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work for that reason, so Brook decided to sample sections of the original bedtracks and transfer them to the 24-track vocal reel, and then overdub other instruments onto that. However, this was a problem because Brook had no idea what structure he was working towards. Brook said that "the best bits of the vocals were spread out all over the tape, and it was very hard to hear things in context or in proper sequence." What they then did was transfer sections of what they called the original master to the vocal master, and then do a mock-up, synchronised mix to DAT of the different sections that they liked, stopping the DAT every time they moved to the next section. They would then listen to the DAT mix to see if things worked in sequence. Brook noted that "it was a very slow process, because you could never let the multitrack tape run and say: “oh, this sounds good”, or “that transition doesn’t sound right.”
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698:'s sweet melody and ending with strangled pleas (In English, "my dear longing for you is killing me.")" "Sweet Pain" begins "deep in dream space with a wandering bassline and a simple backbeat, and then heating up to powerful close with Nusrat delivering spitfire scat." "Lament" is "plodding, desolate and dark," with Nusrat droning "without you there is gloominess–come back home sweetheart" as mellow background guitar sounds "soar." "Intoxicated" is a more upbeat than "Lament", and features "unexpected outbursts of Nusrat's rapid-fire, metaphorical vocals about obsession."
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29:
537:“If we’d had a 24-track Fairlight it would have been alright, but there was no budget for that. Even using a few ADATs, where you can slip and slide tracks, and bounce between them, would have been much better. Having a single 24-track most of the time was very frustrating. Working with this montage-type approach meant that everything took forever.”
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Brook encountered another problem; whilst the two-track mixdown of looped backing track sounded too "loopy", the original bedtracks of Brook, Ahwai and Pinker sounded too rough and inconsistent to really work well with the vocals. Transferring sections of the vocals to the bedtrack 24-track did not
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with slightly modified artwork on 4 May 2015 as part of their "Real World Gold" series, a series which "peels back the years to revisit and re-evaluate some most inspirational and beautiful music from the archives" of Real World
Records." The label said that, "as the name suggests, it's a programme
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work from Brook. Considered a "secularized" or "Western" version of Khan's other
Qawwali albums, it was critically acclaimed internationally and has been credited with leading Pakistani youth to discover Sufi religious music, qawwali. It was subsequently named one of the Top 100 albums of the 1990s
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However, because Brook had to "do everything" with the S770 sampler, and did not have a hard disk editor available, it was a "made even slower." In order to hear whether something worked or not, he had had to load it into the S770 sampler, copy it onto tape, "maybe do this for five or six tracks
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magazine ranked it at number 21 in their list of the top 40 albums of 1996. Eyre also noted that the album was also influential on Real World
Records, helping "establish something of a tradition" for the label's crossover projects, due to the "dreamy, atmospheric keyboards and guitars, simple,
655:, who they noted also sometimes "fuse traditional foreign (or pseudo-foreign) vocals and rhythm with modern ambient music and, on occasion, technological sound," saying that this makes traditional music somewhat more accessible to the listener while adding diversity to the elements of ambient.
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ballad as it works up to its "energized" closing chant. Eyre said that "My
Comfort Remains" and "Crest" are "essentially pop numbers with catchy melodies, the former bouncy but static, the latter building towards a revelatory crescendo." The fifth track, "Longing", features Nusrat's signature
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said it was “a quite sensational slow-burner of an album...Nusrat’s incredible vocal control and gift for wending his way round an evocative melody is bolstered by Brook’s sensitive ambient, gently beat-based arrangements. No-one deserves the extra exposure more than this peerless singer.”
471:, Khan soars to his greatest heights when he has ample time to improvise, which frustrated Brook because the backing tracks he had created were "on the short side." He worked in a method which saw Khan record vocal improvisations onto
483:, Brook had to decide which sections out of Khan's improvisations, some of which were an hour long, were the best and how they were going to fit together, without having a structural point of reference to start with or aim towards.
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considered the sessions a "technological nightmare". However, on one occasion during recording, after a particularly long period of "laborious editing, sampling, and shifting things around in MIDI sequences", several musicians from
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It was not possible to have Khan and the
Western musicians in the room at the same time due to logistical reasons, so Brook improvised bedtracks with guitarist Robert Ahwai, percussionist James Pinker and Brook himself on infinite
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said that the album “helped establish something of a tradition for Real World crossover projects. The genre features dreamy, atmospheric keyboards and guitars, simple, mid-tempo rhythms, and a kind of low-key understatement.”
