Night of the Living Dead

912: 988: 2451: 2311: 2046: 1582: 782: 932:; the opening sequence was shot at the Evans City Cemetery on Franklin Road, south of the borough. Lacking the money to build or purchase a house for the main set, the filmmakers rented a nearby farmhouse scheduled for demolition. Though it lacked running water, some crew members slept there during the shooting, taking baths in a nearby creek. The building's neglected cellar was not a viable location for filming, so the few basement scenes were shot beneath The Latent Image offices. The basement door shown in the film was cut into a wall by the production team and led nowhere. 1156: 5647: 2250:, a major influence on Romero. Grant describes her as the film's only Hawksian professional. After changing from a mousy outfit that mirrors the original into the visually militaristic clothing she discovers in the farmhouse, Barbra is the lone character able to separate her emotions from the objective necessity to exterminate the living dead. According to Grant, Romero is able to offer one of the most important feminist outlooks in horror because the undead disrupt all traditional values including patriarchy. 38: 895: 717: 550: 1493: 2650: 449: 2636: 2622: 514: 10264: 1046:(1993). Critics saw the influence of the horror and science-fiction films of the 1950s in Romero's directorial style. Stephen Paul Miller, for instance, witnessed "a revival of fifties schlock shock ... and the army general's television discussion of military operations in the film echoes the often inevitable calling-in of the army in fifties horror films". Miller admits that " 1160: 1158: 5068:[educational film FALLOUT: WHEN AND HOW TO PROTECT YOURSELF AGAINST IT (USA 1959, produced by Creative Arts Studio Inc. on behalf of the Office of Civil and Defense Mobilization). What accompanies the introductory shots of nuclear explosions in the educational film is accompanied by the documented catastrophe in the end credits in NIGHT (cf. Höltgen 23).] 1551:

crying ... It's hard to remember what sort of effect this movie might have had on you when you were six or seven. But try to remember. At that age, kids take the events on the screen seriously, and they identify fiercely with the hero. When the hero is killed, that's not an unhappy ending but a tragic one: Nobody got out alive. It's just over, that's all.

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unpublished short story about flesh-eating ghouls, and they began filming with an incomplete script. According to Russo, the screenplay written prior to filming only covered events up to the emergence of the Cooper family. Russo completed the script while filming and Romero later expanded the final pages of his short story into the sequels

1496: 1500: 1499: 1495: 1494: 1501: 2246:) as a capable and active heroine. Film historian Barry Grant interprets the new Barbara as a reversal of the original film's portrayal of feminine passivity. He explores how the 1990 Barbra embodies—arguably masculine—virtuous professionalism, as depicted in the works of classic Hollywood director 1123:, constructing props, recording sounds and editing. Production stills were shot and printed by Karl Hardman, assisted by a "production line" of other cast members. Upon completion of post-production, Image Ten found it difficult to secure a distributor willing to show the film with the gruesome scenes intact. 2432:

According to professor of religious studies Kim Paffenroth, Romero's antagonists broke with earlier traditions of "voodoo zombies" by having no human villain in control of the zombie and thus no potential to ever restore the monsters' humanity. Compared to the vampires and Haitian zombies that served

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A nearly catatonic Barbra is surprised to find people already taking shelter in the home's cellar. Harry, his wife Helen, and their young daughter Karen fled there after a group of the same monsters overturned their car and bit Karen on the arm, leaving her seriously ill. A couple, Tom and Judy, took

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Lehrfilms FALLOUT: WHEN AND HOW TO PROTECT YOURSELF AGAINST IT (USA 1959, produziert von Creative Arts Studio Inc. im Auftrag des Office of Civil and Defense Mobilization). Was im Aufklärungsfilm einleitend Aufnahmen von Nuklearexplosionen begleitet, unterlegt in NIGHT die dokumentierte Katastrophe

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concept about adolescent aliens, after realizing they would not have the budget to create a convincing spaceship. Russo proposed a more constrained narrative where a young man runs away from home and discovers aliens harvesting human corpses for food in a cemetery. Romero combined this idea with an

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The kids in the audience were stunned. There was almost complete silence. The movie had stopped being delightfully scary about halfway through, and had become unexpectedly terrifying. There was a little girl across the aisle from me, maybe nine years old, who was sitting very still in her seat and

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chided theater owners and parents who allowed children access to a film they were entirely unprepared for. Ebert noted that the children in the audience initially displayed typical reactions to '60s horror films, including shouting when ghouls appeared on the screen. He said that the atmosphere in

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donated by an investor's butcher shop. Zombie makeup varied during the film. Initially, makeup was limited to white skin with blackened eyes. As filming progressed, mortician's wax simulated wounds and decaying flesh. Filming took place between July 1967 and January 1968 under various titles. Work

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The remaining survivors attempt to figure a way out. They pause their discussion to watch the 3 a.m. news update until the power cuts out. The ghouls soon break through the doors and windows of the unlit home. In the chaos, Harry grabs Ben's gun but is disarmed and shot by Ben. Harry staggers

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was screened at several film festivals and was released onto DVD on July 27, 2010, by Wild Eye Releasing. This project aims to "reanimate" the 1968 film by replacing Romero's celluloid images with animation done in a wide variety of styles by artists from around the world, laid over the original

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These discussions led to the creation of Image Ten, a production company chartered to produce a single feature film. The initial budget was $ 6,000; each member of the production company invested $ 600 for a share of the profits. Ten more investors contributed another $ 6,000, but this was still

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to visit their father's grave, where a pale man in a tattered suit kills Johnny and attacks Barbra. She flees to a nearby farmhouse but finds the resident's corpse lying half-eaten on the stairs. A growing horde of ghouls soon surround the house as a stranger, Ben, arrives and initially mistakes

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books that Romero read as a child were graphic stories set in modern America. They often featured brutal deaths and reanimated corpses seeking revenge on the living. Romero said that he tried to bring into the film the "real hard shadows and weird angles and beautiful lighting that a comic book

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takes greater relish in mocking these military operations through the general's pompous demeanor" and the government's inability to source the zombie epidemic or protect the citizenry. Romero described the film's intended mood as a downward arc from near hopelessness to complete tragedy. Film

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comments that the zombies and birds both function as projections of the familial tensions. The living dead appear during a familial dispute at the cemetery, and the danger escalates as familial resent builds in the farmhouse. Professor of Film Studies Carter Soles argues that the films offer

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heightened the film's success. He asked, "What girl has not, at one time or another, wished to kill her mother? And Karen, in the film, offers a particularly vivid opportunity to commit the forbidden deed vicariously." Romero featured social taboos as key themes, especially cannibalism. Film

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as Barbra. A 23-year-old commercial and stage actress, O'Dea previously worked for Hardman and Eastman in Pittsburgh. O'Dea was in Hollywood seeking entry to the movie business when contacted about the role. O'Dea expressed surprise at the film's cultural impact and the renown it brought

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as Ben. The casting was potentially controversial in 1968 when it was rare for a black man to be cast as the hero of an American film primarily composed of white actors, but Romero said that Jones performed the best in his audition. Jones went on to appear in other films, including

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in North Carolina. Wayne explained the change in careers during a 1992 interview, "I am not that person anymore. I got to a point in my life where I wanted to have some control. I didn't want to wake up at 40 or 50 and not be in control." In 1995, he took his own life at age

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different perspectives on an "environmental apocalypse". Hitchcock's birds were a force of nature, but Romero's zombies were a direct product of human actions. Soles argues that this reflects changing cultural attitudes, especially after the 1962 environmental science book

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be done". One example offered by O'Dea concerns a scene where Barbra tells Ben about Johnny's death. O'Dea said that the script vaguely had Barbra talk about riding in the car with Johnny before they were attacked. She described Barbra's dialogue for the scene as entirely

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actor, but upon casting black actor Duane Jones, Romero intentionally did not alter the script to reflect this. The film appeared in theaters at a time when very few black actors played leading roles. The rare exceptions, like the consciously black heroes played by

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of armed men patrolling the countryside to exterminate the living dead. Reports confirm that the ghouls can die again from heavy blows to the head, bullets to the brain, or being burned. Various rescue centers offer refuge and safety, and scientists theorize that

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Much of the dialogue was altered, rewritten, or improvised by the cast. Lead actress Judith O'Dea told an interviewer, "I don't know if there was an actual working script! We would go over what basically had to be done, then just did it the way we each felt it

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shelter after hearing an emergency broadcast about a series of brutal killings. Tom and Ben secure the farmhouse while Harry protests that it is unsafe aboveground before returning to the cellar. Ghouls continue to besiege the farmhouse in increasing numbers.

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In the morning, an armed posse arrives to dispatch the remaining ghouls. Awoken by their gunfire and sirens, Ben emerges from the cellar, but they shoot him, mistaking Ben for a ghoul. His body is thrown onto a bonfire and burned with the rest of the ghouls.

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called the film "one of the most gruesomely terrifying movies ever made – and when you leave the theatre you may wish you could forget the whole horrible experience. ... The film's grainy, banal seriousness works for it – gives it a crude realism". A

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has remarked that—unlike with other movie characters—audiences cannot identify with the zombies because there is no identity left within their bodies, and that they instead provide audiences a combination of disgust and fascinated attraction.

1685:, 95% of 84 critics' reviews are positive, with an average rating of 8.9/10. The website's consensus reads: "George A. Romero's debut set the template for the zombie film, and features tight editing, realistic gore, and a sly political undercurrent." 1157: 2550:

Critics have compared the shooting of the film's black protagonist to the assassination of Martin Luther King Jr. Stein explains, "In this first-ever subversive horror movie, the resourceful black hero survives the zombies only to be surprised by a

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subgenre. Earlier horror films had largely involved rubber masks, costumes, cardboard sets, and mysterious figures lurking in the shadows. They were set in locations far removed from rural and suburban America. Romero revealed the power behind

37: 2482:, "An Introduction to the American Horror Film", was highly influential, especially in film criticism where horror as a genre had not previously been considered a topic for serious analysis. Wood interprets notable horror films including 860:. Eastman modified the scenes written for Helen and Harry Cooper in the cellar. Karl Hardman attributed Ben's lines to lead actor Duane Jones. Ben was an uneducated truck driver in the script until Jones began to rewrite his character. 5058:

Drogla, Paul (2015). "Des Krieges neue Kinder. Überlegungen zur Ikonografie des Zombiearchetyps im Kontext des Vietnamkriegs" [New Children of War: On the Iconography of the Zombie Archetype in the Context of the Vietnam War].

2437:, the disgust that arises from an inability to separate clean from corrupt. While the vampire myth offers a potential escape from mundane life, the zombie offers an infinite decay more abject than conventional death. Cultural critic 1607:

was the "most profitable horror film ever ... produced outside the walls of a major studio". In the decade after its release, the film grossed over $ 15 million at the U.S. box office. It was translated into over 25 languages.

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contacted Karl Hardman and Marilyn Eastman, president, and vice president respectively, of a Pittsburgh-based industrial film firm called Hardman Associates, Inc. The Latent Image pitched their idea for a then-untitled horror film.

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Judith Ridley as Judy. The 19-year-old receptionist from Hardman Associates auditioned for Barbra without any acting experience and was given the less-demanding role of Judy. Ridley starred in Romero's unsuccessful second feature

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Ben devises a plan to obtain medical supplies for Karen and transport the group to a rescue center by refueling his truck at a pump on the farm. Ben, Tom, and Judy drive there together, holding the ghouls off with torches and

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held that public dissemination required copyright notice to maintain a copyright. Several years after the film's release, its creators discovered that the original prints distributed to theaters had no copyright protection.

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the theater shifted to grim silence as the protagonists each began to fail, die, and be consumed—either by fire or the undead. The deaths of Ben, Barbra, and the supporting cast showed audiences an uncomfortable,

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magazine. That issue also contained an interview of director George A. Romero by Abagnalo along with William Terry Ork. The review and interview are known as the first acknowledgements of the importance of the film.

764:(1966), Romero felt that The Latent Image had the experience and equipment to produce a feature film. They wanted to capitalize on the film industry's "thirst for the bizarre", according to Romero. He, Streiner, and 773:

insufficient. Production stopped multiple times during filming while Romero used early footage to persuade additional investors. Image Ten eventually raised approximately $ 114,000 for the budget ($ 999,000 today).

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with varying quality. The original film is available to view or download for free on many websites. As of September 2024, it is the Internet Archive's third most-viewed film, with over 3.5 million views.

2098:, Romero peppered the other films in the series with critiques specific to the periods in which they were released. Romero died with several "Dead" projects unfinished, including the posthumously completed novel 2269:(the actor who played the zombie that first attacks Barbra in the graveyard and kills her brother Johnny at the beginning of the original film), composers Todd Goodman and Stephen Catanzarite composed an opera 402:. Frequently identified as a touchstone in the development of the horror genre, retrospective scholarly analysis has focused on its reflection of the social and cultural changes in the United States during the 7285: 7684: 8458: 324:

segments through their production company The Latent Image, Romero, Russo, and Streiner decided to make a horror film to capitalize on interest in the genre. Their script primarily drew inspiration from

7219: 5978: 3531: 2597:". Film historian Linda Badley explains that the film was so horrifying because the monsters were not creatures from outer space or some exotic environment, but rather that "They're us." In the 2009 4392: 602:

Karl Hardman as Harry Cooper. President of Hardman Associates, Karl Hardman, played the hostile father. Cooper's wife was played by Hardman's real-life business and romantic partner Marilyn Eastman.

450: 8247: 5437: 6676: 5721: 406:, with particular attention towards the casting of Jones, an African-American, in the leading role. In 1999, the film was deemed "culturally, historically, or aesthetically significant" by the 3982: 7252: 1947:

magazine, Russo explained that he wanted to "give the movie a more modern pace". Russo took liberties with the original script. The additions are neither clearly identified nor even listed.

1176:, and Hardman cut them to match the scenes and augmented them with electronic effects. A soundtrack album featuring music and dialogue cues from the film was compiled and released on LP by 7863: 2257:. The film has been remade more than any other movie. Independent remakes have used the film's titular "living dead" as an allegory for racial tension, terrorism, nuclear war, and beyond. 2197:

as an homage to his father's work, a glimpse into the political turmoil of the mid-to-late 1960s, and a bookend piece to his father's original story. Despite raising funds for the film on

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in the same year that the movie was made, Romero responded in the negative, noting that he only heard about the shooting when he was on his way to find distribution for the finished film.

537:. Barbra tries to help Ben keep the ghouls out, but a reanimated Johnny drags her away. As the horde breaks in, Ben takes refuge in the cellar, where he shoots Harry's and Helen's ghouls. 5406: 3420: 4831: 6901: 3308: 2470:. Film historian Robin Wood organized "The American Nightmare"—a sixty-film retrospective combining screenings and director interviews to frame horror in terms of oppression and 7832: 7442: 2593:

Film historian Gregory Waller identifies broad-ranging critiques of American institutions including the nuclear family, private homes, media, government, and "the entire mechanism of

7114: 2973: 6468: 4359: 7343: 6522: 526:. However, the gas from the pump spills and causes the truck to catch fire and explode, killing Tom and Judy. Ben returns and breaks down the door when Harry does not let him in. 7075: 4793: 4769: 4745: 847:. He explained that Matheson wrote about the aftermath of a complete global upheaval; Romero wanted to explore how people would respond to that kind of disaster as it developed. 1172:

The film's music consisted of existing pieces that were mixed or modified for the film. Much of the soundtrack had been used by previous films. Romero selected tracks from the

6992: 6160: 6499: 6315: 3889: 7495: 2490:. He discusses how traits deemed unacceptable are repressed on the personal level or when not repressed, oppressed on the societal level. He identifies repressed taboos and 2429:

after its cannibalistic undead became the dominant zombie concept in the United States, to such an extent that zombie has become a byword for concepts that failed to "die".

