360:
1131:
376:
315:
345:
1112:
330:
299:
1059:
406:
1047:
1078:
421:
1097:
646:, has sterling qualities in its fine, clear, luminous background, which is striking without being too obtrusive. The figure has been developed with admirable smoothness of detail; and there is a plastic quality about It which is attractive; but the whole thing remains life a coloured photograph, devoid of emotion and personality. Far more alive is a self-portrait by Cliff Pier, painted on a ground of wood, which still shows ruggedly through.
626:...simply because he has cut away all the non-essentials, the fuss over details that overwhelm, instead of emphasise, the sitter in a portrait; and has made form and character the principal things. Mr. Ruble's colour sense is, distinctly his weakest point. The brilliantly-hued, perfectly flat backgrounds are too aggressive; the contrasts they make, too obvious. But at least one feels that he is striving to emphasise structural quality. In
436:
391:
56:
99:
Crawford
Laboratories, manufacturers and distributors of chemicals and cosmetics in May 1940, and Roto Displays in April 1941, then, with Arthur Dowse and Reginald Perier, started a film company âPerier Productionsâ incorporated in Noel Rubie Pty. Ltdâ, in March 1947, after the War. The photographic business prospered and increased its staffing between 1936 and particularly during 1950.
670:, may impute to the pictures a shallow attempt at smartness which is not their true quality. All the painting has obviously been done sincerely, and with painstaking attempts to penetrate below the mere casual outward aspect of things seen." In this review colour is singled out as "symphonies of strong green and glowing blue always forceful, yet always gracious."
729:), entertaining, and travel that included North Africa, India, Spain, England, Tahiti, America and Japan. He was quoted as considering what was 'chic' in a woman was her wearing clothes to the greatest advantage; "Charm is most important in a woman, but is impossible to see if she has that in a first look."
547:
found "pleasing in the orthodox modern manner," while in an earlier issue of the magazine the writer of the 'Women's
Letters' more emphatically praised how his "costumes and decor gave a lesson in emphasis to budding interior-decorative artists, for all the intense color was concentrated on the only
712:
as "the most significant one-man exhibition that has been shown in Sydney for a long time. Rubie displays a confidence in his technique, a sense of power and determination in his work, the lack of which is the chief fault in exhibitions by contemporary
Australian artists," though this reviewer too
587:
remarked on the energy of the production; "This was a "Phaedra" of violent mobility and flauntingly naked emotions; an effective piece of theatre with as much subtlety as a direct blow to the face," due to Rubie's "underlining and repeating what Racine was content to imply or state briefly" in his
747:
with a swimming-pool, a balcony designed to look like a ship's promenade deck, a 'Naughty âNineties' bar' with cedar-lined, crystal-lit discreet alcove, a lounge lined with books and a mural map of the world; and a music-room with a star-studded azure wall. In 1959 he redecorated it in a
Japanese
602:
when he showed with the Royal Art
Society at the Education Department galleries in Sydney, in which the brief comment was "Mr. Noel Rubie has painted with decided effect the head in his portrait "Mary," and has blended his tones well but the management of the right arm resting upon the hip is not
98:
He retired from his partnership with Hazel on 12 October 1938, having set up Rubie, Noel, Pty., Ltd. industrial and commercial photographers with directors Arthur H. Dowse, Edwin
Paterson and Ella M. Hamilton, only days before, with a capital of ÂŁ2000 in ÂŁ1 shares. Rubie next established Kendal
578:
was more specific, noting that Rubie's 'rather free interpretation' of the
Grecian setting, use of contemporary vocabulary and his 'costume of merit,' demanded much of the cast to put action into its delivery to satisfy audiences used to movement on stage, but also to retain their attention to
630:, the sinews of the arms are strongly felt. The hands grasping the table-edge have power in them. The figure Is a unity. One realises the solidity of it. In the two portraits of women, too, the personality comes forth from the picture easily and definitely. In a word, there is life.
606:
In the 1932 Australian Art
Society group show, reviewer "C.S." singled Rubie out to conclude; "Noel Rubie, if he sets aside a few affectations, will become an excellent portrait painter. ' His portrait of a young boy is certainly the most striking picture in the show."
160:
Rubie's paintings and photographs are represented in the
National Portrait Gallery, The National Library of Australia, the State Library of Victoria and the Museum of Applied Arts and Sciences. He first exhibited at Grosvenor Galleries in 1936 with reviews in
682:...there are at least three Noel Rubiesâa portraitist who excels in the representation of vigorous youth, delighting in smooth modelling and the most meticulous rendition of detail ; ...another...who exercises a dramatic, character-revealing
657:
in the
October 1934 show of "young commercial artists" at the Grosvenor Galleries as the "most graceful thing in the show...for the lines sing," His first solo exhibition, at the Grosvenor Galleries, Sydney in 1936 was given a lengthy review in
548:
woman in the cast, Lady Cicely Waynflete, played by Doris Fitton. Flame coupled with grey, jacaranda-mauve with white, egg-yellow and emerald made her costumes more than striking, as if an intense spotlight was playing on her all the time."
26:
painter, portrait and commercial photographer, playwright and pharmacy proprietor who worked in Sydney during the 1920s and into the 1960s. In addition to his work as a painter and photographer, Rubie was involved with the
78:
in business from November 1930; a magazine article indicates that he may have been undertaking studies in design in 1934 while in May he commenced cosmetic manufacture with Jessica Harcourt, before Hazel Holland
909:
1933, June: Rubie in the annual Australian Art Society with William Oates, Rhys Williams, H. C. Hadley, James A. Crisp, Walter Dowman, Kate Beard and W. M. Whitney. Education Department's gallery, Sydney
662:
in which the journalist considered him 'a rising star' despite still being in his twenties, before taking issue with his titles because "more conservative visitors, beholding such descriptions as
686:
touch; a decorationist who seeks to find a significant pattern in landscape and other natural forms ... there is lucidity of purpose and a degree of achievement that makes the purpose clear...
225:
radio auction he contributed the offer of a portrait giving a value of 3 guineas (A$ 239.80 2022 equivalent). He presented a workshop on lighting and portraiture at his studio for the
359:
493:, whom he advised on photography, and who gifted him of one of the forty-seven Central Australian landscapes Nolan showed in an exhibition at the David Jones Gallery in 1950.
70:
Rubie pursued interests in a number of enterprises. Commencing the exhibition of his paintings from 1929, Rubie simultaneously set up with Jack E. Turner at 10 Bligh St.,
3459:
767:
to a mansion designed by himself in a Spanish Mission style. In 1960 the house and property were purchased for a boys home. He died on 13 July 1975 and is buried at
375:
634:
In the Australian Art Society show and one at Grosvenor Galleries of the following year, Rubie's issue with backgrounds is seen to have been resolved, but the
717:
reviewer dismissed the same work as derivative of Rubie's "world of commercial advertising and the magazine cover," and not to be taken "seriously as art."
583:
noted; "That the overall production is...impressive is due in the first place to Rubie's adaptation which avoids too much artificiality," while "R.C." in
3454:
133:
His painting style aligned with that of other early modernists in Australia and, though of modest standing, is comparable to the work of artists such as
1517:"PORTRAIT (Judith) by Noel Rubie. which will be shown at the Fourth Annual Exhibition of the Australian Art Society to be opened on June 10. (caption)"
1469:
1130:
1570:"'These Yellow Sands,' oil painting by Noel Rubie; 'Not Amused,' oil painting by Noel Rubie. Exhibited at the Grosvenor Galleries, Sydney"
1058:
713:
found fault with titles as demonstrating 'bewilderment' about his subjects, and was concerned about a 'sameness' of treatment. The
469:
as practiced in Europe and America. He produced publicity photographs for the Independent Theatre, and photographed members of the
917:, Garrett Kingsley, William M. Whitney, Walter Dowman, and others, Australian Art Society, Education Department galleries, Sydney
768:
1873:
982:
739:
recounted how after the War the photographer converted and combined 80-year-old semi-detached cottages into one residence at
454:
221:(née Eakin); and cellist Lois Simpson. An indication of the cost of sitting for a Noel Rubie portrait was that for a wartime
1158:"CORYDON, 10 Bligh-st., Sydney, commercial artists âCom. 10.11.30. Proptrs.: Noel Rubie and Jack E. Turner. Regd. 6.11.30".
