492:" a modest crossover hit. Afterwards, Orange Juice took the tapes from these sessions and signed to Polydor, hastening the demise of Postcard (with a scheduled fifth Orange Juice single on Postcard, "Wan Light", failing to ever see the light of day). The Postcard Records-era history of Orange Juice is featured in the 2015 documentary film
397:" were pressed, and most included copies of the "Felicity" flexi: 200 also included a postcard of the band. The wrap-round cover and amateur packaging established Postcard's home-spun aesthetic, with the label's "Sound of Young Scotland" tagline marking it out as something of a reaction to much of the seriousness and angst of
644:
New single "Place in my Heart" was scheduled for
October 1983 as a teaser for an album that would come out the following month. However, both were pulled following Ross and McClymont leaving the group, citing 'musical differences': the last appearance of the four-piece Orange Juice was their open-air
808:
was initially part of
Collins' live band, and Kirk, Manyika, and McClymont continue to record and perform intermittently, the band has never reformed. To date, the original line-up of the band has reunited publicly just once, in 2008, when they were honoured for their influence on Scottish music by
684:
but also failed to break into the top 40, peaking at 47, while prophetic single "Lean Period" just crept into the top 75. The album was promoted via 'The
Artisans' tour in the Autumn of 1984, with Steve Skinner replacing Britten on guitar, but by this stage venues and crowds were becoming smaller
437:
cliché. Live, performances could be shambolic, with guitars often out of tune, and songs often aborted as drums, bass and guitar raced away from each other. Occasionally, crowds were hostile towards the band, seeing them as effeminate and anti-rock. Nonetheless, gigs in
Glasgow and then Edinburgh
449:
The band's debut single was followed by a series of well-received
Postcard 7" releases: "Blue Boy", "Simply Thrilled Honey" and "Poor Old" Soul in 1980 and 1981. Selling sufficiently to appear prominently in the independent charts, these garnered considerable interest from the London-based music
483:
with these demos, with Rough Trade agreeing to fund recording sessions in London in the summer of 1981, promising to distribute the debut album whilst allowing
Postcard to retain artistic freedom. The album was recorded in Regent's Park Studios in London in August 1981, under the auspices of
325:
Shortly after Duncan's departure, one of
Collins' colleagues in the Glasgow Parks Department, David McClymont, joined the band on bass, and the band was rechristened as Orange Juice. Collins, Kirk, McClymont and Daly's first gig as Orange Juice occurred in April 1979 in the
300:
nu-sonic guitar used by
Collins. Two students in the year below them – Steven Daly and James Kirk, previously in punk band, The Machetes – were drafted into the band in 1977, with a fifth member, Geoff Taylor, playing drums. A first gig was held in the Silver Thread in
512:
was not released until
February 1982, and received mixed reviews, with the use of backing singers and synthesizers anathema to some of the band's long-term fans. Retrospectively, however, the album is often cited as a classic of the era and a key influence on the
428:
consolidated its reputation as being at the cutting-edge of a new wave of
Scottish pop. But it was Orange Juice that came to embody the "Sound of Young Scotland", with Collins' on-stage behaviour, charity-shop chic and occasional self-parody combining
546:
on tour in early 1982 was not the line-up that recorded it: ignoring older material penned by James Kirk (e.g. "Felicity", "Wan Light", "You Old Eccentric", "Three Cheers for Our Side") the band often used dates to debut new songs that overtly more
689:'s immigration status, with the release of a third single from the album vetoed as the record label focused on other acts, to Collins' vocal disapproval. At the same time, Collins' decision to release material with former schoolfriend
525:
to join the band, making it a five-piece. This caused some ructions, with Daly and Kirk reportedly feeling the band was losing its original sound (Daly in particularly having publicly objected to the first Polydor single
405:" was Postcard's signature tune: lyrically and musically, it celebrated the innocence of youth and was very much at odds with much contemporary independent music, combining a disco bass-line purloined from an
212:. Orange Juice's 'neo acoustic', jangly guitar sound – as evident in singles including "Blue Boy" and "Simply Thrilled Honey" – came to define 'The Postcard Sound' that directly influenced acts as diverse as
685:(and a final London Lyceum date in December 1984 was cancelled because of poor sales). Relations with Polydor became strained by the fact Orange Juice could not tour internationally because of
377:
Daly left shortly after the Teviot Row gig, joining local punk act Fun 4. Daly was replaced in Orange Juice by Chris Gordon on drums, but was persuaded back to record the band's debut single "
366:. Horne planned the fanzine with Collins in 1979 primarily as a conduit to release Orange Juice's music. The fanzine never appeared, though some copies of the flexi were given away in the
283:
have had lower-profile solo releases. The original line-up of the band reunited once in 2008 to be honoured for their influence on Scottish music, but the band has never reformed.
