24:
220:
280:
In the past, events at the
Northwest Film Center included the Portland International Film Festival, the Northwest Filmmakers' Festival, Reel Music Film Festival, Portland Jewish Film Festival and the Young People's Film Festival. None of these events have been held since 2020 (except the Portland
205:
In
September 2019, Amy Dotson became the director of Portland's Northwest Film Center. Dotson would be responsible for the Film Center's overall vision, including strategic development, marketing, and guidance of the curriculum. She would also work with the curatorial teams of the Museum,
206:
incorporating her vast film and new media knowledge, as well as using her financial, commercial and foreign partnerships to promote the development of the Film Center as a world-class film and digital media production hub.
127:
that was founded to encourage the study, appreciation, and utilization of film. The center provides a variety of film and video exhibition, education and information programs primarily directed to the residents of Oregon,
432:
457:
501:
407:
516:
511:
191:
506:
521:
241:
284:
Past judges of the
Northwest Filmmakers' Festival (previously known as the Northwest Film and Video Festival) have included
496:
183:
267:
249:
164:
433:"Amy Dotson Announced as New Northwest Film Center Director and Portland Art Museum Curator of Film and New Media"
171:
245:
526:
230:
234:
129:
325:
175:
179:
8:
386:
157:
374:
112:
23:
297:
197:
In March 2022, the center was renamed the "PAM CUT–Center for an Untold
Tomorrow".
116:
85:
350:
490:
472:
459:
391:
389:(June 25, 2006). "Before flying off with Superman, a good-bye to the Guild".
301:
289:
124:
313:
309:
285:
321:
305:
293:
186:, The Ted R. Gamble Film Endowment, The Rose E. Tucker Charitable Trust,
317:
187:
219:
329:
137:
141:
120:
355:
History of
Northwest Animation: The Roots of Creative Variance
133:
408:"Portland's Northwest Film Center gets a new name: PAM CUT"
281:
International Film
Festival, which was virtual in 2021).
115:
media arts resource and service organization based in
96:
379:
488:
194:, and the Mt. Hood Cable Regulatory Commission.
163:The center was located in Portland's historic
399:
248:. Unsourced material may be challenged and
192:Academy of Motion Picture Arts and Sciences
22:
405:
268:Learn how and when to remove this message
188:The Paul G. Allen Foundation for the Arts
502:Organizations based in Portland, Oregon
489:
348:
105:PAM CUT–Center for an Untold Tomorrow
17:PAM CUT-Center for an Untold Tomorrow
517:Cinemas and movie theaters in Oregon
385:
246:adding citations to reliable sources
213:
182:, Washington State Arts Commission,
184:Regional Arts & Culture Council
170:Sponsors of the center include the
156:in 1971, and incorporated into the
13:
512:Film archives in the United States
14:
538:
507:Film schools in the United States
406:Turnquist, Kristi (9 Mar 2022).
218:
49:(as Northwest Film Study Center)
172:National Endowment for the Arts
425:
368:
342:
152:The center was founded as the
1:
522:1971 establishments in Oregon
335:
200:
351:"The Portland Story 1925-76"
7:
497:Culture of Portland, Oregon
154:Northwest Film Study Center
53:; 47 years ago
40:; 53 years ago
10:
543:
147:
66:; 2 years ago
62:(as Northwest Film Center)
209:
92:
79:
34:
30:
21:
326:Sundance Film Festival
176:Oregon Arts Commission
180:Oregon Cultural Trust
109:Northwest Film Center
473:45.5178°N 122.6830°W
242:improve this section
527:Portland Art Museum
469: /
324:, and John Cooper,
167:from 1998 to 2006.
158:Portland Art Museum
18:
478:45.5178; -122.6830
16:
375:1970s & 1980s
278:
277:
270:
102:
101:
83:934 SW Salmon St.
534:
484:
483:
481:
480:
479:
474:
470:
467:
466:
465:
462:
449:
448:
446:
444:
429:
423:
422:
420:
418:
403:
397:
396:
383:
377:
372:
366:
365:
363:
362:
346:
298:Christine Vachon
273:
266:
262:
259:
253:
222:
214:
86:Portland, Oregon
74:
72:
67:
61:
59:
54:
48:
46:
41:
26:
19:
15:
542:
541:
537:
536:
535:
533:
532:
531:
487:
486:
477:
475:
471:
468:
463:
460:
458:
456:
455:
453:
452:
442:
440:
431:
430:
426:
416:
414:
404:
400:
384:
380:
373:
369:
360:
358:
357:. ASIFA Seattle
347:
343:
338:
274:
263:
257:
254:
239:
223:
212:
203:
150:
107:, formerly the
84:
70:
68:
65:
63:
57:
55:
52:
50:
44:
42:
39:
12:
11:
5:
540:
530:
529:
524:
519:
514:
509:
504:
499:
451:
450:
424:
398:
378:
367:
340:
339:
337:
334:
312:of Filmforum,
276:
275:
226:
224:
217:
211:
208:
202:
199:
149:
146:
100:
99:
94:
90:
89:
81:
77:
76:
36:
32:
31:
28:
27:
9:
6:
4:
3:
2:
539:
528:
525:
523:
520:
518:
515:
513:
510:
508:
505:
503:
500:
498:
495:
494:
492:
485:
482:
438:
434:
428:
413:
412:The Oregonian
409:
402:
395:. p. O2.
394:
393:
392:The Oregonian
388:
382:
376:
371:
356:
352:
345:
341:
333:
331:
327:
323:
319:
315:
311:
307:
303:
302:Bill Plympton
299:
295:
291:
290:Matt Groening
287:
282:
272:
269:
261:
251:
247:
243:
237:
236:
232:
227:This section
225:
221:
216:
215:
207:
198:
195:
193:
189:
185:
181:
177:
173:
168:
166:
165:Guild Theatre
161:
159:
155:
145:
143:
139:
135:
131:
126:
125:United States
122:
118:
114:
110:
106:
98:
95:
91:
87:
82:
78:
37:
33:
29:
25:
20:
454:
441:. Retrieved
439:. 7 May 2019
436:
427:
415:. Retrieved
411:
401:
390:
381:
370:
359:. Retrieved
354:
344:
332:programmer.
314:B. Ruby Rich
310:Karen Cooper
286:Gus Van Sant
283:
279:
264:
255:
240:Please help
228:
204:
196:
169:
162:
153:
151:
108:
104:
103:
75:(as PAM CUT)
476: /
464:122°40′59″W
387:Levy, Shawn
349:Rose Bond.
322:J. Hoberman
306:Dan Ireland
294:Todd Haynes
35:Established
491:Categories
461:45°31′04″N
361:2009-05-14
336:References
318:Amy Taubin
258:March 2020
201:Management
130:Washington
97:pamcut.org
443:19 August
437:Filmmaker
229:does not
160:in 1978.
117:Portland
113:regional
80:Location
330:Outfest
250:removed
235:sources
148:History
138:Montana
93:Website
69: (
56: (
43: (
210:Events
142:Alaska
121:Oregon
88:, U.S.
417:9 May
134:Idaho
111:is a
445:2020
419:2022
328:and
233:any
231:cite
140:and
71:2022
64:2022
58:1977
51:1977
45:1971
38:1971
244:by
493::
435:.
410:.
353:.
320:,
316:,
308:,
304:,
300:,
296:,
292:,
288:,
190:,
178:,
174:,
144:.
136:,
132:,
123:,
119:,
447:.
421:.
364:.
271:)
265:(
260:)
256:(
252:.
238:.
73:)
60:)
47:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.