344:
298:
197:
111:
509:
674:
of 17 June also treated the exhibition at length, and in the same issue included a lively account of the opening in its
314:
538:
903:, Dorothy Bates, G. K. Townsend and others. Royal Art Society 52nd exhibition. Education Department galleries, Sydney
3449:
3280:
1950:
1925:
1254:
329:
1111:
3097:""Ann," portrait by Noel Rubie, exhibited at the seventh annual exhibition of the Australian Art Society (caption)"
760:
2065:"Photograph of workman operating tilting furnace in the Foundry at Wunderlich Limited in Redfern, New South Wales"
3444:
1077:
764:
92:
1006:
944:
123:
115:
3479:
3469:
840:
725:
Rubie never married, and he enjoyed bachelorhood, yachting (in a black craft that he sold in 1948 to actor
707:
532:
which was performed in a short run there from 8 March 1945. Though that play was met with a poor review by
189:
Rubie provided stylish society portraits, mainly of young women but also of established personalities for
3464:
875:
1930, from 10 June: Australian Art Society, 4th Annual Exhibition, Education Department galleries, Sydney
740:
1136:
245:
214:
900:
598:
163:
84:
3342:
2049:
2013:
71:
44:
1893:"Bodenwieser Ballet performance of Indian love song, with Eileen Cramer, 1952? [picture]/"
3474:
3356:
552:
405:
2028:
102:
Noel Rubie Pty. Ltd was dissolved by default under the Companies Act of 1961 on 19 August 1967.
3321:
1992:
940:, Charles H. Bassett, Eileen McGrath and sculptor Beaumont Moulden, Grosvenor Galleries, Sydney
929:
150:
134:
1046:
3329:
2036:
2000:
948:
896:
744:
486:
470:
420:
390:
3439:
3434:
1096:
756:
article in which he commented that he had been born in one of the original terrace houses.
726:
596:
The earliest newspaper review of Rubie's painting appeared in the 2 August 1929 edition of
91:
also worked with him. At the same time he established the Wynyard Pharmacy, on the Ramp at
614:
describes Rubie's four portraits as "direct and simple, well-drawn," with his best being â
435:
8:
3198:
3173:
1064:
683:
525:
505:
381:
285:
28:
3148:
3123:
3275:(1st ed.). Canberra: Australian National Gallery: Collins Australia. p. 129.
2997:
2127:
Pender, Anne (April 2016). "Theatre Animals: Sumner Locke Elliott's Invisible Circus".
1463:
474:
95:
with Arthur H. Dowse, which he renamed the âWynyard Drug Storeâ the following January.
3296:
3276:
1946:
1921:
1869:
1250:
201:
into the 1950s. Significant among these subjects were Lesley Pope (later Hazlitt) of
1576:. Third series (65): 76. 16 November 1936 – via National Library of Australia.
1861:
986:
976:
968:
933:
914:
888:
836:
691:
458:
366:
253:
222:
206:
177:
702:
is as successful a portrait as has been exhibited in Sydney these last five years.
3271:
Newton, Gael; Ennis, Helen; Long, Chris (1988). "13: Photographic Illustrators".
496:
In the 1950s, commercial and industrial clients of Noel Rubie Pty. Ltd. included
466:
277:
202:
119:
2836:
2812:
2788:
2764:
3404:
2064:
1117:
1002:
964:
925:
732:
320:
289:
237:
217:, first woman newsreader and national radio announcer in Australia; journalist
146:
142:
138:
88:
75:
60:
3027:
3001:
2972:
2739:
2513:
2325:
2278:
2253:
1516:
1444:
43:
1901, one five children of Annie Maria (née Cooper) and James Joseph Rubie in
3428:
3224:
3052:
2947:
2900:
2875:
2541:
2462:
2434:
2406:
2378:
1966:
1544:
1488:
1418:
1083:
972:
937:
574:
performed in August 1961 at The Independent as "imposing and elegant," while
501:
478:
411:
396:
305:
273:
269:
261:
257:
249:
154:
80:
2860:
L.R. (29 December 1945). "Music and Drama : Theatre Flashbacks, 1945".
3357:"Archibald Prize Archibald 1930 work: W Collett Shoppee, Esq by Noel Rubie"
1855:
998:
960:
490:
462:
441:
350:
265:
233:
218:
1865:
706:
A 1947 solo show, also at Grosvenor Galleries, drew praise from "J.C." of
3096:
994:
990:
952:
892:
567:
497:
989:, Rob Hillier, John Hearder, Tony Cleal, John C. Nisbett, Ray Leighton,
2699:
2567:
2169:
2147:
2088:
1892:
1746:
1722:
1698:
1204:
1102:
956:
872:
1929, August: Royal Art Society, Education Department galleries, Sydney
798:, Independent Theatre (1939-1977), North Sydney, NSW, 13 September 1956
579:
Racine's poetry, the mood and expression of which Rubie had respected.
450:
426:
335:
281:
241:
3249:
2925:
2487:
2353:
2230:
1814:
1792:
1770:
1676:
1653:
1631:
1609:
1587:
1569:
1396:
1374:
1352:
1330:
1289:
1182:
638:
reviewer is critical of the emphasis on surface effects over 'depth';
2592:
Thompson, D.L. (December 1954). "Sydney's varied barbecue converts".
2306:
R.C. (19 August 1961). "Adaptation Of 'Phaedra' At The Independent".
40:
23:
2180:(3867): 19. 24 March 1954 – via National Library of Australia.
2089:"The duo-pianists Marion Tennent and Vaila Pender [picture]"
789:, Independent Theatre (1939-1977), North Sydney, NSW, 18 August 1961
622:
reviewer considers Rubie "the most striking" among the oil-painters;
536:
he returned after WW2 in 1954 to produce the decor and costumes for
1419:"Advertising: Boy 15-17 years, to learn photographic processing..."
807:, Independent Theatre (1939-1977), North Sydney, NSW, 11 March 1954
556:
465:
and were embracing Modernist tendencies, including montage and the
461:, among a number of Australian photographers who had moved on from
191:
130:
gold-miner and veteran of the Crimean War and the âIndian Mutinyâ.
127:
1658:
The Wireless Weekly: The Hundred per Cent Australian Radio Journal
816:, Independent Theatre (1939-1977), North Sydney, NSW, 3 March 1945
3380:
1747:"Portrait of the Hon. Eric John Harrison, 1949 [picture]"
482:
83:) became his partner in his photography studio at 2 Belmore Rd.,
55:
1489:"Royal Art Society: Jubilee Exhibition: Many Admirable Pictures"
31:
as a photographer, actor, writer, and costume and set designer.
1545:"Archibald Prize: Won by Mr. Mcinnes: Many Effective Portraits"
2619:(26). Chicago: Johnson Publishing Co., Inc.: 20 24 April 1952.
2112:
Bevan, Ian (6 September 1947). "The church where Melba sang".
1857:
Gertrud Bodenwieser and Vienna's Contribution to Ausdruckstanz
2594:
The Australian Home Beautiful: A Journal for the Home Builder
749:
1854:
Vernon-Warren, Bettina; Warren, Charles, eds. (2013-12-19).