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as a late-1960s critique of American capitalism. Wood argues that the zombies' consumption of people represents the logical endpoint of human interactions under capitalism.

839:-like creatures and prey on the uninfected. Matheson described Romero's interpretation as "kind of cornball", and more theft than homage. In an interview, Romero contrasted 3724: 372:

internationally, earning more than 250 times its budget and making it one of the most profitable film productions of all time. Released shortly before the adoption of the

6829: 3076: 6614: 1818:, and other formats. Over two hundred distinct versions of the film have been released on tapes alone. Numerous versions of the film have appeared on DVD, Blu-ray, and 6435: 6021: 608:

as Helen Cooper. Vice president of Hardman Associates, Marilyn Eastman played the doomed mother Helen Cooper and the unnamed, bug-eating zombie. She later appeared in

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would be fresh in the minds of the film's creators and audience. She points to aspects of the Vietnam War paralleled in the film: grainy black-and-white newsreels,

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Kyra Schon as Karen Cooper. Hardman's daughter in real life, 9-year-old Schon also portrayed the mangled corpse on the house's upstairs floor that Ben drags away.

2668: 7211: 6098: 7886: 5970: 3523: 1930:, a company that converts 2-D film into 3-D format. The film was theatrically released on October 14, 2010. According to Legend Films founder Barry Sandrew, 4688: 2242:, and, after the war, worked with Romero on the sequels. The remake was based on the original screenplay but included a revised plot that portrayed Barbra ( 2149:

alumni Russ Streiner and Rudy Ricci on a screenplay under the same title. In 1981, investment banker Tom Fox bought the rights to the story. Fox brought in

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black-and-white film. The completed film ultimately benefited from the decision, as film historian Joseph Maddrey describes the black-and-white filming as "

4382: 2106: 1519:. Nationally, it was a Saturday afternoon matinée—typical for horror films at the time—and attracted the usual horror film audience of mainly 10661: 8237: 6684: 5429: 5236: 4559: 4045:

How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda

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denounced the movie as a moral failing of the film's makers, the horror genre, and regional cinema. The reviewer claimed that the "unrelieved orgy of

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In 2011, when the cemetery chapel was under warrant for demolition, Gary R. Steiner led a successful effort to raise funding to restore the building.

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at war, and the zombie carnage seemed a grotesque echo of the conflict then raging in Vietnam". Film historian Sumiko Higashi concurs, arguing that

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noted a clear parallel between the killing and destruction of Ben's body by white police and the violence directed at African Americans during the

2163:. Romero and his associates attempted to block Fox from marketing his film as a sequel and demanded the name be changed. In a previous court case, 572:. The cast consisted of members of Image Ten, actors previously cast for their commercials, acquaintances of Romero, and Pittsburgh stage actors. 474:

Barbra for the homeowner. After driving back several ghouls, he boards the windows and doors. While searching the home for supplies, he locates a

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that includes five sequels released between 1978 and 2009, all directed by Romero. Due to an error when titling the original film, it entered the

10701: 10646: 7855: 5151: 3660: 1719: 5592: 5398: 3410: 3106: 10351: 6129: 5833: 5632: 7559: 4823: 376:, the film's explicit violence and gore were considered groundbreaking, leading to controversy and negative reviews. It eventually garnered a 7438: 5864: 3298: 3142: 373: 9405: 7824: 6404: 5379: 3922: 2963: 1168:

appears in many other films. The composition from the end credits previously appeared during this 1959 nuclear fallout public service video.

10511: 10041: 7106: 2094:. Each film traces the evolution of the living dead epidemic in the United States and humanity's desperate attempts to cope with it. As in 1051:

historian Carl Royer praised the film's sophistication—especially considering Romero's limited experience—and noted the use of

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as a commentary on repressed sexuality, the marginalized groups of 1960s America, and the disruption to societal norms resulting from the

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Decades after its release, the film enjoys a reputation as a classic and still receives positive reviews. In 2008, the film was ranked by

10706: 10616: 7335: 6741: 4496: 3606:"How to Find Chiropractic Help, Bursitis and Tendinitis, Sternum Noises, Knee and Neck Care; plus the Notice of the Death of Dr. Hartman" 9346: 7188: 5811: 998:

was the first feature-length film directed by George A. Romero. His initial work involved filming advertisements, industrial films, and

10432: 9534: 4805: 4781: 1838:. It features special features, including commentary, trailers, gallery files, and more. In 1999, Russo's revised version of the film, 560:

The low-budget film included no well-known actors, but propelled the careers of some cast members. Two independent film companies from

6984: 6261: 6187: 4504: 10210: 9564: 8166: 6152: 649:, who played the first ghoul encountered by Barbra and Johnny in the cemetery, went on to work on a number of horror films including 20: 6636: 6491: 3881: 1707:

in 1999 with other films deemed "culturally, historically or aesthetically significant". In 2001, the film was ranked No. 93 by the

628:. After this lone acting role, Wayne went on to work as a singer, dancer, musician, and night-club owner. Wayne became a successful 2937: 2812:

entitled "Bullets Cost Too Much". Most of the music in the film had previously been used on the soundtrack for the science-fiction

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from its streaming service in Germany following a legal request in 2017 because "a version of the film is banned in that country."

872:, were written as subservient to make those characters palatable to white audiences. Asked in 2013 if he took inspiration from the 10666: 7744: 7472: 4065:

How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States

3690: 10586: 10272: 9995: 7496:"'The Rise': Preview George C. Romero's 'Night of the Living Dead' Prologue Comic from Heavy Metal Magazine! [Exclusive]" 7022: 5743: 2575:. In both films, a small group takes refuge in an isolated house and attempts to fend off an inexplicable attack. Film historian 2129: 2122: 873: 5934: 4862: 3007: 1918:

released a colorized version in 1986 that featured ghouls with pale green skin. Another colorized version appeared in 1997 from

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of the film with content added, deleted, rearranged, or more heavily modified. From its initial release into the public domain,

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and setting horror in ordinary, unexceptional locations and offered a template for making an effective film on a small budget.

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George Cameron Romero, the son of director George A. Romero, wrote a prequel to his father's classic, under the working titles

2040: 421: 5491: 4266: 3716: 3384: 3224: 10651: 10566: 10556: 10033: 9857: 9289: 9266: 9243: 9087: 9068: 9049: 9028: 9009: 8924: 8868: 8847: 8799: 8780: 8759: 8704: 8654: 8556: 8531: 8504: 8452: 8384: 7777: 7385: 6909: 4227: 2543:

in black and white, and the graphic photographs that appear during the closing credits resemble the contemporary Vietnam War

8809:

Lowenstein, Adam (2022). "CHAPTER 1. A REINTRODUCTION TO THE AMERICAN HORROR FILM: Revisiting Robin Wood and 1970s Horror".

6427: 6014: 3043: 10676: 10591: 10561: 9959: 5939:(Circular 92 ed.). U.S. Copyright Office. § Omission of notice on certain copies and phonorecords. Archived from 3460: 2933: 2532: 2231: 533:

Karen dies from her injuries, becomes a ghoul, and eats her father's remains. She stabs her mother to death with a masonry

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Bond, Christopher; Boyer, Dale; Martin (Screenwriter), Trevor; Lamb, Jamie; Harrison, Christopher; Pattison, Phil (2017).

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where both the original film and the titular living dead exist. The series has a complicated relationship with Romero's

1941:. He filmed additional scenes and recorded a revised soundtrack composed by Scott Vladimir Licina. In an interview with 1786:

when changing the film's name. Image Ten displayed a notice on the title frames of the film beneath the original title,

10631: 9751: 6003: 4293: 1980: 1791: 1713: 7801: 3791:"First Image of Original 'Day of the Dead' Cast Reunited in Upcoming 'Night of the Living Dead 2' [Exclusive]" 10636: 10151: 10017: 9736: 9308: 9150: 8828: 8677: 8575: 8566:

Grant, Barry Keith (2015) . "Taking Back the Night of the Living Dead: George Romero, Feminism and the Horror Film".

8354: 2817: 2766: 2641: 2602: 2487: 381: 7894: 6809: 6784: 6088: 5459: 10681: 10671: 10641: 10611: 7157: 5562: 2831:(1958–61). The piece playing when Ben finds the rifle can be heard in a more complete form during the beginning of 2827: 2221: 1724: 1387:"Discovery of TV/Preparing to Escape/Tom & Judy" (All the samples of the track were composed by Geordie Hormel) 9222: 10576: 10439: 9597: 5921:

Legal Issues that Arise when Color is Added to Films Originally Produced, Sold and Distributed in Black and White

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list, a list of America's most heart-pounding movies. The zombies in the picture were also a candidate for AFI's

1128: 1018: 490: 355:. Unable to procure a proper set, the crew rented a condemned farmhouse to destroy during the course of filming. 9255:

Return of the B Science Fiction and Horror Movie Makers: The Mutant Melding of Two Volumes of Classic Interviews

2527:

draws from the visual vocabulary the media used to report on the war, noting especially that the photographs of

2425:—because he said that his flesh-eaters were something new. The term "zombie" was retroactively applied to 1953:

reported "no bad blood" between Russo and Romero. The magazine quoted Romero as saying, "I didn't want to touch

10691: 10596: 10425: 9527: 9281: 9171: 8945: 8725: 6568: 2663: 2520: 1733: 1147:. While changing the title, the copyright notice was accidentally deleted from the early releases of the film. 1008: 677:

as himself. Cardille was well known in Pittsburgh as a TV presenter who hosted a horror film anthology series,

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The film is regarded as one of the launching pads for the modern zombie movie, and effectively redefined the "

1758:." While Roger Ebert criticized the matinée screening, he admitted that he "admires the movie itself". Critic 10551: 10519: 10009: 9559: 6361: 5185: 4256: 2494:

groups as the psychological basis for horror monsters. Wood and later critics used this framework to discuss

2155: 1979:

was nominated in the category of Best Independent Production (film, documentary or short) for the 8th Annual

1624:

noted that the film had "become a bona fide cult movie for a burgeoning band of blood-lusting cinema buffs".

1589:

In 1969, George Abagnalo published the film's first positive critical review in the fourth issue of Warhol's

911: 2450: 987: 10143: 9967: 9905: 9629: 9554: 9388: 9183:""And No Birds Sing": Discourses of Environmental Apocalypse in "The Birds" and "Night of the Living Dead"" 6871: 5531: 4072: 4052: 2066: 1599: 800: 679: 10182: 10107: 5028: 4469: 3816: 2277:

in Pittsburgh, in October 2013. The opera was awarded the American Prize for Theater Composition in 2014.

1967:, who promised to permanently ban anyone from his publication who offered positive criticism of the film. 10626: 10457: 10280: 10202: 10135: 10025: 9975: 9913: 9653: 6492:"Netflix Reveals All the TV Shows and Movies It's Removed Because of Foreign Government Takedown Demands" 6050: 4606: 2471: 2467: 2374: 2273:

based on the film. The Microscopic Opera Company produced its world premiere, which was performed at the

2072: 1573:. These early denouncements would not limit the film's commercial success or later critical recognition. 929: 806: 689: 365: 7399: 2565:. Lager described it as a more honest exploration of 1960s America than anything produced by Hollywood. 10571: 10175: 9983: 9507: 9493: 9479: 9212: 8595: 7710: 7655: 3411:"Marilyn Eastman, Actress and Vital Behind-the-Scenes Player on 'Night of the Living Dead,' Dies at 87" 739: 3652: 10476: 10256: 9850: 9589: 9520: 8548: 5837: 3132: 3102: 2384: 1066: 639: 9394: 6931: 6459:"Home Video 'Night of Anubis': What to Expect from Criterion's 'Night of the Living Dead' Workprint" 6121: 5584: 5261:

Ork, Terry; Abagnalo, George (1969). "Night of the Living Dead -- Interview with George A. Romero".

568:'s The Latent Image—combined to form Image Ten, a production company chartered only to create 10359: 10237: 5141: 3959: 3071: 2841:

Another piece, accompanying Barbra's flight from the cemetery zombie, was taken from the score for

2833: 2421:

anxieties. Romero never used the word "zombie" in the 1968 film or its script—using instead,

2019: 1919: 1855: 1843: 1693:, assigned the film a score of 89 out of 100, based on 17 critics, indicating "universal acclaim". 1690: 925: 900: 485:

The refugees listen to radio and television reports of an army of cannibalistic corpses committing

340: 3930: 2800:

The opening title music with the car on the road had been used in a 1961 episode of the TV series

1131:

declined after requests to soften it and re-shoot the final scene were rejected by producers. The

10606: 10492: 10335: 10303: 9771: 9744: 9605: 8238:"Night of the Living Dead & Texas Chainsaw Massacre - Race and Capitalism in Trump's America" 7679: 7076:"'Night of the Living Dead' Getting 4K Ultra HD Upgrade from Criterion Collection This Halloween" 6394: 3946: 3003: 2274: 2100: 1728: 1708: 1610: 1306: 1173: 1144: 1024: 964: 668: 610: 8691:: A Horror Film about the Horrors of the Vietnam Era". In Dittmar, Linda; Michaud, Gene (eds.). 5673: 1455:"Helen's Death*/Dawn/Posse in the Fields/Ben Awakes" (*electronic sound effects by Karl Hardman) 10686: 9353: 9132: 8810: 8669: 7533: 7280: 7138:"Dawn of the Digital Dead: The Zombie as Interactive Social Satire in American Popular Culture" 6564: 5782: 4063: 4043: 3415: 1987: 1704: 1629: 411: 6733: 9776: 9437: 9258: 9099:"Ecohorror Special Cluster: "Living in Fear, Living in Dread, Pretty Soon We'll All Be Dead"" 8646: 8423: 7336:"The horror film that won't die: how Night of the Living Dead spawned a spin-off zombie army" 7180: 5807: 2843: 2562: 2499: 2364: 1963: 946:

drizzled over cast members' bodies. The human flesh consumed by ghouls consisted of meat and

943: 794: 475: 336: 6267: 5659: 5614: 3266: 10656: 10229: 9937: 9843: 9809: 9717: 9677: 9661: 9431: 9276:

Wood, Robin (1985). "An Introduction to the American Horror Film". In Nichols, Bill (ed.).

9208:"When the Zombie Looks: The Human Being Undone in George Romero's Night of the Living Dead" 8884: 6523:"Report reveals Netflix removed Night of the Living Dead from Germany's streaming services" 6399: 6289: 6183: 5971:"'Night of the Living Tapes' details classic zombie film's record-setting afterlife on VHS" 4387: 4261: 2202: 2167:(1978), they had prevented Illinois-based film distributor William Links from re-releasing 2134: 2090: 2007: 1949: 1859: 1754:

critic commented, "This is a pearl of a horror picture that exhibits all the earmarks of a

1042: 972: 344: 8158: 8135: 7212:"The Defining Feature of George Romero's Movies Wasn't Their Zombies. It Was Their Brains" 5919:

United States Senate, Committee on the Judiciary, Subcommittee on Technology and the Law,

1846:. In 2002, Elite Entertainment released a special edition DVD featuring the original cut. 8: 10546: 10391: 10064: 9693: 7276:"'Twilight of the Dead,' George A. Romero's Final Zombie Movie, in the Works (Exclusive)" 6654: 4354: 3165:"Preserving the Silver Screen (December 1999) - Library of Congress Information Bulletin" 2576: 2413: 2350:

spawned countless imitators in cinema, television, and video gaming. According to author

2011: 1835: 1700: 1415:"Truck on Fire/Ben Attacks Harry/Leg of Leg*" (*electronic sound effects by Karl Hardman) 1120: 935: 819: 407: 331: 1585:

Decades after its initial release, a theater runs a midnight showing of the cult classic

1177: 959:

after Romero's short story that provided the basis for the script, and was completed as

347:

techniques he had honed in his commercial and industrial work to complete the film on a

299:

corpses. Although the flesh-eating monsters that appear in the film are referred to as "

10484: 10327: 9621: 9613: 9411: 9039: 8983: 8956: 8935: 8914: 8901: 8858: 8749: 8693: 8640: 8627: 8542: 8520: 8493: 8415: 7736: 7564: 7464: 7419: 7149: 6495: 6248: 5750: 5646: 5496: 3682: 3303: 2778: 2536: 2491: 2369: 2153:

to direct and rewrite the script, changing nearly everything but the title. O'Bannon's

1673: 1639: 1557: 1531:

was not in place until the following month, so children were able to purchase tickets.

