OK Computer - Knowledge

1398:" recording techniques. The lyrics, Yorke said, are about a fear of being trapped, and "about that feeling that you get when you're in transit but you're not in control of it—you just go past thousands of places and thousands of people and you're completely removed from it". Of the line "Don't get sentimental / It always ends up drivel", Yorke said: "Sentimentality is being emotional for the sake of it. We're bombarded with sentiment, people emoting. That's the Let Down. Feeling every emotion is fake. Or rather every emotion is on the same plane whether it's a car advert or a pop song." Yorke felt that scepticism of emotion was characteristic of 1707:. Sam Taylor said it was "the one track on to capture the sombre terror of the conflict", and that its serious subject matter and dark tone made the band "too 'real' to be allowed on the Britpop gravy train". The lyrics were pared down from many pages of notes, and were originally more politically explicit. The lyrics depict a man surviving an aeroplane crash and are drawn from Yorke's anxiety about transportation. The musical centerpiece of "Lucky" is its three-piece guitar arrangement, which grew out of the high-pitched chiming sound played by O'Brien in the song's introduction, achieved by strumming above the 658:

other person is doing." Godrich's role as co-producer was part collaborator and part managerial outsider. He said that Radiohead "need to have another person outside their unit, especially when they're all playing together, to say when the take goes well ... I take up slack when people aren't taking responsibility—the term 'producing a record' means taking responsibility for the record ... It's my job to ensure that they get the ideas across." Godrich has produced every Radiohead album since, and has been characterised as Radiohead's "sixth member", an allusion to

1726:'The Tourist' doesn't sound like Radiohead at all. It has become a song with space." The lyrics, written by Yorke, were inspired by his experience of watching American tourists in France frantically trying to see as many tourist attractions as possible. He said it was chosen as the closing track because "a lot of the album was about background noise and everything moving too fast and not being able to keep up. It was really obvious to have 'Tourist' as the last song. That song was written to me from me, saying, 'Idiot, slow down.' Because at that point, I 1696:"; according to Yorke, the song is a "fucked-up nursery rhyme" that "stems from my unhealthy obsession of what to do with plastic boxes and plastic bottles ... All this stuff is getting buried, the debris of our lives. It doesn't rot, it just stays there. That's how we deal, that's how I deal with stuff, I bury it." The song's gentle mood contrasts sharply with its harsh lyrics; Steele said, "even when the subject is suicide ... O'Brien's guitar is as soothing as balm on a red-raw psyche, the song rendered like a bittersweet child's prayer." 810: 1546: 1128: 1593: 520: 14281: 713: 41: 2453: 2320: 4087: 4082: 4077: 4072: 4067: 4049: 4044: 4039: 4034: 4029: 4011: 4006: 4001: 3996: 3991: 3937: 3932: 3927: 3922: 3917: 3107: 3102: 3097: 3092: 3087: 3069: 3064: 3059: 3054: 3049: 3031: 3026: 3021: 3016: 3011: 2980: 2975: 2970: 2965: 2960: 2930: 2925: 2920: 2915: 2910: 2880: 2875: 2870: 2865: 2860: 2820:. Yorke responded: "We write pop songs ... There was no intention of it being 'art'. It's a reflection of all the disparate things we were listening to when we recorded it." He was nevertheless pleased that listeners identified their influences: "What really blew my head off was the fact that people got all the things, all the textures and the sounds and the atmospheres we were trying to create." 2448: 2443: 2438: 2433: 2415: 2410: 2405: 2400: 2395: 2353: 2348: 2343: 2338: 2315: 2310: 2305: 2300: 2270: 2265: 2260: 2255: 1446: 12545: 755:" was recorded in a ballroom at 3 am. Isolation allowed the band to work at a different pace, with more flexible and spontaneous working hours. O'Brien said that "the biggest pressure was actually completing . We weren't given any deadlines and we had complete freedom to do what we wanted. We were delaying it because we were a bit frightened of actually finishing stuff." 1692:. Yorke identified the subject of the song as "someone who's trying hard to keep it together but can't". The lyrics seem to portray a suicide or an unfulfilling life, and dissatisfaction with contemporary social and political order. Some lines refer to rural or suburban imagery. One of the key metaphors in the song is the opening line, "a heart that's full up like a 1993:. In America, Capitol sent 1,000 cassette players to prominent members of the press and music industry, each with a copy of the album permanently glued inside. Gary Gersh, Capitol's president, said: "Our job is just to take them as a left-of-centre band and bring the centre to them. That's our focus, and we won't let up until they're the biggest band in the world." 1895:'commercial suicide'. They weren't really into it. At that point, we got the fear. How is this going to be received?" Yorke recalled: "When we first gave it to Capitol, they were taken aback. I don't really know why it's so important now, but I'm excited about it." Capitol lowered its sales forecast from two million to half a million. In O'Brien's view, only 595:, said: "There was an awful lot of soul-searching . To do that again on another album would be excruciatingly boring." Yorke said he did not want to do "another miserable, morbid and negative record", and was "writing down all the positive things that I hear or see. I'm not able to put them into music yet and I don't want to just force it." 12553: 744:. It was unoccupied but sometimes used for corporate functions. The change of setting marked an important transition in the recording process. Greenwood said it "was less like a laboratory experiment, which is what being in a studio is usually like, and more about a group of people making their first record together". 1820:. Yorke commissioned Donwood to work on a visual diary alongside the recording sessions. He said he did not feel confident in his music until he saw a visual representation to accompany it. According to Donwood, the blue-and-white palette was the result of "trying to make something the colour of bleached bone". 1797: 12335: 3348: 654:, the band had difficulties, which Selway blamed on their choice to self-produce: "We're jumping from song to song, and when we started to run out of ideas, we'd move on to a new song ... The stupid thing was that we were nearly finished when we'd move on, because so much work had gone into them." 3317:

column questioning the critical status of "revered albums", in which Henry Yates said "there's no defiance, gallows humour or chink of light beneath the curtain, just a sense of meek, resigned despondency" and criticised the record as "the moment when Radiohead stopped being 'good' and started being

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The image of two stick figures shaking hands appears in the liner notes and on the disc label in CD and LP releases. Yorke said the image symbolised exploitation: "Someone's being sold something they don't really want, and someone's being friendly because they're trying to sell something. That's what

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speaks the phrase "Okay, computer, I want full manual control now." The members of Radiohead listened to the series on the bus during their 1996 tour and Yorke made a note of the phrase. "OK Computer" became a working title for "Palo Alto", a B-side for the single "No Surprises". The title stuck with

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separately. O'Brien estimated that 80 per cent of the album was recorded live, and said: "I hate doing overdubs, because it just doesn't feel natural. ... Something special happens when you're playing live; a lot of it is just looking at one another and knowing there are four other people making

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Steve Lowe called the song "penetrating surgery on pseudo-meaningful corporations' lifestyles" with "a repugnance for prevailing yuppified social values". Among the loosely connected imagery of the lyrics, Footman identified the song's subject as "the materially comfortable, morally empty embodiment

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a concept album and did not intend to link the songs through a narrative or unifying concept while it was being written. Jonny Greenwood said: "I think one album title and one computer voice do not make a concept album. That's a bit of a red herring." However, the band intended the album to be heard

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and anything else his insurance plan can cover." Sam Steele called the lyrics "a stream of received imagery: scraps of media information, interspersed with lifestyle ad slogans and private prayers for a healthier existence. It is the hum of a world buzzing with words, one of the messages seeming to

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when I was 13 and I cried my eyes out, because I couldn't understand why, the morning after they shagged, they didn't just run away. It's a song for two people who should run away before all the bad stuff starts." Yorke compared the opening of the song, which mostly features his singing paired with

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by Chris Blair at Abbey Road. Godrich preferred a quick and "hands-off" approach to mixing, and said: "I feel like I get too into it. I start fiddling with things and I fuck it up ... I generally take about half a day to do a mix. If it's any longer than that, you lose it. The hardest thing is

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The members worked with nearly equal roles in the production and formation of the music, though Yorke was still firmly "the loudest voice", according to O'Brien. Selway said, "We give each other an awful lot of space to develop our parts, but at the same time we are all very critical about what the

2042:" as the lead single, despite its unusually long running time and lack of a catchy chorus. Colin Greenwood said the song was "hardly the radio-friendly, breakthrough, buzz bin unit shifter can have been expecting", but that Capitol supported the choice. The song premiered on the Radio 1 programme 1481:

while the rest of the band were playing. He described the words as a checklist of slogans for the 1990s; he considered it "the most upsetting thing I've ever written", and said it was "liberating" to give the words to a neutral-sounding computer voice. Among the samples in the background is a loop

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noted that the song's technical innovations and lyrical concerns demonstrated the "key paradox" of the album: "The musicians and producer are delighting in the sonic possibilities of modern technology; the singer, meanwhile, is railing against its social, moral, and psychological impact ... It's a

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reported 2.5 million in digital sales and 900,000 in album-equivalent units in 2016, bringing the US total to at least 3.9 million (or 4.8 million with album-equivalent units). BBC News reported 3 million in sales across Europe in 2006, bringing the worldwide total to at least 6.9 million (or 7.8

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said, "I don't think ambition is a dirty word any more. Radiohead were the Trojan Horse in that respect. Here's a band that came from the indie rock tradition that snuck in under the radar when the journalists weren't looking and started making these absurdly ambitious and pretentious—and all the

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the greatest album of the 20th century is that it integrated what was briefly called electronica into rock". Having deemed it "self-regarding" and overrated, he later warmed to the record and found it indicative of Radiohead's cerebral sensibility and "rife with discrete pleasures and surprises".

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ranked it at 47 in its list of "The 50 best rock albums of all time": "Combining prog with alternative influences, they came up with a style that was supple, subtle and sensuous. This wasn't Pink Floyd for the end of the millennium, it was original, visionary and brilliant An epochal album that

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The tour was taxing for the band, particularly Yorke, who said: "That tour was a year too long. I was the first person to tire of it, then six months later everyone in the band was saying it. Then six months after that, nobody was talking any more." In 2003, Colin Greenwood said the tour was the

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with lyrics for "Fitter Happier" in large black letters against white backgrounds. The same lyrics, and artwork adapted from the album, were repurposed for shirt designs. Yorke said they chose the "Fitter Happier" lyrics to link what a critic called "a coherent set of concerns" between the album

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writer Steven Hyden in the feature "Whatever Happened to Alternative Nation", "Radiohead appeared to be ahead of the curve, forecasting the paranoia, media-driven insanity, and omnipresent sense of impending doom that's subsequently come to characterise everyday life in the 21st century." In

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Yorke said the title "refers to embracing the future, it refers to being terrified of the future, of our future, of everyone else's. It's to do with standing in a room where all these appliances are going off and all these machines and computers and so on ... and the sound it makes." He

1049:: "It was like there's a secret camera in a room and it's watching the character who walks in—a different character for each song. The camera's not quite me. It's neutral, emotionless. But not emotionless at all. In fact, the very opposite." Yorke also drew inspiration from books, including 1667:

This is about the unspeakable. Literally skull-crushing. I used to work in a mental hospital around the time that Care in the Community started, and we all just knew what was going to happen. And it's one of the scariest things to happen in this country, because a lot of them weren't just

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Radiohead decided that Canned Applause was an unsatisfactory recording location, which Yorke attributed to its proximity to the band members' homes, and Jonny Greenwood attributed to its lack of dining and bathroom facilities. The group had nearly completed four songs: "Electioneering",

576:. Godrich said of the session: "Those things are the most inspiring, when you do stuff really fast and there's nothing to lose. We left feeling fairly euphoric. So after establishing a bit of a rapport work-wise, I was sort of hoping I would be involved with the next album." The singer, 708:

at their request. The song helped shape the direction of the rest of the album. Yorke said it "was the first performance we'd ever recorded where every note of it made my head spin—something I was proud of, something I could turn up really, really loud and not wince at any moment."

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lowest point in Radiohead's career: "There is nothing worse than having to play in front of 20,000 people when someone—when Thom—absolutely does not want to be there, and you can see that hundred-yard stare in his eyes. You hate having to put your friend through that experience."

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s influence on rock is widely acknowledged, several critics believe that its experimental inclination was not authentically embraced on a wide scale. Footman said the "Radiohead Lite" bands that followed were "missing sonic inventiveness, not to mention the lyrical substance".

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awarded the reissue a perfect score, arguing that it was worth buying for fans who did not already own the extra material. Plagenhoef said: "That the band had nothing to do with these is beside the point: this is the final word on these records, if for no other reason that the

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government. The album was perceived by critics as an expression of dissent and scepticism toward the new government and a reaction against the national mood of optimism. Dorian Lynskey wrote, "On May 1, 1997, Labour supporters toasted their landslide victory to the sound of

1899:, the band's British label, remained optimistic, while global distributors dramatically reduced their sales estimates. Label representatives were reportedly disappointed with the lack of marketable songs, especially the absence of anything resembling Radiohead's 1992 hit " 3877:

was reissued as a double LP by EMI on 19 August 2008 as part of the "From the Capitol Vaults" series, along with other Radiohead albums. It became the tenth-bestselling vinyl record of 2008, selling almost 10,000 copies. The reissue was connected in the press to the

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announced it had sold 3 million copies across Europe. In the UK, it was certified gold in June 1997, platinum in July, and five-times platinum in August 2013. It is certified double platinum in the US, in addition to certifications in other markets. By May 2016,

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was one of the "fleeting signs that British rock music might returning to its inventive traditions" in the wake of Britpop's demise. While Harris concludes that British rock ultimately developed an "altogether more conservative tendency", he said that with

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s influence, the dominant UK guitar pop shifted toward an approximation of "Radiohead's paranoid but confessional, slurry but catchy" approach. Many newer British acts adopted similarly complex, atmospheric arrangements; for example, the post-Britpop band

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in April 1997 and was released as a single in May 1997. On the strength of frequent radio play on Radio 1 and rotation of the song's music video on MTV, "Paranoid Android" reached number three in the UK, giving Radiohead their highest chart position.

3399:." According to Amy Britton, the album "showed not everyone was ready to join the party, instead tapping into another feeling felt throughout the UK—pre-millennial angst. ... huge corporations were impossible to fight against—this was the world 2499:, had so many major critics agreed immediately, not only on an album's merits, but on its long-term significance, and its ability to encapsulate a particular point in history." In the British press, the album garnered favourable reviews in 1146: 11664: 1648:

strings as "Thom's voice dissolving into a fearful, blood-clotted scream as Jonny whips the sound of a million dying elephants into a crescendo". For the lyrics, Yorke drew from his time as an orderly in a mental hospital during the

1183:", Radiohead's second-longest song, has a multi-section structure and has been called one of the most ambitious songs of all time. This audio sample is from the middle of the second section to the beginning of the first guitar solo. 5399:

reported that the album had sold 1.5 million units in the UK by 2017; however, the 2006 European sales figure included UK sales up to that time and, as such, adding the 2017 UK sales figure to the total would result in erroneous

1147: 1106:, or have analysed it as a concept album, noting its strong thematic cohesion, aesthetic unity, and the structural logic of the song sequencing. Although the songs share common themes, Radiohead have said they do not consider 9403: 1924: 40: 1530:. Yorke likened its lyrics, which focus on political and artistic compromise, to "a preacher ranting in front of a bank of microphones". Regarding its oblique political references, Yorke said, "What can you say about the 11486: 1730:

to. So that was the only resolution there could be: to slow down." The "unexpectedly bluesy waltz" draws to a close as the guitars drop out, leaving only drums and bass, and concludes with the sound of a small bell.

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contain the full lyrics, rendered with atypical syntax, alternate spelling and small annotations. The lyrics are also arranged and spaced in shapes that resemble hidden images. In keeping with Radiohead's emerging

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inspired the lyrics for "Exit Music (For a Film)". Initially Yorke wanted to work lines from the play into the song, but the final draft of the lyrics became a broad summary of the narrative. He said: "I saw

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as "monumental chaos" – is layered with a string section, ambient noise and repetitive, metallic percussion. The string section, composed by Jonny Greenwood and written for 16 instruments, was inspired by

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acquired Radiohead's back catalogue. The EMI reissues, released without Radiohead's approval, were removed from streaming services. In May 2016, XL reissued Radiohead's back catalogue on vinyl, including

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and the IMF' and people who know, know." O'Brien said the song was about the promotional cycle of touring: "After a while you feel like a politician who has to kiss babies and shake hands all day long."

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singles and live recording sessions, and the DVD contains a collection of music videos and a live television performance. All the material had been previously released and the music was not remastered.

1409:" has two main verses that alternate with a subdued break, followed by a different ending section. The verses centre around acoustic guitar and piano, with a chord progression indebted to the Beatles' " 703:

against her head, we started working on the song immediately." Soon afterwards, Radiohead wrote and recorded "Exit Music (For a Film)", which plays over the film's end credits but was excluded from the

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s Ryan Dombal said it was "hard to look at these reissues as anything other than a cash-grab for EMI/Capitol—an old media company that got dumped by their most forward-thinking band". Daniel Kreps of

2652:, which covered much the same sort of emotional knots, but with better tunes. It is easy to be impressed by, but ultimately hard to love, an album that luxuriates so readily in its own despondency." 10896: 8569:

debuted atop the chart this week in 1997 on sales of 136,476 copies, and is the Oxfordshire band's biggest seller, with a to-date tally of 1,579,415 including 16,172 from sales-equivalent streams.

1172: 9253: 1282:. The song was written by Yorke after an unpleasant night at a Los Angeles bar, where he saw a woman react violently after someone spilled a drink on her. Its title and lyrics are a reference to 2596:. Ross wrote: "Throughout the album, contrasts of mood and style are extreme ... This band has pulled off one of the great art-pop balancing acts in the history of rock." Ryan Schreiber of 14317: 10882: 10236: 9880: 821: 8075: 7975: 3554:

and Chris Thorpe, interprets the album into a story about a man who awakens in a Berlin hospital with memory loss and returns to England with doubts that the life he's returned to is his own.

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do not have a coherent narrative, and the album's lyrics are generally considered abstract or oblique. Nonetheless, many musical critics, journalists, and scholars consider the album to be a

11674: 1319:. The narrator speculates that, upon returning to Earth, his friends would not believe his story and he would remain a misfit. The lyrics were inspired by an assignment from Yorke's time at 9848: 1240:. Yorke wrote "Airbag" about the illusion of safety offered by modern transit, and "the idea that whenever you go out on the road you could be killed". The BBC wrote about the influence of 5390:

reported US sales of 1.4 million in 2001, before Nielsen SoundScan had begun tracking digital sales in 2003—therefore, this amount only included non-digital sales on CD, cassette, and LP.

1212:, but admitted to making approximations in emulating Shadow's style due to their programming inexperience. The bassline stops and starts unexpectedly, achieving an effect similar to 1970s 2602:

lauded the record's emotional appeal, writing that it "is brimming with genuine emotion, beautiful and complex imagery and music, and lyrics that are at once passive and fire-breathing".

1144: 1830:(2008). Explaining the artwork's themes, Yorke said, "It's quite sad, and quite funny as well. All the artwork and so on ... It was all the things that I hadn't said in the songs." 11261: 8111: 1111:

as a whole, and spent two weeks ordering the track list. O'Brien said: "The context of each song is really important ... It's not a concept album but there is a continuity there."

10077: 4108:, without Radiohead's involvement. The reissue was released in a 2-CD edition and an expanded 2-CD, 1-DVD edition. The first disc contains the original album, the second disc contains 9393: 1145: 7635: 2130:

named it the greatest Glastonbury headline set, writing that "frustration and tension led to the band playing out of their skins, adding a startling potency to a set that confirmed

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believed the album was "still prog, but may just be because rock has so thoroughly enveloped musical storytelling that this sort of thing has become inevitable." Writing in 2017,

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received acclaim. Critics described it as a landmark release of far-reaching impact and importance, but noted that its experimentalism made it a challenging listen. According to

2000:, the director of the "No Surprises" video, the plan was cancelled when the videos for "Paranoid Android" and "Karma Police" went over budget. Also cancelled were plans for the 10609: 1562: 1512:

and a distorted guitar solo, is the album's most rock-oriented track and one of the heaviest songs Radiohead has recorded. It has been compared to Radiohead's earlier style on

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said Radiohead immersed Yorke's vocals in "enough electronic marginal distinction to feed a coal town for a month" to compensate for the "soulless" songs, resulting in "arid"

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isn't the album we're going to rule the world with", Colin Greenwood predicted at the time. "It's not as hitting-everything-loudly-whilst-waggling-the-tongue-in-and-out, like

1522: 11549: 9340: 3869:, the parent company of Parlophone, in 2007 after failed contract negotiations. EMI retained the rights to Radiohead's material recorded before 2003. After a period of being 610:, said "the only concept that we had for this album was that we wanted to record it away from the city and that we wanted to record it ourselves". According to the guitarist 14814: 12976: 10678: 3588:

The whole sound of it and the emotional experience crossed a lot of boundaries. It tapped into a lot of buried emotions that people hadn't wanted to explore or talk about.

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The album ends with "The Tourist", which Jonny Greenwood wrote as an unusually staid piece where something "doesn't have to happen ... every three seconds". He said,

1170: 622:, but Radiohead were encouraged by their sessions with Godrich. They consulted him for advice on equipment, and prepared for the sessions by buying their own, including a 14310: 11392: 11022: 8833: 1763: 11650: 9749: 1925: 11939: 11905: 11629: 8537: 1563: 11508: 9986: 14834: 2112:

on 28 June 1997. Despite technical problems that almost caused Yorke to abandon the stage, the performance was acclaimed and cemented Radiohead as a major live act.

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on 22 May 1997. They toured the UK and Ireland, continental Europe, North America, Japan and Australasia, concluding on 18 April 1998 in New York. A documentary by

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created an effect "akin to being lifestyle-coached by a lunatic". White scribbles, Donwood's method of correcting mistakes rather than using the computer function

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According to Yorke, Radiohead hoped to achieve an "atmosphere that's perhaps a bit shocking when you first hear it, but only as shocking as the atmosphere on the

12299: 12017: 10304: 3253:, everybody; and fans around the world loved them for trying too hard at a time when nobody else was even bothering." Christgau said later that "most would rate 2814:

had been "under-reviewed possibly and under-received". Radiohead rejected links to progressive rock and art rock, despite comparisons to Pink Floyd's 1973 album

955:. Jonny Greenwood summarised the exploratory approach as "when we've got what we suspect to be an amazing song, but nobody knows what they're gonna play on it". 11854: 11749: 14809: 14303: 3647:

had already grown much bigger than the band," and that the album went on to influence "a wave of British-rock balladeers that reached its zenith in the '00s".

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it happen." Many of Yorke's vocals were first takes; he felt that if he made other attempts he would "start to think about it and it would sound really lame".

10127: 10102: 13005: 12892: 12825: 10847: 5299: 5249: 5204: 3635:, which became the fourth best-selling album of 1999 in the UK. Some in the British press accused Travis of appropriating Radiohead's sound. Steven Hyden of 2186: 1833:

Motifs in the artwork include motorways, aeroplanes, families, corporate logos and cityscapes. The photograph of a motorway on the cover was likely taken in

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contradiction mirrored in the culture clash of the music, with the 'real' guitars negotiating an uneasy stand-off with the hacked-up, processed drums."

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The opening track, "Airbag", is underpinned by a beat built from a seconds-long recording of Selway's drumming. The band sampled the drum track with a

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and said, 'This is the yardstick. If I can attain something half as good, I'm doing pretty well.' But I've never heard anything really derivative of

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will be seen as the key record of 1997, the one to take rock forward instead of artfully revamping images and song-structures from an earlier era."

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was released in Japan on 21 May, in the UK on 16 June, in Canada on 17 June and in the US on 1 July. It was released on CD, double-LP vinyl record,

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Radiohead planned to produce a video for every song on the album, but the project was abandoned due to financial and time constraints. According to

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choir and other electronic voices are used throughout the track. The song climaxes with the entrance of drums and distorted bass run through a

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had had us by the balls for the last hundred years, as had the media and the state." The band's distaste with the commercialised promotion of

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the band; according to Jonny Greenwood, it "started attaching itself and creating all these weird resonances with what we were trying to do".

14326: 12679: 10341: 9190: 2672: 12107: 10482: 5445:. Starting in 1997, a number of events marked the end of the genre's heyday; these included Blur spurning the conventional Britpop sound on 399:

is said to have prescient insight into the mood of 21st-century life. The band used unconventional production techniques, including natural

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defended the release, saying: "While it's easy to accuse Capitol of milking the cash cow once again, these sets are pretty comprehensive."