2027:
Ltd, Tooth and Co; Rubie, Photographer: Noel (2021-04-21).
698:
puts romance and beauty into a study of a wheat silo...and
226:
3273:
Shades of Light : Photography and Australia 1839-1988
2901:"Women's World: The Social Round In Sydney: Two Art Shows"
2683:
Grenville, Phillip (6 February 1949). "Warning to Women".
845:
newspaper, Grosvenor Galleries, 219 George Street, Sydney
1945:. Cocos (Keeling) Islands: Wakefield Press. p. 8.
1654:"Advertisement: Legacy Club of Sydney Auction by Radio"
1038:
1943:
Australia Dances: Creating Australian Dance, 1945-1965
3053:"Royal Art Society: Annual Exhibition: "A Mixed Bag""
63:
by Noel Rubie, published in the July 1938 edition of
2158:(3399): 2 – via National Library of Australia.
1249:(1st ed.). Australia: Greenhouse. p. 117.
1001:, Institute of Photographic Illustrators, opened by
22:(25 December 1901 â 13 July 1975) was an Australian
2633:Di (22 December 1957). "Hello! Hello!: Greetings".
1967:"Sydney's Talking About: Sidney Nolan's Exhibition"
1853:
1443:Ryan, F.J.O., Registrar of Companies (1967-05-19).
551:In 1956 he designed the set for Australian writer,
3460:20th-century Australian dramatists and playwrights
1449:Government Gazette of the State of New South Wales
1025:Australian National University Research Collection
512:. He regularly provided freelance photography for
3405:"Photograph of workman operating tilting furnace"
3322:"Pyrmont Distillery - Spirit safes in Still Room"
2841:AusStage The Australian Live Performance Database
2817:AusStage The Australian Live Performance Database
2793:AusStage The Australian Live Performance Database
2769:AusStage The Australian Live Performance Database
1940:
862:Barry Stern Gallery, 28 Glenmore Road, Paddington
3426:
3320:Ltd, Photographer: Noel Rubie Pty (2014-02-03).
2218:(3997): 18. 19 September 1956 – via Trove.
1991:Ltd, Photographer: Noel Rubie Pty (2007-07-20).
3270:
3260:(3266): 2. 16 September 1942 – via Trove.
2936:(4413): 9. 19 September 1964 – via Trove.
2498:(2940): 41, 42. 17 June 1936 – via Trove.
1803:(3498): 21. 26 February 1947 – via Trove.
610:Of the 1933 Australian Art Society annual show
566:Anton Vogt described Rubie's costume design in
1920:(ebook ed.). Australia: Xoum Publishing.
1825:(3283): 25. 13 January 1943 – via Trove.
1723:"Portrait of Queenie Ashton [picture]"
1642:(3492): 21. 15 January 1947 – via Trove.
759:Rubie later relocated to the foothills of the
1620:(3837): 18. 26 August 1953 – via Trove.
1407:(19): 289. 7 November 1947 – via Trove.
997:, John Lee, Ray Leighton, Hal Williamson and
618:, a lady in black, effectively posed," while
477:'s tour of India, where he also photographed
2326:"Some Hold Art Back: Others Help It Forward"
1468:: CS1 maint: multiple names: authors list (
16:Australian photographer, painter, playwright
2948:"Australian Art Society: Annual Exhibition"
2364:(2783): 18. 14 June 1933 – via Trove.
500:, Pyrmont; Kent and Waverley Breweries for
232:His portrait subjects also included actors
3455:Australian male dramatists and playwrights
1781:(3580): 21. 22 Sep 1948 – via Trove.
1598:(3197): 32. 21 May 1941 – via Trove.
1244:
1193:(2857): 45. 14 Nov 1934 – via Trove.
771:, North Ryde, Ryde City, New South Wales.
3222:
3025:
2996:
2740:"Retarded Boy Find Interest In Farm Life"
2682:
2279:"Sydney Life & Times: A Tragic Queen"
1941:Glennon, Keith; Brissenden, Alan (2010).
1664:(29): 11. 25 July 1942 – via Trove.
1247:Australian Women Photographers: 1840-1960
1215:(21): 481. 28 May 1934 – via Trove.
694:in its ... luminous, vibrant background.
481:. He also portrayed Dorothy Stevenson as
2591:
2026:
1915:
1699:"Portrait of Ed Devereaux, Sydney, 1946"
54:
3171:
3146:
3121:
1445:"Companies Act, 1961 (Section 308 (2))"
769:Macquarie Park Cemetery and Crematorium
653:identifies his portrait of a young man
489:. He was a friend of the modern artist
485:, in her first dramatic role, with the
3427:
2719:
2717:
2697:
2663:
2661:
2659:
2628:
2626:
2587:
2585:
2565:
2348:
2346:
2301:
2299:
2251:
2126:
1887:
1885:
1834:
1832:
1674:
1270:"Registered firms: Wynyard Pharmacy".
947:exhibition, Rubie with Norman Carter,
126:, of Walter Collett Shoppee, son of a
2536:
2534:
2507:
2505:
2457:
2455:
2429:
2427:
2407:"Art Exhibitions: Nine Young Artists"
2401:
2399:
2373:
2371:
2319:
2317:
2111:
2062:
1539:
1537:
1511:
1509:
1483:
1481:
1479:
1245:Hall, Barbara; Mather, Jenni (1986).
1177:
1175:
1173:
3196:
2859:
2566:Thomas, Wilfrid (11 December 1948).
2511:
2323:
2305:
2228:
1442:
1039:Gallery of photographs by Noel Rubie
752:, the result being illustrated in a
195:until the beginning of WW2 and then
112:Royal Art Society of New South Wales
3319:
2973:"Art NotesâSome Sydney Exhibitions"
2714:
2698:Thomas, Wilfrid (18 October 1947).
2668:Di (31 Jul 1960). "Hello! Hello!".
2656:
2623:
2613:JET: The Weekly Negro News Magazine
2582:
2343:
2296:
2145:
1993:"Packing Station, Pyrmont Refinery"
1990:
1882:
1839:"Miss Margaret Roberts (picture)".
1829:
1226:"Registered firms: Kendall-Grant".
1034:Museum of Applied Arts and Sciences
167:and with two of his male portraits
13:
3026:Tildesley, Beatrice (1931-06-17).
2667:
2632:
2531:
2502:
2452:
2424:
2396:
2368:
2314:
1534:
1506:
1476:
1170:
906:1932, June: Australian Art Society
884:1931, June: Australian Art Society
510:Australian Broadcasting Commission
473:and performers in the avant-garde
471:Ballets Russes de Colonel de Basil
14:
3491:
3381:"State Library Victoria - Viewer"
2813:"Captain Brassbound's Conversion"
2514:"Noel Rubie's Art Has Confidence"
2463:"Art Exhibitions: Mr. Noel Rubie"
1401:Dun's Gazette for New South Wales
1379:Dun's Gazette for New South Wales
1357:Dun's Gazette for New South Wales
1335:Dun's Gazette for New South Wales
1313:Dun's Gazette for New South Wales
1294:Dun's Gazette for New South Wales
1272:Dun's Gazette for New South Wales
1228:Dun's Gazette for New South Wales
1209:Dun's Gazette for New South Wales
1183:"Sundry Shows: Current Artbursts"
1160:Dun's Gazette for New South Wales
1022:The National Library of Australia
748:style, its windows replaced with
528:in Sydney; he wrote and directed
192:The Home: an Australian quarterly
122:with a portrait, now held in the
65:The Home: An Australian Quarterly
3301:National Portrait Gallery people
2652:. 17 September 1950. p. 14.
