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psychological character (Giuliano sitting in a proud posture with the baton of command is more haughtier and decisive, while
Lorenzo, in a thoughtful pose, is more melancholic and meditative). A popular tradition tells that someone criticized the lack of resemblance of the portrait to the true features of Giuliano; Michelangelo, aware that his work would be handed down over time, replied that in ten centuries no one would be able to notice. Giuliano personifies active life, one of the two roads that lead to God. His scepter alludes to royal power, characteristic of those born under the sign of
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sacristy... the sarcophagi are placed before the side walls, and on the lids of each there recline two big figures, larger than life, to wit, a man and a woman; they signify Day and Night and, in conjunction, Time which devours all things… And in order to signify Time he planned to make a mouse, having left a bit of marble upon the work (which he subsequently did not carry out because he was prevented by circumstances), because this little animal ceaselessly gnaws and consumes just as time devours everything”.
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four figures on the cassoni, the four figures on the ground, which are Rivers, and two captains and Our Lady going to the tomb at the head, are the figures I would like to make with my own hand: and of these there are six begun, and the courage is enough for me to do them in the right time and partly do the others that don't matter so much". It is therefore understood that in addition to the extant sculptures, four river allegories were also envisaged (the rivers of
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As for the portraits of the dukes, Michelangelo sculpted them seated in two niches above their respective tombs, facing each other, both dressed as Roman leaders. These sculptures, with attention to the smallest details, are idealized and do not reproduce real features, but nonetheless have a strong
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Embedded in the two side walls are the monumental tombs of
Giuliano de' Medici, Duke of Nemours, and Lorenzo de' Medici, Duke of Urbino. Initially up to five sculptures per tomb were to be carved, but the number was ultimately reduced to three. For the funerary monuments on both sides of the chapel,
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In 1526, the first tomb was walled up, that of
Lorenzo de' Medici, Duke of Urbino. On 17 June, the artist sent a letter to Rome in which he wrote: "I work as hard as I can, and in fifteen days I'll get the other captain started, then I'll be left, of matters of importance, only and four figures. The
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On the walls of the scarsella is a series of graffitied figures and architectural motifs, referring to
Michelangelo's assistants. A trap door in the room to the left of the altar leads to another small barrel-vaulted room, where the artist could retire in solitude. On the walls of this room a large
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The lantern holding up the orb helps to accentuate the height and size of the chapel, which is fairly small. The lantern is slightly less than seven meters tall and "...is equal to the height of the dome it surmounts". The lantern metaphorically expresses the themes of death and resurrection; it is
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In April 1531, work resumed on the
Sacristy and by the summer two more statues had to be completed and a third started. It is also known that the Portrait of Lorenzo de' Medici, Duke of Urbino, was executed between 1531 and 1534, while the Portrait of Giuliano de' Medici, Duke of Nemours, was given
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in the center containing the tombs. A drawing was provided on 21 December 1520. The artist therefore abandoned the scheme of the tombs in the center, opting to arrange them against the walls and studying variants with single or double burials, until he arrived at a defined project with single tombs
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During the design phase, Michelangelo thought of various solutions before choosing the version implemented. The question was how to arrange the four sepulchres in relation to the available space, with the altar and the entrance. The first idea was for tombs placed at the corners leaning against the
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Michelangelo was chosen for the construction, allowing him to recover from the impasse on the façade project, the contract for which was definitively terminated in March 1520. The exact contracting document for the Medici Chapel is not known, but from other documents and letters it is clear that in
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In a statement in the biography of
Michelangelo that was published in 1553 by his disciple, Ascanio Condivi, and largely was based on Michelangelo's own recollections, Condivi gives the following description of the sculptures on the two Medici tombs: "The statues are four in number, placed in a
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in 1529–1530. When the
Florentines were defeated Michelangelo fled the city, but was declared a rebel and presented himself voluntarily to avoid more serious punitive measures. Clement VII's pardon was not long in coming, provided that the artist immediately resume work in San Lorenzo where, in
541:, protector of melancholics. The forefinger on the mouth traces the saturnine motif of silence. The reclining arm is an iconographic tope of the melancholy mood. The closed casket resting on a leg is an allusion to parsimony, a typical quality of saturnine temperaments.
434:, which symbolize the triumph of the Medici family over the passage of time. The four Allegories are placed above the sepulchres, at the feet of the dukes. The elliptical line on which they rest is an invention by Michelangelo that anticipates the curves of the
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had been added five years earlier. It is clear how the pope was moved by the awareness of his not being able to renounce the only artist capable of giving shape to the dreams of glory of his dynasty, despite his ingratitude towards and betrayal of the Medici.
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With the election of
Clement VII in 1523, in December of that year the artist returned to the works at San Lorenzo. It was thought to house the tombs of Pope Leo and, at the time, of Clement VII in the Sacristy, but the idea was soon abandoned in favor of the
222:, was a composition of sober and measured balance, to which no other decoration could be added without compromising the whole. The crypt, where some family members are buried, did not satisfy the clients' wishes for splendor and celebration. Not even for
210:, engaging the artist in a new project for the basilica. The church had been the burial place of the Medici family for a century, but at the time there were no spaces available in which to create a new monumental complex: the historic family chapel, the
330:. Michelangelo, despite being linked to the Medici by working relationships since his youth, blatantly sided with the republican faction, actively participating, as person in charge of the fortifications, in the defense measures against the
533:. The coins are a symbol of magnanimity and indicate that the active man loves to "expend" himself in action. Lorenzo, known by the name "pensive", represents the contemplative attitude. The shadowed face recalls the
380:. Although an entire wall with the tomb of the "Magnificent" was missing and the river deities, statues, stuccoes and frescoes required by the contract had yet to be created, the Sacristy was considered completed.