1030: 392: 7014: 6985:"Night of the Living Dead has always looked awful, but the 4K restoration is terrific" 1790:, but the Walter Reade Organization removed it when changing the title. At that time, 10319: 9929: 9709: 9465: 9381: 9365: 9304: 9285: 9262: 9239: 9194: 9167: 9146: 9110: 9083: 9064: 9045: 9024: 9005: 8988: 8941: 8920: 8864: 8843: 8824: 8795: 8776: 8770: 8755: 8721: 8715: 8700: 8673: 8650: 8631: 8571: 8552: 8527: 8500: 8448: 8419: 8380: 7773: 7381: 7247: 7079: 6957: 6463: 6093: 5999: 5940: 5464: 5360: 5146: 4854: 4223: 2995: 2925: 2540: 2528: 2507: 2351: 2343: 2310: 2084: 1999: 1915: 1911: 1847: 1766:. It is unthinkable for anyone seriously interested in horror movies not to see it." 1678: 1621: 1537: 1124: 1016:

launched his career as a horror director. He took the helm of the sequels as well as

976: 786: 386: 8772:

Night of the Living Dead: Behind the Scenes of the Most Terrifying Zombie Movie Ever

7044: 2253:

Due to its public domain status, many independent producers have created remakes of

2175:. Fox was forced to cease his advertising campaign but allowed to retain the title. 10399: 10375: 10367: 9921: 9701: 9543: 9453: 9442: 9327: 9138: 8978: 8968: 8893: 8816: 8642:

Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953–1968

8619: 8407: 7411: 6650: 6645: 6320: 5554: 5501: 4789: 4765: 4741: 4215: 4059: 4039: 3376: 2895: 2598: 2396: 2337:, the film represented "a new dawn in horror film-making". The film ushered in the 2319: 2243: 2078: 1783: 1570: 1091: 814: 760: 751: 565: 523: 326: 280: 272: 265: 83: 51: 4757: 924:

The small budget dictated much of the production process. Scenes were filmed near

10383: 9400: 9161: 8604:

Heffernan, Kevin (2002). "Inner-City Exhibition and the Genre Film: Distributing

8436: 8070: 7767: 7521: 7400:"Bytes and Pieces: Fragmented Copies, Licensing, and Fair Use in a Digital World" 5623: 5430:"When An Undead Apocalypse First Swept America In The 'Night Of The Living Dead'" 3038: 3029: 2607: 2544: 2168: 2150: 1682: 1434: 1116: 1090:

While some critics dismissed Romero's film because of the graphic scenes, writer

968: 605: 595: 582: 494: 315: 308: 288: 112: 107: 8427: 7045:"To Save and Project: The 14th MoMA International Festival of Film Preservation" 6087:

Egan, Toussaint; Volk, Pete; Goslin, Austen; Staff, Polygon (October 16, 2021).

5698: 9427: 9002:

Monsters in America: Our Historical Obsession with the Hideous and the Haunting

8610: 8159:"The Dead Zones: 'George A. Romero' at the American Museum of the Moving Image" 5628: 5380:"'Night of the Living Dead': What a zombie classic says about death in America" 3613: 2838: 2438: 2359: 2045: 1891: 1520: 1286: 1254: 939: 869: 864: 857: 824: 781: 747: 651: 348: 9498: 9484: 9470: 8411: 6813: 6362:"Night of the Living Dead: 25th Anniversary (1968) THX ELITE [EE1114]" 4824:"How Mr Rogers Gave Night Of The Living Dead Director George Romero His Start" 2016:

To Save and Project: The 14th MoMA International Festival of Film Preservation

1826:

The film received a VHS release in 1993 through Tempe Video. The next year, a

1762:

wrote, "If you want to see what turns a B movie into a classic ... don't miss

1581: 975:", resembling "the unflinching authority of a wartime newsreel". He found the 720: 10540: 10100: 9685: 9669: 9198: 9114: 8973: 8395: 5550: 3164: 2822: 2772: 2594: 2582: 2338: 1995: 1958: 1851: 1779: 1659: 1562: 1290: 1270: 1238: 1234: 1230: 1069: 765: 735: 684: 674: 664: 615: 425: 276: 64: 8840:

Nightmares in Red, White and Blue: The Evolution of the American Horror Film

3717:"George Kosana, 'Night of the Living Dead' Actor (and Investor), Dies at 81" 3217:"Classic Hollywood: George Romero, Mr. Rogers and the Pittsburgh connection" 2238:. Savini had planned to work on the 1968 film before being drafted into the 2208:

published the first issue of a graphic novel adaptation of the story titled

9637: 9448: 9142: 8992: 7856:"Ultimate Collision Of Form Brings Zombies And Cinema To Silo | Scoop News" 7793: 5776:"AFI's 100 Years ... 100 Heroes and Villains: The 400 Nominated Characters" 5557: 3461:"Tributes for Marilyn Eastman, 'Night of the Living Dead' Star, Dead at 87" 2655: 2516: 2479: 2418: 2355: 2266: 2247: 2201:

in 2014, as of 2023 the film has yet to go into production. In April 2021,

1744: 1180:

in 1982. In 2008, the recording group 400 Lonely Things released the album

1132: 1112: 1078: 963:, a title not used in the final release due to a potential conflict with a 646: 629: 470: 292: 167: 8820: 5469: 2539:

operations, helicopters, and graphic carnage. In 1968, the news was still

2462:

as a subversive film that critiques 1960s American society, international

2064:

films directed by George Romero. Following the 1968 film, Romero released

1184:, an instrumental album with music and sounds sampled from the 1968 film. 10343: 10092: 9867: 9802: 9458: 8623: 6776: 5137: 2806:

entitled "I Remember a Lemon Tree" and is also featured in an episode of

2627: 2512: 2408: 2395:". Before the film's release, the term "zombie" described a concept from 2315: 2239: 1927: 1922:

with grey-skinned zombies. In 2009, Legend Films co-produced a colorized

1863: 1755: 1566: 1532: 1524: 1438: 1052: 588: 576: 554: 503: 486: 284: 268: 102: 9370: 9359: 9182: 9098: 8475: 7825:"Cue the zombies! Night of the Living Dead remade in real time on stage" 7153: 5545: 1802:

was not copyrighted, it has received hundreds of home video releases on

1727:

named it the 5th scariest film ever made. The film also ranked No. 9 on

1614:

reported that it was the top-grossing film in Europe in 1968. In a 1971

10311: 8905: 8879: 8396:"Raising the Dead: Unearthing the Nonliterary Origins of Zombie Cinema" 8242: 7423: 7137: 5668: 3137: 2557: 2379: 2284:

was published in 2017 and has been performed in major cities including

2235: 1991: 1903: 1899: 1750: 1686: 1649: 1516: 999: 894: 793:

The script was co-written by Russo and Romero. They abandoned an early

743: 657: 625: 561: 437: 398: 9331: 8205: 7378:

Handbook of Intellectual Property Claims and Remedies: 2004 Supplement

6902:"Interview with Night of the Living Dead: Reanimated's Mike Schneider" 6428:"'Night of the Living Dead' restored on HBO Max and Criterion Channel" 5294:"Night of the Living Dead: Horrors of Reality Manifested in the Flesh" 1723:, in the villains category, but failed to make the official list. The 9645: 6153:"Did You Know You Can Stream A Ton Of Classic Films Online For Free?" 5695:"Librarian of Congress Names 25 More Films to National Film Registry" 4383:"How Sidney Poitier Rewrote the Script for Black Actors in Hollywood" 2802: 2458:

Since its release, many critics and film historians have interpreted

2434: 2404: 2198: 1867: 1850:

released a restored print of the film on DVD. This was followed by a

1831: 1819: 1083: 1073: 1056: 1036: 1003: 499: 377: 339:

took place between July 1967 and January 1968, mainly on location in

9835: 9318:

Zimmerman, Elizabeth (2013). "Vampire Gentlemen and Zombie Beasts".

8897: 7415: 4176:

Romero, George A. (February 2, 1997). "George A. Romero interview".

2230:

have attempted to reimagine the original film's story, most notably

754:. The Latent Image started small, but after producing a high-budget 9512: 9376: 9236:

Monsters and Mad Scientists: A Cultural History of the Horror Movie

8916:

Gospel of the Living Dead: George Romero's Visions of Hell on Earth

7986: 6872:"Wild Eye and MVD Resurrect "Night of the Living Dead: Reanimated"" 6830:"Tempe Film: Night of the Living Dead: Reanimated on Thursday 1/28" 5399:"'Night of the Living Dead': Zombies Restored to Their Full Beauty" 5091:

Corupe, Paul (August 2009). "They're Coming to Remix You, Barbra".

2511:

sees the film as an ardent critique of American involvement in the

2463: 2388:(1984) are indebted to Romero's use of gore in a familiar setting. 2293: 2014:. The fully restored version was shown in November 2016 as part of 1943: 1934:

is the first entirely live action 2-D film to be converted to 3-D.

1759: 1616: 1543: 942:

were simple and limited by the budget. The blood, for example, was

928:, Pennsylvania, 30 miles (48 km) north of Pittsburgh in rural 828: 7765: 7181:"Why George Romero Movies Aren't Just About the Horror of Zombies" 5333:

McCullough, Paul (July–August 1973). "A Pittsburgh Horror Story".

2022:

on February 13, 2018, and on Ultra HD Blu-ray on October 4, 2022.

1699:

was awarded two distinguished honors decades after its debut. The

549: 10084: 10076: 9131:

Shaviro, Steven (2017). "Contagious Allegories:: George Romero".

9021:

Going to Pieces: The Rise and Fall of the Slasher Film, 1978–1986

8495:

Assault of the Killer B's: Interviews with 20 Cult Film Actresses

7107:"This Day in Horror: DIARY OF THE DEAD Was Released 12 Years Ago" 6777:"NIGHT OF THE LIVING DEAD – 30th Anniversary DVD Special Edition" 2875: 2813: 2635: 2552: 2285: 1923: 1875: 1815: 1807: 836: 291:. The story follows seven people trapped in a farmhouse in rural 8113: 8111: 8109: 7675:"'Night of the Living Dead' opera arrives in time for Halloween" 4641: 4586: 8815:(digital ed.). Columbia University Press. pp. 19–44. 7525: 6607:"Johnny Ramone Tribute Includes Night of the Living Dead in 3D" 6051:"DVD Review: Night of the Living Dead 40th Anniversary Edition" 4552:"10 Hidden Details Everyone Missed In Night Of The Living Dead" 4473: 4078: 2968: 2717:

The initial ten members for which Image Ten gets its name are:

2555:

posse". In 2018, on the film's 50th anniversary, Mark Lager of

2392: 2305: 2227: 755: 725: 534: 513: 429: 304: 303:", they are credited with popularizing the modern portrayal of 296: 8544:

Technophobia!: Science Fiction Visions of Posthuman Technology

8445:

Generation Zombie: Essays on the Living Dead in Modern Culture

7584: 7015:"Night of the Living Dead. 1968. Directed by George A. Romero" 4986: 4984: 4982: 3239: 2145:(1978) as a sequel to the original film and collaborated with 1135:

agreed to show the film uncensored but changed the title from

750:

for The Latent Image, a company he co-founded with his friend

8286: 8106: 4300: 4196: 3299:"Duane L. Jones, 51, Actor and Director of Stage Works, Dies" 2433:

as inspiration, Romero's antagonists derive more horror from

2400: 2289: 1546:

outlook that was unusual for the genre. According to Ebert:

1095: 1077:

artist can create." He later collaborated with horror writer

947: 624:

Keith Wayne as Tom. "Keith Wayne" was Ronald Keith Hartman's

507: 403: 300: 8082: 7243:"George Romero's final project unites all his zombie movies" 6122:"The best free movies on YouTube right now (September 2023)" 5923:(Washington, D.C.: Government Printing Office, 1988), p. 83. 5216: 1937:

In 1999, co-writer Russo released a modified version called

1874:, in addition to various bonus materials. In February 2020, 9301:

Robin Wood on the horror film: collected essays and reviews

8737:"Dreams and the Human Material in Night of the Living Dead" 8522:

American Horrors: Essays on the Modern American Horror Film

8322: 8123: 8058: 6677:""Night of the Living Dead" to Be Released in Color and 3D" 5111: 4979: 3975:"'Night of the Living Dead' Actor George Kosana Dies at 81" 3917: 3915: 3913: 3911: 3909: 3907: 3000:

AFI Catalog of Feature Films: The First 100 Years 1893–1993

1677:

found it to be the 12th scariest movie of all time. On the

1099:

historian Robin Wood interprets the flesh-eating scenes of

1059:

style) lighting to create a mood of increasing alienation.

592:(1984), but worried that people only recognized him as Ben. 7974: 7945: 7608: 4531: 3133:"The Zombification Family Tree: Legacy of the Living Dead" 314:

Having gained experience creating television commercials,

8695:

From Hanoi to Hollywood: The Vietnam War in American Film

8310: 8298: 8274: 8094: 8010: 7439:"George Romero's Son Announces 'Rise of the Living Dead'" 6935: 5903: 5901: 5899: 4891:. Pennsylvania: Pennsylvania State University Libraries. 4629: 4497:"Zombie fans celebrate iconic 'Night of the Living Dead'" 3198: 3196: 3194: 3192: 3190: 2587: 2334: 2234:

written by Romero and directed by special effects artist

1827: 1811: 1803: 1597:

Five years after the film's premiere, Paul McCullough of

9041:

The Spectacle of Isolation in Horror Films: Dark Parades

8046: 8022: 7656:"Why There Are So Many Night of the Living Dead Remakes" 7539: 7300: 5697:. Library of Congress. November 16, 1999. Archived from 5273: 5166: 4660: 3904: 3882:"George A Romero, godfather of zombie horror – obituary" 3256: 3254: 1858:

on February 13, 2018, sourced from a print owned by the

724:

The creation of a high-budget television commercial for

667:

as Sheriff McClelland. Kosana also served as the film's

469:

Siblings Barbra and Johnny drive to a cemetery in rural

9187:

Interdisciplinary Studies in Literature and Environment

9103:

Interdisciplinary Studies in Literature and Environment

8193: 8181: 7964: 7962: 7960: 7358: 6850:"MOHAI's zombie film fest to feature Port Gamble movie" 6832:. Events.getoutaz.com. January 28, 2010. Archived from 6596:(VHS, Anchor Bay Entertainment, 1997), ASIN 6301231864. 6344: 6342: 6340: 6338: 5341: 4519: 4121: 4021: 4019: 4017: 4004: 4002: 4000: 3377:"Night of the Living Dead Cast and Crew - Karl Hardman" 2964:"The Top Ten Best Low-Budget Horror Movies of All Time" 2669:

List of films in the public domain in the United States

1986:

Starting in 2015, and working from the original camera

1902:

theaters, a trend that continued among the bottom-tier

1782:

because the original distributor failed to replace the

1515:

premiered on October 1, 1968, at the Fulton Theater in

831:

that ravages a futuristic Los Angeles. The infected in

361:

premiered in Pittsburgh on October 1, 1968. It grossed

7921: 7560:"The Zombies Return, in Living (or Is It Dead?) Color" 5896: 5884: 5204: 5072: 4967: 4955: 4184: 3442: 3440: 3438: 3359: 3357: 3187: 2821:(1959), as well as several pieces used in the classic 2764:

Official film adaptations of Matheson's novel include

746:. He directed and produced television commercials and 728:

spurred the film's producers to create a horror movie.