636:
becoming the band's manager). However, the follow-up single to "Rip It Up", "Flesh of My Flesh", failed to build on its success, peaking at number 41 in the spring of 1983.
261:
in February 1983. Subsequent singles failed to chart as highly, but the band continued to be critically acclaimed, finally splitting up in January 1985 after a gig for the
389:
co-producing and adding guitar to both the A-side and the playful and instrumental B-side "Moscow", the latter recorded as a tentative 'theme tune' for the coming 1980
1051:
296:
Orange Juice had their origin in the Nu Sonics, formed by Edwyn Collins with college friend Alan Duncan (on bass) in 1976: the band was named after the affordable
488:
producer Adam Kidron, who sought to augment the band's guitar-based sound with backing singers, horns and keyboards, emulating the sound that had made Scritti's "
201:
618:
performances, including one where bass player David McClymont appeared to fall into the crowd, apparently inebriated, gaining them a ban from the programme. DJ
709:
766:
In the 1990s, the rejuvenated Postcard Records issued a collection of the band's early singles and in 1993 finally released the demos for the first album
305:
in November 1977, with Daly on lead vocals. Daly subsequently shifted to drums, and further local gigs followed as a four-piece, including one supporting
949:
538:
and bass player David McClymont. Collins, Ross and McClymont performed as a three-piece, with stand-in drummers, on a couple of Autumn 1981 gigs before
748:
owed to Collins' lyrics, while a number of other later 1980s bands were to cite Orange Juice and other Postcard Records acts as an influence, with the
563:), and "In Spite of It All", later renamed and issued as the single "Two Hearts Together" in the summer of 1982. The latter single was released as a
633:
586:
Despite increasing exposure on TV and media, both of Orange Juice's 1982 singles failed to deliver the anticipated hit. However. the album
1141:
237:
for them. However, internal tensions led to splits in the band in late 1981, with their second album, released in late 1982, showing more
1226:
1024:
1110:
1523:
1518:
534:
classic, released in October 1981). Collins was reported in the press as siding with Kirk and Daly before deciding to leave with
1313:
1350:
265:. Their three albums have been subsequently reissued and remastered on several occasions, with a major career-spanning box set
1059:
716:
song. Following the split, Manyika recorded a solo album for Polydor, who also released an Orange Juice 'greatest hits' album
381:" for Postcard after Gordon suffered from stage fright at a number of gigs. The debut single was recorded in December 1979 in
473:
Demos for an album on Postcard were completed in a single day at Hellfire Studios in Glasgow in 1981, with the working title
770:
alongside a reissue of "Blue Boy", while Polydor collected the best of their major releases on a new 'best of' compilation,
654:
From this point Orange Juice had a core line-up of Collins and Manyika, who proceeded to record Orange Juice's final album,
626:
Sessions in March 1983 (neither commercially released, and assumed missing from the BBC archive), while magazines including
575:, showing the band moving away from its original guitar-based sound and towards a more varied and eclectic musical palette.
1533:
1528:
1418:
825:
660:, with Clare Kenny on bass, and with Johnny Britten on guitar and Paul Herd on bass joining the live set-up. Produced by
508:
233:
1543:
1538:
1184:
697:
262:
756:") or who borrowed elements of their sound (such as Mighty Mighty, The Chesterf!elds, The June Brides, The Bodines).
1090:
645:
festival appearance at Victoria Park, Hackney 6 Aug 1984. Salvaged from the album sessions, the six-track mini-album
517:
generation and beyond. By the stage the album was released, the band in any case had a new line-up: in August 1981,
470:: coming on as support band, Orange Juice became the first band to play this now-legendary venue (on 11 Dec 1980).