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for the dukes in the side walls and double ones for the magnificents on the wall opposite the altar. Only those of the dukes were finally completed. In 1521 Pope Leo died and work was interrupted.
1027:
number of graffiti drawings referable to
Michelangelo himself were found. Since November 2023 the chamber has been open to visitors, who are limited to four at a time for reasons of conservation.
647:. Dating from 1526 to 1531, it is part of the decoration of the New Sacristy and part of an allegory of the four parts of a day. It is situated on the left of the sarcophagus of the tomb of
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on a simple marble chest housing the remains of
Lorenzo the Magnificent and his brother Giuliano de' Medici, for whom there was never the time to build a larger monumental tomb.
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369:. Michelangelo, not happy with the city's political climate, took the opportunity to take new assignments in Rome and left Florence, in 1534, never setting foot there again.
1720:
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had a worthy burial been prepared. There was a need to create a new environment as a resting place for the two "dukes" (or "captains") and the two "magnificents".
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All the Allegories are characterized by stretching and twisting and appear "unfinished" in some parts. Particularly beautiful are the emblematic position of the
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and placed in the niches on the sides of Giuliano's tomb; these however remained empty. Two more evidently had to be planned for the tomb of Lorenzo.
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The Florentine works by now proceeded ever more slowly because in those same years Michelangelo was also working, in addition to the library, on the
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306:, or perhaps the rivers under Medici rule) lying at the foot of the tombs; the only surviving work that relates to these is the model of the
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which perfectly represents abandonment during sleep. In the Renaissance, especially in environments influenced by the Florentine
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In the spring of 1524, Michelangelo was working on the clay models for the sculptures and in the autumn the marbles arrived from
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to Giovanni Angelo Montorsoli in 1533 for finishing. In that same period the artist was preparing two allegorical statues, the
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is also attributed to Montelupo, together with Montorsoli, another assistant to Michelangelo, after a model by the master.
17:
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1410:"The Mouse that Michelangelo Did Carve in the Medici Chapel: An Oriental Comment to the Famous Article of Erwin Panofsky"
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458:. The four Rivers, never executed, were also intended to recall the permanent and unstoppable flow of time.
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983:), completed in 1521. The Madonna is flanked by the two patron saints of the Medici family: on the right
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walls (March 1520), but on 23 October 1520 Michelangelo presented Cardinal Giulio with a project with an
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1376:(Essays In Memory of Karl Lehmann ed.). N.Y.: Institute of Fine Arts, New York University: 242–255.
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438:, as in the staircase of the Laurentian Library. For the tomb of Giuliano de' Medici, he chose the
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The main wall of the chapel is unfinished. Against it is the sepulchre with the mortal remains of
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in 1527, the city of Florence rebelled against the Medici rule, driving out the little loved duke
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957:: The sepulchre with the remains of Lorenzo the Magnificent and his brother Giuliano de' Medici.
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are the personification of a double theory of death, according to which joy and pain coincide.
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Michelangelo responded in 1545–46 with another epigram, entitled "Risposta del Buonarroto" (
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Among the various iconographic meanings proposed, the statue is seen as an emblem of the
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Regoli, Gigetta Dalli; Gioseffi, Decio; Mellini, Gian Lorenzo; Salvini, Roberto (1968).
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Regoli, Gigetta Dalli; Gioseffi, Decio; Mellini, Gian Lorenzo; Salvini, Roberto (1968).
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165:, Italy, the Sagrestia Nuova forms an integral part of the museum complex known as the
149:, is a mausoleum that stands as a testament to the grandeur and artistic vision of the
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in 1531, who began working with Michelangelo on the Sagrestia Nuova at an early age.
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rediscovers its attributes of Primordial Mother and is associated with the figure of
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in 1478), surmounted by three sculptures. In the center is Michelangelo's statue of
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206:(later Pope Clement VII), commissioning Michelangelo's project for the façade for
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485:. The position of the goddess, with her head bowed, expresses the kinship of the
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The lantern at the top of the dome is made out of marble and has an "...unusual
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872:, executed for the chapel. It is 6 feet and 8 inches in length. Along with his
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793:). Speaking in the voice of the statue, it may contain a scathing critique of
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family. Constructed in 1520, the mausoleum was designed by the Italian artist
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280:. Between 1525 and 1527 at least four statues were completed (including the
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1945:
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1980:
1744:"Michelangelo's secret sketches under church in Florence open to public"
1297:
Wallace, William (1989). "The Lantern of Michelangelo's Medici Chapel".
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1933:
1859:
402:
199:
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1471:
Vasari, Giorgio, 1511-1574 (2017). "Vita di Michelagnolo Buonarroti".
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is known for exemplifying his style of striking, unfinished drawings.