8518:: It's Not Like Just a Wind That's Passing Through". 8334: 7998: 7933: 7909: 7632: 7620: 7596: 7572: 5947: 4703: 4416: 4414: 4412: 4410: 4324: 4312: 4236: 4157: 4145: 4133: 4099: 4097: 3862: 3840: 3838: 3760:"Bill Cardille marks 50 years on Pittsburgh airwaves" 3632: 3620: 3502: 3500: 3498: 3342: 3251: 9166:(revised ed.). New York: Faber and Faber, Inc. 8262: 7957: 7312: 6756: 6713: 6545: 6335: 5852: 5099: 5026: 4943: 4907: 4574: 4450: 4426: 4350:"George A Romero: Why I don't like The Walking Dead" 4014: 3997: 3278: 2617: 991:

Living dead Karen Cooper, eating her father's corpse

785:

Ghouls swarm around the house, searching for living

8568:

The Dread of Difference: Gender and the Horror Film

8217: 8034: 6086: 5363:(November 8, 1971). "We Killed 'Em in Pittsburgh". 4996: 4931: 4919: 4726:(DVD) (Special Divimax ed.). Anchor Bay. 2004. 3585: 3435: 3354: 2586:made Americans aware of harm done by the pesticide 2113: 2018:. This same restoration was released on Blu-ray by 374:

Motion Picture Association of America rating system

10128:Night of the Living Dead: 30th Anniversary Edition 9452:is available for free viewing and download at the 9441:is available for free viewing and download at the 8692: 8519: 8492: 6707:Night of the Living Dead: 30th Anniversary Edition 5008: 4438: 4407: 4109: 4094: 3850: 3835: 3739: 3683:"Night of the Living Dead actor Bill Hinzman dies" 3517: 3515: 3495: 3483: 3067:"Night of the Living Dead: Mere Anarchy Is Loosed" 2215: 2212:from Romero's script and with art by Diego Yapur. 1939:Night of the Living Dead: 30th Anniversary Edition 1840:Night of the Living Dead: 30th Anniversary Edition 1769: 1111:Members of Image Ten were involved in filming and 530:down to the cellar and dies next to his daughter. 380:and critical acclaim and has appeared on lists of 8713: 6184:"10 Terrifying Horror Movies to Watch on Peacock" 6120:Perry, Nick; Marnell, Blair (September 1, 2023). 5027:Mulligan, Rikk; Prisbylla, Andy; Scherer, David. 4592: 4214: 3923:"Interview with Karl Hardman and Marilyn Eastman" 2329:Romero revolutionized the horror film genre with 1508:trailer highlighting the film's gore and violence 1164:Drawn from pre-existing recordings, the music in 979:to resemble a documentary on social instability. 702: 428:upon release, resulting in numerous adaptations, 10538: 9817:Dead On: The Life and Cinema of George A. Romero 9423:Night of the Living Dead: Mere Anarchy Is Loosed 9137:. University of Minnesota Press. pp. 7–19. 6869: 6565:"Night of the living dead. Detailed Record View" 6216:"5 movies to help celebrate Black History Month" 6089:"The best horror movies you can watch right now" 5607: 5332: 9124:Tales From The Crypt: From Comics to Television 8514:Dillard, R. H. W.; Waller, Gregory A. (1988). " 8152: 8150: 7649: 7647: 7380:(New York: Aspen Publishers, 1999), pp. 24–25, 5933:"Copyright Notice, Deposit, and Registration". 5913: 5132: 5130: 5128: 5126: 4656:(DVD). Millennium Edition. Elite Entertainment. 4607:"The D-I-Y Origins of Night of the Living Dead" 3512: 3338:(DVD). Millennium Edition. Elite Entertainment. 2606:, the zombies in the film are compared to the " 432:, and a lasting legacy in the horror genre. An 9163:The Monster Show: A Cultural History of Horror 9080:The Complete Night of the Living Dead Filmbook 7135: 6774: 1957:". Critics disliked the revised film, notably 734:George Romero embarked upon his career in the 9851: 9528: 8513: 8328: 7329: 7327: 7209: 6209: 6207: 6205: 5530:. January 25, 2010. p. 7. Archived from 4990: 3404: 3402: 2957: 2955: 2193:. George Cameron Romero said that he created 1720:AFI's 100 Years ... 100 Heroes & Villains 1669:The 100 Maverick Movies in the Last 100 Years 1127:rejected the film for its lack of color, and 10042:Return of the Living Dead: Rave to the Grave 8147: 7644: 6119: 6082: 6080: 6078: 6076: 5123: 5090: 4687:. University of Pittsburgh Library Systems. 4605:Winterhalter, Elizabeth (November 5, 2020). 4604: 4031: 3714: 2141:films. Co-writer John Russo wrote the novel 1898:was widely screened from inferior prints in 8570:(2nd ed.). University of Texas Press. 8443:. In Boluk, Stephanie; Lenz, Wylie (eds.). 6389: 6387: 6290:"File:Night of the Living Dead (1968).webm" 5652: 5546:"100 Maverick Movies in the Last 100 Years" 5260: 4472:. Living Dead Festival, LLC. Archived from 4343: 4341: 4339: 3208: 1081:and former EC Comics artists on the homage 10662:United States National Film Registry films 9858: 9844: 9535: 9521: 8912: 8860:The Seventies Now: Culture as Surveillance 8808: 8714:Hoberman, J.; Rosenbaum, Jonathan (1983). 8211: 8088: 8052: 7951: 7884: 7532:, no. 1 (April 7, 2021). 7410:(4). California Law Review, Inc: 871–872. 7324: 6202: 5645: 5222: 4202: 3399: 2952: 2178: 1970:A collaborative animated project known as 1094:claimed that the "open-eyed detailing" of 967:. The small budget led Romero to shoot on 863:The lead role was initially written for a 36: 10512:Land of the Dead: Road to Fiddler's Green 10211:Night of the Living Dead 3D: Re-Animation 9326:(1). Manchester University Press: 76–87. 9317: 9303:. Detroit: Wayne State University Press. 9298: 9096: 8982: 8972: 8638: 8603: 8476:"Films go EC/DC. The Great Frame Robbery" 8434: 8304: 8292: 8280: 8100: 8064: 8028: 7992: 7672: 6073: 5749:. American Film Institute. Archived from 5714:"Complete National Film Registry Listing" 5359: 5186:"'Night of the Living Dead': Film Review" 5117: 4852: 4666: 4549: 4279: 3202: 3130: 21:Night of the Living Dead (disambiguation) 9097:Rust, Stephen A.; Soles, Carter (2014). 7210:Benson-Allott, Caetlin (July 18, 2017). 7142:Australasian Journal of American Studies 7104: 6982: 6734:"Return to the Night of the Living Dead" 6489: 6384: 6150: 5834:"Bravo's The 100 Scariest Movie Moments" 5322:. First Run Features (Documentary Film). 5234: 4681:"Night of the Flesh Eaters mini-banners" 4380: 4336: 4280:McConnell, Marianna (January 24, 2008). 4058: 4038: 3552: 3524:"Former Houston Man Heading for Stardom" 2571:shows influence from Alfred Hitchcock's 2454:Barbra and Ben after their first meeting 2449: 2309: 2044: 1906:companies. The first major revisions of 1580: 1491: 1154: 986: 884: 780: 548: 517:Judith Ridley as Judy, near the gas pump 512: 447: 10273:Poultrygeist: Night of the Chicken Dead 9220: 9205: 9130: 9058: 9018: 8837: 8734: 8686: 8540: 8474:Chute, David (September–October 1982). 8268: 8199: 8187: 8129: 8076: 7968: 7927: 7853: 7822: 7653: 7493: 7436: 7073: 6731: 6617:from the original on September 24, 2009 6456: 6425: 6048: 5870: 5347: 5210: 4709: 4190: 4163: 4081:"Consumer Price Index (estimate) 1800–" 3788: 3603: 3542:– via Google News Archive Search. 3521: 3214: 3103:"U.S. film registry adds 25 new titles" 3064: 2333:; according to Almar Haflidason of the 2123:Return of the Living Dead (film series) 1487: 1303:"First Radio Report/Torch on the Porch" 1213:"Driveway to the Cemetery (Main Theme)" 874:assassination of Martin Luther King Jr. 564:—Hardman Associates and director 382:the greatest and most influential films 10702:English-language science fiction films 10647:Night of the Living Dead (film series) 10539: 10168:Night of the Living Dead: Darkest Dawn 10160:Night of the Living Dead: Resurrection 9280:. Vol. II. Berkeley, California: 9252: 8954: 8877: 8856: 8663: 8584: 8490: 8441:: Generation Z, the Age of Apocalypse" 8435:Boluk, Stephanie; Lenz, Wylie (2011). 8400:Journal of Popular Film and Television 8393: 8374: 8340: 8040: 7980: 7707:"Night of the Living Dead – The Opera" 7397: 7240: 7191:from the original on September 1, 2023 7178: 7160:from the original on February 11, 2023 6983:Bramesco, Charles (November 4, 2016). 6964:from the original on February 26, 2018 6744:from the original on September 8, 2023 6407:from the original on November 16, 2017 6226:from the original on February 15, 2023 6132:from the original on September 4, 2023 6101:from the original on September 2, 2023 5969:Locklin, Kristy (September 16, 2021). 5953: 5890: 5814:from the original on February 26, 2021 5595:from the original on December 21, 2020 5377: 5279: 5057: 5039:from the original on September 4, 2023 4949: 4913: 4895:from the original on September 4, 2023 4865:from the original on September 4, 2023 4834:from the original on September 4, 2023 4821: 4691:from the original on September 2, 2023 4648:Romero, George A. et al. (2002). 4617:from the original on September 2, 2023 4562:from the original on September 2, 2023 4525: 4507:from the original on November 16, 2018 4494: 4432: 4420: 4318: 4254: 4242: 4175: 4151: 3972: 3650: 3446: 3408: 3363: 3348: 3296: 3058: 3010:from the original on December 20, 2021 2976:from the original on December 27, 2014 2961: 2159:arrived in theaters in 1985 alongside 2041:Night of the Living Dead (film series) 2030: 1465: 1451: 1429:"Beat 'Em or Burn 'Em/Final Advance" ( 1425: 1411: 1397: 1383: 1320:"Boarding Up 2/Discovery: Gun 'n Ammo" 951:began under the generic working title 271:directed, photographed, and edited by 10034:Return of the Living Dead: Necropolis 9865: 9839: 9516: 9233: 9180: 9121: 9077: 9037: 8999: 8933: 8747: 8565: 8473: 8316: 8235: 8169:from the original on October 19, 2017 8156: 8016: 8004: 7939: 7915: 7717:from the original on December 4, 2020 7687:from the original on October 31, 2015 7654:Ramella, Brynne (November 19, 2020). 7638: 7626: 7614: 7602: 7590: 7578: 7557: 7445:from the original on November 2, 2017 7333: 7273: 7117:from the original on October 30, 2020 6882:from the original on October 19, 2017 6810:"Night of the Living Dead Reanimated" 6775:Knowles, Harry (September 19, 1999). 6502:from the original on January 29, 2021 6372:from the original on November 5, 2021 6213: 6181: 6163:from the original on January 27, 2023 5460:"The 500 Greatest Movies of All Time" 5396: 5337:. Vol. 4, no. 6. p. 8. 5317: 5291: 5172: 5136: 5105: 5014: 4973: 4961: 4937: 4925: 4853:Gallagher, Declan (August 17, 2023). 4550:McCormick, Colin (February 4, 2021). 4470:"Save the Evans City Cemetery Chapel" 4362:from the original on December 7, 2020 4347: 4127: 4079:Federal Reserve Bank of Minneapolis. 4025: 4008: 3757: 3727:from the original on October 19, 2017 3710: 3708: 3534:from the original on January 18, 2020 3458: 3311:from the original on November 4, 2011 3284: 3100: 3096: 3094: 3079:from the original on January 23, 2021 3065:Klawans, Stuart (February 13, 2018). 2417:(1932) combined this with racial and 1576: 1469:"O.K. Vince/Funeral Pyre (End Title)" 1369: 1330: 1316: 1299: 1279: 1263: 1247: 1223: 1209: 410:and selected for preservation in the 9542: 9299:Wood, Robin; Lippe, Richard (2018). 9275: 9159: 8789: 8768: 8486:(5). Film Society of Lincoln Center. 8377:Film, Horror, and the Body Fantastic 8353:Monument, Andrew (director) (2009). 8223: 8144:, § II: Since Psycho, ¶ 4. 8141: 8117: 7885:Haflidason, Almar (March 20, 2001). 7545: 7475:from the original on October 2, 2023 7364: 7346:from the original on October 2, 2023 7318: 7306: 7136:SCHOTT, GARETH (September 8, 2023). 7105:Millican, Josh (February 15, 2020). 7055:from the original on January 6, 2017 7025:from the original on January 6, 2017 6995:from the original on January 5, 2017 6762: 6719: 6639:Night of the Living Dead, Now in 3D! 6551: 6533:from the original on August 11, 2023 6348: 6190:from the original on October 2, 2023 5907: 5858: 5585:"The 31 Scariest Movies of All Time" 5427: 5409:from the original on August 23, 2018 5078: 5002: 4635: 4580: 4537: 4488: 4456: 4444: 4395:from the original on January 8, 2022 4330: 4306: 4139: 4115: 4103: 3985:from the original on January 4, 2017 3892:from the original on August 27, 2023 3868: 3856: 3844: 3814: 3770:from the original on August 26, 2023 3758:Hasch, Michael (September 3, 2007). 3745: 3693:from the original on August 26, 2023 3663:from the original on August 26, 2023 3638: 3626: 3591: 3573:from the original on August 31, 2023 3561:. Raleigh, North Carolina. pp. 3506: 3489: 3471:from the original on August 26, 2023 3423:from the original on August 26, 2023 3387:from the original on August 26, 2023 3272: 3260: 3245: 3126: 3124: 2934:British Board of Film Classification 2848: 2750: 2735:Vince Survinski (production manager) 2445: 1977:Night of the Living Dead: Reanimated 1972:Night of the Living Dead: Reanimated 1870:edit of the film under the title of 436:, written by Romero and directed by 9449:Night of the Living Dead (in color) 8735:Johnson, Steve (December 2, 2020). 7866:from the original on August 3, 2021 7835:from the original on August 3, 2021 7823:Wiegand, Chris (January 14, 2020). 7804:from the original on August 2, 2021 7673:Podurgiel, Bob (October 30, 2015). 7222:from the original on April 23, 2023 6683:. December 23, 2008. Archived from 6490:Spangler, Todd (February 7, 2020). 6457:Squires, John (November 17, 2017). 6438:from the original on March 27, 2023 6214:Roark, Elijah (February 12, 2023). 6061:from the original on March 26, 2023 5706: 5635:from the original on August 3, 2020 5440:from the original on April 17, 2023 5292:Punch, David A. (October 2, 2018). 5154:from the original on March 14, 2015 4715: 4462: 4269:from the original on July 31, 2018. 3553:Langford, Bob (December 18, 1992). 3297:Fraser, C. Gerald (July 28, 1988). 3275:, ch. 4, pp. 42–48. 3175:from the original on April 14, 2021 2940:from the original on August 5, 2016 2476:Toronto International Film Festival 2133:series takes place in an alternate 1655:The 100 Greatest Movies of All Time 1635:The 500 Greatest Movies of All Time 1143:because of an existing film with a 13: 10707:English-language independent films 10617:Films directed by George A. Romero 8250:from the original on July 29, 2023 7747:from the original on July 15, 2019 7437:Squires, John (November 1, 2017). 7086:from the original on July 18, 2023 6958:"Rondo Hatton Awards 2009 Winners" 6870:Stevens, Michael (June 18, 2010). 6787:from the original on March 5, 2019 6653:. October 17, 2010. Archived from 6641:" Begins Its First Theatrical Run" 6575:from the original on July 18, 2023 6471:from the original on July 20, 2019 6182:Manno, Jackie (October 14, 2022). 5936:Copyright Law of the United States 5724:from the original on March 5, 2016 5397:Kenny, Glenn (February 16, 2018). 5061:Zeitschrift für Fantastikforschung 5029:"Legacy of the Dead: Zombie Redux" 4495:Farkas, Rachel (August 31, 2013). 4381:McGreevy, Nora (January 7, 2022). 4255:Collis, Clark (December 7, 2007). 3823:(Interview). Interviewed by Eric N 3789:Squires, John (October 26, 2021). 3705: 3651:Barton, Steve (February 6, 2012). 3109:from the original on June 16, 2020 3101:Allen, Jamie (November 16, 1999). 3091: 3022: 2988: 2515:, arguing that it "was not set in 1981:Rondo Hatton Classic Horror Awards 1106: 1002:for Pittsburgh public broadcaster 250: 14: 10718: 10152:Mimesis: Night of the Living Dead 10018:Return of the Living Dead Part II 9737:O. J. Simpson: Juice on the Loose 9340: 9160:Skal, David (1993). "Scar Wars". 8591:: Reappraising an Undead Classic" 8585:Harper, Stephen (November 2005). 8461:from the original on June 5, 2021 8356:Nightmares in Red, White and Blue 8157:Stein, Elliot (January 7, 2003). 7887:"Night of the Living Dead (1968)" 7558:James, Caryn (October 19, 1990). 7288:from the original on May 20, 2021 7255:from the original on June 9, 2023 6520: 6426:Axmaker, Sean (October 6, 2022). 6049:Gingold, Michael (May 19, 2019). 6027:from the original on July 6, 2022 5981:from the original on June 6, 2023 5808:"Chicago Critics' Scariest Films" 5744:"AFI's 100 Years ... 100 Thrills" 5565:from the original on June 5, 2021 5524:"100 Greatest Movies Of All Time" 5492:"The Best 1,000 Movies Ever Made" 5428:Mann, Brian (December 23, 2018). 