1843:. 13 September 1956. p. 23.
1523:. Sydney. 1930-06-06. p. 20
1129:
1110:
1095:
1076:
1057:
1045:
981:1949, from 28 March: Rubie with
913:1934, June: with Rhys Williams,
720:
434:
419:
404:
389:
374:
358:
343:
328:
313:
297:
110:From 1929 Rubie showed with the
3397:
3373:
3349:
3313:
3289:
3264:
3242:
3216:
3203:Design and Art Australia Online
3190:
3178:www.printsandprintmaking.gov.au
3165:
3153:www.printsandprintmaking.gov.au
3140:
3128:www.printsandprintmaking.gov.au
3115:
3089:
3070:
3045:
3019:
2990:
2965:
2940:
2918:
2893:
2868:
2853:
2829:
2805:
2781:
2757:
2732:
2691:
2676:
2641:
2604:
2559:
2480:
2271:
2254:"At Sydney Theatres: "Phaedra""
2245:
2222:
2203:
2184:
2170:"Sundry Shows: Stage and Music"
2162:
2139:
2120:
2105:
2081:
2056:
2020:
1984:
1959:
1934:
1909:
1847:
1807:
1785:
1763:
1739:
1715:
1691:
1668:
1646:
1624:
1602:
1580:
1562:
1436:
1411:
1389:
1367:
1345:
878:1930, August: Royal Art Society
855:1957: Redfern Galleries, London
805:Captain Brassbound's Conversion
539:Captain Brassbound's Conversion
260:, actress and costume designer
184:
2229:Vogt, Anton (26 August 1961).
1424:. 10 November 1954. p. 15
1323:
1304:
1282:
1263:
1238:
1219:
1197:
1151:
1028:Art Gallery of New South Wales
1013:
1007:Art Gallery of New South Wales
971:, Frank Medworth, May Gonely,
820:
774:
524:Rubie was associated with the
124:Art Gallery of New South Wales
1:
3077:"Sundry Shows: The Palette".
2241:(4254): 57 – via Trove.
2029:"Kent and Waverley Breweries"
1144:
852:, Grosvenor Galleries, Sydney
205:; actor Joy Youlden from the
118:, and was a finalist for the
34:
3250:"The Red Page: Sundry Shows"
3199:"Walter J. Dowman biography"
2744:Windsor and Richmond Gazette
1687:(11): 597 – via Trove.
1234:(25): 594. 21 December 1936.
591:
384:in 'The Home" magazine, 1938
175:illustrated in the November
7:
2728:. 23 July 1959. p. 27.
2210:"Women's Letters: Sydney".
1341:(16): 426. 17 October 1938.
581:The Australian Jewish Times
559:' set in the Malay jungle,
10:
3496:
3174:"William Montague Whitney"
3085:(2686): 18. 5 August 1931.
2710:(42): 4 – via Trove.
2578:(50): 4 – via Trove.
2129:Australasian Drama Studies
1916:Falkiner, Suzanne (2015).
1675:R.R.C. (1 November 1947).
835:, 21 paintings, opened by
519:
105:
3361:www.artgallery.nsw.gov.au
3229:Australian Women's Weekly
3172:Printmaking, Prints and.
3147:Printmaking, Prints and.
3122:Printmaking, Prints and.
3103:. 9 June 1933. p. 14
3101:The Sydney Morning Herald
2862:The Sydney Morning Herald
2726:The Sydney Morning Herald
2685:The Sydney Morning Herald
2670:The Sydney Morning Herald
2650:The Sydney Morning Herald
2635:The Sydney Morning Herald
2467:The Sydney Morning Herald
2308:The Sydney Morning Herald
2114:The Sydney Morning Herald
1860:. Routledge. p. 47.
1841:The Sydney Morning Herald
1681:Australasian Photo-Review
1549:The Sydney Morning Herald
1422:The Sydney Morning Herald
1031:State Library of Victoria
1019:National Portrait Gallery
887:1931, August: Rubie with
660:The Sydney Morning Herald
620:The Sydney Morning Herald
599:The Sydney Morning Herald
585:The Sydney Morning Herald
514:The Sydney Morning Herald
338:, radio personality, 1946
164:The Sydney Morning Herald
50:
3450:Australian photographers
3223:Jane Anne (1934-11-03).
3059:. 1931-08-01. p. 15
3028:"Australian Art Society"
2979:. 1930-06-18. p. 11
2954:. 1930-06-07. p. 19
2907:. 1936-06-16. p. 26
2882:. 1936-06-04. p. 20
2746:. 1963-09-25. p. 11
2441:. 1934-06-13. p. 10
2435:"Australian Art Society"
2413:. 1934-10-24. p. 10
2379:"Australian Art Society"
2199:(3866): 18. 17 Mar 1954.
2146:Mac, H. (4 April 1945).
1551:. 1931-01-30. p. 15
1495:. 1929-08-02. p. 15
866:
20:Alfred Noel Joseph Rubie
3225:"THE MIRROR OF SOCIETY"
2469:. 1936-06-09. p. 8
2385:. 1933-06-07. p. 8
2285:. 1961-08-25. p. 8
2283:Australian Jewish Times
1973:. 1949-03-24. p. 8
1677:"Y.M.C.A Camera Circle"
1166:(21). 24 November 1930.
920:1934, from 24 October:
825:
696:Symbolical of Something
664:Symbolical of Something
369:Norwegian soprano, 1938
250:Hon. Eric John Harrison
229:Camera Circle in 1947.
39:Noel Rubie was born on
3445:Portrait photographers
3409:collection.maas.museum
3385:State Library Victoria
3337:Cite journal requires
2611:"Beauty Assets Vary".
2258:Le Courrier Australien
2044:Cite journal requires
2008:Cite journal requires
1385:(19): 301. 9 May 1941.
1363:(18): 281. 3 May 1940.
1331:"Registered Companies"
1319:(18). 31 October 1938.
1300:(2): 36. 12 July 1937.
1278:(3). January 18, 1937.
858:1964, 9â16 September:
704:
648:
632:
603:entirely convincing."
576:Le Courrier Australien
135:Grace Cossington Smith
116:Australian Art Society
67:
3297:"Noel Rubie, b. 1901"
3057:Sydney Morning Herald
2952:Sydney Morning Herald
2880:Sydney Morning Herald
2724:"In Japanese Style".
2546:Sydney Morning Herald
2439:Sydney Morning Herald
2411:Sydney Morning Herald
2383:Sydney Morning Herald
2252:J.P.S. (1961-08-25).
2069:Powerhouse Collection
1971:Sydney Morning Herald
1866:10.4324/9781315079684
1493:Sydney Morning Herald
1009:. David Jones Gallery
881:1931, Archibald Prize
848:1947, from 18 March:
745:Sydney Harbour Bridge
680:
640:
624:
304:Portrait of the Hon.
58:
3480:Ballet photographers
2063:Rubie, Noel (1945).
1311:"Registered firms".
1069:The Masks of Lucifer
967:, Kenneth Macqueen,
936:, Francis Sherwood,
932:, Carrington Smith,
690:, owes something to
264:, physician Captain
240:, radio personality
145:. He exhibited with
87:from December 1936.
3470:Australian painters
3197:Kerr, Joan (2007).
3002:"Royal Art Society"
2998:Tildesley, Beatrice
2926:"Sundry Shows: Art"
2518:The Daily Telegraph
2512:J.C. (1947-03-18).
2488:"Current Artbursts"
2324:C.S. (1932-06-16).
2191:"Women's letters".
993:, Russell Roberts,
842:The Daily Telegraph
831:1936, from 9 June:
802:Designer, Producer:
793:Designer, Director:
709:The Daily Telegraph
668:Synthetic Kurrajong
526:Independent Theatre
47:, New South Wales.
