
2181:
2179:
2177:
2158:
2152:
2151:
2149:
2147:
2126:
2117:
2116:
2114:
2112:
2083:
2064:
2055:
2049:
2038:
2032:
2031:internationally.
1984:
1917:Paddy Chayefsky
1860:Paddy Chayefsky
1819:Paddy Chayefsky
1732:Paddy Chayefsky
1662:Paddy Chayefsky
1619:
1525:Paddy Chayefsky
1472:
1306:
1274:Howard Gottfried
1246:
1245:
1157:Michelle Dockery
1137:National Theatre
1124:Stage adaptation
1073:
1049:Vanessa Redgrave
1043:not only to be "
899:
890:
881:
870:
861:
750:Vanessa Redgrave
643:, he envisioned
521:Arthur Burghardt
517:as Laureen Hobbs
515:Marlene Warfield
488:Conchata Ferrell
478:as Arthur Jensen
472:as Nelson Chaney
466:as Frank Hackett
385:UBS Evening News
320:, and won four:
304:and released by
187:
185:
65:Howard Gottfried
33:
21:
20:
5013:
5012:
5008:
5007:
5006:
5004:
5003:
5002:
4828:
4827:
4826:
4821:
4811:
4795:
4785:
4775:
4765:
4755:
4745:
4735:
4725:
4715:
4699:
4689:
4682:The Descendants
4679:
4669:
4662:The Hurt Locker
4659:
4649:
4639:
4629:
4619:
4609:
4599:
4589:
4579:
4568:
4558:
4548:
4538:
4528:
4518:
4508:
4498:
4488:
4478:
4468:
4458:
4448:
4438:
4428:
4418:
4408:
4398:
4388:
4378:
4368:
4358:
4348:
4338:
4328:
4312:
4296:
4285:
4280:
4250:
4245:
4202:
4135:
4036:
4034:Paddy Chayefsky
4030:
4000:
3995:
3985:
3975:
3965:
3955:
3945:
3935:
3925:
3915:
3905:
3895:
3884:
3874:
3864:
3854:
3844:
3834:
3824:
3814:
3804:
3797:Family Business
3794:
3784:
3774:
3764:
3754:
3744:
3734:
3724:
3714:
3704:
3694:
3684:
3674:
3664:
3654:
3644:
3634:
3624:
3614:
3604:
3594:
3584:
3577:The Appointment
3574:
3564:
3554:
3544:
3534:
3524:
3514:
3504:
3494:
3484:
3474:
3464:
3454:
3444:
3433:
3426:
3419:
3411:
3405:
3368:, pages 733-735
3325:Box Office Mojo
3279:
3266:
3264:
3251:Parker, James.
3233:
3231:Further reading
3228:
3227:
3217:
3215:
3206:
3205:
3201:
3191:
3189:
3180:
3179:
3175:
3165:
3163:
3153:
3149:
3139:
3137:
3124:
3123:
3119:
3109:
3107:
3094:
3093:
3089:
3079:
3077:
3062:
3058:
3048:
3046:
3033:
3032:
3028:
3018:
3016:
3003:
3002:
2998:
2988:
2986:
2971:
2967:
2961:Wayback Machine
2949:
2945:
2935:
2933:
2923:
2922:
2918:
2908:
2906:
2894:Rotten Tomatoes
2887:
2886:
2882:
2875:
2856:
2852:
2845:
2823:
2819:
2812:
2798:
2794:
2783:
2779:
2768:
2764:
2749:
2745:
2738:Chicago Tribune
2731:
2727:
2716:Wayback Machine
2704:
2700:
2690:
2688:
2673:
2672:
2668:
2658:
2656:
2643:
2642:
2638:
2628:
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2611:
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2599:
2585:
2581:
2574:
2553:
2546:
2539:
2525:
2521:
2511:
2509:
2500:
2499:
2495:
2488:
2474:
2470:
2464:Wayback Machine
2455:
2451:
2437:
2436:
2432:
2422:
2420:
2413:
2394:
2390:
2380:
2378:
2355:
2348:
2338:
2336:
2330:"Network At 40"
2328:
2327:
2323:
2313:
2311:
2296:
2295:
2291:
2281:Itzkoff, Dave.
