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Ninth (Peter Murphy album)

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about the album, Murphy said "The whole intention was to really reference that spark and crackle of people playing together in a room. It's about time I reclaimed my legacy . . . It's going 'OK, this is how it's done.' You don't have to spend three years and $ 4 million on an album. Listen to this.
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review by David Jeffries awarded the album 4 stars stating "It's all put together in a right-sized package, too, with no filler to speak of, then wrapped in warm production from David Baron, who finds the proper balance of shadows and light. "The Godfather of Goth" sounds like the genre's savior
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still reigned supreme." Critic Jeff Miers said "The first thing you notice about the album is the visceral power of the recording, which producer David Baron has configured as both fittingly modern and timelessly
405:. The first single from the album was "I Spit Roses" coupled with "The Prince & Old Lady Shade", which was released 22 March 2011. The second single, "Seasaw Sway", was also released in 2011. 1011: 448:, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 65, which indicates "generally favorable reviews", based on 9 reviews. The 496:, though it's not exactly a nostalgia trip β€” more like grown-up melancholy with an aggressive rock streak." while also describing the album as "a striking return to form." 509:
also described the album as "his most conventional and, frankly, dull album, pursuing a plodding take on alt rock, in the uninteresting middle ground between early
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here, coming on strong with those Bowie-sized aspirations and nailing that attractive Nosferatu-meets-Art-School style." Writing for
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provides a dose of gloom so savory it would bring tears of overwrought emotion to the eyes of contemporaries like
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trajectory, it has testosterone pouring out of it. At the same time, it's as beautiful as any female siren."
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All lyrics written by Peter Murphy; all music composed by Peter Murphy and David Baron, except where noted.
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had a mixed opinion on the album, commenting: "Where his menace once oozed, though, it now hiccups."
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has a few overindulgently drony moments, but for the most part it is a virile return to form."
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critic David Buchanan said "the album's music lingers in a sonic age when
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is the ninth solo album, and eighth studio album, by English musician
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For the album by Japanese metal band The Gazette, see
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Murphy described the album as "a continuation of the