29:Independent Theatre
3465:People from Sydney
3149:"Garrett Kingsley"
2700:"Radio Roundabout"
2568:"Radio Roundabout"
1588:"A Woman's Letter"
1397:"Registered firms"
1375:"Registered firms"
1353:"Registered Firms"
1290:"Registered firms"
1205:"Registered firms"
1065:Bodenwieser Ballet
1005:, director of the
963:, Maude Sherwood,
945:Society of Artists
922:Nine Young Artists
688:These Yellow Sands
506:Wunderlich Limited
475:Bodenwieser Ballet
306:Eric John Harrison
169:These Yellow Sands
68:
2837:"Timeless Moment"
2231:"Puppets of Fate"
1875:978-1-134-42366-8
1815:"Women's letters"
1793:"Women's letters"
1771:"Women's letters"
1610:"Women's letters"
1052:Maria Azrova 1940
943:1942, September:
926:Ronald H. Steuart
839:a journalist for
502:Tooth and Co. Ltd
487:Borovanaky Ballet
147:Ronald H. Steuart
76:commercial artist
3487:
3419:
3418:
3416:
3415:
3401:
3395:
3394:
3392:
3391:
3377:
3371:
3370:
3368:
3367:
3353:
3347:
3346:
3340:
3335:
3333:
3325:
3317:
3311:
3310:
3308:
3307:
3293:
3287:
3286:
3268:
3262:
3261:
3246:
3240:
3239:
3237:
3236:
3220:
3214:
3213:
3211:
3209:
3194:
3188:
3187:
3185:
3184:
3169:
3163:
3162:
3160:
3159:
3144:
3138:
3137:
3135:
3134:
3119:
3113:
3112:
3110:
3108:
3093:
3087:
3086:
3074:
3068:
3067:
3065:
3064:
3049:
3043:
3042:
3040:
3039:
3023:
3017:
3016:
3014:
3013:
2994:
2988:
2987:
2985:
2984:
2969:
2963:
2962:
2960:
2959:
2944:
2938:
2937:
2922:
2916:
2915:
2913:
2912:
2897:
2891:
2890:
2888:
2887:
2872:
2866:
2865:
2857:
2851:
2850:
2848:
2847:
2833:
2827:
2826:
2824:
2823:
2809:
2803:
2802:
2800:
2799:
2785:
2779:
2778:
2776:
2775:
2761:
2755:
2754:
2752:
2751:
2736:
2730:
2729:
2721:
2712:
2711:
2695:
2689:
2688:
2680:
2674:
2673:
2665:
2654:
2653:
2645:
2639:
2638:
2630:
2621:
2620:
2608:
2602:
2601:
2600:(12): cover, 59.
2589:
2580:
2579:
2563:
2557:
2556:
2554:
2553:
2538:
2529:
2528:
2526:
2525:
2509:
2500:
2499:
2484:
2478:
2477:
2475:
2474:
2459:
2450:
2449:
2447:
2446:
2431:
2422:
2421:
2419:
2418:
2403:
2394:
2393:
2391:
2390:
2375:
2366:
2365:
2350:
2341:
2340:
2338:
2337:
2321:
2312:
2311:
2303:
2294:
2293:
2291:
2290:
2275:
2269:
2268:
2266:
2265:
2249:
2243:
2242:
2226:
2220:
2219:
2207:
2201:
2200:
2188:
2182:
2181:
2166:
2160:
2159:
2143:
2137:
2136:
2124:
2118:
2117:
2109:
2103:
2102:
2100:
2099:
2085:
2079:
2078:
2076:
2075:
2060:
2054:
2053:
2047:
2042:
2040:
2032:
2024:
2018:
2017:
2011:
2006:
2004:
1996:
1988:
1982:
1981:
1979:
1978:
1963:
1957:
1956:
1938:
1932:
1931:
1913:
1907:
1906:
1904:
1903:
1889:
1880:
1879:
1851:
1845:
1844:
1836:
1827:
1826:
1811:
1805:
1804:
1789:
1783:
1782:
1767:
1761:
1760:
1758:
1757:
1743:
1737:
1736:
1734:
1733:
1719:
1713:
1712:
1710:
1709:
1695:
1689:
1688:
1672:
1666:
1665:
1650:
1644:
1643:
1632:"Women's letter"
1628:
1622:
1621:
1606:
1600:
1599:
1584:
1578:
1577:
1574:Art in Australia
1566:
1560:
1559:
1557:
1556:
1541:
1532:
1531:
1529:
1528:
1513:
1504:
1503:
1501:
1500:
1485:
1474:
1473:
1467:
1459:
1457:
1456:
1440:
1434:
1433:
1431:
1429:
1415:
1409:
1408:
1393:
1387:
1386:
1371:
1365:
1364:
1349:
1343:
1342:
1327:
1321:
1320:
1308:
1302:
1301:
1286:
1280:
1279:
1267:
1261:
1260:
1242:
1236:
1235:
1223:
1217:
1216:
1201:
1195:
1194:
1179:
1168:
1167:
1155:
1133:
1114:
1099:
1088:Indian Love Song
1080:
1061:
1049:
987:Laurence Le Guay
977:Freda Robertshaw
969:Sydney Ure Smith
934:Quinton Tidswell
915:Quinton Tidswell
889:W. Lister Lister
837:Denzil Batchelor
743:that overlooked
459:Laurence Le Guay
449:Rubie was, with
438:
423:
408:
393:
378:
367:Kirsten Flagstad
362:
353:(née Eakin) 1938
347:
332:
317:
301:
254:Kirsten Flagstad
207:J. C. Williamson
178:Art In Australia
3495:
3494:
3490:
3489:
3488:
3486:
3485:
3484:
3425:
3424:
3423:
3422:
3413:
3411:
3403:
3402:
3398:
3389:
3387:
3379:
3378:
3374:
3365:
3363:
3355:
3354:
3350:
3338:
3336:
3327:
3326:
3318:
3314:
3305:
3303:
3295:
3294:
3290:
3283:
3269:
3265:
3248:
3247:
3243:
3234:
3232:
3221:
3217:
3207:
3205:
3195:
3191:
3182:
3180:
3170:
3166:
3157:
3155:
3145:
3141:
3132:
3130:
3124:"Rhys Williams"
3120:
3116:
3106:
3104:
3095:
3094:
3090:
3076:
3075:
3071:
3062:
3060:
3051:
3050:
3046:
3037:
3035:
3024:
3020:
3011:
3009:
2995:
2991:
2982:
2980:
2971:
2970:
2966:
2957:
2955:
2946:
2945:
2941:
2924:
2923:
2919:
2910:
2908:
2899:
2898:
2894:
2885:
2883:
2876:"Coming Events"
2874:
2873:
2869:
2858:
2854:
2845:
2843:
2835:
2834:
2830:
2821:
2819:
2811:
2810:
2806:
2797:
2795:
2787:
2786:
2782:
2773:
2771:
2763:
2762:
2758:
2749:
2747:
2738:
2737:
2733:
2723:
2722:
2715:
2696:
2692:
2681:
2677:
2666:
2657:
2647:
2646:
2642:
2631:
2624:
2610:
2609:
2605:
2590:
2583:
2564:
2560:
2551:
2549:
2540:
2539:
2532:
2523:
2521:
2510:
2503:
2486:
2485:
2481:
2472:
2470:
2461:
2460:
2453:
2444:
2442:
2433:
2432:
2425:
2416:
2414:
2405:
2404:
2397:
2388:
2386:
2377:
2376:
2369:
2352:
2351:
2344:
2335:
2333:
2330:Daily Telegraph
2322:
2315:
2304:
2297:
2288:
2286:
2277:
2276:
2272:
2263:
2261:
2250:
2246:
2227:
2223:
2209:
2208:
2204:
2190:
2189:
2185:
2168:
2167:
2163:
2144:
2140:
2125:
2121:
2110:
2106:
2097:
2095:
2087:
2086:
2082:
2073:
2071:
2061:
2057:
2045:
2043:
2034:
2033:
2025:
2021:
2009:
2007:
1998:
1997:
1989:
1985:
1976:
1974:
1965:
1964:
1960:
1953:
1939:
1935:
1928:
1914:
1910:
1901:
1899:
1891:
1890:
1883:
1876:
1852:
1848:
1838:
1837:
1830:
1813:
1812:
1808:
1791:
1790:
1786:
1769:
1768:
1764:
1755:
1753:
1745:
1744:
1740:
1731:
1729:
1721:
1720:
1716:
1707:
1705:
1697:
1696:
1692:
1673:
1669:
1652:
1651:
1647:
1630:
1629:
1625:
1608:
1607:
1603:
1586:
1585:
1581:
1568:
1567:
1563:
1554:
1552:
1543:
1542:
1535:
1526:
1524:
1515:
1514:
1507:
1498:
1496:
1487:
1486:
1477:
1461:
1460:
1454:
1452:
1441:
1437:
1427:
1425:
1417:
1416:
1412:
1395:
1394:
1390:
1373:
1372:
1368:
1351:
1350:
1346:
1329:
1328:
1324:
1310:
1309:
1305:
1288:
1287:
1283:
1269:
1268:
1264:
1257:
1243:
1239:
1225:
1224:
1220:
1203:
1202:
1198:
1181:
1180:
1171:
1157:
1156:
1152:
1147:
1140:
1134:
1125:
1115:
1106:
1100:
1091:
1081:
1072:
1067:in dance drama
1062:
1053:
1050:
1041:
1016:
975:, Lorna Nimmo,
901:Charles Wheeler
869:
828:
823:
814:Timeless Moment
777:
723:
676:Women's Letters
594:
530:Timeless Moment
522:
445:
439:
430:
424:
415:
409:
400:
394:
385:
379:
370:
363:
354:
348:
339:
333:
324:
318:
309:
302:
211:The Girl Friend
203:The Piddingtons
187:
120:Archibald Prize
108:
93:Wynyard Station
53:
37:
17:
12:
11:
5:
3493:
3483:
3482:
3477:
3475:Modern artists
3472:
3467:
3462:
3457:
3452:
3447:
3442:
3437:
3421:
3420:
3396:
3372:
3348:
3339:|journal=
3312:
3288:
3281:
3263:
3241:
3215:
3189:
3164:
3139:
3114:
3088:
3069:
3044:
3018:
3000:(1930-08-06).
2989:
2964:
2939:
2917:
2892:
2867:
2852:
2828:
2804:
2789:"Naked Possum"
2780:
2756:
2731:
2713:
2690:
2675:
2672:. p. 110.
2655:
2648:"Small Talk".
2640:
2622:
2603:
2581:
2558:
2530:
2501:
2479:
2451:
2423:
2395:
2367:
2342:
2313:
2295:
2270:
2244:
2221:
2202:
2183:
2161:
2148:"Sundry shows"
2138:
2119:
2104:
2080:
2055:
2046:|journal=
2019:
2010:|journal=
1983:
1958:
1951:
1933:
1926:
1908:
1881:
1874:
1846:
1828:
1806:
1784:
1762:
1738:
1714:
1690:
1667:
1645:
1623:
1601:
1579:
1561:
1533:
1505:
1475:
1451:. p. 1646
1435:
1410:
1388:
1366:
1344:
1322:
1303:
1281:
1262:
1255:
1237:
1218:
1196:
1169:
1149:
1148:
1146:
1143:
1142:
1141:
1137:Margaret Doyle
1135:
1128:
1126:
1118:Roman Jasinski
1116:
1109:
1107:
1101:
1094:
1092:
1082:
1075:
1073:
1063:
1056:
1054:
1051:
1044:
1040:
1037:
1036:
1035:
1032:
1029:
1026:
1023:
1020:
1015:
1012:
1011:
1010:
1003:Hal Missingham
979:
965:Ronald Steuart
941:
918:
911:
907:
904:
885:
882:
879:
876:
873:
868:
865:
864:
863:
856:
853:
846:
827:
824:
822:
819:
818:
817:
808:
799:
790:
776:
773:
765:Freemans Reach
761:Blue Mountains
733:Wilfrid Thomas
722:
719:
642:One, entitled
593:
590:
553:Barbara Vernon
521:
518:
447:
446:
440:
433:
431:
425:
418:
416:
410:
403:
401:
395:
388:
386:
382:HĂ©lĂšne Kirsova
380:
373:
371:
364:
357:
355:
349:
342:
340:
334:
327:
325:
321:Queenie Ashton
319:
312:
310:
303:
296:
290:Roman Jasinski
286:HĂ©lĂšne Kirsova
246:Margaret Doyle
244:and announcer
238:Queenie Ashton
215:Margaret Doyle
209:production of
186:
183:
143:Roland Wakelin
139:Roy De Maistre
107:
104:
89:Heather George
61:Heather George
52:
49:
36:
33:
15:
9:
6:
4:
3:
2:
3492:
3481:
3478:
3476:
3473:
3471:
3468:
3466:
3463:
3461:
3458:
3456:
3453:
3451:
3448:
3446:
3443:
3441:
3438:
3436:
3433:
3432:
3430:
3410:
3406:
3400:
3386:
3382:
3376:
3362:
3358:
3352:
3344:
3331:
3323:
3316:
3302:
3298:
3292:
3284:
3282:9780642081520
3278:
3274:
3267:
3259:
3255:
3251:
3245:
3230:
3226:
3219:
3204:
3200:
3193:
3179:
3175:
3168:
3154:
3150:
3143:
3129:
3125:
3118:
3102:
3098:
3092:
3084:
3080:
3073:
3058:
3054:
3048:
3033:
3029:
3022:
3007:
3003:
2999:
2993:
2978:
2974:
2968:
2953:
2949:
2943:
2935:
2931:
2927:
2921:
2906:
2902:
2896:
2881:
2877:
2871:
2863:
2856:
2842:
2838:
2832:
2818:
2814:
2808:
2794:
2790:
2784:
2770:
2766:
2760:
2745:
2741:
2735:
2727:
2720:
2718:
2709:
2705:
2701:
2694:
2687:. p. 26.
2686:
2679:
2671:
2664:
2662:
2660:
2651:
2644:
2637:. p. 56.