2280:
2276:
2267:
2266:
2262:
2252:
2250:
2237:
2236:
2232:
2219:
2215:
2205:
2203:
2190:
2189:
2185:
2175:
2173:
2160:
2159:
2155:
2145:
2143:
2135:Box Office Mojo
2128:
2127:
2120:
2110:
2108:
2085:
2084:
2080:
2075:
2068:
2067:
2056:
2052:
2039:
2035:
2022:However, since
1985:
1981:
1976:
1929:
1856:Best Screenplay
1815:Best Screenplay
1780:William Holden
1728:Best Screenplay
1521:Best Screenplay
1484:William Holden
1379:Paddy Chayefsky
1177:
1165:Tatiana Maslany
1126:
1084:
1071:
1064:Rotten Tomatoes
971:Chicago Tribune
949:
948:
947:
946:
902:
901:
900:
892:
891:
883:
882:
873:
872:
871:
863:
862:
851:
836:
808:
669:George C. Scott
665:John Chancellor
661:Walter Cronkite
637:
549:
544:
532:
484:as Harry Hunter
438:
377:
336:for Chayefsky.
259:Paddy Chayefsky
257:and written by
197:
190:
183:
181:
174:
157:
150:
148:
140:Elliot Lawrence
101:
67:
55:Paddy Chayefsky
36:
17:
12:
11:
5:
5011:
5001:
5000:
4995:
4990:
4985:
4980:
4975:
4970:
4965:
4960:
4955:
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4945:
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4935:
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4920:
4915:
4910:
4905:
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4895:
4890:
4885:
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4870:
4865:
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4855:
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4697:
4687:
4677:
4667:
4657:
4647:
4637:
4627:
4617:
4607:
4597:
4587:
4582:In the Bedroom
4576:
4574:
4570:
4569:
4567:
4566:
4556:
4546:
4536:
4526:
4516:
4506:
4496:
4486:
4476:
4466:
4456:
4446:
4436:
4431:Hope and Glory
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4176:The Sixth Year
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4129:Altered States
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4049:The True Glory
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3277:External links
3275:
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3273:
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3237:Itzkoff, David
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3225:
3199:
3173:
3147:
3130:Serving Cinema
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2880:
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2850:
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2774:. p. 177.
2772:The New Yorker
2762:
2760:from the 1970s
2743:
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2579:
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2504:Archived from
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2096:United Artists
2077:
2076:
2074:
2071:
2066:
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2050:
2042:Annie Girardot
2033:
1978:
1977:
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1806:Robert Duvall
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1454:Best Direction
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1319:William Holden
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1301:
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1271:
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1264:Academy Awards
1260:
1259:
1256:
1253:
1250:
1227:Gloria Grahame
1181:Academy Awards
1176:
1173:
1149:Bryan Cranston
1125:
1122:
1092:Jerry Springer
1083:
1080:
1035:Reel Bad Arabs
1001:The New Yorker
911:William Holden
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746:Jill Clayburgh
718:Candice Bergen
714:Robert Mitchum
703:Herald Tribune
681:Walter Matthau
677:William Holden
636:
633:
611:United Artists
548:
545:
543:
540:
536:Lee Richardson
531:
530:
527:Kathy Cronkite
524:
518:
512:
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503:William Prince
500:
497:
496:as Bill Herron
494:Darryl Hickman
491:
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482:Jordan Charney
479:
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467:
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452:
449:William Holden
446:
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306:United Artists
275:William Holden
234:
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232:$ 23.7 million
230:
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166:United Artists