736:
While never enjoying prolonged commercial success, Orange Juice were to exercise considerable influence over the
892:
797:, responded by issuing re-releases of all four Polydor albums on vinyl and CD, with a major 6 CD/DVD collection
1425:
833:
793:
proclaimed Orange Juice as an influence, triggering renewed interest in the band. Franz Ferdinand's label, the
588:
275:
pursued a successful solo career following the band's split, whilst other members James Kirk, David McClymont,
1464:
593:
254:
246:
946:
450:
press, much of which appeared charmed by the band's on-stage antics. Invitations to record two sessions for
651:, issued in March 1984, was critically feted, but failed to spawn a hit with its only single, "Bridge".
1343:
1307:
1296:
489:
181:. Musically, the band brought together styles and genres that often appeared incongruous, for example,
972:
919:
443:
1489:
818:
794:
763:
naming their 1989 debut album after one of James Kirk's compositions, "Three Cheers for Our Side".
94:
1168:
724:
the same year, with his solo debut single "Don't Shilly Shally" released on the Creation-offshoot
1393:
998:
805:
705:
535:
522:
458:
followed, and, in the autumn of 1980, the band was invited on a national tour by Peel-favourites
386:
339:
335:
276:
157:
as the Nu-Sonics in 1976. They became Orange Juice in 1979, and took inspiration by contemporary
122:
778:
713:
665:
556:
479:. Seeking better distribution to get the debut album to a larger audience, Postcard approached
359:
309:
at Satellite City in January 1978, alongside Johnny and the Self-Abusers, later to be known as
178:
759:
Internationally, Orange Juice also inspired the neo-acoustic movement in Japan, with the band
1336:
1285:
327:
302:
672:
influences presaged other 1980s Scottish acts taking inspiration from this genre, including
542:
made his live debut in January 1982 at the London Venue. As such, the line-up that promoted
1457:
417:
402:
394:
378:
693:
on Alan Horne's new Swampland Records label further soured the relationship with Polydor.
420:" immediately marked out Postcard Records as a label to watch, and subsequent releases by
8:
760:
753:
690:
480:
227:
Despite their association with the independent scene, the band signed to the major label
217:
1496:
1482:
863:
677:
552:
475:
410:
1321:
1180:
1086:
871:
744:
scenes that followed in the UK. Most notably, commentators often noted the debt that
725:
463:
166:
1439:
841:
721:
656:
597:
442:
were sold as 'Postcard' nights, including the infamous 'Funky Glasgow Now' show at
363:
331:
258:
197:
86:
957:
953:
708:), announcing it was their last gig to a half-empty venue. Their final song was "
614:
485:
390:
249:" was achieved with the aid of the synthesizer – it was the first hit to use the
228:
90:
804:
Edwyn Collins continues to perform Orange Juice songs at his live shows. Though
1201:"BBC Radio 6 Music - Classic Scottish Albums, You Can't Hide Your Love Forever"
782:
669:
572:
527:
518:
494:
459:
439:
421:
343:
205:
53:
1301:
1290:
1253:
752:
scene featuring numerous acts who either covered Orange Juice songs (such as "
196:
The band released their first singles during 1980 and 1981 on the independent
1512:
1371:
661:
564:
560:
434:
371:
272:
250:
213:
182:
110:
1200:
1400:
1303:
Postcard Records : Big Gold Dream Bonus – The Glasgow School Full Film
1231:
1115:
1029:
924:
701:
686:
681:
568:
539:
430:
425:
310:
297:
280:
209:
126:
1111:"From the archive, 21 January 1985: Pop bands put on miners' benefit show"
1052:"Buzzcocks: Boredom / Orange Juice: Rip It Up – Seconds – Stylus Magazine"
317:
Town Hall, leaving the remaining members to search for a new bass player.
1432:
1281:
673:
647:
623:
619:
608:, the single cemented Orange Juice as one of the brightest bands in the '
601:
451:
306:
162:
745:
741:
680:. The album's lead single "What Presence?!" was notable for a video by
628:
467:
382:
347:
221:
146:
58:
1085:(19th ed.). London: Guinness World Records Limited. p. 408.