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where the soul could escape and go from "...death to the afterlife".
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De la Croix, Horst; Tansey, Richard G.; Kirkpatrick, Diane (1991).
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1790:
500 years of the New Sacristy: Michelangelo in the Medici Chapel
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Lives of the Most Excellent Painters, Sculptors, and Architects
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or of the elements of water or earth. Michelangelo's study for
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Florentine Renaissance art § Michelangelo at San Lorenzo
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wake her, if you don't believe it, and she will speak to you.
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Le vite de' piĂą eccellenti pittori, scultori e architettori
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for his sculpture's pose. This was in turn influential on
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My sleep is dear to me, and more dear this being of stone,
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of San Lorenzo. In the end, however, both were buried in
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Section of the Sagrestia Nuova, looking towards the altar
1458:
Baudelaire, Charles. Trans. William Aggeler. "L'Idéal."
1299:
Mitteilungen des Kunsthistorischen Institutes in Florenz
736:, written, perhaps in 1544, in praise of Michelangelo's
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With the heavy blow received by Pope Clement during the
288:) and four others were already defined with the models.
1639:"Michelangelo Traces the States of Being and Non-being"
946:
Tomb of Lorenzo the Magnificent and Giuliano de' Medici
643:(155x150 cm, maximum length 194 cm diagonally) by
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addition to the Sacristy, the project for a monumental
376:, the chapel was arranged according to the project by
1775:
of Michelangelo: Animism, Empathy, and Imagination”,
1524:
Michelangelo Buonarroti, Ettore Barelli (a cura di),
1408:
Barenboim P. D. / Peter Barenboim. (2017).
1007:), hold their doctor's boxes of salves and nostrums.
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Not to see, not to hear is for me the best fortune.;
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Night, whom you see sleeping in such sweet attitudes
1605:
317:
3737:
3539:Study of a Kneeling Nude Girl for The Entombment
3520:
1777:Journal of Comparative Literature and Aesthetics
1368:
711:Who calmly contort, reclining in a strange pose
1541:, Pennsylvania State University Press, 2006 ,
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708:Or you, great Night, daughter of Michelangelo,
686:Ou bien toi, grande Nuit, fille de Michel-Ange
190:The death of two scions of the Medici family,
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1811:
1371:"The Mouse That Michelangelo Failed to Carve"
247:March work on a new chapel had been started.
1503:: CS1 maint: multiple names: authors list (
1321:. Getty Publications. pp. 69, 332–333.
1310:
1308:
1084:Other sculptures related to the New Sacristy
1612:(9th ed.). Thomson/Wadsworth. p.
1285:
714:Your charms molded by the mouths of Titans!
692:Qui tors paisiblement dans une pose Ă©trange
3680:Restoration of the Sistine Chapel frescoes
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2732:
1818:
1804:
1692:"MontĂłrsoli, Giovanni Angelo (in Italian)"
1507:) CS1 maint: numeric names: authors list (
1314:
1253:
1251:
1203:
1162:"Medici Chapels and Church of San Lorenzo"
921:, datable to 1524–1534. It is paired with
405:mounted on the peak of the conical roof".
47:
3321:The Creation of the Sun, Moon, and Plants
1741:
1669:Life and Works of Michelangelo Buonarroti
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808:Caro m'è 'l sonno, e più l'esser di sasso
697:Tes appas façonnés aux bouches des Titans
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1919:Museo Nazionale Alinari della Fotografia
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757:in questo sasso e, perché dorme, ha vita
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1792:by Peter Barenboim (with Heath, Arthur)
1520:
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1014:The three statues were later placed by
14:
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3499:Santa Maria degli Angeli e dei Martiri
1696:Institute of the Italian Encyclopaedia
1665:
1656:
1180:
987:, executed by the Florentine sculptor
820:non veder, non sentir m'è gran ventura
814:mentre che 'l danno e la vergogna dura
780:and although she sleeps, she has life:
489:with the melancholic temperament. The
352:, which were to have been sculpted by
27:Chapel in San Lorenzo, Florence, Italy
3519:
3420:
3215:
2786:
2727:
1799:
1742:Giuffrida, Angela (31 October 2023).
1637:Nechvatal, Joseph (6 February 2018).
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878:, Michelangelo drew from the ancient
747:La Notte che tu vedi in sì dolci atti
660:, Michelangelo drew from the ancient
3103:Giuliano de' Medici, Duke of Nemours
1515:
1060:Giuliano de' Medici, Duke of Nemours
834:as long as the agony and shame last.
826:però non mi destar, deh, parla basso
777:was carved in this stone by an Angel
562:Giuliano de' Medici, Duke of Nemours
192:Giuliano de' Medici, Duke of Nemours
1929:Museo di Storia Naturale di Firenze
1264:. Mondadori arte. pp. 27, 29.
763:destala, se nol credi, e parleratti
24:
2066:Cathedral of Santa Maria del Fiore
1765:
1045:Lorenzo de' Medici, Duke of Urbino
589:Lorenzo de' Medici, Duke of Urbino
196:Lorenzo de' Medici, Duke of Urbino
25:
3787:
3314:Separation of Light from Darkness
1783:
1214:. Rizzoli. pp. 84, 100–101.