280:, and was critically acclaimed, with one review declaring it “a most intoxicating spiritually uplifting cross-cultural expression,” and another calling it "elegant and entrancing." The album was nominated for a
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sequencing system. These loops were then mixed to two tracks of another 24-track reel. A 24-track reel has a running time of 28 minutes, which meant that Brook had 21 tracks, with one having been sacrificed to
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said that "this collaboration with
Michael Brook and his guitars provides the most natural complement to NusratÂ’s harmonium-tabla drums formula, yet never overshadows the mystical power of his voice," whilst
565:’s band arrived at the studio to record some overdubs for them. Brook said that "it was amazing how that instantly lifted our spirits. When you get so bogged down in the details, you quickly lose the mood."
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said that "this is a truly great record. Michael Brook is an unmistakably original producer who knows how to put a great vocal instrument into a stunning new context. This is a truly great record," and
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and classically trained musicians. The songs on the album were written collaboratively between the duo. The album contains down-to-earth lyrics about relationships and spiritual cleanliness, although
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The album was originally intended to be a one-off collaboration, and the pair subsequently worked on separate projects. Khan released a string of over ten more traditional solo albums, including
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makes a great companion to either sudden revelation or a simple evening in the forest, under the stars,” commenting that "it is certainly one of the best collaborative albums of the year."
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noted that, despite this, “the two artists make an obvious, pronounced effort to lead one down a path of pure spiritual ecstasy.” Upon its
February 1996, it charted at number 4 on the
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noted that, despite this, "the two artists make an obvious, pronounced effort to lead one down a path of pure spiritual ecstasy." The opening song "My Heart, My Life" features
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mix to listen to the result. As a result, it would take them half a day to be able to listen to something, whereas the same edit would have taken two minutes in a 24-track
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album, combining Khan's qawwali vocals with Brook's ambient production, and is often considered to be one of Khan's most experimental albums, featuring contributions from
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code, and each 28 minutes long, available for overdubs. Khan improvised three or four takes to each of the nine tracks, resulting in many hours of unedited material.
479:; unlike the typical method of remixers building their mixes out of recorded parts that had already been carefully selected and edited by the original artist, for
643:’s works and productions, noting that Brook has done extensive work with Eno in the past. They also noted that parallels could be drawn with the music of Brook's
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called it “a unique combination of intricate East-meets-West. Guitar, sampled drumbeats, and rhythmic vocals the like of which you’ve never heard before.
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tapes, and created each track part by part, overdubbing his instrumentation atop of it, a manual process that predated easy forms of digital editing.
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of reissues that brings some of the key Real World releases back into the sunlight as many titles have been unavailable for a number of years."
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said that "this collaboration demonstrates a distinct stroke of genius, a most intoxicating spiritually uplifting cross-cultural expression."
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said “the world’s best singer has a gag put in his mouth and delivers an ambient album that couldn’t be smoother if it was silk.”
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stated that “wherever you stand on Real World's arty aesthetics, you have to admire the
Qawwali star's sense of adventure here.”
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were written collaboratively. The album contains down-to-earth lyrics about relationships and spiritual cleanliness, although
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acknowledged that it involved "a gigantic editing challenge, and the risk of not seeing the wood for the trees anymore."
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religious music. The two had not worked for some time but collaborated again for a new album in 1995, naming the album
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swings rapidly from track to track." They also drew "certain parallels" between the album and many of ambient pioneer
2003:
556:. Brook noted, commenting on the overall sessions, that he "cannot imagine a more laborious way of making a record."
230:, it was Khan's last album released on the label during his lifetime. Khan and Brook had previously collaborated for
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The album was produced by Brook, who chose to work in a new method, after discovering that, during the recording of
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had named it the 21st best album of 1996 in their year-end “Albums of the Year” list. Songs from this album and
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mid-tempo rhythms, and a kind of low-key understatement" to the album. In 1997, Real World
Records released a
435:. However, Khan and Brook chose to reunite in 1994 for another album for Real World Records. Naming the album
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413:(1994), the latter two albums also released on Real World Records. Brook, meanwhile, released the acclaimed
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called it “an album for the ages, solidifying Khan’s stature as one of the world’s pre-eminent singers.”