2636:
2629:
2627:
2618:
2614:
2607:
2599:
2595:
2588:
2586:
2577:
2573:
2569:
2562:
2547:
2543:
2537:
2535:
2519:
2515:
2508:
2506:
2497:
2493:
2489:
2483:
2468:
2464:
2458:
2456:
2440:
2436:
2430:
2428:
2412:
2408:
2402:
2400:
2384:
2380:
2374:
2372:
2363:
2359:
2355:
2354:"The Palette"
2349:
2347:
2331:
2327:
2320:
2318:
2309:
2302:
2300:
2284:
2280:
2274:
2259:
2255:
2248:
2240:
2236:
2232:
2225:
2217:
2213:
2206:
2198:
2194:
2187:
2179:
2175:
2171:
2165:
2157:
2153:
2149:
2142:
2134:
2130:
2123:
2115:
2108:
2094:
2090:
2084:
2070:
2066:
2059:
2051:
2038:
2030:
2023:
2015:
2002:
1994:
1987:
1972:
1968:
1962:
1954:
1952:9781862548022
1948:
1944:
1937:
1929:
1927:9781921134999
1923:
1919:
1918:Joan in India
1912:
1898:
1894:
1888:
1886:
1877:
1871:
1867:
1863:
1859:
1858:
1850:
1842:
1835:
1833:
1824:
1820:
1816:
1810:
1802:
1798:
1794:
1788:
1780:
1776:
1772:
1766:
1752:
1748:
1742:
1728:
1724:
1718:
1704:
1700:
1694:
1686:
1682:
1678:
1671:
1663:
1659:
1655:
1649:
1641:
1637:
1633:
1627:
1619:
1615:
1611:
1605:
1597:
1593:
1589:
1583:
1575:
1571:
1565:
1550:
1546:
1540:
1538:
1522:
1518:
1512:
1510:
1494:
1490:
1484:
1482:
1480:
1471:
1465:
1450:
1446:
1439:
1423:
1420:
1414:
1406:
1402:
1398:
1392:
1384:
1380:
1376:
1370:
1362:
1358:
1354:
1348:
1340:
1336:
1332:
1326:
1318:
1314:
1307:
1299:
1295:
1291:
1285:
1277:
1273:
1266:
1258:
1256:9780864360397
1252:
1248:
1241:
1233:
1229:
1222:
1214:
1210:
1206:
1200:
1192:
1188:
1184:
1178:
1176:
1174:
1165:
1161:
1154:
1150:
1138:
1132:
1127:
1123:
1119:
1113:
1108:
1104:
1098:
1093:
1089:
1085:
1084:Eileen Kramer
1079:
1074:
1070:
1066:
1060:
1055:
1048:
1043:
1042:
1033:
1030:
1027:
1024:
1021:
1018:
1017:
1008:
1004:
1000:
996:
992:
988:
984:
980:
978:
974:
973:Daryl Lindsay
970:
966:
962:
958:
954:
950:
949:Dattilo-Rubbo
946:
942:
939:
938:Donald Friend
935:
931:
930:Harold Abbott
927:
924:, Rubie with
923:
919:
916:
912:
908:
905:
902:
898:
897:Dattilo Rubbo
894:
890:
886:
883:
880:
877:
874:
871:
870:
861:
857:
854:
851:
847:
844:
843:
838:
834:
830:
829:
815:
812:
809:
806:
803:
800:
797:
794:
791:
788:
785:
784:
779:
778:
772:
770:
766:
762:
757:
755:
751:
746:
742:
738:
734:
730:
728:
721:Personal life
718:
716:
711:
710:
703:
701:
697:
693:
689:
685:
679:
677:
673:
669:
665:
661:
656:
652:
647:
645:
639:
637:
631:
629:
623:
621:
617:
613:
608:
604:
601:
600:
589:
586:
582:
577:
573:
569:
564:
562:
558:
554:
549:
546:
542:
540:
535:
534:The Bulletin,
531:
527:
517:
515:
511:
507:
503:
499:
494:
492:
488:
484:
480:
479:Joan Falkiner
476:
472:
468:
464:
460:
456:
452:
443:
437:
432:
428:
422:
417:
413:
412:Essie Ackland
407:
402:
398:
397:Valda Aveling
392:
387:
383:
377:
372:
368:
361:
356:
352:
346:
341:
337:
331:
326:
322:
316:
311:
307:
300:
295:
294:
293:
291:
287:
283:
279:
275:
274:Eileen Kramer
271:
270:Valda Aveling
267:
263:
262:Thelma Afford
259:
258:Essie Ackland
255:
251:
248:, politician
247:
243:
239:
235:
230:
228:
224:
220:
216:
212:
208:
204:
200:
199:
194:
193:
182:
181:
179:
174:
170:
166:
165:
158:
156:
155:Donald Friend
152:
151:Harold Abbott
148:
144:
140:
136:
131:
129:
125:
121:
117:
113:
103:
100:
96:
94:
90:
86:
82:
77:
73:
66:
62:
57:
48:
46:
42:
41:Christmas Day
32:
30:
25:
21:
3412:. Retrieved
3408:
3399:
3388:. Retrieved
3384:
3375:
3364:. Retrieved
3360:
3351:
3330:cite journal
3315:
3304:. Retrieved
3300:
3291:
3272:
3266:
3257:
3254:The Bulletin
3253:
3244:
3233:. Retrieved
3231:. p. 25
3228:
3218:
3206:. Retrieved
3202:
3192:
3181:. Retrieved
3177:
3167:
3156:. Retrieved
3152:
3142:
3131:. Retrieved
3127:
3117:
3105:. Retrieved
3100:
3091:
3082:
3079:The Bulletin
3078:
3072:
3061:. Retrieved
3056:
3047:
3036:. Retrieved
3031:
3021:
3010:. Retrieved
3008:. p. 28
3005:
2992:
2981:. Retrieved
2976:
2967:
2956:. Retrieved
2951:
2942:
2933:
2930:The Bulletin
2929:
2920:
2909:. Retrieved
2905:Courier-Mail
2904:
2895:
2884:. Retrieved
2879:
2870:
2864:. p. 6.
2861:
2855:
2844:. Retrieved
2840:
2831:
2820:. Retrieved
2816:
2807:
2796:. Retrieved
2792:
2783:
2772:. Retrieved
2768:
2759:
2748:. Retrieved
2743:
2734:
2725:
2707:
2703:
2693:
2684:
2678:
2669:
2649:
2643:
2634:
2616:
2612:
2606:
2597:
2593:
2575:
2571:
2561:
2550:. Retrieved
2548:. 1947-03-18
2545:
2542:"Noel Rubie"
2522:. Retrieved
2520:. p. 11
2517:
2495:
2492:The Bulletin
2491:
2482:
2471:. Retrieved
2466:
2443:. Retrieved
2438:
2415:. Retrieved
2410:
2387:. Retrieved
2382:
2361:
2358:The Bulletin
2357:
2334:. Retrieved
2329:
2310:. p. 8.
2307:
2287:. Retrieved
2282:
2273:
2262:. Retrieved
2257:
2247:
2238:
2235:The Bulletin
2234:
2224:
2215:
2212:The Bulletin
2211:
2205:
2196:
2193:The Bulletin
2192:
2186:
2177:
2174:The Bulletin
2173:
2164:
2155:
2152:The Bulletin
2151:
2141:
2132:
2128:
2122:
2116:. p. 6.
2113:
2107:
2096:. Retrieved
2092:
2083:
2072:. Retrieved
2068:
2058:
2037:cite journal
2022:
2001:cite journal
1986:
1975:. Retrieved
1970:
1961:
1942:
1936:
1917:
1911:
1900:. Retrieved
1896:
1856:
1849:
1840:
1822:
1819:The Bulletin
1818:
1809:
1800:
1797:The Bulletin
1796:
1787:
1778:
1775:The Bulletin
1774:
1765:
1754:. Retrieved
1750:
1741:
1730:. Retrieved
1726:
1717:
1706:. Retrieved
1702:
1693:
1684:
1680:
1670:
1661:
1657:
1648:
1639:
1636:The Bulletin
1635:
1626:
1617:
1614:The Bulletin
1613:
1604:
1595:
1592:The Bulletin
1591:
1582:
1573:
1564:
1553:. Retrieved
1548:
1525:. Retrieved
1520:
1497:. Retrieved
1492:
1453:. Retrieved
1448:
1438:
1426:. Retrieved
1421:
1413:
1404:
1400:
1391:
1382:
1378:
1369:
1360:
1356:
1347:
1338:
1334:
1325:
1316:
1312:
1306:
1297:
1293:
1284:
1275:
1271:
1265:
1246:
1240:
1231:
1227:
1221:
1212:
1208:
1199:
1190:
1187:The Bulletin
1186:
1163:
1159:
1153:
1121:
1087:
1068:
999:Athol Shmith
961:Adrian Feint
921:
859:
849:
841:
832:
813:
810:
804:
801:
796:Naked Possum
795:
792:
786:
782:
780:
758:
753:
736:
731:
727:Grant Taylor
724:
714:
708:
705:
699:
695:
687:
684:Sargentesque
681:
675:
672:The Bulletin
671:
667:
663:
659:
654:
651:The Bulletin
650:
649:
644:The Corporal
643:
641:
635:
633:
627:
625:
619:
615:
612:The Bulletin
611:
609:
605:
597:
595:
588:adaptation.