10250: 10052: 8582: 1534:, or politicians? Or people selling arms to African countries, employing slave labour or whatever. What can you say? You just write down ' 1033:

freaking out, sympathetic aliens gliding overhead." Recurring themes include transport, technology, insanity, death, modern British life,

878:: "It was building something up and watching it fall apart, that's the beauty of it. It was at the core of what we were trying to do with 10793: 9470: 980:, Radiohead "were collectively hostile to seventies progressive rock ... but that didn't stop them from reinventing prog from scratch on 618:,' and we're like, 'We'll kick against that and do the opposite'." A number of producers were suggested, including major figures such as 8406: 6227: 5649: 3671:

as a lighthearted tribute. Radiohead described the pervasiveness of bands that "sound like us" as one reason to break with the style of

2687:, a prestigious award recognising the best British or Irish album of the year. The day before the winner was announced, oddsmakers gave 674:", "Subterranean Homesick Alien" and "The Tourist". They took a break from recording to embark on an American tour in 1996, opening for 12077: 12047: 9823: 5369:

For example, the line "in a deep deep sleep of the innocent" from "Airbag" is rendered as ">in a deep deep sssleep of tHe inno$ ent/

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The band made extensive use of the different rooms and acoustics in the house. The vocals on "Exit Music (For a Film)" feature natural

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praised its progressiveness, and contrasted Radiohead's risk-taking with the musically conservative "dadrock" of their contemporaries

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Radiohead's website was created to promote the album, which went live at the time of its release, making the band one of the first to

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The lyrics to "Fitter Happier" and images adapted from the album artwork were used on advertisements in music magazines, signs in the

1375:, called more "stilted and leaden and mechanical". The song concludes by fading back to Yorke's voice, acoustic guitar and Mellotron. 14819: 14088: 14067: 12980: 12582: 12491: 12295: 12013: 10994: 9485: 9431: 8736: 5279: 5063: 1874:

stance, the production credits contain the ironic copyright notice "Lyrics reproduced by kind permission even though we wrote them."

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that Yorke had also annotated with his own notes; this personal copy was later auctioned off by Yorke in 2016 with proceeds going to

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protested the "mechanistic convenience" of contemporary surplus and excess. Alex Ross said the album "pictured the onslaught of the

2543:: "Every word sounds achingly sincere, every note spewed from the heart, and yet it roots itself firmly in a world of steel, glass, 13316: 12713:

Select "2017" in the "Anno" drop-down menu. Type "OK Computer" in the "Filtra" field. Select "Album e Compilation" under "Sezione".

11539: 3384: 2495: 560:; the album was to be recorded over the course of a single day, 4 September 1995, and rush-released that week. Radiohead recorded " 476: 11113: 10668: 10645: 8785: 8687: 7558: 5542: 3305:

is an indication of "a 20th-century delusion that rock is the bastion of serious commentary on popular music" to the detriment of

3273:, which designates it as a sound recording that has had significant cultural, historical or aesthetic impact in American life. In 351:

in 1996 and early 1997. They distanced themselves from the guitar-centred, lyrically introspective style of their previous album,

12727: 12701: 6256: 5159: 5138: 3531:. I think the world would probably improve. That album is fucking brilliant. It changed my life, so why wouldn't it change his?" 3202:

called time on the narrow colloquial nostalgia of Britpop, sold millions and turned Radiohead into global angst-rock superstars,

1837:, where Radiohead performed in 1996. The words "Lost Child" feature prominently, and the booklet artwork contains phrases in the 1299:

The use of electric keyboards in "Subterranean Homesick Alien" is an example of the band's attempts to emulate the atmosphere of

1292: 11607: 9228: 678:, performing early versions of several new songs. Jonny Greenwood said his main memory of the tour was of "playing interminable 487:

toward melancholic, atmospheric alternative rock that became more prevalent in the next decade. In 2014, it was added by the US

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triggered a minor revival of progressive rock and ambitious concept albums, with a new wave of prog-influenced bands crediting

3487: 2157:. It debuted at number one in the UK with sales of 136,000 copies in its first week. In the US, it debuted at number 21 on the 1969:

Parlophone launched an unorthodox advertising campaign, taking full-page advertisements in high-profile British newspapers and

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Strauss, Neil (July 1997), "The Pop Life: The Insane Clown Posse, recalled by Disney and now in demand Promoting Radiohead",

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Radiohead found touring stressful and took a break in January 1996. They sought to move away from the introspective style of

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software responds to the command "OK computer" as an alternative to clicking the "OK" button. Other titles considered were

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Press reaction to the reissue expressed concern that EMI was exploiting Radiohead's back catalogue. Larry Fitzmaurice of

1327:", a British literary movement that humorously recontextualises mundane aspects of human life from an alien perspective. 12697: 11731: 11169: 10927: 10504: 8614: 6954: 3653:

influenced the next generation of British alternative rock bands, and musicians in a variety of genres have praised it.

3330:

inflated expectations for subsequent Radiohead releases. Christgau felt "the reason the readers of the British magazine

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has frequently appeared in professional lists of the greatest albums of all time. A number of publications, including

2023:, Atease, was created shortly following the album's release, with its title taken from "Fitter Happier". In 2017, for 13582: 13297: 13270: 13220: 13130: 13108: 12857: 12357: 12129: 11850: 11753: 9941: 6148: 5078: 3572:—which is interesting, as it shows that what Radiohead were doing was probably even more complicated than it seemed. 3508: 3411: 643: 10824: 10356: 10117: 5503: 13621: 9093: 4655: 2580: 1488:. The band considered using "Fitter Happier" as the album's opening track, but decided the effect was off-putting. 646:, Oxfordshire. In July, they began rehearsing and recording in their Canned Applause studio, a converted shed near 9721: 9274: 9124: 4237:

on XL. It includes a remastered version of the album, plus eight B-sides and three previously unreleased tracks: "

14824: 14603: 13989: 13865: 8471: 774:

in further sessions at St. Catherine's Court. By Christmas, they had narrowed the track listing to 14 songs. The

441:

in the US. It expanded Radiohead's international popularity and has sold at least 7.8 million copies worldwide. "

364:

s abstract lyrics, densely layered sound and eclectic influences laid the groundwork for Radiohead's later, more

7785: 6432:

Diehl, Matt (June 2004), "The 50th Anniversary of Rock: The Moments – 1996/1997: Radio Radiohead Get Paranoid",

14227: 10848:"Animal Collective Rides Vinyl Wave into '09, Massive 2008 Vinyl Sales Figures Confuse Everyone but B-52s Fans" 9608: 9536: 8770: 1855: 1555: 910:

as particularly influential on his songwriting. Radiohead drew further inspiration from the recording style of

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said, "Songs like 'Paranoid Android' made it OK to write music differently, to be more experimental ...

3229: 3040: 2951: 783: 497: 12629: 9784: 6915: 1575:-influenced string section. This audio sample is from the beginning of the second chorus to the guitar solo. 14770: 14246: 13872: 11918: 11587: 9061: 5401: 1621: 1341: 1236: 1201: 930:

as a product of being "in love with all these brilliant records ... trying to recreate them, and missing".

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Critics have compared Radiohead's statements of political dissatisfaction to those of earlier rock bands.

387:, and political malaise, with themes such as transport, technology, insanity, death, modern British life, 14711: 14639: 14496: 14484: 14000: 13968: 13954: 13847: 13843: 13695: 13628: 12331: 11354: 8653: 3767:

and their subsequent material, Radiohead provided a "clarion call" to fill the void left by Britpop. The

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reinforced their anti-capitalist politics, which would be further explored on their subsequent releases.

3266: 2058:" in January 1998. Both singles charted in the UK top ten, and "Karma Police" peaked at number 14 on the 1531: 1308: 1283: 1246: 492: 9873:"500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time" 8882: 8740: 1516:. The cynical "Electioneering" is the album's most directly political song, with lyrics inspired by the 1469:

track that consists of sampled musical and background sound and spoken-word lyrics recited by "Fred", a

14829: 14265: 13879: 13858: 13854: 13825: 13818: 11194: 8950: 7752: 6130: 5621: 4238: 4172: 3503:

essay on the darker implications of technology ... oozing a vague sense of dread, and a touch of

3301:

called the album "self-indulgent whingeing" and maintains that the positive critical consensus towards

2761: 2016: 1013:

The album's lyrics, written by Yorke, are more abstract compared to his personal, emotional lyrics for

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tour; Jonny Greenwood said "whenever someone was behaving in a particularly shitty way, we'd say 'The

14804: 14401: 13933: 13804: 12164: 8850: 6144: 4357: 4300:. On 11 June, Radiohead made the archive available to stream or purchase from the music sharing site 4262: 2816: 2676: 2068: 1379: 1163: 851:

Yorke said that the starting point for the record was the "incredibly dense and terrifying sound" of

759: 752: 472: 404: 11970: 10331: 9902: 9660: 8019:

Hoskyns, Barney (October 2000), "Exit Music: Can Radiohead save rock music as we (don't) know it?",

7976:"Radiohead Gives Out Free Newspaper in LA: Here's a Top Eight List of the Band's Most Peculiar Swag" 7590: 3406:

In an interview, Yorke doubted that Blair's policies would differ from the preceding two decades of

1816:

artwork is a collage of images and text created by Yorke (credited as the White Chocolate Farm) and

1634:. Greenwood said, "I got very excited at the prospect of doing string parts that didn't sound like ' 1505:

be that we live in such a synthetic universe we have grown unable to detect reality from artifice."

1005:"was profoundly prog: grand and dystopian, with a lead single that was more than six minutes long". 463:

received acclaim and has been cited as one of the greatest albums of all time. It was nominated for

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article on the "myth" that "Radiohead Can Do No Wrong", Chris Norris argues that the acclaim for

3287:

has been cited by some as undeserving of its acclaim. In a poll surveying thousands conducted by

3197: 2568: 2207: 1871: 1708: 1263: 733: 721: 344: 110: 22: 14295: 10044: 8255: 3820:

the tenth-best progressive rock album, and in 2014 it was voted the 87th-greatest by readers of

1680:"), acoustic guitar, glockenspiel and vocal harmonies. The band strove to replicate the mood of 1262:" is among the band's longest songs. The unconventional structure was inspired by the Beatles' " 14751: 14734: 14656: 14449: 14178: 14060: 13975: 13744: 13667: 13635: 13525: 11986: 10260: 8795: 8592: 8407:"Radiohead's Glastonbury 1997 set was 'like a form of hell', according to guitarist Ed O'Brien" 6505: 5589: 5412:

than 7.8 million units worldwide, but it is impossible to say how many more with any certainty.

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for Radiohead's concerns "about a culture of numbness, building docile workers and enforced by

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harmless ... It was hailing violently when we recorded this. It seemed to add to the mood.

1654: 1571:"Climbing Up the Walls" contains sampled ambient sounds, distorted drums and Jonny Greenwood's 895: 741: 631: 561: 450: 289: 83: 10783: 10405: 9697: 9460: 6616: 4292:

In early June 2019, nearly 18 hours of demos, outtakes and other material recorded during the

1041:. Yorke said: "On this album, the outside world became all there was ... I'm just taking 14544: 14199: 14158: 14028: 12523: 11646: 9518: 7843: 5641: 4575: 4246: 4124:

accused EMI of planning to "issue and reissue discography until the cash stops rolling in".

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has sold at least 6.9 million copies worldwide (or 7.8 million with album-equivalent units).

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and English. Yorke said the motif of two stick figures shaking hands symbolised exploitation.

1781: 1676:", recorded in a single take, is arranged with electric guitar (inspired by the Beach Boys' " 1650: 1316: 1275: 14346: 12069: 12039: 11325: 695:

and gave them the final 30 minutes of the film. Yorke said: "When we saw the scene in which

418:

Despite lowered sales estimates by EMI, who deemed it uncommercial and difficult to market,

14799: 13993: 13118: 12438: 12292:"ARIA Charts – End of Year Charts – ARIA Charts – End of Year Charts – Top 100 Albums 1998" 12264: 12010:"ARIA Charts – End of Year Charts – ARIA Charts – End of Year Charts – Top 100 Albums 1997" 11994: 11775: 11359: 10559: 10150: 9324: 8859: 8638: 8538:"Official Charts Analysis: Ed Sheeran's ÷ returns to No.1 following Glastonbury appearance" 8260: 6678: 6392: 4595: 4305: 3755: 3419: 2607: 2544: 2534: 2279: 2185:

reported that by June 2001 it had sold 1.4 million copies in the US, and in April 2006 the

2109: 2060: 1838: 1625: 1602: 1572: 1509: 1418: 1312: 12501: 10295:"Whatever Happened to Alternative Nation? Part 8: 1997: The ballad of Oasis and Radiohead" 9495: 9421: 4537: 3281:

of described it as the record that made modern world possible for alternative rock music.

3175:

prominently in lists of best albums of the 1990s or of all time. It was voted number 4 in

926:, musicians Yorke described as "abusing the recording process". Jonny Greenwood described 526:(pictured in 2001) and the band sought a less introspective direction than previous album 8: 14699: 14692: 14651: 14532: 14353: 14081: 14046: 14014: 13904: 11174: 11039: 10732: 10614: 10610:"Exit Music: How Radiohead's OK Computer Destroyed the Art-Pop Album in Order to Save It" 10509: 10072: 9726: 8917: 8227: 8106: 7790: 6510: 5453: 5421:

Britpop, which reached its peak popularity in the mid-1990s and was led by bands such as

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is not quite the flawless masterpiece of fond folklore, but it holds up extremely well."

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writer Leander Kahney suggests that it is an homage to Macintosh computers, as the Mac's

1330: 1059: 584:'Lucky' was indicative of what we wanted to do. It was like the first mark on the wall." 557: 488: 10727: 5404:

of UK units sold before 2006. Exact sales figures from other territories are not known.

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33 Revolutions per Minute: A History of Protest Songs, from Billie Holiday to Green Day

11821: 11123: 10637: 10231: 9490: 9303: 8677: 7920: 7904: 7568: 7531: 7396: 6955:"Thom Yorke to auction original Radiohead lyrics, written inside a William Blake novel" 6549: 6014: 5532: 4635: 4287: 2901: 2803: 2072: 1970: 1958: 1773: 1659: 1493: 1360: 779: 770:

Radiohead returned to Canned Applause in October for rehearsals, and completed most of

758:

Yorke was satisfied with the recordings made at the house, and enjoyed working without

507: 438: 412: 12603: 10814: 7474: 7202: 2810:

The praise overwhelmed the band. Jonny Greenwood felt it had been exaggerated because

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of the 1960s and 1970s. The genre was a key element of the broader cultural movement

5189: 4700: 4242: 4196: 4109: 3779:, as its mainstream and critical success remained unmatched by any rock album since. 3288: 3116: 2629: 2562: 2539: 2462: 2329: 2191: 2181: 2064: 1750: 1640: 1478: 1368: 1271: 985: 903: 675: 573: 538: 528: 434: 384: 365: 353: 210: 9322:

Sinclair, David (7 February 1998), "Brits Around the World '98: Four to Watch For",

8173:

Broc, David (June 2001), "Remembering the Future – Interview with Jonny Greenwood",

7535: 2030:

s 20th anniversary, Radiohead temporarily restored their website to its 1997 state.

1758:

described the title as "a really resigned, terrified phrase", to him similar to the

1153:"Airbag" features sparse bass and a programmed drum beat influenced by the music of 21:

This article is about the studio album by Radiohead. For the television series, see

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was important because it reintroduced unconventional writing and song structures."

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remarked that, "It would be interesting to see how the world would be different if

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trying to stay fresh, to stay objective." The album was completed on 6 March 1997.

480: 442: 263: 130: 11479:"The Glastonbury Effect: Radiohead Back At Top Of U.K. Chart, Foo Fighters Follow" 10955: 9956: 7888: 6979: 5768:

Cantin, Paul (19 October 1997), "Radiohead's OK Computer confounds expectations",

5352:

is a concept album only in part, or in a nontraditional or qualified sense, or is

433:, Radiohead's highest album entry on the US charts at the time, and was certified 14758: 14716: 14644: 14520: 14188: 14113: 13681: 13410: 13403: 13234: 13093: 12760:

Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers

11826: 11544: 11146: 10901: 10534: 10457: 10423: 10122: 9754: 9706: 9398: 9345: 9248: 9195: 9098: 8854: 8828: 8587: 8467: 8382: 8359: 7960: 7879:"Between the Liner Notes: 6 Things You Can Learn By Obsessing Over Album Artwork" 7270: 6621: 6553: 5841: 5683: 5523: 5487: 4720: 4710: 4645: 4478: 4456: 4449: 4434: 4333: 4321: 4258: 4200:, a compilation of albums recorded while Radiohead were signed to EMI, including 3854: 3822: 3794: 3738: 3658: 3610: 3442: 3155: 2733: 2679:

in 1998, winning the latter. It was also nominated for Best British Album at the

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million, including album-equivalent units. Tallying American and European sales,

1986: 1934: 1930: 1888: 1817: 1681: 1450: 1386:

guitars and electric piano. Jonny Greenwood plays his guitar part in a different

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Gulla, Bob (October 1997), "Radiohead: At Long Last, a Future for Rock Guitar",

1592: 14668: 14627: 14608: 14585: 14549: 14406: 14389: 14021: 12944: 12326: 11669: 10852: 10554: 10022: 9803: 9745: 9665: 9129: 8354: 8135:"Radiohead restores the '1997 version' of its website for OK Computer remaster" 7902:

Odell, Michael (September 2003), "Inside the Mind of Radiohead's Mad Genius!",

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Harris, John; Simonart, Serge (August 2001), "Everything in Its Right Place",

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praised the supplemental material, but with reservations. Scott Plagenhoef of

3363:

government – echoing the album's pervasive theme of political disillusionment.

1216:. The original draft of the lyrics for "Airbag" were written inside a copy of 602:

gave Radiohead the confidence to self-produce their third album. Their label,

14793: 14213: 14193: 13424: 13417: 13307: 13254: 13144:. Profiles in Popular Music. Bloomington, Indiana: Indiana University Press. 12723: 11256: 11071: 10968: 10877: 10299: 9853: 9569: 9465: 9037: 8955: 8485: 8442: 7630: 7105: 6646: 6574: 6434: 6418: 6261: 6236: 6028: 5617: 5609: 5569: 5434: 4736: 4444: 4439: 4410: 4329: 4325: 4205: 3982: 3946: 3879: 3802: 3728: 3667: 3626: 3594: 3507:

foreboding that bears strong resemblance to the constant disquiet of life on

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called the album "the defining sound of rock's post-Britpop shift". Through

2075:

in September 1997 and charted on the Modern Rock Tracks chart at number 29.

1638:', which is what all string parts have sounded like for the past 30 years." 14442: 14365: 14259: 14142:

Amanda Palmer Performs the Popular Hits of Radiohead on Her Magical Ukulele

13769: 13751: 13737: 13688: 13614: 13546: 12658: 12633: 12103: 11330: 11095: 10336: 10276: 10227:"Miserable and Loving It: It's Just So Very Good to Feel So Very, Very Bad" 9931: 9907: 9779: 9626: 9559: 9046: 8476: 8189: 7883: 7712: 7696: 7611: 7563: 7447: 7431: 7374: 7341: 7042: 6910: 6856: 6833: 6786: 6763: 6683: 6455: 6453:

Sutcliffe, Phil (October 1999), "Radiohead: An Interview with Thom Yorke",

6179: 6063: 5959: 5625: 5508: 5495: 5483: 5479: 5438: 5422: 5108: 5093: 4418: 4380: 4364: 4265:. It was the best-selling album in independent UK record shops for a year. 4020: 3870: 3812: 3547: 3516: 3446: 3430: 3176: 3161: 3002: 2664: 2593: 2515: 2386: 2291: 2135: 2126: 2120: 2055: 2051: 1796: 1673: 1615: 1406: 1399: 1391: 1311:", and the lyrics describe an isolated narrator who fantasises about being 1267: 1072: 1050: 1026: 1022: 952: 874: 853: 838: 700: 696: 686: 671: 663: 650:, Oxfordshire. Even without the deadline that contributed to the stress of 623: 606:, gave them a £100,000 budget for recording equipment. The lead guitarist, 580:, said "Lucky" shaped the nascent sound and mood of their upcoming record: 454: 446: 302: 276: 153: 12951: 8701: 4183:

was "the perfect synthesis of Radiohead's seemingly conflicted impulses".

1363:. The climactic portion of the song is an attempt to emulate the sound of 976:, an influence that Radiohead have disavowed. According to Andy Greene in 14739: 14680: 14568: 14437: 13811: 13790: 13783: 13709: 13674: 13484: 13442: 13069: 11509:"Radiohead tops list of best-selling albums in independent record stores" 10366: 10222: 8076:"Massive Attack Drops Plans To Remix Radiohead, Teams With Cocteau Twins" 8053: 7512: 5723: 5629: 5613: 5601: 5577: 5475: 5430: 5426: 4527: 4483: 3717: 3703:

s purported mainstream influence more likely stemmed from the ballads on

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were inspired by a magazine article titled "An Airbag Saved My Life" and

1064: 966: 907: 865: 861: 834: 830: 763: 376: 340: 125: 12647: 12596: 11840:

Set "Tipo" on "Album". Then, in the "Artista" field, search "Radiohead".

11540:"Radiohead Officially Release 18 Hours of Leaked 'OK Computer' Sessions" 10784:"EMI accuses Radiohead after group's demands for more fell on deaf ears" 5728: 4253:

of demos and session recordings, including previously unreleased songs.

3445:

and a young person's panicky embrace of it" and made the band into "the

3418:

was more significant, as a moment when the British public realised "the

2529:

that "Others may end up selling more, but in 20 years' time I'm betting

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chart. "Lucky" was released as a single in France, but did not chart. "

1953: 1896: 1716: 1712: 1584: 1501: 1497: 1477:

application. Yorke wrote the lyrics "in ten minutes" after a period of

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Radiohead and the Resistant Concept Album: How to Disappear Completely

13074:

Welcome to the Machine: OK Computer and the Death of the Classic Album

12690: 10873:"Radiohead, Neutral Milk Hotel Help Vinyl Sales Almost Double in 2008" 9824:"Rolling Stone 500: Radiohead's Futuristic Breakthrough 'OK Computer'" 5719:"Alan Wilder of Recoil & Depeche Mode's 13 Favourite LPs – Page 8" 5457:

failing to live up to the expectations of critics and the public. See

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million digital album units in the US, plus 900,000 sales measured in

2083:

Radiohead embarked on the "Against Demons" world tour in promotion of

14775: 14573: 14477: 14430: 14394: 14370: 13961: 13607: 13384: 11575: 10990: 10788: 10760: 9936: 9378: 8946: 8139: 7265: 7108:(July 1997). "I was feeling incredible hysteria and panic ...". 5832: 4423: 4304:

for 18 days, with proceeds going to the environmental advocacy group

3845: 3776: 3712: 3578: 3512: 3466: 3434: 3242: 3210: 2756: 2727: 2702: 2698: 2693: 2520: 2092: 2088: 1997: 1912: 1841: 1805: 1759: 1645: 1458: 1356: 1304: 1213: 1209: 1205: 1154: 948: 919: 899: 634:, he outgrew his role as advisor and became the album's co-producer. 614:, "Everyone said, 'You'll sell six or seven million if you bring out 543: 328: 197: 53: 3195:

in 2020. It was previously ranked at 162 in 2003 and 2012. In 2019,

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Britpop!: Cool Britannia and the Spectacular Demise of English Rock

12607: 12073: 12043: 10932: 9426: 9279: 8819: 8682: 8636:

Sexton, Paul (16 September 2000), "Radiohead won't play by rules",

8102:"Internet Explorers: The Curious Case of Radiohead's Online Fandom" 8079: 8049:"The Bends? Grant Gee On The Day Thom Yorke Nearly Drowned For Art" 7479: 7207: 5471: 4558: 4547: 4301: 4139: 3909: 3520: 3500: 3492: 3477: 2852: 2634: 2154: 2001: 1693: 1383: 1364: 1278:

structure. Its musical style was also inspired by the music of the

372: 12716: 8615:"End of Year Album Chart Top 100 - 1997 | Official Charts Company" 5943:

Glover, Arian (1 August 1998), "Radiohead—Getting More Respect.",

4249:". The special edition includes books of artwork and notes and an 1390:

to the other instruments. O'Brien said the song was influenced by

483:. The album initiated a stylistic shift in British rock away from 14763: 14377: 14325: 13982: 13347: 13100: 12840: 8583:"Radiohead's 'OK Computer' Made Them Our 1997 "Band of the Year"" 7694:

Taylor, Sam (5 November 1995), "Mother, Should I Build a Wall?",

7180:

Gaitskill, Mary (April 1998), "Radiohead: Alarms and Surprises",

6854:

Wadsworth, Tony (20 December 1997), "The Making of OK Computer",

6193:

Pettigrew, Jason (September 2001), "How to Reinvent Completely",

4100:

as an expanded "Collector's Edition" on 24 March 2009, alongside

3606: 2751: 2020: 1422: 1421:

effect. The title and lyrics to "Karma Police" originate from an

1157:. This audio sample contains a portion of the song's first verse. 984:, particularly on the six-and-a-half-minute 'Paranoid Android'." 484: 11800: 6092:

Folkerth, Bruce (13 August 1997), "Radiohead: Ignore the Hype",

5470:

Specifically, critics have cited the album's influence on Muse,

1258:

Split into four sections with an overall running time of 6:23, "

682:

solos to an audience full of quietly despairing teenage girls".