1132:Basilica of San Lorenzo, Florence
752:dormire, fu da un Angelo scolpita
363:, for which he was preparing the
198:(in 1519), had deeply embittered
3746:Burials at San Lorenzo, Florence
3686:The Titan: Story of Michelangelo
3421:
2753:
2042:
1258:Gonzáles, Marta Alvarez (2008).
1067:
1051:
1037:
995:, by the sculptor and architect
840:So do not wake me! Speak softly.
580:
553:
509:. According to the doctrines of
3761:Mannerist architecture in Italy
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1709:
1684:
1630:
1597:
1582:
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1548:
1531:
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1460:http://fleursdumal.org/poem/117
965:(died in 1492) and his brother
383:
259:
3392:The Crucifixion of Saint Peter
2787:
1941:National Archaeological Museum
1666:Wilson, Charles Heath (1881).
1608:Gardner's Art Through the Ages
1593:. Italy: Newsweek. p. 27.
1452:
1448:. Italy: Newsweek. p. 27.
1437:
1401:
1362:
649:Giuliano di Lorenzo de' Medici
372:In 1559, on the initiative of
318:Interrupting and resuming jobs
13:
1:
3766:Michelangelo church buildings
3216:
2799:
2391:British Institute of Florence
1318:Symbols and Allegories in Art
1211:The sculpture of Michelangelo
1147:
1142:List of works by Michelangelo
544:
412:
177:
3553:Studies for the Libyan Sibyl
3521:Works on paper, milieu, etc.
3235:The Torment of Saint Anthony
1956:Palazzo dell'Arte dei Beccai
1924:Museo Nazionale di San Marco
1717:"Michelangelo's secret room"
1315:Battistini, Matilde (2005).
797:'s governance, according to
7:
3659:Michelangelo and the Medici
3489:San Giovanni dei Fiorentini
2259:S Maria Maddalena dei Pazzi
2204:Oratory of S Thomas Aquinas
1115:
1021:
669:In his poem "L'Idéal" from
157:. Situated adjacent to the
10:
3792:
3642:Art patronage of Julius II
3567:PietĂ for Vittoria Colonna
2690:Maggio Musicale Fiorentino
2406:Kunsthistorisches Institut
2244:S Giovannino dei Cavalieri
2239:S Giovannino degli Scolopi
2199:Oratory of GesĂą Pellegrino
2179:Battistero di San Giovanni
2149:Bartolini Salimbeni Chapel
2040:
1909:Museo dell'Opera del Duomo
1779:, 45: 4 (2022), pp. 27–41.
1539:Dream of the Moving Statue
1030:
989:Giovanni Angelo Montorsoli
666:for his sculpture's pose.
388:
204:Cardinal Giulio de' Medici
172:
3776:National museums of Italy
3694:The Agony and the Ecstasy
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3093:Christ Carrying the Cross
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2685:Calcio storico fiorentino
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2568:
2547:
2526:
2483:
2455:
2424:
2373:
2322:
2302:
2164:
2051:
1837:
1369:Panofsky, Erwin. (1964).
1208:Baldini, Umberto (1982).
1122:List of rulers of Tuscany
991:in 1537, and on the left
917:is a marble sculpture by
430:Michelangelo created the
310:in the collection of the
271:Santa Maria sopra Minerva
233:
127:
119:
114:
75:
60:
55:
46:
39:
34:
3560:The Punishment of Tityus
2596:Orto Botanico di Firenze
2416:National Central Library
1951:Ospedale degli Innocenti
1894:Loggia del Mercato Nuovo
613:
446:for that of Lorenzo the
3717:Michelangelo quadrangle
3447:Basilica of San Lorenzo
2498:Piazza della Repubblica
2385:Palazzo Medici Riccardi
2194:Oratorio dei Vanchetoni
2015:Studiolo of Francesco I
1976:Palazzo Medici Riccardi
1865:Galleria dell'Accademia
1528:, Milano, 2001, p. 261.
1166:The Museums of Florence
1094:Galleria dell'Accademia
1003:, who were physicians (
963:Lorenzo the Magnificent
895:
846:
679:references the statue:
675:, French Romantic poet
645:Michelangelo Buonarroti
208:Basilica di San Lorenzo
159:Basilica di San Lorenzo
65:Basilica of San Lorenzo
3468:Piazza del Campidoglio
3399:The Conversion of Saul
3275:Salone dei Cinquecento
2947:Piccolomini Altarpiece
2827:Battle of the Centaurs
2381:Biblioteca Riccardiana
2279:S Salvatore al Vescovo
2229:S Frediano in Cestello
1993:Museo delle Porcellane
1425:Cite journal requires
1389:Cite journal requires
997:Raffaello da Montelupo
958:
936:phlegmatic temperament
909:
890:Diana of Fontainebleau
860:
627:
426:
398:
298:
243:
187:
77:Geographic coordinates
3771:San Lorenzo, Florence
3712:Michelangelo (crater)
3616:Sebastiano del Piombo
3596:Tommaso dei Cavalieri
3546:Male Back with a Flag
3061:The Genius of Victory
2820:Madonna of the Stairs
2708:Districts of Florence
2678:Events and traditions
2518:Piazzale Michelangelo
2503:Piazza della Signoria
2269:S Martino del Vescovo
1591:Vatican Museums: Rome
1446:Vatican Museums: Rome
953:
929:Lorenzo II de' Medici
905:
856:
791:Buonarroto's response
623:
420:
396:
328:Alessandro de' Medici
294:
241:
185:
99:43.77500°N 11.25361°E
3478:St. Peter's Basilica
3328:The Creation of Adam
2852:Arca di San Domenico
2642:del Poggio Imperiale
2637:Medicea L'Ambrogiana
2470:Teatro della Pergola
2254:S Maria degli Angeli
2184:Certosa del Galluzzo
2000:Palazzo Spini Feroni
1879:Garden of Archimedes
1771:Tononi, Fabio, “The
1096:, Florence (c. 1524)
722:Life of Michelangelo
216:Filippo Brunelleschi
141:, also known as the
18:Night (Michelangelo)
3751:Chapels in Florence
3591:Cecchino dei Bracci
3085:Florence, 1516–1534
2925:Florence, 1501–1505
2601:Parco delle Cascine
2591:Giardino delle Rose
2432:Fountain of Neptune
2396:Gabinetto Vieusseux
2122:S Maria del Carmine
1966:Palazzo Della Stufa
969:(killed during the
868:is a sculpture by
795:Cosimo I de' Medici
651:, Duke of Nemours.