559:", future single "I Can't Help Myself" (with its telling reference to
790:
786:
737:
605:
548:
455:
398:
238:
190:
174:
170:
158:
63:
48:
1002:
976:
867:
531:
314:
154:
34:
1177:
Simnply Thrilled Honey: the proposterous story of Postcard Records
939:
1264:
609:
351:
150:
1142:"Music legends Orange Juice together again 26 years after split"
1328:
1165:
Gilbert, Pat, 'Orange Juice' Record Collector no 193, Sept 1995
1074:
346:, and one track from this (Kirk's "Felicity") was pressed as a
242:
186:
893:"Orange Juice, Aztec Camera Reissued by Domino – Pitchfork"
696:
The band's final show was in January 1985 at a gig for the
664:, the album was named with reference to the third album by
241:
sensibilities and combining their guitar-based sound with
749:
514:
406:
612:' scene. The single was promoted through two memorable
438:
began to attract a sizable fan-base: notable gigs with
462:, gaining further exposure. One of these gigs was at
1135:
1133:
710:
Rock and Roll (I Gave You the Best Years of My Life)
1104:
1102:
358:', a name that later inspired and was adopted for
1254:"Orange Juice - What Presence?! (Official Video)"
1227:"Orange Juice and Edwyn Collins – 10 of the best"
1130:
1025:"Orange Juice and Edwyn Collins – 10 of the best"
1510:
864:"Pop/Rock » Punk/New Wave » Post-Punk"
592:issued in November 1982 was to spawn the single
433:aesthetics with a subversive rejection of macho
1099:
622:championed the band, commissioning two further
700:, where they came on as the first act (before
578:
1344:
1179:(1st ed.). London: Ebury. p. 240.
772:The Esteemed – The Very Best of Orange Juice
409:song with jangly guitars reminiscent of the
632:continued to showcase the band (its editor
1351:
1337:
668:. Again critically acclaimed, the album's
291:
245:influences. The band's only top 40 hit, "
1108:
996:
970:
917:
521:split up, with Collins asking guitarist
231:in 1981 and recorded their first album,
1174:
1080:
362:and notably Alan Horne, the manager of
1511:
313:. Duncan left the band after a gig at
1332:
1139:
777:In the 2000s, guitar bands including
360:a band formed by friends of the group
320:
1224:
1022:
567:with "Hokoyo", a song co-written by
1109:Denselow, Robin (21 January 2011).
809:the Nordoff Robbins musical trust.
600:in February 1983. Referencing both
330:refectory. At another early gig at
204:, along with fellow Scottish bands
13:
947:"Now That's What I Call New Pop!".
920:"Orange Juice, The Glasgow School"
720:in 1985, while Collins signed for
370:fanzine run by Robert Hodgens (of
173:but also 1960s acts, most notably
14:
1555:
1275:
918:Petridis, Alexis (21 July 2005).
350:to be distributed with a planned
1524:Scottish new wave musical groups
1419:You Can't Hide Your Love Forever
1358:
1140:Sloan, Billy (25 October 2008).
1083:British Hit Singles & Albums
826:You Can't Hide Your Love Forever
596:, which reached number 8 on the
544:You Can't Hide Your Love Forever
509:You Can't Hide Your Love Forever
234:You Can't Hide Your Love Forever
1519:Scottish post-punk music groups
1246:
1218:
1193:
1159:
551:in style, including a cover of
1225:Jack, Malcolm (20 July 2016).
1044:
1023:Jack, Malcolm (20 July 2016).
1016:
990:
964:
911:
885:
856:
812:
639:
501:
401:. Released in February 1980, "
393:. Fewer than 1,000 copies of "
1:
849:
7:
1534:Musical groups from Glasgow
999:"The Glasgow School Review"
10:
1560:
1529:Scottish jangle pop groups
816:
286:
257:" reached number 8 on the
1544:Scottish musical quartets
1539:Scottish indie pop groups
1474:
1449:
1410:
1366:
731:
444:Glasgow Technical College
104:
100:
82:
72:
41:
30:
23:
973:"Orange Juice Biography"
819:Orange Juice discography
795:Domino Recording Company
571:and featuring lyrics in
16:Scottish jangle pop band
1175:Goddard, Simon (2014).
1081:Roberts, David (2006).
706:Everything but the Girl
336:University of Edinburgh
1314:"Orange Juice history"
666:The Velvet Underground
356:Strawberry Switchblade
292:Origins: The Nu Sonics
179:the Velvet Underground
1490:The Heather's on Fire
328:Glasgow School of Art
1458:Falling and Laughing
1324:on 27 February 2014.
961:. 12 September 2005.
952:5 March 2016 at the
418:Falling and Laughing
403:Falling and Laughing
395:Falling and Laughing
379:Falling and Laughing
149:band founded in the
754:The Wedding Present
557:I'll Take You There
490:The "Sweetest Girl"
481:Rough Trade Records
218:Haircut One Hundred
1497:The Glasgow School
1483:Ostrich Churchyard
1056:Stylusmagazine.com
899:. 18 December 2013
801:released in 2010.