14413: 14358: 11779: 9376:

Varga, George (November 2001), "Radiohead's Jazz Frequencies",

8790: 5565: 3885: 3392: 3351:

In interviews after the album's release, Thom Yorke criticised

3250: 1844:

and health-related instructions in both English and Greek. The

1496:, destined for the metaphorical farrowing crate, propped up on 1030: 891: 647: 104: 12797:"New Zealand album certifications – Radiohead – OK Computer" 10928:"OK Computer [Collector's Edition] [2CD/1DVD]" 7152:

Dalton, Stephen (September 1997), "The Dour & The Glory",

5927:

Dalton, Stephen (August 2001), "How to Disappear Completely",

5787:

Richardson, Andy (9 December 1995), "Boom! Shake the Gloom!",

3237:

writing: "Radiohead was claiming the high ground abandoned by

2071:", considered for release as the lead single, was issued as a 1445: 1394:, a producer and songwriter best known for his reverberating " 1021:

said the lyrics "seemed a mixture of overheard conversations,

14632: 14525: 14472: 13463: 11416:"OK Computer – OKNOTOK 1997-2017 - Record Collector Magazine" 7958:

Blashill, Pat (January 1998), "Band of the Year: Radiohead",

7284: 7282: 7280: 5995: 5993: 3677: 2644:"For all its ambition and determination to break new ground, 2009: 1609:) inspired the string arrangement on "Climbing Up the Walls". 1430: 1227: 1087: 689:

commissioned Radiohead to write a song for his upcoming film

48: 13353: 13103:

series. New York: Continuum International Publishing Group.

12849:

Solo Exitos 1959–2002 Ano A Ano: Certificados > 1995–1999

12654: 10699: 9639: 9637: 7724: 7722: 7626:"Ed O'Brien – 100 Greatest Guitarists: David Fricke's Picks" 4179:

writer Josh Modell praised the bonus disc and DVD, and said

3437:

had been a rebellion against a time of deficit and poverty,

3295:

was named the sixth-most overrated album. David H. Green of

2108:

The tour included Radiohead's first headline performance at

536:

In 1995, Radiohead toured in support of their second album,

14704: 14454: 14418: 12977:"American album certifications – Radiohead – OK Computer" 12759: 12630:"Canadian album certifications – Radiohead – OK Computer" 12496: 10995:"Radiohead: Pablo Honey, The Bends, OK Computer (reissues)" 10177: 9357: 8994: 8299: 8196: 7814: 6831:

Lynskey, Dorian (February 2011), "Welcome to the Machine",

6812: 6294: 5174: 3480:, anticipating cultural and political trends. According to 2739: 1859: 1824:

it means to me." The image was later used on the cover for

1402:

and that it had informed the band's approach to the album.

12952:"British album certifications – Radiohead – OK Computer" 12698:"Italian album certifications – Radiohead – OK Computer" 11980: 8984:

Harris, John (July 1997). "Ground control to Major Thom".

8208: 7491: 7277: 7229:

Lowe, Steve (December 1999), "Back to Save the Universe",

7010: 6742: 5990: 3707:. According to Cavanagh, "The populist albums of the post- 3342: 3313:. The album was selected as an entry in "Sacred Cows", an 2691:

the best chance to win among ten nominees, but it lost to

12680:"French album certifications – Radiohead – OK Computer" 12655:"Danish album certifications – Radiohead – OK Computer" 11673:, vol. 65, no. 17, 30 June 1997, archived from 11355:"Radiohead's Early Catalog Moves From Warner Bros. to XL" 10819: 10588: 10586: 10440: 10097: 9634: 8733:"American album certifications – Radiohead – OK Computer" 7719: 7668: 6784:

Sutcliffe, Phil (1 October 1997), "Death is all around",

6596: 6257:"Flashback: Radiohead open for Alanis Morissette in 1996" 6106: 6104: 5789: 3866: 3629:

worked with Godrich to create the languid pop texture of

2550:

The album was well received by critics in North America.

2501: 2362: 786:

over the next two months at various London studios, then

12922:"The Official Swiss Charts and Music Community: Awards ( 12756:"Dutch album certifications – Radiohead – OK Computer" 12369:. Vol. 15, no. 51. 19 December 1998. p. 8 12141:. Vol. 14, no. 52. 27 December 1997. p. 7 11114:"Album review: Radiohead Reissues – Collectors Editions" 10311: 9451: 9449: 7858: 7802: 7348: 7318:

Steele, Sam (July 1997), "Grand Control to Major Thom",

7243: 7241: 7135: 7133: 7073: 7061: 6882: 6880: 6878: 6309: 6307: 6305: 6012:

Beauvallet, JD (25 January 2000), "Nigel the Nihilist",

5870: 5868: 5533:"Album review: Radiohead Reissues – Collectors Editions" 5521:

Eisenbeis, Hans (July 2001), "The Empire Strikes Back",

2124:

named it the greatest concert of all time. In 2023, the

14382: 12724:"Japanese album certifications – レディオヘッド – OKコンピューター" 12466:"Najlepiej sprzedające się albumy w W.Brytanii w 1999r" 10571: 10288: 10286: 10165: 10093:"Sacred Cows – Is Radiohead's 'OK Computer' Overrated?" 9677: 9244:"Andy Gill on albums: Radiohead OK Computer Parlophone" 9018: 8511: 8323: 8311: 8275: 8154: 8021: 8000: 7939: 7927: 7609:

Taylor, Sam (5 November 1995), "Gives You the Creeps",

7429:

Sutherland, Mark (4 March 1998), "Rounding the Bends",

6810:(2 June 1997), "Radiohead talk about their new video", 6416:

Vaziri, Aidin (October 1997), "British Pop Aesthetes",

4261:, boosted by Radiohead's third headline performance at 4229:

On 23 June 2017, Radiohead released a 20th-anniversary

3246: 3227:

gave the album five out of five in the 2004 edition of

2637:. In an otherwise positive review, Andy Gill wrote for 2171:

had sold at least half a million copies in the UK and 2

1786:

Your Home May Be at Risk If You Do Not Keep Up Payments

1029:

at political rallies, anguished lives in tidy suburbs,

12568: 11170:"Radiohead's First Three Albums Reissued and Expanded" 10583: 10189: 9006: 8499: 8335: 8287: 8028: 7454: 7403: 7118: 7040:

Sutherland, Mark (31 May 1997), "Return of the Mac!",

6761:

Sutherland, Mark (24 May 1997), "Rounding the Bends",

6486: 6474: 6462: 6347:

Masuo, Sandy (September 1997), "Subterranean Aliens",

6319: 6123:

Walsh, Nick Paton (November 1997), "Karma Policeman",

6101: 6070: 5978: 4426:– committing to tape, music, string arrangements 13006:

International Federation of the Phonographic Industry

11252:"Radiohead's First Three Albums Reissued with Extras" 11142:"Radiohead's First Three Albums Reissued with Extras" 11016: 11014: 10756:"Stereogum Presents... OKX: A Tribute To OK Computer" 10357:"Radiohead: OK Computer play live on BBC this Friday" 10209:

Radiohead: OK Computer – A Classic Album Under Review

9446: 8250: 8248: 7294: 7238: 7161: 7130: 7049: 6998: 6934: 6922: 6875: 6732: 6730: 6594:

Bailie, Stuart (21 June 1997), "Viva la Megabytes!",

6354: 6302: 6202: 5966: 5865: 5796: 5323:

Sales+streaming figures based on certification alone.

3476:

The album's tone has been described as millennial or

2175:

million worldwide. By September 2000, it had sold 4.5

1526:, a book analysing contemporary mass media under the 14815:

United States National Recording Registry recordings

10918: 10916: 10638:"It's back ... Prog rock assaults album charts" 10555:"How I learned to stop worrying and loathe the bomb" 10438:

Gulla, Bob (April 2000), "A Marriage Made in Song",

10283: 7268:(July 1997), "Press your space next to mine, love", 6221: 6219: 6217: 5880: 4186: 13292:. London: Flame Tree Publishing. pp. 330–331. 11093:Segal, Victoria (May 2009), "Reissues: Radiohead", 9341:"It is Size that counts as Roni wins Mercury prize" 9089:"File This One: 'Computer' Complex, but Worthwhile" 7339:Sullivan, Caroline (13 June 1997), "Aching Heads", 6863: 6292:"Radiohead: The Album, Song by Song, of the Year", 6061:Doyle, Tom (April 2008), "The Complete Radiohead", 2118:described it as "an absolute triumph", and in 2004 1461:

software, to recite the lyrics of "Fitter Happier".