420:It's full of swagger and immediacy." Speaking with 444:received positive reviews from music critics. At 1407: 582:John Andrews - acoustic guitar, electric guitar 541:"Never Fall Out" (Murphy, Paul Statham) – 4:09 365: 317: 1156: 853: 851: 745: 743: 741: 271: 888: 1163: 1149: 773: 771: 47: 1095:"Peter Murphy - Independent Albums chart" 1009: 978: 952: 884: 882: 848: 738: 1120:"Peter Murphy - Tastemaker Albums chart" 1112: 1087: 908: 826: 793: 791: 547:"The Prince & Old Lady Shade" – 4:44 517:, with occasional dashes of doom-lite." 1059: 1003: 768: 14: 1408: 958: 936: 879: 857: 797: 1144: 1065: 1037: 1031: 914: 889:Christopher, Michael (29 June 2011). 822: 820: 788: 435: 252: 229: 36:2011 studio album by Peter Murphy 1068:"Album Review: Peter Murphy – Ninth" 829:"Album Review: Peter Murphy – Ninth" 478:of New York. Michael Christopher of 1187:Should the World Fail to Fall Apart 367: 319: 24: 817: 681: 25: 1437: 959:Maider, Ted (20 September 2011). 273: 1170: 1010:Appleford, Steve (23 May 2011). 520: 381: 376: 371: 366: 338: 333: 328: 323: 318: 292: 287: 282: 277: 272: 827:Buchanan, David (7 June 2011). 1421:Peter Murphy (musician) albums 961:"Peter Murphy – "Seesaw Sway"" 798:Heller, Jason (14 June 2011). 677:- artwork, photography, design 499:Nevertheless, Jason Heller of 13: 1: 858:Schurr, Maria (6 June 2011). 731: 572:– vocals, lyrics, arrangement 408: 1038:Thill, Scott (7 July 2010). 986:"Peter Murphy – Seasaw Sway" 915:Graff, Gary (2 March 2011). 724: 712: 563: 556:"Secret Silk Society" – 4:09 457:, critic Maria Schurr said " 7: 1066:Miers, Jeff (27 May 2011). 944:Peter Murphy – I Spit Roses 634:Cornelius Dufallo - violin 10: 1442: 671:Fred Kevorkian - mastering 559:"CrΓ¨me de la CrΓ¨me" – 5:28 26: 1363: 1337: 1316: 1309: 1270: 1252: 1178: 668:Alan Wolmark - management 260: 257: 237: 234: 218: 192: 181: 177: 140: 132: 120: 108: 92: 76: 68: 55: 46: 41: 29:Ninth (The Gazette album) 785:. Retrieved 7 June 2011. 1426:Nettwerk Records albums 1345:Beggars Banquet Records 659:- production, keyboards 474:." in a review for the 1286:A Strange Kind of Love 891:"Peter Murphy - Ninth" 751:"Peter Murphy - Ninth" 535:"Peace To Each" – 3:40 529:"Velocity Bird" – 2:53 1261:Wild Birds: 1985–1995 860:"Peter Murphy: Ninth" 800:"Peter Murphy: Ninth" 777:Jeffries, David. 665:- engineering, mixing 538:"I Spit Roses" – 4:03 965:Consequence of Sound 834:Consequence of Sound 643:- additional guitar 577:Additional musicians 532:"Seesaw Sway" – 4:15 463:Consequence of Sound 313:Consequence of Sound 225:Professional ratings 651:Technical personnel 598:Nick Lucero - drums 586:Mark Gemini Thwaite 226: 1350:Metropolis Records 722:Tastemaker Albums 709:Independent Albums 544:"Memory Go" – 4:03 440:Upon its release, 436:Critical reception 413:Speaking with the 224: 1403: 1402: 1399: 1398: 1293:The Sweetest Drop 1017:Los Angeles Times 729: 728: 675:Thomas Tadeus Bak 646: 637: 631: 623:Antoine Silverman 619: 607: 601:Darrett Adkins - 591:Jeff Schartoff - 588:- electric guitar 553:"Slowdown" – 3:51 416:Los Angeles Times 390: 389: 222: 221: 173: 172: 16:(Redirected from 1433: 1355:Nettwerk Records 1314: 1313: 1165: 1158: 1151: 1142: 1141: 1135: 1134: 1132: 1130: 1116: 1110: 1109: 1107: 1105: 1091: 1085: 1084: 1082: 1080: 1063: 1057: 1056: 1054: 1052: 1035: 1029: 1028: 1026: 1024: 1007: 1001: 1000: 998: 996: 982: 976: 975: 973: 971: 956: 950: 940: 934: 933: 931: 929: 912: 906: 905: 903: 901: 886: 877: 876: 874: 872: 855: 846: 845: 843: 841: 824: 815: 814: 812: 810: 795: 786: 775: 766: 765: 763: 761: 747: 691: 690: 644: 635: 629: 617: 605: 403:Nettwerk Records 386: 385: 384: 380: 379: 375: 374: 370: 369: 343: 342: 341: 337: 336: 332: 331: 327: 326: 322: 321: 297: 296: 295: 291: 290: 286: 285: 281: 280: 276: 275: 230:Aggregate scores 227: 223: 211: 208: 202: 199: 142: 141: 104: 103: 99: 83:Alternative rock 51: 39: 38: 21: 1441: 1440: 1436: 1435: 1434: 1432: 1431: 1430: 1406: 1405: 1404: 1395: 1359: 1333: 1305: 1300:You're So Close 1266: 1248: 1174: 1169: 1139: 1138: 1128: 1126: 1118: 1117: 1113: 1103: 1101: 1093: 1092: 1088: 1078: 1076: 1064: 1060: 1050: 1048: 1036: 1032: 1022: 1020: 1008: 1004: 994: 992: 984: 983: 979: 969: 967: 957: 953: 941: 937: 927: 925: 913: 909: 899: 897: 887: 880: 870: 868: 856: 849: 839: 837: 825: 