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According to the musicologist Andrea Friggi, apart from the 1726 sinfonia, most if not all of
Fiorenza's approximately thirty works can be dated in the period from 1727 to 1738. However, it is probable that during the period he taught at the conservatory of S. Maria del Loreto he wrote more works.
114:, some of which are enlivened by virtuoso solos or wind instruments, which make them comparable to the concerto form. Apart from these instrumental works, two cantatas for alto and basso continuo have been preserved. Stylistically, Fiorenza's works range from the strict pattern of
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More information is available about
Fiorenza's later years. An account of his election to the post of teacher for violin, cello and double bass at the Naples conservatory of S. Maria del Loreto on 22 May 1743 indicates that he succeeded
86:). From 1750 onwards, however, Fiorenza was confronted with a series of troubles at the conservatory. Not only did he engage in a violent conflict with one of his colleagues, the oboist
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somewhere in the very beginning of the 18th century. Nevertheless, we can be sure that he received his training at the conservatory of S. Maria del Loreto in his hometown under
508:
Friggi, Andrea (2008). "Music and Music
Teaching in Naples at the Beginning of the 18th Century: Nicola Fiorenza and his instrumental works", in accompanying booklet,
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His surviving works, mostly instrumental, consist of approximately fifteen concertos for different combinations of instruments, several (trio) sonatas and nine
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101:, who had died in that same year. On Fiorenza's activities between his dismissal in 1763 and his death on 13 April 1764, we lack all information.
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Alongside his teaching activities at the conservatory of S. Maria del Loreto, Fiorenza seems to have remained active as a violinist in the
90:, he also seems to have had several altercations with his students. As a result of this, Fiorenza was dismissed from his post in 1763.
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in A minor for flute, two violins and basso continuo was published. From 1734 to 1740 Fiorenza played, maybe as a violinist, in the
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Biographical information on
Fiorenza's schooling and early life is very scarce; he must have been born in the city of
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503:, performed by Gaetano Nasillo & Ensemble 415 directed by Chiara Banchini, Arcana A385, compact disc.
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512:, performed by Dolce & Tempesta directed by Stefano Demicheli, FUG 549, compact disc.
8:
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Aresi, Stefano (2015). "Concerti napoletani per violoncello", in accompanying booklet,
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62:. The first verifiable date in Fiorenza's career is 1726, the year in which his
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82:(who in his turn was the successor of Fiorenza's former teacher
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Largo; Allegro; Andante largo; Allegro ma non presto
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Largo-Presto; Allegro ma non presto; Largo; Allegro
97:, in 1754 taking over the leader's position from
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229:Largo; Allegro ma non presto; Largo; Allegro
118:'s church sonatas to the galant work of
296:Largo amoroso; Andante; Largo; Allegro
185:Andante lento; Allegro; Largo; Allegro
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510:Nicola Fiorenza: Concerti & Sonate
207:Andante largo; Allegro; Largo; Presto
163:Grave; Allegro; Grave; Allegro assai
152:Largo; Allegro; Largo; Allegro assai
30:(c. 1700-1710 – 13 April 1764) was a
615:18th-century Italian male musicians
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34:violinist and composer of the late
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293:flute, 3 violins, viola, continuo
282:flute, 2 violins, cello, continuo
226:flute, 3 violins, viola, continuo
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626:
600:Italian male classical composers
274:Presto; Allegro; Largo; Allegro
196:Largo; Allegro; Adagio; Allegro
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363:Grave; Allegro; Grave; Allegro
307:Grave; Allegro; Grave; Allegro
244:Largo; Allegro; Largo; Allegro
218:Largo; Allegro; Largo; Allegro
174:Moderato; Fuga; Largo; Allegro
610:18th-century Italian composers
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70:and with the orchestra of the
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371:2 violins, strings, continuo
487:Largo; Allegro; Largo; Fuga
193:cello, violins and continuo
38:and a representative of the
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391:flute, 2 violins, continuo
381:cello, 2 violins, continuo
360:flute, 2 violins, continuo
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304:flute, 3 violins, continuo
171:flute, 2 violins, continuo
160:flute, 2 violins, continuo
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340:violin, strings, continuo
595:Italian Baroque composers
501:Nel Giardino di Partenope
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564:Formerly attributed to
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568:(see Aresi 2015, 27).
269:violoncello obbligato
254:violoncello obbligato
239:violoncello obbligato
204:violins and continuo
474:2 violins, continuo
464:2 violins, continuo
424:3 violins, continuo
414:3 violins, continuo
401:2 violins, continuo
350:4 violins, continuo
336:a violino principale
212:B flat major (1728)
182:3 violins, continuo
149:3 violins, continuo
72:Teatro S. Bartolomeo
585:18th-century births
555:Friggi 2008, 24-25.
546:Friggi 2008, 22-24.
99:Domenico de Matteis
605:Italian violinists
252:2 violins, viola,
215:cello and strings
60:Francesco Barbella
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484:violin, continuo
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120:Francesco Durante
40:Neapolitan School
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16:Italian composer
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234:D major (1728)
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494:Bibliography
443:Instruments
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590:1764 deaths
271:, continuo
267:2 violins,
256:, continuo
241:, continuo
237:2 violins,
579:Categories
519:References
446:Movements
329:Movements
141:Movements
32:Neapolitan
408:F minor,
334:A major,
481:G minor
471:D minor
461:B minor
451:A minor
421:G major
398:F minor
388:F minor
378:F major
368:A minor
347:A minor
315:Sinfonie
301:G minor
290:F minor
279:F minor
264:F major
249:D major
223:C minor
201:A minor
190:A minor
179:A minor
168:A minor
157:A minor
146:A major
127:Concerti
112:sinfonie
84:Barbella
64:sinfonia
28:Fiorenza
433:Sonatas
116:Corelli
52:Naples
24:Nicolò
20:Nicola
105:Works
440:Key
323:Key
135:Key
58:and
46:Life
22:(or
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539:^
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122:.
74:.
42:.
26:)
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