720:was recorded between September and October 1996 at 501:, was released in 2017. In 2019, in response to an 327:is the third studio album by the English rock band 13092: 13033:Revolution Rock: The Albums Which Defined Two Ages 11641: 11639: 11163: 11161: 11011: 8876: 8874: 8536: 8245: 7618: 7334: 7332: 7330: 6906:"Radiohead interview: The Golden Age of Radiohead" 6727: 2206:. Twenty years to the week after its release, the 1492:of modern, Western humanity, half-salaryman, half- 1230:. The song's references to automobile crashes and 1025:, and fragments of a harsh diary" with "images of 943:". They extended their instrumentation to include 10913: 10660: 10251:"Is OK Computer the Greatest Album of the 1990s?" 9841: 8462: 8460: 7367: 7365: 7363: 6214: 5858:Robinson, Andrea (August 1997), "Nigel Godrich", 5038: 3403:soundtracked, not the wave of British optimism." 751:achieved by recording on a stone staircase, and " 732:Radiohead resumed recording in September 1996 at 14835:United States National Recording Registry albums 14791: 13261:. In Brackett, Nathan; Hoard, Christian (eds.). 11383:"Radiohead to reissue entire catalogue on vinyl" 11088: 11086: 10897:"The 7in. revival – fans get back in the groove" 10700:Hannah May Kilroy; Jerry Ewing (6 August 2014). 9654: 9652: 8095: 8093: 6448: 6446: 6444: 5504:"Ten years of OK Computer and what have we got?" 5348:Conversely, other critics have also argued that 4976:Canadian Alternative Albums (Nielsen SoundScan) 1887:According to Selway, Radiohead's American label 1804:booklet with logos, white scribbles and text in 415:in London. Most of the album was recorded live. 331:, released on 21 May 1997. With their producer, 12604:"Ultratop − Goud en Platina – albums 2007" 12468:(in Polish). Z archiwum...rocka. Archived from 11636: 11592:: CS1 maint: others in cite AV media (notes) ( 11158: 11135: 11133: 10274:Dwyer, Michael (14 March 1998), "OK Kangaroo", 8871: 7394:Kuipers, Dean (March 1998), "Fridge Buzz Now", 7327: 6899: 6897: 6895: 5319:Shipments figures based on certification alone. 3775:marked an "ending point" for the rock-oriented 3461:found precedents in the work of Pink Floyd and 3410:government. He said the public reaction to the 495:. A remastered version with additional tracks, 12784:in the drop-down menu saying "Alle jaargangen" 12358:"Year in Focus – European Top 100 Albums 1998" 12130:"Year in Focus – European Top 100 Albums 1997" 11056: 11054: 10985: 10983: 10949: 10947: 9987:"Complete National Recording Registry Listing" 9689: 9524:Christgau's Consumer Guide: Albums of the '90s 8814: 8812: 8530: 8528: 8526: 8457: 7786:"Take Cover: Radiohead Artist Stanley Donwood" 7444: 7360: 6610: 6608: 6606: 3084: 2335: 2252: 1433:police will catch up with him sooner or later. 1045:of things around me moving too fast." He told 882:." Yorke identified "I'll Wear It Proudly" by 14810:Grammy Award for Best Alternative Music Album 14327:Grammy Award for Best Alternative Music Album 14311: 13369: 12684:Syndicat National de l'Édition Phonographique 12492:"Canada's Top 200 Alternative albums of 2002" 11912: 11083: 10815:"Coldplay, Radiohead to be reissued on vinyl" 10201: 10018:"Radiohead's "OK Computer" Turns Twenty-Five" 9649: 8979: 8977: 8941: 8939: 8906: 8904: 8786:"Radiohead's Digital Album Sales, Visualized" 8090: 7657: 7655: 7653: 7424: 7422: 7420: 7418: 6441: 6056: 6054: 6052: 5835:(July 1997), "Thom Yorke tells Jim Irvin how 5564:Musicians who have praised the album include 13317:"Radiohead's 'OK Computer': An Oral History" 12886:"Guld- och Platinacertifikat − År 1987−1998" 12576:"ARIA Charts – Accreditations – 1997 Albums" 11277:"The Best Re-Issues of 2009: 18: Radiohead: 11195:"The Best Re-Issues of 2009: 18: Radiohead: 11130: 11107: 11105: 10530:"Tough Questions for TVOTR's Tunde Adebimpe" 9179: 8256:"Radiohead Chart History: Alternative Songs" 7710:Shelley, Jim (13 July 1996), "Nice Dream?", 6892: 6849: 6847: 6845: 6843: 6779: 6777: 6775: 6773: 5911:(February 2007), "Communication Breakdown", 5782: 5780: 5677:Smith, RJ (September 1999), "09: Radiohead: 5667:(February 2007), "Communication Breakdown", 5002:Belgian Midprice Albums (Ultratop Flanders) 4064: 4026: 3988: 3914: 3860: 3449:for a certain kind of knowing alienation—as 3046: 3008: 2957: 2907: 2857: 2430: 2392: 2297: 1977:Other unconventional merchandise included a 1644:described Yorke's distraught vocals and the 972:Critics suggested a stylistic debt to 1970s 12822:"IFPI Norsk platebransje Trofeer 1993–2011" 12217:"Year list Album (incl. Collections), 1997" 11139: 11051: 10980: 10944: 10505:"TV on the Radio: Coming in Loud and Clear" 9719: 8809: 8523: 7549: 7547: 7545: 7372:"The 100 Greatest Albums in the Universe", 7100: 7098: 7096: 7094: 7092: 7090: 7088: 6826: 6824: 6822: 6802: 6800: 6798: 6796: 6625:, vol. 13, no. 5, pp. 112–13 6603: 6177:Wylie, Harry (November 1997), "Radiohead", 6087: 6085: 5920: 5315:Sales figures based on certification alone. 5019: 3665:; TV on the Radio's debut album was titled 3265:selected the album for preservation in the 642:In early 1996, Radiohead recorded demos at 511:, comprising hours of additional material. 14318: 14304: 13376: 13362: 12852:. Iberautor Promociones Culturales. 2005. 11326:"EMI stab Radiohead in the back catalogue" 11186: 11020: 10702:"The 100 Greatest Prog Albums Of All Time" 10502: 10211:(DVD). Sexy Intellectual. 10 October 2006. 9658: 9630:. No. 393. January 2019. p. 104. 9207: 9157:"Radiohead: OK Computer: Pitchfork Review" 8974: 8936: 8913:"Radiohead: OK Computer: Pitchfork Review" 8901: 8372: 8220: 7779: 7777: 7766:Krüger, Sascha (July 2008), "Exit Music", 7650: 7428: 7415: 7389: 7387: 7385: 7039: 6980:"What pop music tells us about JG Ballard" 6760: 6672: 6670: 6342: 6340: 6338: 6336: 6334: 6049: 6041:(Interview). Interviewed by John Kennedy. 6011: 6005: 5903: 5901: 5899: 5897: 5895: 5786: 3754:s boffin-esque inventiveness had opened." 3374:and released a month after the victory of 2828: 2807:listed the album in their year-end polls. 1882: 1862:, are present everywhere in the collages. 1520:. The song was also inspired by Chomsky's 630:. Although Godrich had sought to focus on 546:commissioned them to contribute a song to 39: 14089:The King of Limbs: Live from the Basement 14068:The Most Gigantic Lying Mouth of All Time 13253: 13090: 12981:Recording Industry Association of America 12583:Australian Recording Industry Association 12418:"Best Sellers of 1998 – Albums Top 100". 11352: 11317: 11268: 11102: 10140: 9954: 9744: 9643: 9516: 9213: 8910: 8737:Recording Industry Association of America 8228:"Radiohead | full Official Chart History" 7951: 7864: 7808: 7510:Berman, Stuart (July 1997), "Outsiders", 7313: 7311: 7309: 7179: 6853: 6840: 6783: 6770: 6641: 6639: 6577:(July 1997), "Everything was just fear", 6543: 6539: 6537: 6535: 6533: 6452: 6411: 6409: 6407: 6387: 6385: 6383: 6381: 6379: 6377: 6375: 6373: 6371: 6369: 6192: 5853: 5851: 5777: 2683:. The album was shortlisted for the 1997 782:in London in January 1997. The album was 11964: 11919:"Official Scottish Albums Chart Top 100" 11750:"Chartverfolgung / Radiohead / Longplay" 11346: 11323: 11274: 11192: 11111: 10839: 10753: 10454: 10215: 9775:"50 Best Alternative Albums of the '90s" 9455: 9338: 9321: 8880: 8783: 8725: 8645: 8580: 8466: 8353: 8040: 7957: 7553: 7542: 7525: 7338: 7085: 6819: 6806: 6793: 6569: 6567: 6565: 6563: 6172: 6170: 6142: 6091: 6082: 5907: 5857: 5763: 5761: 5759: 5757: 3346: 2711:was named the best album of the year by 1952: 1922: 1877: 1795: 1591: 1444: 711: 518: 13239:. New York: Farrar, Straus and Giroux. 13210: 13192:. New York: Workman. pp. 627–628. 13190:1,000 Recordings to Hear Before You Die 13158: 13068: 13030: 12728:Recording Industry Association of Japan 12702:Federazione Industria Musicale Italiana 11776:"1997/28 heti Album Top 40 slágerlista" 10781: 10635: 10577: 10527: 10323: 10221: 10183: 10171: 10118:"Myth No. 1: Radiohead Can Do No Wrong" 10015: 9750:"OK Computer – The ALL-TIME 100 Albums" 9720:DiCrescenzo, Brent (17 November 2003). 9683: 9363: 9024: 9000: 8651: 8517: 8505: 8329: 8317: 8305: 8293: 8281: 8202: 8160: 8132: 8046: 8018: 8006: 7973: 7945: 7933: 7917: 7876: 7820: 7774: 7728: 7709: 7497: 7460: 7409: 7393: 7382: 7354: 7300: 7288: 7260: 7258: 7256: 7247: 7224: 7222: 7196: 7194: 7192: 7167: 7139: 7124: 7079: 7067: 7055: 7016: 7004: 6977: 6940: 6928: 6903: 6748: 6700: 6698: 6667: 6614: 6492: 6480: 6468: 6360: 6331: 6325: 6313: 6287: 6285: 6283: 6281: 6279: 6208: 6110: 6076: 6021: 5999: 5984: 5972: 5892: 5886: 5874: 5827: 5825: 5823: 5821: 5819: 5817: 5815: 5813: 5811: 5802: 5458: 5374: 3343:Commentary, interpretation and analysis 2493:, "Not since 1967, with the release of 1663:article about serial killers. He said: 1613:"Climbing Up the Walls" – described by 799: 598:The critical and commercial success of 14792: 13314: 13287: 13117: 13049: 12434:"Billboard 200 – 1998 Year-end charts" 12260:"Billboard 200 – 1997 Year-end charts" 12110:from the original on 22 September 2019 11960:from the original on 10 November 2012. 11413: 11167: 11140:Fitzmaurice, Larry (15 January 2009), 11060: 10953: 10860:from the original on 24 September 2010 10598: 10592: 10552: 10354: 10344:from the original on 27 September 2011 10329: 10267: 10243: 10195: 10115: 10068:"OK Computer Box Set: Not OK Computer" 9955:Christgau, Robert (18 February 2003). 9883:from the original on 25 September 2019 9821: 9772: 9603:(2nd ed.). Schirmer Trade Books. 9558: 9339:Williams, Alexandra (29 August 1998). 9185: 9059: 9036: 9012: 8983: 8867:from the original on 30 September 2012 8849: 8845: 8843: 8635: 8629: 8435: 8341: 8214: 8099: 8034: 7895: 7783: 7765: 7740: 7693: 7661: 7608: 7509: 7503: 7317: 7306: 7215:from the original on 10 December 2010. 7151: 6886: 6645: 6636: 6593: 6587: 6530: 6415: 6404: 6391: 6366: 6254: 6225: 6027: 5942: 5936: 5926: 5848: 5767: 5395:million with album-equivalent units). 4175:is, arguably, the end of the CD era." 4173:Beatles' September 9 remaster campaign 3829:In 2006, the American reggae band the 3488:1000 Recordings to Hear Before You Die 1974:artwork and its promotional material. 837:(top, 1986) and political writings of 14299: 13357: 13139: 12866:from the original on 27 December 2013 11695:from the original on 12 October 2012. 11653:from the original on 21 October 2012. 11537: 11458:from the original on 9 September 2018 11380: 11313:from the original on 20 December 2009 11249: 11231:from the original on 20 December 2009 11092: 10870: 10827:from the original on 16 February 2012 10666: 10604: 10503:Harrington, Richard (13 April 2007), 10455:Sullivan, Kate (May 2000), "Travis", 10437: 10292: 10273: 10090: 10080:from the original on 15 October 2011. 10065: 9923: 9903:"The 50 best rock albums of all time" 9695: 9592: 9483: 9434:from the original on 21 November 2018 9375: 9154: 8798:from the original on 22 February 2019 8534: 8472:"Glastonbury headline sets – ranked!" 8404: 8186: 7901: 7832: 7664:"The Rise and Rise of the ROM Empire" 7638:from the original on 9 September 2015 7487:from the original on 10 December 2010 7104: 7035: 7033: 7031: 7029: 7027: 7025: 6869: 6676: 6573: 6560: 6431: 6425: 6346: 6176: 6167: 6122: 6060: 6045:from the original on 7 November 2021. 5831: 5754: 5731:from the original on 6 September 2011 5357: 5292: 3895: 3263:National Recording Preservation Board 3261:texture". In 2014, the United States 2838: 2496:Sgt. Pepper's Lonely Hearts Club Band 2231: 2221: 1711:. Critics likened its lead guitar to 13229: 13215:. New York: Delta Trade Paperbacks. 13179: 13002:"IFPI Platinum Europe Awards – 2006" 12399:from the original on 25 January 2020 12080:from the original on 6 November 2019 12050:from the original on 22 October 2019 11154:from the original on 22 January 2009 11079:from the original on 22 January 2013 10989: 10976:from the original on 15 October 2011 10922: 10796:from the original on 4 February 2015 10681:from the original on 5 November 2016 10542:from the original on 9 December 2011 10517:from the original on 2 November 2012 10470: 10317: 9967:from the original on 26 October 2018 9944:from the original on 18 August 2011. 9929: 9416: 9406:from the original on 3 November 2012 9391: 9241: 9119: 8963:from the original on 17 January 2011 8945: 8836:from the original on 18 January 2013 8666:from the original on 18 January 2013 8172: 7798:from the original on 30 August 2011. 7588: 7472: 7264: 7253: 7228: 7219: 7189: 6967:from the original on 12 August 2022. 6952: 6736: 6704: 6695: 6276: 5808: 5545:from the original on 6 December 2010 4986:2007 year-end chart performance for 4960:2002 year-end chart performance for 4934:1999 year-end chart performance for 4860:1998 year-end chart performance for 4758:1997 year-end chart performance for 4498: 4350:"Subterranean Homesick Alien" – 4:27 4216: 3789:for enabling their scene to thrive. 2087:, commencing at the album launch in 1743:is taken from the 1978 radio series 1631:Threnody to the Victims of Hiroshima 1598:Threnody to the Victims of Hiroshima 1293:The Hitchhiker's Guide to the Galaxy 1223:Songs of Innocence and of Experience 762:, meaning that instruments were not 12446:from the original on 20 August 2019 11942:from the original on 13 March 2012. 11857:from the original on 1 October 2019 11632:from the original on 13 March 2012. 11395:from the original on 26 August 2016 11324:Nestruck, Kelly (8 November 2007). 11275:McCarthy, Sean (18 December 2009), 11193:McCarthy, Sean (18 December 2009). 11047:from the original on 17 April 2009. 11021:Plagenhoef, Scott (16 April 2009). 10725: 10239:from the original on 1 August 2009. 10045:"Most Overrated Album in the World" 9811:from the original on 9 August 2011. 9231:from the original on 26 August 2011 8883:"Radiohead, 'OK Computer,' Capitol" 8840: 8818: 8438:"Flashback: Radiohead Live in 1997" 7741:Kahney, Leander (1 February 2002), 6395:(January 1998), "Renaissance Men", 6136: 3853:, with covers by artists including 3370:was recorded in the lead up to the 3193:The 500 Greatest Albums of All Time 3086: 2337: 2254: 2054:" was released in August 1997 and " 1764:I'd Like to Teach the World to Sing 1371:, but in a style that the bassist, 1274:", which also eschew a traditional 1208:computer, inspired by the music of 794: 13: 14121:Exit Music: Songs with Radio Heads 13622:No Surprises / Running from Demons 13281: 12338:from the original on 29 March 2019 12302:from the original on 20 March 2012 12272:from the original on 27 April 2018 12020:from the original on 10 April 2013 11908:from the original on 22 July 2011. 11519:from the original on 21 April 2018 11264:from the original on 3 August 2011 11182:from the original on 17 March 2009 11007:from the original on 30 March 2009 10782:Sherwin, Adam (28 December 2007), 10648:from the original on 5 August 2017 10636:Masters, Tim (23 September 2009). 10485:from the original on 6 August 2011 10307:from the original on 1 August 2011 10130:from the original on 6 March 2016. 10055:from the original on 8 April 2012. 9822:Greene, Andy (24 September 2020). 9734:from the original on 22 June 2009. 9673:from the original on 9 August 2011 9307:. 26 February 1998. Archived from 8824:"Radiohead: OK Computer (Capitol)" 8690:from the original on 6 April 2012. 7784:Dombal, Ryan (15 September 2010). 7022: 6986:from the original on 23 April 2009 6978:Dowling, Stephen (20 April 2009). 6617:"Radiohead: OK Computer (Capitol)" 6143:McKinnon, Matthew (24 July 2006). 5705:from the original on 6 August 2011 5691:Timberg, Scott (28 January 2003), 5652:from the original on 31 March 2017 5640:Bidwell, Chad (25 February 1999), 5516:from the original on 6 August 2011 4752: 4468:Gerard Navarro – studio assistance 3886:2009 "Collector's Edition" reissue 3771:journalist Marc Hogan argued that 3747:—effectively closed the door that 3661:listened to or were influenced by 2834:Retrospective reviews (after 1997) 2771:. It was named the second-best in 2648:is not, finally, as impressive as 1544: 1250:, on the lyrics. Music journalist 1191:Problems playing these files? See 1126: 229:No Surprises / Running from Demons 14: 14846: 13583:I Might Be Wrong: Live Recordings 13335: 13263:The New Rolling Stone Album Guide 13052:Radiohead: Hysterical and Useless 12524:"Jaaroverzichten 2007 - Midprice" 11738:from the original on 12 May 2012. 11614:from the original on 10 May 2012. 11552:from the original on 11 June 2019 11489:from the original on 27 June 2017 11476: 11250:Kreps, Daniel (15 January 2009), 10885:from the original on 31 July 2011 10845: 10754:Lapatine, Scott (12 March 2015). 10728:"Easy Star All-Stars: Radiodread" 10553:Murphy, Peter (11 October 2001), 10332:"The importance of being earnest" 10293:Hyden, Steven (25 January 2011), 10141:Christgau, Robert (8 July 2003). 10116:Norris, Chris (9 November 2009). 10066:Green, David H. (18 March 2009). 9997:from the original on 9 March 2020 9659:Cinquemani, Sal (27 March 2007), 9565:The Encyclopedia of Popular Music 9473:from the original on 29 June 2011 9256:from the original on 4 March 2016 9167:from the original on 3 March 2001 9137:from the original on 18 July 2008 8678:"James Blunt album sales pass 5m" 8551:from the original on 27 June 2019 8417:from the original on 23 June 2017 8357:(August 2003), "Into the Light", 8047:Scovell, Adam (15 January 2018). 6691:from the original on 4 April 2010 6663:from the original on 12 June 2017 6255:Greene, Andy (13 December 2018). 6155:from the original on 3 March 2016 6149:Canadian Broadcasting Corporation 5620:member and experimental musician 4138:Reviews were generally positive. 4066: 4028: 3990: 3916: 3810:better for it—records." In 2005, 3643:, "what Radiohead had created in 3639:said that by 1999, starting with 3048: 3010: 2959: 2909: 2859: 2432: 2394: 2299: 2095:following Radiohead on the tour, 644:Chipping Norton Recording Studios 542:(1995). Midway through the tour, 14820:Albums produced by Nigel Godrich 14342:I Do Not Want What I Haven't Got 14280: 14279: 12538: 12516: 12484: 12458: 12426: 12411: 12381: 12350: 12314: 12284: 12252: 12237: 12209: 12197:from the original on 10 May 2017 12179: 12161:"Classement Albums – année 1997" 12153: 12122: 12092: 12062: 12032: 12002: 11946: 11928: 11894: 11869: 11843: 11814: 11793: 11768: 11742: 11724: 11699: 11681: 11657: 11618: 11600: 11564: 11531: 11501: 11470: 11438: 11407: 11374: 11243: 11168:Dombal, Ryan (14 January 2009), 10940:from the original on 12 May 2012 10889: 10871:Kreps, Daniel (8 January 2009), 10864: 10807: 10775: 10747: 10719: 10693: 10667:Brown, Jonathan (27 July 2010). 10629: 10567:from the original on 25 May 2011 10546: 10521: 10496: 10464: 10448: 10431: 10414: 10398: 10373: 10348: 10259:, 1 January 2007, archived from 10134: 10109: 10084: 10059: 10037: 10009: 9979: 9948: 9895: 9865: 9815: 9791: 9766: 9738: 9713: 9617: 9586: 9552: 9548:– via robertchristgau.com. 9510: 9477: 9410: 9385: 9369: 9332: 9315: 9291: 9267: 9235: 9148: 9113: 9097:. 15 August 1997. Archived from 9081: 9053: 9030: 8777: 8694: 8670: 8654:"Operating on His Own Frequency" 8607: 8574: 8429: 8398: 8366: 8347: 8180: 8166: 8126: 8114:from the original on 12 May 2016 8068: 8012: 7974:Martins, Chris (29 March 2011). 7967: 7911: 7870: 7826: 7759: 7743:"He Writes the Songs: Mac Songs" 7734: 7703: 7526:Micallef, Ken (17 August 1997). 7200: 6953:Hall, Parker (4 February 2016). 6244:from the original on 31 May 2017 6228:"Radiohead's rhapsody in gloom: 5558: 5464: 5415: 5380: 5363: 4790:Belgian Albums Chart (Wallonia) 4782:Belgian Albums Chart (Flanders) 4503: 4353:"Exit Music (For a Film)" – 4:24 4311: 4085: 4080: 4075: 4070: 4065: 4047: 4042: 4037: 4032: 4027: 4009: 4004: 3999: 3994: 3989: 3935: 3930: 3925: 3920: 3915: 3105: 3100: 3095: 3090: 3085: 3067: 3062: 3057: 3052: 3047: 3029: 3024: 3019: 3014: 3009: 2978: 2973: 2968: 2963: 2958: 2928: 2923: 2918: 2913: 2908: 2878: 2873: 2868: 2863: 2858: 2755:, and tied for first place with 2451: 2446: 2441: 2436: 2431: 2413: 2408: 2403: 2398: 2393: 2351: 2346: 2341: 2336: 2318: 2313: 2308: 2303: 2298: 2268: 2263: 2258: 2253: 2134:as the defining sound of rock's 1746:Hitchhiker's Guide to the Galaxy 1583:Problems playing this file? See 1560: 1168: 1142: 819: 808: 426:and debuted at number 21 on the 14075:In Rainbows – From the Basement 13290:A Brief History of Album Covers 13213:Exit Music: The Radiohead Story 13023: 12932:. IFPI Switzerland. Hung Medien 11971:"Official Albums Chart Top 100" 11446:"Official Albums Chart Top 100" 10528:Sellers, John (11 April 2011), 10355:Kharas, Kev (16 October 2007). 