3766:. Pennsylvania: Total Media LLC. 3522:Hazlett, Terry (March 14, 1974). 3145:from the original on July 3, 2017 3131:Maçek III, J.C. (June 14, 2012). 3121: 3046:from the original on May 31, 2023 2996:"Night of the Living Dead (1968)" 2962:Hughes, Mark (October 30, 2013). 2642:Speculative fiction/Horror portal 2610:" of the U.S. in the late 1960s. 2603:Nightmares in Red, White and Blue 2403:could reanimate a corpse into an 2260: 1842:, was released on VHS and DVD by 1778:was mistakenly released into the 1653:included the film on its list of 9824:George A. Romero's Resident Evil 9206:Stommel, Jesse (July 31, 2013). 8751:The Rough Guide to Horror Movies 8526:. University of Illinois Press. 8346: 8229: 8079:, § The Seductiveness of Horror. 7878: 7847: 7816: 7798:www.nightofthelivingdeadlive.com 7794:"Night Of the Living Dead Live!" 7786: 7759: 7729: 7699: 7666: 7551: 7514: 7502:from the original on May 7, 2021 7494:Squires, John (March 22, 2021). 7487: 7457: 7430: 7391: 7370: 7334:Fordy, Tom (December 19, 2020). 7267: 7234: 7203: 7179:Cusson, Katie (March 27, 2023). 7172: 7129: 7098: 7074:Squires, John (August 2, 2022). 7067: 7037: 7007: 6976: 6950: 6932:"Official NOTLD:Reanimated Site" 6924: 6894: 6863: 6799: 6768: 6732:Pinsker, Beth (April 23, 1999). 6725: 6699: 6669: 6629: 6599: 6587: 6557: 6514: 6483: 6450: 6419: 6354: 6308: 6282: 6254: 6238: 6175: 6151:Budowski, Jade (July 26, 2017). 6144: 6113: 6042: 5959: 5926: 5826: 5800: 5768: 5736: 5687: 5577: 5538: 5516: 5500:. April 29, 2003. Archived from 5484: 5452: 5421: 5390: 5371: 5353: 5326: 5311: 5285: 5254: 5228: 5178: 5084: 5051: 5020: 4678: 4282:"Interview: George A. Romero On 3973:Thorne, Will (January 3, 2017). 3715:Barnes, Mike (January 3, 2017). 3409:Barnes, Mike (August 23, 2021). 3215:Sandell, Scott (July 21, 2017). 2854: 2794: 2648: 2634: 2620: 2222:Night of the Living Dead remakes 2025: 1725:Chicago Film Critics Association 1227:"At the Gravesite/Flight/Refuge" 910: 893: 715: 687:would go on to star in Romero's 7274:Couch, Aaron (April 30, 2021). 7241:Murray, Noel (August 3, 2020). 4877: 4846: 4822:Reigle, Matt (March 30, 2022). 4815: 4731: 4672: 4598: 4543: 4374: 4348:Robey, Tim (November 8, 2013). 4273: 4248: 4208: 4169: 3966: 3874: 3808: 3782: 3751: 3675: 3644: 3597: 3546: 3459:Nolan, Emma (August 24, 2021). 3452: 3369: 3323: 3290: 2785: 2758: 2711: 2358:of the 1970s and 1980s such as 2216:Remakes and other related films 1866:. This release also features a 1770:Copyright status and home media 1714:AFI's 100 Years ... 100 Thrills 1129:American International Pictures 491:East Coast of the United States 283:and Karl Hardman, and starring 190: (Pittsburgh, Pennsylvania) 10587:American black-and-white films 9282:University of California Press 9221:Surmacz, Gary Anthony (1975). 9023:. Jefferson, N.C.: McFarland. 6812:. Metro Cinema. Archived from 6569:United States Copyright Office 5318:Kuhns, Rob (director) (2014). 5035:. Carnegie Mellon University. 4855:"George Romero movies, ranked" 3157: 2918: 2682: 2664:List of American films of 1968 2519:, but Pennsylvania – this was 2282:Night of the Living Dead Live! 1734:The 100 Scariest Movie Moments 1643:also placed the film on their 1354: 1194: 1012:. Romero's decision to direct 703:Development and pre-production 1: 10697:English-language horror films 10622:Films set in abandoned houses 10582:African-American horror films 10433:The Return of the Living Dead 10010:The Return of the Living Dead 9257:. Jefferson, North Carolina: 9063:. Surrey England: FAB Press. 8940:. New York: Delacorte Press. 8857:Miller, Stephen Paul (1999). 8720:. New York: Harper and Rowe. 8367: 8214:, pp. 38, 157–158, § 39. 7769:Night of the Living Dead Live 7520:Romero, George Cameron ( 6020:. nightofthelivingtapes.com. 5066:im Abspann (vgl. Höltgen 23). 4593:Hoberman & Rosenbaum 1983 3653:"Rest in Peace: Bill Hinzman" 3612:. No. 40. Archived from 2776:(1971), and the 2007 release 2156:The Return of the Living Dead 1975:audio from Romero's version. 1390:G. Hormel/J. Meakin/J. Meakin 1150: 813:Romero drew inspiration from 697: 10667:Varèse Sarabande soundtracks 10652:Rating controversies in film 10567:1968 directorial debut films 10557:1960s English-language films 10144:Day of the Dead 2: Contagium 9389:AFI Catalog of Feature Films 8699:. Rutgers University Press. 5378:Rouner, Jef (July 3, 2018). 4257:"An Author You Can't Refuse" 4073:American Antiquarian Society 4053:American Antiquarian Society 2911: 1914:by home video distributors. 1885: 982: 675:Bill "Chilly Billy" Cardille 7: 10677:Films set in country houses 10592:American exploitation films 10562:1960s science fiction films 10281:Night of the Living Carrots 10203:Night of the Living Dead 3D 10193:Night of the Living Dead 3D 10136:Children of the Living Dead 10026:Return of the Living Dead 3 8491:Collum, Jason Paul (2004). 3929:(Interview). Archived from 2613: 2533:execution of Nguyễn Văn Lém 1830:certified 25th anniversary 1792:United States copyright law 1115:, participating in loading 1065:was visually influenced by 1009:Mister Rogers' Neighborhood 321:Mister Rogers' Neighborhood 10: 10723: 10602:American independent films 10176:Night of the Animated Dead 10120:series remakes and sequels 9984:Day of the Dead: Bloodline 9229:. Vol. 4, no. 1. 9223:"Anatomy of a Horror Film" 9213:Bright Lights Film Journal 8794:. Henry Holt and Company. 8596:Bright Lights Film Journal 7854:Tuesday (August 3, 2021). 7737:"Composition Winners 2014" 7711:Carnegie Mellon University 7524:), Yapur, Diego ( 7469:Films Used to be Dangerous 6395:"Night of the Living Dead" 6251:. Retrieved June 24, 2006. 5703:. Retrieved June 24, 2006. 5237:"Night of the Living Dead" 5142:"Night of the Living Dead" 2818:Teenagers from Outer Space 2322:, the setting of Romero's 2303: 2219: 2120: 2038: 1482: 1267:"Ghoulash (J.R.'s Demise)" 1251:"Farmhouse/First Approach" 1182:Tonight of the Living Dead 879: 776: 740:Carnegie Mellon University 18: 10632:Films set in Pennsylvania 10503: 10477:Escape of the Living Dead 10468: 10449: 10417: 10410: 10352:Flight of the Living Dead 10295: 10257:Night of the Living Bread 10248: 10221: 10191: 10116: 10063: 10056: 9994: 9948: 9883: 9876: 9786: 9763: 9728: 9573: 9550: 8863:. Duke University Press. 8812:Horror Film and Otherness 8792:5001 Nights at the Movies 8687:Higashi, Sumiko (1990). " 8639:Heffernan, Kevin (2004). 8549:University of Texas Press 8412:10.3200/JPFT.33.4.196-205 8329:Dillard & Waller 1988 7995:, pp. 27, 32–34, 44. 7398:Dowell, Jonathan (1998). 5996:Night of the Living Tapes 5781:. afi.com. Archived from 5386:. Hearst Newspapers, LLC. 5235:Abagnalo, George (1969). 4991:Dillard & Waller 1988 4685:Horror Studies Collection 4309:, pp. 33–34, 40, 45. 2385:A Nightmare on Elm Street 2299: 2173:Return of the Living Dead 2143:Return of the Living Dead 2130:Return of the Living Dead 2115:Return of the Living Dead 1926:version of the film with 1880:Night of the Living Dead 1788:Night of the Flesh Eaters 1364: 1361: 1358: 1353: 1204: 1201: 1198: 1193: 1137:Night of the Flesh Eaters 1133:Walter Reade Organization 961:Night of the Flesh Eaters 714: 709: 510:caused the reanimations. 242: 234: 226: 218: 208: 193:October 4, 1968 182:October 1, 1968 173: 163: 149: 141: 133: 95: 76: 57: 47: 42:Theatrical release poster 35: 30: 16:1968 American horror film 10637:Films shot in Pittsburgh 10440:Night of the Living Dead 10238:Birth of the Living Dead 9960:Night of the Living Dead 9898:Night of the Living Dead 9795:Night of the Living Dead 9582:Night of the Living Dead 9501:Night of the Living Dead 9487:Night of the Living Dead 9473:Night of the Living Dead 9460:Night of the Living Dead 9438:Night of the Living Dead 9407:Night of the Living Dead 9396:Night of the Living Dead 9383:Night of the Living Dead 9372:Night of the Living Dead 9361:Night of the Living Dead 9352:by Jim Trombetta on the 9348:Night of the Living Dead 9238:. Blackwell Publishing. 9000:Poole, W. Scott (2011). 8974:10.1186/gb-2011-12-3-108 8913:Paffenroth, Kim (2006). 8838:Maddrey, Joseph (2004). 8754:. London: Rough Guides. 8689:Night of the Living Dead 8666:Night of the Living Dead 8606:Night of the Living Dead 8589:Night of the Living Dead 8541:Dinello, Daniel (2006). 8516:Night of the Living Dead 7741:www.theamericanprize.org 7593:, pp. 228, 230–231. 7051:. Museum of Modern Art. 7021:. Museum of Modern Art. 6594:Night of the Living Dead 6263:Night of the Living Dead 6245:Night of the Living Dead 5879:Night of the Living Dead 5662:Night of the Living Dead 5617:Night of the Living Dead 5320:Birth of the Living Dead 5063:(in German) (2): 31:24. 4722:"George A. Romero Bio". 4654:Night of the Living Dead 3555:"A Zombie in His Closet" 3336:Night of the Living Dead 3072:The Criterion Collection 3032:Night of the Living Dead 2928:Night of the Living Dead 2747:Dave Clipper (attorney) 2694:s worldwide box office: 2689:Night of the Living Dead 2674: 2525:Night of the Living Dead 2488:psychoanalytic framework 2460:Night of the Living Dead 2331:Night of the Living Dead 2271:Night of the Living Dead 2255:Night of the Living Dead 2165:Dawn Associates v. Links 2107:The Twilight of the Dead 2096:Night of the Living Dead 2058:Night of the Living Dead 2020:The Criterion Collection 2004:Night of the Living Dead 1955:Night of the Living Dead 1932:Night of the Living Dead 1920:Anchor Bay Entertainment 1908:Night of the Living Dead 1896:Night of the Living Dead 1856:The Criterion Collection 1844:Anchor Bay Entertainment 1800:Night of the Living Dead 1776:Night of the Living Dead 1764:Night of the Living Dead 1697:Night of the Living Dead 1665:Night of the Living Dead 1605:Night of the Living Dead 1513:Night of the Living Dead 1506:Night of the Living Dead 1166:Night of the Living Dead 1141:Night of the Living Dead 1101:Night of the Living Dead 1048:Night of the Living Dead 1014:Night of the Living Dead 996:Night of the Living Dead 841:Night of the Living Dead 570:Night of the Living Dead 463:Night of the Living Dead 440:, was released in 1990. 418:Night of the Living Dead 359:Night of the Living Dead 341:Evans City, Pennsylvania 275:, written by Romero and 261:Night of the Living Dead 168:Continental Distributing 31:Night of the Living Dead 10682:American splatter films 10672:American monster movies 10642:Fiction about matricide 10612:Films about cannibalism 10336:Hood of the Living Dead 10304:Hell of the Living Dead 9745:Tales from the Darkside 9059:Russell, Jamie (2008). 8878:Newman, Robert (2000). 8664:Hervey, Ben A. (2008). 7680:Pittsburgh Post-Gazette 6015:"Collector's Checklist" 3604:Hartman, Keith (1995). 3004:American Film Institute 2275:Kelly-Strayhorn Theater 2195:Rise of the Living Dead 2191:Rise of the Living Dead 2180:Rise of the Living Dead 1709:American Film Institute 1647:list. In January 2010, 1611:The Wall Street Journal 1529:MPAA film rating system 917:Cemetery Chapel in 2009 544: 443: 10577:1968 independent films 9590:There's Always Vanilla 9354:National Film Registry 9234:Tudor, Andrew (1989). 9181:Soles, Carter (2014). 9143:10.5749/j.ctt1pwt6zr.5 9019:Rockoff, Adam (2002). 8955:Petsko, G. A. (2011). 8880:"The Haunting of 1968" 8790:Kael, Pauline (1991). 8670:British Film Institute 8375:Badley, Linda (1995). 7281:The Hollywood Reporter 7230:– via slate.com. 6013:Turner, Geoff (2021). 5994:Turner, Geoff (2021). 4540:, pp. 28, 29, 59. 3721:The Hollywood Reporter 3416:The Hollywood Reporter 3105:. Entertainment. CNN. 2880:PublicDomainMovies.net 2860:Online hosts include: 2455: 2326: 2104:and the upcoming film 2054: 2006:was undertaken by the 1774:In the United States, 1705:National Film Registry 1703:added the film to the 1586: 1553: 1509: 1169: 992: 790: 726:Calgon brand detergent 640:There's Always Vanilla 557: 518: 466: 412:National Film Registry 10692:Social thriller films 10597:American zombie films 8934:Peary, Danny (1981). 8821:10.7312/lowe20576-004 8668:. BFI Film Classics. 8647:Duke University Press 8394:Bishop, Kyle (2006). 8305:Rust & Soles 2014 8293:Wood & Lippe 2018 8281:Wood & Lippe 2018 8101:Wood & Lippe 2018 7993:Boluk & Lenz 2011 7471:. November 26, 2019. 7404:California Law Review 6856:. September 25, 2009. 6527:Pittsburgh City Paper 5943:on December 18, 2020. 4784:on February 16, 2007. 4760:on February 14, 2007. 4638:, pp. 47–49, 58. 4296:on December 26, 2019. 3559:The News and Observer 3330:Jones, Duane (2002). 3203:Boluk & Lenz 2011 3006:. December 21, 2021. 2936:. November 18, 1980. 2844:The Hideous Sun Demon 2834:The Devil's Messenger 2767:The Last Man on Earth 2744:Gary Streiner (sound) 2738:Richard Ricci (actor) 2563:civil rights movement 2502:and the Vietnam War. 2500:civil rights movement 2478:. His essay from the 2453: 2313: 2265:At the suggestion of 2048: 1645:Best 1000 Movies Ever 1584: 1548: 1504: 1163: 1006:'s children's series 990: 944:Bosco Chocolate Syrup 885:Principal photography 784: 552: 516: 461: 420:created a successful 337:Principal photography 10552:1960s American films 10230:Document of the Dead 9938:Survival of the Dead 9810:Document of the Dead 9718:Survival of the Dead 9503:(full film in color) 9432:Criterion Collection 9253:Weaver, Tom (1999). 9122:Selby, Chip (2004). 9078:Russo, John (1985). 9038:Royer, Carl (2005). 8919:. Waco, TX: Baylor. 8885:South Central Review 8748:Jones, Alan (2005). 8624:10.1353/cj.2002.0009 8236:Lager, Mark (2018). 7617:, pp. 232, 234. 6738:Entertainment Weekly 6687:on December 26, 2008 6400:Criterion Collection 5810:. AltFilmGuide.com. 4808:on October 26, 2006. 4796:Bloody Diary: Part 3 4792:(January 28, 2004). 4772:Bloody Diary: Part 2 4768:(January 15, 2004). 4748:Bloody Diary: Part 1 4679:Hart, Adam Charles. 4503:. Trib Total Media. 4388:Smithsonian Magazine 4262:Entertainment Weekly 3927:Homepage of the Dead 3689:. February 7, 2012. 2828:Wanted Dead or Alive 2474:—for the 1979 2091:Survival of the Dead 2060:is the first of six 2008:Museum of Modern Art 1992:audio track elements 1950:Entertainment Weekly 1860:Museum of Modern Art 1854:Blu-ray released by 1633:magazine No. 397 of 1488:Premiere controversy 965:similarly named film 758:commercial spoofing 614:(1996), directed by 345:guerrilla filmmaking 343:, with Romero using 201: (United States) 19:For other uses, see 10392:One Cut of the Dead 9598:Season of the Witch 9565:Unrealized projects 8379:. Greenwood Press. 8319:, pp. 526–527. 8295:, pp. 162–164. 8019:, pp. 194–195. 7983:, pp. 198–199. 7548:, pp. 307–309. 7309:, pp. 147–153. 6912:on November 5, 2013 6366:Hollywood Laserdisc 6316:"Most viewed films" 6270:on January 25, 2012 5840:on October 30, 2007 5718:Library of Congress 5472:on January 18, 2012 5140:(January 5, 1969). 