799:Coals to Newcastle
768:Ostrich Churchyard
553:The Staple Singers
530:", a cover of the
476:Ostrich Churchyard
411:Velvet Underground
321:The Postcard years
269:released in 2010.
267:Coals to Newcastle
1506:
1505:
872:All Media Network
726:Elevation Records
698:UK miners' strike
582:and chart success
263:UK miners' strike
200:label founded by
140:
139:
1551:
1440:The Orange Juice
1353:
1346:
1339:
1330:
1329:
1325:
1320:. Archived from
1304:
1293:
1269:
1268:
1262:
1260:
1250:
1244:
1243:
1241:
1239:
1222:
1216:
1215:
1213:
1211:
1197:
1191:
1190:
1172:
1166:
1163:
1157:
1156:
1154:
1152:
1137:
1128:
1127:
1125:
1123:
1106:
1097:
1096:
1078:
1072:
1071:
1069:
1067:
1058:. Archived from
1048:
1042:
1041:
1039:
1037:
1020:
1014:
1013:
1011:
1009:
994:
988:
987:
985:
983:
968:
962:
943:
937:
936:
934:
932:
915:
909:
908:
906:
904:
889:
883:
882:
880:
878:
860:
842:The Orange Juice
761:Flipper's Guitar
722:Creation Records
712:", a cover of a
657:The Orange Juice
598:UK Singles Chart
594:of the same name
368:Ten Commandments
364:Postcard Records
338:was recorded by
332:Teviot Row House
259:UK Singles Chart
198:Postcard Records
161:bands including
145:were a Scottish
107:
75:
21:
20:
1559:
1558:
1554:
1553:
1552:
1550:
1549:
1548:
1509:
1508:
1507:
1502:
1470:
1445:
1406:
1383:David McClymont
1362:
1357:
1312:
1302:
1291:
1278:
1273:
1272:
1258:
1256:
1252:
1251:
1247:
1237:
1235:
1223:
1219:
1209:
1207:
1199:
1198:
1194:
1187:
1173:
1169:
1164:
1160:
1150:
1148:
1138:
1131:
1121:
1119:
1107:
1100:
1093:
1079:
1075:
1065:
1063:
1050:
1049:
1045:
1035:
1033:
1021:
1017:
1007:
1005:
995:
991:
981:
979:
969:
965:
958:Pitchfork Media
954:Wayback Machine
944:
940:
930:
928:
916:
912:
902:
900:
891:
890:
886:
876:
874:
862:
861:
857:
852:
821:
815:
779:Franz Ferdinand
734:
642:
615:Top of the Pops
584:
528:L.O.V.E... Love
504:
486:Scritti Politti
446:in April 1980.
391:Moscow Olympics
323:
294:
289:
229:Polydor Records
135:
133:
132:Johnny Britten
131:
129:
125:
121:
119:
117:
116:David McClymont
115:
113:
105:
78:1979–1985, 2008
73:
68:
26:
17:
12:
11:
5:
1557:
1547:
1546:
1541:
1536:
1531:
1526:
1521:
1504:
1503:
1501:
1500:
1493:
1486:
1478:
1476:
1472:
1471:
1469:
1468:
1461:
1453:
1451:
1447:
1446:
1444:
1443:
1436:
1429:
1422:
1414:
1412:
1408:
1407:
1405:
1404:
1397:
1390:
1385:
1380:
1375:
1367:
1364:
1363:
1356:
1355:
1348:
1341:
1333:
1327:
1326:
1310:
1299:
1292:Big Gold Dream
1288:
1277:
1276:External links
1274:
1271:
1270:
1245:
1217:
1192:
1186:978-0091958244
1185:
1167:
1158:
1129:
1098:
1091:
1073:
1062:on 4 June 2011
1043:
1015:
997:Andy Kellman.
989:
971:Jason Ankeny.
963:
945:Harvel, Jess.