9601:Rock: The Essential Album Guide 9299:"The 1998 Grammy Award Winners" 8881:Scribner, Sara (29 June 1997), 8652:Hilburn, Robert (3 June 2001), 7687: 7602: 7582: 7519: 7466: 7438: 7173: 7145: 6971: 6946: 6754: 6498: 6248: 6186: 6145:"Everything in Its Right Place" 6116: 5952: 5342: 4474:Chris Scard – studio assistance 3880:resurgence of interest in vinyl 3542:, which was first broadcast on 3527:really listened to Radiohead's 2584:published positive reviews. In 2547:and prickly-skinned paranoia." 1457:of "Fred", included with older 572:and produced several Radiohead 14228:The Music and Art of Radiohead 13140:Letts, Marianne Tatom (2010). 12776:in the "Artiest of titel" box. 12248:. 17 January 1998. p. 29. 12100:"Jaaroverzichten – Album 1997" 11925:. Retrieved 17 November 2021. 11752:. musicline.de. Archived from 11414:Atkins, Jamie (22 June 2017). 11353:Christman, Ed (4 April 2016). 11112:Richards, Sam (8 April 2009), 11061:Hermes, Will (30 April 2009), 10905:, 18 July 2008, archived from 10471:Nunn, Adie (4 December 2003), 10016:Dettmar, Kevin (20 May 2022). 9773:Gerard, Chris (4 April 2014). 8784:DeSantis, Nick (10 May 2016), 8581:Blashill, Pat (16 June 2017). 8133:Plaugic, Lizzie (2 May 2017). 8100:Jeremy, Gordon (12 May 2016). 8082:. 4 March 1998. Archived from 7877:Arminio, Mark (26 June 2009), 7662:Oldham, James (14 June 1997), 7589:Kara, Scott (September 2000), 7567:, no. 130, archived from 6651:"The Persistence of Prog Rock" 6615:Walters, Barry (August 1997), 6546:"Give Radiohead Your Computer" 6544:DiMartino, Dave (2 May 1997). 5531:Richards, Sam (8 April 2009), 4489:Matt Bale – additional artwork 4471:Jon Bailey – studio assistance 4376:"Climbing Up the Walls" – 4:45 3605:coincided with the decline of 3546:in 2007. The play, written by 2210:recorded total UK sales of 1.5 2179:million copies worldwide. The 2101:, premiered in November 1998. 1657:mental health patients, and a 1508:"Electioneering", featuring a 1440: 1114: 626:purchased from the songwriter 16:1997 studio album by Radiohead 1: 13941:Everything in Its Right Place 13383: 13315:Greene, Andy (16 June 2017). 13076:. New Malden: Chrome Dreams. 12956:British Phonographic Industry 12422:. 16 January 1999. p. 9. 10954:Modell, Josh (3 April 2009), 10421:"The 50 Greatest Bands: 15", 10330:McLean, Craig (27 May 2005), 10091:Yates, Henry (3 April 2011). 9849:"162 OK Computer – Radiohead" 9722:"Top 100 Albums of the 1990s" 9392:Gill, Andy (5 October 2007), 8711:British Phonographic Industry 8436:Greene, Andy (18 July 2013). 6904:Randall, Mac (1 April 1998). 4509:Weekly chart performance for 4268: 4257:debuted at number two on the 4225:OK Computer OKNOTOK 1997 2017 3891:"Collector's Edition" ratings 3851:OKX: A Tribute to OK Computer 3839:, a reggae interpretation of 3453:and R.E.M. had been before." 3397:No, things can only get worse 3230:The Rolling Stone Album Guide 3041:The Rolling Stone Album Guide 2952:Encyclopedia of Popular Music 1119: 514: 335:, Radiohead recorded most of 13125:. Cambridge: Da Capo Press. 11977:. Retrieved 15 August 2020. 11538:Terry, Josh (11 June 2019). 9696:Smith, RJ (September 1999), 9060:Masley, Ed (8 August 1997). 8535:Jones, Alan (30 June 2017). 8405:White, Adam (23 June 2017). 7839:artwork has been discovered" 6677:Allen, Matt (14 June 2007), 6226:Greene, Andy (31 May 2017), 6033:"X-Posure with John Kennedy" 5747: 5502:Aza, Bharat (15 June 2007), 5433:, was typified by nostalgic 5356:a concept album at all. See 5336: 4996: 4993: 4978: 4952: 4926: 4914: 4906: 4898: 4890: 4878: 4852: 4840: 4832: 4824: 4816: 4808: 4800: 4792: 4784: 4776: 4743: 4729: 4694: 4629: 4397: 3557: 3191:ranked it 42 on its list of 2673:Best Alternative Music Album 2655: 2019:. The first major Radiohead 1918: 1465:"Fitter Happier" is a short 1244:, especially his 1973 novel 1237:The Tibetan Book of the Dead 868:. He described the sound of 637: 475:. It was also nominated for 469:Best Alternative Music Album 457:" were released as singles. 343:and the historic mansion of 339:in their rehearsal space in 295:Released: December 1997 (FR) 7: 14640:Modern Vampires of the City 14497:A Rush of Blood to the Head 13955:How to Disappear Completely 13696:High and Dry / Planet Telex 12332:Library and Archives Canada 12163:(in French). Archived from 11999:. Retrieved 24 April 2023. 11381:Spice, Anton (6 May 2016). 10846:V, Petey (9 January 2009), 9930:Lusk, Jon (5 August 2011). 9596:, ed. (1998). "Radiohead". 9242:Gill, Andy (13 June 1997), 9040:(14 June 1997), "Review of 5717:Turner, Luke (9 May 2011), 4477:Chris "King Fader" Blair – 3882:in the early 21st century. 3564:A lot of people have taken 3267:National Recording Registry 3209:Retrospective reviews from 1453:system. Radiohead used the 1309:Subterranean Homesick Blues 1303:. Its title references the 1284:Marvin the Paranoid Android 493:National Recording Registry 375:world fraught with rampant 10: 14851: 14266:Dasyomyliobatis thomyorkei 13826:These Are My Twisted Words 13819:Harry Patch (In Memory Of) 13629:Airbag / How Am I Driving? 12322:"RPM's Top 100 CDs of '98" 11987:"Radiohead Chart History ( 9624:"Radiohead: OK Computer". 9517:Christgau, Robert (2000). 8769:: CS1 maint: postscript ( 7833:Young, Alex (9 May 2017). 6131:University of London Union 5632:and contemporary composer 4316:All tracks are written by 4285: 4222: 3843:. In 2007, the music blog 3385:Things Can Only Get Better 2940:Christgau's Consumer Guide 2033: 1791: 969:album made with guitars". 841:(bottom, 2005) influenced 736:, a historic mansion near 422:reached number one on the 20: 14726: 14595: 14464: 14402:MTV Unplugged in New York 14333: 14275: 14151: 14098: 14038: 13925: 13896: 13835: 13805:Jigsaw Falling into Place 13761: 13659: 13652: 13592: 13574: 13556: 13510: 13434: 13391: 12546:"Discos de Oro y Platino" 12389:"End of Year Charts 1998" 12187:"End of Year Charts 1997" 11954:"Radiohead – OK Computer" 11936:"Radiohead – OK Computer" 11902:"Radiohead – OK Computer" 11877:"Radiohead – OK Computer" 11851:"Radiohead – OK Computer" 11732:"Radiohead – OK Computer" 11707:"Radiohead – OK Computer" 11689:"Radiohead – OK Computer" 11647:"Radiohead – OK Computer" 11626:"Radiohead – OK Computer" 11610:. Australian-charts.com. 11608:"Radiohead – OK Computer" 10669:"A-Z of progressive rock" 9799:"Best Albums of the '90s" 9422:"OK Computer – Radiohead" 8617:. Official Charts Company 7835:"Location of Radiohead's 5312: 5297: 5277: 5262: 5247: 5232: 5217: 5202: 5187: 5172: 5157: 5136: 5121: 5106: 5091: 5076: 5061: 5046: 5035: 5032: 5025:Sales certifications for 5001: 4975: 4970: 4967: 4949: 4919: 4911: 4904:New Zealand Albums Chart 4903: 4895: 4883: 4875: 4845: 4837: 4829: 4822:New Zealand Albums Chart 4821: 4813: 4805: 4797: 4789: 4781: 4773: 4734: 4719: 4709: 4699: 4684: 4674: 4664: 4654: 4644: 4634: 4624: 4614: 4604: 4594: 4584: 4568: 4557: 4546: 4536: 4526: 4493: 3903: 3900: 3861:Reissues and compilations 3499:as a "prescient ... 2846: 2843: 2823: 2817:The Dark Side of the Moon 2677:40th Annual Grammy Awards 2239: 2236: 2017:manage an online presence 1749:, in which the character 1008: 316: 308:Released: 12 January 1998 256: 245: 241: 204: 196: 175: 152: 136: 124: 96: 75: 60: 47: 38: 33: 14581:Wolfgang Amadeus Phoenix 14054:7 Television Commercials 13717:Street Spirit (Fade Out) 13159:Lynskey, Dorian (2011). 11031:: Collector's Edition / 11027:: Collector's Edition / 10924:Erlewine, Stephen Thomas 10473:"Introducing Bloc Party" 9932:"Radiohead: OK Computer" 9661:"Radiohead: OK Computer" 9568:(5th concise ed.). 9486:"Radiohead: OK Computer" 9461:"Radiohead: OK Computer" 9418:Erlewine, Stephen Thomas 9187:Farley, Christopher John 9062:"Turn up your Radiohead" 8911:Schreiber, Ryan (1997), 8565:1 albums for Radiohead, 5331: 5020:Certifications and sales 4876:Australian Albums Chart 4774:Australian Albums Chart 4656:New Zealand Albums Chart 4463:The White Chocolate Farm 3182:All Time Top 1000 Albums 2141: 1989:radio in the shape of a 1734: 1688:" and the soul music of 1485:Three Days of the Condor 1382:" contains multilayered 965:as sounding like "a DIY 282:Released: 25 August 1997 89:July 1996 – 6 March 1997 14254:Kid A Mnesia Exhibition 14240:Scott Tenorman Must Die 14221:Sericomyrmex radioheadi 13091:Griffiths, Dai (2004). 13050:Clarke, Martin (2010). 12244:"Top 100 Albums 1997". 12070:"Rapports annuels 1997" 11975:Official Charts Company 11923:Official Charts Company 11881:Norwegian Charts Portal 11451:Official Charts Company 9275:"Brits vie for Grammys" 9067:Pittsburgh Post-Gazette 8232:Official Charts Company 4528:Australian Albums Chart 4402:Personnel adapted from 4373:"Electioneering" – 3:50 4370:"Fitter Happier" – 1:57 2829:Retrospective appraisal 2569:Pittsburgh Post-Gazette 2227:Contemporaneous reviews 2208:Official Charts Company 2078: 1883:Commercial expectations 1556:'Climbing Up the Walls' 1264:Happiness Is a Warm Gun 724:, a rural mansion near 14825:Capitol Records albums 14735:Fetch the Bolt Cutters 14169:Awards and nominations 14061:Meeting People Is Easy 13636:Com Lag (2plus2isfive) 13526:Radiohead: The Best Of 13288:Draper, Jason (2008). 13265:. New York: Fireside. 12040:"Jaaroverzichten 1997" 11067:(Collector's Edition)" 11035:: Collector's Edition" 9857:. 2004. Archived from 8743:on 24 September 2015. 6506:"OK Computer turns 20" 5590:Manic Street Preachers 4896:European Albums Chart 4806:European Albums Chart 4666:Norwegian Albums Chart 4626:Hungarian Albums Chart 4194:In 2007, EMI released 3675:for their next album, 3590: 3574: 3387:.' A few weeks later, 3364: 2204:album-equivalent units 2098:Meeting People Is Easy 1966: 1950: 1911:. There's less of the 1827:Radiohead: The Best Of 1809: 1703:" was inspired by the 1686:What a Wonderful World 1684:'s 1968 recording of " 1670: 1610: 1549: 1462: 1342:the Zeffirelli version 1131: 1053:'s political writing, 729: 632:electronic dance music 533: 14200:Dead Children Playing 13211:Randall, Mac (2000). 13031:Britton, Amy (2011). 12744:on the drop-down menu 11938:. Swedishcharts.com. 11904:. Spanishcharts.com. 11801:"IRMA – Irish charts" 11711:Finnish Charts Portal 11628:. Austriancharts.at. 9957:"Party in Hard Times" 9562:(2011). "Radiohead". 9217:(23 September 1997), 9123:(29 September 1997), 7591:"Experimental Creeps" 6714:Tom Hull – on the Web 6710:"April 2007 Notebook" 4830:Swedish Albums Chart 4538:Austrian Albums Chart 4419:audio level balancing 3586: 3562: 3534:The album inspired a 3509:Security Level Orange 3372:1997 general election 3350: 3117:Tom Hull – on the Web 1981:containing Radiohead 1963:shirt design pictured 1956: 1929: 1878:Release and promotion 1835:Hartford, Connecticut 1799: 1782:binary numeral system 1665: 1651:Care in the Community 1595: 1548: 1523:Manufacturing Consent 1448: 1323:to write a piece of " 1204:and edited it with a 1130: 740:owned by the actress 715: 568:, who had engineered 564:" in five hours with 522: 505:, Radiohead released 269:Released: 26 May 1997 64:21 May 1997 12526:(in Dutch). Ultratop 12472:on 27 September 2012 9807:. 14 February 2011. 9787:on 21 February 2016. 9529:St. Martin's Griffin 9498:on 27 September 2009 9353:on 6 September 2016. 8860:Entertainment Weekly 8745:If necessary, click 8561:The first of six No. 5371:completely terrified 4814:French Albums Chart 4701:Swedish Albums Chart 4676:Spanish Albums Chart 4646:Italian Albums Chart 4596:Finnish Albums Chart 4559:Belgian Albums Chart 4548:Belgian Albums Chart 4393:"The Tourist" – 5:24 4306:Extinction Rebellion 4263:Glastonbury Festival 3185:3rd Edition (2000). 2723:Entertainment Weekly 2608:Entertainment Weekly 2545:random-access memory 2280:Entertainment Weekly 2110:Glastonbury Festival 1839:constructed language 1780:—a reference to the 1655:deinstitutionalising 1626:Krzysztof Penderecki 1603:Krzysztof Penderecki 1573:Krzysztof Penderecki 1345:acoustic guitar, to 800:Style and influences 734:St Catherine's Court 722:St Catherine's Court 662:'s nickname as the " 395:. In this capacity, 371:The lyrics depict a 345:St Catherine's Court 111:St Catherine's Court 14712:Father of the Bride 14533:Get Behind Me Satan 14234:2012 stage collapse 14082:Radiohead for Haiti 14047:Live at the Astoria 13948:The National Anthem 13905:If You Say the Word 12504:on 2 September 2004 12167:on 15 December 2013 11677:on 10 November 2012 11588:cite AV media notes 10510:The Washington Post 10320:, pp. 627–628. 10186:, pp. 259–261. 10073:The Daily Telegraph 9991:Library of Congress 9748:(2 November 2006), 9366:, pp. 183–184. 9203:on 12 November 2011 9003:, pp. 181–182. 8308:, pp. 202–203. 8217:, pp. 117–119. 8205:, pp. 242–243. 7823:, pp. 127–130. 7634:. 3 December 2010. 7528:"I'm OK, You're OK" 7500:, pp. 108–109. 7291:, pp. 158–159. 7019:, pp. 214–215. 6751:, pp. 142–150. 6002:, pp. 190–191. 5693:"The maestro rocks" 5408:has certainly sold 5029: 4990: 4964: 4938: 4864: 4798:Dutch Albums Chart 4762: 4616:German Albums Chart 4606:French Albums Chart 4513: 4486:– string conducting 3892: 3831:Easy Star All-Stars 3298:The Daily Telegraph 3271:Library of Congress 2835: 2228: 2044:The Evening Session 1715:and, more broadly, 1678:Wouldn't It Be Nice 1482:from the 1975 film 1473:from the Macintosh 1331:William Shakespeare 1060:The Age of Extremes 554:charity compilation 489:Library of Congress 435:five times platinum 82:4 September 1995 (" 13703:Fake Plastic Trees 13643:In Rainbows Disk 2 13511:Compilation albums 13499:A Moon Shaped Pool 13350:(list of releases) 13180:Moon, Tom (2008). 13054:. London: Plexus. 11756:on 16 October 2011 11691:. Dutchcharts.nl. 11574:(CD liner notes). 11126:on 6 December 2010 10909:on 1 November 2010 10232:The New York Times 10225:(28 August 1997). 9484:Slaughter, James. 9304:The New York Times 9189:(25 August 1997), 7921:The New York Times 7538:on 1 January 2013. 6918:on 3 October 2012. 6556:on 14 August 2007. 6511:Time Out Abu Dhabi 6015:Les Inrockuptibles 5024: 4985: 4959: 4933: 4859: 4757: 4711:Swiss Albums Chart 4636:Irish Albums Chart 4586:Dutch Albums Chart 4517:Chart (1997–2017) 4508: 4415:committing to tape 4288:MiniDiscs (Hacked) 4235:OKNOTOK 1997 2017, 3890: 3696:said that most of 3459:The New York Times 3395:'s ghost to warn: 3365: 2833: 2804:Les Inrockuptibles 2663:was nominated for 2226: 2222:Critical reception 2167:By February 1998, 2073:promotional single 2065:Modern Rock Tracks 1967: 1959:London Underground 1951: 1810: 1774:speech recognition 1611: 1550: 1463: 1276:verse-chorus-verse 1164:"Paranoid Android" 1132: 1069:The State We're In 780:Abbey Road Studios 730: 624:plate reverberator 534: 477:Best British Album 473:1998 Grammy Awards 413:Abbey Road Studios 14830:Parlophone albums 14785: 14784: 14664:Sound & Color 14562:The White Stripes 14538:The White Stripes 14514:The White Stripes 14293: 14292: 14174:Live performances 13921: 13920: 13533:OKNOTOK 1997 2017 13519:Radiohead Box Set 13506: 13492:The King of Limbs 13478:Hail to the Thief 13246:978-0-374-18774-3 13199:978-0-85965-439-5 13172:978-0-06-167015-2 13165:. HarperCollins. 13151:978-0-253-35570-6 13083:978-1-84240-388-4 13061:978-0-85965-439-5 13042:978-1-4678-8710-6 12801:Recorded Music NZ 12556:on 20 August 2011 12393:Recorded Music NZ 12366:Music & Media 12222:Sverigetopplistan 12191:Recorded Music NZ 12138:Music & Media 11734:. Lescharts.com. 11513:Irish Independent 11388:The Vinyl Factory 11299:Hail to the Thief 11217:Hail to the Thief 10993:(27 March 2009), 10674:Belfast Telegraph 10608:(20 March 2017). 10443:New Music Monthly 10410:. September 1999. 10147:The Village Voice 10049:BBC Radio 6 Music 9961:The Village Voice 9911:. 12 October 2019 9579:978-0-85712-595-8 9459:(29 March 2002), 9457:Thompson, Stephen 9287:on 29 March 2016. 9224:The Village Voice 9215:Christgau, Robert 9155:Schreiber, Ryan. 8888:Los Angeles Times 8659:Los Angeles Times 8595:on 31 August 2019 8374:Klosterman, Chuck 7981:Los Angeles Times 7891:on 6 October 2012 7731:, pp. 36–37. 7676:on 17 August 2000 7357:, pp. 93–94. 7183:Alternative Press 7082:, pp. 59–60. 7070:, pp. 60–61. 6708:(15 April 2007). 6196:Alternative Press 5698:Los Angeles Times 5634:Esa-Pekka Salonen 5598:The Divine Comedy 5329: 5328: 5324: 5320: 5316: 5147: 5145:sales since 2009 5016: 5015: 5009: 5008: 4983: 4982: 4957: 4956: 4931: 4930: 4857: 4856: 4748: 4747: 4218:OKNOTOK 1997 2017 4204:. In April 2016, 4197:Radiohead Box Set 4188:Radiohead Box Set 4094: 4093: 3550:, Chris Perkins, 3433:said that, where 3289:BBC Radio 6 Music 3223:were favourable. 3142:Alternative Press 3126: 3125: 2669:Album of the Year 2630:The Village Voice 2563:Los Angeles Times 2484: 2483: 2330:Los Angeles Times 2192:Nielsen SoundScan 2182:Los Angeles Times 2038:Radiohead chose " 1927: 1891:saw the album as 1751:Zaphod Beeblebrox 1566: 1471:synthesised voice 1455:synthesised voice 1417:generated with a 1317:extraterrestrials 1272:Bohemian Rhapsody 1174: 1148: 904:A Day in the Life 778:were recorded at 685:During the tour, 676:Alanis Morissette 498:OKNOTOK 1997 2017 465:Album of the Year 411:were recorded at 385:social alienation 320: 319: 237: 236: 103:Canned Applause, 14842: 14805:Radiohead albums 14688:Sleep Well Beast 14320: 14313: 14306: 14297: 14296: 14283: 14282: 14207:Radio and Juliet 14152:Related articles 13912:Follow Me Around 13731:Paranoid Android 13657: 13656: 13565:TKOL RMX 1234567 13505: 13378: 13371: 13364: 13355: 13354: 13331: 13329: 13327: 13311: 13276: 13250: 13226: 13207: 13202:. Archived from 13176: 13155: 13136: 13114: 13098: 13087: 13065: 13046: 13017: 13016: 13014: 13012: 12998: 12992: 12991: 12989: 12987: 12973: 12967: 12966: 12964: 12962: 12948: 12942: 12941: 12939: 12937: 12929: 12925: 12918: 12912: 12911: 12909: 12907: 12901: 12895:. Archived from 12890: 12882: 12876: 12875: 12873: 12871: 12844: 12838: 12837: 12835: 12833: 12824:(in Norwegian). 12818: 12812: 12811: 12809: 12807: 12793: 12787: 12770: 12768: 12766: 12752: 12746: 12738: 12736: 12734: 12720: 12714: 12712: 12710: 12708: 12694: 12688: 12687: 12676: 12670: 12669: 12667: 12665: 12651: 12645: 12644: 12642: 12640: 12626: 12620: 12619: 12617: 12615: 12600: 12594: 12593: 12591: 12589: 12580: 12572: 12566: 12565: 12563: 12561: 12552:. Archived from 12542: 12536: 12535: 12533: 12531: 12520: 12514: 12513: 12511: 12509: 12500:. Archived from 12488: 12482: 12481: 12479: 12477: 12462: 12456: 12455: 12453: 12451: 12430: 12424: 12423: 12415: 12409: 12408: 12406: 12404: 12385: 12379: 12378: 12376: 12374: 12362: 12354: 12348: 12347: 12345: 12343: 12318: 12312: 12311: 12309: 12307: 12288: 12282: 12281: 12279: 12277: 12256: 12250: 12249: 12241: 12235: 12234: 12232: 12230: 12213: 12207: 12206: 12204: 12202: 12183: 12177: 12176: 12174: 12172: 12157: 12151: 12150: 12148: 12146: 12134: 12126: 12120: 12119: 12117: 12115: 12096: 12090: 12089: 12087: 12085: 12066: 12060: 12059: 12057: 12055: 12036: 12030: 12029: 12027: 12025: 12006: 12000: 11984: 11978: 11968: 11962: 11961: 11956:. Hitparade.ch. 11950: 11944: 11943: 11932: 11926: 11916: 11910: 11909: 11898: 11892: 11891: 11889: 11887: 11873: 11867: 11866: 11864: 11862: 11847: 11841: 11839: 11837: 11835: 11818: 11812: 11811: 11809: 11807: 11797: 11791: 11790: 11788: 11786: 11778:(in Hungarian). 11772: 11766: 11765: 11763: 11761: 11746: 11740: 11739: 11728: 11722: 11721: 11719: 11717: 11703: 11697: 11696: 11685: 11679: 11678: 11665:"Top Albums/CDs" 11661: 11655: 11654: 11643: 11634: 11633: 11622: 11616: 11615: 11604: 11598: 11597: 11591: 11583: 11568: 11562: 11561: 11559: 11557: 11535: 11529: 11528: 11526: 11524: 11505: 11499: 11498: 11496: 11494: 11474: 11468: 11467: 11465: 11463: 11442: 11436: 11435: 11433: 11431: 11422:. Archived from 11420:Record Collector 11411: 11405: 11404: 11402: 11400: 11378: 11372: 11371: 11369: 11367: 11350: 11344: 11343: 11341: 11339: 11321: 11315: 11314: 11272: 11266: 11265: 11247: 11241: 11240: 11238: 11236: 11190: 11184: 11183: 11165: 11156: 11155: 11137: 11128: 11127: 11122:, archived from 11109: 11100: 11099: 11090: 11081: 11080: 11058: 11049: 11048: 11018: 11009: 11008: 10987: 10978: 10977: 10951: 10942: 10941: 10920: 10911: 10910: 10893: 10887: 10886: 10868: 10862: 10861: 10843: 10837: 10836: 10834: 10832: 10823:. 