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162:Distributed by
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116:Cinematography
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110:Lee Richardson
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87:William Holden
84:
78:
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72:
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69:Fred C. Caruso
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4592:About Schmidt
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4441:Little Dorrit
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4371:Atlantic City
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4215:The Tenth Man
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4046:
4045:
4043:
4041:Films written
4039:
4035:
4027:
4022:
4020:
4015:
4013:
4008:
4007:
4004:
3990:
3989:
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3853:
3849:
3848:
3847:Critical Care
3843:
3839:
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3829:
3828:
3827:Guilty as Sin
3823:
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3809:
3808:
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3453:
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3438:Feature films
3436:
3429:
3425:
3422:
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3397:
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3247:, 19 May 2011
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2859:Shaheen, Jack
2854:
2846:
2844:0-14-017513-X
2840:
2836:
2831:
2830:
2821:
2813:
2811:0-684-19051-6
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2600:
2598:9780345353993
2594:
2590:
2583:
2575:
2573:9780679756606
2569:
2564:
2563:
2562:Making Movies
2557:
2556:Lumet, Sidney
2551:
2549:
2540:
2538:0-671-67526-5
2534:
2530:
2523:
2507:
2503:
2497:
2489:
2487:9780207958311
2483:
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2412:0-671-67526-5
2408:
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2403:
2398:
2397:Dunaway, Faye
2392:
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2240:
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2226:Original site
2223:
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2017:
2013:
2009:
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1930:
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1893:Saturn Awards
1891:
1890:
1886:
1881:
1878:
1877:
1873:
1867:
1866:
1862:
1859:
1857:
1854:
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1847:Faye Dunaway
1846:
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1825:
1821:
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1800:
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1793:Faye Dunaway
1792:
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1779:
1777:
1774:
1772:
1768:
1764:
1762:
1757:
1754:
1753:
1749:
1747:
1746:Top Ten Films
1742:
1739:
1738:
1734:
1731:
1729:
1726:
1725:
1721:
1719:Sidney Lumet
1718:
1716:
1715:Best Director
1713:
1712:
1708:
1706:
1701:
1697:
1693:
1691:Faye Dunaway
1690:
1688:Best Actress
1687:
1684:
1683:
1679:
1677:
1672:
1669:
1668:
1664:
1661:
1659:
1656:
1655:
1651:
1649:Sidney Lumet
1648:
1646:
1643:
1642:
1638:
1636:Faye Dunaway
1635:
1633:
1630:
1629:
1625:
1622:
1617:
1615:
1612:
1611:
1607:
1605:
1600:
1596:
1592:
1590:Sidney Lumet
1589:
1587:
1584:
1582:
1579:
1578:
1574:
1572:Faye Dunaway
1571:
1569:
1566:
1564:
1561:
1560:
1556:
1554:
1550:
1548:
1545:
1544:
1540:
1537:
1535:
1532:
1531:
1527:
1524:
1522:
1519:
1518:
1514:
1512:
1511:Robert Duvall
1509:
1507:
1504:
1503:
1499:
1497:Faye Dunaway
1496:
1494:
1491:
1490:
1486:
1483:
1482:
1478:
1475:
1470:
1468:
1464:
1460:
1458:Sidney Lumet
1457:
1455:
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1309:
1305:
1302:
1300:
1296:
1292:
1290:
1287:
1285:
1284:Best Director
1282:
1281:
1277:
1275:
1272:
1270:
1267:
1265:
1261:
1257:
1254:
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1167:as Diana and
1166:
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1142:
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1130:
1121:
1119:
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1105:
1101:
1097:
1093:
1089:
1079:
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1070:
1065:
1060:
1058:
1054:
1053:she described
1050:
1046:
1041:
1037:
1036:
1031:
1027:
1024:
1023:
1018:
1014:
1010:
1009:
1003:
1002:
997:
992:
990:
985:
981:
977:
973:
972:
967:
963:
959:
958:
953:
952:Vincent Canby
944:
940:
936:
932:
928:
927:Academy Award
924:
920:
916:
912:
908:
898:
889:
880:
869:
860:
846:
844:
840:
831:
828:
823:
821:
816:
813:
803:
801:
800:
795:
794:Arthur Miller
791:
787:
783:
782:Robert Altman
779:
775:
771:
770:Robert Duvall
765:
763:
759:
755:
751:
747:
743:
739:
735:
731:
727:
723:
722:Ellen Burstyn
719:
715:
711:
707:
704:
700:
694:
692:
691:
686:
682:
678:
674:
670:
666:
662:
658:
654:
653:James Stewart
650:
646:
642:
632:
630:
626:
622:
618:
617:
612:
607:
605:
601:
596:
592:
586:
584:
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576:
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568:
561:
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553:
539:
537:
534:In addition,
528:
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510:
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504:
501:
498:
495:
492:
489:
486:
483:
480:
477:
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471:
468:
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464:Robert Duvall
462:
460:
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382:
372:
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354:
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342:
337:
335:
331:
328:for Dunaway,
327:
323:
319:
315:
311:
307:
303:
298:
296:
292:
288:
284:
283:Robert Duvall
280:
276:
272:
268:
264:
260:
256:
252:
249:
246:
242:
241:
231:
227:
224:$ 3.8 million
223:
219:
215:
211:
208:United States
207:
203:
199:
193:
179:
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176:
170:
167:
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160:
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152:
144:
141:
138:
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108:
104:
98:
97:Robert Duvall
95:
93:
90:
88:
85:
83:
80:
79:
77:
73:
70:
66:
63:
59:
56:
53:
49:
46:
43:
39:
32:
27:
22:
19:
4888:Films à clef
4812:
4802:
4796:
4788:Drive My Car
4786:
4776:
4766:
4756:
4746:
4736:
4726:
4716:
4706:
4700:
4690:
4680:
4670:
4660:
4650:
4640:
4630:
4620:
4610:
4600:
4590:
4580:
4573:2001–present
4559:
4549:
4539:
4529:
4519:
4509:
4501:Pulp Fiction
4499:
4489:
4479:
4469:
4459:
4449:
4439:
4429:
4419:
4409:
4399:
4389:
4379:
4369:
4359:
4349:
4339:
4329:
4319:
4314:
4313:
4303:
4297:
4237:
4229:
4221:
4213:
4148:Holiday Song
4127:
4120:
4119:
4113:The Hospital
4111:
4103:
4095:
4087:
4079:
4071:
4063:
4055:
4047:
3988:Strip Search
3986:
3976:
3966:
3956:
3946:
3936:
3926:
3916:
3906:
3896:
3875:
3865:
3855:
3845:
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3815:
3805:
3795:
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3755:
3745:
3735:
3725:
3715:
3705:
3695:
3685:
3676:
3675:
3665:
3655:
3647:Lovin' Molly
3645:
3635:
3625:
3617:Child's Play
3615:
3605:
3595:
3585:
3575:
3567:The Sea Gull
3565:
3555:
3545:
3535:
3525:
3515:
3505:
3495:
3485:
3475:
3465:
3457:Stage Struck
3455:
3447:12 Angry Men
3445:
3409:Sidney Lumet
3357:
3352:
3341:
3330:
3319:
3306:
3295:
3283:
3265:. Retrieved
3261:The Atlantic
3260:
3254:
3244:
3216:. Retrieved
3202:
3190:. Retrieved
3176:
3164:. Retrieved
3160:
3150:
3138:. Retrieved
3134:the original
3129:
3120:
3108:. Retrieved
3099:
3090:
3080:November 14,
3078:. Retrieved
3070:The Guardian
3069:
3059:
3047:. Retrieved
3038:
3029:
3017:. Retrieved
3008:
2999:
2987:. Retrieved
2978:
2968:
2952:
2946:
2934:. Retrieved
2928:
2919:
2907:. Retrieved
2892:
2883:
2863:
2853:
2828:
2820:
2801:
2795:
2785:
2780:
2771:
2765:
2752:
2746:
2736:
2733:Siskel, Gene
2728:
2719:
2707:
2701:
2689:. Retrieved
2678:
2669:
2657:. Retrieved
2648:
2639:
2627:. Retrieved
2616:
2607:
2588:
2582:
2561:
2528:
2522:
2510:. Retrieved
2506:the original
2496:
2477:
2471:
2452:
2433:
2421:. Retrieved
2401:
2391:
2379:. Retrieved
2362:
2337:. Retrieved
2333:
2324:
2312:. Retrieved
2301:
2292:
2282:
2277:
2263:
2253:November 29,
2251:. Retrieved
2233:
2216:
2204:. Retrieved
2195:
2186:
2174:. Retrieved
2165:
2156:
2144:. Retrieved
2133:
2109:. Retrieved
2094:
2088:
2081:
2069:
2058:
2053:
2045:
2036:
2027:
2020:Warner Bros.