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1447:"Mustt Mustt (1990) Michael Brook and Nusrat Fateh Ali Khan | Michael Brook - the Official Website"
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and electronic backing, with Nusrat singing in a relaxed mid-range voice. The song was compared to a
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that they record a collaborative album together for
Gabriel's recently established world music label
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The Day, The Night, The Dawn, The Dusk - Nusrat Fateh Ali Khan | Songs, Reviews, Credits | AllMusic
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872:. Considered a commercial success for a world album, it reached number 4 on the United States
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Star Rise: Remixes - Nusrat Fateh Ali Khan,Michael Brook | Songs, Reviews, Credits | AllMusic
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music. It is sometimes considered Khan's most experimental album, partly due to featuring
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Night Song - Nusrat Fateh Ali Khan,Michael Brook | Songs, Reviews, Credits | AllMusic
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Review: Nusrat Fateh Ali Khan & Michael Brook, Night Song - L. Graham Bridges
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singing and his singular wail, "unmistakable even when lavished with effects."
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which Brook would subsequently add to and layer, part by part, in the style of
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ranked it at number 15 in their list of the "Top World Music Albums" of 1996.
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The Last Prophet - Nusrat Fateh Ali Khan | Songs, Reviews, Credits | AllMusic
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Devotional Songs - Nusrat Fateh Ali Khan | Songs, Reviews, Credits | AllMusic
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presents an incomparable voice in a challenging setting.” Bhasker Gupta of
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by Neil Warwick, Jon Kutner and Tony Brown, Third edition (2003) p. 597
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Nusrat Fateh Ali Khan & Michael Brook: Mustt Mustt & Night Song
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musicians. The remix of "Sweet Pain" from the album was released as a
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album credited only to Khan that features Khan's qawwali vocals with
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Nusrat Fateh Ali Khan & Michael Brook - Sweet Pain at Discogs
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All tracks are written by Nusrat Fateh Ali Khan and Michael Brook
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Cobalt Blue - Michael Brook | Songs, Reviews, Credits | AllMusic
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1996 studio album by Nusrat Fateh Ali Khan and Michael Brook
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507:. He selected what he considered to be the best parts of these
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For Grammy Nominations, It's a Small World After All - latimes
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Real World Gold » Real World Records - World music label
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in 1997 to promote the album. Real World Records re-released
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in 1993, resulting in the release of the tour's live album
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said that it "changed the face of British music forever".
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Night Song by Nusrat Fateh Ali Khan: Amazon.co.uk: Music
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Night Song » Real World Records - World music label
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called the album a "seminal fusion". British musician
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1382:Nusrat Fateh Ali Khan - Chart history | Billboard
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1712:More SOS articles on the way! | Sound On Sound
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226:. Recorded in 1995 and released in 1996 on
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969:Grammy Award for Best World Music Album
282:Grammy Award for Best World Music Album
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1959:The Day, the Night, the Dawn, the Dusk
1735:https://www.allmusic.com/album/r231771
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910:called it "the best world music album
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461:24-track analogue multitrack recorder
1578:"Review — Nusrat Fateh Qawwali Khan"
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610:said the album “disregarded genre”.
1553:Mustt Mustt — Nusrat Fateh Ali Khan
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604:and classically trained musicians.