10 July 2008. 10811: 10805: 10804: 10803: 10801: 10779: 10773: 10772: 10770: 10768: 10751: 10745: 10744: 10742: 10740: 10723: 10717: 10716: 10714: 10712: 10697: 10691: 10690: 10688: 10686: 10664: 10658: 10657: 10655: 10653: 10633: 10627: 10626: 10624: 10622: 10602: 10596: 10590: 10581: 10575: 10569: 10568: 10550: 10544: 10543: 10525: 10519: 10518: 10500: 10494: 10493: 10492: 10490: 10478:Drowned in Sound 10468: 10462: 10461: 10452: 10446: 10445: 10435: 10429: 10428: 10418: 10412: 10411: 10402: 10396: 10395: 10393: 10391: 10385:citizeninsane.eu 10377: 10371: 10370: 10369:on 4 March 2016. 10365:. Archived from 10362:Drowned in Sound 10352: 10346: 10345: 10327: 10321: 10315: 10309: 10308: 10290: 10281: 10280: 10271: 10265: 10264: 10247: 10241: 10240: 10219: 10213: 10212: 10205: 10199: 10193: 10187: 10181: 10175: 10169: 10163: 10162: 10160: 10158: 10153:on 25 March 2014 10149:. Archived from 10138: 10132: 10131: 10113: 10107: 10106: 10105:on 11 July 2011. 10101:. Archived from 10088: 10082: 10081: 10063: 10057: 10056: 10051:. October 2005. 10041: 10035: 10034: 10032: 10030: 10013: 10007: 10006: 10004: 10002: 9983: 9977: 9976: 9974: 9972: 9952: 9946: 9945: 9927: 9921: 9920: 9918: 9916: 9899: 9893: 9892: 9890: 9888: 9869: 9863: 9862: 9861:on 29 July 2011. 9845: 9839: 9838: 9836: 9834: 9819: 9813: 9812: 9795: 9789: 9788: 9783:. Archived from 9770: 9764: 9763: 9758:, archived from 9742: 9736: 9735: 9717: 9711: 9710: 9698:"09: Radiohead: 9693: 9687: 9681: 9675: 9674: 9656: 9647: 9641: 9632: 9631: 9621: 9615: 9614: 9590: 9584: 9583: 9556: 9550: 9549: 9547: 9545: 9514: 9508: 9507: 9505: 9503: 9494:. Archived from 9481: 9475: 9474: 9453: 9444: 9443: 9441: 9439: 9414: 9408: 9407: 9389: 9383: 9382: 9373: 9367: 9361: 9355: 9354: 9349:. Archived from 9336: 9330: 9329: 9319: 9313: 9312: 9311:on 4 March 2016. 9295: 9289: 9288: 9283:. Archived from 9271: 9265: 9264: 9263: 9261: 9239: 9233: 9232: 9219:"Consumer Guide" 9211: 9205: 9204: 9199:, archived from 9183: 9177: 9176: 9174: 9172: 9152: 9146: 9145: 9144: 9142: 9117: 9111: 9110: 9108: 9106: 9101:on 8 August 2018 9085: 9079: 9078: 9076: 9074: 9057: 9051: 9050: 9034: 9028: 9022: 9016: 9010: 9004: 8998: 8992: 8991: 8981: 8972: 8971: 8970: 8968: 8949:(10 July 1997), 8943: 8934: 8933: 8932: 8930: 8921:, archived from 8908: 8899: 8898: 8897: 8895: 8878: 8869: 8868: 8853:(11 July 1997), 8847: 8838: 8837: 8816: 8807: 8806: 8805: 8803: 8781: 8775: 8774: 8768: 8760: 8739:. Archived from 8729: 8723: 8722: 8720: 8718: 8698: 8692: 8691: 8686:. 8 April 2006. 8674: 8668: 8667: 8649: 8643: 8642: 8633: 8627: 8626: 8624: 8622: 8611: 8605: 8604: 8602: 8600: 8591:. Archived from 8578: 8572: 8571: 8564: 8558: 8556: 8547:. Intent Media. 8540: 8532: 8521: 8515: 8509: 8503: 8497: 8496: 8494: 8492: 8470:(22 June 2023). 8468:Petridis, Alexis 8464: 8455: 8454: 8452: 8450: 8433: 8427: 8426: 8424: 8422: 8402: 8396: 8395: 8393: 8391: 8378:"No more knives" 8370: 8364: 8363: 8351: 8345: 8339: 8333: 8327: 8321: 8315: 8309: 8303: 8297: 8291: 8285: 8279: 8273: 8272: 8270: 8268: 8252: 8243: 8242: 8240: 8238: 8224: 8218: 8212: 8206: 8200: 8194: 8193: 8184: 8178: 8177: 8170: 8164: 8158: 8152: 8151: 8149: 8147: 8130: 8124: 8123: 8121: 8119: 8097: 8088: 8087: 8086:on 21 June 2012. 8072: 8066: 8065: 8063: 8061: 8044: 8038: 8032: 8026: 8025: 8016: 8010: 8004: 7998: 7997: 7995: 7993: 7988:on 23 April 2012 7984:. Archived from 7971: 7965: 7964: 7955: 7949: 7943: 7937: 7931: 7925: 7924: 7915: 7909: 7908: 7899: 7893: 7892: 7887:, archived from 7874: 7868: 7862: 7856: 7855: 7853: 7851: 7830: 7824: 7818: 7812: 7806: 7800: 7799: 7781: 7772: 7771: 7763: 7757: 7756: 7755:on 13 April 2012 7751:, archived from 7738: 7732: 7726: 7717: 7716: 7707: 7701: 7700: 7691: 7685: 7684: 7683: 7681: 7672:, archived from 7659: 7648: 7647: 7645: 7643: 7622: 7616: 7615: 7606: 7600: 7599: 7586: 7580: 7579: 7578: 7576: 7571:on 23 April 2000 7551: 7540: 7539: 7534:. Archived from 7523: 7517: 7516: 7507: 7501: 7495: 7489: 7488: 7473:Janovitz, Bill, 7470: 7464: 7458: 7452: 7451: 7442: 7436: 7435: 7426: 7413: 7407: 7401: 7400: 7391: 7380: 7379: 7369: 7358: 7352: 7346: 7345: 7336: 7325: 7324: 7315: 7304: 7298: 7292: 7286: 7275: 7274: 7262: 7251: 7245: 7236: 7235: 7226: 7217: 7216: 7198: 7187: 7186: 7177: 7171: 7165: 7159: 7158: 7149: 7143: 7137: 7128: 7122: 7116: 7115: 7102: 7083: 7077: 7071: 7065: 7059: 7053: 7047: 7046: 7037: 7020: 7014: 7008: 7002: 6996: 6995: 6993: 6991: 6975: 6969: 6968: 6950: 6944: 6938: 6932: 6926: 6920: 6919: 6914:. Archived from 6901: 6890: 6884: 6873: 6867: 6861: 6860: 6851: 6838: 6837: 6828: 6817: 6816: 6804: 6791: 6790: 6781: 6768: 6767: 6758: 6752: 6746: 6740: 6734: 6725: 6724: 6722: 6720: 6702: 6693: 6692: 6679:"Prog's progeny" 6674: 6665: 6664: 6649:(19 June 2017), 6643: 6634: 6633: 6632: 6630: 6612: 6601: 6600: 6591: 6585: 6584: 6571: 6558: 6557: 6552:. Archived from 6541: 6528: 6527: 6525: 6523: 6502: 6496: 6490: 6484: 6478: 6472: 6466: 6460: 6459: 6450: 6439: 6438: 6429: 6423: 6422: 6413: 6402: 6401: 6389: 6364: 6358: 6352: 6351: 6344: 6329: 6323: 6317: 6311: 6300: 6299: 6289: 6274: 6273: 6271: 6269: 6252: 6246: 6245: 6223: 6212: 6206: 6200: 6199: 6190: 6184: 6183: 6174: 6165: 6164: 6162: 6160: 6140: 6134: 6133: 6120: 6114: 6108: 6099: 6098: 6089: 6080: 6074: 6068: 6067: 6058: 6047: 6046: 6025: 6019: 6018: 6009: 6003: 5997: 5988: 5982: 5976: 5970: 5964: 5956: 5950: 5949: 5940: 5934: 5933: 5924: 5918: 5917: 5905: 5890: 5884: 5878: 5872: 5863: 5862: 5855: 5846: 5845: 5829: 5806: 5800: 5794: 5793: 5784: 5775: 5774: 5765: 5742: 5739: 5738: 5736: 5713: 5712: 5710: 5687: 5673: 5660: 5659: 5657: 5562: 5556: 5553: 5552: 5550: 5527: 5517: 5468: 5462: 5419: 5413: 5384: 5378: 5367: 5361: 5346: 5322: 5318: 5314: 5263:United Kingdom ( 5143: 5030: 5023: 4991: 4984: 4965: 4958: 4950:UK Albums (OCC) 4939: 4932: 4912:UK Albums Chart 4865: 4858: 4838:UK Albums Chart 4763: 4756: 4514: 4507: 4499: 4345:Paranoid Android 4283: 4282: 4278: 4130: 4090: 4089: 4088: 4084: 4083: 4079: 4078: 4074: 4073: 4069: 4068: 4052: 4051: 4050: 4046: 4045: 4041: 4040: 4036: 4035: 4031: 4030: 4014: 4013: 4012: 4008: 4007: 4003: 4002: 3998: 3997: 3993: 3992: 3940: 3939: 3938: 3934: 3933: 3929: 3928: 3924: 3923: 3919: 3918: 3893: 3889: 3753: 3744:Life thru a Lens 3734:Word Gets Around 3702: 3690: 3623: 3597: 3582: 3471:anti-depressants 3357:pictured in 1998 3321: 3110: 3109: 3108: 3104: 3103: 3099: 3098: 3094: 3093: 3089: 3088: 3072: 3071: 3070: 3066: 3065: 3061: 3060: 3056: 3055: 3051: 3050: 3034: 3033: 3032: 3028: 3027: 3023: 3022: 3018: 3017: 3013: 3012: 2983: 2982: 2981: 2977: 2976: 2972: 2971: 2967: 2966: 2962: 2961: 2933: 2932: 2931: 2927: 2926: 2922: 2921: 2917: 2916: 2912: 2911: 2883: 2882: 2881: 2877: 2876: 2872: 2871: 2867: 2866: 2862: 2861: 2836: 2832: 2681:1998 Brit Awards 2625:Robert Christgau 2456: 2455: 2454: 2450: 2449: 2445: 2444: 2440: 2439: 2435: 2434: 2418: 2417: 2416: 2412: 2411: 2407: 2406: 2402: 2401: 2397: 2396: 2356: 2355: 2354: 2350: 2349: 2345: 2344: 2340: 2339: 2323: 2322: 2321: 2317: 2316: 2312: 2311: 2307: 2306: 2302: 2301: 2273: 2272: 2271: 2267: 2266: 2262: 2261: 2257: 2256: 2229: 2225: 2213: 2201: 2178: 2174: 2040:Paranoid Android 2029: 1991:desktop computer 1928: 1894: 1854:said the use of 1725: 1622:modern classical 1568: 1567: 1547: 1528:propaganda model 1467:musique concrète 1436: 1352:At Folsom Prison 1336:Romeo and Juliet 1260:Paranoid Android 1181:Paranoid Android 1176: 1175: 1150: 1149: 1129: 1078:What a Carve Up! 996: 974:progressive rock 823: 812: 795:Music and lyrics 760:audio separation 706:soundtrack album 583: 481:1998 Brit Awards 443:Paranoid Android 405:audio separation 363: 309: 306: 296: 293: 283: 280: 270: 267: 264:Paranoid Android 206: 205: 148: 147: 143: 131:Alternative rock 71: 69: 43: 31: 30: 14850: 14849: 14845: 14844: 14843: 14841: 14840: 14839: 14790: 14789: 14786: 14781: 14722: 14717:Vampire Weekend 14645:Vampire Weekend 14591: 14521:A Ghost Is Born 14460: 14347:Sinéad O'Connor 14329: 14324: 14294: 14289: 14271: 14189:Stanley Donwood 14179:Atoms for Peace 14147: 14114:Hold Me to This 14107:True Love Waits 14094: 14034: 13976:True Love Waits 13917: 13892: 13831: 13757: 13682:Stop Whispering 13648: 13588: 13570: 13552: 13504: 13430: 13411:Colin Greenwood 13404:Jonny Greenwood 13387: 13382: 13338: 13325: 13323: 13300: 13284: 13282:Further reading 13279: 13273: 13247: 13223: 13206:on 25 May 2024. 13200: 13173: 13152: 13133: 13111: 13084: 13062: 13043: 13035:. AuthorHouse. 13026: 13021: 13020: 13010: 13008: 13000: 12999: 12995: 12985: 12983: 12975: 12974: 12970: 12960: 12958: 12950: 12949: 12945: 12935: 12933: 12927: 12923: 12920: 12919: 12915: 12905: 12903: 12899: 12888: 12884: 12883: 12879: 12869: 12867: 12860: 12846: 12845: 12841: 12831: 12829: 12820: 12819: 12815: 12805: 12803: 12795: 12794: 12790: 12764: 12762: 12754: 12753: 12749: 12732: 12730: 12726:(in Japanese). 12722: 12721: 12717: 12706: 12704: 12696: 12695: 12691: 12678: 12677: 12673: 12663: 12661: 12653: 12652: 12648: 12638: 12636: 12628: 12627: 12623: 12613: 12611: 12602: 12601: 12597: 12587: 12585: 12578: 12574: 12573: 12569: 12559: 12557: 12544: 12543: 12539: 12529: 12527: 12522: 12521: 12517: 12507: 12505: 12490: 12489: 12485: 12475: 12473: 12464: 12463: 12459: 12449: 12447: 12432: 12431: 12427: 12417: 12416: 12412: 12402: 12400: 12387: 12386: 12382: 12372: 12370: 12360: 12356: 12355: 12351: 12341: 12339: 12320: 12319: 12315: 12305: 12303: 12290: 12289: 12285: 12275: 12273: 12258: 12257: 12253: 12243: 12242: 12238: 12228: 12226: 12215: 12214: 12210: 12200: 12198: 12185: 12184: 12180: 12170: 12168: 12159: 12158: 12154: 12144: 12142: 12132: 12128: 12127: 12123: 12113: 12111: 12098: 12097: 12093: 12083: 12081: 12068: 12067: 12063: 12053: 12051: 12038: 12037: 12033: 12023: 12021: 12008: 12007: 12003: 11985: 11981: 11969: 11965: 11952: 11951: 11947: 11934: 11933: 11929: 11917: 11913: 11900: 11899: 11895: 11885: 11883: 11875: 11874: 11870: 11860: 11858: 11849: 11848: 11844: 11833: 11831: 11827:Musica e Dischi 11820: 11819: 11815: 11805: 11803: 11799: 11798: 11794: 11784: 11782: 11774: 11773: 11769: 11759: 11757: 11748: 11747: 11743: 11730: 11729: 11725: 11715: 11713: 11705: 11704: 11700: 11687: 11686: 11682: 11663: 11662: 11658: 11649:. Ultratop.be. 11645: 11644: 11637: 11624: 11623: 11619: 11606: 11605: 11601: 11585: 11584: 11570: 11569: 11565: 11555: 11553: 11536: 11532: 11522: 11520: 11507: 11506: 11502: 11492: 11490: 11475: 11471: 11461: 11459: 11444: 11443: 11439: 11429: 11427: 11426:on 25 June 2017 11412: 11408: 11398: 11396: 11379: 11375: 11365: 11363: 11351: 11347: 11337: 11335: 11322: 11318: 11273: 11269: 11248: 11244: 11234: 11232: 11191: 11187: 11166: 11159: 11138: 11131: 11110: 11103: 11091: 11084: 11059: 11052: 11019: 11012: 10988: 10981: 10952: 10945: 10921: 10914: 10902:The Independent 10895: 10894: 10890: 10869: 10865: 10844: 10840: 10830: 10828: 10813: 10812: 10808: 10799: 10797: 10780: 10776: 10766: 10764: 10752: 10748: 10738: 10736: 10724: 10720: 10710: 10708: 10698: 10694: 10684: 10682: 10665: 10661: 10651: 10649: 10634: 10630: 10620: 10618: 10603: 10599: 10591: 10584: 10576: 10572: 10551: 10547: 10526: 10522: 10501: 10497: 10488: 10486: 10469: 10465: 10453: 10449: 10436: 10432: 10427:, February 2002 10420: 10419: 10415: 10404: 10403: 10399: 10389: 10387: 10379: 10378: 10374: 10353: 10349: 10328: 10324: 10316: 10312: 10291: 10284: 10272: 10268: 10263:on 24 July 2011 10249: 10248: 10244: 10220: 10216: 10207: 10206: 10202: 10194: 10190: 10182: 10178: 10174:, pp. 496. 10170: 10166: 10156: 10154: 10143:"No Hope Radio" 10139: 10135: 10114: 10110: 10089: 10085: 10064: 10060: 10043: 10042: 10038: 10028: 10026: 10014: 10010: 10000: 9998: 9985: 9984: 9980: 9970: 9968: 9953: 9949: 9928: 9924: 9914: 9912: 9901: 9900: 9896: 9886: 9884: 9871: 9870: 9866: 9847: 9846: 9842: 9832: 9830: 9820: 9816: 9797: 9796: 9792: 9771: 9767: 9762:on 31 July 2011 9746:Tyrangiel, Josh 9743: 9739: 9718: 9714: 9694: 9690: 9682: 9678: 9657: 9650: 9642: 9635: 9623: 9622: 9618: 9611: 9591: 9587: 9580: 9557: 9553: 9543: 9541: 9539: 9515: 9511: 9501: 9499: 9482: 9478: 9454: 9447: 9437: 9435: 9415: 9411: 9399:The Independent 9390: 9386: 9374: 9370: 9362: 9358: 9346:The Independent 9337: 9333: 9320: 9316: 9297: 9296: 9292: 9273: 9272: 9268: 9259: 9257: 9249:The Independent 9240: 9236: 9212: 9208: 9191:"Lost in Space" 9184: 9180: 9170: 9168: 9153: 9149: 9140: 9138: 9118: 9114: 9104: 9102: 9087: 9086: 9082: 9072: 9070: 9058: 9054: 9035: 9031: 9023: 9019: 9011: 9007: 8999: 8995: 8982: 8975: 8966: 8964: 8944: 8937: 8928: 8926: 8925:on 3 March 2001 8909: 8902: 8893: 8891: 8879: 8872: 8848: 8841: 8829:Chicago Tribune 8822:(4 July 1997), 8817: 8810: 8801: 8799: 8782: 8778: 8762: 8761: 8731: 8730: 8726: 8716: 8714: 8700: 8699: 8695: 8676: 8675: 8671: 8650: 8646: 8634: 8630: 8620: 8618: 8613: 8612: 8608: 8598: 8596: 8579: 8575: 8562: 8554: 8552: 8533: 8524: 8516: 8512: 8504: 8500: 8490: 8488: 8465: 8458: 8448: 8446: 8434: 8430: 8420: 8418: 8403: 8399: 8389: 8387: 8371: 8367: 8355:Paphides, Peter 8352: 8348: 8340: 8336: 8328: 8324: 8316: 8312: 8304: 8300: 8292: 8288: 8280: 8276: 8266: 8264: 8254: 8253: 8246: 8236: 8234: 8226: 8225: 8221: 8213: 8209: 8201: 8197: 8185: 8181: 8171: 8167: 8159: 8155: 8145: 8143: 8131: 8127: 8117: 8115: 8098: 8091: 8074: 8073: 8069: 8059: 8057: 8045: 8041: 8033: 8029: 8017: 8013: 8005: 8001: 7991: 7989: 7972: 7968: 7956: 7952: 7944: 7940: 7932: 7928: 7916: 7912: 7900: 7896: 7875: 7871: 7863: 7859: 7849: 7847: 7831: 7827: 7819: 7815: 7807: 7803: 7782: 7775: 7764: 7760: 7739: 7735: 7727: 7720: 7708: 7704: 7692: 7688: 7679: 7677: 7660: 7651: 7641: 7639: 7624: 7623: 7619: 7607: 7603: 7587: 7583: 7574: 7572: 7555:Cavanagh, David 7552: 7543: 7524: 7520: 7508: 7504: 7496: 7492: 7471: 7467: 7459: 7455: 7443: 7439: 7427: 7416: 7408: 7404: 7392: 7383: 7378:, February 1998 7371: 7370: 7361: 7353: 7349: 7337: 7328: 7316: 7307: 7299: 7295: 7287: 7278: 7263: 7254: 7246: 7239: 7227: 7220: 7199: 7190: 7178: 7174: 7166: 7162: 7150: 7146: 7138: 7131: 7123: 7119: 7103: 7086: 7078: 7074: 7066: 7062: 7054: 7050: 7038: 7023: 7015: 7011: 7003: 6999: 6989: 6987: 6976: 6972: 6951: 6947: 6939: 6935: 6927: 6923: 6902: 6893: 6885: 6876: 6868: 6864: 6852: 6841: 6830: 6829: 6820: 6805: 6794: 6782: 6771: 6759: 6755: 6747: 6743: 6735: 6728: 6718: 6716: 6703: 6696: 6675: 6668: 6644: 6637: 6628: 6626: 6613: 6604: 6592: 6588: 6572: 6561: 6542: 6531: 6521: 6519: 6504: 6503: 6499: 6491: 6487: 6479: 6475: 6467: 6463: 6451: 6442: 6430: 6426: 6414: 6405: 6390: 6367: 6359: 6355: 6345: 6332: 6324: 6320: 6312: 6303: 6291: 6290: 6277: 6267: 6265: 6253: 6249: 6232:20 years later" 6224: 6215: 6207: 6203: 6191: 6187: 6175: 6168: 6158: 6156: 6141: 6137: 6121: 6117: 6109: 6102: 6090: 6083: 6075: 6071: 6059: 6050: 6026: 6022: 6010: 6006: 5998: 5991: 5983: 5979: 5971: 5967: 5957: 5953: 5941: 5937: 5925: 5921: 5909:Cavanagh, David 5906: 5893: 5885: 5881: 5873: 5866: 5856: 5849: 5830: 5809: 5801: 5797: 5785: 5778: 5766: 5755: 5750: 5745: 5734: 5732: 5716: 5708: 5706: 5690: 5676: 5665:Cavanagh, David 5663: 5655: 5653: 5639: 5563: 5559: 5548: 5546: 5530: 5520: 5501: 5488:Badly Drawn Boy 5469: 5465: 5420: 5416: 5402:double counting 5385: 5381: 5368: 5364: 5347: 5343: 5339: 5334: 5321: 5317: 5278:United States ( 5142: 5040:Certified units 5022: 5017: 4755: 4753:Year-end charts 4686:Scottish Albums 4521: 4506: 4496: 4457:Stanley Donwood 4450:Colin Greenwood 4435:Jonny Greenwood 4400: 4340:"Airbag" – 4:44 4334:Colin Greenwood 4322:Jonny Greenwood 4314: 4290: 4284: 4280: 4276: 4274: 4273: 4227: 4221: 4192: 4190:and XL reissues 4128: 4112:collected from 4086: 4081: 4076: 4071: 4048: 4043: 4038: 4033: 4010: 4005: 4000: 3995: 3936: 3931: 3926: 3921: 3888: 3865:Radiohead left 3863: 3855:Vampire Weekend 3795:Secret Machines 3751: 3739:Robbie Williams 3700: 3688: 3659:TV on the Radio 3621: 3611:Alexis Petridis 3601:The release of 3599: 3592: 3584: 3576: 3560: 3443:Information Age 3345: 3334:absurdly voted 3319: 3106: 3101: 3096: 3091: 3068: 3063: 3058: 3053: 3030: 3025: 3020: 3015: 2979: 2974: 2969: 2964: 2929: 2924: 2919: 2914: 2879: 2874: 2869: 2864: 2831: 2826: 2734:Muziekkrant OOR 2658: 2640:The Independent 2614:Chicago Tribune 2452: 2447: 2442: 2437: 2414: 2409: 2404: 2399: 2352: 2347: 2342: 2319: 2314: 2309: 2304: 2269: 2264: 2259: 2247:Chicago Tribune 2224: 2211: 2199: 2194:figures showed 2176: 2172: 2144: 2081: 2036: 2027: 1935:Jonny Greenwood 1931:Colin Greenwood 1923: 1921: 1892: 1885: 1880: 1818:Stanley Donwood 1794: 1778:Ones and Zeroes 1762:advertisement " 1737: 1723: 1682:Louis Armstrong 1590: 1589: 1581: 1579: 1578: 1577: 1576: 1569: 1561: 1558: 1551: 1545: 1451:Macintosh LC II 1443: 1434: 1373:Colin Greenwood 1321:Abingdon School 1198: 1197: 1189: 1187: 1186: 1185: 1184: 1177: 1169: 1166: 1160: 1159: 1158: 1151: 1143: 1140: 1133: 1127: 1122: 1117: 1039:anti-capitalism 1011: 994: 916:Ennio Morricone 912:film soundtrack 849: 848: 847: 846: 826: 825: 824: 815: 814: 813: 802: 797: 640: 608:Jonny Greenwood 591:. The drummer, 581: 517: 439:double platinum 424:UK Albums Chart 393:anti-capitalism 361: 312: 307: 300: 299: 294: 287: 286: 281: 274: 273: 268: 261: 260: 232: 223: 214: 192: 171: 145: 141: 140: 120: 92: 67: 65: 56: 29: 17: 12: 11: 5: 14848: 14838: 14837: 14832: 14827: 14822: 14817: 14812: 14807: 14802: 14783: 14782: 14780: 14779: 14767: 14755: 14743: 14730: 14728: 14724: 14723: 14721: 14720: 14708: 14696: 14684: 14672: 14669:Alabama Shakes 14660: 14648: 14636: 14628:Making Mirrors 14624: 14612: 14609:The Black Keys 14599: 14597: 14593: 14592: 14590: 14589: 14577: 14565: 14553: 14550:Gnarls Barkley 14541: 14529: 14517: 14505: 14493: 14481: 14468: 14466: 14462: 14461: 14459: 14458: 14446: 14434: 14422: 14410: 14398: 14386: 14374: 14362: 14350: 14337: 14335: 14331: 14330: 14323: 14322: 14315: 14308: 14300: 14291: 14290: 14288: 14287: 14276: 14273: 14272: 14270: 14269: 14262: 14257: 14250: 14243: 14236: 14231: 14224: 14217: 14210: 14203: 14196: 14191: 14186: 14181: 14176: 14171: 14166: 14161: 14155: 14153: 14149: 14148: 14146: 14145: 14138: 14131: 14124: 14117: 14110: 14102: 14100: 14099:Related albums 14096: 14095: 14093: 14092: 14085: 14078: 14071: 14064: 14057: 14050: 14042: 14040: 14036: 14035: 14033: 14032: 14025: 14018: 14011: 14004: 13997: 13990:House of Cards 13986: 13979: 13972: 13965: 13958: 13951: 13944: 13937: 13929: 13927: 13923: 13922: 13919: 13918: 13916: 13915: 13908: 13900: 13898: 13894: 13893: 13891: 13890: 13883: 13876: 13869: 13866:Burn the Witch 13862: 13855:The Daily Mail 13851: 13839: 13837: 13833: 13832: 13830: 13829: 13822: 13815: 13808: 13801: 13794: 13787: 13780: 13773: 13765: 13763: 13759: 13758: 13756: 13755: 13748: 13741: 13734: 13727: 13720: 13713: 13706: 13699: 13692: 13685: 13678: 13671: 13663: 13661: 13654: 13650: 13649: 13647: 13646: 13639: 13632: 13625: 13618: 13611: 13604: 13596: 13594: 13590: 13589: 13587: 13586: 13578: 13576: 13572: 13571: 13569: 13568: 13560: 13558: 13554: 13553: 13551: 13550: 13543: 13536: 13529: 13522: 13514: 13512: 13508: 13507: 13503: 13502: 13495: 13488: 13481: 13474: 13467: 13460: 13453: 13446: 13438: 13436: 13432: 13431: 13429: 13428: 13421: 13414: 13407: 13400: 13392: 13389: 13388: 13381: 13380: 13373: 13366: 13358: 13352: 13351: 13337: 13336:External links 13334: 13333: 13332: 13312: 13298: 13283: 13280: 13278: 13277: 13271: 13255:Sheffield, Rob 13251: 13245: 13236:Listen to This 13227: 13221: 13208: 13198: 13177: 13171: 13156: 13150: 13137: 13131: 13115: 13109: 13088: 13082: 13066: 13060: 13047: 13041: 13027: 13025: 13022: 13019: 13018: 12993: 12968: 12943: 12913: 12902:on 17 May 2011 12891:(in Swedish). 12877: 12858: 12839: 12813: 12788: 12747: 12715: 12700:(in Italian). 12689: 12671: 12646: 12621: 12595: 12567: 12548:(in Spanish). 