818: 808: 806: 796: 789: 776: 769: 759: 757: 749: 748: 739: 734: 698: 684: 682:Chart positions 566: 523: 494:Andrew Eldritch 438: 411: 382: 377: 372: 339: 334: 329: 324: 293: 288: 283: 278: 214: 209: 206: 205: 200: 197: 196: 168: 159: 150: 101: 97: 96: 64: 37: 32: 23: 22: 15: 12: 11: 5: 1439: 1429: 1428: 1423: 1418: 1401: 1400: 1397: 1396: 1394: 1393: 1388: 1383: 1378: 1373: 1367: 1365: 1361: 1360: 1358: 1357: 1352: 1347: 1341: 1339: 1335: 1334: 1332: 1331: 1326: 1320: 1318: 1311: 1307: 1306: 1304: 1303: 1296: 1289: 1282: 1274: 1272: 1268: 1267: 1265: 1264: 1256: 1254: 1250: 1249: 1247: 1246: 1239: 1232: 1225: 1218: 1211: 1204: 1197: 1190: 1182: 1180: 1176: 1175: 1168: 1167: 1160: 1153: 1145: 1137: 1136: 1111: 1086: 1058: 1030: 1002: 977: 951: 935: 907: 878: 847: 816: 787: 767: 736: 735: 733: 730: 727: 726: 723: 715: 714: 711: 701: 700: 695: 694:Charts (2011) 689: 688: 683: 680: 679: 678: 672: 669: 666: 660: 653: 652: 648: 647: 638: 632: 620: 608: 599: 596: 589: 583: 579: 578: 574: 573: 565: 562: 561: 560: 557: 554: 551: 548: 545: 542: 539: 536: 533: 530: 522: 519: 437: 434: 410: 407: 388: 387: 363: 355: 354: 351: 345: 344: 315: 309: 308: 305: 299: 298: 269: 263: 262: 259: 255: 254: 250: 249: 246: 240: 239: 236: 232: 231: 220: 219: 216: 215: 213: 212: 210:Released: 2011 203: 201:Released: 2011 198:"I Spit Roses" 193: 190: 189: 179: 178: 175: 174: 171: 170: 161: 152: 138: 137: 130: 129: 124: 118: 117: 112: 106: 105: 94: 90: 89: 80: 74: 73: 70: 66: 65: 60: 53: 52: 44: 43: 35: 9: 6: 4: 3: 2: 1438: 1427: 1424: 1422: 1419: 1417: 1414: 1413: 1411: 1392: 1389: 1387: 1384: 1382: 1379: 1377: 1374: 1372: 1369: 1368: 1366: 1362: 1356: 1353: 1351: 1348: 1346: 1343: 1342: 1340: 1336: 1330: 1327: 1325: 1322: 1321: 1319: 1315: 1312: 1308: 1301: 1297: 1294: 1290: 1287: 1283: 1280: 1276: 1275: 1273: 1269: 1263: 1262: 1258: 1257: 1255: 1251: 1245: 1244: 1240: 1238: 1237: 1233: 1231: 1230: 1226: 1224: 1223: 1219: 1217: 1216: 1212: 1210: 1209: 1205: 1203: 1202: 1198: 1196: 1195: 1194:Love Hysteria 1191: 1189: 1188: 1184: 1183: 1181: 1179:Studio albums 1177: 1173: 1166: 1161: 1159: 1154: 1152: 1147: 1146: 1143: 1125: 1121: 1115: 1100: 1096: 1090: 1075: 1074: 1069: 1062: 1047: 1046: 1041: 1034: 1019: 1018: 1013: 1006: 991: 987: 981: 966: 962: 955: 949: 945: 939: 924: 923: 918: 911: 896: 892: 885: 883: 867: 866: 861: 854: 852: 836: 835: 830: 823: 821: 805: 804:The A.V. 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Club 301: 300: 270: 268: 265: 264: 256: 253:Review scores 251: 247: 245: 242: 241: 233: 228: 217: 207:"Seasaw Sway" 204: 195: 194: 191: 188: 187:Peter Murphy 184: 180: 176: 167: 166: 162: 158: 157: 153: 149: 148: 144: 143: 139: 135: 131: 128: 125: 123: 119: 116: 113: 111: 107: 95: 91: 88: 84: 81: 79: 75: 71: 67: 63: 58: 54: 50: 45: 40: 34: 30: 19: 18:Ninth (album) 1386:Mark Thwaite 1381:Trent Reznor 1259: 1253:Compilations 1241: 1235: 1234: 1227: 1220: 1213: 1206: 1199: 1192: 1185: 1172:Peter Murphy 1127:. Retrieved 1114: 1102:. Retrieved 1089: 1077:. Retrieved 1073:Buffalo News 1071: 1061: 1049:. Retrieved 1043: 1033: 1021:. Retrieved 1015: 1005: 993:. Retrieved 980: 968:. Retrieved 954: 938: 926:. Retrieved 920: 910: 898:. Retrieved 869:. Retrieved 863: 838:. Retrieved 832: 807:. Retrieved 758:. 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Index

Ninth (album)
Ninth (The Gazette album)

Studio album
Peter Murphy
Genre
Alternative rock
gothic rock
Label
Nettwerk
Producer
David Baron
Peter Murphy
Unshattered
Lion
Singles
Metacritic
Allmusic
The A.V. Club
Consequence of Sound
PopMatters
The Phoenix
Peter Murphy
Nettwerk Records
Los Angeles Times
Wired News
Go Away White
Metacritic
Allmusic
PopMatters

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