1982:
1843:Best Actress
1789:Best Actress
1620:
1618:Peter Finch
1553:Dick Vorisek
1534:Best Editing
1473:
1471:Peter Finch
1443:
1394:Owen Roizman
1334:Faye Dunaway
1329:Best Actress
1307:
1289:Sidney Lumet
1269:Best Picture
1243:as of 2024.
1230:
1220:
1212:Heath Ledger
1201:
1194:
1188:
1184:
1178:
1169:Tony Goldwyn
1153:Howard Beale
1145:Ivo Van Hove
1127:
1115:
1111:
1104:Aaron Sorkin
1096:Howard Stern
1088:Great Movies
1085:
1068:
1061:
1033:
1030:Jack Shaheen
1028:
1020:
1006:
999:
996:Pauline Kael
993:
988:
979:
975:
969:
961:
955:
950:
935:Best Actress
915:Faye Dunaway
843:wide release
838:
837:
827:Owen Roizman
824:
819:
817:
809:
799:The Crucible
797:
766:
742:Marsha Mason
738:Diane Keaton
726:Natalie Wood
710:Faye Dunaway
708:
702:
698:
695:
688:
685:Gene Hackman
638:
624:
616:The Hospital
614:
608:
587:
582:
579:Dave Itzkoff
566:
565:
560:Sidney Lumet
555:
533:
459:Howard Beale
443:Faye Dunaway
429:
425:
422:
411:Mao Tse-Tung
408:
402:
392:
389:
384:
381:Howard Beale
378:
345:preservation
340:
338:
326:Best Actress
318:Best Picture
309:
300:Produced by
299:
271:Faye Dunaway
255:Sidney Lumet
251:comedy-drama
239:
238:
237:
196:Running time
173:Release date
120:Owen Roizman
82:Faye Dunaway
45:Sidney Lumet
18:
4551:The Insider
4361:Raging Bull
4341:Coming Home
4081:The Goddess
3757:Garbo Talks
3737:The Verdict
3627:The Offence
3421:Filmography
3218:November 8,
3192:November 8,
3110:October 15,
2989:January 13,
2909:January 19,
2758:Roger Ebert
2566:. Vintage.
2220:Archive of
2146:January 23,
2012:Time Warner
1941:– Nominated
1304:Peter Finch
1255:Nominee(s)
1040:prejudicial
1017:Chris Petit
984:Roger Ebert
966:Gene Siskel
907:Peter Finch
657:Paul Newman
645:Henry Fonda
641:Peter Finch
595:Vietnam War
470:Wesley Addy
455:Peter Finch
287:Wesley Addy
279:Peter Finch
200:121 minutes
106:Narrated by
92:Peter Finch
61:Produced by
41:Directed by
4838:1976 films
4832:Categories
4481:Unforgiven
4461:Goodfellas
4183:The Mother
3948:The Dybbuk
3889:Television
3366:0826429777
3140:October 9,
3019:August 17,
2951:Review of
2936:October 1,
2930:Metacritic
2874:1566563887
2751:Review of
2706:Review of
2659:January 6,
2423:October 5,
2073:References
2057:Tied with
2040:Tied with
1992:Ted Turner
1902:Nominated
1850:Runner-up
1837:Runner-up
1822:2nd Place
1809:3rd Place
1796:2nd Place
1783:2nd Place
1776:Best Actor
1750:2nd Place
1680:Nominated
1608:Nominated
1593:Nominated
1557:Nominated
1547:Best Sound
1541:Nominated
1538:Alan Heim
1528:Nominated
1515:Nominated
1500:Nominated
1487:Nominated
1461:Nominated
1448:Nominated
1428:Nominated
1413:Nominated
1398:Nominated
1353:Nominated
1349:Ned Beatty
1323:Nominated
1299:Best Actor
1293:Nominated
1278:Nominated
1204:posthumous
1147:featuring
1098:, and the
1076:Metacritic
1059:ceremony.