12537: 12515: 12483: 12457: 12425: 12410: 12380: 12349: 12313: 12283: 12251: 12236: 12208: 12178: 12152: 12121: 12091: 12061: 12031: 12001: 11979: 11963: 11945: 11927: 11911: 11893: 11868: 11842: 11813: 11792: 11767: 11741: 11723: 11698: 11680: 11656: 11635: 11617: 11599: 11563: 11530: 11500: 11469: 11437: 11406: 11373: 11345: 11316: 11267: 11242: 11185: 11157: 11129: 11101: 11082: 11050: 11010: 10979: 10943: 10912: 10888: 10863: 10853:Tiny Mix Tapes 10838: 10806: 10774: 10746: 10726:Tangari, Joe. 10718: 10692: 10659: 10628: 10597: 10595:, p. 369. 10582: 10580:, p. 219. 10570: 10545: 10520: 10495: 10463: 10447: 10430: 10413: 10397: 10372: 10347: 10322: 10310: 10282: 10266: 10242: 10214: 10200: 10198:, p. 142. 10188: 10176: 10164: 10133: 10108: 10083: 10058: 10036: 10023:The New Yorker 10008: 9978: 9947: 9922: 9894: 9864: 9840: 9814: 9804:Slant Magazine 9790: 9765: 9737: 9712: 9688: 9686:, p. 185. 9676: 9666:Slant Magazine 9648: 9646:, p. 671. 9644:Sheffield 2004 9633: 9616: 9609: 9585: 9578: 9551: 9537: 9509: 9476: 9445: 9409: 9384: 9368: 9356: 9331: 9314: 9290: 9266: 9234: 9206: 9178: 9147: 9130:The New Yorker 9112: 9080: 9052: 9038:Parkes, Taylor 9029: 9027:, p. 182. 9017: 9015:, p. 121. 9005: 8993: 8973: 8935: 8900: 8870: 8839: 8808: 8776: 8753:, then select 8724: 8693: 8669: 8644: 8628: 8606: 8573: 8522: 8520:, p. 126. 8510: 8498: 8456: 8428: 8397: 8365: 8346: 8344:, p. 134. 8334: 8332:, p. 247. 8322: 8320:, p. 203. 8310: 8298: 8286: 8284:, p. 116. 8274: 8244: 8219: 8207: 8195: 8179: 8165: 8163:, p. 201. 8153: 8125: 8089: 8067: 8039: 8037:, p. 113. 8027: 8011: 8009:, p. 243. 7999: 7966: 7950: 7948:, p. 242. 7938: 7936:, p. 202. 7926: 7910: 7894: 7869: 7865:Griffiths 2004 7857: 7825: 7813: 7809:Griffiths 2004 7801: 7773: 7758: 7733: 7718: 7702: 7686: 7649: 7617: 7601: 7581: 7541: 7518: 7502: 7490: 7475:"No Surprises" 7465: 7463:, p. 110. 7453: 7437: 7414: 7412:, p. 226. 7402: 7381: 7359: 7347: 7326: 7305: 7293: 7276: 7252: 7237: 7218: 7203:"Karma Police" 7188: 7172: 7160: 7144: 7129: 7127:, p. 154. 7117: 7106:Moran, Caitlin 7084: 7072: 7060: 7048: 7021: 7009: 6997: 6970: 6960:Digital Trends 6945: 6933: 6921: 6891: 6889:, p. 124. 6874: 6872:, pp. 32. 6862: 6839: 6818: 6808:Sakamoto, John 6792: 6769: 6753: 6741: 6726: 6694: 6666: 6656:The New Yorker 6647:Sanneh, Kelefa 6635: 6602: 6586: 6575:Moran, Caitlin 6559: 6529: 6516:Time Out Group 6497: 6495:, p. 200. 6485: 6483:, p. 199. 6473: 6471:, p. 198. 6461: 6440: 6424: 6403: 6365: 6353: 6330: 6328:, p. 196. 6318: 6301: 6298:, 22 July 1997 6275: 6247: 6213: 6201: 6185: 6166: 6135: 6126:London Student 6115: 6113:, p. 195. 6100: 6081: 6079:, p. 194. 6069: 6048: 6029:Selway, Philip 6020: 6004: 5989: 5987:, p. 189. 5977: 5965: 5963:, January 2003 5951: 5935: 5919: 5891: 5879: 5877:, p. 161. 5864: 5847: 5807: 5805:, p. 113. 5795: 5776: 5752: 5751: 5749: 5746: 5744: 5743: 5741: 5740: 5714: 5688: 5674: 5661: 5642:"Jim O'Rourke" 5557: 5555: 5554: 5528: 5518: 5463: 5443:Cool Britannia 5414: 5379: 5362: 5340: 5338: 5335: 5333: 5330: 5327: 5326: 5310: 5309: 5306: 5303: 5295: 5294: 5290: 5289: 5286: 5283: 5275: 5274: 5271: 5268: 5260: 5259: 5256: 5253: 5245: 5244: 5241: 5238: 5230: 5229: 5226: 5223: 5215: 5214: 5211: 5208: 5200: 5199: 5196: 5193: 5185: 5184: 5181: 5178: 5170: 5169: 5166: 5163: 5155: 5154: 5151: 5148: 5134: 5133: 5130: 5127: 5119: 5118: 5115: 5112: 5104: 5103: 5100: 5097: 5089: 5088: 5085: 5082: 5074: 5073: 5070: 5067: 5059: 5058: 5055: 5052: 5044: 5043: 5037: 5034: 5021: 5018: 5014: 5013: 5007: 5006: 5003: 4999: 4998: 4995: 4981: 4980: 4977: 4973: 4972: 4969: 4955: 4954: 4951: 4947: 4946: 4943: 4929: 4928: 4925: 4917: 4916: 4913: 4909: 4908: 4905: 4901: 4900: 4897: 4893: 4892: 4889: 4881: 4880: 4877: 4873: 4872: 4869: 4855: 4854: 4851: 4843: 4842: 4839: 4835: 4834: 4831: 4827: 4826: 4823: 4819: 4818: 4815: 4811: 4810: 4807: 4803: 4802: 4799: 4795: 4794: 4791: 4787: 4786: 4783: 4779: 4778: 4775: 4771: 4770: 4767: 4754: 4751: 4749: 4746: 4745: 4742: 4732: 4731: 4728: 4717: 4716: 4713: 4707: 4706: 4703: 4697: 4696: 4693: 4682: 4681: 4678: 4672: 4671: 4668: 4662: 4661: 4658: 4652: 4651: 4648: 4642: 4641: 4638: 4632: 4631: 4628: 4622: 4621: 4618: 4612: 4611: 4608: 4602: 4601: 4598: 4592: 4591: 4588: 4582: 4581: 4578: 4566: 4565: 4562: 4555: 4554: 4551: 4544: 4543: 4540: 4534: 4533: 4530: 4524: 4523: 4518: 4505: 4502: 4497: 4495: 4492: 4491: 4490: 4487: 4481: 4475: 4472: 4469: 4466: 4460: 4454: 4453: 4452: 4447: 4442: 4437: 4432: 4421: 4399: 4396: 4395: 4394: 4391: 4384: 4377: 4374: 4371: 4368: 4361: 4354: 4351: 4348: 4341: 4313: 4310: 4286:Main article: 4272: 4267: 4259:UK Album Chart 4251:audio cassette 4223:Main article: 4220: 4215: 4191: 4185: 4092: 4091: 4062: 4054: 4053: 4024: 4016: 4015: 3986: 3978: 3977: 3974: 3966: 3965: 3962: 3954: 3953: 3950: 3942: 3941: 3912: 3906: 3905: 3902: 3898: 3897: 3887: 3884: 3862: 3859: 3807:Porcupine Tree 3791:Brandon Curtis 3758:believed that 3694:David Cavanagh 3585: 3561: 3559: 3556: 3538:, also titled 3416:Princess Diana 3391:appeared like 3344: 3341: 3275:The New Yorker 3257:the apogee of 3168:Slant Magazine 3124: 3123: 3120: 3112: 3111: 3082: 3079:Slant Magazine 3074: 3073: 3044: 3036: 3035: 3006: 2998: 2997: 2994: 2985: 2984: 2955: 2947: 2946: 2943: 2935: 2934: 2905: 2897: 2896: 2893: 2885: 2884: 2855: 2849: 2848: 2845: 2841: 2840: 2830: 2827: 2825: 2822: 2657: 2654: 2586:The New Yorker 2482: 2481: 2478: 2470: 2469: 2466: 2458: 2457: 2428: 2420: 2419: 2390: 2382: 2381: 2378: 2370: 2369: 2366: 2358: 2357: 2333: 2325: 2324: 2295: 2287: 2286: 2283: 2275: 2274: 2250: 2242: 2241: 2238: 2234: 2233: 2223: 2220: 2143: 2140: 2080: 2077: 2035: 2032: 2006:Massive Attack 1920: 1917: 1884: 1881: 1879: 1876: 1872:anti-corporate 1852:David Cavanagh 1800:A page of the 1793: 1790: 1736: 1733: 1660:New York Times 1580: 1570: 1559: 1554: 1553: 1552: 1543: 1542: 1541: 1518:Poll Tax Riots 1479:writer's block 1442: 1439: 1388:time signature 1325:Martian poetry 1188: 1178: 1167: 1162: 1161: 1152: 1141: 1136: 1135: 1134: 1125: 1124: 1123: 1121: 1118: 1116: 1113: 1083:Philip K. Dick 1010: 1007: 991:The New Yorker 961:characterised 951:, strings and 945:electric piano 884:Elvis Costello 828: 827: 818: 817: 816: 807: 806: 805: 804: 803: 801: 798: 796: 793: 726:Bath, Somerset 692:Romeo + Juliet 639: 636: 616:The Bends Pt 2 549:The Help Album 516: 513: 437:in the UK and 318: 317: 314: 313: 311: 310: 297: 284: 271: 257: 254: 253: 243: 242: 239: 238: 235: 234: 225: 216: 202: 201: 194: 193: 191: 190: 187: 181: 179: 173: 172: 170: 169: 164: 158: 156: 150: 149: 138: 134: 133: 128: 122: 121: 119: 118: 108: 100: 98: 94: 93: 91: 90: 87: 79: 77: 73: 72: 62: 58: 57: 52: 45: 44: 36: 35: 15: 9: 6: 4: 3: 2: 14847: 14836: 14833: 14831: 14828: 14826: 14823: 14821: 14818: 14816: 14813: 14811: 14808: 14806: 14803: 14801: 14798: 14797: 14795: 14788: 14777: 14773: 14772: 14768: 14765: 14761: 14760: 14756: 14753: 14749: 14748: 14744: 14741: 14737: 14736: 14732: 14731: 14729: 14725: 14718: 14714: 14713: 14709: 14706: 14702: 14701: 14697: 14694: 14690: 14689: 14685: 14682: 14678: 14677: 14673: 14670: 14666: 14665: 14661: 14658: 14654: 14653: 14649: 14646: 14642: 14641: 14637: 14634: 14630: 14629: 14625: 14622: 14618: 14617: 14613: 14610: 14606: 14605: 14601: 14600: 14598: 14594: 14587: 14583: 14582: 14578: 14575: 14571: 14570: 14566: 14563: 14559: 14558: 14554: 14551: 14547: 14546: 14545:St. Elsewhere 14542: 14539: 14535: 14534: 14530: 14527: 14523: 14522: 14518: 14515: 14511: 14510: 14506: 14503: 14499: 14498: 14494: 14491: 14487: 14486: 14482: 14479: 14475: 14474: 14470: 14469: 14467: 14463: 14456: 14452: 14451: 14447: 14444: 14440: 14439: 14435: 14432: 14428: 14427: 14423: 14420: 14416: 14415: 14411: 14408: 14404: 14403: 14399: 14396: 14392: 14391: 14387: 14384: 14380: 14379: 14375: 14372: 14368: 14367: 14363: 14360: 14356: 14355: 14351: 14348: 14344: 14343: 14339: 14338: 14336: 14332: 14328: 14321: 14316: 14314: 14309: 14307: 14302: 14301: 14298: 14286: 14278: 14277: 14274: 14268: 14267: 14263: 14261: 14258: 14256: 14255: 14251: 14248: 14244: 14241: 14237: 14235: 14232: 14230: 14229: 14225: 14223: 14222: 14218: 14216: 14215: 14214:Radio Rewrite 14211: 14209: 14208: 14204: 14202: 14201: 14197: 14195: 14194:Nigel Godrich 14192: 14190: 14187: 14185: 14182: 14180: 14177: 14175: 14172: 14170: 14167: 14165: 14162: 14160: 14157: 14156: 14154: 14150: 14144: 14143: 14139: 14137: 14136: 14132: 14130: 14129: 14125: 14123: 14122: 14118: 14116: 14115: 14111: 14109: 14108: 14104: 14103: 14101: 14097: 14091: 14090: 14086: 14084: 14083: 14079: 14077: 14076: 14072: 14070: 14069: 14065: 14063: 14062: 14058: 14056: 14055: 14051: 14049: 14048: 14044: 14043: 14041: 14037: 14030: 14026: 14023: 14019: 14016: 14012: 14009: 14005: 14002: 13998: 13995: 13994:Bodysnatchers 13991: 13987: 13984: 13980: 13977: 13973: 13970: 13966: 13963: 13959: 13956: 13952: 13949: 13945: 13942: 13938: 13935: 13931: 13930: 13928: 13924: 13913: 13909: 13906: 13902: 13901: 13899: 13895: 13888: 13884: 13881: 13877: 13874: 13870: 13867: 13863: 13860: 13856: 13852: 13849: 13845: 13844:Supercollider 13841: 13840: 13838: 13834: 13827: 13823: 13820: 13816: 13813: 13809: 13806: 13802: 13799: 13795: 13792: 13788: 13785: 13781: 13778: 13774: 13771: 13767: 13766: 13764: 13760: 13753: 13749: 13746: 13742: 13739: 13735: 13732: 13728: 13725: 13721: 13718: 13714: 13711: 13707: 13704: 13700: 13697: 13693: 13690: 13686: 13683: 13679: 13676: 13672: 13669: 13665: 13664: 13662: 13658: 13655: 13651: 13645: 13644: 13640: 13638: 13637: 13633: 13631: 13630: 13626: 13624: 13623: 13619: 13617: 13616: 13612: 13610: 13609: 13605: 13603: 13602: 13598: 13597: 13595: 13591: 13585: 13584: 13580: 13579: 13577: 13573: 13567: 13566: 13562: 13561: 13559: 13555: 13549: 13548: 13544: 13542: 13541: 13537: 13535: 13534: 13530: 13528: 13527: 13523: 13521: 13520: 13516: 13515: 13513: 13509: 13501: 13500: 13496: 13494: 13493: 13489: 13487: 13486: 13482: 13480: 13479: 13475: 13473: 13472: 13468: 13466: 13465: 13461: 13459: 13458: 13454: 13452: 13451: 13447: 13445: 13444: 13440: 13439: 13437: 13435:Studio albums 13433: 13427: 13426: 13425:Philip Selway 13422: 13420: 13419: 13415: 13413: 13412: 13408: 13406: 13405: 13401: 13399: 13398: 13394: 13393: 13390: 13386: 13379: 13374: 13372: 13367: 13365: 13360: 13359: 13356: 13349: 13345: 13344: 13340: 13339: 13322: 13321:Rolling Stone 13318: 13313: 13309: 13305: 13301: 13299:9781847862112 13295: 13291: 13286: 13285: 13274: 13272:0-7432-0169-8 13268: 13264: 13260: 13256: 13252: 13248: 13242: 13238: 13237: 13232: 13228: 13224: 13222:0-385-33393-5 13218: 13214: 13209: 13205: 13201: 13195: 13191: 13187: 13185: 13178: 13174: 13168: 13164: 13163: 13157: 13153: 13147: 13143: 13138: 13134: 13132:0-306-81367-X 13128: 13124: 13120: 13116: 13112: 13110:0-8264-1663-2 13106: 13102: 13097: 13096: 13089: 13085: 13079: 13075: 13071: 13067: 13063: 13057: 13053: 13048: 13044: 13038: 13034: 13029: 13028: 13007: 13003: 12997: 12982: 12978: 12972: 12957: 12953: 12947: 12931: 12917: 12898: 12894: 12887: 12881: 12865: 12861: 12859:84-8048-639-2 12855: 12851: 12850: 12843: 12827: 12823: 12817: 12802: 12798: 12792: 12785: 12781: 12777: 12773: 12761: 12757: 12751: 12745: 12741: 12729: 12725: 12719: 12703: 12699: 12693: 12685: 12682:(in French). 12681: 12675: 12660: 12656: 12650: 12635: 12631: 12625: 12610:. Hung Medien 12609: 12605: 12599: 12584: 12577: 12571: 12555: 12551: 12547: 12541: 12525: 12519: 12503: 12499: 12498: 12493: 12487: 12471: 12467: 12461: 12445: 12441: 12440: 12435: 12429: 12421: 12414: 12398: 12394: 12390: 12384: 12368: 12367: 12359: 12353: 12337: 12333: 12329: 12328: 12323: 12317: 12301: 12297: 12293: 12287: 12271: 12267: 12266: 12261: 12255: 12247: 12240: 12224: 12223: 12218: 12212: 12196: 12192: 12188: 12182: 12166: 12162: 12156: 12140: 12139: 12131: 12125: 12109: 12105: 12101: 12095: 12079: 12075: 12072:(in French). 12071: 12065: 12049: 12045: 12042:(in French). 12041: 12035: 12019: 12015: 12011: 12005: 11998: 11997: 11992: 11990: 11983: 11976: 11972: 11967: 11959: 11955: 11949: 11941: 11937: 11931: 11924: 11920: 11915: 11907: 11903: 11897: 11882: 11878: 11872: 11856: 11853:. charts.nz. 11852: 11846: 11829: 11828: 11823: 11822:"Classifiche" 11817: 11802: 11796: 11781: 11777: 11771: 11755: 11751: 11745: 11737: 11733: 11727: 11712: 11708: 11702: 11694: 11690: 11684: 11676: 11672: 11671: 11666: 11660: 11652: 11648: 11642: 11640: 11631: 11627: 11621: 11613: 11609: 11603: 11595: 11589: 11581: 11577: 11573: 11567: 11551: 11547: 11546: 11541: 11534: 11518: 11514: 11510: 11504: 11488: 11484: 11480: 11477:Beech, Mark. 11473: 11457: 11453: 11452: 11447: 11441: 11425: 11421: 11417: 11410: 11394: 11390: 11389: 11384: 11377: 11362: 11361: 11356: 11349: 11333: 11332: 11327: 11320: 11312: 11308: 11307: 11302: 11300: 11296: 11292: 11288: 11284: 11280: 11271: 11263: 11259: 11258: 11257:Rolling Stone 11253: 11246: 11230: 11226: 11225: 11220: 11218: 11214: 11210: 11206: 11202: 11198: 11189: 11181: 11177: 11176: 11171: 11164: 11162: 11153: 11149: 11148: 11143: 11136: 11134: 11125: 11121: 11120: 11115: 11108: 11106: 11098: 11097: 11089: 11087: 11078: 11074: 11073: 11072:Rolling Stone 11068: 11066: 11057: 11055: 11046: 11042: 11041: 11036: 11034: 11030: 11026: 11017: 11015: 11006: 11002: 11001: 10996: 10992: 10986: 10984: 10975: 10971: 10970: 10969:The A.V. Club 10965: 10963: 10959: 10950: 10948: 10939: 10935: 10934: 10929: 10925: 10919: 10917: 10908: 10904: 10903: 10898: 10892: 10884: 10880: 10879: 10878:Rolling Stone 10874: 10867: 10859: 10855: 10854: 10849: 10842: 10826: 10822: 10821: 10816: 10810: 10795: 10791: 10790: 10785: 10778: 10763: 10762: 10757: 10750: 10735: 10734: 10729: 10722: 10707: 10703: 10696: 10680: 10676: 10675: 10670: 10663: 10647: 10643: 10639: 10632: 10617: 10616: 10611: 10607: 10601: 10594: 10589: 10587: 10579: 10574: 10566: 10562: 10561: 10556: 10549: 10541: 10537: 10536: 10531: 10524: 10516: 10512: 10511: 10506: 10499: 10484: 10480: 10479: 10474: 10467: 10460: 10459: 10451: 10444: 10442: 10434: 10426: 10425: 10417: 10409: 10408: 10401: 10386: 10382: 10376: 10368: 10364: 10363: 10358: 10351: 10343: 10339: 10338: 10333: 10326: 10319: 10314: 10306: 10302: 10301: 10300:The A.V. Club 10296: 10289: 10287: 10279: 10278: 10270: 10262: 10258: 10257: 10252: 10246: 10238: 10234: 10233: 10228: 10224: 10218: 10210: 10204: 10197: 10192: 10185: 10180: 10173: 10168: 10152: 10148: 10144: 10137: 10129: 10125: 10124: 10119: 10112: 10104: 10100: 10099: 10094: 10087: 10079: 10075: 10074: 10069: 10062: 10054: 10050: 10046: 10040: 10025: 10024: 10019: 10012: 9996: 9992: 9988: 9982: 9966: 9962: 9958: 9951: 9943: 9939: 9938: 9933: 9926: 9910: 9909: 9904: 9898: 9882: 9878: 9877:Rolling Stone 9874: 9868: 9860: 9856: 9855: 9854:Rolling Stone 9850: 9844: 9829: 9828:Rolling Stone 9825: 9818: 9810: 9806: 9805: 9800: 9794: 9786: 9782: 9781: 9776: 9769: 9761: 9757: 9756: 9751: 9747: 9741: 9733: 9729: 9728: 9723: 9716: 9709: 9708: 9703: 9701: 9692: 9685: 9680: 9672: 9668: 9667: 9662: 9655: 9653: 9645: 9640: 9638: 9629: 9628: 9620: 9612: 9606: 9602: 9600: 9595: 9589: 9581: 9575: 9571: 9570:Omnibus Press 9567: 9566: 9561: 9560:Larkin, Colin 9555: 9540: 9534: 9530: 9526: 9525: 9520: 9513: 9497: 9493: 9492: 9487: 9480: 9472: 9468: 9467: 9466:The A.V. Club 9462: 9458: 9452: 9450: 9433: 9429: 9428: 9423: 9419: 9413: 9405: 9401: 9400: 9395: 9388: 9381: 9380: 9372: 9365: 9360: 9352: 9348: 9347: 9342: 9335: 9327: 9326: 9318: 9310: 9306: 9305: 9300: 9294: 9286: 9282: 9281: 9276: 9270: 9255: 9251: 9250: 9245: 9238: 9230: 9226: 9225: 9220: 9216: 9210: 9202: 9198: 9197: 9192: 9188: 9182: 9166: 9162: 9158: 9151: 9136: 9132: 9131: 9126: 9122: 9116: 9100: 9096: 9095: 9090: 9084: 9069: 9068: 9063: 9056: 9049: 9048: 9043: 9039: 9033: 9026: 9021: 9014: 9009: 9002: 8997: 8989: 8988: 8980: 8978: 8962: 8958: 8957: 8956:Rolling Stone 8952: 8951:"OK Computer" 8948: 8942: 8940: 8924: 8920: 8919: 8914: 8907: 8905: 8890: 8889: 8884: 8877: 8875: 8866: 8862: 8861: 8856: 8855:"OK Computer" 8852: 8851:Browne, David 8846: 8844: 8835: 8831: 8830: 8825: 8821: 8815: 8813: 8797: 8793: 8792: 8787: 8780: 8772: 8766: 8758: 8757:, then click 8754: 8750: 8749:, then click 8746: 8742: 8738: 8734: 8728: 8713: 8712: 8707: 8705: 8697: 8689: 8685: 8684: 8679: 8673: 8665: 8661: 8660: 8655: 8648: 8641: 8640: 8632: 8616: 8610: 8594: 8590: 8589: 8584: 8577: 8570: 8568: 8550: 8546: 8545: 8539: 8531: 8529: 8527: 8519: 8514: 8508:, p. 38. 8507: 8502: 8487: 8483: 8479: 8478: 8473: 8469: 8463: 8461: 8445: 8444: 8443:Rolling Stone 8439: 8432: 8416: 8412: 8411:The Telegraph 8408: 8401: 8385: 8384: 8379: 8376:(July 2003). 8375: 8369: 8362: 8361: 8356: 8350: 8343: 8338: 8331: 8326: 8319: 8314: 8307: 8302: 8296:, p. 74. 8295: 8290: 8283: 8278: 8263: 8262: 8257: 8251: 8249: 8233: 8229: 8223: 8216: 8211: 8204: 8199: 8192: 8191: 8183: 8176: 8169: 8162: 8157: 8142: 8141: 8136: 8129: 8113: 8109: 8108: 8103: 8096: 8094: 8085: 8081: 8077: 8071: 8056: 8055: 8050: 8043: 8036: 8031: 8024: 8023: 8015: 8008: 8003: 7987: 7983: 7982: 7977: 7970: 7963: 7962: 7954: 7947: 7942: 7935: 7930: 7923: 7922: 7914: 7907: 7906: 7898: 7890: 7886: 7885: 7880: 7873: 7867:, p. 81. 7866: 7861: 7846: 7845: 7840: 7838: 7829: 7822: 7817: 7811:, p. 79. 7810: 7805: 7797: 7793: 7792: 7787: 7780: 7778: 7769: 7762: 7754: 7750: 7749: 7744: 7737: 7730: 7725: 7723: 7715: 7714: 7706: 7699: 7698: 7690: 7675: 7671: 7670: 7665: 7658: 7656: 7654: 7637: 7633: 7632: 7631:Rolling Stone 7627: 7621: 7614: 7613: 7605: 7598: 7597: 7592: 7585: 7570: 7566: 7565: 7560: 7557:(July 1997), 7556: 7550: 7548: 7546: 7537: 7533: 7532:Yahoo! Launch 7529: 7522: 7515: 7514: 7506: 7499: 7494: 7486: 7482: 7481: 7476: 7469: 7462: 7457: 7450: 7449: 7441: 7434: 7433: 7425: 7423: 7421: 7419: 7411: 7406: 7399: 7398: 7390: 7388: 7386: 7377: 7376: 7368: 7366: 7364: 7356: 7351: 7344: 7343: 7335: 7333: 7331: 7323: 7322: 7314: 7312: 7310: 7303:, p. 86. 7302: 7297: 7290: 7285: 7283: 7281: 7273: 7272: 7267: 7261: 7259: 7257: 7250:, p. 79. 7249: 7244: 7242: 7234: 7233: 7225: 7223: 7214: 7210: 7209: 7204: 7201:Huey, Steve. 7197: 7195: 7193: 7185: 7184: 7176: 7170:, p. 73. 7169: 7164: 7157: 7156: 7148: 7142:, p. 66. 7141: 7136: 7134: 7126: 7121: 7113: 7112: 7107: 7101: 7099: 7097: 7095: 7093: 7091: 7089: 7081: 7076: 7069: 7064: 7058:, p. 62. 7057: 7052: 7045: 7044: 7036: 7034: 7032: 7030: 7028: 7026: 7018: 7013: 7007:, p. 46. 7006: 7001: 6985: 6981: 6974: 6966: 6962: 6961: 6956: 6949: 6943:, p. 43. 6942: 6937: 6931:, p. 42. 6930: 6925: 6917: 6913: 6912: 6907: 6900: 6898: 6896: 6888: 6883: 6881: 6879: 6871: 6866: 6859: 6858: 6850: 6848: 6846: 6844: 6836: 6835: 6827: 6825: 6823: 6815: 6814: 6809: 6803: 6801: 6799: 6797: 6789: 6788: 6780: 6778: 6776: 6774: 6766: 6765: 6757: 6750: 6745: 6739:, p. 88. 6738: 6733: 6731: 6715: 6711: 6707: 6701: 6699: 6690: 6686: 6685: 6680: 6673: 6671: 6662: 6658: 6657: 6652: 6648: 6642: 6640: 6624: 6623: 6618: 6611: 6609: 6607: 6599: 6598: 6590: 6582: 6581: 6576: 6570: 6568: 6566: 6564: 6555: 6551: 6550:Yahoo! Launch 6547: 6540: 6538: 6536: 6534: 6518:. 5 June 2017 6517: 6513: 6512: 6507: 6501: 6494: 6489: 6482: 6477: 6470: 6465: 6458: 6457: 6449: 6447: 6445: 6437: 6436: 6435:Rolling Stone 6428: 6421: 6420: 6419:Guitar Player 6412: 6410: 6408: 6400: 6399: 6394: 6388: 6386: 6384: 6382: 6380: 6378: 6376: 6374: 6372: 6370: 6363:, p. 35. 6362: 6357: 6350: 6343: 6341: 6339: 6337: 6335: 6327: 6322: 6316:, p. 67. 6315: 6310: 6308: 6306: 6297: 6296: 6288: 6286: 6284: 6282: 6280: 6264: 6263: 6262:Rolling Stone 6258: 6251: 6243: 6239: 6238: 6237:Rolling Stone 6233: 6231: 6222: 6220: 6218: 6211:, p. 25. 6210: 6205: 6198: 6197: 6189: 6182: 6181: 6173: 6171: 6154: 6150: 6146: 6139: 6132: 6128: 6127: 6119: 6112: 6107: 6105: 6097: 6096: 6088: 6086: 6078: 6073: 6066: 6065: 6057: 6055: 6053: 6044: 6040: 6039: 6034: 6031:(June 2017). 6030: 6024: 6017: 6016: 6008: 6001: 5996: 5994: 5986: 5981: 5975:, p. 34. 5974: 5969: 5962: 5961: 5955: 5948: 5947: 5939: 5932: 5931: 5923: 5916: 5915: 5910: 5904: 5902: 5900: 5898: 5896: 5889:, p. 33. 