4889:Center for the Book 4744:(January 7, 2004). 4355:The Daily Telegraph 4205:, pp. 138–143. 3933:on November 7, 2015 3227:on October 22, 2023 2012:The Film Foundation 1890:There are numerous 1836:Elite Entertainment 1701:Library of Congress 1350: 1190: 1019:Season of the Witch 408:Library of Congress 384:by such outlets as 295:, under assault by 264:is a 1968 American 238:$ 114,000–$ 125,000 126:Russell W. Streiner 84:Russell W. Streiner 10627:Films set on farms 10485:Empire of the Dead 10328:Winter of the Dead 9614:The Amusement Park 9412:TCM Movie Database 9278:Movies and Methods 8957:"The walking dead" 8769:Kane, Joe (2010). 8132:, p. 176-178. 7897:on August 18, 2020 7565:The New York Times 7465:"Production Diary" 7376:Patrick J. Flinn, 7168:– via JSTOR. 6960:. Rondoaward.com. 6906:Shoot for the Head 6781:Ain't It Cool News 5497:The New York Times 5361:Zimmerman, Paul D. 5192:. October 15, 1968 5175:, pp. 117–18. 4885:"George A. Romero" 4476:on October 5, 2013 4180:(Interview). BBC2. 4130:, pp. 31, 61. 3954:Unknown parameter 3821:Bloody Good Horror 3795:Bloody Disgusting! 3304:The New York Times 2851:, pp. 71–72). 2741:Rudy Ricci (actor) 2537:search and destroy 2456: 2370:Sean S. Cunningham 2327: 2055: 1964:Ain't It Cool News 1640:The New York Times 1587: 1577:Critical reception 1565:" was effectively 1510: 1401:"Attempted Escape" 1348: 1188: 1174:Hi-Q music library 1170: 993: 791: 669:production manager 558: 519: 502:from an exploding 476:lever-action rifle 467: 393:The New York Times 10572:1968 horror films 10534: 10533: 10530: 10529: 10488:(2014–2015 comic) 10360:Dance of the Dead 10320:Shaun of the Dead 10291: 10290: 10052: 10051: 9930:Diary of the Dead 9833: 9832: 9710:Diary of the Dead 9466:Project Gutenberg 9332:10.7227/GS.15.1.8 9291:978-0-520-05409-7 9268:978-0-7864-0755-2 9245:978-0-631-16992-5 9089:978-0-911137-03-3 9070:978-1-903254-33-2 9051:978-0-7890-2264-6 9044:. Haworth Press. 9030:978-0-7864-1227-3 9011:978-1-60258-314-6 8926:978-1-932792-65-2 8870:978-0-8223-2166-8 8849:978-0-7864-1860-2 8801:978-0-8050-1367-2 8782:978-0-806-53331-5 8775:. Citadel Press. 8761:978-1-843-53521-8 8706:978-0-813-51587-8 8656:978-0-8223-3215-2 8558:978-0-292-70986-7 8533:978-0-252-01448-2 8506:978-0-7864-1818-3 8454:978-0-7864-6140-0 8386:978-0-313-27523-4 8359:(motion picture). 8163:The Village Voice 7779:978-0-573-70595-3 7772:. Samuel French. 7386:978-0-7355-1125-5 7080:Bloody Disgusting 6938:on March 31, 2009 6854:The Seattle Times 6836:on August 7, 2016 6816:on March 14, 2016 6637:"Zombie Classic " 6571:. June 14, 1991. 6464:Bloody Disgusting 6294:Wikimedia Commons 6278:– via Hulu. 5910:, pp. 93–94. 5788:on August 7, 2011 5384:Houston Chronicle 5282:, pp. 16–17. 5225:, pp. 27–28. 5147:Chicago Sun-Times 5120:, pp. 59–60. 5081:, pp. 71–72. 4790:Romero, George A. 4766:Romero, George A. 4742:Romero, George A. 4528:, pp. 10–11. 4333:, pp. 32–35. 4284:Diary of the Dead 4229:978-0-312-86504-7 4216:Matheson, Richard 4178:Forbidden Weekend 4142:, pp. 20–24. 3888:. July 17, 2017. 3871:, pp. 26–27. 3641:, pp. 90–92. 3629:, pp. 42–43. 3528:Observer-Reporter 3381:www.image-ten.com 3263:, pp. 20–23. 3221:Los Angeles Times 2903:Wikimedia Commons 2508:The Village Voice 2446:Critical analysis 2352:Barry Keith Grant 2169:an unrelated film 2085:Diary of the Dead 1916:Hal Roach Studios 1848:Dimension Extreme 1679:review aggregator 1622:Paul D. Zimmerman 1538:Chicago Sun-Times 1502: 1479: 1478: 1344: 1343: 1161: 977:exploitation film 955:, was changed to 732: 731: 524:Molotov cocktails 459: 351:of approximately 257: 256: 10714: 10520:City of the Dead 10426:Dawn of the Dead 10415: 10414: 10400:Army of the Dead 10376:Juan of the Dead 10368:Zone of the Dead 10233:(1981/1989/2012) 10061: 10060: 10057:Unofficial films 9968:Dawn of the Dead 9922:Land of the Dead 9906:Dawn of the Dead 9881: 9880: 9860: 9853: 9846: 9837: 9836: 9702:Land of the Dead 9630:Dawn of the Dead 9544:George A. Romero 9537: 9530: 9523: 9514: 9513: 9504: 9490: 9476: 9454:Internet Archive 9443:Internet Archive 9335: 9314: 9295: 9272: 9249: 9230: 9217: 9202: 9177: 9156: 9127: 9126:(DVD). CS Films. 9118: 9093: 9082:. Imagine, Inc. 9074: 9061:Book of the Dead 9055: 9034: 9015: 8996: 8986: 8976: 8951: 8930: 8909: 8874: 8853: 8834: 8805: 8786: 8765: 8744: 8731: 8710: 8698: 8683: 8660: 8635: 8600: 8581: 8562: 8537: 8525: 8510: 8498: 8487: 8470: 8468: 8466: 8431: 8390: 8361: 8360: 8350: 8344: 8338: 8332: 8326: 8320: 8314: 8308: 8302: 8296: 8290: 8284: 8278: 8272: 8266: 8260: 8259: 8257: 8255: 8233: 8227: 8221: 8215: 8209: 8203: 8197: 8191: 8185: 8179: 8178: 8176: 8174: 8154: 8145: 8139: 8133: 8127: 8121: 8115: 8104: 8098: 8092: 8086: 8080: 8074: 8068: 8067:, p. 78-80. 8062: 8056: 8050: 8044: 8038: 8032: 8026: 8020: 8014: 8008: 8002: 7996: 7990: 7984: 7978: 7972: 7966: 7955: 7949: 7943: 7937: 7931: 7925: 7919: 7913: 7907: 7906: 7904: 7902: 7893:. 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Romero 2715: 2709: 2706: 2703:2017 and 2018 – 2700: 2693: 2686: 2658: 2653: 2652: 2651: 2644: 2639: 2638: 2630: 2625: 2624: 2623: 2599:documentary film 2505:Elliot Stein of 2397:Haitian folklore 2324:Dawn of the Dead 2320:Monroeville Mall 2244:Patricia Tallman 2171:under the title 2079:Land of the Dead 2067:Dawn of the Dead 2051:Dawn of the Dead 1892:revised versions 1862:and acquired by 1834:was released by 1784:copyright notice 1691:weighted average 1571:extreme violence 1503: 1433:was composed by 1356: 1351: 1347: 1334:"Cleaning House" 1196: 1191: 1187: 1178:Varèse Sarabande 1162: 1117:camera magazines 1092:R. H. W. Dillard 914: 903:Cemetery in 2007 897: 815:Richard Matheson 801:Dawn of the Dead 761:Fantastic Voyage 752:Russell Streiner 748:industrial films 738:while attending 721:The Calgon Story 719: 718: 707: 706: 583:Ganja & Hess 566:George A. Romero 460: 371: 364: 354: 327:Richard Matheson 316:industrial films 281:Russell Streiner 273:George A. Romero 252: 248: 200: 198: 189: 187: 145:George A. Romero 137:George A. Romero 69:George A. Romero 52:George A. Romero 40: 28: 27: 10722: 10721: 10717: 10716: 10715: 10713: 10712: 10711: 10537: 10536: 10535: 10526: 10499: 10493:The Living Dead 10464: 10458:Day of the Dead 10445: 10406: 10384:War of the Dead 10287: 10244: 10217: 10187: 10112: 10048: 9998: 9990: 9976:Day of the Dead 9944: 9914:Day of the Dead 9872: 9864: 9834: 9829: 9782: 9772:The Living Dead 9759: 9724: 9654:Day of the Dead 9569: 9546: 9541: 9499: 9485: 9471: 9401:Rotten Tomatoes 9343: 9338: 9311: 9292: 9269: 9246: 9227:Cinefantastique 9174: 9153: 9090: 9071: 9052: 9031: 9012: 8948: 8927: 8898:10.2307/3190076 8871: 8850: 8831: 8802: 8783: 8762: 8728: 8717:Midnight Movies 8707: 8680: 8657: 8578: 8559: 8534: 8507: 8464: 8462: 8455: 8387: 8370: 8365: 8364: 8352: 8351: 8347: 8339: 8335: 8327: 8323: 8315: 8311: 8303: 8299: 8291: 8287: 8279: 8275: 8267: 8263: 8253: 8251: 8234: 8230: 8222: 8218: 8212:Paffenroth 2006 8210: 8206: 8198: 8194: 8186: 8182: 8172: 8170: 8155: 8148: 8140: 8136: 8128: 8124: 8116: 8107: 8099: 8095: 8089:Lowenstein 2022 8087: 8083: 8075: 8071: 8063: 8059: 8053:Paffenroth 2006 8051: 8047: 8039: 8035: 8027: 8023: 8015: 8011: 8003: 7999: 7991: 7987: 7979: 7975: 7967: 7958: 7954:, pp. 2–3. 7952:Paffenroth 2006 7950: 7946: 7938: 7934: 7926: 7922: 7914: 7910: 7900: 7898: 7883: 7879: 7869: 7867: 7860:www.scoop.co.nz 7852: 7848: 7838: 7836: 7821: 7817: 7807: 7805: 7792: 7791: 7787: 7780: 7764: 7760: 7750: 7748: 7735: 7734: 7730: 7720: 7718: 7705: 7704: 7700: 7690: 7688: 7671: 7667: 7652: 7645: 7637: 7633: 7625: 7621: 7613: 7609: 7601: 7597: 7589: 7585: 7577: 7573: 7556: 7552: 7544: 7540: 7519: 7515: 7505: 7503: 7492: 7488: 7478: 7476: 7463: 7462: 7458: 7448: 7446: 7435: 7431: 7416:10.2307/3481141 7396: 7392: 7375: 7371: 7363: 7359: 7349: 7347: 7332: 7325: 7317: 7313: 7305: 7301: 7291: 7289: 7272: 7268: 7258: 7256: 7239: 7235: 7225: 7223: 7208: 7204: 7194: 7192: 7177: 7173: 7163: 7161: 7134: 7130: 7120: 7118: 7103: 7099: 7089: 7087: 7072: 7068: 7058: 7056: 7043: 7042: 7038: 7028: 7026: 7013: 7012: 7008: 6998: 6996: 6981: 6977: 6967: 6965: 6956: 6955: 6951: 6941: 6939: 6930: 6929: 6925: 6915: 6913: 6900: 6899: 6895: 6885: 6883: 6868: 6864: 6860: 6848: 6839: 6837: 6828: 6819: 6817: 6808: 6804: 6800: 6790: 6788: 6773: 6769: 6761: 6757: 6747: 6745: 6730: 6726: 6718: 6714: 6705: 6704: 6700: 6690: 6688: 6675: 6674: 6670: 6660: 6658: 6657:on June 3, 2011 6635: 6634: 6630: 6620: 6618: 6605: 6604: 6600: 6592: 6588: 6578: 6576: 6563: 6562: 6558: 6550: 6546: 6536: 6534: 6521:Waltz, Amanda. 6519: 6515: 6505: 6503: 6488: 6484: 6474: 6472: 6455: 6451: 6441: 6439: 6424: 6420: 6410: 6408: 6393: 6392: 6385: 6375: 6373: 6360: 6359: 6355: 6347: 6336: 6326: 6324: 6314: 6313: 6309: 6299: 6297: 6288: 6287: 6283: 6273: 6271: 6260: 6259: 6255: 6243: 6239: 6229: 6227: 6212: 6203: 6193: 6191: 6180: 6176: 6166: 6164: 6149: 6145: 6135: 6133: 6118: 6114: 6104: 6102: 6085: 6074: 6064: 6062: 6047: 6043: 6039: 6030: 6028: 6024: 6017: 6012: 6006: 5993: 5984: 5982: 5968: 5964: 5960: 5952: 5948: 5932: 5931: 5927: 5918: 5914: 5906: 5897: 5889: 5885: 5873:, p. 175, 5869: 5865: 5857: 5853: 5843: 5841: 5832: 5831: 5827: 5817: 5815: 5806: 5805: 5801: 5791: 5789: 5785: 5778: 5774: 5773: 5769: 5759: 5757: 5756:on May 14, 2019 5753: 5746: 5742: 5741: 5737: 5727: 5725: 5712: 5711: 5707: 5693: 5692: 5688: 5678: 5676: 5658: 5657: 5653: 5638: 5636: 5624:Rotten Tomatoes 5613: 5612: 5608: 5598: 5596: 5589:Reader's Digest 5583: 5582: 5578: 5568: 5566: 5553:. Published by 5544: 5543: 5539: 5522: 5521: 5517: 5507: 5505: 5490: 5489: 5485: 5475: 5473: 5458: 5457: 5453: 5443: 5441: 5426: 5422: 5412: 5410: 5395: 5391: 5376: 5372: 5358: 5354: 5346: 5342: 5331: 5327: 5316: 5312: 5302: 5300: 5290: 5286: 5278: 5274: 5259: 5255: 5239: 5233: 5229: 5223:Paffenroth 2006 5221: 5217: 5209: 5205: 5195: 5193: 5184: 5183: 5179: 5171: 5167: 5157: 5155: 5135: 5124: 5116: 5112: 5104: 5100: 5089: 5085: 5077: 5073: 5056: 5052: 5042: 5040: 5025: 5021: 5013: 5009: 5001: 4997: 4989: 4980: 4972: 4968: 4960: 4956: 4948: 4944: 4936: 4932: 4924: 4920: 4912: 4908: 4898: 4896: 4883: 4882: 4878: 4868: 4866: 4851: 4847: 4837: 4835: 4820: 4816: 4812: 4802:diamonddead.com 4788: 4778:diamonddead.com 4764: 4754:diamonddead.com 4740: 4736: 4732: 4721: 4720: 4716: 4708: 4704: 4694: 4692: 4677: 4673: 4665: 4661: 4647: 4646: 4642: 4634: 4630: 4620: 4618: 4603: 4599: 4591: 4587: 4583:, p. n184. 4579: 4575: 4565: 4563: 4548: 4544: 4536: 4532: 4524: 4520: 4510: 4508: 4493: 4489: 4479: 4477: 4468: 4467: 4463: 4455: 4451: 4443: 4439: 4431: 4427: 4419: 4408: 4398: 4396: 4379: 4375: 4365: 4363: 4346: 4337: 4329: 4325: 4321:, pp. 3–4. 4317: 4313: 4305: 4301: 4278: 4274: 4253: 4249: 4241: 4237: 4230: 4213: 4209: 4203:Paffenroth 2006 4201: 4197: 4189: 4185: 4174: 4170: 4162: 4158: 4150: 4146: 4138: 4134: 4126: 4122: 4114: 4110: 4102: 4095: 4085: 4083: 4068: 4060:McCusker, J. J. 4048: 4040:McCusker, J. J. 4036: 4032: 4024: 4015: 4011:, pp. 6–7. 4007: 3998: 3988: 3986: 3971: 3967: 3955: 3953: 3944: 3943: 3936: 3934: 3921: 3920: 3905: 3895: 3893: 3880: 3879: 3875: 3867: 3863: 3855: 3851: 3843: 3836: 3826: 3824: 3817:"Lori Cardille" 3813: 3809: 3799: 3797: 3787: 3783: 3773: 3771: 3756: 3752: 3744: 3740: 3730: 3728: 3713: 3706: 3696: 3694: 3681: 3680: 3676: 3666: 3664: 3649: 3645: 3637: 3633: 3625: 3621: 3602: 3598: 3590: 3586: 3576: 3574: 3551: 3547: 3537: 3535: 3530:. p. C-6. 3520: 3513: 3505: 3496: 3488: 3484: 3474: 3472: 3457: 3453: 3445: 3436: 3426: 3424: 3407: 3400: 3390: 3388: 3375: 3374: 3370: 3362: 3355: 3351:, pp. 3–9. 3347: 3343: 3329: 3328: 3324: 3314: 3312: 3295: 3291: 3283: 3279: 3271: 3267: 3259: 3252: 3244: 3240: 3230: 3228: 3213: 3209: 3201: 3188: 3178: 3176: 3163: 3162: 3158: 3148: 3146: 3129: 3122: 3112: 3110: 3099: 3092: 3082: 3080: 3063: 3059: 3049: 3047: 3039:Box Office Mojo 3028: 3027: 3023: 3013: 3011: 2994: 2993: 2989: 2979: 2977: 2960: 2953: 2943: 2941: 2924: 2923: 2919: 2914: 2909: 2859: 2855: 2825:western series 2799: 2795: 2790: 2786: 2763: 2759: 2748: 2729:Marilyn Eastman 2716: 2712: 2704: 2698: 2691: 2687: 2683: 2677: 2654: 2649: 2647: 2640: 2633: 2626: 2621: 2619: 2616: 2608:silent majority 2545:photojournalism 2529:the napalm girl 2468:domestic racism 2448: 2375:Friday the 13th 2308: 2302: 2263: 2232:the 1990 remake 2224: 2218: 2183: 2161:Day of the Dead 2125: 2119: 2101:The Living Dead 2073:Day of the Dead 2062:... of the Dead 2043: 2037: 2028: 1888: 1872:Night of Anubis 1772: 1689:, which uses a 1683:Rotten Tomatoes 1674:Reader's Digest 1579: 1492: 1490: 1485: 1480: 1435:Harry Bluestone 1373:"First Advance" 1345: 1155: 1153: 1113:post-production 1109: 1107:Post-production 985: 973:guerrilla-style 957:Night of Anubis 940:special effects 922: 921: 920: 919: 918: 915: 906: 905: 904: 898: 887: 882: 807:Day of the Dead 779: 723: 716: 710:External videos 705: 700: 690:Day of the Dead 683:. His daughter 680:Chiller Theatre 606:Marilyn Eastman 553:Ben, played by 547: 506:returning from 448: 446: 434:official remake 369: 362: 352: 309:popular culture 246: 211: 204: 196: 194: 185: 183: 176: 159: 154: 152: 129: 113:Marilyn Eastman 91: 72: 43: 24: 17: 12: 11: 5: 10720: 10710: 10709: 10704: 10699: 10694: 10689: 10684: 10679: 10674: 10669: 10664: 10659: 10654: 10649: 10644: 10639: 10634: 10629: 10624: 10619: 10614: 10609: 10607:Censored films 10604: 10599: 10594: 10589: 10584: 10579: 10574: 10569: 10564: 10559: 10554: 10549: 10532: 10531: 10528: 10527: 10525: 10524: 10516: 10507: 10505: 10501: 10500: 10498: 10497: 10489: 10481: 10472: 10470: 10466: 10465: 10463: 10462: 10453: 10451: 10447: 10446: 10444: 10443: 10436: 10429: 10421: 10419: 10412: 10408: 10407: 10405: 10404: 10396: 10388: 10380: 10372: 10364: 10356: 10348: 10340: 10332: 10324: 10316: 10308: 10299: 10297: 10293: 10292: 10289: 10288: 10286: 10285: 10277: 10269: 10261: 10252: 10250: 10246: 10245: 10243: 10242: 10234: 10225: 10223: 10219: 10218: 10216: 10215: 10207: 10198: 10196: 10189: 10188: 10186: 10185: 10180: 10172: 10164: 10156: 10148: 10140: 10132: 10123: 10121: 10114: 10113: 10111: 10110: 10105: 10097: 10089: 10081: 10072: 10070: 10058: 10054: 10053: 10050: 10049: 10047: 10046: 10038: 10030: 10022: 10014: 10005: 10003: 9992: 9991: 9989: 9988: 9980: 9972: 9964: 9955: 9953: 9952:series remakes 9946: 9945: 9943: 9942: 9934: 9926: 9918: 9910: 9902: 9893: 9891: 9878: 9877:Official films 9874: 9873: 9863: 9862: 9855: 9848: 9840: 9831: 9830: 9828: 9827: 9820: 9813: 9806: 9799: 9790: 9788: 9784: 9783: 9781: 9780: 9767: 9765: 9761: 9760: 9758: 9757: 9756: 9755: 9741: 9732: 9730: 9726: 9725: 9723: 9722: 9714: 9706: 9698: 9690: 9682: 9674: 9666: 9658: 9650: 9642: 9634: 9626: 9618: 9610: 9602: 9594: 9586: 9577: 9575: 9571: 9570: 9568: 9567: 9562: 9557: 9551: 9548: 9547: 9540: 9539: 9532: 9525: 9517: 9511: 9510: 9496: 9482: 9468: 9456: 9445: 9434: 9428:Stuart Klawans 9419: 9403: 9392: 9391: 9379: 9368: 9357: 9342: 9341:External links 9339: 9337: 9336: 9320:Gothic Studies 9315: 9309: 9296: 9290: 9273: 9267: 9250: 9244: 9231: 9218: 9203: 9193:(3): 526–537. 