931:Best Actor
919:Ned Beatty
790:Tony Award
778:Ned Beatty
730:Jane Fonda
673:Glenn Ford
649:Cary Grant
542:Production
476:Ned Beatty
322:Best Actor
291:Ned Beatty
229:Box office
184:1976-11-27
147:Production
51:Written by
4778:Small Axe
4738:Moonlight
4728:Spotlight
4331:Star Wars
4290:1975–2000
4032:Works by
3981:(2001–02)
3807:Q & A
3727:Deathtrap
3537:The Group
3517:Fail Safe
3161:GoldDerby
3049:March 20,
2925:"Network"
2381:March 13,
2371:0362-4331
2334:The Attic
2111:August 8,
2004:Kerkorian
1833:Best Film
1765:Inducted
1705:Best Film
1439:Best Film
1409:Alan Heim
1252:Category
604:Lin Bolen
591:Watergate
581:'s book (
562:, in 1970
558:director
405:docudrama
339:In 2000,
245:satirical
130:Alan Heim
126:Edited by
4768:Parasite
4612:Sideways
4199:" (1956)
4192:" (1955)
4185:" (1954)
4178:" (1953)
4171:" (1953)
4164:" (1953)
4157:" (1953)
4150:" (1952)
3527:The Hill
3301:AllMovie
3267:July 16,
3212:Archived
3186:Archived
3166:July 29,
3104:Archived
3074:Archived
3043:Archived
3013:Archived
2983:Archived
2957:Archived
2903:Archived
2899:Fandango
2861:(2001).
2712:Archived
2685:Archived
2653:Archived
2623:Archived
2558:(1995).
2460:Archived
2417:Archived
2375:Archived
2339:July 27,
2314:July 14,
2308:Archived
2247:Archived
2200:Archived
2170:Archived
2140:Archived
2105:Archived
1199:(2022).
1161:Broadway
1133:Lee Hall
1022:Time Out
734:Kay Lenz
701:and the
593:and the
407:series,
397:populist
213:Language
136:Music by
75:Starring
4718:Boyhood
4702:Gravity
4401:Amadeus
4315:Network
4121:Network
3697:The Wiz
3677:Network
3637:Serpico
3500:(1962)
3353:Network
3345:at the
3342:Network
3331:Network
3320:Network
3310:at the
3307:Network
3296:Network
3291:website
3284:Network
3255:Network
2953:Network
2753:Network
2708:Network
2691:July 1,
2680:YouTube
2629:July 1,
2618:YouTube
2512:July 1,
2457:Network
2303:YouTube
2089:Network
2028:Network
1444:Network
1258:Result
1185:Network
1179:At the
1112:Network
1069:Network
989:Network
980:Network
976:Network
968:of the
962:Network
960:called
839:Network
812:Toronto
806:Filming
762:Gentile
712:wanted
635:Casting
625:Network
567:Network
556:Network
351:by the
347:in the
341:Network
310:Network
267:ratings
240:Network
216:English
205:Country
182: (
149:company
24:Network
4817:(2023)
4807:(2022)
4791:(2021)
4781:(2020)
4771:(2019)
4761:(2018)
4751:(2017)
4741:(2016)
4731:(2015)
4721:(2014)
4711:(2013)
4695:(2012)
4685:(2011)
4675:(2010)
4665:(2009)
4655:(2008)
4652:WALL-E
4645:(2007)
4635:(2006)
4625:(2005)
4615:(2004)
4605:(2003)
4595:(2002)
4585:(2001)
4564:(2000)
4554:(1999)
4544:(1998)
4534:(1997)
4524:(1996)
4514:(1995)
4504:(1994)
4494:(1993)
4484:(1992)
4474:(1991)
4464:(1990)
4454:(1989)
4444:(1988)
4434:(1987)
4424:(1986)
4414:(1985)
4411:Brazil
4404:(1984)
4394:(1983)
4384:(1982)
4374:(1981)
4364:(1980)
4354:(1979)
4344:(1978)
4334:(1977)
4324:(1976)
4308:(1975)
4242:(1968)
4234:(1964)
4226:(1961)
4223:Gideon
4218:(1959)
4132:(1980)
4124:(1976)
4116:(1971)
4108:(1969)
4100:(1964)
4092:(1959)
4084:(1958)
4076:(1957)
4068:(1955)
4060:(1951)
4052:(1945)