505:, the twin sons of
374:Cosimo I de' Medici
228:Giuliano de' Medici
95: /
3705:A Season of Giants
3688:(1950 documentary)
3463:Capitoline Museums
3443:Laurentian Library
3242:Manchester Madonna
2992:Rothschild Bronzes
2844:Bologna, 1494–1495
2586:Giardino dell'Iris
2539:Via de' Tornabuoni
2513:Piazza San Lorenzo
2508:Piazza Santa Croce
2437:Giotto's Campanile
2411:Laurentian Library
2365:Giotto's Campanile
2294:S Stefano al Ponte
2249:S Jacopo sopr'Arno
2134:S Miniato al Monte
1884:Loggia del Bigallo
959:
910:
861:
677:Charles Baudelaire
628:
432:Allegories of Time
427:
399:
337:Laurentian Library
299:
244:
224:Lorenzo de' Medici
188:
104:43.77500; 11.25361
3733:
3732:
3729:
3728:
3725:
3724:
3511:
3510:
3507:
3506:
3412:
3411:
3408:
3407:
3372:The Last Judgment
3300:(ceiling gallery)
3284:Battle of Cascina
3263:Leda and the Swan
3207:
3206:
3203:
3202:
3002:Tomb of Julius II
2945:Additions to the
2940:Madonna of Bruges
2850:Additions to the
2721:
2720:
2713:Trams in Florence
2695:Scoppio del carro
2569:Gardens and parks
2560:Fortezza da Basso
2442:Monument to Dante
2350:dei Gianfigliazzi
2318:
2317:
2289:Ss Simone e Giuda
2105:Tornabuoni Chapel
2076:Baroncelli Chapel
1961:Palazzo Davanzati
1482:978-88-6274-759-2
1271:978-88-370-6434-1
1168:. Florence, Italy
1001:Cosmas and Damian
975:Madonna and Child
955:Madonna and Child
886:Benvenuto Cellini
672:Les Fleurs du Mal
361:tomb of Julius II
332:siege of the city
135:
134:
16:(Redirected from
3783:
3672:Replicas of the
3626:Luigi del Riccio
3601:Vittoria Colonna
3528:
3527:
3517:
3516:
3429:
3428:
3418:
3417:
3349:Prophet Jeremiah
3224:
3223:
3213:
3212:
3186:Palestrina PietĂ
3179:Florentine PietĂ
3019:Rebellious Slave
2804:
2803: 1488–1492
2801:
2795:
2794:
2784:
2783:
2748:
2741:
2734:
2725:
2724:
2493:Piazza del Duomo
2264:S Maria Maggiore
2174:Badia Fiorentina
2127:Brancacci Chapel
2056:
2055:
2046:
1899:Loggia del Pesce
1889:Loggia dei Lanzi
1820:
1813:
1806:
1797:
1796:
1759:
1758:
1756:
1754:
1739:
1733:
1732:
1730:
1728:
1719:. Archived from
1713:
1707:
1706:
1704:
1702:
1688:
1682:
1681:
1679:
1677:
1663:
1654:
1653:
1651:
1649:
1634:
1628:
1627:
1611:
1601:
1595:
1594:
1586:
1580:
1569:
1563:
1552:
1546:
1535:
1529:
1522:
1513:
1512:
1502:
1494:
1468:
1462:
1456:
1450:
1449:
1441:
1435:
1434:
1428:
1423:
1421:
1413:
1405:
1399:
1398:
1392:
1387:
1385:
1377:
1375:
1366:
1360:
1359:
1353:
1349:
1347:
1339:
1337:
1335:
1312:
1303:
1302:
1294:
1283:
1282:
1280:
1278:
1255:
1246:
1245:
1239:
1235:
1233:
1225:
1205:
1178:
1177:
1175:
1173:
1158:
1109:Saint Petersburg
1105:Hermitage Museum
1071:
1055:
1041:
971:Pazzi Conspiracy
881:Sleeping Ariadne
734:Giovanni Strozzi
663:Sleeping Ariadne
584:
557:
226:and his brother
120:Date established
110:
109:
107:
106:
105:
100:
96:
93:
92:
91:
88:
51:
32:
31:
21:
3791:
3790:
3786:
3785:
3784:
3782:
3781:
3780:
3756:House of Medici
3736:
3735:
3734:
3721:
3647:Casa Buonarroti
3630:
3611:Gherardo Perini
3606:Ascanio Condivi
3579:
3522:
3503:
3483:Tor San Michele
3473:Palazzo Farnese
3451:
3423:
3404:
3377:
3298:
3290:
3269:
3227:Panel paintings
3218:
3199:
3194:Rondanini PietĂ
3164:Rome, 1534–1564
3159:
3080:
3054:Awakening Slave
2996:
2920:
2884:Rome, 1496–1500
2879:
2858:Saint Petronius
2839:
2802:
2789:
2778:
2757:
2752:
2722:
2717:
2699:
2673:
2605:
2576:Bardini Gardens
2564:
2543:
2522:
2479:
2465:Teatro Comunale
2451:
2420:
2400:Palazzo Strozzi
2369:
2345:dei Della Bella
2340:dei Belfredelli
2314:
2310:Great Synagogue
2298:
2160:
2154:Sassetti Chapel
2100:S Maria Novella
2052:Religious sites
2047:
2038:
2032:Vasari Corridor
2022:Stibbert Museum
2010:Palazzo Vecchio
2005:Palazzo Strozzi
1904:Loggia Rucellai
1855:Casa Buonarroti
1842:
1833:
1824:
1786:
1768:
1766:Further reading
1763:
1762:
1752:
1750:
1740:
1736:
1726:
1724:
1723:on 19 June 2018
1715:
1714:
1710:
1700:
1698:
1690:
1689:
1685:
1675:
1673:
1664:
1657:
1647:
1645:
1635:
1631:
1624:
1602:
1598:
1587:
1583:
1571:Kenneth Gross,
1570:
1566:
1554:Kenneth Gross,
1553:
1549:
1537:Kenneth Gross,
1536:
1532:
1523:
1516:
1496:
1495:
1483:
1469:
1465:
1457:
1453:
1442:
1438:
1426:
1424:
1415:
1414:
1406:
1402:
1390:
1388:
1379:
1378:
1373:
1367:
1363:
1351:
1350:
1341:
1340:
1333:
1331:
1329:
1313:
1306:
1295:
1286:
1276:
1274:
1272:
1256:
1249:
1237:
1236:
1227:
1226:
1222:
1206:
1181:
1171:
1169:
1160:
1159:
1155:
1150:
1118:
1086:
1079:
1072:
1063:
1056:
1047:
1042:
1033:
1024:
948:
927:on the tomb of
900:
851:
654:Along with his
618:
607:
606:
605:
604:
603:
585:
577:
576:
558:
547:
497:are symbols of
475:Marsilio Ficino
415:
391:
386:
354:Niccolò Tribolo
320:
312:Casa Buonarroti
262:
236:
194:(in 1516), and
180:
175:
139:Sagrestia Nuova
103:
101:
97:
94:
89:
86:
84:
82:
81:
42:
41:Sagrestia Nuova
28:
23:
22:
15:
12:
11:
5:
3789:
3779:
3778:
3773:
3768:
3763:
3758:
3753:
3748:
3731:
3730:
3727:
3726:
3723:
3722:
3720:
3719:
3714:
3709:
3707:(1990 TV film)
3701:
3690:
3682:
3677:
3669:
3661:
3656:
3649:
3644:
3638:
3636:
3632:
3631:
3629:
3628:
3623:
3621:Febo di Poggio
3618:
3613:
3608:
3603:
3598:
3593:
3587:
3585:
3581:
3580:
3578:
3577:
3570:
3563:
3556:
3549:
3542:
3534:
3532:
3531:Works on paper
3524:
3523:
3513:
3512:
3509:
3508:
3505:
3504:
3502:
3501:
3496:
3491:
3486:
3480:
3475:
3470:
3465:
3459:
3457:
3453:
3452:
3450:
3449:
3435:
3433:
3425:
3424:
3414:
3413:
3410:
3409:
3406:
3405:
3403:
3402:
3395:
3387:
3385:
3383:Pauline Chapel
3379:
3378:
3376:
3375:
3368:
3367:
3366:
3359:
3352:
3345:
3342:Prophet Isaiah
3338:
3335:Prophet Daniel
3331:
3324:
3317:
3304:
3302:
3296:Sistine Chapel
3292:
3291:
3289:
3288:
3279:
3277:
3271:
3270:
3268:
3267:
3259:
3252:
3249:The Entombment
3245:
3238:
3230:
3228:
3220:
3219:
3209:
3208:
3205:
3204:
3201:
3200:
3198:
3197:
3190:
3182:
3175:
3167:
3165:
3161:
3160:
3158:
3157:
3150:
3143:
3142:
3141:
3138:Medici Madonna
3134:
3127:
3120:
3113:
3106:
3098:Medici Chapel
3096:
3088:
3086:
3082:
3081:
3079:
3078:
3071:
3064:
3057:
3050:
3043:
3036:
3029:
3022:
3015:
3007:
3005:
2998:
2997:
2995:
2994:
2989:
2982:
2975:
2968:
2967:
2966:
2943:
2936:
2928:
2926:
2922:
2921:
2919:
2918:
2911:
2907:Standing Cupid
2903:
2896:
2892:Sleeping Cupid
2887:
2885:
2881:
2880:
2878:
2877:
2876:
2875:
2868:
2865:Saint Proculus
2861:
2847:
2845:
2841:
2840:
2838:
2837:
2830:
2823:
2816:
2812:Head of a Faun
2807:
2805:
2791:
2790:
2780:
2779:
2777:
2776:
2773:
2770:
2762:
2759:
2758:
2751:
2750:
2743:
2736:
2728:
2719:
2718:
2716:
2715:
2710:
2704:
2701:
2700:
2698:
2697:
2692:
2687:
2681:
2679:
2675:
2674:
2672:
2671:
2666:
2661:
2656:
2651:
2646:
2645:
2644:
2639:
2634:
2629:
2624:
2613:
2611:
2607:
2606:
2604:
2603:
2598:
2593:
2588:
2583:
2581:Boboli Gardens
2578:
2572:
2570:
2566:
2565:
2563:
2562:
2557:
2551:
2549:
2545:
2544:
2542:
2541:
2536:
2530:
2528:
2524:
2523:
2521:
2520:
2515:
2510:
2505:
2500:
2495:
2489:
2487:
2481:
2480:
2478:
2477:
2472:
2467:
2461:
2459:
2453:
2452:
2450:
2449:
2444:
2439:
2434:
2428:
2426:
2422:
2421:
2419:
2418:
2413:
2408:
2403:
2393:
2388:
2377:
2375:
2371:
2370:
2368:
2367:
2362:
2357:
2352:
2347:
2342:
2337:
2332:
2326:
2324:
2323:Towers (Torri)
2320:
2319:
2316:
2315:
2313:
2312:
2306:
2304:
2300:
2299:
2297:
2296:
2291:
2286:
2281:
2276:
2271:
2266:
2261:
2256:
2251:
2246:
2241:
2236:
2231:
2226:
2221:
2216:
2211:
2206:
2201:
2196:
2191:
2186:
2181:
2176:
2170:
2168:
2162:
2161:
2159:
2158:
2157:
2156:
2151:
2141:
2136:
2131:
2130:
2129:
2119:
2114:
2109:
2108:
2107:
2097:
2096:
2095:
2093:Medici Chapels
2085:
2084:
2083:
2078:
2068:
2062:
2060:
2053:
2049:
2048:
2041:
2039:
2037:
2036:
2035:
2034:
2024:
2019:
2018:
2017:
2007:
2002:
1997:
1996:
1995:
1985:
1984:
1983:
1973:
1968:
1963:
1958:
1953:
1948:
1943:
1938:
1937:
1936:
1926:
1921:
1916:
1911:
1906:
1901:
1896:
1891:
1886:
1881:
1876:
1875:
1874:
1862:
1857:
1852:
1846:
1844:
1835:
1834:
1823:
1822:
1815:
1808:
1800:
1794:
1793:
1785:
1784:External links
1782:
1781:
1780:
1767:
1764:
1761:
1760:
1734:
1708:
1683:
1655:
1629:
1622:
1596:
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1514:
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1463:
1451:
1436:
1427:|journal=
1400:
1391:|journal=
1361:
1327:
1304:
1284:
1270:
1247:
1220:
1179:
1152:
1151:
1149:
1146:
1145:
1144:
1139:
1134:
1129:
1127:Medici Chapels
1124:
1117:
1114:
1113:
1112:
1097:
1085:
1082:
1081:
1080:
1073:
1066:
1064:
1057:
1050:
1048:
1043:
1036:
1032:
1029:
1023:
1020:
1016:Giorgio Vasari
980:Medici Madonna
977:(known as the
947:
944:
899:
894:
850:
845:
844:
843:
842:
841:
838:
835:
832:
829:
823:
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811:
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786:
785:
784:
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769:
768:
767:
766:
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754:
749:
726:Giorgio Vasari
718:
717:
716:
715:
712:
709:
703:
702:
701:
700:
694:
689:
617:
612:
586:
579:
578:
559:
552:
551:
550:
549:
548:
546:
543:
515:Pythagoreanism
423:Medici Madonna
414:
411:
390:
387:
385:
382:
378:Giorgio Vasari
319:
316:
261:
258:
235:
232:
214:, designed by
179:
176:
174:
171:
167:Medici Chapels
133:
132:
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125:
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121:
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111:
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58:
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6:
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3:
2:
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3764:
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3759:
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3741:
3718:
3715:
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3706:
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3695:
3691:
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3670:
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3655:
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3415:
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3400:
3396:
3394:
3393:
3389:
3388:
3386:
3384:
3380:
3374:
3373:
3369:
3365:
3364:
3363:Prophet Jonah
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2767:List of works
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1672:. p. 263
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1643:Hyperallergic
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3664:Replicas of
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2810:
2772:âś» attributed
2765:
2755:Michelangelo
2475:Teatro Verdi
2355:dei Mannelli
2330:degli Amidei
2209:Orsanmichele
2081:Pazzi Chapel
1946:Orsanmichele
1870:
1776:
1772:
1751:. Retrieved
1748:The Guardian
1747:
1737:
1725:. Retrieved
1721:the original
1711:
1699:. Retrieved
1695:
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1674:. Retrieved
1668:
1646:. Retrieved
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1418:cite journal
1403:
1382:cite journal
1364:
1332:. Retrieved
1317:
1298:
1275:. Retrieved
1261:Michelangelo
1260:
1210:
1170:. Retrieved
1165:
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1089:
1074:
1058:
1044:
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993:Saint Damian