9178: 9172: 9157: 9151: 9128: 9119: 9109:(3): 509–512. 9094: 9088: 9075: 9069: 9056: 9050: 9035: 9029: 9016: 9010: 8997: 8961:Genome Biology 8952: 8946: 8931: 8925: 8910: 8875: 8869: 8854: 8848: 8835: 8829: 8806: 8800: 8787: 8781: 8766: 8760: 8745: 8732: 8726: 8711: 8705: 8684: 8678: 8661: 8655: 8645:. Durham, NC: 8636: 8611:Cinema Journal 8601: 8599:. No. 50. 8582: 8576: 8563: 8557: 8547:. Austin, TX: 8538: 8532: 8511: 8505: 8488: 8471: 8453: 8432: 8406:(4): 196–205. 8391: 8385: 8371: 8369: 8366: 8363: 8362: 8345: 8333: 8321: 8309: 8307:, p. 511. 8297: 8285: 8283:, p. 162. 8273: 8261: 8228: 8216: 8204: 8202:, p. 181. 8192: 8190:, p. 184. 8180: 8146: 8134: 8122: 8105: 8103:, p. 181. 8093: 8081: 8069: 8065:Zimmerman 2013 8057: 8045: 8033: 8029:Zimmerman 2013 8021: 8009: 8007:, p. 101. 7997: 7985: 7973: 7956: 7944: 7942:, p. 229. 7932: 7920: 7918:, p. 117. 7908: 7877: 7846: 7815: 7785: 7778: 7758: 7728: 7698: 7665: 7643: 7641:, p. 239. 7631: 7629:, p. 234. 7619: 7607: 7605:, p. 228. 7595: 7583: 7581:, p. 230. 7571: 7550: 7538: 7513: 7486: 7456: 7429: 7390: 7369: 7357: 7323: 7321:, p. 147. 7311: 7299: 7266: 7233: 7202: 7171: 7128: 7097: 7066: 7036: 7006: 6975: 6949: 6923: 6893: 6862: 6859: 6858: 6846: 6826: 6805: 6798: 6767: 6765:, p. 177. 6755: 6724: 6722:, p. 174. 6712: 6698: 6668: 6628: 6598: 6586: 6556: 6554:, p. 157. 6544: 6513: 6482: 6449: 6418: 6383: 6353: 6351:, p. 205. 6334: 6307: 6281: 6253: 6237: 6201: 6174: 6143: 6126:Digital Trends 6112: 6072: 6041: 6038: 6037: 6010: 6005:979-8598529812 6004: 5991: 5975:NEXTpittsburgh 5965: 5958: 5946: 5925: 5912: 5895: 5893:, p. 108. 5883: 5863: 5861:, p. 526. 5851: 5825: 5799: 5767: 5735: 5705: 5686: 5651: 5629:Fandango Media 5606: 5576: 5537: 5515: 5483: 5451: 5420: 5403:New York Times 5389: 5370: 5367:. p. 118. 5352: 5350:, p. 175. 5340: 5325: 5310: 5284: 5272: 5253: 5227: 5215: 5203: 5177: 5165: 5122: 5118:Heffernan 2002 5110: 5098: 5083: 5071: 5050: 5019: 5007: 5005:, p. 213. 4995: 4978: 4966: 4954: 4942: 4930: 4918: 4906: 4876: 4845: 4814: 4811: 4810: 4786: 4762: 4737: 4730: 4714: 4702: 4671: 4669:, p. 219. 4667:Heffernan 2004 4659: 4640: 4628: 4597: 4595:, p. 121. 4585: 4573: 4542: 4530: 4518: 4487: 4461: 4449: 4437: 4425: 4406: 4373: 4335: 4323: 4311: 4299: 4272: 4247: 4245:, p. 307. 4235: 4228: 4207: 4195: 4193:, p. 257. 4183: 4168: 4156: 4154:, p. 199. 4144: 4132: 4120: 4108: 4093: 4077:1800–present: 4030: 4028:, p. 227. 4013: 3996: 3965: 3947:cite interview 3903: 3873: 3861: 3849: 3834: 3807: 3781: 3764:Tribune-Review 3750: 3738: 3704: 3674: 3643: 3631: 3619: 3596: 3594:, p. 204. 3584: 3545: 3511: 3494: 3482: 3451: 3434: 3398: 3368: 3353: 3341: 3322: 3289: 3287:, p. 118. 3277: 3265: 3250: 3238: 3207: 3186: 3156: 3120: 3090: 3057: 3021: 2987: 2951: 2916: 2915: 2913: 2910: 2908: 2907: 2905: 2904: 2901: 2898: 2893: 2890: 2887: 2884: 2881: 2878: 2873: 2870: 2867: 2864: 2853: 2839:Lon Chaney Jr. 2793: 2784: 2757: 2755: 2754: 2753:, p. 22) 2745: 2742: 2739: 2736: 2733: 2730: 2727: 2724: 2721: 2710: 2708: 2707: 2701: 2680: 2676: 2673: 2672: 2671: 2666: 2660: 2659: 2645: 2631: 2615: 2612: 2521:Middle America 2447: 2444: 2439:Steven Shaviro 2360:John Carpenter 2301: 2298: 2280:A play called 2262: 2261:In other media 2259: 2220:Main article: 2217: 2214: 2182: 2177: 2121:Main article: 2118: 2112: 2039:Main article: 2036: 2029: 2027: 2024: 1887: 1884: 1852:4K restoration 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10471: 10467: 10460: 10459: 10455: 10454: 10452: 10448: 10441: 10437: 10435: 10434: 10430: 10428: 10427: 10423: 10422: 10420: 10416: 10413: 10409: 10402: 10401: 10397: 10394: 10393: 10389: 10386: 10385: 10381: 10378: 10377: 10373: 10370: 10369: 10365: 10362: 10361: 10357: 10354: 10353: 10349: 10346: 10345: 10341: 10338: 10337: 10333: 10330: 10329: 10325: 10322: 10321: 10317: 10314: 10313: 10309: 10306: 10305: 10301: 10300: 10298: 10294: 10283: 10282: 10278: 10275: 10274: 10270: 10267: 10266: 10262: 10259: 10258: 10254: 10253: 10251: 10247: 10240: 10239: 10235: 10232: 10231: 10227: 10226: 10224: 10222:Documentaries 10220: 10213: 10212: 10208: 10205: 10204: 10200: 10199: 10197: 10194: 10190: 10184: 10181: 10178: 10177: 10173: 10170: 10169: 10165: 10162: 10161: 10157: 10154: 10153: 10149: 10146: 10145: 10141: 10138: 10137: 10133: 10130: 10129: 10125: 10124: 10122: 10119: 10115: 10109: 10106: 10103: 10102: 10101:Killing Birds 10098: 10095: 10094: 10090: 10087: 10086: 10082: 10079: 10078: 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McFarland. 8841: 8836: 8832: 8830:9780231556156 8826: 8822: 8818: 8814: 8813: 8807: 8803: 8797: 8793: 8788: 8784: 8778: 8774: 8773: 8767: 8763: 8757: 8753: 8752: 8746: 8742: 8741:Bright Lights 8738: 8733: 8729: 8723: 8719: 8718: 8712: 8708: 8702: 8697: 8696: 8690: 8685: 8681: 8679:9781839022029 8675: 8671: 8667: 8662: 8658: 8652: 8648: 8644: 8643: 8637: 8633: 8629: 8625: 8621: 8617: 8613: 8612: 8607: 8602: 8598: 8597: 8592: 8590: 8583: 8579: 8577:9780292771376 8573: 8569: 8564: 8560: 8554: 8550: 8546: 8545: 8539: 8535: 8529: 8524: 8523: 8517: 8512: 8508: 8502: 8499:. McFarland. 8497: 8496: 8489: 8485: 8481: 8477: 8472: 8460: 8456: 8450: 8447:. 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The Verge. 6990: 6986: 6979: 6963: 6959: 6953: 6937: 6933: 6927: 6911: 6907: 6903: 6897: 6881: 6877: 6873: 6866: 6855: 6851: 6847: 6835: 6831: 6827: 6815: 6811: 6807: 6806: 6802: 6786: 6782: 6778: 6771: 6764: 6759: 6743: 6739: 6735: 6728: 6721: 6716: 6708: 6702: 6686: 6682: 6681:Business Wire 6678: 6672: 6656: 6652: 6648: 6647: 6642: 6640: 6632: 6616: 6612: 6611:Dread Central 6608: 6602: 6595: 6590: 6574: 6570: 6566: 6560: 6553: 6548: 6532: 6528: 6524: 6517: 6501: 6497: 6493: 6486: 6470: 6466: 6465: 6460: 6453: 6437: 6433: 6429: 6422: 6406: 6402: 6401: 6396: 6390: 6388: 6371: 6367: 6363: 6357: 6350: 6345: 6343: 6341: 6339: 6327:September 12, 6323: 6322: 6317: 6311: 6295: 6291: 6285: 6269: 6265: 6264: 6257: 6250: 6246: 6241: 6225: 6221: 6220:The Reflector 6217: 6210: 6208: 6206: 6194:September 17, 6189: 6185: 6178: 6162: 6158: 6154: 6147: 6131: 6127: 6123: 6116: 6100: 6096: 6095: 6090: 6083: 6081: 6079: 6077: 6060: 6056: 6052: 6045: 6023: 6016: 6011: 6007: 6001: 5998:. Image Ten. 5997: 5992: 5980: 5976: 5972: 5967: 5966: 5962: 5956:, p. 14. 5955: 5950: 5942: 5938: 5937: 5929: 5922: 5916: 5909: 5904: 5902: 5900: 5892: 5887: 5880: 5876: 5872: 5867: 5860: 5855: 5839: 5835: 5829: 5813: 5809: 5803: 5784: 5777: 5771: 5752: 5745: 5739: 5723: 5719: 5715: 5709: 5700: 5696: 5690: 5675: 5671: 5670: 5665: 5663: 5655: 5648: 5634: 5630: 5626: 5625: 5620: 5618: 5610: 5594: 5590: 5586: 5580: 5564: 5560: 5559: 5556: 5552: 5551:Rolling Stone 5547: 5541: 5533: 5529: 5525: 5519: 5503: 5499: 5498: 5493: 5487: 5471: 5467: 5466: 5461: 5455: 5439: 5435: 5431: 5424: 5408: 5404: 5400: 5393: 5385: 5381: 5374: 5366: 5362: 5356: 5349: 5344: 5336: 5329: 5321: 5314: 5299: 5295: 5288: 5281: 5276: 5268: 5264: 5257: 5249: 5245: 5238: 5231: 5224: 5219: 5213:, p. 65. 5212: 5207: 5191: 5187: 5181: 5174: 5169: 5153: 5149: 5148: 5143: 5139: 5133: 5131: 5129: 5127: 5119: 5114: 5108:, p. 70. 5107: 5102: 5094: 5087: 5080: 5075: 5067: 5062: 5054: 5038: 5034: 5033:CMU Libraries 5030: 5023: 5016: 5011: 5004: 4999: 4993:, p. 15. 4992: 4987: 4985: 4983: 4975: 4970: 4963: 4958: 4952:, p. 36. 4951: 4946: 4940:, p. 15. 4939: 4934: 4928:, p. 15. 4927: 4922: 4916:, p. 81. 4915: 4910: 4894: 4890: 4886: 4880: 4864: 4860: 4856: 4849: 4833: 4829: 4825: 4818: 4807: 4803: 4799: 4797: 4791: 4787: 4783: 4779: 4775: 4773: 4767: 4763: 4759: 4755: 4751: 4749: 4743: 4739: 4738: 4734: 4725: 4718: 4712:, p. 51. 4711: 4706: 4690: 4686: 4682: 4675: 4668: 4663: 4655: 4651: 4644: 4637: 4632: 4616: 4612: 4608: 4601: 4594: 4589: 4582: 4577: 4561: 4557: 4553: 4546: 4539: 4534: 4527: 4522: 4506: 4502: 4498: 4491: 4475: 4471: 4465: 4458: 4453: 4447:, p. 46. 4446: 4441: 4435:, p. 57. 4434: 4429: 4422: 4417: 4415: 4413: 4411: 4394: 4390: 4389: 4384: 4377: 4361: 4357: 4356: 4351: 4344: 4342: 4340: 4332: 4327: 4320: 4315: 4308: 4303: 4295: 4291: 4287: 4285: 4276: 4268: 4264: 4263: 4258: 4251: 4244: 4239: 4231: 4225: 4222:. Orb Books. 4221: 4217: 4211: 4204: 4199: 4192: 4187: 4179: 4172: 4166:, p. 16. 4165: 4160: 4153: 4148: 4141: 4136: 4129: 4124: 4118:, p. 21. 4117: 4112: 4106:, p. 23. 4105: 4100: 4098: 4082: 4074: 4067: 4066: 4061: 4054: 4047: 4046: 4041: 4034: 4027: 4022: 4020: 4018: 4010: 4005: 4003: 4001: 3984: 3980: 3976: 3969: 3961: 3956:|people= 3948: 3932: 3928: 3924: 3918: 3916: 3914: 3912: 3910: 3908: 3891: 3887: 3886:The Telegraph 3883: 3877: 3870: 3865: 3859:, p. 25. 3858: 3853: 3847:, p. 28. 3846: 3841: 3839: 3822: 3818: 3811: 3796: 3792: 3785: 3769: 3765: 3761: 3754: 3748:, p. 45. 3747: 3742: 3726: 3722: 3718: 3711: 3709: 3692: 3688: 3684: 3678: 3662: 3658: 3657:Dread Central 3654: 3647: 3640: 3635: 3628: 3623: 3615: 3611: 3607: 3600: 3593: 3588: 3572: 3568: 3564: 3560: 3556: 3549: 3533: 3529: 3525: 3518: 3516: 3509:, p. 43. 3508: 3503: 3501: 3499: 3492:, p. 42. 3491: 3486: 3470: 3466: 3462: 3455: 3448: 3443: 3441: 3439: 3422: 3418: 3417: 3412: 3405: 3403: 3386: 3382: 3378: 3372: 3365: 3360: 3358: 3350: 3345: 3337: 3333: 3326: 3310: 3306: 3305: 3300: 3293: 3286: 3281: 3274: 3269: 3262: 3257: 3255: 3248:, ch. 4. 3247: 3242: 3226: 3222: 3218: 3211: 3204: 3199: 3197: 3195: 3193: 3191: 3174: 3170: 3166: 3160: 3144: 3140: 3139: 3134: 3127: 3125: 3108: 3104: 3097: 3095: 3078: 3074: 3073: 3068: 3061: 3045: 3041: 3040: 3035: 3033: 3025: 3009: 3005: 3001: 2997: 2991: 2975: 2971: 2970: 2965: 2958: 2956: 2939: 2935: 2931: 2929: 2921: 2917: 2902: 2899: 2897: 2894: 2891: 2888: 2885: 2882: 2879: 2877: 2874: 2871: 2868: 2865: 2862: 2861: 2857: 2850: 2846: 2845: 2840: 2836: 2835: 2830: 2829: 2824: 2823:Steve McQueen 2820: 2819: 2815: 2811: 2810: 2805: 2804: 2797: 2788: 2781: 2780: 2775: 2774: 2773:The Omega Man 2769: 2768: 2761: 2752: 2746: 2743: 2740: 2737: 2734: 2731: 2728: 2725: 2722: 2719: 2718: 2714: 2702: 2696: 2695: 2690: 2685: 2681: 2679: 2670: 2667: 2665: 2662: 2661: 2657: 2646: 2643: 2637: 2632: 2629: 2618: 2611: 2609: 2605: 2604: 2600: 2596: 2595:civil defense 2591: 2589: 2585: 2584: 2583:Silent Spring 2578: 2574: 2570: 2566: 2564: 2560: 2559: 2554: 2548: 2546: 2542: 2538: 2534: 2530: 2526: 2522: 2518: 2514: 2510: 2509: 2503: 2501: 2497: 2493: 2489: 2485: 2481: 2480:program notes 2477: 2473: 2469: 2466:politics and 2465: 2461: 2452: 2443: 2440: 2436: 2430: 2428: 2424: 2420: 2416: 2415: 2410: 2407:slave. Early 2406: 2402: 2398: 2394: 2389: 2387: 2386: 2381: 2377: 2376: 2371: 2367: 2366: 2361: 2357: 2356:slasher films 2353: 2349: 2345: 2340: 2339:splatter film 2336: 2332: 2325: 2321: 2317: 2312: 2307: 2297: 2295: 2291: 2287: 2283: 2278: 2276: 2272: 2268: 2258: 2256: 2251: 2249: 2245: 2241: 2237: 2233: 2229: 2223: 2213: 2211: 2207: 2205: 2200: 2196: 2192: 2188: 2181: 2176: 2174: 2170: 2166: 2162: 2158: 2157: 2152: 2148: 2144: 2140: 2136: 2132: 2131: 2124: 2116: 2111: 2109: 2108: 2103: 2102: 2097: 2093: 2092: 2087: 2086: 2081: 2080: 2075: 2074: 2069: 2068: 2063: 2059: 2052: 2047: 2042: 2034: 2026:Related works 2023: 2021: 2017: 2013: 2009: 2005: 2001: 1997: 1993: 1989: 1984: 1982: 1978: 1973: 1968: 1966: 1965: 1960: 1959:Harry Knowles 1956: 1952: 1951: 1946: 1945: 1940: 1935: 1933: 1929: 1925: 1921: 1917: 1913: 1909: 1905: 1901: 1897: 1893: 1883: 1881: 1877: 1873: 1869: 1865: 1861: 1857: 1853: 1849: 1845: 1841: 1837: 1833: 1829: 1824: 1821: 1817: 1813: 1809: 1805: 1801: 1796: 1793: 1789: 1785: 1781: 1780:public domain 1777: 1767: 1765: 1761: 1757: 1753: 1752: 1746: 1742: 1738: 1736: 1735: 1730: 1726: 1722: 1721: 1716: 1715: 1710: 1706: 1702: 1698: 1694: 1692: 1688: 1684: 1680: 1676: 1675: 1670: 1666: 1662: 1661: 1660:Rolling Stone 1656: 1652: 1651: 1646: 1642: 1641: 1636: 1632: 1631: 1625: 1623: 1619: 1618: 1613: 1612: 1606: 1602: 1601: 1595: 1592: 1583: 1574: 1572: 1568: 1564: 1560: 1559: 1552: 1547: 1545: 1540: 1539: 1534: 1530: 1526: 1522: 1518: 1514: 1507: 1474: 1471: 1468: 1464: 1460: 1457: 1454: 1450: 1446: 1443: 1440: 1436: 1432: 1431:Final Advance 1428: 1424: 1420: 1417: 1414: 1410: 1406: 1403: 1400: 1396: 1392: 1389: 1386: 1382: 1378: 1376:Ib Glindemann 1375: 1372: 1368: 1352: 1339: 1336: 1333: 1329: 1325: 1322: 1319: 1315: 1311: 1308: 1305: 1302: 1298: 1294: 1292: 1289:/Loose—Seely/ 1288: 1285: 1283:"Boarding Up" 1282: 1278: 1274: 1272: 1271:Ib Glindemann 1269: 1266: 1262: 1258: 1256: 1253: 1250: 1246: 1242: 1240: 1236: 1232: 1231:William Loose 1229: 1226: 1222: 1218: 1216:Spencer Moore 1215: 1212: 1208: 1192: 1185: 1183: 1179: 1175: 1167: 1148: 1146: 1145:similar title 1142: 1138: 1134: 1130: 1126: 1122: 1118: 1114: 1104: 1102: 1097: 1093: 1088: 1086: 1085: 1080: 1075: 1071: 1070:horror comics 1068: 1064: 1060: 1058: 1054: 1049: 1045: 1044: 1043:The Dark Half 1039: 1038: 1033: 1032: 1027: 1026: 1021: 1020: 1015: 1011: 1010: 1005: 1001: 997: 989: 980: 978: 974: 970: 966: 962: 958: 954: 953:Monster Flick 949: 945: 941: 937: 933: 931: 930:Butler County 927: 913: 902: 896: 877: 875: 871: 866: 861: 859: 854: 848: 846: 842: 838: 834: 830: 826: 822: 821: 816: 811: 809: 808: 803: 802: 796: 795:horror comedy 788: 783: 774: 770: 767: 766:John A. 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Retrieved 8444: 8439:Introduction 8438: 8403: 8399: 8376: 8355: 8348: 8336: 8331:, p. 4. 8324: 8312: 8300: 8288: 8276: 8269:Johnson 2020 8264: 8252:. Retrieved 8241: 8231: 8219: 8207: 8200:Higashi 1990 8195: 8188:Higashi 1990 8183: 8173:December 21, 8171:. Retrieved 8162: 8137: 8130:Higashi 1990 8125: 8096: 8084: 8077:Shaviro 2017 8072: 8060: 8055:, p. 3. 8048: 8036: 8024: 8012: 8000: 7988: 7976: 7969:Stommel 2013 7947: 7935: 7928:Rockoff 2002 7923: 7911: 7899:. Retrieved 7895:the original 7890: 7880: 7868:. Retrieved 7859: 7849: 7837:. Retrieved 7829:The Guardian 7828: 7818: 7806:. Retrieved 7797: 7788: 7768: 7761: 7749:. Retrieved 7740: 7731: 7721:September 8, 7719:. Retrieved 7701: 7691:September 8, 7689:. Retrieved 7678: 7668: 7659: 7634: 7622: 7610: 7598: 7586: 7574: 7563: 7553: 7541: 7529: 7516: 7504:. Retrieved 7489: 7479:September 9, 7477:. Retrieved 7468: 7459: 7447:. Retrieved 7432: 7407: 7403: 7393: 7377: 7372: 7360: 7348:. 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