3991:(2004)
3971:(1960)
3961:(1960)
3951:(1960)
3941:(1958)
3931:(1958)
3921:(1958)
3911:(1958)
3901:(1957)
3880:(2007)
3870:(2006)
3860:(1999)
3857:Gloria
3850:(1997)
3840:(1996)
3830:(1993)
3820:(1992)
3810:(1990)
3800:(1989)
3790:(1988)
3780:(1986)
3770:(1986)
3760:(1984)
3750:(1983)
3747:Daniel
3740:(1982)
3730:(1982)
3720:(1981)
3710:(1980)
3700:(1978)
3690:(1977)
3680:(1976)
3670:(1975)
3660:(1974)
3650:(1974)
3640:(1973)
3630:(1973)
3620:(1972)
3610:(1971)
3600:(1970)
3590:(1970)
3580:(1969)
3570:(1968)
3560:(1968)
3550:(1966)
3540:(1966)
3530:(1965)
3520:(1964)
3510:(1964)
3490:(1962)
3480:(1960)
3470:(1959)
3460:(1958)
3450:(1957)
3364:
3009:Empire
2871:
2841:
2808:
2595:
2570:
2535:
2484:
2409:
2369:
2206:May 6,
2176:May 6,
1249:Award
1155:, and
1141:London
1117:Empire
1108:Orwell
1082:Legacy
1051:after
1045:racist
724:, and
293:, and
221:Budget
4692:Amour
4471:Bugsy
4321:Rocky
4207:Plays
4162:Marty
4065:Marty
3767:Power
3687:Equus
2790:. B1.
2091:(15)"
2060:Rocky
2014:(now
1974:Notes
1969:– #64
1935:– #66
1210:when
1072:'
974:gave
619:, to
417:Saudi
248:black
4758:Roma
3362:ISBN
3336:IMDb
3269:2016
3220:2020
3194:2020
3168:2023
3142:2016
3112:2018
3082:2017
3051:2017
3021:2011
2991:2017
2938:2021
2911:2024
2869:ISBN
2839:ISBN
2806:ISBN
2693:2018
2661:2024
2631:2018
2593:ISBN
2568:ISBN
2533:ISBN
2514:2018
2482:ISBN
2425:2020
2407:ISBN
2383:2017
2367:ISSN
2341:2018
2316:2017
2255:2015
2208:2020
2178:2020
2148:2012
2113:2023
2044:for
1920:Won
1887:Won
1874:Won
1863:Won
1735:Won
1722:Won
1709:Won
1694:Won
1665:Won
1652:Won
1639:Won
1626:Won
1575:Won
1479:Won
1383:Won
1368:Won
1338:Won
1313:Won
1237:1953
1214:won
1208:2009
941:and
921:and
774:Ford
744:and
683:and
675:and
663:and
655:and
436:Cast
413:Hour
409:The
375:Plot
4804:Tár
4708:Her
3334:at
3323:at
3299:at
2835:486
2756:by
2440:UPI
1994:'s
1235:in
1139:in
1131:by
1062:On
1019:in
998:in
954:of
796:'s
764:."
758:PLO
621:ABC
600:NBC
573:in
457:as
4834::
4801:/
4705:/
4318:/
4302:/
3259:.
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3239:.
3210:.
3184:.
3159:.
3128:.
3098:.
3072:.
3068:.
3041:.
3037:.
3007:.
2981:.
2977:.
2927:.
2901:.
2897:.
2891:.
2837:.
2677:.
2647:.
2615:.
2547:^
2415:.
2373:.
2365:.
2361:.
2349:^
2332:.
2306:.
2300:.
2245:.
2241:.
2198:.
2194:.
2168:.
2164:.
2138:.
2132:.
2121:^
2099:.
2093:.
1958::
1947::
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693:.
671:,
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297:.
289:,
285:,
277:,
273:,
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3114:.
3084:.
3053:.
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2940:.
2913:.
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2576:.
2541:.
2516:.
2490:.
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2427:.
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2343:.
2318:.
2257:.
2228:.
2210:.
2180:.
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2087:"
2063:.
2048:.
186:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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