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511:, and sampled and looped them on a
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1006:, which featured five tracks from
403:(1991), the unanimously acclaimed
14:
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960:retrospectively said, along with
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222:musician, guitarist and producer
2245:Crime and Punishment in Suburbia
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1474:Punn, Goher Iqbal (2003-01-31),
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548:more" and then create the rough
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1838:Rock On The Net: The Chieftains
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236:(1990), a critically acclaimed
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690:said that the song is "a slow
384:chart in 1991. David Lynch of
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1014:remixed by several prominent
592:album that combines Nusrat's
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2467:Nusrat Fateh Ali Khan albums
1780:Chart Log UK: Alex K - Kyuss
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509:24-track analogue recordings
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304:were remixed for the pair's
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2269:India: Kingdom of the Tiger
1576:Lynch, David (2001-07-27),
881:chart and number 65 in the
369:by American music magazine
276:chart and number 65 on the
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1767:, 25 May 1996 issue, p. 42
1499:"Mustt Mustt Music Review"
1497:Givens, Ron (1991-04-19),
294:. Several months earlier,
255:The album is considered a
2462:1996 collaborative albums
2457:Real World Records albums
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1000:album of the duo's work,
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973:39th Annual Grammy Awards
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308:-orientated remix album
635:said that "the mood of
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346:musician and guitarist
2150:Sleeps with the Fishes
2014:Farrukh Fateh Ali Khan
1319:Top World Music Albums
1226:Farrukh Fateh Ali Khan
879:Top World Music Albums
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539:
464:
463:during the production.
382:Top World Music Albums
274:Top World Music Albums
2277:An Inconvenient Truth
2191:Nusrat Fateh Ali Khan
2179:Nusrat Fateh Ali Khan
2167:Nusrat Fateh Ali Khan
1937:Nusrat Fateh Ali Khan
1198:electronic percussion
1169:Nusrat Fateh Ali Khan
1010:and four tracks from
702:Release and reception
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535:
515:, triggered from his
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340:Nusrat Fateh Ali Khan
216:Nusrat Fateh Ali Khan
152:Nusrat Fateh Ali Khan
42:Nusrat Fateh Ali Khan
2452:Michael Brook albums
2019:Rahat Fateh Ali Khan
1583:The Austin Chronicle
1504:Entertainment Weekly
1477:Remembering a legend
1436:December 1996 issue.
1252:Kauwding Cissokho -
1098:"My Comfort Remains"
985:. In December 1996,
948:Keyboard Connections
944:The Los Angeles View
707:Professional ratings
387:The Austin Chronicle
314:, released in 1997.
2261:Charlotte Sometimes
1803:The Daily Telegraph
1280:Robert Ahwai - bass