938:
910:
884:
854:
853:
851:
848:
847:
846:
838:
830:
817:Main article:
814:
811:
783:Hatcham Social
733:
730:
670:blue-eyed soul
641:
638:
583:
577:
503:
500:
495:Big Gold Dream
460:The Undertones
354:to be called '
322:
319:
293:
290:
288:
285:
138:
137:
108:
102:
101:
98:
97:
84:
80:
79:
76:
70:
69:
67:
66:
61:
56:
51:
45:
43:
39:
38:
32:
28:
27:
24:
15:
9:
6:
4:
3:
2:
1556:
1545:
1542:
1540:
1537:
1535:
1532:
1530:
1527:
1525:
1522:
1520:
1517:
1516:
1514:
1499:
1498:
1494:
1492:
1491:
1487:
1485:
1484:
1480:
1479:
1477:
1473:
1466:
1462:
1459:
1455:
1454:
1452:
1448:
1442:
1441:
1437:
1435:
1434:
1430:
1428:
1427:
1423:
1421:
1420:
1416:
1415:
1413:
1411:Studio albums
1409:
1403:
1402:
1398:
1396:
1395:
1391:
1389:
1386:
1384:
1381:
1379:
1376:
1374:
1373:
1372:Edwyn Collins
1369:
1368:
1365:
1361:
1354:
1349:
1347:
1342:
1340:
1335:
1334:
1331:
1323:
1319:
1315:
1311:
1309:
1305:
1300:
1298:
1294:
1289:
1287:
1283:
1280:
1279:
1266:
1255:
1249:
1234:
1233:
1228:
1221:
1206:
1202:
1196:
1188:
1182:
1178:
1171:
1162:
1147:
1143:
1136:
1134:
1118:
1117:
1112:
1105:
1103:
1094:
1092:1-904994-10-5
1088:
1084:
1077:
1061:
1057:
1053:
1047:
1032:
1031:
1026:
1019:
1004:
1000:
993:
978:
974:
967:
960:
959:
955:
951:
948:
942:
927:
926:
921:
914:
898:
894:
888:
873:
869:
865:
859:
855:
844:
843:
839:
836:
835:
831:
828:
827:
823:
822:
820:
810:
807:
802:
800:
796:
792:
788:
784:
780:
775:
773:
769:
764:
762:
757:
755:
751:
747:
743:
739:
729:
727:
723:
719:
718:In a Nutshell
715:
714:Kevin Johnson
711:
707:
703:
699:
694:
692:
688:
683:
679:
675:
671:
667:
663:
662:Dennis Bovell
659:
658:
652:
650:
649:
637:
635:
631:
630:
625:
621:
617:
616:
611:
607:
603:
599:
595:
591:
590:
581:
576:
574:
570:
566:
565:double A-side
562:
561:The Four Tops
558:
554:
550:
545:
541:
537:
533:
529:
524:
520:
516:
511:
510:
499:
497:
496:
491:
487:
482:
478:
477:
471:
469:
465:
461:
457:
453:
447:
445:
441:
436:
435:rock and roll
432:
427:
423:
419:
414:
412:
408:
404:
400:
396:
392:
388:
384:
380:
375:
373:
372:the Bluebells
369:
365:
361:
357:
353:
349:
345:
341:
337:
333:
329:
318:
316:
312:
308:
304:
299:
284:
282:
278:
274:
273:Edwyn Collins
270:
268:
264:
260:
256:
252:
251:Roland TB-303
248:
244:
240:
236:
235:
230:
225:
223:
219:
215:
214:the Bluebells
211:
207:
203:
199:
194:
192:
188:
184:
180:
176:
172:
168:
164:
160:
156:
152:
148:
144:
136:Steve Skinner
128:
124:
120:Chris Gordon
112:
111:Edwyn Collins
109:
103:
99:
96:
92:
88:
85:
81:
77:
71:
65:
62:
60:
57:
55:
52:
50:
47:
46:
44:
40:
36:
33:
29:
22:
19:
1495:
1488:
1481:
1475:Compilations
1438:
1431:
1424:
1417:
1401:Zeke Manyika
1399:
1394:Malcolm Ross
1392:
1387:
1382:
1377:
1370:
1360:Orange Juice
1359:
1322:the original
1317:
1282:Orange Juice
1263:– via
1257:. Retrieved
1248:
1236:. Retrieved
1232:The Guardian
1230:
1220:
1208:. Retrieved
1204:
1195:
1176:
1170:
1161:
1149:. Retrieved
1146:Daily Record
1145:
1120:. Retrieved
1116:The Guardian
1114:
1082:
1076:
1064:. Retrieved
1060:the original
1055:
1046:
1034:. Retrieved