584:
580:
575:
571:
565:
561:Naked Possum
560:
550:
545:The Bulletin
544:
537:
533:
529:
523:
513:
495:
491:Sidney Nolan
463:Pictorialism
448:
351:Robin Dalton
278:Maria Azrova
256:, contralto
234:Ed Devereaux
231:
219:Robin Dalton
210:
198:The Bulletin
196:
190:
188:
185:Photographer
176:
172:
168:
162:
159:
132:
109:
101:
97:
69:
64:
59:Portrait of
38:
19:
18:
3440:1975 deaths
3435:1901 births
3034:. p. 3
3032:Sydney Mail
3006:Sydney Mail
2977:Sydney Mail
2332:. p. 6
2260:. p. 7
1014:Collections
995:Reg Johnson
991:Milton Kent
983:David Moore
953:Nora Heysen
893:Sydney Long
860:Noel Rubie.
821:Exhibitions
811:Playwright:
775:Productions
498:CSR Limited
467:New Realism
455:David Moore
3429:Categories
3414:2023-01-14
3390:2023-01-14
3366:2023-01-14
3306:2023-01-14
3235:2023-01-14
3208:14 January
3183:2023-01-14
3158:2023-01-14
3133:2023-01-13
3107:14 January
3063:2023-01-13
3038:2023-01-13
3012:2023-01-13
2983:2023-01-13
2958:2023-01-13
2911:2023-01-14
2886:2023-01-14
2846:2023-01-15
2822:2023-01-15
2798:2023-01-15
2774:2023-01-15
2750:2023-01-14
2704:ABC Weekly
2572:ABC Weekly
2552:2023-01-13
2524:2023-01-13
2473:2023-01-13
2445:2023-01-13
2417:2023-01-14
2389:2023-01-13
2336:2023-01-13
2289:2023-01-15
2264:2023-01-15
2098:2023-01-15
2074:2023-01-15
1977:2023-01-14
1902:2023-01-15
1756:2023-01-15
1732:2023-01-15
1708:2023-01-15
1555:2023-01-13
1527:2023-01-13
1499:2023-01-13
1455:2023-01-15
1428:15 January
1145:References
1103:Sono Osato
957:Lloyd Rees
850:Noel Rubie
833:Noel Rubie
781:Translator
741:Kirribilli
737:ABC Weekly
508:; and the
451:Max Dupain
442:Gwen Lusby
427:Madge Ryan
336:Jack Davey
282:Sono Osato
272:, dancers
268:, pianist
266:Gwen Lusby
252:, soprano
242:Jack Davey
173:Not Amused
114:, and the
35:Early life
2765:"Phaedra"
1464:cite news
592:Reception
557:whodunnit
24:modernist
692:Van Gogh
128:Ballarat
85:Randwick
1521:The Sun
787:Phaedra
735:in the
700:Heather
572:Phaedra
520:Theatre
483:Giselle
429:in 1948
365:Madame
106:Painter
81:de Berg
72:Corydon
45:Newtown
3279:
1949:
1924:
1872:
1253:
1139:, 1938
1105:, 1940
1090:c.1952
1071:, 1944
754:Herald
715:Herald
636:Herald
568:Racine
543:which
444:, 1943
414:, 1948
399:, 1938
323:, 1950
308:, 1949
223:Legacy
141:, and
51:Career
2135:: 60.
2093:Trove
1897:Trove
1751:Trove
1727:Trove
1703:Trove
1122:Icare
867:Group
763:, at
750:shoji
655:Lyric
616:Norma
74:as a
3343:help
3277:ISBN
3210:2023
3109:2023
2050:help
2014:help
1947:ISBN
1922:ISBN
1870:ISBN
1470:link
1430:2023
1251:ISBN
1124:1940
826:Solo
666:and
628:Alan
555:'s '
457:and
288:and
236:and
227:YMCA
171:and
153:and
1862:doi
1120:in
1086:in
570:'s
504:.;
213:;
3431::
3407:.
3383:.
3359:.
3334::
3332:}}
3328:{{
3299:.
3258:63
3256:.
3252:.
3227:.
3201:.
3176:.
3151:.
3126:.
3099:.
3083:52
3081:.
3055:.
3030:.
3004:.
2975:.
2950:.
2934:86
2932:.
2928:.
2903:.
2878:.
2839:.
2815:.
2791:.
2767:.
2742:.
2716:^
2706:.
2702:.
2658:^
2625:^
2615:.
2598:33
2596:.
2584:^
2576:10
2574:.
2570:.
2544:.
2533:^
2516:.
2504:^
2496:57
2494:.
2490:.
2465:.
2454:^
2437:.
2426:^
2409:.
2398:^
2381:.
2370:^
2362:54
2360:.
2356:.
2345:^
2328:.
2316:^
2298:^
2281:.
2256:.
2239:82
2237:.
2233:.
2216:77
2214:.
2197:75
2195:.
2178:75
2176:.
2172:.
2156:66
2154:.
2150:.
2133:68
2131:.
2091:.
2067:.
2041::
2039:}}
2035:{{
2005::
2003:}}
1999:{{
1969:.
1895:.
1884:^
1868:.
1831:^
1823:64
1821:.
1817:.
1801:68
1799:.
1795:.
1779:69
1777:.
1773:.
1749:.
1725:.
1701:.
1685:54
1683:.
1679:.
1662:37
1660:.
1656:.
1640:68
1638:.
1634:.
1618:74
1616:.
1612:.
1596:62
1594:.
1590:.
1572:.
1547:.
1536:^
1519:.
1508:^
1491:.
1478:^
1466:}}
1462:{{
1447:.
1405:78
1403:.
1399:.
1383:65
1381:.
1377:.
1361:63
1359:.
1355:.
1339:60
1337:.
1333:.
1317:60
1315:.
1298:58
1296:.
1292:.
1276:57
1274:.
1232:56
1230:.
1213:51
1211:.
1207:.
1191:55
1189:.
1185:.
1172:^
1164:44
1162:.
985:,
959:,
955:,
951:,
928:,
899:,
895:,
891:,
678:;
563:.
516:.
453:,
284:,
280:,
276:,
157:.
149:,
137:,
3417:.
3393:.
3369:.
3345:)
3341:(
3324:.
3309:.
3285:.
3238:.
3212:.
3186:.
3161:.
3136:.
3111:.
3066:.
3041:.
3015:.
2986:.
2961:.
2914:.
2889:.
2849:.
2825:.
2801:.
2777:.
2753:.
2708:9
2617:1
2555:.
2527:.
2476:.
2448:.
2420:.
2392:.
2339:.
2292:.
2267:.
2101:.
2077:.
2052:)
2048:(
2031:.
2016:)
2012:(
1995:.
1980:.
1955:.
1930:.
1905:.
1878:.
1864::
1759:.
1735:.
1711:.
1558:.
1530:.
1502:.
1472:)
1458:.
1432:.
1259:.
783::
541:,
292:.
180:.
79:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