1065:"My Heart, My Life"
1045:
931:The Daily Telegraph
708:
206:is a collaborative
1980:Intoxicated Spirit
1276:acid wah treatment
1194:string arrangement
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1020:twelve-inch single
870:Real World Records
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613:The New York Times
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441:Real World Studios
421:, and toured with
352:Real World Records
228:Real World Records
187:Intoxicated Spirit
133:Real World Records
73:Real World Studios
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2429:Giant Little Ones
2115:RockPaperScissors
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1480:, ScreenIndia.com
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891:Consumable Online
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688:Consumable Online
668:Consumable Online
633:Consumable Online
622:considered it an
372:Alternative Press
322:In 1989, English
265:Consumable Online
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2413:My Days of Mercy
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473:multitrack tapes
411:The Last Prophet
406:Devotional Songs
169:The Last Prophet
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56:20 February 1996
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1729:
1721:
1717:
1710:
1669:
1662:
1658:
1651:
1647:
1640:
1636:
1629:
1625:
1617:
1615:
1600:
1596:
1588:
1586:
1574:
1570:
1562:
1560:
1550:
1549:
1545:
1538:
1517:
1509:
1507:
1495:
1491:
1483:
1481:
1472:
1465:
1456:
1454:
1445:
1444:
1440:
1432:
1425:
1418:
1387:
1380:
1371:
1364:
1337:
1333:
1303:UK Albums Chart
1296:
1287:
1231:James Pinker -
1190:infinite guitar
1165:
1160:
1150:
1037:
883:UK Albums Chart
850:
845:
840:
835:
764:
759:
754:
749:
704:
571:
545:
541:
453:
320:
190:
181:
172:
119:
115:
114:
106:
48:
17:
12:
11:
5:
2480:
2470:
2469:
2464:
2459:
2454:
2437:
2436:
2434:
2433:
2425:
2417:
2409:
2401:
2393:
2385:
2377:
2369:
2361:
2353:
2345:
2337:
2333:Country Strong
2329:
2321:
2313:
2305:
2297:
2289:
2281:
2273:
2265:
2257:
2249:
2241:
2233:
2225:
2217:
2204:
2202:
2198:
2197:
2195:
2194:
2182:
2170:
2158:
2146:
2129:
2127:
2126:Collaborations
2123:
2122:
2120:
2119:
2111:
2102:
2100:
2096:
2095:
2088:
2087:
2080:
2073:
2065:
2056:
2055:
2053:
2052:
2038:
2035:
2034:
2032:
2031:
2029:Dildar Hussain
2026:
2024:Rizwan-Muazzam
2021:
2016:
2011:
2009:Fateh Ali Khan
2006:
2000:
1998:
1997:Related topics
1994:
1993:
1991:
1990:
1983:
1976:
1969:
1962:
1955:
1947:
1945:
1941:
1940:
1933:
1932:
1925:
1918:
1910:
1903:
1902:
1888:
1877:
1866:
1855:
1841:
1830:
1819:
1807:
1795:
1783:
1769:
1752:
1738:
1727:
1723:Sound on Sound
1715:
1667:
1656:
1645:
1634:
1623:
1605:(2004-06-17),
1603:Sawhney, Nitin
1594:
1568:
1543:
1515:
1489:
1463:
1438:
1423:
1385:
1369:
1334:
1332:
1329:
1326:
1325:
1322:
1309:
1308:
1305:
1299:
1298:
1293:
1286:
1283:
1282:
1281:
1278:
1268:
1262:
1256:
1250:
1239:
1235:, percussion,
1229:
1223:
1217:Dildar Hussain
1214:
1205:
1183:
1164:
1161:
1157:
1156:
1153:
1147:
1146:
1143:
1140:
1136:
1135:
1132:
1129:
1125:
1124:
1121:
1118:
1114:
1113:
1110:
1107:
1103:
1102:
1099:
1096:
1092:
1091:
1088:
1085:
1081:
1080:
1077:
1074:
1070:
1069:
1066:
1063:
1059:
1058:
1055:
1052:
1038:
1036:
1033:
1024:Virgin Records
977:The Chieftains
957:All About Jazz
856:
855:
826:
818:
817:
814:
806:
805:
802:
794:
793:
790:
782:
781:
778:
770:
769:
740:
734:
733:
730:
727:All About Jazz
722:
721:
718:
714:
713:
703:
700:
653:Dead Can Dance
570:
567:
558:Sound on Sound
534:
485:Sound on Sound
452:
449:
445:Box, Wiltshire
433:Virgin Records
319:
316:
286:The Chieftains
278:UK Album Chart
197:
196:
193:
192:
183:
174:
160:
159:
148:
147:
142:
136:
135:
130:
124:
123:
112:
108:
107:
105:
104:
99:
94:
88:
86:
80:
79:
70:
66:
65:
62:
58:
57:
54:
50:
49:
40:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
2479:
2468:
2465:
2463:
2460:
2458:
2455:
2453:
2450:
2449:
2447:
2431:
2430:
2426:
2423:
2422:
2418:
2415:
2414:
2410:
2407:
2406:
2402:
2399:
2398:
2394:
2391:
2390:
2386:
2383:
2382:
2378:
2375:
2374:
2373:Cas and Dylan
2370:
2367:
2366:
2362:
2359:
2358:
2354:
2351:
2350:
2346:
2343:
2342:
2338:
2335:
2334:
2330:
2327:
2326:
2322:
2319:
2318:
2314:
2311:
2310:
2306:
2303:
2302:
2298:
2295:
2294:
2290:
2287:
2286:
2285:Into the Wild
2282:
2279:
2278:
2274:
2271:
2270:
2266:
2263:
2262:
2258:
2255:
2254:
2250:
2247:
2246:
2242:
2239:
2238:
2234:
2231:
2230:
2226:
2223:
2222:
2218:
2215:
2211:
2210:
2206:
2205:
2203:
2199:
2192:
2188:
2187:
2183:
2180:
2176:
2175:
2171:
2168:
2164:
2163:
2159:
2156:
2155:Pieter Nooten
2152:
2151:
2147:
2144:
2143:Daniel Lanois
2140:
2136:
2135:
2131:
2130:
2128:
2124:
2117:
2116:
2112:
2109:
2108:
2104:
2103:
2101:
2097:
2093:
2092:Michael Brook
2086:
2081:
2079:
2074:
2072:
2067:
2066:
2063:
2051:
2050:
2040:
2039:
2036:
2030:
2027:
2025:
2022:
2020:
2017:
2015:
2012:
2010:
2007:
2005:
2002:
2001:
1999:
1995:
1989:
1988:
1984:
1982:
1981:
1977:
1975:
1974:
1970:
1968:
1967:
1963:
1961:
1960:
1956:
1954:
1953:
1949:
1948:
1946:
1942:
1938:
1931:
1926:
1924:
1919:
1917:
1912:
1911:
1908:
1900:
1895:
1893:
1886:
1881:
1875:
1870:
1864:
1859:
1852:
1851:
1845:
1839:
1834:
1828:
1823:
1816:
1811:
1804:
1799:
1792:
1787:
1781:
1776:
1774:
1766:
1765:
1759:
1757:
1750:
1745:
1743:
1736:
1731:
1724:
1719:
1713:
1708:
1706:
1704:
1702:
1700:
1698:
1696:
1694:
1692:
1690:
1688:
1686:
1684:
1682:
1680:
1678:
1676:
1674:
1672:
1665:
1660:
1654:
1649:
1643:
1638:
1632:
1627:
1614:
1613:
1608:
1604:
1598:
1585:
1584:
1579:
1572:
1559:
1555:
1554:
1547:
1541:
1536:
1534:
1532:
1530:
1528:
1526:
1524:
1522:
1520:
1506:
1505:
1500:
1493:
1479:
1478:
1470:
1468:
1453:on 2009-07-06
1452:
1448:
1442:
1435:
1430:
1428:
1421:
1416:
1414:
1412:
1410:
1408:
1406:
1404:
1402:
1400:
1398:
1396:
1394:
1392:
1390:
1383:
1378:
1376:
1374:
1367:
1362:
1360:
1358:
1356:
1354:
1352:
1350:
1348:
1346:
1344:
1342:
1340:
1335:
1320:
1317:
1316:
1311:
1310:
1304:
1301:
1300:
1294:
1292:Chart (1996)
1291:
1290:
1279:
1277:
1273:
1269:
1266:
1263:
1261:
1257:
1255:
1251:
1248:
1244:
1243:Hammond Organ
1240:
1238:
1234:
1230:
1227:
1224:
1222:
1218:
1215:
1213:
1209:
1208:Caroline Dale
1206:
1203:
1199:
1196:, keyboards,
1195:
1191:
1187:
1186:Michael Brook
1184:
1182:
1178:
1174:
1170:
1167:
1166:
1154:
1151:Total length:
1148:
1144:
1141:
1137:
1133:
1130:
1126:
1122:
1119:
1115:
1111:
1108:
1104:
1100:
1097:
1093:
1089:
1086:
1082:
1078:
1076:"Intoxicated"
1075:
1071:
1067:
1064:
1060:
1047:
1041:
1035:Track listing
1032:
1029:
1025:
1021:
1017:
1013:
1009:
1005:
1004:
999:
994:
993:
988:
984:
983:
978:
974:
970:
965:
963:
959:
958:
953:
949:
945:
940:
939:
933:
932:
927:
926:
921:
920:
915:
913:
909:
908:
902:
901:
896:
892:
888:
884:
880:
877:
876:
871:
867:
863:
862:Peter Gabriel
827:
825:
824:
823:Rolling Stone
820:
819:
815:
813:
812:
808:
807:
803:
801:
800:
796:
795:
791:
789:
788:
784:
783:
779:
777:
776:
772:
771:
741:
739:
736:
735:
731:
729:
728:
724:
723:
715:
712:Review scores
710:
699:
697:
693:
689:
685:
680:
676:
673:
669:
665:
661:
656:
654:
650:
646:
642:
638:
634:
629:
625:
621:
620:
615:
614:
609:
608:
603:
599:
595:
591:
587:
580:
575:
566:
564:
559:
555:
551:
544:
538:
533:
529:
527:
522:
518:
514:
510:
506:
502:
498:
494:
488:
486:
482:
478:
474:
470:
462:
457:
448:
446:
442:
438:
434:
430:
429:
424:
420:
416:
412:
408:
407:
402:
401:
395:
393:
392:Nitin Sawhney
389:
388:
383:
380:
379:
374:
373:
367:
363:
359:
358:
353:
349:
348:Michael Brook
345:
341:
337:
334:suggested to
333:
332:Peter Gabriel
329:
325:
315:
313:
312:
307:
303:
299:
298:
293:
292:
287:
283:
279:
275:
272:
271:
266:
262:
258:
253:
251:
247:
243:
239:
235:
234:
229:
225:
224:Michael Brook
221:
218:and Canadian
217:
213:
210:by Pakistani
209:
205:
204:
189:
188:
184:
180:
179:
175:
171:
170:
166:
165:
161:
157:
156:Michael Brook
153:
149:
146:
145:Michael Brook
143:
141:
137:
134:
131:
129:
125:
113:
109:
103:
100:
98:
95:
93:
90:
89:
87:
85:
81:
78:
74:
71:
67:
63:
59:
55:
51:
47:
46:Michael Brook
43:
38:
34:
30:
25:
20:
2427:
2419:
2411:
2403:
2395:
2387:
2379:
2371:
2363:
2355:
2347:
2339:
2331:
2323:
2317:9500 Liberty
2315:
2307:
2299:
2291:
2283:
2275:
2267:
2259:
2253:Impossible 2
2251:
2243:
2235:
2227:
2219:
2207:
2184:
2173:
2172:
2160:
2148:
2132:
2113:
2105:
2042:
1985:
1978:
1972:
1971:
1964:
1957:
1950:
1880:
1869:
1858:
1848:
1844:
1833:
1822:
1814:
1810:
1802:
1798:
1790:
1786:
1762:
1730:
1722:
1718:
1659:
1648:
1637:
1626:
1616:, retrieved
1612:The Observer
1610:
1597:
1587:, retrieved
1581:
1571:
1561:, retrieved
1552:
1546:
1508:, retrieved
1502:
1492:
1482:, retrieved
1476:
1455:. Retrieved
1451:the original
1441:
1433:
1313:
1260:talking drum
1131:"Night Song"
1120:"Sweet Pain"
1039:
1027:
1011:
1007:
1001:
990:
986:
980:
966:
961:
955:
951:
947:
943:
936:
929:
923:
917:
916:
905:
900:The Guardian
898:
894:
890:
873:
859:
821:
816:(favourable)
809:
804:(favourable)
799:The Observer
797:
792:(favourable)
787:The Guardian
785:
780:(favourable)
773:
732:(favourable)
725:
696:slide guitar
687:
672:West African
667:
663:
659:
657:
649:Lisa Gerrard
636:
632:
617:
611:
605:
590:world fusion
585:
584:
557:
546:
540:
536:
530:
489:
484:
480:
468:
466:
436:
428:Damage: Live
426:
423:Robert Fripp
414:
410:
404:
398:
396:
385:
376:
370:
362:world fusion
355:
321:
309:
301:
295:
289:
268:
264:
257:world fusion
254:
245:
238:world fusion
231:
208:studio album
202:
201:
200:
185:
177:
176:
167:
102:world fusion
37:Studio album
2325:The Fighter
2301:Road, Movie
2293:Americanese
2201:Soundtracks
2162:Mustt Mustt
2107:Cobalt Blue
2099:Solo albums
2004:Discography
1952:Mustt Mustt
1241:Jo Bruce -
1228:- harmonium
1204:, buzz bass
1012:Mustt Mustt
962:Mustt Mustt
893:said that “
866:world music
679:Salif Keita
660:Mustt Mustt
647:labelmates
513:Roland S770
469:Mustt Mustt
431:in 1994 on
419:4AD Records
415:Cobalt Blue
409:(1992) and
357:Mustt Mustt
302:Mustt Mustt
250:multi-track
233:Mustt Mustt
2446:Categories
2357:Undefeated
2237:Affliction
2174:Night Song
1973:Night Song
1725:interview.