5888: 5883: 5876: 5871: 5869: 5861: 5854: 5852: 5844: 5843: 5838: 5834: 5828: 5826: 5824: 5822: 5820: 5818: 5816: 5814: 5812: 5804: 5799: 5792: 5791: 5783: 5781: 5773: 5772: 5764: 5762: 5760: 5758: 5753: 5730: 5726: 5725: 5720: 5715: 5704: 5700: 5699: 5694: 5689: 5686: 5685: 5680: 5675: 5672: 5671: 5666: 5662: 5651: 5647: 5643: 5638: 5637: 5635: 5631: 5627: 5623: 5619: 5618:Gastr del Sol 5615: 5611: 5610:James Lavelle 5607: 5603: 5599: 5595: 5591: 5587: 5583: 5582:Guns N' Roses 5580:, DJ Shadow, 5579: 5575: 5571: 5570:Michael Stipe 5567: 5561: 5544: 5540: 5539: 5534: 5529: 5526: 5525: 5519: 5515: 5511: 5510: 5505: 5500: 5499: 5497: 5493: 5489: 5485: 5481: 5477: 5473: 5467: 5461:, pp. 177–178 5460: 5456: 5455: 5450: 5449: 5444: 5440: 5436: 5432: 5428: 5424: 5418: 5411: 5407: 5403: 5398: 5393: 5389: 5383: 5376: 5372: 5366: 5359: 5355: 5351: 5345: 5341: 5325: 5311: 5307: 5304: 5301: 5296: 5291: 5287: 5284: 5281: 5276: 5272: 5269: 5266: 5261: 5257: 5254: 5252:Switzerland) 5251: 5248:Switzerland ( 5246: 5242: 5239: 5236: 5231: 5227: 5224: 5221: 5216: 5212: 5209: 5206: 5201: 5197: 5194: 5191: 5188:New Zealand ( 5186: 5182: 5179: 5176: 5173:Netherlands ( 5171: 5167: 5164: 5161: 5156: 5152: 5149: 5146: 5140: 5135: 5131: 5128: 5125: 5120: 5116: 5113: 5110: 5105: 5101: 5098: 5095: 5090: 5086: 5083: 5080: 5075: 5071: 5068: 5065: 5060: 5056: 5053: 5050: 5045: 5041: 5036:Certification 5031: 5028: 5012: 5004: 5000: 4994:Chart (2007) 4992: 4989: 4974: 4968:Chart (2002) 4966: 4963: 4948: 4944: 4942:Chart (1999) 4941: 4940: 4937: 4923: 4918: 4910: 4902: 4894: 4888:Albums Chart 4887: 4882: 4874: 4870: 4868:Chart (1998) 4867: 4866: 4863: 4849: 4844: 4836: 4828: 4820: 4812: 4804: 4796: 4788: 4780: 4772: 4768: 4766:Chart (1997) 4765: 4764: 4761: 4750: 4741: 4739: 4733: 4726: 4722: 4718: 4714: 4712: 4708: 4704: 4702: 4698: 4691: 4687: 4683: 4679: 4677: 4673: 4669: 4667: 4663: 4659: 4657: 4653: 4649: 4647: 4643: 4639: 4637: 4633: 4627: 4623: 4619: 4617: 4613: 4609: 4607: 4603: 4599: 4597: 4593: 4589: 4587: 4583: 4579: 4577: 4574: 4573: 4567: 4563: 4560: 4556: 4552: 4549: 4545: 4541: 4539: 4535: 4531: 4529: 4525: 4519: 4516: 4515: 4512: 4504:Weekly charts 4501: 4500: 4488: 4485: 4482: 4480: 4476: 4473: 4470: 4467: 4464: 4461: 4458: 4455: 4451: 4448: 4446: 4443: 4441: 4440:Philip Selway 4438: 4436: 4433: 4431: 4428: 4427: 4425: 4422: 4420: 4416: 4412: 4411:Nigel Godrich 4409: 4408: 4407: 4405: 4392: 4389: 4385: 4382: 4378: 4375: 4372: 4369: 4366: 4362: 4359: 4355: 4352: 4349: 4346: 4342: 4339: 4338: 4337: 4335: 4331: 4327: 4326:Philip Selway 4323: 4319: 4312:Track listing 4309: 4307: 4303: 4299: 4298:leaked online 4295: 4289: 4279: 4271: 4266: 4264: 4260: 4256: 4252: 4248: 4244: 4240: 4236: 4232: 4226: 4219: 4214: 4212: 4207: 4206:XL Recordings 4203: 4199: 4198: 4189: 4184: 4182: 4178: 4177:The A.V. Club 4174: 4169: 4165: 4164: 4159: 4158: 4153: 4152:Rolling Stone 4149: 4145: 4141: 4136: 4134: 4133:Rolling Stone 4127: 4123: 4118: 4115: 4111: 4107: 4103: 4099: 4096:EMI reissued 4063: 4061: 4060: 4056: 4055: 4025: 4023: 4022: 4018: 4017: 3987: 3985: 3984: 3983:Rolling Stone 3980: 3979: 3975: 3973: 3972: 3968: 3967: 3963: 3961: 3960: 3956: 3955: 3951: 3949: 3948: 3947:The A.V. Club 3944: 3943: 3913: 3911: 3908: 3907: 3899: 3896:Review scores 3894: 3883: 3881: 3876: 3872: 3868: 3858: 3856: 3852: 3848: 3847: 3842: 3838: 3837: 3832: 3827: 3826: 3824: 3819: 3815: 3814: 3808: 3804: 3803:Steven Wilson 3800: 3796: 3792: 3788: 3784: 3780: 3778: 3774: 3770: 3766: 3761: 3757: 3750: 3746: 3745: 3740: 3736: 3735: 3730: 3729:Stereophonics 3726: 3725: 3720: 3719: 3714: 3710: 3706: 3699: 3695: 3687: 3682: 3680: 3679: 3674: 3670: 3669: 3668:OK Calculator 3664: 3660: 3656: 3652: 3648: 3646: 3642: 3638: 3634: 3633: 3628: 3620: 3616: 3612: 3608: 3604: 3598: 3596: 3595:James Lavelle 3589: 3583: 3580: 3577:—Josh Davis ( 3573: 3571: 3567: 3555: 3553: 3549: 3545: 3541: 3537: 3532: 3530: 3526: 3522: 3518: 3514: 3510: 3506: 3502: 3498: 3494: 3490: 3489: 3483: 3482:The A.V. Club 3479: 3474: 3472: 3468: 3464: 3460: 3456: 3452: 3451:Talking Heads 3448: 3444: 3440: 3436: 3432: 3427: 3425: 3421: 3417: 3413: 3409: 3404: 3402: 3398: 3394: 3390: 3386: 3381: 3377: 3373: 3369: 3362: 3358: 3354: 3349: 3340: 3337: 3333: 3329: 3325: 3316: 3312: 3308: 3304: 3300: 3299: 3294: 3290: 3286: 3282: 3280: 3279:Kevin Dettmar 3276: 3272: 3268: 3264: 3260: 3256: 3252: 3248: 3244: 3240: 3236: 3235:Rob Sheffield 3232: 3231: 3226: 3225:Rolling Stone 3222: 3218: 3217: 3216:The A.V. Club 3212: 3207: 3205: 3200: 3199: 3194: 3190: 3189: 3188:Rolling Stone 3184: 3183: 3178: 3174: 3170: 3169: 3164: 3163: 3158: 3157: 3152: 3148: 3144: 3143: 3138: 3134: 3130: 3121: 3119: 3118: 3114: 3113: 3083: 3081: 3080: 3076: 3075: 3045: 3043: 3042: 3038: 3037: 3007: 3005: 3004: 3000: 2999: 2995: 2993: 2991: 2987: 2986: 2956: 2954: 2953: 2949: 2948: 2944: 2942: 2941: 2937: 2936: 2906: 2904: 2903: 2899: 2898: 2894: 2892: 2891: 2890:The A.V. Club 2887: 2886: 2856: 2854: 2851: 2850: 2842: 2839:Review scores 2837: 2821: 2819: 2818: 2813: 2808: 2806: 2805: 2800: 2796: 2792: 2788: 2787: 2786:Village Voice 2782: 2781:Rolling Stone 2778: 2774: 2770: 2769: 2764: 2763: 2758: 2754: 2753: 2748: 2747: 2742: 2741: 2736: 2735: 2730: 2729: 2724: 2720: 2719: 2714: 2710: 2706: 2704: 2700: 2696: 2695: 2690: 2686: 2685:Mercury Prize 2682: 2678: 2674: 2670: 2666: 2665:Grammy Awards 2662: 2653: 2651: 2647: 2643: 2641: 2636: 2632: 2631: 2626: 2622: 2621: 2616: 2615: 2610: 2609: 2603: 2601: 2600: 2595: 2591: 2587: 2583: 2582: 2577: 2576: 2571: 2570: 2565: 2564: 2559: 2555: 2554: 2553:Rolling Stone 2548: 2546: 2542: 2541: 2536: 2532: 2528: 2527: 2522: 2518: 2517: 2512: 2508: 2504: 2503: 2498: 2497: 2492: 2488: 2479: 2477: 2476: 2472: 2471: 2467: 2465: 2464: 2460: 2459: 2429: 2427: 2426: 2425:Rolling Stone 2422: 2421: 2391: 2389: 2388: 2384: 2383: 2379: 2377: 2376: 2372: 2371: 2367: 2365: 2364: 2360: 2359: 2334: 2332: 2331: 2327: 2326: 2296: 2294: 2293: 2289: 2288: 2284: 2282: 2281: 2277: 2276: 2251: 2249: 2248: 2244: 2243: 2235: 2232:Review scores 2230: 2219: 2217: 2209: 2205: 2197: 2193: 2188: 2184: 2183: 2170: 2165: 2163: 2161: 2156: 2152: 2148: 2139: 2137: 2133: 2129: 2128: 2123: 2122: 2117: 2116: 2115:Rolling Stone 2111: 2106: 2102: 2100: 2099: 2094: 2090: 2086: 2076: 2074: 2070: 2066: 2063: 2062: 2057: 2053: 2048: 2045: 2041: 2031: 2026: 2022: 2018: 2013: 2011: 2007: 2003: 1999: 1994: 1992: 1988: 1984: 1980: 1975: 1972: 1971:tube stations 1964: 1960: 1955: 1948: 1944: 1940: 1936: 1932: 1916: 1914: 1910: 1906: 1902: 1898: 1890: 1875: 1873: 1868: 1863: 1861: 1857: 1856:non-sequiturs 1853: 1849: 1848: 1843: 1840: 1836: 1831: 1829: 1828: 1821: 1819: 1815: 1807: 1803: 1798: 1789: 1787: 1783: 1779: 1775: 1771: 1770: 1765: 1761: 1755: 1752: 1748: 1747: 1742: 1732: 1729: 1720: 1718: 1714: 1710: 1706: 1702: 1697: 1695: 1691: 1687: 1683: 1679: 1675: 1669: 1664: 1662: 1661: 1656: 1652: 1647: 1643: 1642: 1637: 1636:Eleanor Rigby 1633: 1632: 1627: 1623: 1618: 1617: 1608: 1604: 1600: 1599: 1594: 1588: 1586: 1574: 1557: 1540: 1537: 1533: 1529: 1525: 1524: 1519: 1515: 1511: 1506: 1503: 1499: 1495: 1494:Stepford Wife 1489: 1487: 1486: 1480: 1476: 1472: 1468: 1460: 1456: 1452: 1447: 1438: 1432: 1428: 1424: 1420: 1416: 1412: 1408: 1403: 1401: 1397: 1396:Wall of Sound 1393: 1389: 1385: 1381: 1376: 1374: 1370: 1366: 1362: 1358: 1354: 1353: 1348: 1343: 1338: 1337: 1332: 1328: 1326: 1322: 1318: 1314: 1310: 1306: 1302: 1297: 1295: 1294: 1289: 1288:Douglas Adams 1285: 1281: 1277: 1273: 1269: 1265: 1261: 1256: 1253: 1249: 1248: 1243: 1242:J. G. Ballard 1239: 1238: 1233: 1232:reincarnation 1229: 1225: 1224: 1219: 1218:William Blake 1215: 1211: 1207: 1203: 1196: 1194: 1182: 1165: 1156: 1139: 1112: 1109: 1105: 1101: 1100:concept album 1097: 1094:The songs of 1092: 1090: 1089: 1084: 1080: 1079: 1074: 1070: 1066: 1062: 1061: 1056: 1055:Eric Hobsbawm 1052: 1048: 1044: 1040: 1036: 1035:globalisation 1032: 1028: 1024: 1020: 1016: 1006: 1004: 1000: 999:Kelefa Sanneh 993: 992: 987: 983: 979: 978:Rolling Stone 975: 970: 968: 964: 960: 959: 954: 950: 946: 942: 941: 936: 931: 929: 925: 921: 917: 913: 909: 905: 901: 897: 893: 889: 885: 881: 877: 876: 871: 867: 863: 860: 856: 855: 844: 840: 836: 832: 822: 811: 792: 789: 785: 781: 777: 773: 768: 765: 761: 756: 754: 750: 749:reverberation 745: 743: 739: 735: 727: 723: 719: 714: 710: 707: 702: 698: 694: 693: 688: 683: 681: 680:Hammond organ 677: 673: 667: 665: 661: 660:George Martin 655: 653: 649: 645: 635: 633: 629: 625: 621: 617: 613: 609: 605: 601: 596: 594: 593:Philip Selway 590: 585: 579: 575: 571: 567: 566:Nigel Godrich 563: 559: 556:organised by 555: 551: 550: 545: 541: 540: 531: 530: 525: 521: 512: 510: 509: 504: 503:internet leak 500: 499: 494: 490: 486: 482: 478: 474: 470: 466: 462: 458: 456: 452: 448: 444: 440: 436: 432: 430: 425: 421: 416: 414: 410: 406: 402: 401:reverberation 398: 394: 390: 389:globalisation 386: 382: 378: 374: 369: 367: 360: 356: 355: 350: 346: 342: 338: 334: 333:Nigel Godrich 330: 326: 325: 315: 304: 298: 291: 285: 278: 272: 265: 259: 258: 255: 252: 248: 244: 240: 231: 230: 226: 222: 221: 217: 213: 212: 208: 207: 203: 199: 195: 188: 186: 185:Nigel Godrich 183: 182: 180: 178: 174: 168: 165: 163: 160: 159: 157: 155: 151: 139: 135: 132: 129: 127: 123: 116: 112: 109: 106: 102: 101: 99: 95: 88: 85: 81: 80: 78: 74: 63: 59: 55: 50: 46: 42: 37: 32: 27: 25: 19: 14787: 14769: 14757: 14747:Daddy's Home 14745: 14733: 14710: 14698: 14693:The National 14686: 14674: 14662: 14650: 14638: 14626: 14614: 14602: 14579: 14567: 14555: 14543: 14531: 14519: 14507: 14495: 14483: 14471: 14448: 14443:Beastie Boys 14436: 14425: 14424: 14412: 14400: 14388: 14376: 14366:Bone Machine 14364: 14352: 14340: 14264: 14260:Clive Deamer 14252: 14226: 14219: 14212: 14205: 14198: 14140: 14133: 14126: 14119: 14112: 14105: 14087: 14080: 14073: 14066: 14059: 14052: 14045: 14039:Video albums 14015:Lotus Flower 13770:Pyramid Song 13752:No Surprises 13738:Karma Police 13689:My Iron Lung 13641: 13634: 13627: 13620: 13615:My Iron Lung 13613: 13606: 13599: 13581: 13563: 13557:Remix albums 13547:Kid A Mnesia 13545: 13538: 13531: 13524: 13517: 13497: 13490: 13483: 13476: 13469: 13462: 13456: 13455: 13448: 13441: 13423: 13416: 13409: 13402: 13395: 13341: 13324:. Retrieved 13320: 13289: 13262: 13235: 13212: 13204:the original 13189: 13183: 13161: 13141: 13122: 13119:Harris, John 13094: 13073: 13070:Footman, Tim 13051: 13032: 13024:Bibliography 13011:25 September 13009:. Retrieved 12996: 12986:25 September 12984:. Retrieved 12971: 12961:11 September 12959:. Retrieved 12946: 12936:25 September 12934:. Retrieved 12916: 12904:. Retrieved 12897:the original 12880: 12868:. Retrieved 12848: 12842: 12830:. Retrieved 12816: 12804:. Retrieved 12791: 12783: 12779: 12775: 12774:OK Computer 12771: 12763:. Retrieved 12758:(in Dutch). 12750: 12743: 12739: 12733:15 September 12731:. Retrieved 12718: 12705:. Retrieved 12692: 12674: 12662:. Retrieved 12659:IFPI Danmark 12649: 12637:. Retrieved 12634:Music Canada 12624: 12612:. Retrieved 12598: 12588:25 September 12586:. Retrieved 12570: 12558:. Retrieved 12554:the original 12540: 12528:. Retrieved 12518: 12506:. Retrieved 12502:the original 12495: 12486: 12474:. Retrieved 12470:the original 12460: 12448:. Retrieved 12437: 12428: 12419: 12413: 12401:. Retrieved 12383: 12371:. Retrieved 12364: 12352: 12340:. Retrieved 12325: 12316: 12304:. Retrieved 12286: 12274:. Retrieved 12263: 12254: 12245: 12239: 12227:. Retrieved 12225:(in Swedish) 12220: 12211: 12199:. Retrieved 12181: 12169:. Retrieved 12165:the original 12155: 12143:. Retrieved 12136: 12124: 12112:. Retrieved 12102:(in Dutch). 12094: 12082:. Retrieved 12064: 12052:. Retrieved 12034: 12022:. Retrieved 12004: 11995: 11988: 11982: 11966: 11948: 11930: 11914: 11896: 11884:. Retrieved 11880: 11871: 11859:. Retrieved 11845: 11832:. Retrieved 11830:(in Italian) 11825: 11816: 11804:. Retrieved 11795: 11783:. Retrieved 11770: 11758:. Retrieved 11754:the original 11744: 11726: 11714:. Retrieved 11710: 11701: 11683: 11675:the original 11668: 11659: 11620: 11602: 11571: 11566: 11554:. Retrieved 11543: 11533: 11521:. Retrieved 11512: 11503: 11491:. Retrieved 11482: 11472: 11460:. Retrieved 11449: 11440: 11428:. Retrieved 11424:the original 11419: 11409: 11397:. Retrieved 11386: 11376: 11364:. Retrieved 11358: 11348: 11336:. Retrieved 11331:The Guardian 11329: 11319: 11304: 11298: 11294: 11290: 11286: 11282: 11278: 11270: 11255: 11245: 11233:. Retrieved 11222: 11216: 11212: 11208: 11204: 11200: 11196: 11188: 11173: 11145: 11124:the original 11117: 11094: 11070: 11064: 11038: 11032: 11028: 11024: 11023:"Radiohead: 10998: 10967: 10964:OK Computer" 10961: 10957: 10956:"Pablo Honey 10931: 10907:the original 10900: 10891: 10876: 10866: 10851: 10841: 10829:. Retrieved 10818: 10809: 10798:, retrieved 10787: 10777: 10765:. Retrieved 10759: 10749: 10737:. Retrieved 10731: 10721: 10709:. Retrieved 10705: 10695: 10683:. Retrieved 10672: 10662: 10650:. Retrieved 10641: 10631: 10619:. Retrieved 10613: 10600: 10578:Footman 2007 10573: 10558: 10548: 10533: 10523: 10508: 10498: 10487:, retrieved 10476: 10466: 10456: 10450: 10439: 10433: 10422: 10416: 10406: 10400: 10388:. Retrieved 10384: 10381:"Uncut #117" 10375: 10367:the original 10360: 10350: 10337:The Guardian 10335: 10325: 10313: 10298: 10277:Melody Maker 10275: 10269: 10261:the original 10254: 10245: 10230: 10223:Pareles, Jon 10217: 10208: 10203: 10191: 10184:Britton 2011 10179: 10172:Lynskey 2011 10167: 10155:. Retrieved 10151:the original 10146: 10136: 10121: 10111: 10103:the original 10096: 10086: 10071: 10061: 10039: 10027:. Retrieved 10021: 10011: 9999:. Retrieved 9990: 9981: 9969:. Retrieved 9960: 9950: 9935: 9925: 9913:. Retrieved 9908:Louder Sound 9906: 9897: 9887:18 September 9885:. Retrieved 9876: 9867: 9859:the original 9852: 9843: 9833:24 September 9831:. Retrieved 9827: 9817: 9802: 9793: 9785:the original 9780:Metro Weekly 9778: 9768: 9760:the original 9753: 9740: 9725: 9715: 9705: 9699: 9691: 9684:Footman 2007 9679: 9664: 9625: 9619: 9597: 9588: 9564: 9554: 9542:. Retrieved 9522: 9512: 9500:. Retrieved 9496:the original 9489: 9479: 9464: 9436:. Retrieved 9425: 9412: 9397: 9387: 9377: 9371: 9364:Footman 2007 9359: 9351:the original 9344: 9334: 9328:, p. 48 9323: 9317: 9309:the original 9302: 9293: 9285:the original 9278: 9269: 9258:, retrieved 9247: 9237: 9222: 9209: 9201:the original 9194: 9181: 9169:. Retrieved 9160: 9150: 9141:29 September 9139:, retrieved 9128: 9115: 9103:. Retrieved 9099:the original 9094:Daily Herald 9092: 9083: 9071:. Retrieved 9065: 9055: 9047:Melody Maker 9045: 9041: 9032: 9025:Footman 2007 9020: 9008: 9001:Footman 2007 8996: 8985: 8967:29 September 8965:, retrieved 8954: 8927:, retrieved 8923:the original 8916: 8892:, retrieved 8886: 8858: 8827: 8800:, retrieved 8789: 8779: 8756: 8752: 8748: 8744: 8741:the original 8727: 8717:15 September 8715:. Retrieved 8709: 8703: 8702:"Radiohead, 8696: 8681: 8672: 8657: 8647: 8637: 8631: 8619:. Retrieved 8609: 8597:. Retrieved 8593:the original 8586: 8576: 8566: 8560: 8553:. Retrieved 8542: 8518:Footman 2007 8513: 8506:Footman 2007 8501: 8489:. Retrieved 8477:The Guardian 8475: 8447:. Retrieved 8441: 8431: 8419:. Retrieved 8410: 8400: 8388:. Retrieved 8386:. p. 68 8381: 8368: 8358: 8349: 8337: 8330:Randall 2000 8325: 8318:Footman 2007 8313: 8306:Randall 2000 8301: 8294:Footman 2007 8289: 8282:Footman 2007 8277: 8265:. Retrieved 8259: 8235:. Retrieved 8222: 8210: 8203:Randall 2000 8198: 8190:Guitar World 8188: 8182: 8174: 8168: 8161:Randall 2000 8156: 8144:. Retrieved 8138: 8128: 8116:. Retrieved 8105: 8084:the original 8070: 8058:. Retrieved 8052: 8042: 8030: 8020: 8014: 8007:Randall 2000 8002: 7992:30 September 7990:. Retrieved 7986:the original 7979: 7969: 7959: 7953: 7946:Randall 2000 7941: 7934:Randall 2000 7929: 7919: 7913: 7903: 7897: 7889:the original 7884:Mental floss 7882: 7872: 7860: 7848:. Retrieved 7842: 7836: 7828: 7821:Footman 2007 7816: 7804: 7789: 7767: 7761: 7753:the original 7746: 7736: 7729:Footman 2007 7713:The Guardian 7711: 7705: 7697:The Observer 7695: 7689: 7678:, retrieved 7674:the original 7667: 7640:. Retrieved 7629: 7620: 7612:The Observer 7610: 7604: 7594: 7584: 7573:, retrieved 7569:the original 7562: 7559:"Moonstruck" 7536:the original 7521: 7511: 7505: 7498:Footman 2007 7493: 7478: 7468: 7461:Footman 2007 7456: 7446: 7440: 7432:Melody Maker 7430: 7410:Randall 2000 7405: 7395: 7373: 7355:Footman 2007 7350: 7342:The Guardian 7340: 7319: 7301:Footman 2007 7296: 7289:Randall 2000 7269: 7248:Footman 2007 7230: 7206: 7181: 7175: 7168:Footman 2007 7163: 7153: 7147: 7140:Footman 2007 7125:Randall 2000 7120: 7109: 7080:Footman 2007 7075: 7068:Footman 2007 7063: 7056:Footman 2007 7051: 7043:Melody Maker 7041: 7017:Randall 2000 7012: 7005:Footman 2007 7000: 6988:. Retrieved 6973: 6958: 6948: 6941:Footman 2007 6936: 6929:Footman 2007 6924: 6916:the original 6911:Guitar World 6909: 6865: 6857:The Guardian 6855: 6832: 6811: 6785: 6764:Melody Maker 6762: 6756: 6749:Footman 2007 6744: 6717:. Retrieved 6713: 6684:The Guardian 6682: 6654: 6627:, retrieved 6620: 6595: 6589: 6583:, p. 87 6578: 6554:the original 6520:. Retrieved 6509: 6500: 6493:Randall 2000 6488: 6481:Randall 2000 6476: 6469:Randall 2000 6464: 6454: 6433: 6427: 6417: 6396: 6393:Harris, John 6361:Footman 2007 6356: 6348: 6326:Randall 2000 6321: 6314:Footman 2007 6293: 6268:13 September 6266:. Retrieved 6260: 6250: 6235: 6229: 6209:Footman 2007 6204: 6194: 6188: 6180:Total Guitar 6178: 6157:. Retrieved 6138: 6124: 6118: 6111:Randall 2000 6093: 6077:Randall 2000 6072: 6062: 6036: 6023: 6013: 6007: 6000:Randall 2000 5985:Randall 2000 5980: 5973:Footman 2007 5968: 5958: 5954: 5944: 5938: 5928: 5922: 5912: 5887:Footman 2007 5882: 5875:Randall 2000 5859: 5840: 5836: 5803:Footman 2007 5798: 5788: 5769: 5733:, retrieved 5722: 5707:, retrieved 5696: 5682: 5678: 5668: 5654:, retrieved 5645: 5626:Depeche Mode 5622:Jim O'Rourke 5608:label owner 5560: 5547:, retrieved 5536: 5522: 5509:The Guardian 5507: 5466: 5459:Footman 2007 5452: 5446: 5439:British rock 5417: 5409: 5405: 5396: 5391: 5387: 5382: 5375:Footman 2007 5370: 5365: 5353: 5349: 5344: 5313: 5305:3× Platinum 5285:2× Platinum 5270:5× Platinum 5144: 5114:4× Platinum 5109:IFPI Danmark 5099:5× Platinum 5094:Music Canada 5084:2× Platinum 5026: 5010: 4987: 4961: 4935: 4921: 4885: 4861: 4847: 4759: 4737: 4576:Albums Chart 4570: 4510: 4406:liner notes 4403: 4401: 4381:No Surprises 4365:Karma Police 4315: 4293: 4291: 4269: 4254: 4234: 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1629: 1616:Melody Maker 1614: 1612: 1606: 1596: 1582: 1536:Cattle prods 1521: 1513: 1507: 1490: 1483: 1464: 1426: 1407:Karma Police 1404: 1400:Generation X 1392:Phil Spector 1377: 1350: 1334: 1329: 1301:Bitches Brew 1300: 1298: 1291: 1257: 1245: 1235: 1221: 1199: 1190: 1107: 1095: 1093: 1086: 1076: 1073:Jonathan Coe 1068: 1058: 1051:Noam Chomsky 1046: 1023:techno-speak 1014: 1012: 1002: 989: 981: 977: 971: 962: 956: 953:glockenspiel 938: 932: 927: 879: 873: 870:Bitches Brew 869: 854:Bitches Brew 852: 850: 842: 839:Noam Chomsky 771: 769: 757: 746: 742:Jane Seymour 731: 717: 697:Claire Danes 690: 687:Baz Luhrmann 684: 672:No Surprises 668: 664:fifth Beatle 656: 651: 641: 615: 599: 597: 588: 586: 569: 547: 537: 535: 527: 506: 496: 460: 459: 455:No Surprises 447:Karma Police 428: 419: 417: 396: 370: 366:experimental 358: 352: 336: 323: 322: 321: 303:No Surprises 277:Karma Police 251:OK Computer 250: 227: 219: 218: 209: 49:Studio album 23: 18: 14800:1997 albums 14752:St. Vincent 14740:Fiona Apple 14681:David Bowie 14657:St. Vincent 14652:St. Vincent 14569:In Rainbows 14438:Hello Nasty 14426:OK Computer 14354:Out of Time 14159:Discography 13926:Other songs 13873:Daydreaming 13848:The Butcher 13791:Go to Sleep 13784:There There 13675:Pop Is Dead 13575:Live albums 13485:In Rainbows 13457:OK Computer 13443:Pablo Honey 13343:OK Computer 13259:"Radiohead" 13184:OK Computer 13095:OK Computer 12926:OK Computer 12893:IFPI Sweden 12639:16 December 12530:21 February 12229:19 December 11785:26 November 11572:OK Computer 11462:9 September 11338:22 November 11287:OK Computer 11279:Pablo Honey 11205:OK Computer 11197:Pablo Honey 11065:OK Computer 11033:OK Computer 11025:Pablo Honey 10606:Hogan, Marc 10593:Harris 2004 10196:Clarke 2010 9700:OK Computer 9594:Graff, Gary 9042:OK Computer 9013:Clarke 2010 8704:OK Computer 8567:OK Computer 8555:22 February 8342:Clarke 2010 8215:Clarke 2010 8175:MondoSonoro 8060:15 February 8054:The Quietus 8035:Clarke 2010 7844:Consequence 7837:OK Computer 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