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called it "a furious classic of a record. They addressed the frustration and isolation that so many indie bands of their ilk addressed, but few could transmogrify those feelings into a sound this crafted yet unruly, into a sound that could vacillate between the claustrophobia of being lonely and the
442:
isn't their most groundbreaking, but in the scheme of things it sees the band move towards a darker and more note-oriented structure while still retaining the chugging dissonance that would continue to characterize them for their next few records." "Entirely
Different Matters", "Hexenzsene" and "All
453:
wrote that the album "finds
Unwound branching out into propulsive odd meters, a vastly bigger sound and even more traumatic contrasts between loud and soft, pulling the arty riffage into much tighter focus. There's even something resembling melody emerging on songs such as "Envelope," "Hexenzsene"
458:-ish instrumental "Abstraktions" — but the band's strength remains the art of noise, as in the staccato dissonance of "All Souls Day" and the way the roiling mass of distortion in "Usual Dosage" gives way to a lambent middle passage of tinkling, ringing tones."
521:
rated the album an 8.9 out of 10, writing that "here are four major factors here: Raw emotion, tidal waves of noise, head-banging hooks, and trippy instrumental transitions. It sounds like a lot to work with, but
Unwound packs it in, graciously."
496:." The song "Envelope" was called "one of Unwound’s most indelible songs, a study in inverted, charred-hearted near-pop—melody morphs into menace and is never resolved" while "Abstraktions" "veers down a harrowing, Side-Two-of-
467:
was more negative, calling it a "dense and angry record" that made the "full-time alienated" band members seem like "the kind of people you avoid at parties." Months later, Siân
Pattenden would review the album for
438:
in a dark alley musical theatrics really start to sound polished this time around." "Compared to the more technically adept work the band moved towards on later records," he writes, "
472:
yet again, this time slightly more positively. "A good, very listenable LP", she concluded, "but it's difficult to remember what you're hearing is supposed to be current."
506:
corridor." The review by writing that both it and its predecessor "hold important places in the history of 90s music, not to mention those of punk and indie as a whole."
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called it "a catalog highlight one of the band's very best albums", singling out "All Soul's Day" as "one of the most punishing moments in the
Unwound repertoire."
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wrote that the album features "more coherently focused attempts at songwriting than their debut effort, and, on a whole, the
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Much like its predecessor, the album received a lot of critical attention upon its release through the 2014 box-set
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and focuses more on melody and odd time signatures, although the band has stated that this was unintentional.
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The album was recorded in between from
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907:"New Plastic Ideas - Unwound | Songs, Reviews, Credits | AllMusic"
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is a somewhat a step away from the feedback-ridden sound of its predecessor
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231:. As pointed out in The Vinyl Factory's review for the album,
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817:. Kill Rock Stars. Archived from the original on 1999-01-25.
784:. Kill Rock Stars. Archived from the original on 1999-01-25.
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811:"Q&A With Justin Trosper and Vern Rumsey from 2000"
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Souls Day" were chosen as highlights. Ira
Robbins and
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formats, and the front cover photo is taken from the
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1013:"Celebrate the Catalog: The Unwound albums rated"
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1196:The Light at the End of the Tunnel Is a Train
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973:. Archived from the original on 2018-10-25.
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1172:Challenge for a Civilized Society
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16:1994 studio album by Unwound
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1227:06/30/1999: Reykjavik, Iceland
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1321:Albums produced by Steve Fisk
893:"Unwound - New Plastic Ideas"
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60:November 26–December 13, 1993
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550:"Entirely Different Matters"
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284:) on the band's 2014 boxset
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1249:A Single History: 1991–1997
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947:"Unwound: Rat Conspiracy"
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223:Background and recording
1326:Kill Rock Stars albums
1179:Leaves Turn Inside You
672:– lead vocals, guitar
508:Delusions of Adequacy
426:Peter J. D'Angelo of
245:Release and packaging
697:– producer, engineer
297:Professional ratings
1015:. 8 September 2015.
758:. The Vinyl Factory
756:thevinylfactory.com
298:
229:Seattle, Washington
74:Seattle, Washington
1236:Compilation albums
1151:The Future of What
1038:(list of releases)
815:killrockstars.com
782:killrockstars.com
638:"Fiction Friction"
454:and the downright
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274:Philippe Entremont
188:The Future of What
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1243:Further Listening
1144:New Plastic Ideas
1120:David Scott Stone
1031:New Plastic Ideas
842:New Plastic Ideas
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1311:Unwound albums
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583:"Hexenzsene"
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37:Studio album
1316:1994 albums
1290:Faked Train
1256:Kid Is Gone
1217:Live Leaves
1210:Live Albums
1112:Vern Rumsey
682:Vern Rumsey
627:"Arboretum"
436:Sonic Youth
1305:Categories
1165:Repetition
1137:Fake Train
762:2014-11-21
736:2013-06-04
708:References
703:– engineer
695:Steve Fisk
572:"Envelope"
513:Popmatters
493:Fake Train
282:Fake Train
238:Fake Train
170:Fake Train
159:chronology
142:Steve Fisk
96:noise rock
1270:No Energy
1222:7/26/2001
1092:Sara Lund
952:Pitchfork
927:"Unwound"
722:"Unwound"
689:Technical
676:Sara Lund
659:Personnel
487:Pitchfork
292:Reception
979:cite web
912:AllMusic
846:AllMusic
823:cite web
790:cite web
730:Archived
428:Allmusic
316:Allmusic
270:cassette
134:Producer
57:Recorded
49:Released
39: by
1158:Unwound
1073:Unwound
1036:Discogs
678:– drums
664:Unwound
276:record
213:Unwound
192:(1995)
183:(1994)
174:(1993)
157:Unwound
147:Unwound
42:Unwound
1277:Empire
878:Select
861:Select
542:Length
519:Treble
503:Closer
476:Legacy
470:Select
464:Select
434:meets
432:Fugazi
353:Select
310:Rating
307:Source
268:, and
105:Length
69:Avast!
65:Studio
809:n/a.
776:n/a.
651:39:43
539:Title
420:4.0/5
266:vinyl
211:band
122:Label
83:Genre
985:link
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641:6:36
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608:3:12
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456:Cure
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535:No.
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