1618:2016-01-30
1589:2016-01-30
1563:2016-01-30
1510:2016-01-30
1484:2016-01-30
1457:2016-01-30
1331:References
1202:bass drone
1044:Night Song
1028:Night Song
1016:dubtronica
1008:Night Song
952:Night Song
938:Folk Roots
895:Night Song
664:Night Song
637:Night Song
602:Senegalese
586:Night Song
481:Night Song
437:Night Song
417:(1992) on
360:(1990), a
318:Background
306:dubtronica
261:Senegalese
246:Night Song
203:Night Song
178:Night Song
158:chronology
22:Night Song
2186:Star Rise
2139:Brian Eno
1987:Star Rise
1850:Billboard
1764:Billboard
1558:Billboard
1315:Billboard
1297:position
1265:Mick Karn
1247:woodwinds
1181:keyboards
1177:harmonium
1163:Personnel
1109:"Longing"
1003:Star Rise
987:Billboard
919:Billboard
875:Billboard
775:Billboard
641:Brian Eno
607:Billboard
563:Baba Maal
554:Fairlight
501:keyboards
451:Recording
378:Billboard
330:musician
311:Star Rise
270:Billboard
77:Wiltshire
2405:Stronger
2397:Tallulah
2389:Brooklyn
2214:The Edge
2049:Category
1087:"Lament"
982:Santiago
979:' album
925:Time Out
912:...ever!
907:Time Out
887:AllMusic
738:AllMusic
628:Allmusic
619:Time Out
477:remixing
366:keyboard
291:Santiago
288:’ album
140:Producer
61:Recorded
53:Released
39: by
2421:Le Brio
2309:Morning
2216:, 1986)
2209:Captive
2193:, 1997)
2181:, 1996)
2169:, 1990)
2157:, 1987)
2145:, 1985)
1817:review.
1805:review.
1321:chart.
1272:mandola
1249:, drums
1142:"Crest"
971:at the
658:Unlike
624:ambient
598:ambient
594:Qawwali
521:Notator
344:ambient
336:qawwali
220:ambient
214:singer
212:qawwali
191:(1996)
182:(1996)
173:(1994)
97:ambient
92:Qawwali
2432:(2019)
2424:(2017)
2416:(2017)
2408:(2017)
2400:(2016)
2392:(2015)
2384:(2015)
2376:(2013)
2368:(2012)
2360:(2011)
2352:(2011)
2349:Darwin
2344:(2010)
2336:(2010)
2328:(2010)
2320:(2010)
2312:(2010)
2304:(2009)
2296:(2008)
2288:(2007)
2280:(2006)
2272:(2002)
2264:(2002)
2256:(2000)
2248:(2000)
2240:(1997)
2232:(1997)
2224:(1995)
2212:(with
2189:(with
2177:(with
2165:(with
2153:(with
2137:(with
2134:Hybrid
2118:(2006)
2110:(1992)
2041:
1944:Albums
1285:Charts
1267:- bass
1237:hi-hat
1173:vocals
1057:Length
868:label
720:Rating
717:Source
692:ballad
493:guitar
111:Length
69:Studio
2381:Aloft
1233:drums
1221:tabla
1212:cello
1155:48:01
1054:Title
998:remix
526:SMPTE
517:Atari
338:star
328:world
128:Label
84:Genre
2341:Hell
2221:Heat
2141:and
1434:Mojo
1295:Peak
1254:kora
1145:6:14
1134:4:47
1123:6:28
1112:5:35
1101:6:39
1090:5:14
1079:7:34
1068:5:30
992:Mojo
684:scat
675:kora
651:and
579:kora
503:and
497:bass
342:and
326:and
324:rock
297:Mojo
242:Sufi
154:and
64:1995
44:and
1312:US
1307:65
1050:No.
1022:by
864:’s
645:4AD
550:DAT
443:in
2448::
1891:^
1772:^
1755:^
1741:^
1670:^
1609:,
1580:,
1556:,
1518:^
1501:,
1466:^
1426:^
1388:^
1372:^
1338:^
1324:4
1274:,
1245:,
1219:-
1210:-
1200:,
1192:,
1188:-
1179:,
1175:,
1171:-
1139:8.
1128:7.
1117:6.
1106:5.
1095:4.
1084:3.
1073:2.
1062:1.
914:"
499:,
495:,
447:.
120:01
116:48
75:,
2084:e
2077:t
2070:v
1929:e
1922:t
1915:v
1460:.
811:Q
581:.
519:/
118::
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