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535:facies nigra
534:
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478:
471:Neoplatonism
466:
462:
460:
455:
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431:
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407:
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384:Architecture
371:
364:
358:
349:
345:
342:
324:Sack of Rome
321:
307:
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285:
281:
275:
263:
260:Second stage
249:
245:
212:Old Sacristy
189:
155:Michelangelo
146:
143:New Sacristy
142:
138:
136:
115:Architecture
35:New Sacristy
29:
3047:Atlas Slave
3033:Young Slave
3026:Dying Slave
3004:, 1505–1545
2972:Pitti Tondo
2659:Il Gioiello
2622:di Castello
2274:S Pancrazio
2219:Ss Apostoli
1981:Magi Chapel
1843:and palaces
1841:, galleries
1352:|work=
1238:|work=
397:The lantern
102: /
3740:Categories
3699:1965 film)
3256:Doni Tondo
2798:Florence,
2788:Sculptures
2632:di Careggi
2627:La Petraia
2534:Via Cavour
2224:S Felicita
2214:S Ambrogio
2189:Ognissanti
1934:La Specola
1860:Casa Guidi
1753:5 November
1648:11 January
1148:References
728:quotes an
545:Side tombs
454:) and the
413:Sculptures
403:polyhedron
200:Pope Leo X
178:Background
90:11°15′13″E
87:43°46′30″N
3494:Porta Pia
3217:Paintings
2664:La Pietra
2649:Gamberaia
2555:Belvedere
2425:Landmarks
2360:dei Pulci
2234:S Gaetano
2144:S Trinita
2139:S Spirito
2088:S Lorenzo
2059:Basilicas
1499:cite book
1491:993450831
1354:ignored (
1344:cite book
1240:ignored (
1230:cite book
1111:(c. 1524)
1090:River God
637:sculpture
308:River God
296:River God
273:in Rome.
220:Donatello
128:Completed
3574:Epifania
3432:Florence
2834:Crucifix
2669:Rusciano
2457:Theatres
2166:Churches
1850:Bargello
1831:Florence
1116:See also
1022:Graffiti
967:Giuliano
587:Tomb of
560:Tomb of
521:and the
493:and the
452:Twilight
442:and the
348:and the
284:and the
253:aedicula
163:Florence
145:and the
69:Florence
61:Location
56:Location
3635:Related
3445:in the
3308:Ceiling
2964:Gregory
2900:Bacchus
2654:I Tatti
2527:Streets
2485:Squares
2374:Library
2284:S Salvi
2117:S Marco
2071:S Croce
1839:Museums
1827:Tourism
1031:Gallery
730:epigram
720:In his
591:, with
564:, with
531:Jupiter
511:Orphism
495:poppies
436:Baroque
389:Lantern
278:Carrara
173:History
71:, Italy
3584:Milieu
3172:Brutus
3147:Apollo
3068:Rachel
2610:Villas
2027:Uffizi
1727:5 June
1701:7 June
1676:6 June
1620:
1573:ibidem
1556:ibidem
1489:
1479:
1334:6 June
1325:
1277:6 June
1268:
1218:
1172:4 June
1005:medici
641:marble
539:Saturn
477:, the
366:Slaves
346:Heaven
234:Design
151:Medici
3674:PietĂ
3666:David
3110:Night
3012:Moses
2933:David
2915:PietĂ
2872:Angel
2775:†lost
2548:Forts
2303:Other
1871:David
1773:Night
1577:p. 94
1560:p. 96
1543:p. 92
1374:(PDF)
875:Night
738:Night
635:is a
632:Night
625:Night
615:Night
567:Night
523:Night
507:Night
503:Sleep
499:Death
487:Night
479:Night
467:Night
444:Night
350:Earth
304:Hades
282:Night
267:choir
3456:Rome
3441:and
3131:Dawn
3124:Dusk
3075:Leah
2962:and
2960:Pius
2956:Paul
1755:2023
1729:2023
1703:2023
1678:2023
1650:2021
1618:ISBN
1526:Rime
1509:link
1505:link
1487:OCLC
1477:ISBN
1431:help
1395:help
1356:help
1336:2023
1323:ISBN
1279:2023
1266:ISBN
1242:help
1216:ISBN
1174:2023
940:Dusk
924:Dawn
914:Dusk
907:Dusk
897:Dusk
865:Dawn
858:Dawn
848:Dawn
657:Dawn
600:Dawn
597:and
594:Dusk
570:and
519:Leda
513:and
501:and
483:Leda
456:Dawn
450:(or
448:Dusk
286:Dawn
218:and
137:The
131:1533
123:1520
3117:Day
1829:in
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732:by
639:in
573:Day
537:of
491:owl
473:of
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440:Day
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