1030:The Guardian
1028:
1018:
1006:. Retrieved
992:
980:. Retrieved
966:
956:
941:
929:. Retrieved
925:The Guardian
923:
913:
901:. Retrieved
896:
887:
875:. Retrieved
858:
840:
832:
824:
806:Malcolm Ross
803:
798:
776:
771:
767:
765:
758:
735:
717:
702:Aztec Camera
695:
687:Zeke Manyika
682:Derek Jarman
655:
653:
646:
643:
627:
613:
587:
585:
579:
569:Zeke Manyika
543:
540:Zeke Manyika
536:Malcolm Ross
523:Malcolm Ross
507:
506:Debut album
505:
493:
474:
472:
448:
426:Aztec Camera
415:
387:Malcolm Ross
376:
367:
355:
340:Malcolm Ross
324:
311:Simple Minds
295:
281:Zeke Manyika
277:Malcolm Ross
271:
266:
232:
226:
210:Aztec Camera
195:
143:Orange Juice
142:
141:
127:Zeke Manyika
123:Malcolm Ross
118:Steven Daly
106:Past members
74:Years active
25:Orange Juice
18:
1433:Texas Fever
1388:Steven Daly
1259:25 February
1238:25 February
1210:25 February
1151:25 February
1122:25 February
813:Discography
678:Hue and Cry
674:Wet Wet Wet
648:Texas Fever
640:Later years
620:Janice Long
502:Debut album
307:Steel Pulse
163:Subway Sect
134:Paul Heard
130:Clare Kenny
1513:Categories
1378:James Kirk
850:References
746:The Smiths
742:indie rock
691:Paul Quinn
634:Ian Cranna
629:Smash Hits
468:Nottingham
383:Strathaven
348:flexi-disc
222:the Smiths
202:Alan Horne
167:Television
153:suburb of
147:jangle pop
114:James Kirk
59:jangle pop
37:, Scotland
1465:Rip It Up
1426:Rip It Up
1066:21 August
1036:21 August
931:21 August
903:21 August
897:Pitchfork
834:Rip It Up
791:The Cribs
787:The Drums
738:indie pop
728:in 1986.
624:Radio One
606:Buzzcocks
589:Rip It Up
580:Rip It Up
464:Rock City
456:John Peel
452:Radio One
399:post-punk
255:Rip It Up
247:Rip It Up
175:the Byrds
171:Buzzcocks
64:indie pop
49:Post-punk
1286:AllMusic
1008:9 August
1003:AllMusic
982:9 August
977:AllMusic
950:Archived
877:27 April
868:AllMusic
604:and the
532:Al Green
315:Hardgate
155:Bearsden
87:Postcard
54:new wave
35:Bearsden
1450:Singles
1318:Birdpoo
1308:YouTube
1297:YouTube
1265:YouTube
610:new pop
519:Josef K
440:Josef K
422:Josef K
385:, with
352:fanzine
344:Josef K
334:at the
303:Paisley
287:History
206:Josef K
183:country
151:Glasgow
91:Polydor
1183:
1089:
845:(1984)
837:(1982)
829:(1982)
789:, and
732:Legacy
169:, and
95:Domino
83:Labels
42:Genres
31:Origin
573:Shona
454:DJ's
298:Burns
243:disco
187:disco
1261:2023
1240:2023
1212:2023
1181:ISBN
1153:2023
1124:2023
1087:ISBN
1068:2017
1038:2017
1010:2022
984:2022
933:2017
905:2017
879:2016
740:and
704:and
676:and
602:Chic
431:camp
424:and
279:and
253:. "
220:and
208:and
191:punk
189:and
177:and
159:punk
1306:on
1295:on
1284:at
1205:BBC
750:C86
555:' "
549:pop
515:C86
466:in
407:ELO
374:).
342:of
239:pop
1515::
1316:.
1229:.
1203:.
1144:.
1132:^
1113:.
1101:^
1054:.
1027:.
1001:.
975:.
922:.
895:.
870:.
866:.
785:,
781:,
774:.
498:.
413:.
224:.
216:,
193:.
185:,
165:,
93:,
89:,
1467:"
1463:"
1460:"
1456:"
1352:e
1345:t
1338:v
1267:.
1242:.
1214:.
1189:.
1155:.
1126:.
1095:.
1070:.
1040:.
1012:.
986:.
935:.
907:.
881:.
526:"
416:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.